Image – Page 2

About this year’s Passover cover art

For the this year, Steveston, B.C., artist Merle Linde, chose to create a Haggadah cover that would look old and hand drawn. To achieve this authentic feeling, Linde used Taiwan linen paper, traditional Chinese watercolour paints and brushes.

The calligraphy letters in solid black Hebrew-like text feature peacock blue flashes, often seen in antique manuscripts. Yom Tov candles sit on candleholders that borrow their design from ancient Egyptian columns. The traditional Four Cups of Wine are inspired by a set of old silverware featuring raised grapevine leaves and grapes. And a silver seder plate holder has space for the three traditional shmura matzot, the shank bone, the burnt egg, haroset, bitter herbs, green vegetable and salt water for dipping.

Chag Pesach sameach.

Leftovers made yummy

Leftover chicken can be used for more than matzah ball soup. (photo from flickr / Edsel Little)

There is a tradition of having chicken for the seder meal, as well as for dinners on other Pesach evenings. Here are some different ways of using the leftovers.

MOCK GEFILTE FISH
(makes 18)

1 1/2 cups water & 1 1/2 tsp chicken soup powder (or 1 1/2 cups chicken soup)
1 1/2 celery ribs, chopped
1 1/2 onions, chopped
1 1/2 carrots, cut up
2 cups leftover chicken pieces
2 eggs
1/2 cup matzah meal
1/2 cup chicken soup

In a soup pot, place water and chicken soup powder or (1 1/2 cups chicken soup), celery, onion and carrots. Bring to a boil, then reduce and simmer until vegetables are partially cooked.
Remove chicken from bones and place in food processor. Process a few seconds. Remove to a bowl.
Add eggs, matzah meal and 1/2 cup chicken soup. Shape into balls. Add more matzah meal if balls don’t seem to hold together. Place in chicken soup with vegetables. Cover partially and simmer 30 minutes.

MINA DE PESACH
(I always make a couple of Sephardi dishes during Pesach in tribute to my father’s family. This recipe came from The Recipe Table by Susan R. Friedland, 1994. It makes 6-8 servings.)

5 tbsp vegetable oil
2 cups chopped onions
3 tbsp minced garlic
1 1/2 cups thinly sliced mushrooms
3 cups bite-size pieces cooked chicken
salt and pepper to taste
1 cup chopped parsley
5 lightly beaten eggs
5 to 6 matzot
1 cup chicken soup
3 tbsp vegetable oil

Preheat oven to 375°F. Grease a six-to-eight cup baking dish.
Heat five tablespoons oil in a large frying pan. Slowly sauté onion and garlic until translucent, about 10 minutes. Add mushrooms, sauté five minutes and cool. Stir in chicken, salt, pepper, parsley and eggs.
Dip two matzot in the stock until well moistened and lay in baking dish. Spoon half the chicken mixture on top. Cover with one more moistened matzah, the remaining chicken and two remaining matzot.
Pour two tablespoons oil on top and bake for 15 minutes. Sprinkle with remaining one tablespoon oil and bake an additional 15 minutes or until the top is a rich, crisp brown. Let cool for 10 minutes and serve.

CHICKEN-LEEK PATTIES
(makes 6-8 servings)

3 leeks, cleaned and cut up
1 cup chopped onions
2 cups cooked, chopped chicken
2 eggs
1 cup mashed potatoes
1/2 cup matzah meal
salt and pepper to taste
1 beaten egg
matzah meal
vegetable oil

Place leeks and onions in a saucepan with water. Bring to a boil. Reduce heat and simmer 30 minutes. Drain and chop in a bowl.
Add chicken, eggs, matzah meal, mashed potatoes, salt and pepper and blend.
Place beaten egg in one shallow dish and matzah meal in another dish. Form mixture into patties. Dip each in beaten egg then in matzah meal. Refrigerate for at least 30 minutes.
Heat oil in a frying pan. Fry until patties are brown on both sides. Drain on paper towels.

Sybil Kaplan is a Jerusalem-based journalist and author. She has edited/compiled nine kosher cookbooks and is a food writer for North American Jewish publications. She leads walks of the Jewish food market, Machaneh Yehudah, in English.

