freelancer – Page 266

Artistic visions of hope

Left to right, Three Echoes artists Sorour Abdollahi, Devora and Sidi Schaffer. Their exhibit, Hope and Transformation, is at Amelia Douglas Gallery until Feb. 29. (photo from Three Echoes)

Connected by similar values and inspirations in their creative work and in their lives more generally, Sidi Schaffer, Sorour Abdollahi and Devora are longtime friends. Their fifth exhibit together – as the informal collective Three Echoes – is called Hope and Transformation. It is at the Amelia Douglas Gallery at Douglas College in New Westminster until Feb. 29.

“Art transcends the limitations of time, space, language and cultural background,” said Devora in her written remarks, prepared for the exhibit’s opening Jan. 16, which was postponed because of the snow, and given Jan. 21. “The echoes from within spill over onto the canvases,” she said. “Together, our works create a dialogue of hope and transformation.”

Devora told the Independent that the name for the exhibit came “through talk and discussion between the three of us in reflecting on our individual and collective journeys and where we found ourselves, and the world, at that moment.”

“Today, there is a lot of anxiety about globalization and migration,” Abdollahi said. “As an immigrant artist, my art deals with connections between cultures and hybridity. Therefore, my works might help serve as a bridge and tell the immigrant story.”

Abdollahi was born and raised in Iran, where she graduated with a diploma in Persian literature from Yazd University and a bachelor’s in fine arts from the University of Art in Tehran. In Vancouver, where she settled 20 years ago, she studied at Emily Carr University of Art and Design. She writes in the exhibit catalogue that her Iranian heritage and Canadian experience “have had a tremendous influence on my works’ subject matter, dealing with the mediation between the modern and the ancient, the old and the new, the West and the East.”

The artist uses collage, a multi-layering technique and mixed media. “My works show the relationship between culture and environment and migration,” Abdollahi explained to the Independent. “Our environments are changing both internally in our mind and externally, and my works illustrate this change. My works create negotiation between different cultures and societies.”

Schaffer also started her fine arts education in her birth country, Romania. In Israel, she received a degree in art education and taught in the school system for more than a decade. When she came to Canada in 1975, she studied at the University of Alberta, where she majored in printmaking and painting. Initially focused on abstraction, her work has become “more integrated, combining abstract and figurative forms,” she writes in the catalogue. “Now I am continually exploring new possibilities with mixed media, a combination of print, drawing, painting and collage. Important for me is the visual poetry, the relationship of form, space, colour and light. Some of my works in this show are a combination of collages of different things from nature and painting; others are collages of my own imagination.”

“I am an optimist and also I am amazed about the continuous transformation in nature around me,” Schaffer told the Independent. “I combined my love and respect for the beauty of flowers and leaves, surrounding them with hope, and new imaginary landscapes. In a way, I give the dry flowers a new life, bringing them out from the pages of old books.”

As for Devora, she told the JI, “What gives me hope is my relationship with the Divine – that there is no separation, that we are all connected and made of stardust, that we are all on an unfolding journey of being together. I attempt to express that emotion onto the canvas.”

For Devora, art has the power to transform the viewer when the viewer can hear her work speak to them from their own experience. “At the opening,” she said, “the Douglas College students from two classes – one poetry class and one art history class – gathered around and engaged with all three of our works, asking questions, wanting to understand the process, the intention and how they could relate from their own lives to what they were seeing.”

Normally, only the art history students attend each artist talk. However, after Devora shared that the Zack Gallery at the Jewish Community Centre of Greater Vancouver hosts Pandora’s Collective poetry nights, where members of the collective create works inspired by the art, the Amelia Douglas Gallery invited the poetry class, as well.

Growing up in Berkeley, Calif., where she earned a master’s at California School of Professional Psychology, Deborah Ross does all of her creative work under her maternal grandmother’s name, Devora, in honour of her grandmother, who was murdered in the Holocaust. “Her spirit gives me the strength and confidence to create,” said the artist in her remarks for the exhibit.

Devora, who now lives both in Vancouver and on Salt Spring Island, came to Canada in 1993. She has studied art at Emily Carr, Langara College and elsewhere. “My artwork reflects the love I have for the creative process and exploration,” she writes in the exhibit catalogue. “I am fascinated by the inner world of emotion, dream, metaphor and story and strive to illuminate both the universal and personal by bringing them onto the canvas.

“My latest works explore the interplay and continuum between abstract and representational images of landscapes and figure, and a fascination with the surreal, in mixed media combining acrylic and collage.”

In her remarks for the exhibit opening, Devora explained, “My art reflects a search for understanding and clarity about my personal and ancestral history and the world. My experiences inform my work as I go inside and bring them onto the canvas. I endeavour to transform darkness into the light of hope. I am interested in what is hidden and how it informs what is revealed.”

She noted that she, Abdollahi and Schaffer “turned to esthetics as a way to focus and navigate our journey.” And she expanded on this concept. “Through the lens of esthetics combined with the common immigrant experience and effects of war and displacement,” she said, “the three of us have managed to bridge all other divides: language, ethnicity, culture, religion and country of origin. Our childhood environments and experiences could not have been more different on the surface and yet the foundations of connection and similarity were already being laid down, established through the development of the lens of sensitivity to beauty in the world and compassion for the human experience.

“Our ideal, of different cultures living in harmony, is reflected in our own personal experiences, in which intimate exposure to the world of ‘the other,’ unearths commonalities and gives rise to a greater depth of understanding about our own lives.”

