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Unique interview show a hit

Margaux Wosk is a cast member of The Assembly, currently streaming on CBC Gem. (photo by Erich Saide / The Assembly)

“I am so proud of what we accomplished,” Margaux Wosk told the Independent about The Assembly, which is now streaming on CBC Gem. “The show offers fresh perspectives on autism and highlights how diverse autistic experiences can be. It also makes for authentic interviews, because no questions are off the table, which is rare to see in mainstream programming.”

Having watched the show, I couldn’t agree more. Produced by Vancouver-based production company Small Army Entertainment, The Assembly is entertaining. The way in which everyone interacts is refreshingly respectful, the content of the questions is unexpected and the honesty from both the interviewers and interviewees makes for compelling viewing. Everyone comes off as down-to-earth, friendly, with joys and fears most of us have experienced, just in different ways. In the inaugural season, the cast comprises more than 40 autistic and neurodivergent British Columbians interviewing six celebrities – Howie Mandel (America’s Got Talent), Maitreyi Ramakrishnan (Never Have I Ever), singer-songwriter Jann Arden, Allan Hawco (Saint-Pierre), Arlene Dickinson (Dragon’s Den) and comedian Russell Peters – over the course of six episodes.

According to CBC, the show is adapted from a French program, Les rencontres du Papotin, which started in 2022 on France 2 and became so popular that it has been commissioned in 19 countries to date. It was renamed The Assembly for British audiences, which is how it has been imported into Canada. But the origins go back even further, notes CBC – “The TV program was inspired by a real-life newspaper that has been written and published by autistic journalists since 1990.”

Wosk found out about the Canadian production via a Small Army Entertainment social media post.

The casting process took more than a year, according to CBC. “Producers worked with professional organizations within the autistic community to find people who would be interested in appearing on the show. Once selected, they were provided with some background information about each celebrity guest, but it was up to them to do their own research and decide how much or how little they would prepare,” says a Nov. 6 CBC Gem post.

“We received information about each guest and submitted about five questions each,” said Wosk. “These were then narrowed down to the best questions, and the team made sure there were no duplicates from other cast members. This process allowed us to craft questions that were both meaningful and unique.”

Filming took place in various places. “We filmed mostly during the summer at a few locations around the city that had natural lighting to accommodate people with light sensitivity, like myself,” said Wosk, who wanted to participate in the show for a few reasons.

“I love public speaking, and I wanted to help reduce the stigma around what autistic people are capable of,” they said. “I also wanted to reclaim my narrative. My childhood was difficult in many ways, so being able to feel empowered and share my perspective as an adult is really meaningful to me.”

Wosk serves as president of BC People First, where they support self-advocacy and inclusion for people with intellectual and developmental disabilities. They have written for or been featured in numerous publications and been interviewed for radio and other media many times. They received a BC Achievement Community Award this year, recognizing that their work with BC People First “breaks down barriers, fosters pride and amplifies underrepresented perspectives through creativity, advocacy and education”; that their business, Retrophiliac, empowers “others to express themselves, reduce stigma and build community”; that, in their leadership on accessibility, education and business development, their artwork and other initiatives, they are “a strong voice for inclusion, pride and important systemic change.”

Retrophiliac “sells items focused on disability, neurodiversity and self-expression, as well as communication cards that help people communicate,” and has a couple of access points: retrophiliac.etsy.com and shopretrophiliac.com. Wosk’s website is margauxwosk.com.

One particularly exciting moment for me as a viewer of The Assembly, though I only know Wosk slightly through some volunteer work we’ve done, was when Arden, as she was chatting with some of the interviewers after the main filming, said Wosk looked “kick ass.”

“It was amazing,” said Wosk when I asked how it felt to hear that. “I had planned my outfit weeks in advance for each taping, and my sense of style is really important to me. It is one of the ways I express my personality, so hearing Jann Arden compliment it felt very affirming and special.”

Wosk isn’t the only Jewish community member on The Assembly. I recognized Lyle Lexier and Wosk thought there might be another. CBC didn’t respond to my emails.

“I hope viewers have their assumptions about autism challenged and reduced,” said Wosk about the show. “I also hope they enjoy seeing Canadian celebrities and public figures answer questions in ways they probably have not seen elsewhere, giving a deeper sense of how human and relatable they are.”

To watch The Assembly, go to gem.cbc.ca.

See Annie at Gateway

Azaleah Korn, who plays the title role in Gateway Theatre’s production of the musical Annie, takes guidance from director Josh Epstein. (photo from Gateway Theatre)

Vancouver Jewish community member Azaleah Korn plays the title character in Gateway Theatre’s production of Annie, which opens Dec. 11 and runs through Jan. 3. The production is directed by another Jewish community member: Josh Epstein.

“When I found out I got the role of Annie, I cried and screamed and cried some more,” Korn told the Independent. “I was shocked, excited, crazy happy and a little nervous all at once! Being able to play the role of Annie is a huge honour and fills me with so much joy, excitement and inspiration.”

For the few readers unfamiliar with the Tony Award-winning musical, which has had several movie adaptations, Annie is set in New York City in the 1930s. It centres around Annie, an orphan who is eternally positive despite her harsh circumstances. Her luck – and that of her companion, the stray dog, Sandy – changes when she is invited to spend the holidays with billionaire Oliver Warbucks.

“I love singing all the songs in this play and I truly love diving deep into this complex human and figuring out how and why she does what she does and thinks what she thinks,” said Korn, who is a Grade 8 student at Eric Hamber Secondary School.

photo - Azaleah Korn stars in Gateway Theatre’s Annie, which runs Dec. 11-Jan. 3. The role of Sandy is played by three dogs; pictured here is Poco — Azaleah Korn stars in Gateway Theatre’s Annie, which runs Dec. 11-Jan. 3. The role of Sandy is played by three dogs; pictured here is Poco. *(photo by David Cooper)*

“Playing Annie is challenging for me because it’s not a character that I innately identify with,” Korn said. “Her hope and upbeat attitude, even in her awful situation, isn’t my gut reaction. But playing her has inspired me to find the hope or silver lining in otherwise sad situations. The most fun part of being Annie is exploring the world through her eyes.”

At age 13, Korn has the training and experience to play such an iconic role and make it her own.

“I can’t remember a time when I wasn’t performing; whether it be for my parents, friends, family and/or my stuffed animals!!” she said. “I started training in musical theatre, dance and vocals at the age of 5. Funnily enough, my very first vocal performance, at the age of 5, were songs from Annie: ‘Maybe’ and ‘You’re Never Fully Dressed.’”

