freelancer – Page 26

Working with “the enemy”

In the Gaza Youth Committee campaign We Live Together, We Die Together, young Gazans hold, in a show of solidarity with Israelis, photographs of Israeli children who were killed on Oct. 7, 2023. (photo from Rami Aman)

“People must understand that the people of Gaza are not victims and they are not superheroes. We are human beings, a group of people like any other society. We love life and hate death, we love singing and we hate violence. We are not terrorists. Parents pay to educate their sons and daughters in medicine, engineering, pharmacy, art, business, English and other languages. Gaza is not Hamas, and Hamas is not Gaza – Hamas is part of the Muslim Brotherhood,” Palestinian journalist Rami Aman, founder of the Gaza Youth Committee, told the Independent in a recent interview.

JI readers may have seen on social media one of the latest Gaza Youth Committee (GYC) campaigns, called We Live Together, We Die Together. Its images feature young Gazans holding, in a show of solidarity with Israelis, photographs of Israeli children who were killed on Oct. 7, 2023. The Gazans stand amid buildings and neighbourhoods destroyed in the Israel-Hamas war. The Independent was connected with Aman by Vancouver Friends of Standing Together.

“As the months of war passed, many voices increased within Israeli society opposing the killing of Gaza’s children, expressing solidarity with their families, and calling for an end to the war,” he explained about the social media campaign. “In Gaza, we saw tens of thousands of Israeli demonstrators carrying pictures of child victims in the Gaza war. Therefore, despite the killing, hunger, siege and shortages in Gaza, it was important for us to prove that, in Gaza, there are Palestinians who object to the killing of any child, and to show their solidarity with all the child victims who have fallen in the war, Israeli or Palestinian.

“We have lost a large number of Muslim, Christian and Jewish children because of this war between Hamas and the Israeli army,” he said. “This campaign emerged from Gaza to emphasize the people’s rejection of the war and the killing of children, and the need to release the Israeli hostages, end the war and provide medical treatment for the children of Gaza.”

photo - Palestinian journalist Rami Aman, founder of the Gaza Youth Committee — Palestinian journalist Rami Aman, founder of the Gaza Youth Committee, speaking at an event. One of his goals is to hold meetings between Palestinians and Israelis to help them respect one another and determine their own fate. *(photo from Rami Aman)*

Aman started the GYC after the first Israel-Hamas war, which he described as “a turning point” in his life.

“I began thinking about trying to do something two months after the end of the war in 2009. I decided to look for a place to establish an FM radio station in Gaza that would emphasize the voice of the peaceful people of Gaza,” said Aman, who has a bachelor’s degree in electronics and communication engineering. “At the beginning of August 2009, I received my first request from Hamas security. They interrogated me for long hours, and I was subjected to repeated assaults by Hamas members in the following days. They warned me against broadcasting any radio station or publishing any media content about Gaza without their permission.”

Realizing that Hamas wanted no other voice from Gaza than their own, Aman said, “At the beginning of 2010, I decided to form an independent youth group whose goal was to spread awareness internally and to strengthen our relations externally. Our first meeting included 30 young men and women from Gaza, and we agreed on the need to form an independent youth body that would advocate for Palestinian reconciliation and spread the voice of peace from Gaza to the entire world.”

The Gaza Youth Committee currently has more than 300 members inside and outside Gaza, said Aman, “and we are still trying to reach our goals.”

“We are all working to convey the true image of the people of Gaza and to build genuine partnerships with Israelis to help Palestinians and Israelis understand and respect each other,” he said.

Over the past 15 years of activities and meetings, Aman said he has learned a lot, “including how to influence public opinion within Gaza and how to build pressure and advocacy campaigns.

“Over these years,” he said, “I’ve realized the importance of inviting enemies to dialogue, instead of fighting, and trying to shape a different image of the other. These years have helped me differentiate between the Palestinian who wants to build their society for the better and the Palestinian who seeks to achieve their own interests from the Israelis or Palestinians at the expense of others.

“After many different activities between the Gaza Youth Committee and several Israeli movements and organizations, we have built many bridges and created a lot of connections and relations.”

GYC initiatives have included the release of 200 doves from Gaza with messages of peace, Skype calls between Gazans and Americans, and Gazans and Israelis, and a cycling marathon along the border in which both Israelis and Gazans participated.

This work has not been without risk. Aman has been arrested and tortured by Hamas more than once for his peace initiatives with Israelis, as have people with whom he has worked. After a GYC Zoom call in April 2020, he was arrested, Hamas apparently being alerted by the social media post of journalist Hind Khoudary, who was consulting for Amnesty International at the time.

According to a 2020 Jerusalem Post article, “she did not tag Hamas officials in her Facebook posts against Rami Aman to get him arrested but as a protest against normalization activities.

“‘I want all the normalization activities he is doing with Israel from Gaza to stop immediately because any joint activities, cooperation or dialogue with Israelis is unacceptable, even engaging with Israeli ‘peace activists,’” she said in an interview with the Post.

To secure his release, Aman was told he’d have to divorce his then-wife, the daughter of a Hamas official, who was also among those arrested. He eventually signed the papers in August of that year. His wife had already been released at that point, but Aman remained in prison, despite what he’d been told. He was prosecuted in September 2020 for “weakening revolutionary spirit,” and ultimately convicted. After international pressure, he was released in late October, with a suspended sentence, according to a 2021 article in the Times of Israel.

