Paintings inspired by women

Therese Joseph’s solo show at the Zack Gallery opened Oct. 12, but the official opening reception, which she will attend, takes place Oct. 30. (photo from Therese Joseph)

The new solo show at the Zack Gallery – Women, Words and Wisdom: Therese Joseph – celebrates the power of women in our lives.

Artist Therese Joseph’s mixed media paintings combine imagery and words in her depictions of women she admires. Not any specific woman, but all of them, a symbolic woman, and what she means to the artist. On the walls of the gallery, Joseph’s women are sad or sleeping, doubting or searching, traveling or dancing, but they all represent the artist’s interpretation of “woman,” in all her multifaceted complexity. 

Joseph grew up in Switzerland, and her road to Vancouver and an artistic career was a round-about one. When she was in her early 20s, she traveled to England to study English. There, she met a young engineer from Borneo. They fell in love and stayed in touch. A few years later, after he found work in Vancouver, he invited Joseph to join him. She had never been to Canada before.

“At first, I came for three months,” Joseph told the Independent. “I loved it here. Everyone was so open and friendly. I felt free here, felt that I could do anything I wanted. Life here was much less structured, not as many rules as back home in Switzerland. It felt like there could be more than one way to do stuff, and that freedom attracted me.”

Like many others, she was captivated by the nature of British Columbia.

“The mountains, the sea, the forest. It was like Switzerland, but more – more open, more generous,” she said.

Of course, it took time for every document to be signed and she could finally settle into her married life in Canada. 

“Home in Switzerland, I had an education as a kindergarten teacher, but my diploma wasn’t accepted here in Canada,” Joseph said. So, she opened an after-school art club for local children.

photo - “Wear Your Words” by Therese Joseph
“Wear Your Words” by Therese Joseph. (photo from Therese Joseph)

“I’ve always loved doing art, loved being creative,” she said. “I was involved in several community art projects with my young students in North Vancouver. We painted balconies, murals, created some street banners.”

But, eventually, she wanted to dedicate herself to art full-time, and she felt she needed more education in this regard. 

“At about the same time – year 2000 – a couple of my family members in Switzerland died, and it was hard for me. I couldn’t be there with my family as much as I wanted,” she shared.

Creating art felt like a necessity for her then, a balm to her grieving heart. She sold her art studio business and enrolled in art-related continuing education classes at Emily Carr University of Art + Design and Langara College.

“I took many classes and workshops in the next few years,” said Joseph. “Whenever I liked an artist, I found a way to learn from them. Among my mentors were Jeanne Krabbendam, Don Farrell, Lori Goldberg, Nurieh Mozaffari, Steven Aimone and more. I’d call it a self-directed art education.” 

She emerged from that time an accomplished artist and art teacher. She exhibited widely in Canada and abroad. She taught both children and adults.

“I love teaching art,” she said. “At first, I preferred teaching children, but, as my own children grew older, I gravitated towards teaching adults and seniors. Everything has its time.” 

Through all the changes in her life, Joseph kept making art. She paints figures and faces, flowers and feathers in her Dandelion Art Studio in North Vancouver.

“Women are my predominant subject,” she said. “They inspire me. They embody how strength and resilience can coexist with vulnerability, and how setbacks are merely steppingstones on the path to achieving one’s goals.”

Her technique is often mixed media. “I collect old magazines, newspapers, cards. People bring them to me, too. I rip them to pieces – never cut with scissors – and glue those text fragments to my canvases to see what could emerge. I love the process of creation, love the empty canvas that becomes an image with a meaning and a message. I never know what the current painting is about until it is done. The painting itself guides me.” 

At the beginning of this year, Joseph learned about the Zack Gallery’s call for artists and submitted her proposal for a solo show.

“I had enough paintings with text and letters to fill a gallery,” she said. “I wanted to emphasize the texts, so I started searching for quotes from famous women to attach to each painting. I read thousands of quotes on the internet before I made my selection for each painting. It was very interesting and amusing.” 

Her palette is colourful and her compositions sophisticated.

“None of them depict a specific woman,” she said. “They all come from my imagination. I wanted to paint something about perfume, and my painting ‘Fragrant Rain’ was the result.” The woman in the painting saunters under her umbrella, while the rain hides the details, though one can make out a perfume bottle in her bag. Coco Chanel’s tongue-in-cheek quote accentuates the painting.

“Wear Your Words” boasts three female figures, in red, pink and orange, their clothing decorated with disjointed texts. We don’t know what the women are doing. Are they dancing? Are they passing each other on the street? The letters filling their clothing jump at the viewers. “Words are the clothes your thoughts wear,” says the quote by Amanda Patterson that accompanies this painting.

photo - “Shadows in Motion” by Therese Joseph, whose exhibit Women, Words and Wisdom is at the Zack Gallery until Nov. 18
“Shadows in Motion” by Therese Joseph, whose exhibit Women, Words and Wisdom is at the Zack Gallery until Nov. 18. (photo from Therese Joseph)

Most of the works on display are full of colour, so the one in black and white draws the eye. “Shadows in Motion” is actually a diptych. Joseph explained its roots.