She concluded, “In closing, I would like to quote Sorour, as Sidi and I feel that her words speak for all three of us: ‘In my friendship and collaboration with Sidi and Deborah, I see an opportunity to explore and express my own culture, but also to relate these themes to other cultural experiences – recognizing the echoes of each other in our works and our lives. My works side by side those of my friends’ works create a dialogue and negotiation which hopefully provides the viewer with a different vision of the world – one which is borderless, free and peaceful.’”

Directing a favourite musical

Malka Martz-Oberlander, left, and Dalia Currie are co-directing Little Shop of Horrors, which is at the Red Gate Revue Stage from Feb. 6-9. (photos from TES Theatre)

At 17, many Jewish Independent readers were probably spending most of their time hanging out with friends, maybe doing a music or art class or two, some sports activities. In addition to being a student, 17-year-old Jewish community member Malka Martz-Oberlander is a filmmaker, writer, film and theatre director, cartoonist, musical theatre actress and photographer. Her latest initiative is a production of Little Shop of Horrors, which is at the Red Gate Revue Stage on Granville Island Feb. 6-9.

Presenting the production is TES Theatre, or Transforming Education, which, explained Martz-Oberlander, was “originally the theatre program at the one-of-a-kind Windsor House School: a democratic, multi-campus, K-12 school in East Vancouver.

“When Windsor House School closed down last year,” she said, “former principal Meghan Carrico decided to start a theatre company for the students, like myself, who wanted to continue to do theatre and musical theatre together. The program that arose after the school’s devastating closure is grounded in the same democratic philosophy. Our mission is to make sure any student who wants to do any aspect of musical theatre can and will be supported by a willing cast and a professional musical theatre teacher.”

Martz-Oberlander is co-directing Little Shop of Horrors with Dalia Currie. Last June, the pair co-directed a production of Much Ado About Nothing that Currie adapted. According to Martz-Oberlander, Currie “loves Shakespeare” and has “co-directed and acted in many of the Bard’s shows,” including playing the role of Theseus in A Midsummer Night’s Dream in 2018, as part of the Carousel Theatre Teen Shakespeare Program.

Currie found musical theatre through joining Windsor House in 2018, said Martz-Oberlander. “She played Olive Ostrovsky in The 20th Annual Putnam County Spelling Bee and Gaston in Beauty vs. Beast, an original parody of the tale as old as time.”

For her part, Martz-Oberlander performed with Encore Musical Theatre (formerly Broadway Edge) for four years, then performed in two shows with Windsor House School and, this year, is a member of Arts Umbrella’s Pre-professional Musical Theatre Troupe.

illustration - Crystal, Ronette and Chiffon are the three narrators of Little Shop of Horrors. Malka Martz-Oberlander sketched this image of the trio, which was colourized by Emi Lavoie — Crystal, Ronette and Chiffon are the three narrators of Little Shop of Horrors. Malka Martz-Oberlander sketched this image of the trio, which was colourized by Emi Lavoie. *(image from TES Theatre)*

Martz-Oberlander said she and Currie initially pitched Little Shop of Horrors to the theatre company because they had both grown up watching it, “and we were very excited at the thought of directing our first musical together this year with the mentorship of our new musical theatre teacher, Isabella Halladay, who is a local musical theatre artist.”

The production involves around 30 people, said Martz-Oberlander, “and all but three of them are students. We held auditions for people within our theatre community,” she said. “We made sure that anyone who was interested has been involved in some way, whether it be onstage or in the tech booth. The actors range from age 14 to 19. There is no live band, we have backing tracks.”

Little Shop of Horrors, both a film and a Broadway musical from the 1980s, is now back on Broadway, said Martz-Oberlander. “It’s about an orphan boy taken in and given a job by Mr. Mushnik, a European Jewish immigrant and the owner of a run-down flower shop in the ‘bad part of town.’”

Despite the fact that both writers of the musical were Jewish – Howard Ashman (who passed away in 1991) and Alan Menken – Martz-Oberlander said that she and Currie were concerned about the portrayal of certain characters, in particular that of Mr. Mushnik.

“As a cast and individually, we have discussed when it’s good to bring out stereotypes and when it’s actually really harmful,” Martz-Oberlander told the Independent. “For example, the character Mr. Mushnik seems like a two-dimensional, money-hungry shop owner. The character embodies this Jewish stereotype throughout the whole story. My non-Jewish co-director and I have tried our best to approach this thought-provoking comedic piece with the intention of not perpetuating hurtful stereotypes. When producing a show written in a different decade, when values were different, it’s so important to come at it from an authentic, respectful and knowledgeable way.”

Martz-Oberlander had only praise for the production’s venue, the Red Gate Revue Stage. Saying that the cast and creative team were “incredibly lucky to get to rehearse and perform” there, she added, “I think a place like the Revue is vital at a time in Vancouver where things are less and less affordable – to have arts spaces and small theatres like the Revue is very important.”

As for Little Shop of Horrors, Martz-Oberlander said, “I think it’s a great opportunity to come out and support local youth-directed theatre and watch a fantastic show! This show is really a one-of-a-kind, hilarious science fiction musical that will have you humming tunes for weeks after.”

Tickets to Little Shop of Horrors ($5-$15) can be purchased at the door or online from brownpapertickets.com/event/4481952.