המשבר החמור בישראל

למרות המשבר החמור מאוד בישראל והפגנות גדולות במדינה נגד הרפורמה המשפטית של הממשלה, שנמשכות כבר למעלה מחודשיים, בקהילה היהודית בוונקובר עומדים מהצד ולא נוקטים בצעדים מעשיים. מדי שבוע בימי ראשון נערכת הפגנת הזדהות של יהודים בוונקובר עם המאבק של מתנגדי הרפורמה בישראל,ובודדים בלבד מגיעים לאירוע שמתקיים בכיכר רובסון, בסמוך לארט גלרי של ונקובר. אני השתתפתי באירוע שנערך ביום ראשון האחרון של חודש פברואר, ובסך הכל הגיעו תשעה מפגינים לכיכר רובסון. זה היה פשוט מחזה מביש לראשות בודדים ביותר בקרב קהילת היהודים המקומית שבכלל אכפת להם ממה שקורה בישראל. האדישות היא לא במקום כאשר הבית בישראל בוער, אמר לי אחד המפגינים נגד הרפורמה המשפטית

המפגינים נשאו שלטים בעברית ובאנגלית בגנות ראש הממשלה בנימין נתניהו, ותוכנית הרפורמה המשפטית שלו, שנועדה בעצם להפסיק את כל ההליכים המשפטיים נגדו ולשחרר אותו מהאפשרות שישלם מחיר כבד על החשדות הפליליות נגדו. נישאו נאומים קצרים והמפגינים התפזרו לכל עבר תוך תקווה שבהפגנות הבאות יגיעו רבים יותר. הישועה לישראל השפויה כנראה לא תגיע מוונקובר

גם ראשי הקהילה היהודית כאן נוהגים באיפוק מוגזם ולא עומדים לצד המפגינים הרבים בישראל נגד הרפורמה של ראש הממשלה בנימין נתניהו וממשלתו הקיצונית, כפי שעושות הקהילות היהודיות בארצות הברית. הפדרציה היהודית של אזור ונקובר הוציאה הודעה לאור האירועים החמורים בישראל, שהיא בעצם ההודעה של של הפדרציה היהודית של קהילות צפון אמריקה. בהודעה נאמר כי הפדרציה היהודית של קהילות צפון אמריקה שלחה מכתבים לראש הממשלה בנימין נתניהו וראש האופוזיציה יאיר לפיד, ובהם היא מציינת את דאגתה מהיבטי הרפורמה של מערכת המשפטי החדשה, תוך שהיא קוראת לשני הצדדים מייד לנהל משא ומתן לפשרה. כל זאת על סמך ההצעות של נשיא המדינה יצחק הרצוג. בפדרציה היהודית של צפון אמריקה מדגישים עוד כי יש לבצע שינויים מהותיים בהצעת החוק לרפורמה במערכת המשפטת של ממשלת בנימין נתניהו. השוניים כוללים בין היתר את ההחלטה ברפורמה כי כנסת ישראל יכולה ברוב קולות להפוך ולשנות החלטות של בית המשפט העליון של ישראל. עוד מודגש בדברי הפדרציה היהודית של קהילות צפון אמריקה כי, אסור שהכנסת של ישראל ברוב של שישים ואחד קולות בלבד – תבטל את החלטות של בית המשפט העליון של המדינה ויש במפורש להכיר גם זכויות של המיעוט

לדברי הפדרציה היהודית הקהילות של צפון אמריקה המכתבים שלה זכו לדיווחים נרחבים בתקשורת הישראלית ולאור כך זמן קצר לאחר הפרסומים קרא ראש הממשלה בנימין נתניהו באופן גלוי להידברות עם האופוזיציה, כאשר ראש האופוזיציה יאיר לפיד, הסכים אף הוא עם עקרונות ההצעה של הפדרציה היהודית של קהילות צפון אמריקה. בפדרציה היהודית של קהילות צפון אמריקה מוסיפים עוד כי הם מעודדים מהצהרתו של ראש ממשלת ישראל בנימין נתניהו, ואכן מאמינים ששני הצדדים צריכים לפעול במשותף כדי להתגבר על ההבדלים הקטנים מאוד שנותרו, כדי להתחיל במשא ומתן בין הצדדים באופן מידי ביותר

יו”ר הפדרציה היהודית של אזור ונקובר עזרא שנקן, מציין בהודעתו השבועית לקהילה המקומית בין היתר, כי לבו נשבר לאור הפוגרום הקשה של המתנחלים בישוב הפלסטיני חווארה, שהוא מנוגד לחלוטין לאופן שבו הוא מאמין שמוטל אל אנשים להתנהג. כזכור המתנחלים שרפו בתים, מכוניות ורכוש של פלסטינים לאחר שמחבל הרג שני מתנחלים. מאש שנתניהו חזר לשלטון גדלו אירועי הטרור בישראל באופן משמעותי

Not your parents’ Netanyahu

Lihi Shmuely of Israel Hofsheet and Ben Murane of the New Israel Fund of Canada. (photos from the organizations)

Binyamin Netanyahu is the longest-serving Israeli prime minister and should be a known quantity. The government he leads now, however, is unlike anything the country has seen in the past, according to a leading Israeli activist who participated in a cross-Canada speaking tour.

“This is different,” said Lihi Shmuely, deputy director of Israel Hofsheet. “This is completely new to us. This is a very extreme, radical government that we’ve never seen before.”