“I’ve always loved traveling, and we traveled a lot. When, after 37 years of happy marriage, my husband passed away, I wanted to prove to myself that I could travel alone, too. I went to Mexico. I walked on the beach and watched my shadow. After awhile, I started posing, jumping and photographing my shadow in every awkward position. My hands were here and there, up and to the sides. I bent. I stretched. The sun was strong and my shadow seemed to dance. I wanted to capture every nuance. The painting was born out of those photos.”  

Another travel destination – Amsterdam – inspired a couple of paintings. “Strength Becomes Her” and “Moving On” both have the word “BISON” in them.

“I was in Amsterdam and visited an art show about bison,” Joseph explained. “It was in a warehouse – a huge building with many different artists. They had a catalogue as large as a newspaper, and I asked for two catalogues. When I came home, I tore those catalogues into shreds and used the ripped words in the paintings.”

Both paintings employ bold, punchy colours. Both are rather large.

“The bison is huge and powerful, and I wanted my paintings to reflect that,” said Joseph.

Women, Words and Wisdom opened Oct. 12 and will run until Nov. 18. The official opening reception, with the artist in attendance, will be held on Oct. 30, at 6 p.m. To learn more about the artist, visit thereseljoseph.com. 

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Itamar Erez Trio takes Chutzpah! stage

Itamar Erez will be joined by special guests at the Nov. 5 Chutzpah! Festival concert featuring a dynamic fusion of Middle Eastern, Indian and jazz music. (photo by Diane Smithers)

Due to unforeseen circumstances related to flight restrictions, the Chutzpah! Festival must postpone Yamma Ensemble’s performances, originally scheduled for Nov. 4-5. The ensemble will now be featured during Chutzpah’s spring mini-festival, taking place March 19-23, 2025.

However, the festival has found a vibrant alternative for Nov. 5! The evening will now feature a dynamic fusion of Middle Eastern, Indian and jazz music, with a special performance by the Itamar Erez Trio , joined by guest artists Yonnie Dror (Middle Eastern and Western wind instruments), Kalya Ramu (vocals) and Shruti Ramani (vocals).

Erez, an internationally acclaimed composer, guitarist and pianist, is renowned for his powerful and emotive performances across the globe. Joining him, Dror brings his expertise on diverse wind instruments, Ramu adds her smooth jazz vocals and Ramani infuses a unique blend of Indian and jazz traditions.

Tickets purchased for Yamma Ensemble’s Nov. 5 concert will be valid for this new program. Patrons can also choose to transfer their tickets to any other Chutzpah! Festival event. Ticket holders for the Nov. 4 matinee concert will be contacted by the box office to explore alternative options.

For any questions or ticket inquiries, reach out to the box office at 604-257-5145 or via email at [email protected].

The Chutzpah! Festival runs Nov. 1-10. For the full lineup and tickets, visit chutzpahfestival.com.

– Courtesy Chutzpah! Festival

Stepping up to lead

Kolot Mayim Reform Temple’s Building Bridges Speaker Series returns on Nov. 3, 11 a.m., with Rabbi Liz P.G. Hirsch, chief executive officer of Women of Reform Judaism, speaking on Just for this Moment: Stepping Up to Lead.

photo - Rabbi Liz P.G. Hirsch
Rabbi Liz P.G. Hirsch (photo from cdn.fedweb.org)

Hirsch hosts the weekly podcast Just For This, where she invites women leaders to discuss their journeys, challenges and triumphs. She previously served as rabbi of Temple Anshe Amunim in Pittsfield, Mass. She was the founding co-chair of RAC-MA (Religious Action Centre of Reform Judaism, Massachusetts) and serves on the National Council of Jewish Women’s Rabbis for Repro Rabbinic Advisory Council. A writer on social justice, spiritual practice and trends in Jewish life, she has contributed chapters to publications including The Social Justice Torah Commentary (CCAR Press, 2021) and Prophetic Voices: Renewing and Reimagining Haftarah (CCAR Press, 2023).

The theme for this year’s Kolot Mayim Building Bridges series is Kvell at the Well: Celebrating the Joys of Being Jewish. Within the context of the dramatic increase in antisemitism since the events of Oct. 7, 2023, it is more important than ever to highlight proud and strong Jewish culture, history and heritage. The series, which runs on various Sundays until April, will explore Jewish identity, faith, traditions and community, and highlight resilience, survival and hopes for the future. The lectures are free but pre-registration is required via kolotmayimreformtemple.com/2024-25-lecture-series.