Magnifying emotions

Gila Green will talk about her two latest books at the Jewish Book Festival on Feb. 9. (photo from JCC Jewish Book Festival)

From the first page, White Zion reads like a memoir. Through 16 short stories, we get to know Miriam and her family, from her great-grandparents to her own children, as well as the places they are from, including Yemen, Israel at various points in its history and Canada. It is easy to wonder how much of Miriam is her creator, Israeli-based writer Gila Green, who will be at the Cherie Smith JCC Jewish Book Festival Feb. 9.

“The stories in White Zion are all about emotional truths,” Green told the Jewish Independent. “So, if that’s what’s coming across, that is some measure of success. I did not say this but Alice Munro did – I recall reading an interview with her in which she said: ‘If your audience thinks all you did was wake up and write down everything that happened to you yesterday, then you’ve succeeded.’ I would love to hear about how readers relate to these emotional truths, how they connect.”

Green will also bring her young adult novel No Entry to the festival, for which she will talk at both the Jewish Community Centre of Greater Vancouver (12:30 p.m.) and the White Rock/South Surrey Jewish Community Centre (4 p.m.) that Sunday.

The heroine of No Entry is Yael Amar, a teenager from Ottawa, which was where Green was born and has lived. Yael has traveled to South Africa to intern for a spell at a private bush camp near Kruger National Park. (Green’s husband is South African, and Green has lived in the country.) There with the intent of helping protect elephants from poachers, Yael ends up in danger herself.

Despite the connections her books may, or may not, have with her own family, Green prefers to write fiction. She described nonfiction as “limiting” for her.

“As soon as someone tells me to write a true story, I’m suffocating,” she said. “I have to start questioning what is fact, what is memory, what lacks context, what is something I’ve just convinced myself is true and on and on. I spent four years at Carleton [University in Ottawa] studying for a journalism degree, so all of that kicks in. In the end, the short story is a wrung-out sock, more like a dozen tangled wrung-out socks. No one wants to read a sock. There is no connecting with it.”

Fiction allows for the expression of emotional truths that would be impossible to express otherwise, she said.

“Writing fiction allows me to hone in on a feeling – something I want my audience to feel, which is how I start every story I write. I ask myself, ‘How do I want this story to make the reader feel?’ and I start from there – and I can hold that emotion under a magnifying glass. I can distort it, blow it sky high, cut interference to ant height or delete. I can take one characteristic of one person on a single day about a single event and I can magnify it, so that the rest of the human being is rendered invisible. These were some of my goals with White Zion. The characters are all gross distortions of one human trait or another.”

But that doesn’t mean that facts don’t enter her work.

“I tried to be as faithful as possible to the historical period,” she said, referring to the stories in White Zion, “and I spent months researching everything, from what vegetables they could have been selling in the Jerusalem market post-1948 to how they could possibly have been heating their homes. I also used the same biographical details for two of the characters, Miriam and her father. It was important for me that Jewish fiction expand to include Yemenite voices, religious voices, gay voices, the more voices the better.”

Green also did much research for No Entry and, in addition to crafting an entertaining, at-times tense, thriller-like novel, she educates readers on the nature of elephants and the very real threat of their extinction.

“Yael is a Jewish eco-heroine,” said Green, who noted that the character’s boyfriend, David, is also Jewish. “She’s not religious but both of her parents are Jewish – she mentions in No Entry how the South African traditional dish she tastes for the first time reminds her of her mother’s chulnt on the Sabbath and, in No Fly Zone, she has an Israeli-themed dinner with her parents. None of the other characters are Jewish…. I do like exploring different kinds of Jews though. If readers want a more obvious Jewish heroine in the sequel[s], please write to me.”

Green has finished writing No Fly Zone, the next book in what might become a series. In it, she said, “Yael Amar is back with her best friend Nadine Kelly, this time protecting Kruger National Park from the skies. But she is about to learn a big lesson when it comes to moral relativity and friendship.”

Green added, “I set out to thread the senseless loss of human life with the equally nonsensical destruction of animals in No Entry and I continue this in the sequel. I did this not because I’m trying to make a point about the connection or status between humans and animals – that’s the wrong way to understand my motivation. Rather, I’m trying to weave together the criminals who commit these inhuman acts: they’re connected.

“Often,” she said, “the same people willing to sell illegal blood ivory are involved in terrorism, human slavery and other acts that bring nothing but grief to the planet. I wish to emphasize this linkage, to shout it from the rooftops. But, in real life, I figured an exciting, adventurous, teen novel was a more effective way to go.

“I purposely made the terrorist event [in No Entry] happen in Canada because I want to get the message across that fatal betrayal doesn’t just happen in Africa or the Middle East. That attitude might allow some of us to feel off the hook. It happens everywhere and we all have to make sure we are part of the solution or there won’t be one and that thought is too devastating to imagine. I refuse to go there and No Entry ends on a victorious note for a reason.”

Though the sequel has been written, its publication date will depend on what happens in Australia and the bushfires that continue to destroy the country. Green shared, “I am very sad to say that my publisher Stormbird Press was on Kangaroo Island and has burned to the ground. The staff was evacuated on Dec. 20th. We are all praying for their safety and that they fully recover but, for now, everything is at a standstill and there is terrible devastation.”

Green is already working on her next novel. In A Prayer Apart, her main character, for the first time, is male, she said. “He’s an Israeli-Jewish teenager living through the 2014 war with Hamas, knowing he’s next in line for the front line. By the same token, he’s had it with his parents and school and his rebellious behaviour lands him in lockdown, one step away from juvenile jail.”

She said she will let readers know on her website, gilagreenwrites.com, when the publication details are finalized.