Korn played Tomika in School of Rock at Theatre Under the Stars in 2024 and Brigitta in the Sound of Music at Delta Youth Theatre in 2023. She competes vocally and, this past year, won first place in the musical theatre genre at Kiwanis Music Festival. For the last three years, she has been dancing competitively, with the Happening Dance Studio. A couple of years ago, she won a nationwide songwriting contest. She would like to study musical theatre in New York and perform on Broadway.

“I prepare for my roles by learning the backstory of the show and my character. I really try to bring ‘me’ to the character I am playing, so, although I watch the musical or movie, I try not to copy or emulate exactly what I see. It is really important for me to bring my own authentic self to the character, so it feels and looks real,” she explained.

“To memorize my lines, I visualize the scene over and over. This technique helps me feel the beat of the scene and then the lines come more naturally.

“To calm my nerves,” she said, “I think, ‘what would Beyoncé do?’ I channel my inner courage and remember that musical theatre is my biggest passion and love. Reminding myself of my love for being on stage helps ease the nerves.”

Self-care is part of it, too. With Annie, for example, there are shows six days a week, and a matinée and evening performance on Saturdays.

“To have enough energy for the shows, I try to relax – when I’m not at school or rehearsing!” said Korn. “I like to zone out by watching TV or reading a book and keeping my talking to a minimum (which can be hard for me at times!), so I don’t wear my voice out. Luckily, my mum cooks me healthy meals so I have the energy to dance, sing and act my heart out on the stage. I warm up my body and voice. Cheryl Porter’s vocal warm-ups are amongst my favourite and have helped me keep my vocal cords safe throughout my singing years and daily shows.”

It was Korn’s mom who saw that Gateway Theatre was casting for Annie.

“She submitted me for the role of Annie and/or the orphans,” said Korn. “I practised the vocals for the audition with my vocal coach, Frederik Robert. My mum was my reader for the scene I had to practise. I guess she did an OK job! Mentally, I told myself to just go in there with all my confidence and courage and play the role and sing the best I could. And, like my mum always reminds me, ‘have fun!’”

This will be Korn’s first time working with Gateway Theatre. She is grateful to Epstein, choreographer Nicol Spinola, music director Sean Bayntum and the whole Gateway team for the “incredible opportunity.” Her parents have provided “endless support,” she said, also highlighting her vocal coach, Robert, and dance teacher, Kim Stevenson, “for pushing me and believing in me!”

Judaism is a fundamental aspect of Korn’s life.

“My grandfather, David Solomon Korn (he is named after two kings, he likes to remind us), is a Holocaust survivor. He and his brother Yaakov, aged 6 and 7, survived the Nazis as they came through Europe, including Brno, Czechoslovakia, where my grandfather was born. Tragically, his parents died at the hands of the Nazis, leaving my grandfather and his brother orphans. He recently wrote his memoir, in a book called At Great Risk, with the assistance of the Azrieli Foundation. My grandmother, Yona, was born in Afula, Israel. My grandparents met in Montreal and, after marrying, lived in Haifa before immigrating to Canada. It is a story of survival, determination and hope.

“Playing the role of Annie causes me to pause often to reflect upon the injustices inflicted upon my grandfather, who himself was orphaned at a young age, and the resilience of the Jewish people,” Korn continued. “My Jewish identity is strong and it is an important part of who I am today.”

It is easy to see why Epstein told the Independent that everyone who sees Annie will “walk away drawn in to our Annie, rising star Azaleah Korn – she’s got a mix of undeniable star power and acting chops.”

Epstein is a multifaceted talent himself, being an actor, producer, director and writer. The almost-46-year-old is a theatre veteran. For him, directing at Gateway Theatre is special.

“I spent my Hanukkahs doing the seasonal show at the Gateway as a kid – five winters,” he said. “It was a training ground for me, and this is all full circle.”

He directed Gateway’s 2024 production of Oliver! (He was part of Gateway’s 1992 production of the musical, playing young pickpocket Charley Bates.)

“Coming off Oliver! last year was a real awakening for me,” Epstein told the JI. “I didn’t expect how joyful it would be to dust off a classic and rediscover how well these classics hold up when you approach them with imagination and depth. The Gateway encouraged us to dream big and take risks. Barb Tomasic (executive artistic director) is an extraordinary leader, and that attitude trickles through the entire company.

“On opening night, she asked me about returning, I was a quick yes. She had a list, I had a list, and Annie was at the top of both.”

When asked his favourite thing about Annie so far, Epstein said, “We’ve found fresh takes on every character.” As noted, he highlighted Korn. He also said, “I think audiences will see a Warbucks they’ve never seen before. Charlie Gallant brings something impulsive, surprising and emotionally alive. It reinvigorates the role and opens up the whole story.”

He added, “But, who am I kidding, the dog will undoubtedly get the most attention. Everyone loves Sandy.”

Sandy is played by three dogs: Neko, Mylo and Poco. While there is the saying, “never work with kids or animals,” Epstein said, “It’s a myth. We had 70 kids audition. Seventy. Vancouver is full of incredible training programs … so the talent pool was unbelievable and our orphans are exceptional. The challenge is harnessing all that energy and potential inside a big, fast-moving machine.”

It’s been six to 10 months of planning, said Epstein, between “sets, costumes, props, auditions and logistics. Then, three intense weeks of rehearsal into tech. In that window, we have to teach all the music, choreograph huge numbers, stage transitions, build quick changes, run fight direction, intimacy work, dialect coaching, work with three dogs and a dog trainer, squeeze in costume fittings and lift calls, and prep special promo events. When you break it down, the number of actual hours we get for scene work is shockingly small, so my job is to move quickly while still hitting all the moments we want to savour.”

There is nothing like live theatre.

“Look,” said Epstein, “more and more, most of us are at home scrolling, streaming, consuming things alone. Theatre is one of the last places where you sit in a room with hundreds of strangers and feel something together. For this price, with this level of talent and this much energy poured into it, there’s nothing else quite like it.

“At its core, Annie is a story about chosen family, about finding the people who show you that love isn’t just something you give, but something you have to allow yourself to receive – Warbucks learns that, Annie teaches it – and I hope you leave the theatre optimistic about finding that kind of connection with your own chosen family, whoever they may be.”

For tickets to Annie, go to gatewaytheatre.com.

Explorations of light

Into the Light – featuring the art of Gillian Richards, left, and Pilar Mehlis – is at the Zack Gallery until Jan. 5. (photo by Olga Livshin)

The current show at the Zack Gallery, Into the Light, introduces two artists: Pilar Mehlis and Gillian Richards. Both explore light and air in their paintings – though with very different approaches.