Israel Hofsheet (Israel Be Free) works to increase freedom and equality in the areas of religion and state, as well as Jewish pluralism in Israel, particularly focusing on civil options for marriage, gender equality, pluralistic Shabbat in the public realm and LGBTQ+ rights.

Even some voters who supported parties that are now in the governing coalition are expressing regret, she said. Many supported right-wing parties based on national security issues or a range of other policies.

“Now they understand that it comes as a whole package, that these people who promised national security … [are] not just racists but also chauvinists and homophobes and misogynistic people who are promoting legislation that will hurt the very core, the liberal and democratic core, of Israel,” said Shmuely.

She warned that people should take members of the new government seriously when they advance what appear to be extreme policy positions. To contextualize what is happening, she compared the reaction in the United States when the U.S. Supreme Court overturned Roe versus Wade, the precedent-setting reproductive rights case.

“We thought this was already set in stone, the Supreme Court has decided and that’s it,” Shmuely said. Returning to the Israeli situation, she warned that some people do not believe that the more extreme statements or policies – even the formally agreed-upon coalition agreements – will actually be codified in legislation or policy. “They will do what they say they’ll do. So, we need to take it very, very seriously.”

Evidence suggests many Israelis are taking it seriously. Rallies throughout the country against the range of legislation and proposals – most notably the subjugation of the Supreme Court to the elected Knesset, as well as women’s equality and LGBTQ+ rights, the status and rights of Palestinians in the West Bank, and encroachments of religion into the public sphere. People who have never been political in the past are getting involved and even attending the mass rallies that take place every weekend.

“We don’t have this privilege anymore, to say, I will not get involved,” Shmuely said, adding that Israelis are facing existential questions. “I feel like we are asking ourselves, what are we? Are we a Jewish state? Are we a democratic state? Are we a liberal democracy? Is there a contradiction between all of them? It feels like these days we are writing the rest of our history.”

Shmuely’s grandmother is a Holocaust survivor and, in recent months, has been saying, “This is not the country that I ran away from Europe for.”

While emphasizing urgency, Shmuely counters that it is not too late to alter course.

“I do think we are under terrible threat and I do think that it’s not too late,” said Shmuely. “It’s almost – but it’s not yet. We still have a lot to do.”

A major focus for opposition groups is this October’s municipal elections across Israel.

“These are sort of like the midterms in the States,” she said. Aside from this, municipal governments also have power to push back against national trends. For example, some municipalities have expanded transportation services to Shabbat.

Shmuely was supposed to be in Vancouver March 1 for a program at Or Shalom synagogue. However, she was stuck in Toronto after contracting COVID and appeared virtually. In person was Ben Murane, executive director of the New Israel Fund of Canada. His group supports civil society organizations in Israel that advance socioeconomic equality, religious freedom, civil and human rights, shared society and anti-racism efforts. Their Vancouver event was co-sponsored by Or Shalom, and the advocacy groups Peace Now and Ameinu.

Murane highlighted what he sees as recent positive developments.

“We couldn’t have anticipated that every Saturday there would be 100,000 protesters coming out – 300,000 last weekend,” he said. Security officials, business leaders, the heads of universities, lawyers, the press council and others who might previously have remained silent on contentious issues are speaking out, said Murane, and high-tech businesses are giving employees time off to attend protests.

“We couldn’t have anticipated that, in the past few weeks, major Diaspora voices who, between you and me, are usually the ones arguing against criticism of Israel, would be coming out saying, please criticize the government of Israel,” he said. “The Jewish Federations of North America issued a very surprising and precedent-breaking statement against the court override. You see individuals like [former Canadian justice minister] Irwin Cotler coming out, you see [former head of the Anti-Defamation League] Abraham Foxman and, for whatever it’s worth, Alan Dershowitz also saying something.”

He cited the resignation of Avi Maoz from cabinet last week as a positive outcome, partly due to public opposition. Maoz is head of the far-right Noam party, which advocates against equality for women and LGBTQ+ people. He resigned from cabinet, though not from the governing coalition, when he realized that Netanyahu was unlikely to implement numerous of his priorities.

“Avi Maoz came in with very bold intentions and then met all of this intense resistance and found that his agenda is not going to be as easily advanced,” he said. The rest of the coalition realized, according to Murane, that it would cost a great deal of political capital for the government to allow Maoz to get his way. “We are seeing them say, Avi, you’re not going to get everything you want, and he quits in a huff.… This is evidence that some of this is actually working, that it may appear a pyrrhic victory, but these are the dribs and drabs of what impact looks like in these moments.”

The role of groups like his and its partners on the ground in Israel is eternal vigilance, Murane said.

“Part of the role of civil society is to let nothing go unchallenged. Nothing,” he said. “Even if our odds of actually completely forestalling it are slim, part of the victory is to make an atrocious thing merely bad and to make the political powers that are advancing these initiatives expend a great deal of political capital in order to get what they want, by making them waste time and energy.”