An avid reader since childhood and now a prolific writer, with four books published since 2013 and two more on the way, Green said, “Mankind cannot live without stories. Period. We are our stories. When people are down, what they are really saying very often is they don’t feel connected. Stories connect us.”

For the Jewish Book Festival lineup and schedule, visit jewishbookfestival.ca.

Mark and Seth Rogen honoured

Left to right: Lauren Miller Rogen, Seth Rogen, Mark Rogen, Sandy Rogen and Danya Rogen at the ceremony in New York City at which Mark and Seth were honoured with the Generation to Generation Activism Award from the Workmen’s Circle. (photo from Mark Rogen)

Vancouver’s Mark and Sandy Rogen have good reason to be proud of their children and the Jewish values with which they raised them. Some of those values were highlighted as 2019 came to a close, when Mark Rogen and his actor, writer and producer son Seth were honoured on Dec. 2 with the Generation to Generation Activism Award from the Workmen’s Circle in New York.

The award recognizes the Rogens’ work promoting Jewish culture and traditions, while also carrying on the traditions of tikkun olam, repairing the world.

“What made it meaningful for us and for everyone who came was that it was an award about values,” Mark Rogen said in an interview with the Jewish Independent after a game of basketball at the Jewish Community Centre of Greater Vancouver. “It wasn’t about someone giving $2 million to get their name on a hospital. It was about recognizing people living in a positive way.”

Rogen said he and Sandy have always preached that value to their kids, along with the idea that they should always strive to “be a blessing.”

“That’s the way Sandy and I tried to raise Danya and Seth – to try to be a blessing and do what you can,” he explained. “Doing something one-to-one is just as good as doing something internationally. It’s where your heart is and I think Sandy and I are very happy to see that’s how Danya and Seth live their lives. That’s the pride.”

Rogen noted that, when his kids were young, they experienced many blessings. In those years, he said, the family had little money and institutions like Vancouver Talmud Torah, the JCC and Camp Miriam treated his children well, and “didn’t charge us a lot. So, Danya and Seth spent their formative years in the Vancouver Jewish community, and their friends today are from those years. Seth met Evan [Goldberg, his writing partner] at the JCC doing karate, and then they did bar mitzvah classes together.”

Knowing that his children are giving back as adults is important, said Rogen, who worked for the Workmen’s Circle for two years when the family temporarily moved to Los Angeles when Seth filmed Freaks and Geeks. Among other things, Seth and wife Lauren Miller Rogen founded Hilarity for Charity, which raises money for Alzheimer’s care, research and support.

That the recent award was a joint honour made it more meaningful to Seth Rogen. “To be honoured in any capacity is rare and lovely for me, but, to be honoured alongside my father was truly special and memorable,” he told the Independent. “My dad has always been dedicated to helping others and spreading goodness wherever he can. He worked for nonprofits most of my childhood and always strived to make the world a better place. He is someone I always go to for advice and his guidance is consistently geared towards not just what’s good for me, but what’s good for everyone.”

As for the Jewishness he often displays on screen, the actor said he rarely separates that part of himself from his work. “Being Jewish is inseparable from my identity in many ways, so it’s something I’ve always thought was good to acknowledge and integrate into my work,” he explained. “I simply am Jewish and I’m proud of myself and what I’ve done with my life.”

Seth Rogen’s biggest Jewish role, however, might be coming in the soon-to-be-released American Pickle, in which he plays a young man who comes to the United States in 1918 from a European shtetl, then gets trapped and preserved in a pickle barrel for 100 years before being united with his grandson in Brooklyn.

Danya Rogen – who is currently on the board of Vancouver Talmud Torah, on the personnel committee for Habonim Dror Camp Miriam and a regular participant on the JCC softball league team her father captains – joined many family members and friends in New York for the ceremony honouring her father and brother. She remembers her parents raising their awareness of important issues at a very young age.

“My parents, and my dad in particular, taught us to stand up for what we believe in and stand up for others who can’t do it for themselves,” she said. “My parents were also incredibly kind and generous, even when we didn’t have so much ourselves. All of those values have stuck with me my whole life. “I hope to live up to being a blessing and can pass those values on to my own children. I suppose the fact that I have become a social worker isn’t that surprising.”

Kyle Berger is Jewish Community Centre of Greater Vancouver sports coordinator, and a freelance writer living in Richmond.

Eclectic Jewish sounds

Andy Muchin with a record from his collection. (photo from Sounds Jewish)

The American South may not be the first place you would consider tuning the dial for an hour-long radio program that runs the gamut of Jewish music and many other audio facets of Yiddishkeit. That the show is assembled half the year on Vancouver Island might add another element of unexpectedness to the equation.

“I realize it might appear a bit incongruous,” Andrew Muchin told the Independent, from his Victoria home. “But, thanks to the internet age, things like this are no longer that difficult to do.”

Fifty weeks a year, Muchin goes through his collection of more than 1,000 vinyl records, scores of CDs and hour upon hour of digitized music to produce Sounds Jewish, a weekly radio program for Mississippi Public Broadcasting, based in Jackson, Miss. The show is broadcast on Sunday afternoons there and heard anytime online.

Having celebrated its ninth anniversary at the end of last September, Sounds Jewish focuses on a relevant theme, often within the Jewish and secular calendars. Avid listeners soon realize the problem for Muchin is not finding material but sifting through all the material that is out there. It takes several hours to select music for, record and produce each show, and programs often contain a range of offerings, anything from a 1960s comedy routine to Israeli hip-hop.