Mehlis was born in Bolivia. Her family moved to Canada when she was 12. Since then, she regularly travels between the two countries: for study or work. “I’ve lived in Vancouver since 2001, but I still visit Bolivia every year,” she told the Independent. She feels that she belongs to both cultures, the same way she belongs to art.

“I didn’t choose art as a profession,” she said. “It chose me. I always liked doing art, but, in Bolivia, art is not considered a serious profession. Not stable enough. In the beginning, I tried to deny it, found various jobs in other fields, but I couldn’t stay away from art. When I was young, I had a romantic view of the artistic life – you know, an artist in her studio. I know better now, but it is too late for me.” She smiled.

Richards is local. She studied fine art in British Columbia and Alberta, starting in high school. “After I graduated from a fine arts program, I worked for years in the film industry here, in Vancouver,” she said. “I was a scenic artist. It was a good job, with a steady income, and I learned a lot, but it wasn’t creative enough for me. I was always working on someone else’s concept. About 10 years ago, I decided to step back from film and pursue my own artistic ideas. I wanted to express myself, my vision.”

Both artists have known each other slightly for a long time, as their studios are in Parker Street Studios and both have participated in the Eastside Culture Crawl for years, but the shared exhibit is due to the efforts of Zack manager and curator Sarah Dobbs.

“Sarah brought us together,” Mehlis explained. “I applied for the show at the JCC, but I didn’t have enough new works to fill the gallery. Sarah visited several other studios in our building to find the second artist.” Richards picked up the story: “Sarah approached me with the idea of a two-artist show, and here we are.”

For Mehlis, her Latin American roots inform her paintings and sculptures. “Magic Realism is very popular in Latin America,” she said. “It fascinates me: the idea of mystical and mysterious in everyday life. My grandmother’s stories were full of magic embedded in the ordinary. And we have many street festivals in Bolivia. The performers wear colourful costumes of fantastic beasts, with only their human legs showing.”

Similarly, the birds in Mehlis’s paintings all have human legs and bright plumage. They are flying in the same direction, through the luminous light, towards goals only they know. The artist calls this series the Ornithrope Collection.

“The idea of migration of humans and animals intrigues me,” she said. “For fish and birds, there are no borders, they follow a pattern in the world. But humans – we have borders. Borders complicate things, and still people migrate. My birds are modeled on a swallow, a migratory creature. Swallows fly between North and South America every year, like me. They are my travel companions.”

image - “Riding on the Wings” by Pilar Mehlis — “Riding on the Wings” by Pilar Mehlis.

Most of her pieces were inspired by Caroline Shaw’s music, set to the words of psalms, and the titles reflect those inspirational, poetic phrases: “The sparrow found a house…” or “They pass through the valley…” or “Riding on the wings…” All the pieces are focused on fantastic, anthropomorphic birds: at rest or in flight. They are the protagonists of Mehlis’s stories.

Meanwhile, Richards’ paintings are of scenery, with succinct titles: “Commute,” “Ferry Deck,” “Tree Fort.”

“Urban spaces always interested me,” she said. “We pass them. We touch them. We change them. I take lots of photos when I walk around, and my photos often serve as a base for my paintings, something I want to explore, a starting point. Light and shadows create a mood, an atmosphere. That’s why there are no people in my paintings. People change the mood, but I don’t know who they are. As it is, the viewers are the participants. They can walk into my paintings and make up their own stories.”

Light suffuses Richards’ cityscapes, be it the pink sunlight on a ferry deck, the lamplight at night on a street corner, or the yellow sunlight peeking through a tangle of boards of an abandoned tree fort. In Richards’ paintings, we are the people driving in the cars or traveling on the ferry through the lights of ocean and sky. We might have built the fort.

image - “Tree Fort” by Gillian Richards — “Tree Fort” by Gillian Richards.

“That tree fort is such an expressive structure,” she said. “I have several paintings of it. It is in that liminal space between a residential area and a forest. There is a mystery there: who built it? What for? It’s human architecture, fragile but enduring.”

Like Mehlis, Richards finds mystery.

Another similarity between the artists is that both are cautious about commissions.

“I have only one client – a poet,” Mehlis said.

“I have done some commissions,” Richards said, “but it wasn’t really for me. It resembled too much my work in film: executing someone else’s ideas.”

Mehlis and Richards represent a generation of creative people finding their way, one step at a time, between the old brick-and-mortar gallery system and the new internet marketing world.

“I don’t know how to promote myself anymore,” said Mehlis. “It used to be all galleries, but now it is all online, and I don’t understand those algorithms.”

Richards agreed: “The gallery system is in trouble now, competing with the online sales. But Eastside Culture Crawl is still going strong. Most of us make our yearly income during Culture Crawl. Hundreds of visitors come every year to our studios. It is a huge artistic event, the most democratic art sales in Vancouver. Nobody curates it. People buy what they like.… I remember in 2021, just after COVID, there were still restrictions in place of how many people could visit at a time. I looked out the window and there was a lineup of people in front of the door to our studios. It stretched out for blocks. They all wanted our art. It was very heartening.”

Into the Light opened Nov. 13 and will be up until Jan. 5. For more information, visit the artists’ websites, pilarmehlis.ca and gillianrichardsartist.com.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Help with the legal aspects

When Erin Brandt founded the Antisemitism Legal Helpline in January 2024, the employment and human rights lawyer had no idea how much time this volunteer position would consume.

“The fact that we’re getting this many calls is a little terrifying,” she said. Last year, 32% of the more than 50 calls for assistance were about employment and labour issues, 29% about human rights, and the remainder were about defamation, strata or tenancy disputes, criminal matters and on-campus incidents. This year, as of early November, there had been 44 calls, with the top two concerns remaining the same, but with the order reversed: human rights (30% of calls), followed by employment and labour issues (25%).

“A lot of people don’t know about us and, therefore, aren’t calling – so this represents just a small sampling of what’s going on in BC,” she said.

The Antisemitism Legal Helpline’s operational costs are mainly funded by the Law Foundation of British Columbia, and all legal advice is provided on a volunteer basis by 30 lawyers, “mostly Jewish, but also non-Jewish who have identified as allies of the Jewish community,” said Brandt.

The helpline’s steering committee includes Brandt, Jessica Forman and Cindy Switzer; Rochelle Garfinkel is the coordinator.