Murane addressed the extraordinary violence that took place in the Palestinian village of Huwara Feb. 26, where rampaging Jewish settlers engaged in what has been called by some a “pogrom” that left one person dead, almost 400 wounded, and homes and businesses set afire. The attack was revenge for a terror attack the same day, in which Israeli brothers Hallel Yaniv, 21, and Yagel Yaniv, 19, were murdered.

“We’ve seen settler violence,” said Murane. “It’s been on the increase. It’s a real thing. It’s a fact of life for Palestinians from the territories. But to have dozens of settlers go into a village with impunity and commit the violence they committed, that is a new thing.”

He said civil society organizations must draw as much attention as possible to such incidents, including promoting the use of body cameras for police and wider availability of video cameras for civilians.

Incidents like these cloud the reality of evolving Israeli views on Arab-Jewish political cooperation, he said. Over the last several election cycles, opinion polls have indicated a steep increase in the proportion of Israelis who support Arab-Jewish political cooperation, from about 30% a couple of years ago to a majority today. The inclusion of an Arab political party in the last coalition government was groundbreaking.

“That’s a huge change in Israeli society that, a year ago, we didn’t even imagine it was possible,” Murane said. In the 2022 election, he said, “unless you are voting for the right-wing, you are implicitly voting for more Jewish-Arab political partnership.”

Or Shalom’s Rabbi Hannah Dresner introduced the event.

“I think it’s an important time for me to acknowledge that the democracy that I imagine as part of that beautiful place that I called Israel through my whole growing up and adulthood is really a selective democracy, a democracy for some and not for all,” she said. “That is a very important aspect of my concern at the moment – not just what happens with the loss of democracy but what is that democracy and how can it be a democracy that serves all who live in the land of Israel?”

Finding community in art

“Nostalgia” by Lovena Galyide (photo by Olga Livshin)

Community Longing and Belonging, the fifth annual exhibition in celebration of Jewish Disability Awareness and Inclusion Month, is now on at the Zack Gallery.

Curated by Leamore Cohen, coordinator of Jewish Community Centre of Greater Vancouver’s Inclusion Services, the participating artists demonstrate a range of artistic levels, abilities and social affiliations, but they all strive to answer the same questions in their artwork: What does community longing look like? How to find a place to belong in our ever-changing world?

Cohen has been the driving force of this show for five years. For her, an unjuried exhibition is the best way to honour the commitment to remove barriers and celebrate community members’ creativity. If an artist wanted in, they were in, professional artist or amateur, Jewish or non-Jewish, young or old. Cohen stressed that inclusion is the basic principle, and participation is what counts most.

Many artists in the current show have participated in the Inclusion Services exhibit before. Although most of the works on display are paintings, there are also photographs and drawings. There are portraits and landscapes, figurative and abstract imagery. Some items are for sale, while others are not.

Many of the portraits are disturbing in their naked emotional anguish. The faces are jagged or crooked, angular or cubical. One of them is clearly inspired by Picasso, but all of them portray loneliness, a search for belonging.

Most of the abstract images are similarly angry or sad. Very little figurative recognition manifests, but the emotions explode out of the pictures, multiplied by dark colours and sharp lines. They depict the pain of isolation, the desire for acceptance.

Not every work is bleak. Clare Palmer’s photograph “Red Maple” is full of natural serenity, as if the photographer found her community in nature and recommends it to everyone.

Roi Alexander M. Sanchez’s painting with a long and winding title starting with Clean Environment shows a man and a woman cleaning the land, collecting garbage into sacks, together with their friends in the background. The cleaning they are doing is obviously a community event, and the artist emphasizes this with bright colours and cheerful composition. The painting radiates gladness, with a child-like flare. The author seems to say: we clean our home together.

Togetherness also seems to be the main meaning of Aileen Leong’s untitled piece, where two hearts are pierced by one arrow. Connected by this arrow of love, the hearts fly above the mountains on the golden wings of joy.

Lovena Galyide, on the other hand, doesn’t speak of love in either of her two paintings. Both are larger than most of the others in the exhibit. Both feature a single woman. In one, called “Say Yes to Your Open Door,” a girl lifts the curtain of night above her head, allowing in the light of the morning. She welcomes a new beginning and abolishes darkness. The painting thrums with hope. The girl is alone, with her back to viewers, but maybe the new day will bring her a new friend. Or a new love is waiting for her on the sunny side.

Another of Galyide’s paintings is “Nostalgia.” It is less exuberant than the first. The woman in this canvas stands in the rain outside the window of a flower shop. The viewers are “inside,” looking out. All they see is a blurry female silhouette under an umbrella. But, inside the shop, flowers bloom. Is that pensive, lonely woman going to enter? Buy flowers? Or is she just passing down the street? So many stories could start with this painting, all going in different directions. It is up to viewers to finish those stories.