For American Thanksgiving in late November, Muchin spun a number of discs, including a Ladino number, “These Beautiful Tables” by the Ruth Yaakov Ensemble, and “Tish Niggun” (“Table Melody”) from the band Klezmer Plus! The show then mixed in songs of gratitude, such as a melodic rendition of Psalm 118 with Israeli singer/keyboardist Idan Raichel and Malian singer/guitarist Vieux Farka Touré and a counting of blessings from British singer Daniel Cainer – who opened the 2019 Chutzpah! Festival – in “How We’re Blessed,” from his album Jewish Chronicles.

In October, Muchin prepared a World Series show dedicated to Jews and baseball, and particularly to the home cities of the two teams involved in this year’s Fall Classic, the Houston Astros and the Washington Nationals. This show featured a country version of the prayer Modeh Ani from Houston-born country singer-songwriter Joe Buchanan; a cut from Kramer’s The Greenberg Variations, an instrumental tribute to Detroit slugger Hank Greenberg; and ballpark favourites “Take Me Out to the Ballgame” and “God Bless America” belted out in Yiddish by Mandy Patinkin.

In marking recent holidays and occasions, Muchin has taken his listeners on a musical tour of Jewish labour songs ahead of Labour Day, rhythmically reminded them of many sins to avoid during the month of Elul, leading up to the High Holidays, and melodically explored the ongoing desire for self-improvement ahead of Yom Kippur, the Day of Atonement.

“I try never to be preachy, but I like to inform my listeners of various Jewish or Jewy practices they can incorporate in their lives – or not. Mostly, though, Sounds Jewish presents the diversity of Jewish music across time and space. To my ear, Jewish music is the ultimate world music, since Jews have lived almost everywhere on earth, blending the native music with Jewish themes,” he said.

A native of Manitowoc, Wis., Muchin was raised in a traditional Jewish home, growing up versed in Hebrew and liturgical melodies. He later learned Israeli songs at a Zionist summer camp, but said he didn’t become steeped in Jewish music until long after the klezmer revival of the 1970s.

Muchin has been active in Jewish media and Jewish life since 1986, when he started as an assistant editor for the Jewish Telegraphic Agency. He moved back to his home state to serve as editor for the Wisconsin Jewish Chronicle in Milwaukee and edited and co-published (with Marge Eiseman) Jewish Heartland magazine. He also has written for the Forward, Moment, Jewish Week and numerous other publications.

In 2009, Muchin landed in Jackson, as the cultural program director of the Goldring/Woldenberg Institute of Southern Jewish Life, a nonprofit that provides a variety of educational, cultural and religious services to underserved Jewish communities throughout the South. There, he met the director of Mississippi Public Broadcasting’s radio division, Jason Klein, who also happened to be Jewish, and Sounds Jewish took flight.

In Victoria, Muchin served as director of the 2019 Victoria International Jewish Film Festival and has written and presented two Purim shpiels (plays).

As for the future of Sounds Jewish, Muchin hopes to continue adding to his Jewish music collection – he said he accepts donations of LPs – and to broaden and deepen the content of the show.

“I expect the show to have an increasingly Canadian feel as I learn more about the very creative Canadian Jewish music scene and its history,” he said.

Sounds Jewish can be heard at mpbonline.org/soundsjewish, exchange.prx.org/series/32262-sounds-jewish and radio-j.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Community milestones … Suedfeld, Averbach, Phillip, Gutteridge, BI

Dr. Peter Suedfeld with Governor General Julie Payette at Rideau Hall. (photo by Sgt. Johanie Maheu)

On Nov. 21, 2019, Vancouver’s Dr. Peter Suedfeld was among those invested into the Order of Canada by Governor General Julie Payette during a ceremony at Rideau Hall in Ottawa.

The Order of Canada is one of the country’s highest civilian honours. Its companions, officers and members take to heart the motto of the order: “Desiderantes meliorem patriam” (“They desire a better country”).

Suedfeld was invested as an officer of the order. The honour’s website notes that his “groundbreaking research expands our notions of resilience and transcends academic fields. Professor emeritus at the University of British Columbia and a prolific writer, he is internationally acclaimed for documenting previously ignored positive psychological and physical effects of extreme and challenging environments. His work has taken a critical look at the impacts on humans experiencing polar isolation, space exploration, sensory deprivation, decision-making during international crises, and such traumatic experiences as genocide. He is highly regarded both as a mentor and active member of his community.”

Created in 1967, the Order of Canada recognizes outstanding achievement, dedication to the community and service to the nation. Close to 7,500 people from all sectors of society have been invested into the order. Those who bear its iconic snowflake insignia have changed Canada’s measure of success and, through the sum of their accomplishments, have helped build a better country.

Appointments are made by the governor general on the recommendation of the Advisory Council for the Order of Canada. For more information about the Order of Canada or to nominate someone, visit gg.ca/en/honours.

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photo - Gary Averbach at the Israeli Scout’s facilities in the city of Ra’anana — Gary Averbach at the Israeli Scout’s facilities in the city of Ra’anana.

JNF Canada is proud to have completed renovating the infrastructure of the Israeli Scout’s facilities in the city of Ra’anana, to be more accessible for children and youth with disabilities. This project was the focus of the JNF Vancouver 2017 Negev Dinner, honouring the Averbach family.

The Israeli Scouts, Tzofei Tzamid, run programming for more than 80,000 members aged 9-21 (including more than 2,500 with disabilities) throughout Israel. They bring together children and youth from across the spectrum of Israeli society to learn leadership skills and the value of inclusive community, and to enhance their self-image.