– Courtesy Kolot Mayim Reform Temple

Evening of resilience, hope

In Vancouver, on the evening of Nov. 10, the Canadian Shaare Zedek Hospital Foundation will present Voices of Resilience, featuring Prof. Ofer Merin, director general of Shaare Zedek Medical Centre, and Glenn Cohen, former Mossad psychologist and hostage negotiator. Part of a national tour, the event aims to shed light on the experiences and insights following the tragic events of Oct. 7, 2023.

photo - Prof. Ofer Merin, director general of Shaare Zedek Medical Centre
Prof. Ofer Merin, director general of Shaare Zedek Medical Centre. (photo from CSZHF)

Merin completed his fellowship in adult cardiac surgery at Sunnybrook Hospital in Toronto. Upon returning to Israel, he became a pivotal member of the Shaare Zedek team, where he now serves as director general. A colonel in the Israel Defence Forces, Merin has led numerous humanitarian efforts and, as of Oct. 7, 2023, has headed a medical intelligence committee that plays a role in assessing the hostage situation in Gaza.

photo - Glenn Cohen, former Mossad psychologist and hostage negotiator
Glenn Cohen, former Mossad psychologist and hostage negotiator. (photo from CSZHF)

Cohen has served as an air force pilot, Mossad officer, hostage negotiator and special forces psychologist for more than 30 years. Retiring with the rank of colonel and chief of psychology in Mossad, he now trains organizations worldwide using a methodology he developed. During the war that followed Oct. 7, Cohen has served more than 100 days to date in reserve duty, providing critical debriefing for the released hostages.

All proceeds from Voices of Resilience will go to the Healing Minds Campaign, which focuses on extending the mental health support available at Shaare Zedek Medical Centre. This initiative provides specialized training in therapy, post-traumatic stress disorder counseling, psychotherapy and other services for those affected by the Oct. 7 attacks. The centre hopes to increase their mental health team from 14 to 42 professionals to meet the overwhelming demand, an increase that would require $1.6 million Cdn for medical and para-medical training, as well as ongoing staffing costs.

To date, Shaare Zedek has treated more than 700 individuals, primarily IDF soldiers, with injuries ranging from minor to life-threatening. Nearly every patient presents signs of mental trauma, whether immediately or in the weeks following hospitalization. Many young patients have been exposed to traumatic battlefield conditions and the loss of life. Even those who initially report limited emotional impact often show symptoms later. To address this, Shaare Zedek has created a comprehensive emotional trauma care service. Every patient admitted for war-related injuries is evaluated by the psychiatry team, they are monitored throughout their stay and receive counseling prior to discharge, with follow-up care recommendations.

To attend Voices of Resilience in Vancouver on Nov. 10, 7 p.m., visit linktr.ee/voicesofresilience2024. Tickets are $18 ($72 for the VIP meet-and-greet). The location will be provided to registrants closer to the event date. 

– Courtesy Canadian Shaare Zedek Hospital Foundation

Tikva gets a new look

Tikva Housing Society’s executive director Anat Gogo stands in front of a poster bearing the agency’s new logo. (photo by Pat Johnson)

Tikva Housing Society has a fresh logo and new branding. The big reveal took place Sept. 25 in the organization’s new headquarters on West Broadway in Vancouver’s Fairview area.

Tikva provides affordable housing options for Jewish community members. In 2018, it operated 29 homes, helping 95 people. In 2024, it operates 168 homes, putting roofs over the heads of 375 people. The number of people benefiting from the agency’s rent relief program for market housing has quadrupled. 

Like the original logo, the new one takes the shape of a home, explained Anat Gogo, Tikva’s executive director. The bottom part of the “i” in Tikva not only forms the door to the house, but, together with the letter’s crowning dot, implies a person. Accompanying the new logo is Tikva’s first-ever “positioning line” of “From hope to home.” Even the typeface is entirely unique.

The redesign is the brainchild of adman  man and a team he assembled, which includes Brenda Wasserman, a brand manager who also happens to be his niece.

The rebranding began with a survey of core Tikva stakeholders, who were asked as part of a strategic planning process what comes to mind about the organization. Several participants said the existing logo depicted the organization as, Gogo said, “too shy, too meek, too quiet about the work that we do. If you look at the old logo, it looks frail.”

“They spoke to how we need to be more outspoken and how we need to be making more noise,” she said.

Tikva Housing Society was incorporated in 2007, but its roots go to 1994, when it was launched as a division of the Jewish Federation of Greater Vancouver. At the outset, its main role was to provide financial subsidies to help individuals and families make rent. The goal is to keep rent to 30% of income.

Tikva’s first direct intervention into housing management was Dany Guincher House, an 11-unit apartment building that opened in 2008.

It would be a decade before Tikva acquired their next housing units, but then the pace quickened.