Flowers are also the focus of Sandra Yuen’s “Bias.” This painting is large, and the close-up flowers are accordingly huge and gloriously pink, blooming in splendid isolation on the blue background. The painting is reminiscent of Georgia O’Keeffe’s gigantic flowers, capturing the beauty and vastness of nature.

Unlike Yuen’s exposition of colour, another large painting, by Rodrigo Perez Parra, seems composed mostly of melancholy, echoed by its subdued, earthen palette. Its title, “The Dance in the Dream,” reflects its subject: a woman standing thoughtfully beside an open door. Does she dream of a dance in her past? Does she hope to dance again? Where is her partner? Only a hat, hanging beside the door, reminds us about them. Are they coming back? Again, stories abound from this painting, some of which might even have a happy ending.

photo - “Folk Guitar” and “Tree of Life Paddle” by Andrew Jackson — “Folk Guitar” and “Tree of Life Paddle” by Andrew Jackson. *(photo by Olga Livshin)*

In the middle of all the images on the gallery walls, two 3-D exhibits stand out. Andrew Jackson’s “Folk Guitar” and “Tree of Life Paddle” are tongue-in-cheek, almost goofy. Both are real-life objects, painted in a distinctive folksy style. The guitar flaunts soaring gulls gobbling fish. The paddle is painted with the Tree of Life. Although the guitar lacks its strings, perhaps the artist considers music our inescapable community. Or sports (for the paddle)?

Another unique item on display is a small clay tablet called “The AHA Community.” The artists who created it belong to the Artists Helping Artists (AHA) collective. The plaque doesn’t list any names, but Cohen said each of the 11 little colourful figures placed on the tablet’s surface, all engaged in different artistic activities, were made by different members of the collective. They are merry self-portraits, making the tablet itself a representative of all the artists in this show.

According to their website, AHA is an art studio collective in Burnaby, where artists of all abilities and skill levels are encouraged to come together to make art – visual art, music, writing, anything goes. The studio provides space, affordable materials and the opportunity to pursue the individual artist’s aspirations. A large percentage of their membership is artists with complex needs.

Like the JCC Inclusion Services, AHA believes that art is a vital element in our lives, and that inclusion is mandatory. Their mandates are congruent – each invites people to share their feelings through art.

The Community Longing and Belonging exhibit runs at the Zack until March 28. To view the flipping book, visit online.flippingbook.com/view/836064016.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Hillel BC marks its 75th

Attendees at UBC Hillel House’s Rosh Hashanah dinner to start the 2022/23 school year. (photo from Hillel BC)

Hillel BC celebrates its 75th year with a celebration March 30 at the University of British Columbia Hillel House.

Hillel BC was founded in 1947, under the name B’nai B’rith Hillel Foundation, in the same spot on UBC’s campus where it still operates from today. This came from an understanding that Jewish students were being excluded from the main student clubs on campus and they needed a place to socialize and be Jewish.

The original space was an old, wooden one-room house that was at the outskirts of campus. Little did they know then that this location would become the heart of the campus as the university expanded.

photo - Established in 1947 on UBC campus (left), Hillel BC’s current building – on the same site as the old one – opened in 2010 — Established in 1947 on UBC campus (left), Hillel BC’s current building – on the same site as the old one – opened in 2010. (photo from Jewish Museum and Archives of BC L.00070)

In 2002, B’nai B’rith Hillel Foundation became Vancouver Hillel Foundation, the first Hillel International-affiliated program in Canada, which was followed by establishing space at both Simon Fraser University and University of Victoria. Eight years later, the current building was opened, solidifying Hillel’s space on the UBC campus and beyond. Today, Hillel BC continues to serve at UBC, UVic, SFU, Langara College, Emily Carr University of Art + Design and other post-secondary institutions as needed.

photo - The current Hillel BC building on UBC campus — The current Hillel BC building on UBC campus. *(photo by ThosGee via panoramio.com)*

In addition to celebrating 75 years on campus, Hillel @ 75 on March 30, 7:30 p.m., will provide an opportunity to thank recent executive directors Rabbi Philip Bregman and Sam Heller. The Jewish Student Association, Israel on Campus Club and AEPi (Jewish fraternity) will offer the community an overview of their activities in dedicated tables, and a short presentation will be given by the board and current staff. Special guests include Deborah Buszard (UBC interim president), Joy Johnson (SFU president), Skip Vichness (Hillel International board chair) and Vancouver Mayor Ken Sim.

“We are very excited to have the community back in our building for this celebration of our 75th anniversary,” said Rob Philipp, executive director of Hillel BC. “Due to COVID, we missed a lot of important events worth noting, specifically the 10th anniversary of our UBC building, and the retirement of Rabbi Philip Bregman and Sam Heller. We want to take the opportunity to celebrate our successes and recognize some of the key people who helped lead us through some difficult times. The evening reception will be at our UBC building, attended by special guests, and it will host the first viewing of our promotional video.”