Jews who have experienced antisemitism and want to inquire about the potential for legal action can call the helpline and be referred to a lawyer with an appropriate specialty. They receive a 30-minute, free legal consultation about whether there has been a legal breach and, if so, what the options are.

photo - Lawyer Erin Brandt, founder and steering committee member of British Columbia’s Antisemitism Legal Helpline — Lawyer Erin Brandt, founder and steering committee member of British Columbia’s Antisemitism Legal Helpline. *(from antisemitismlegalhelp.org)*

“People come to us looking for advice on whether their case has merit, and part of our job is to explain the legal system and what it looks like to pursue a complaint to conclusion,” Brandt said. “It could include sending a cease and demand letter, among other options. If an individual wants to pursue a complaint further, sometimes a lawyer may be prepared to take it on pro bono, or the case might be strong enough that it warrants seeking outside funding, from resources in the Jewish community. There are legal funds available.”

The lawyers in the roster are confident and experienced, Brandt added. “One of the things people look for is cultural competency. When they feel vulnerable or attacked, they want to speak to someone who empathizes with what they’ve been through. Our roster of lawyers is small, but strong, and if a situation comes up where the current roster can’t help, the steering committee steps in to work our networks and bring in the right lawyers.”

The US equivalent of the Antisemitism Legal Helpline is the Anti-Defamation League’s Legal Action Network, which launched in early November with a team of 40 law firms constituting some 40,000 lawyers. “This is the largest and most powerful network of attorneys in this country, united and walking in lock step in the fight against antisemitism,” said James Pasch, vice-president of litigation at the ADL. Those attorneys are not all Jewish, he added, and being Jewish was not a prerequisite for volunteering legal assistance.

“We were looking for like-minded, talented attorneys who’d be interested in pro bono cases to fight back against antisemitism, and we’ve been heartened by the response of the American legal community. There’s an understanding that the spread of antisemitism in our communities cannot be tolerated and, when it crosses the line to horrific conduct, it’s incumbent on us to push back and fight for the rights of the Jewish community.”

Victims of acts of antisemitism receive a call from a law firm that does a thorough intake process. After that, if there are issues that are legally actionable, they work to provide ongoing legal assistance on an individualized case basis.

“We have to use every tool in the toolkit in the fight against antisemitism, and using the courts will be a vital tool in that fight,” he said. “We’re extraordinarily heartened and grateful that such a large swath of the legal community has decided to stand ready to provide pro bono legal assistance to the Jewish community.”

After Oct. 7, 2023, an antisemitism hotline for college students and professors was launched by the law firm Gibson Dunn, in collaboration with the ADL, Hillel International and the Brandeis Centre. While it led to 25 legal actions that resulted in settlements, criminal prosecutions and policy changes at universities, calls were coming from people outside of college campuses, too. They encompassed employment issues, denial of service and harassment of students in schools among other issues.

“The rise of antisemitism was never going to just stay siloed on campus,” Pasch noted. “We’ve seen antisemitism metastasize and spread across the United States. It was vital that we set up a system that gives the Jewish community an ability to fight back against it, tell their story and pursue legal remedies that will better protect us now and for years to come.”

To reach the BC Antisemitism Legal Helpline, call 778-800-8917 or email [email protected]; the website is antisemitismlegalhelp.org.

Lauren Kramer, an award-winning writer and editor, lives in Richmond.

Stories create impact

Choices keynote speaker Mandana Dayani, centre, with event co-chairs, left to right, Gail James, Briana James, Lola Pawer and Lisa Boroditsky. (photo by Rhonda Dent)

On Nov. 16, Choices once again celebrated the work of Jewish women philanthropists. This year’s theme, “L’dor Vador” (“Generation to Generation”), reflected the more than 400 people who attended the 21st annual event, which took place at Congregation Beth Israel.

“We saw so many younger, first-time attendees,” said Ricki Thal, associate campaign director at Jewish Federation of Greater Vancouver.

The event’s four co-chairs also represented the theme: Gail James and her granddaughter, Briana James; Lola Pawer and her daughter, Lisa Boroditsky.

Briana James introduced the keynote speaker, business leader and activist Mandana Dayani. In doing so, James said “our future shines bright,” with Dayani leading the way in philanthropy and activism, fighting antisemitism and advocating on behalf of women’s rights.

Dayani took the stage with her husband, Peter Traugott, presenting her material in conversation with him.

A Hollywood film producer with credits including HBO, Apple TV and Netflix, among others, Traugott also holds a master’s in business administration from Harvard University. He set a light-hearted tone, quipping, “This is my first at this – [being] Mandana’s ‘plus one’!” Speaking about their Jewish life in Los Angeles, where several members of the Dayani family live close by, he described a cross between Everybody Loves Raymond and My Big Fat Greek Wedding.

Traugott asked Dayani about her experiences as a new immigrant in New York. She spoke of the culture shock, the lights and traffic in New York. She also spoke, with gratitude, about HIAS (Hebrew Immigrant Aid Society), which supported her family’s flight from Iran, found her father a job as a shoe salesman and found them a place to live, where they became part of the community.

Dayani said her earliest memories of Iran are of “the morality police, the fear in everyone’s eyes.” She recalled having a gun pointed at her when she was just 4 years old. She is now 43.

Her family, who had wanted to leave Iran since the revolution in 1979, finally got a visa to Italy in 1987. They fled there, “leaving everything behind.” The experience has left her, she said, with an enduring sense of “how quickly this escalates, seeing my country taken over by lunatics.”

Despite having to live “with no safety net, starting over and over again, with no money,” Dayani said, “I’ve never missed a Shabbat in my life…. Shabbat is everything to us.”

Dayani’s grandfather was a rabbi and the family Orthodox. She understands the sacrifices that had to be made to maintain their traditions and feels “a responsibility” to do so as well, she said. As for integrating into American life, she described watching TV to learn how to dress, speak and behave as an American. She said, “I feel very Persian. Being a Persian Jew, that’s integral to who I am.” She also describes herself as “deeply patriotic – the US saved my life.”

Dayani takes her two daughters everywhere, she said. “If I meet my heroes, they meet my heroes. If I’m going to the UN General Assembly or the White House, they come with me.”

She and Traugott are trying to raise active, responsible citizens. “We have conversations about what’s happening in the world and they’re always rooted in kindness, through the lens of compassion,” she said.

Dayani advises caution when it comes to internalizing the messages we see online. “If we cave to the algorithms, we’ll believe that everyone hates Jews and it simply isn’t true,” she said, adding, “So many people stand with us and love us. The kids are good!”

In response to a question from Traugott about her process as a storyteller, Dayani spoke about “using storytelling to create impact,” to change society in significant ways.