“We have seven sites and growing,” said Gogo.

Tikva doesn’t go for cookie-cutter approaches. Every housing project is unique. They have two standalone buildings, and their other five locations are designated apartments within larger complexes. Each is a result of partnerships with other social agencies, governments, foundations and, most recently, a development company.

“Tikva is very innovative,” she said. “We are always seeking solutions and finding creative ways to make these opportunities work. It’s a mix of preparedness meeting opportunity.”

Gogo credits the board of directors for being audacious – they aim to build 1,000 housing units within 10 years. 

One example of innovative thinking was a design change during the development of the Ben and Esther Dayson Residences, a 32-unit townhouse development in South Vancouver’s River District. With a little rejigging of the blueprints, what were to be all three-bedroom units were made to accommodate four four-bedroom units, which are almost completely unknown in the market and non-market housing sectors.

Despite the increase in supply, Gogo said, there remains much unmet demand.

The Jewish Housing Registry, a joint project of Jewish Family Services and all the Jewish organizations that are involved in the housing sector, is a centralized list of people awaiting housing supports. Currently, the list has 500 people, including 95 families and about 140 seniors.

“We need more housing,” she said. “It’s not a secret.”

In a sign of the times, Tikva has been approached by potential residents who are looking for housing not because of financial considerations but because, according to Gogo, they have “a need for secure, community, Jewish-oriented housing because they may have experienced antisemitism in their current communities.”

Tikva, she said, does not only supply homes and subsidize residents in market housing.

“We do a lot of community building with our tenants,” she said.

Like the housing market itself, Tikva’s challenges and successes are based on supply and demand. In one of the world’s most expensive housing markets, there is plenty of demand for affordable housing and rental subsidies. But where does the supply come from?

Gogo credits the Jewish community for recognizing the urgent need and stepping up. 

For about Tikvah Housing Society, visit tikvahousing.org.

Specializing in safety checks

Verify Digital’s Fred Ullrich, who served as sergeant of digital forensics at the Vancouver Police Department until his retirement this year, has extensive experience in search techniques. (photo from Verify Digital)

These days, especially, you can’t take any chances when you’re hiring someone to work for you, bringing them into your home as a service provider or taking them on as a tenant. What do they really think about Jews, about Israel and about the world? Are they a safe bet or a threat to your family and business? Most of us would do a Google search to check, or look at someone’s social media handles. What we don’t realize is that the information our searches reveal barely scratches the surface of what might be out there.

That’s why Vancouver-based Verify Digital was created by Fred Ullrich and Jewish community members Jamie Wosk and David Wosk: to conduct in-depth searches into individuals’ digital footprints and deliver a full perspective on their background and beliefs. 

The new business partners go back a long way.

In the late 1980s, David Wosk – who established and ran Wosks Coffee Service for almost 60 years – became one of the original members of the Vancouver Police Department’s Community Crime Watch, which is where he met Ullrich, who was a Crime Watch volunteer before becoming a police officer.

photo - David Wosk is as a business advisor at Verify Digital
David Wosk is as a business advisor at Verify Digital. (photo from Verify Digital)

The Vancouver Police Department awarded Wosk the 2024 Community Safety Leader Award for his decades of dedication to community service, crime prevention and public safety. He has received many other awards, such as the Attorney General’s Award, and commendations for his helpful role in various incidents.

Jamie Wosk – David’s son, who was general manager of Wosks Coffee while also serving as a Vancouver Lifeguard for more than 33 years – also has received recognition for his life-saving actions over the years.

In Verify Digital, Jamie Wosk oversees sales, while David Wosk acts as a business advisor. Ullrich, who served as sergeant of digital forensics at the VPD until his retirement this year, brings his extensive experience in search techniques to the company. He was tasked with doing some 1,500 pre-employment background files for the VPD.

“There were only a few where I was unable to find an online footprint, either because they were much older, or because they’d previously been involved in police services and knew they had to be covert online,” he told the Independent. “But, today, there’s not one young person without a social media footprint. And, if they’re not there, it’s because they’re using secret names or have deleted their profiles to prevent future employers from looking into their past.”

photo - Jamie Wosk oversees sales at Verify Digital.
Jamie Wosk oversees sales at Verify Digital. (photo from Verify Digital)

Verify Digital’s main clients are institutions who hire many new employees each year. But, out of care and concern for the safety of the Jewish community, Ullrich is offering basic and in-depth searches to individuals, too. 

“As a patrol officer, I spent many nights guarding synagogues and I responded to calls at Vancouver Talmud Torah regarding suspicious people on the school grounds. I also saw the firebombing at Schara Tzedeck,” he said. “The reason we’re doing this is that there’s a need, and it will help the Jewish community know who they are dealing with.”