A special thank you to Gary Averbach, Michael Averbach and Shannon (Averbach) Gorski, and the entire Vancouver community for taking this vision forward and helping JNF improve the lives of the members of Tzofei Tzamid. To learn more about the project, visit jnf.ca/tzofei-tzamid.

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photo - Rob Philipp will start his position as chief executive officer of Hillel BC in June — Rob Philipp will start his position as chief executive officer of Hillel BC in June.

Rob Philipp has been appointed to the position of chief executive officer of Hillel BC, effective in June.

Philipp’s appointment follows a Canada-wide process engaged by the search committee of the Hillel board of directors, comprised of Gordon Brandt (chair), Eric Andrew, Rebecca Recant, Frank Cohn, Talia Magder, Alexis Pavlich, Rachael Segal and Isaac Thau (board president). Philipp was the unanimous recommendation of the search committee and unanimous choice of the board of directors.

Philipp has a long history with the Vancouver Jewish community, having served on several boards, including 20 years on the board of Temple Sholom and being president of that organization. He participated in the Vancouver Wexner Heritage Leadership Group, which was a selected group of local Jewish leaders that studied and learned together for two years.

Philipp brings a unique and impressive set of experience, credentials and passion to Hillel. After graduating from the University of British Columbia, where he was an active member of Hillel, he worked as a chartered professional accountant. He then developed his career in sales, marketing and management in both for-profit and nonprofit organizations, most recently as the chief executive officer of the Fraser Valley Real Estate Board and as interim executive director of Temple Sholom.

He is known for being a creative and innovative leader, with a warm and strong team approach and a people-first mentality. His experience in developing and executing strategy, program development and delivery, combined with his business, governance and financial acumen, will be tremendously valuable to the continued growth of Hillel based on the strong foundation built by Rabbi Philip Bregman and Sam Heller in recent years.

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photo - Jessica Mann Gutteridge is the new artistic managing director of the Rothstein Theatre and Chutzpah! Festival — Jessica Mann Gutteridge is the new artistic managing director of the Rothstein Theatre and Chutzpah! Festival.

The Jewish Community Centre of Greater Vancouver welcomes Jessica Mann Gutteridge as the new artistic managing director of the Norman and Annette Rothstein Theatre and Chutzpah! Festival. The position was previously held by Mary-Louise Albert, who is leaving after 15 successful years. The JCC thanks Albert for her excellence in service and dedication to the community and the arts.

Gutteridge joins the JCC from Boca del Lupo, where she managed Performance Works on Granville Island. She was also a founding board member of the Granville Island Theatre District. She held positions of managing director and education manager at Carousel Theatre for Young People. Her work as a dramaturg has included new plays for young audiences and playwrights from Shakespeare to Genet to Edwin Sánchez.

She received her master’s in fine arts from the Yale School of Drama’s department of dramaturgy and dramatic criticism, and studied directing at Wesleyan University. Born and raised in New York, she returned to the theatre after nearly two decades as a lawyer specializing in advertising and trademark law. At Columbia Law School, she was editor-in-chief of the Columbia-VLA Journal of Law and the Arts. Her nonprofit board work has included serving as co-president of Landmark on Main Street (a performing arts and community centre on Long Island, N.Y.), the Vancouver International Burlesque Festival, and the Bayview Treehouse Preschool. She was a member of the 2018-19 Cultural Leadership Program at the Banff Centre in Alberta.

“I look forward to continuing to bring diverse, world-quality artists to present their work to Chutzpah! Festival audiences and to reach a new generation with exciting performances. I am also delighted to steward the Rothstein Theatre as a gem appreciated by professional artists and community members throughout Metro Vancouver.”

The JCC is excited to see Gutteridge apply her industry experience and talents to the management of the centre’s fully equipped 318-seat performance venue, and the creative direction of the Chutzpah! Festival, one of the major art events in Vancouver’s cultural calendar.

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At Congregation Beth Israel’s annual general meeting Dec. 5, several volunteers were recognized. Mazal tov to Howard Mickelson and Keren Gertsman (President’s Award), Lloyd Baron (Board of Directors Special Service Award), Michael Harris (Board Recognition Award) and Lissa Weinberger (Special Service Volunteer Award).

The congregation also welcomed its incoming board for 2019-2020: Helen Pinsky (president), David Silver (vice-president), Heather Sirlin (secretary), Keren Gertsman (treasurer), Lisa Averbach, Anton Bloem, Alexis Doctor, Kevan Jacobson, Lisa Marcoe, Christie Menzo, Dale Porte, Jennifer Wolf and David Woogman.

Youth feed homeless people

Youth from Temple Beth Ora and Gathering Angels in Edmonton help out at Boyle Street Community Services shelter. (photo from Rabbi Gila Caine)

In Edmonton, Rabbi Gila Caine and Muslim leader Nesrine Merhi-Tarrabain have combined forces to serve their local community.

Caine is spiritual leader of Temple Beth Ora, a Reform synagogue in Edmonton with nearly 100 families, which celebrated its 40th anniversary last year. Merhi-Tarrabain is director of Gathering Angels, which runs an educational centre that teaches Muslim girls Islamic values.

Caine grew up in Jerusalem and moved with her husband, Ariel, and their two young children to Edmonton more than two years ago to lead Temple Beth Ora. Their kids attend the local Talmud Torah school.

Growing up, Caine learned early on, and more so in her early teens, to always be looking for ways to strengthen and help community. She wanted to bring that same mindset – of taking responsibility for your local community – to b’nai mitzvah-age kids at her Edmonton congregation.