Dayani acknowledged that anger spurs some of her work, such as her fight against the first Trump administration’s policy of attempting to deter migrants by separating children from their parents. She recalled her fears as a child, landing in New York, not wanting to let go of her mother’s hand. “I can’t think of a worse thing you could do to the most vulnerable population in the world,” she said. This sentiment led her to travel to Texas to see the policy in action, as the disconnect was just too powerful, she said. “The country that saved me is doing this?”

Her strategy in situations like this, she said, is to “call all the women I know who are smarter than me” to together “redirect the world’s attention to what we want them to look at. Real issues. It worked.”

She explained, “We received hundreds of millions of dollars of donated advertising…. I was so moved by how everyone showed up.”

The advertising aspect – the dissemination of information – was absolutely essential, she said, noting that “20% of the pro-Hamas information being spread on social media right after Oct. 7 was disseminated by bots, not real people…. It was planned. There was spin on the day it happened.”

When Mandani posted a video about this online within days of Hamas’s attack, the post got some 50 million views within a couple of hours. Death threats started coming in.

“I am a progressive leader and none of those people were speaking up,” she said, referring to other human rights and anti-hate activists.

Even though, as Traugott noted, Dayani doesn’t just work for a single demographic, but rather does outreach on behalf of various groups who have experienced different kinds of trauma and marginalization, she lost friends after Oct. 7 – or, as she put it, “so-called ‘thought leaders’ remaining silent because they couldn’t stand 10 negative comments” on their social media accounts. Dayani said the people she thought were her peers lacked the courage to stand up for justice when it came to Jews.

Among many other initiatives, Dayani founded, in 2024, the Calanet Foundation for young people, to harness “the power of Jewish stories in response to the branding work done by the Palestinian contingent.” After Oct. 7, she saw “so many black squares on people’s feeds,” as a mark of Jews’ grief. She also wanted people to focus on “the desert flower growing out of a crack,” the calanet (Hebrew for anemone), which symbolizes strength and resilience. She quoted the adage “They tried to bury us – they didn’t know we were seeds.”

One of Calanet’s projects is One Mitzvah a Day, which entails expressing thanks to those who stand up against antisemitism and/or in support of Israel – “one text a day, such as expressing gratitude to Trader Joe’s for selling Israeli feta,” said Dayani, noting that 5.5 million messages have been sent since the project’s January launch. Traugott pointed out that “most of the allies weren’t Jewish.”

Dayani asked the audience to consider “the power of this room, when everyone does the work.” She said, “Just do what you’re doing today – keep showing up.”

Shula Klinger is an author and journalist living in North Vancouver.

Different faiths gather

Presenters at the World Religions Conference, which was held at Star of the Sea Community Hall in White Rock on Nov. 17. Rabbi Arik Labowitz of Or Shalom is second from the right and, to his right, is the writer, Cantor Michael Zoosman (photo by Rizwan Peerzada)

Last month, the Elderly Organization of Ahmadiyya Muslim Ansarullah BC held the World Religions Conference. This annual multifaith event, organized by Ahmadiyya Muslim Jama’at Canada, brings together scholars from the world’s many religions to speak on a common topic from their respective religious traditions.

The Nov. 17 gathering was held at the Star of the Sea Community Hall in White Rock. Jonquil Hallgate, Surrey Interfaith Council chair, served as the moderator for faith leaders Dr. Eilaine McCeary (Baha’i), Rev. Richard Chau (Catholicism), Naeem Ahmed Lakhan (Islam), Sukhvinder Kaur Vinning (Sikhism), Eden Engen (Church of Jesus Christ of Latter-day Saints), Shrinath Dwivedi (Hindusim) and, representing Judaism, Rabbi Arik Labowitz of Or Shalom and I. It was the second such Ahmadiyya multifaith event in which I have participated, the first occurring when I lived in Greater Washington, DC, years ago.

This year’s theme, “Kindness and Kinship,” focused on recognizing our shared humanity – being of a kind. Speakers shared inspiring variations on this theme, emphasizing that people can be motivated by such recognition to cooperate with and help one another, to treat others as if they were members of their own family, to be generous, loving and thoughtful, and to give as if to kin. Many leaders referenced directly or indirectly the famous Hebrew phrase “v’ahavta l’reiakha kamokha” – “love your neighbour as yourself” – from Leviticus 19:18.

At Rabbi Arik’s suggestion, after he spoke, I concluded the evening by leading a rendition of “Olam Chesed Yibaneh” (“The World is Built with Kindness”), which Rabbi Menachem Creditor wrote in the wake of the 9/11 terrorist attacks across the United States. Using the eponymous text from Psalms (Tehillim) 89:3 as the refrain, the song adds: “I will build this world from love. And you must build this world from love. And if we build this world from love, then God will build this world from love.” We repeated the chanted melody, with guitar, as a niggun on a neutral syllable, to invite others to join in with us in the universal language of song. During the Indian dinner that followed, many attendees approached us to share how much they had learned and how much they appreciated what we had to share.

Such interfaith collegiality – even “kinship” – occurs frequently among colleagues serving, like I do, in multifaith capacities as spiritual health practitioners (what, in the United States, we called “chaplains”) in hospital, military and prison settings. It is understandably much harder for those on the pulpit, who have the sacred responsibility of attending to the members of their own congregations and communities. This prioritization is why it is so impressive to consider the partnerships that local clergy, including so many of our rabbis, have made in Vancouver over the years. It is my hope and prayer to be able to sing at many such functions in the months and years to come. Only by standing together for the sake of mutual chesed, lovingkindness, can we hope to move forward in peace and fellowship as a thriving, diverse community.

Cantor Michael Zoosman is a certified spiritual care practitioner with the Canadian Association for Spiritual Care and received his cantorial ordination from the Jewish Theological Seminary of America in 2008. He sits as an advisory committee member at Death Penalty Action and is co-founder of L’chaim! Jews Against the Death Penalty. Zoosman is a former Jewish prison chaplain and psychiatric hospital chaplain. Currently, he serves as a spiritual health practitioner (chaplain) for mental health outreach teams, working with individuals in the community living with severe mental health disorders and addiction. He lives with his family in Vancouver.