Ullrich conducts all the background searches using a proprietary software that searches across some 28 social media platforms. It yields results you’d never find on a Google search, he explained, because Google is a marketing tool that provides results based on what it thinks you’re looking for.

“There’s a huge science behind finding material,” he said. “And, there’s a consistent percentage of people who have social media content that is embarrassing, inappropriate, highly offensive or simply does not align with the views of their potential employer, especially if they are hired to be in a position of trust.” 

Ullrich has had many of what he calls “OMG moments.” One individual who was applying for a position of trust had started a business in Richmond and was taking customer money while not providing a product. She was looking to extend her fraud through the new employer, and they were on the cusp of hiring her until they learned this information.

Another had a clean social media presence until Ullrich discovered he was using a secret username. That revealed six years of racist and misogynistic comments on social media that more accurately depicted his beliefs.

The cost of Verify Digital’s services depends on the kind of screening you need and ranges from $99 to $199 per person, with a two-to-three-day turnaround time. 

Ullrich said the “old way” of reference checking just doesn’t cut it anymore. “Social media tells a more complete, telling picture of a person’s character and beliefs,” he said. 

“I encourage my clients to do a search themselves, and compare what they find to what I find using proper systems, because there’s a big difference,” he added. “To find information, you really have to know where to look.”

For more on Verify Digital, visit verifydigital.com.

Lauren Kramer, an award-winning writer and editor, lives in Richmond.

Artist reflects on career

Imre Székely, left, gives his artwork to then-prime minister Jean Chrétien. (photo from szekelygallery.com)

From his hometown of Győr, Hungary, a city halfway between Vienna and Budapest along the Danube River, to his studio in Victoria’s Chinatown, Jewish community member Imre Székely has been creating art for more than five decades, primarily in the linocut/monotype style of printmaking.

Linocut, also known as lino print, is a design carved in relief in linoleum. The art form was popularized in the early part of the 20th century. In monotype, an artist presses ink directly onto a plate. The plate is then pressed against paper to transfer the ink.

photo - As Imre Székely’s approaches 70 years old, he looks back at his career
As Imre Székely’s approaches 70 years old, he looks back at his career. (photo by Kor Gable)

Székely discovered his calling early in life, under the tutelage of Imre Krausz and István Tóvári-Tóth, both distinguished artists in Hungary. However, Hungary in the 1970s and 1980s was no place for anyone whose views differed from those of the regime. 

“The communist regime at the time did not have a role for a forward-thinking, modern artist. There wasn’t much chance of self-actualization,” Székely told the Independent.

Thus, in 1987, he said goodbye to his family and jumped on a westward-bound bus. His first stop was a refugee camp in Austria, then on to France, the Netherlands and, finally, Canada, in 1988. After stops in Winnipeg and Toronto, he set off west where, in 1991, he settled in Victoria, finding the provincial capital to be an ideal spot for his professional and private life. His wife and children joined him shortly after he arrived in British Columbia.

Székely describes himself as a hyper-surrealist artist, who blends “a variety of colours, patterns and shapes that are the spices of life.”

Throughout his career, he has donated his works and given them to people who couldn’t otherwise afford a work of art. He also has presented his artwork to provincial ministers, foreign dignitaries and prime ministers. 

In 1999, for example, he traveled to Rome for a personal audience with Pope John Paul II, to donate his work “Abba Pater” to the Vatican.

In 2001, he showed his gratitude to his adopted homeland by donating his art-deco-styled piece “Canada: Past, Present and Future,” to then-prime minister Jean Chrétien, who accepted it on behalf of the government of Canada.

“This occasion was especially meaningful to me, as it presented a way to express my thanks to Canada for accepting so many refugees to this country with open arms,” said Székely, who has also presented a work to Prime Minister Justin Trudeau. 

“Gifting Justin Trudeau with one of my art pieces was a highlight in my life … this kind of event was impossible in my home country under communist rule,” he told Senior Living Magazine in 2021.

One of the works of which he is most proud, “Hungarian Conquest (Honfoglalás),” was presented to the Hungarian parliament in Budapest. When, in 2010, Pecs, Hungary, was chosen as the European Capital of Culture, Székely provided the city with 31 of his works for a solo exhibition. His hometown Győr’s city hall houses his artwork and he has donated his works locally, to the City of Victoria and to the Hungarian consulate in Vancouver.

photo - Imre Székely at the Vatican in 1999, giving one of his artworks to Pope John Paul II
Imre Székely at the Vatican in 1999, giving one of his artworks to Pope John Paul II. (photo from szekelygallery.com)

At the height of the COVID-19 lockdowns in 2020, retreating to his studio, Székely produced “Satan Sneers,” a work in which, as an artist, he detaches himself from shared circumstances to show pity for the human race as it confronts an undetermined fate.