For more about Hillel BC and to purchase a ticket for the event ($75), visit hillelbc.com. A portion of the ticket price is tax-deductible.

– Courtesy Hillel BC

Alegría a gratifying movie

Alegría screens at the Rothstein Theatre March 19, and online March 19-26. (photo from vjff.org)

You can pick your friends, the old saying goes, but you can’t pick your family. For Alegría, a prerequisite of adulthood is distancing from relatives and interacting with them on her terms.

The vital 40-something protagonist of Alegría, screening in the Vancouver Jewish Film Festival (vjff.org), has deliberately carved out a self-centred existence in her quiet hometown of Melilla, a small Spanish city on the northern coast of Africa. Alegría (Cecilia Suárez) Facetimes with her kibbutznik daughter and directs the young Muslim woman who cooks and cleans for her, relishing her independence.

Warm colours and inviting interiors, however, signal from the outset that Alegría is going to be a story of connection rather than isolation, of love supplanting loneliness and redemption trumping regret. In her satisfying and touching feature debut, Spanish director and co-writer Violeta Salama’s generosity extends well beyond Alegría to the young women who enter her orbit.

But none of that is on the table when Alegría gets a call that her Orthodox brother, sister-in-law and niece are coming to Melilla for the latter’s wedding to a local guy. They plan to stay at Alegría’s place – the house where she and her brother grew up – invading her space and brushing the cobwebs from her dormant Sephardi Jewish identity.

Alegría has literally sealed off the past – mezuzot, photos, furniture and menorot behind a locked door. Secular to the point of caustic irreverence, Alegría views her assimilation as an emblem of freedom and enlightened coexistence. Bit by bit, though, she will realize that she has denied a core component of her character.

Alegría doesn’t define herself in terms of or in reaction to men, and hasn’t for a long time. Yet the tough love, bordering on lack of empathy, that this stalwart feminist evinces for Yael, the bride, and Dunia, her part-time housekeeper, is shocking.

Yael is used to obeying her father but is beginning to doubt the merits of transferring that acquiescence to her soon-to-be husband. Dunia’s brother, the head of that household, stands in the way of her dream of studying drawing in Paris.

Women escaping the constraints, and embracing the ties, of family has long been the stuff of melodrama. But the filmmaker adopts a lighter tone with humorous bits that undercut the seriousness with which the characters take their respective situations.

“I’d cut my foot off before stepping into a synagogue,” Alegría proclaims in a seemingly unambiguous rejection of ritual, tradition and faith. But when she visits the rabbi to reserve the mikvah for the bride and Yael’s mother, their banter suggests that he and Alegría had a youthful romance (while opening the window to a potential future relationship). The synagogue, therefore, doesn’t represent a religious institution or unhappy family memories to Alegría. It’s just a reminder of who she used to be – or, more accurately, who she is.

One of the pleasures of Alegría is that it unfolds in a calm, civilized setting that feels like an oasis. No sirens or boom boxes jangle our nerves, and the family feudings rarely require the raising of voices.

Salama told an interviewer when she was completing the film in 2021: “To create Alegría’s world, I wanted to steer away from the realism of life in a border town, a major port, instead setting her down in the world of my childhood. I want to share the city as I see it, the city I carry inside me, and so I recreated certain moments where the focus is entirely on these seemingly very different women who share the same problems and contradictions.”

To that end, the centrepiece of the film is an overnight outing to Dunia’s grandmother’s house, just over the border in Morocco, where the women cook, dance and toss an impromptu bachelorette party for Yael. They are free to live on their terms, fully self-sufficient, with no men in sight.

Alegría offers some passing yet pointed critiques of patriarchal autocracy, and the male characters are relegated to the edges of the frame. This is what used to be disparagingly called a “woman’s picture,” because it centres women’s demands – to be who they want to be – and desires – to avail themselves of every opportunity. The most gratifying aspect, however, is that the movie’s spirit of cooperation and, yes, coexistence ultimately touches every character.

Michael Fox is a writer and film critic living in San Francisco.

Moscovitch play about life in Canada pre-legalized birth control

(photo by Matt Reznek – Reznek Creative)

Excavation Theatre presents What a Young Wife Ought to Know by Jewish-Canadian playwright Hannah Moscovitch, at Performance Works on Granville Island March 24-April 1.

It’s Ottawa in the 1920s, pre-legalized birth control. Sophie (Bronwyn Henderson), a young working-class girl, falls madly in love with and marries a stable-hand named Jonny (Michael Briganti). After two difficult childbirths, doctors tell Sophie she shouldn’t have any more children, but don’t tell her how to prevent it. When Sophie inevitably becomes pregnant again, she faces a grim dilemma. Inspired by real stories of mothers during the Canadian birth-control movement of the early 20th century, playwright Moscovitch vividly recreates a couple’s struggles with reproduction.