Advocating for girls’ rights

Hannah Presman Chikiar spoke and moderated at the United Nations headquarters in New York City, on Oct. 10, as part of Girls Speak Out 2025, held in celebration of the International Day of the Girl. (photo from Hannah Presman Chikiar)

At the start of this year, I was doing what any average 15-year-old would be doing: studying, playing sports, hanging out with friends, counting down the days until summer and, yes, waiting to turn 16 to get my driver’s licence! I never imagined I would be speaking and moderating at the United Nations headquarters in New York City, in front of hundreds of global leaders, delegates and young people. On Oct. 10, 2025, I had the honour of doing exactly that at Girls Speak Out 2025, held in celebration of the International Day of the Girl.

I happened to be seated beside Annalena Baerbock, the president of the UN General Assembly. The room filled with hundreds of people, while many others joined online. Girls Speak Out 2025 was not only a celebration; it was a policy platform where commitments were made, with the expectation that they will be fulfilled. The event highlighted real stories and actionable solutions, emphasizing that girls’ rights must be recognized, supported and acted upon without delay. The energy in the room, the stories shared and the voices of girls from around the world showed everyone the power of youth advocacy and the importance of taking action rather than waiting for permission.

My connection to Judaism has always guided me, particularly the principle of tikkun olam (repairing the world), which inspires me to act for justice and equality wherever I can. It was this commitment to advocacy and making a positive impact that aligned with the mission of the Vancouver section of the National Council of Jewish Women of Canada (NCJWC), which nominated me for this amazing opportunity with the UN.

From June through October, I worked with nine other girls: they were from Liberia, Bolivia, Ghana, the United Kingdom and the United States. I woke up every Saturday at 4:30 a.m. Vancouver time to meet with them and plan, with the support of the Working Group on Girls, a fully girl-led UN event shaped around our theme: “We Are Here: Bold, Diverse and Unstoppable – Demanding Action for Girls’ Rights.” Together, we co-designed two panels: “Girls on the Frontline of Crisis: Protection, Peace & Power” and “From Margins to Power: Girls Defying Discrimination and Reclaiming Identity.” Collaborating with this diverse team of girls was inspiring and gave me the chance to learn from experiences vastly different from my own.

On the day of the event, I had the privilege of being one of the four moderators leading the discussions and sharing information about what girls around the world are facing. As I proudly wore my Magen David necklace, I spoke about how, in many crisis settings, child marriage rates are nearly double the global average and millions of girls face heightened risks of sexual violence with little or no support. Globally, 12 million girls are married every year, more girls than boys remain out of school in parts of sub-Saharan Africa, and anemia rates continue to worsen in several countries. Nearly one in four girls – about 150 million girls – live in countries where they do not have equal inheritance rights, and girls in fragile or conflict-affected regions are 90% more likely to be out of secondary school than those in stable environments.

These realities underscored the urgency of the issues, and we opened the floor for a recommitment discussion, inviting member-states and UN agencies to share their reaffirmations on advancing the rights of girls.

Over the past few years, I’ve been deeply involved in leadership and advocacy programs that shaped my understanding of social responsibility and community engagement. Last year, I completed the StandWithUs Teen Leadership Council and the Canadian Jewish Political Affairs Committee (CJPAC) Generation program. This year, I am a part of the StandWithUs Kenneth Leventhal Internship, and I am continuing my involvement with CJPAC. I also serve on the Multi-Faith Summit Council of British Columbia committee. These experiences have taught me, and continue to teach me, how to work with people from different backgrounds, speak up for causes I care about, and translate values into action.

I have been invited to participate in the 70th session of the Commission on the Status of Women (CSW70) Girls’ Statement Writing Group, which will take place at UN headquarters in New York in March 2026. In this program, girl delegates from around the world collaborate to write and refine the annual Girls’ Statement, share perspectives on justice and empowerment, and learn more about advocacy and policy writing.

Reflecting on my recent journey, I am deeply thankful for the support that made it possible, notably the help and encouragement of NCJWC Vancouver and its chair, Jordana Corenblum, the International Council of Jewish Women, and my family. Their encouragement gave me the strength and confidence to fully engage in this work and to represent the Jewish community while advocating for girls’ rights.

Girls Speak Out 2025 reminded me that change is possible when young people speak boldly, collaborate widely and demand accountability. I hope to carry these lessons forward, continuing to act for justice, equity and opportunity for all girls, wherever I can.

Hannah Presman Chikiar is a Grade 11 student at King David High School. She is part of the StandWithUs Kenneth Leventhal Internship, is involved with the Canadian Jewish Political Affairs Committee, serves on the Multi-Faith Summit Council of British Columbia committee and is working on the Commission of the Status of Women..

An oral song tradition

Shenandoah University Prof. Lori Şen spoke about Sephardic music on Nov. 2, as part of Kolot Mayim Reform Temple’s 2025/26 lecture series. (PR photo)

Kolot Mayim Reform Temple started its 2025/26 Building Bridges Zoom lecture series – six music-themed talks running through April – on Nov. 2, with Lori Şen, a professor of vocal pedagogy at Shenandoah University in Winchester, Va.

The title of Şen’s lecture was Classical Echoes in Ladino: Sephardic Songs Reimagined.

“This talk is especially meaningful to me, as it reflects a journey that began about eight or nine years ago with my doctoral dissertation in voice performance,” she said.

“What started as an academic project has since grown into a broader exploration and celebration of a rich and underrepresented genre within the Western classical tradition – Sephardic art song.”

Şen spoke about the Sephardim, their history, language and culture, before discussing the elements of traditional Sephardic music. Later, she introduced Western classical arrangements of Sephardic folk songs for voice and various instruments, and spoke about the development of this genre, playing excerpts from a variety of songs.

Within the expanse of what constitutes Sephardic culture, there is a language, most commonly called Ladino or Judeo-Spanish, a mix of 14th- and 15th-century Castilian, with contributions from Galego-Portuguese, Catalan, Valencian, Aragonese, Hebrew, Turkish, Arabic and others, such as Greek, French, Italian and Balkan languages.

“A certain linguistic creativity is inherent to Judeo-Spanish, which has even been used as a vehicle for expressing verbal revenge through humour in an oppressive society,” Şen said, citing examples of plays on words that can be found in Ladino.

Şen quoted from linguist Marie-Christine Varol, author of Manual of Judeo-Spanish: “Irony, distance, puns and endless plays on meanings and stylistic nuances bouncing back and forth make this language of quotations, double entendres, discrete jokes that seem undecipherable of implied and overly clear meanings into an original and eternally renewed linguistic system steeped in a devastating sense of humour that can only be achieved through a knowledge of several languages, a knowledge that gives it its strength, its richness and its freedom.”