Székely sent a photo of the work to Dr. Tedros Adhanom Ghebreyesu, director-general of the World Health Organization, in the hope of donating the work. According to Székely, Dr. Tedros (his preferred moniker) liked the piece very much.

“Unfortunately, I couldn’t personally hand it over to him in Geneva at the time because the two-week quarantine was introduced before my departure,” Székely recalled. 

In 2021, the artist created a work entitled “Hope and Genius,” dedicated to Katalin Karikó, the biochemist and researcher at the University of Pennsylvania, who, together with Drew Weissman, took home the 2023 Nobel Prize in medicine for work leading to the discovery of mRNA vaccines to fight COVID-19.

“She deserves lots of thanks and appreciation from us all,” he said. “My work is recognition and homage to her human and scientific greatness.”

At present, Székely is working on several projects, one of which is called “Magical Artificial Intelligence,” a surrealistic piece on what he views as the issue that offers the most positive potential for humanity – and the most danger.

He hopes to donate works to other notable people in the political and business worlds, such as Bill Gates, Kamala Harris and Ernő Rubik, a fellow Hungarian who invented the Rubik’s Cube.

As he approaches his 70th birthday in December, Székely said he feels freer now than at any time in the past, drawing strength from family, friends and art.

“Artistic creation is the outflow of strength, good mood and joy of life. A true artist enjoys his own creative power. Creation is one of the most difficult things in the world, creating from nothing,” he said.

“I am convinced that art and culture will unite the world again. I know that artistic ability can be viewed as a blessing, but it is worthless without creative work and humility.” 

For more on Székely, visit szekelygallery.com. 

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

King Charles III Coronation Medal recipients

Michael Lee presented the King Charles III Coronation Medal to Grace Hahn at the Jewish Seniors Alliance peer support volunteer recognition celebration. (photo from JSA)

photo - Premier David Eby, left, Rabbi Philip Bregman and BC Lieutenant Governor Janet Austin
Premier David Eby, left, Rabbi Philip Bregman and BC Lieutenant Governor Janet Austin. (photo from Temple Sholom)

The King Charles III Coronation Medal was created to mark the coronation of King Charles III, which took place on May 6, 2023. It is the first Canadian commemorative medal to mark a coronation, and its recipients represent a diverse group of individuals who have made significant contributions to British Columbia or attained an outstanding achievement abroad that brings credit to the province.

Nominating partners included provincial lieutenant governors and territorial commissioners, provincial and territorial governments, members of Parliament, senators, the Canadian Armed Forces, the Royal Canadian Mounted Police and several other organizations. Across Canada, the medal will be awarded to 30,000 individuals. In British Columbia, 551 are being presented, and the honourees include several members of the Jewish community, some of whom were brought to the attention of the Jewish Independent.

screenshot - Rabbi Harry Brechner
Rabbi Harry Brechner (screenshot from facebook.com/dustnbonesdoc)

Rabbi Harry Brechner, spiritual leader of Victoria’s Congregation Emanu-El, was nominated by former MLA Rob Fleming for championing community dialogue, interfaith connections and community service.

Rabbi Philip Bregman, rabbi emeritus of Temple Sholom and founder of the Other People, an intercultural group of individuals committed to breaking down the stereotypes that form the foundation of personal and societal bias, was nominated by BC Premier David Eby. Bregman was honoured for path-breaking interfaith work and his passionate fight against antisemitism and bigotry of all kinds throughout British Columbia.

photo - Gordon and Leslie Diamond
Gordon and Leslie Diamond (photo from kh-uia.org.il)

Gordon Diamond, who was also nominated by Eby, received the medal for unparallelled philanthropic work, making an indelible impact toward health and mental services in the province. Leslie Diamond, nominated by Eby, was recognized for exemplary philanthropic work, especially in the field of women’s health.

Eby nominated Karen James for leadership, philanthropy and dedication to the Jewish community at home and abroad, and Bernard Pinsky for a lifetime of dedication to the justice system and for strengthening and securing the stories and memories of the Jewish community.

Grace Hahn, senior peer support trainer and supervisor at Jewish Seniors Alliance, was nominated by former MLA Michael Lee. On Sept. 23, at the JSA peer support volunteer recognition celebration, Lee presented the medal to Hahn for her leadership, dedication and commitment to advancing the support for seniors living at home. Hahn has trained countless volunteers in JSA’s Peer Support and Friendly Visitor programs, and also provides additional training in support of reducing isolation and loneliness in the vulnerable seniors sector.

To view a full list of nominating partner organizations, visit gg.ca/en/honours/list-nominating-partner-organizations. To view a backgrounder about the recipients, visit news.gov.bc.ca/files/bkgr_premiers_recipients_coronation_medal_2024.pdf.