“We’ve wanted to go out of the classroom and do stuff outside for a few years now,” Caine told the Independent in a recent interview. “And then, through another connection I have, with Salaam Shalom group, I asked one of them if perhaps they have somebody in their community that does stuff with kids … and that maybe we could do stuff together.

“I thought that would be really cool if we could get the b’nai mitzvah kids to go out and do stuff in the community, but with other youth of a different faith group,” she said.

Caine was connected with Merhi-Tarrabain. After some effort and time, the synagogue and educational centre managed to get together on a Saturday in November, preparing and serving both breakfast and lunch at Boyle Street Community Services shelter.

“We brought food with us, had her girls, my kids, and some parent volunteers working in two shifts there that day – working together, preparing sandwiches, cooking,” said Caine. “It was actually funny to see – it was more the parents that were connecting and talking … [while] the kids were basically doing their work quietly. But, the parents got into really nice conversations with each other and they served the food. And everybody from both sides came away feeling that we should do this again.”

photo - The interfaith initiative at Boyle Street Community Services was led by Nesrine Merhi-Tarrabain, third from the left, and Rabbi Gila Caine, second from the right — The interfaith initiative at Boyle Street Community Services was led by Nesrine Merhi-Tarrabain, third from the left, and Rabbi Gila Caine, second from the right. *(photo from Rabbi Gila Caine)*

Caine is hoping to make serving the community a tradition at Temple Beth Ora, possibly with Gathering Angels again, as well as with other groups.

When thinking of the best activity to launch the b’nai mitzvah community service initiative, Caine chose this particular one – preparing and serving food – as she knew from experience that many of the kids really enjoy dealing with food service, having seen them help out at the shul.

“Some of these kids are b’nai mitzvah kids and they want to volunteer again,” said Caine. So, the youth group counselors “will sit with them and talk to them about what they want to do. This is the next step,” she said.

After the November project, there was another food-related volunteering opportunity for the kids last year. They joined the Edmonton Jewish community as a whole to prepare a Christmas meal for another shelter. “They really wanted to take part in that,” said Caine. “And now we will see what they will come up with next.”

According to Caine, having Merhi-Tarrabain at the Boyle Street Community Services kitchen was beneficial for several reasons, including that she had volunteered there with the girls in the past and had experience. That meant Merhi-Tarrabain could offer tips about what food to bring and how to best help in the food’s preparation and serving.

“Now, some of the parents who were there, they want to initiate more of these things,” said Caine. “And now, we have a better idea of how to do that.”

Both faith groups understand that more such gatherings are necessary before the youth can make lasting connections.

Caine said her synagogue is trying to create a project with another Muslim youth centre in Edmonton and also with one of the city’s churches. “We’re trying to create a program,” she said, “where they will have meetings, talk and learn and do stuff together … hopefully resulting in some real connection-making.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Promoting fair trade in Israel

Raz Frogel (photo from Fair Trade Israel)

Raz Frogel, 23, has taken it upon himself to increase the number of fair trade items on Israeli store shelves.

Frogel, who lives in Dror Israel commune in Haifa, first read about child labour and improper working conditions when he was 16 years old. The article was about people working in cocoa fields and, after reading it, he announced to his parents that he would no longer eat chocolate, and explained why. He then spent the next two years in search of a solution.

“When I was 18 years old, I found fair trade and started doing research about it and looked into where I could find fair trade products,” Frogel told the Independent. “When I was released from the army, I started the fair trade movement in Israel.”

In his research, Frogel came across a 2016 article in the Independent: jewishindependent.ca/many-benefits-of-fair-trade.

“I realized nobody in Israel tried to promote fair trade or was trying to change the situation,” said Frogel. So, he took on the responsibility “and started to spread word of fair trade in Haifa, trying to make Haifa the first Fair Trade City in Israel. There are 2,000 cities in the world with the designation of fair trade towns,” he said, “but none in Israel.”

Frogel said many people try to shame companies into becoming fair trade employers, but he sees this as a wrongheaded approach, akin to movements and groups promoting the boycott of Israeli companies and products.

“We try to focus on the good companies and give them our support, and not on companies with what we see as wrong or bad practices,” he said. “I don’t want to shame anybody. I just want everybody to go fair trade.”

As a first step to achieve this goal, Frogel is trying to raise awareness.

“When you walk on a street in Israel, you can ask 10 people what fair trade is and maybe one will know,” he said. “So, before we can go to the companies and ask for fair trade products and change behaviour, we need to educate the public, create awareness.

“Ten years ago, there were no vegan products in Israel, but, when the community and demand grew and grew … there is now no coffee shop without soy milk or something like that. So, with fair trade, we need to copy this process. We need to raise awareness, create demand, and create communities that create demand. Then, we need to go to companies and ask for fair trade products.”

About 20% of Israelis live in poverty, the majority of whom are women, some of whom are paid less than minimum wage and suffer from other unfair labour practices. With this in mind, Frogel connected with an organization working to empower women. So far, Achoti (My Sister) is the only business in Israel that uses fair trade.

While fair trade in the food industry is a relatively known issue, Frogel pointed out that the fashion industry is also problematic.

If workers need to be paid more, that extra cost could be added to the price of the product. But, the extra money paid to the workers could come from another part of the industry chain. And, while investors want the highest possible return, it is up to us – the end users – to determine the value of a product by voting with our dollars or shekels, said Frogel. If the demand is high enough, more producers could be encouraged to enter the market, thereby increasing supply and placing a downward pressure on prices.