Şen said the types of Sephardic song are defined based on musical parameters such as structure, melody and rhythm, as well as the text and the relationship between the music and text. Many songs were passed down orally, making their origins difficult to trace. Others are Ladino translations or adaptations of Turkish, French and Balkan songs, incorporating dance rhythms like tango and foxtrot, and sometimes referencing familiar operettas.

“Since this repertoire represents such a wide range of cultural exchange, the musical analyses of them require vast musical knowledge,” Şen said. “Sephardic music possesses elements of Western classical music of all periods, starting from medieval, Spanish, Moroccan, Balkan and Greek musical traditions, and Turkish folk and classical forms, including makam.”

Makam is the Middle Eastern modal practice with more pitches than we’re used to in our Western 12-tone notation system.

According to Şen, although instruments were employed on occasion, the Sephardic song repertoire is essentially vocal. When instruments were involved, they were mainly percussive, a tambourine, for instance, though mandolin and oud were also employed.

Traditional Sephardic folk songs, since they were transmitted orally, incorporate a large amount of improvisation. Thus, the melodies of the same songs can differ significantly between communities and across generations.

On her website, lorisen.com, Şen has a catalogue she compiled that includes lists of Sephardic works and composers, works categorized by instrumentation, and songs. Based on archival research and interviews she has conducted with Jewish musicians and music scholars, Şen has identified more than 45 composers who have arranged more than 190 different traditional Sephardic folk songs in the art song form for voice and various instruments. Also on her website is a Ladino diction guide designed to assist singers interested in performing Sephardic songs.

A mezzo-soprano and Fulbright alumna, Şen’s range spans opera, art song, musical theatre and jazz, and she has performed throughout Europe and the United States. Her teaching and research specialize in vocal literature, pedagogy and voice science. Further, through her background in physics, she explores the art and science of the singing voice.

The next lecture in the Kolot Mayim series will feature Broadway historian and lecturer David Benkof on Jan. 11 at 11 a.m. Benkof will deliver his talk – Spotlight on Jewish Broadway with the Broadway Maven – in Victoria in person and on Zoom. For information, visit kolotmayimreformtemple.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Genealogy tools and tips

Stephen Falk, president of the Jewish Genealogical Society of British Columbia, spoke at the White Rock South Surrey Jewish Community Centre on Nov. 16, offering guidance on tracing one’s Jewish ancestry. (photo by Chloe Heuchert)

The White Rock South Surrey Jewish Community Centre (JCC) hosted a talk by Stephen Falk, president of the Jewish Genealogical Society of British Columbia, on Nov. 16.

Falk introduced attendees to the fundamentals of genealogical research, providing practical guidance on tracing Jewish ancestry, accessing historical records and connecting with broader genealogical communities.

The presentation was immersive, with participants encouraged to ask questions throughout. Attendees engaged directly with Falk, exploring specific strategies for research, software tools and resources relevant to their own projects. The interactive format allowed for a deeper understanding of both the challenges and the opportunities involved in tracing family histories.

Falk emphasized that genealogy begins with what is already known: any names, dates and locations provide a foundation for exploring more distant connections. Collecting family stories, though often incomplete or imprecise, can serve as a useful starting point. Participants were encouraged to verify details through official records, recognizing that oral histories often contain gaps or inaccuracies.

A key focus of the presentation was the variety of resources available to genealogists today. Census records, birth and death certificates, and marriage registrations were highlighted as essential tools. Falk also emphasized the value of local archives and library databases, which often contain digitized or microfilmed records that can be accessed for free or with minimal cost. Provincial archives, for example, offer searchable databases of records that can provide key insights on both recent and more historical generations.

Online platforms such as Ancestry and MyHeritage were discussed as powerful ways to organize research and access international records. Falk also mentioned JewishGen, a resource dedicated to Jewish genealogy, which hosts special interest groups (SIGs) focused on specific geographic regions, including Germany, Poland, Ukraine and other areas of historical Jewish settlement. These groups allow researchers to connect with others who may be working on the same family lines or the same regions, providing both guidance and collaboration opportunities.

Genealogical research often involves piecing together information from multiple sources. Falk likened the process to solving a puzzle, where each record or data point can clarify relationships or reveal new leads. Even apparent dead-ends can be opportunities to explore alternative paths, whether by examining less-common records, revisiting archival materials, or connecting with researchers in SIGs.

The presentation also highlighted unique resources that may not be immediately obvious to amateur genealogists. For example, records maintained by the Church of Jesus Christ of Latter-day Saints include extensive documentation of Jewish communities dating back to the 18th century. These archives, now largely digitized, provide valuable historical data and can supplement other sources, helping researchers build a more complete picture of family histories, said Falk.

The session also addressed practical approaches to organizing and tracking genealogical data. Falk discussed the use of software programs that allow researchers to record information, update details and integrate findings from multiple sources. These tools help manage large volumes of information and make it easier to visualize relationships and connections across generations.

Research often requires persistence, as records can be incomplete, misfiled or dispersed across many locations. Understanding privacy restrictions and record accessibility is also important: for instance, European birth records may be subject to privacy laws, while death records may only become publicly accessible after a certain number of years. By navigating these factors carefully, genealogists can uncover accurate and meaningful information about their family history, said Falk.

Talk attendees explored ways to handle common challenges, such as verifying oral histories, identifying unusual surnames and navigating records from numerous countries. Falk emphasized the value of community and collaboration, noting that genealogical work is often enhanced when researchers share insights and resources with one another.

By the end of the session, attendees had both a framework and tools to begin or expand their genealogical projects. Falk emphasized that Jewish genealogy is not only about tracing ancestry but also about engaging with cultural heritage, historical context and global connections.

Falk’s presentation demonstrated that genealogy is both accessible and rewarding. Genealogists can uncover rich stories, strengthen community connections and gain a deeper understanding of personal and cultural history. The past can be explored, documented and shared with future generations.

Chloe Heuchert is an historian specializing in Canadian Jewish history. During her master’s program at Trinity Western University, she focused on Jewish internment in Quebec during the Second World War.

Jew-hatred is centuries old

Bar-Ilan University’s Dr. Mordechai Kedar spoke in Vancouver Nov. 17 at Temple Sholom on root causes of Jew-hatred. (from idsf.org.il)

The Enlightenment of the 18th century carried hopes for Jews that their long history of persecution would end, but the ideas of that period carried the seeds of a new form of Jew-hatred. Communism was intended to erase class and national differences, which might have eliminated discrimination toward Jews, but this ideology too carried a poisonous element. Zionism was intended as the answer to systemic discrimination against Jews. It too, though, merely sparked a variation on the ancient bigotry.