Love is… being together

There is something somewhat intimate about being woken up in the middle of the night by rocket sirens. Feet and arms lightly intertwined with my wife’s, feeling a slight tug of the cover to her side in the never-ending battle-of-the-blankets, I am startled by the sound. I am slow to make sense of the sirens, which are coming both from outside and my cellphone, the latter also providing a strobe-light effect. I look to my wife, nudge her and say in a most loving but rushed tone, “Let’s go! Missiles!”

Remember those Love is… comic strips of the 1970s by New Zealand cartoonist and love culturalist Kim Casall? Well, how about Love Is… waking up snuggled together to a missile alert? Not the free love and innocence of the hippie generation, but for sure love!

And what about Love is… ensuring your wife enters the safe room first. How’s that for being a gentleman? As the sirens go off and we rush to our safe room, my wife goes in first, then I rush in after her, slamming shut the heavy iron door behind us. Actually, if our kids are home or we have guests, I will make sure everyone is inside – including our dog – before entering. Just seems like the right thing to do, danger be damned. How’s that for bravado?

***

Speaking of love. Returned from Tel Aviv with my wife the other day. Incoming missiles and a known routine. Pull over. Exit car. Move away from the vehicle. Crouch down on roadside. Cover your head with your hands (though I don’t know how that helps if a missile strikes you). So, there was my wife, huddled next to me, while the Iron Dome chased and intercepted its overhead target. In a chivalrous act of protection, I hovered over my wife, giving her a second layer of armour. I hugged her. Amazing how adrenalin works. Love is… shielding your wife from incoming missiles.

In a similar spirit. Love is… being alone with your wife in the safe room during missile alerts. It’s not for no reason that births spike during wartime.

***

Then there’s our morning routine. Prewar, it was pillow talk about the chores ahead. Now, the first thing we cross-check is Code Red missile alerts received on our cellphones overnight. Where were the sirens? Where did the missiles land? Or almost land? Other carnage or near-carnage? Other military developments? Not the most romantic of topics but that’s where our minds are these days – from the moment we wake up until we fall asleep. Love is… lying in bed together comparing missile alerts and military actions.

***

The other week, during Iran’s second cruise missile attack on Israel, where more than 180 missiles were fired at our little shtetl with the intent to exact maximum, indiscriminate death and destruction, there was significant news chatter about the attack. Under the fog of war, not fully clear what to expect. 

My wife, who works in Tel Aviv, just completed her shift and was taking a bus home. She called to advise me that her bus was late and that her cellphone battery was running low, so I shouldn’t worry if she’s delayed and doesn’t answer. Shortly after our conversation came the news flash about a mega-casualty terrorist attack in nearby Jaffa and another attempted attack in Tel Aviv. I tried calling my wife back. No answer. Wishfully and optimistically, I attributed it to no battery.

Then the news flash that Iran had fired several hundred cruise missiles at Israel. Expected to arrive in our airspace within the next … 12 minutes. Not 10 minutes, not 15, but 12. This was for real! Where was my wife?! There was no way to call her, to learn of her whereabouts.

If she were on the bus during a missile barrage, what would happen? Would the driver follow Homefront commands? Would the bus pull over? Would the passengers get off the bus? Would they crouch down away from the bus with their hands covering their heads? Would someone hover over my wife … protect her?

Time is ticking – three minutes from the expected cruise missile impact. Anxiously pacing the living room, I keep looking to the news for some insight about something. Then, I hear the elevator. I run into the hallway, watching the red digits slowing climbing to my floor. One. Two. Three. Four. Five. The door opens. There she is. In all her beauty. Somewhat frazzled-looking. I give her a giant, protective bear hug. Immediately, sirens go off throughout the city and our cellphones buzz and flash with missile alerts. My wife arrived literally in the nick of time. 

We quickly make our way to the safe room. My wife enters first. I slam the door shut behind us. With her tension unravelling, my wife begins to cry – from exhaustion, from stress, from survival. Again, we embrace.

Love is… holding your wife near in the safety of your safe room during a missile attack.

***

Please continue donating to the Israeli war and revival efforts, or buy Israel Bonds. Twelve months after the Oct. 7, 2023, Hamas terror attacks, the war is still raging, and on several active fronts. Sderot and Metula – and even Tel Aviv and Haifa – are Israel’s front lines. And Israel is the diaspora’s front line. 

Bring them home now. 

Bruce Brown, a Canadian-Israeli, made aliyah more than 25 years ago. He works in high-tech and is happily married, with two kids. He is the winner of a 2019 American Jewish Press Association Simon Rockower Award for excellence in Jewish writing.

Our family sukkah traditions

I look at all the fancy sukkah kits people use when I cruise Instagram. I wonder how fast the structures go up, and whether they stand up to strong winds, but we’ve never spent the money on one to find out. Our sukkah is different. It takes a lot of work to put up and take down, but it’s sturdy and has a history. 