“I think there is no price to pay,” contended Frogel, “because, when you look at the U.K., the cheapest products in the store are fair trade, like Cadbury or Nestle … and Starbucks. When you look at fair trade in places where it’s common, it’s cheaper than non-fair trade products. When we talk to people, we try to explain to them that, when there is a demand, the prices of products will come down and everybody can support it.

“Right now, it’s very expensive to buy fair trade in Israel,” he admitted. “I can’t lie. But, we’re working on it and I don’t think fair trade should be more expensive.”

While Frogel is working on bringing fair trade to Israel, he hopes that readers will join the global movement, wherever they are, and join a local fair trade initiative to promote it in their communities.

Currently, Fair Trade Israel has a Facebook presence and the organization can offer tax receipts to donors through Achoti.

“We are trying to raise Friends of Fair Trade, wanting to raise a lot of support from all over the world, to show that fair trade is part of Jewish values,” said Frogel. He wants to see Israel become “a fair trade movement leader.”

Starting by focusing on Haifa, and Israel in general, Frogel is organizing events and doing advocacy work in schools and businesses. As far as getting Haifa recognized as a Fair Trade City, he is working to fulfil the requirements for such recognition, such as attaining a high level of fair trade awareness and product availability. “We have a lot of support from the city council and have a group of great people leading this project,” said Frogel. “We have stores with fair trade products, but not in every neighbourhood. We started programs in schools in the last month and we have special programs on campuses to raise fair trade awareness and product availability.”

For more information, visit achoti.com (which is in Hebrew) or contact Frogel at [email protected].

Rebeca Kuropatwa is a Winnipeg freelance writer.

The comfort in imperfection

We’re not perfect. Yes, and you’re saying, so, why is this in the newspaper? I’m writing this over winter break. Like many families, we chose a staycation. We’ve done some walks and games outside, and a lot of time just hibernating, resting and rejuvenating indoors. All the Chanukah treats were investments in this: new toys that our twins could play with for hours, books, warm socks – and a huge gift for all of us: my husband chose to repaint our main bathroom as part of his time off.

I know, you’re still thinking, why is this in the Jewish newspaper?

Well, first, if you’re a Jewish family who celebrates only Chanukah, winter break gets long. It’s a time when the radio and TV are full of someone else’s holiday celebrations. In a cone of silence, my family has always turned inwards, to hang out together. My parents used to joke it was the time of year for wallpapering. (My mom would choose the paper and my dad would hang it and curse about wallpaper!)

Aside from a much-improved colour and some very important anti-moisture paint, the bathroom fix-up also gives us a chance to seek comfort and self-improvement from within, by focusing solely on our household. I think my husband gets a great sense of satisfaction when he finishes a home repair project and feels it is a “job well done.” He dwells endlessly on the parts that aren’t perfect, and what might be better.

This is connected to the Torah portion Vayechi (Genesis 47:28-50:26) for a few reasons. This portion is very much about family, connections, our blessings and our imperfections. Joseph’s father, Jacob, is dying. Jacob’s dying blessings and wishes are both comforting to some and very uncomfortable for others. His need to include Ephraim and Menashe (his grandchildren) and to offer blessings out of birth order strike many as unfair. The rabbis discuss why Jacob crossed his arms and preferred the younger over the older grandchild. One wonders why he includes the children of his favourite child at all.

Yet, if you think back, Jacob has never been particularly even-handed with his kids. This is the dad that made Joseph the multicoloured coat. Joseph is the child of his old age. Jacob is unfair. He plays favourites, and this rubs us wrong as modern parents or family members. Dads shouldn’t play favourites, right?

When you read Jacob’s predictions (or blessings) for each of his children, some of them sound generous, and others are really harsh. It’s hard to imagine how this experience would feel from a modern perspective, it’s so out of whack with how we see modern family relationships. True, his sons have not been consistently upright people. However, at least Jacob mentions them. He doesn’t even acknowledge Dina – his daughter doesn’t exist here.

This story remains something I dwell upon because my twins’ Hebrew names, in part, are Ephraim and Menashe. Their dad’s Hebrew name is Yoseph (Joseph). Their grandfather’s name? Ya’akov (Jacob). You get the picture. Whenever we bless our kids on Friday nights, we say, in Hebrew, “May you be like Ephraim and Menashe.” Then we translate the prayer into English. We say, “May you be like …” and we use their English names. May they be like (true to) themselves.

When we reflect on it, we can see that, even among our patriarchs, like Jacob, we have imperfect role models. Jacob stole his twin brother’s birthright. He wrestled with the Divine. He played favourites with his children in harmful ways. He was by no means a perfect person. In a sense, this is comforting. No matter how crummy our mistakes or imperfect our efforts, we know that many biblical role models also weren’t perfect. Perfection may be overrated.

Our best hope is that we be true to ourselves – continually striving to seek peace and justice and pursue it, in a flawed world. We can commit to doing our best, within our own particular skill sets, to making things better.

As we start a new secular year, 2020, and decade, we have so many opportunities to reflect on what’s not right about the world. Yet, we can also gain comfort from the knowledge that imperfect people (and paint jobs!) can still make a positive difference for a long time to come.

Here’s to a better world in 2020 – imperfections, warts and all.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

Mystery photo … Jan. 31/20

Congregation Or Shalom members and others at the 19th annual Pride Parade, 1996. (photo from JWB fonds, JMABC L.01103)

If you know someone in these photos, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected] or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.