In a survey spanning centuries, one of Israel’s leading scholars of the Middle East explained the seemingly limitless justifications for Jew-hatred in Christian and Islamic civilizations.

Dr. Mordechai Kedar spoke in Vancouver Nov. 17 at Temple Sholom on root causes of Jew-hatred. Kedar is a senior lecturer in Arabic and Middle Eastern studies at Bar-Ilan University, where he has taught for more than 30 years. Kedar served for 25 years in Israeli military intelligence, specializing in Syria and regional Arab affairs.

Kedar said he prefers the term “Jew-hatred” to antisemitism because it subverts the rhetorical claim that Arabs, who are semitic, can therefore not be antisemites.

“We don’t find anti-Jewish sentiments in India, in China, Japan and Korea,” said Kedar. “One reason is the religion. Both Christianity and Islam are religions which are derivatives of Judaism. Therefore, in order to establish their validity and their legitimacy, they must undermine the validity and the legitimacy of Judaism.”

Another reason, he said, is that there have historically been few or no Jews in those places. In addition to being theological, Kedar argues, Jew-hatred has been a xenophobic reaction to the “other.” In the absence of Jews in India or Japan, this role was filled by other others.

Traits of Jews themselves also spark antisemitism, he said. Illiteracy in Jewish communities has been almost nonexistent, said Kedar, and this has created jealousy. More recently, the disproportionate number of Jewish Nobel Prize recipients may be a point of pride for Jews, but it can serve as a red flag for those seeking reasons for resentment. Jewish success in a range of fields spurs bitterness among some who are less successful or struggle to compete.

The historical trajectory of Jew-hatred is long and winding.

“Two hundred years ago, more or less, some countries, especially after the Enlightenment in Europe, started to give emancipation to Jews,” said Kedar. “Instead of erasing the differences between Jews and others, [this freedom] actually increased the hatred because now the Jew, the ‘other,’ invades our circles, he becomes a lawyer, he becomes an accountant, he competes with us in our court.”

When Jews in Germany abandoned traditional distinctive clothing choices, this caused a backlash among non-Jews.

“This is frightening for them because, all of a sudden, the Jew looks like us,” Kedar summarized. “Is he like me or not? All of a sudden, he wants to look like a German, sound like a German, act like a German.”

With the French Revolution, and gaining steam after 1848, the Age of Nationalism was another turning point. The collapse of empires, notably the Austro-Hungarian Empire, where as many as one-third of Europe’s Jews lived, brought unanticipated challenges for Jews. As Hungarians, Romanians and others gained both national sovereignty and greater ethnic identity, Jews were again isolated as outsiders.

“If we are Romanians, we are Christians,” Kedar said. “We speak Romanian.… We dance to the same music. We eat the same food. Who doesn’t? The Jew. He eats different food. He speaks a different language. So, he’s not one of us.”

Socialism and communism were meant to erase the differences between peoples, Kedar said, including the very concept of separate nationalities.

“And who is leading this erasing of nationalism? The Jew Trotsky and Lenin, with his [Jewish] roots,” said Kedar. The Jew is blamed when nationalism is ascendant and when communism is pushing nationalism to the margin, he noted.

Envy and othering even undermined Zionism, which was conceived as the ultimate answer to the inescapable antisemitism experienced by the stateless Jew.

“The Zionist movement was another reason to hate the Jew,” Kedar said. “Let’s imagine that we have a little town in Romania with problems of employment, problems of poverty, problems of alcoholism as well. The Jews are starting this new theology of Zionism, to leave the country and to go to eretz Israel. ‘What, you’re going to leave us and go to a better place? We hate you.’”

Kedar spoke extensively about Islamic theological and political antisemitism, which he described as like a “layer cake.”

“Judaism was canceled 2,000 years ago by Christianity,” he said. “And Christianity was canceled 14 centuries ago by Islam. So, Judaism was canceled twice.… Since Judaism is null and void, why do we need a Jewish state if there is no Jewish religion?”

Another layer rests on the Islamic concept of dar al-Islam, the domain of Islam, he said, which holds that no land controlled by Muslims must ever fall into the hands of the infidel.

Under the Ottomans, he said, eretz Israel was under Islamic rule and should forever remain so because, “according to the belief, according to Sharia, any land in the world has only a one-way ticket to enter the House of Islam, not to get out.”

A third layer is a widespread rejection of Jews as a people or as a nation. By reducing Jews to a religious group, he said, this idea subordinates Jewish identity to national affiliation, so a Jewish Canadian is Canadian first and that is their nation. This argument succeeds in justifying dozens of Muslim states while rejecting one Jewish state based on the premise that these are not Muslim states, but Turkish, Uzbeki or other states that happen to share a religion.

A fourth layer, said Kedar, is that some Islamic thought denies Jewish connections to the land and maintains that the people who today call themselves Jews are descended from central Asian Khazars who converted to the Jewish religion.

These concepts negate a core intention of Zionism, which was to resolve the problems created by Jewish statelessness. Muslim opposition to Israel, founded on these layers of theological justification, and Western opposition to Israel, mainly taking the form of political criticisms that extend into existential rejection, have prevented the Jewish state from serving the role Zionism intended, which was in part to make Jews a people like any other.

Rabbi Dan Moskovitz welcomed Kedar, who is associated with the right-wing in Israel, and said his congregation is a “big tent.”

“I did hear from some of you here,” said Moskovitz, “or in the community, [asking] why is Temple Sholom hosting Dr. Kedar?… As the senior rabbi of this congregation, it is my intention and mission to bring in voices, within the boundaries of the tent of the Jewish people, that represent the spectrum of Jewish thought. I tell my children all the time, you only learn when you listen to people that you don’t already agree with.”

Aron Csaplaros, BC regional manager for B’nai Brith Canada, which co-sponsored the event, introduced Kedar. He also highlighted his organization’s most recent audit of antisemitic incidents, noting they recorded 6,219 incidents of hate against the Jewish community in Canada in 2024.

“That’s the highest number we’ve ever recorded in the more than 40 years that we’ve been tracking this data,” he said. “That comes out to an average of 17 antisemitic incidents every single day.”

Incidents range from online harassment, threatening behaviour and vandalism targeting Jewish institutions to direct attacks against Jewish individuals, Csaplaros said.

“It is hostility directed at people simply because they’re Jewish,” he said. “Many in our community feel less safe today than at any point in their lifetimes. Parents hesitate sending their kids to school. University students are increasingly targeted and isolated. And Jewish Canadians who have always lived openly and proudly now find themselves looking over their shoulders or questioning whether this is still the country that can offer the sense of security that they once felt.”