Our sukkah was created by my dad in the 1960s for my parents’ congregation at the time, in Ann Arbor, Mich. My dad, an engineer, drew up his blueprint, signing it the “Dexter Sukkah Company” because they lived in Dexter, Mich., at the time. While my parents helped build sukkot at our congregation in Virginia where I grew up, and I helped decorate them, we never had one at home. I only learned about the “Dexter Portable Sukkah” as an adult.

As newlyweds, we told my parents that we might build our own sukkah. We lived several hours away from them, in North Carolina. My dad brought us copies of his plan. I think he may even have brought down some scrap lumber for us to assemble our own. That first year, we did it. My brand-new spouse and I harvested bamboo from an overgrown lot across the street for the schach (greenery put on top) and got started building. My beloved then dropped a piece of lumber on my head. The next day, my grad school advisor suggested I visit the student healthcare centre. A doctor concluded that I probably got a concussion. Although I am handy with a drill, that was the first and last year I built the sukkah with my husband!

Over time, we’ve moved for our academic lives and careers. The lumber got left behind in North Carolina. The year we lived in Buffalo, NY, while my husband did a postdoc, I taught at a community college, and we didn’t build a sukkah. 

At the next stop, in Kentucky, we put the sukkah up in a grassy side yard our first year. My husband was a new assistant professor. We invited all his work colleagues to a big party. It took time for us to “get wise” to the antisemitism issues of our college town. We kept putting up our sukkah each year, but moved it to the fenced and gated backyard, where it was private. The schach in Kentucky mostly smelled stinky, as we cut back endless tree-of-heaven saplings from our overgrown backyard. 

Fall evenings in Kentucky were warm, so we would have dinner parties in the sukkah, complete with bug spray. Friends and colleagues would comment about the runner beans and flowers we’d planted in the yard, while our bird dogs wrestled and chased crickets. Sukkot became a favourite holiday to be outside, sharing harvest food and hanging out with friends. We stayed in Kentucky six years. By the end, my husband’s enthusiastic use of deck screws meant that our sukkah lumber was splintered. We abandoned it when we moved to Winnipeg.

Building a sukkah in Winnipeg, 15 years ago, we started from scratch, using the Dexter Sukkah Company’s blueprint, and bought new lumber, too. That piece of paper with the sukkah plans took up residence in our cordless drill case. No matter what we fix, we see my dad’s plans. A friend from synagogue biked over to help that first year, with his drill gun tucked into the small of his back the way some people carry firearms. This time, my husband used an IKEA-type interlocking fastener approach to frame the walls, where it takes longer to assemble and disassemble the pieces, but the wood remains in better shape. He used mostly oak, elm and crabapple branches as schach at our first Winnipeg house. That year, we continued with the dinner parties, including wine and cheese, with new professor friends. The small crabapple fruits added some additional colour overhead, and some additional excitement when one landed in a wineglass.

As time passed, our sukkah became decorated with preschool fruit stuffies and paper chains, filled with twins who squeaked with enthusiasm from high chairs. Eventually, they were grade-school kids who set the table and cleared afterwards, in hopes of getting dessert faster. 

In our new home (still in Winnipeg), this is the second year we’ve managed to build a sukkah. The schach comes from Virginia creeper vines and Manitoba maple shoots. The kids are big enough to hold up the sides while my husband screws it together. I worry about whether somebody will get hit on the head again. For the holiday, I bake lots of food in advance to feed hungry teens – fresh air seems to make them eat even more! We sometimes invite over other families. Sometimes, we just celebrate on our own. We hope it won’t rain too hard or snow – because we’re not diehards. If it’s a cold rain, we’re celebrating indoors at the dining room table instead! 

We reuse our decorations, including the stuffies and the plastic wine goblets, every year. This is a holiday that is not expensive for us. We’ve never upgraded to a fancier kit sukkah, fairy lights or pricey ushipizin (guest) artwork, and that’s OK. This year, in a holiday season when, to be honest, everything has felt pretty hard to get through, I was heartened to see the sukkah rise again in our backyard, from 2×4 lumber, cut long ago.

Some years, my holidays are enriched by study. Yes, I loved studying the talmudic tractate describing the rules around building a sukkah, which can seem ridiculous. You can use the side of an elephant as part of your sukkah! That’s legal, according to the rabbis, but also entirely unnecessary. It’s also fine to build your sukkah out of scrap lumber and paper chains. 

This year, my husband spent a full day of a long weekend erecting our old-fashioned sukkah. Looking exhausted, his face red from wind, he smiled when he remarked that we’d been doing this now for 26 years. He continued with “every year’s sukkah is a little different, but every year’s design is the same, too.” There’s nothing wrong with that! In a time with so much upheaval, family traditions like these – even if they are clunky, heavy and time-consuming – are well-worth keeping. 

Joanne Seiff has written regularly for the Winnipeg Free Press and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.