The Excavation Theatre production will be playing in the final weeks of Women’s History Month, exactly 100 years after Canada’s first birth-control advocacy group was formed in Vancouver, and fresh off the landmark announcement that birth control prescriptions will be free in British Columbia starting April 1. For tickets, visit excavationtheatre.com.

– Courtesy Excavation Theatre

B’nai mitzvah tutoring

Sasha Kaye (photo from B’nai Mitz-Van)

Sasha Kaye recently launched B’nai Mitz-Van, a tutoring service that prepares b’nai mitzvah students for their Torah and Haftarah readings. She also offers basic voice training, performance anxiety management and d’var Torah writing support.

Kaye completed a double major in voice performance and psychology for her bachelor’s degree from the University of British Columbia, and she has a master’s degree in performance science from the Royal College of Music in London, England. In her master’s thesis, Kaye examined the experiences of musicians with moderate-to-severe performance anxiety in simulated performance environments.

“I came back to Vancouver in January 2023,” Kaye told the Independent. “Most of my time so far has been spent unpacking and readjusting to life in Vancouver!”

Kaye grew up attending Congregation Har El, where she is a member. She has led services as a lay cantor. “I performed at various holiday and milestone community events, and participated in extracurricular, Jewish-led activism with peers from King David High School,” she said about her younger years.

Kaye has performed with the University Singers choral ensemble, UBC Opera, the Vancouver Orchestra Club and Postmodern Camerata, among other groups. She performs as a solo recitalist and has almost 10 years of teaching experience.

“I came up with the idea for B’nai Mitz-Van while I was still in London, and the idea was partially inspired by my master’s thesis,” she said of her latest venture. “In addition to struggling with an anxiety disorder, I had particularly vivid performance anxiety as a musician. The two collided pretty spectacularly for my own bat mitzvah. Despite being well-prepared for it, I was constantly ruminating on potential mishaps and catastrophizing the consequences. What if I got so anxious that I forgot the trope for my Torah reading? What if I forgot the words? What if my voice cracked? What if I dropped the Torah? I would let my family down. These cognitive distortions are evident to my adult self, but the distress was very real to 12-year-old Sasha. When I told people I was anxious, they told me I had nothing to be anxious about. While I’m sure they were trying to reassure me, this ultimately dismissed my feelings and made me feel much worse. I had zero tools to cope with or manage my anxiety.”

Kaye said she has little recollection of the bat mitzvah itself. “I was so anxious, I essentially blacked out,” she said. “Based on second-hand information, I did well enough on the day, but I was unable to enjoy the simchah – and that’s ultimately what the day should have been about. B’nai mitzvot should be joyous occasions for everyone, including the b’nai mitzvah themselves.

“As someone who knows how to chant Torah and Haftarah, and knowing what I know now about performance anxiety, my hope is that B’nai Mitz-Van can both teach young adults what they need to know for their special day, and also give them the tools to manage feelings of nervousness or anxiety that they may have.”

Kaye has experience teaching b’nai mitzvah-age kids from when she used to teach singing lessons, which she did for about three years, and she has five more years of experience teaching older students.

“Performance anxiety is extremely common,” said Kaye. “While it may or may not necessarily impact the quality of your performance, that doesn’t make it any less uncomfortable to deal with.

“The experience can manifest cognitively, meaning through the kinds of thoughts you have, like fixating on the possibility of making mistakes in performances and overestimating the consequences; physiologically, meaning through bodily sensations like racing heart, dry mouth, shaking or feeling restless; emotionally, like feelings of nervousness, dread or irritability; or behaviourally, like avoiding practising.

“How to manage performance anxiety is the million-dollar question!” she said. “There are a number of techniques and methods that have been researched, and different things may work for different people. Some things that can help pretty reliably, if they are practised, are feeling prepared in your material; breathing exercises, like box breathing; grounding exercises that focus your senses on the here and now; and examining your self-talk, that is, how you talk to yourself in your own mind.

“Retraining self-talk can take a long time and it can be very challenging,” she acknowledged, “but it helps to start by noticing how you talk to yourself. Would you speak that way to a friend who was going through the same thing? If not, chances are your self-talk needs some adjusting from the harsh and self-defeating to the encouraging and self-supporting.”

About working with b’nai mitzvah-aged kids, Kaye said they “are at a really fascinating stage in life. They’re starting to come into their own sense of self, and they’re able to start thinking critically about the world around them without the cynicism that can follow us as adults. There’s an enthusiasm and idealism for tikkun olam that’s really refreshing.”

And, given her years of experience as a tutor of academic writing, Kaye can help students organize their enthusiasm and their ideas into a clear and concise d’var Torah. “More importantly,” she said, “I help them find their own way of relating to their parsha, so they can find the lesson they want to share with the congregation.”

Kaye offers both in-person and online lessons. She can be reached at [email protected] or 236-515-9469.

Canadians Jews doing well

Prof. Dr. Morton Weinfeld was the latest speaker in Kolot Mayim’s 2022/23 series. (photo from Twitter)

On Feb. 5, Morton Weinfeld, a professor of sociology at McGill University in Montreal, presented the talk The Jewish Glass Is Half Full, as part of the 2022/23 Building Bridges Zoom lecture series put on by Kolot Mayim Reform Temple in Victoria.

Weinfeld, the child of Holocaust survivors from Poland and the author of Like Everyone Else But Different: The Paradoxical Success of Canadian Jews, started teaching at McGill in 1977 and has seen more than 4,000 students participate in his course on the sociology of North American Jewry.

The course, Weinfeld explained, formed the basis of his book, in which he uses Jews as a case study for the challenges in Canada of identity, culture and acceptance of the country’s multicultural position. By his own description, he tends to take a more liberal stance on Israel.

Weinfeld confessed at the beginning of his talk that the track record for predicting the future has been, and remains, dismal. The same is the case for sociological studies of the Jewish community, he asserted. As an example, he noted that the social sciences in the 20th century missed the mark on predicting the Holocaust, the triumph of Zionism, and the revival of orthodoxy in North America, among other things.

“Thus, I am doing this presentation with humility, in case anyone thinks I can predict the future,” he stated at the outset.

Accentuating the positive at first, Weinfeld praised Canadian multiculturalism. “Canada is committed to helping promote and enhance cultures, and Canada also will try to offer these cultures maximum participation in Canadian society. So, if you want to be a professor at McGill, or you want to run for a cabinet post in any government, you are free to do that. Canada will remove the barriers that prevent you from achieving that.”

In Weinfeld’s view, the Canadian Jewish community is currently doing quite well in this regard, particularly when compared to other minority groups in Canada and Jewish communities elsewhere in the world.

“One of the reasons why Jews have done well in diasporic settings [like Canada] is because they have been at it for such a long time,” he said. “For at least 2,000 years, since the Roman exile, Jews have had no choice but to learn how to live in a variety of the diasporic settings. Practise makes perfect. Other Canadian minority groups have not had anything like this.”

Weinfeld offered another piece of news: that the Canadian Jewish population is growing. While the number of Jews self-identifying as ethnically Jewish decreased from the 2011 Census to the 2021 Census, the number of Jews self-identifying as Jewish by religion increased from 329,500 in 2011 to 335,295 in 2021. In the context of this statistic, he referred to a 1964 cover story in Look magazine called “The Vanishing American Jew,” which painted a bleak future for North American Jewry, with intermarriage being among the main concerns. Look is no longer around, he noted, but the number of Jews in North America has grown and, “over the past two decades, the fears of assimilation have become muted.”

Further, the pluralism seen in the Jewish community, from liberal denominations to orthodoxy, is a source of strength, said Weinfeld. Together, he said, the different groups combine to make Jews in Canada far more interesting and viable, despite the lack of understanding each group in the community may have for one another.

Weinfeld characterized Jews in Canada as having a high-degree of voluntary self-segregation; that is, each group tends to congregate more within its own circles. However, he said, the comfort of one group can lead to a bolstering of overall Jewish identity.

“Those doom and gloom predictions for Jewish disappearance, certainly in the United States and Canada, have been excessive,” he said.

Weinfeld then spoke about the presence of antisemitism in modern North American society, pointing out that, just a few years ago, it would have been unimaginable for a former American president to dine with an unabashed antisemite like Kanye West.

“There is no question that antisemitism is a reality in Canadian Jewish life,” Weinfeld said, referring to surveys and polls showing that millions of Canadians believe in conspiracies theories, often with Jews as the masterminds behind them.

Canada, according to surveys by the Anti-Defamation League (ADL), is worse than Scandinavian countries and the Netherlands when it comes to levels of antisemitism, but fares better than France and Germany.

Regarding the situation at Canadian universities, Weinfeld said, “I think that, on campuses today, there is a tendency to dismiss the concerns of those Jewish students that like to support Israel. And I’m not speaking of the extreme right, I’m speaking of very liberal, progressive Jewish students who want to also retain Israel’s right to exist.”

Later in his talk, Weinfeld warned, “I think that we may be in for a rocky period – with regard to antisemitism and its links with Israel, Israeli policy and Zionism, in part because of the new Israeli government. But I want to be very clear, the seeds of all of that predate the current Israeli government.”

Rabbi Suzanne Singer of Temple Beth El in California, a former journalist, will wrap up this year’s speaker series on April 9. With a history of leadership at Kolot Mayim, Singer will talk about Hope: How Do We Find Hope in a World with Unending Problems? To register for this talk, visit kolotmayimreformtemple.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.