His former wife traveled with a Hamas escort to Cairo while Hamas released Aman from prison one day later. The couple kept in touch after Aman’s release from prison and subsequent move to Cairo in 2021, but have drifted apart for various reasons. Intending to return to Gaza in late 2023, the war caused Aman to change his plans.

“When I first started working for Gaza from abroad, I felt strong and free, and I regained my energy,” he said. “With the outbreak of the war, I began to feel stuck. I couldn’t call on people to demonstrate to end the war while I was on Facebook. People in Gaza trusted me because I was always the first to demonstrate against Hamas, from 2011 until before I left Gaza. If I were in Gaza, I would certainly demonstrate, even for an hour every day, to end the war. Then I would call on people to demonstrate while I was on the street.”

While he would prefer to be in Gaza, Aman said technology has helped GYC’s activism greatly, even before he had to leave his homeland.

“From 2007 until now, Israel has consistently imposed blockades on the residents of the Gaza Strip,” he explained, “while Hamas remained unaffected by any crises and received hundreds of millions of dollars with the help of the Qataris and [Israeli Prime Minister Binyamin] Netanyahu, in addition to Hamas’s control over travel through the Rafah crossing.

“The real blockade was imposed on us in the Gaza Youth Committee and the majority of Palestinians, so we used Skype and Zoom to communicate with our friends and partners outside Gaza, the most famous of which was the Skype with Your Enemy initiative in 2014.

“We also organized hundreds of meetings that helped introduce me to the world and led several organizations to extend invitations to visit them abroad. I traveled to India because of these meetings, which led to me meeting with the Dalai Lama. A few months ago, I was in Europe to speak about Gaza in several European cities.

“Most of the news coming from media outlets and news agencies will not present the truth to anyone, and it is better to communicate directly with the people in Gaza,” said Aman. “Israel has not provided us with permits to enter the West Bank and Jerusalem. Since 2010, the Israeli authorities have only granted me a 12-hour permit to attend a workshop in 2014 and permits to transit to Jordan when traveling from Gaza. For me and others, these applications have resulted in the building of a large number of personal friendships that continue to this day because they have been created between people, both Palestinians and Israelis.”

Aman has strong criticisms of the media in general, and Al Jazeera in particular, as well as UNRWA (the United Nations Relief and Works Agency for Palestine Refugees in the Near East).

“No Palestinian in Gaza watches Al Jazeera. No Palestinian in Gaza trusts in UNRWA. No Palestinian in Gaza trusts in all of these media,” Aman told UN Watch in an interview earlier this month.

In this atmosphere, the GYC continues its efforts.

“We at the Gaza Youth Committee work to strengthen the capacities of Palestinian youth, develop their skills and create a Palestinian movement from Gaza, the West Bank and the diaspora that expresses the aspirations of the independent Palestinian people,” said Aman. “At the Gaza Youth Committee, we always strive to hold meetings between Palestinians in Gaza and Israelis, helping them respect each other and determine their own fate by implementing joint initiatives and conveying their voices to the Americans and Europeans.

“Before the war,” he said, “we always tried to organize demonstrations to demand that Hamas hold elections, resolve the unemployment and electricity crises, and step back from governing Gaza. Even now, during the war, we are working to direct the people of Gaza to demand an end to the war.”

Aman contends that most Gazans want peace, despite polls that indicate the opposite.

“I don’t believe that much in polls,” he said, “but I understand Palestinian and Israeli public opinion. The two societies have been at war for years and have seen nothing but bloodshed and destruction, and wars only create enemies. Trust was lost before Oct. 7 and the distrust increased after the war.

“I have always believed in the importance of talking to enemies and engaging in dialogue instead of fighting. This is what I do through Zoom and Skype meetings. If there is one Palestinian and one Israeli who believe in a peaceful solution, then there is hope. We need courageous decision-makers who can lead their societies toward peace, not lead them toward fighting, hostage-taking and spreading hatred.”

Given his years of organizing video conferences, Aman said, “I have considerable experience, gained from speaking with thousands of Palestinians and thousands of Israelis. Their beliefs and opinions differ, but the common humanity that unites them always remains. They don’t know each other because of the media, and I believe in what I do and in every person’s right to life and safety, regardless of their religious or political beliefs.”

Working with “the enemy” has become Aman’s life mission. This, despite having been imprisoned and tortured by Hamas, having had loved ones killed or taken away from him by both Israeli forces and Hamas, and his neighbourhood in Gaza being destroyed by Israeli bombs.

“It’s true that, as a person, I suffer every day from this news and all the memories,” he admitted. “In addition to what Hamas did to me, it was horrific and psychologically and physically painful. However, there are people around me from whom I get this energy, and I always feel that I must be their partner in promoting dialogue and respect between Palestinians and Israelis.

“With every loss of a person, I always feel that they are advising me to continue my path and take care of their children,” he said. “Therefore, in my activities, I always aim to help families and individuals I know well, and I don’t want them to feel that I am far away from them. That is why I do my best to make their voices heard and that is from where my sense of responsibility for this matter comes.”

Aman is certain there are partners for peace on both sides.

“I consider myself a partner to any Israeli who seeks peace and an end to the war,” he said. “I know that there are Israelis who consider themselves peace partners with the Palestinians. I know Palestinians and Israelis who have lost their children and parents and still believe in peace, so that no more victims fall.”

He stressed the need to stand together.

“Our voices must unite to stop the war, free the Israeli hostages, protect the Palestinians in Gaza and help them rebuild their society,” he said. “We must find 50 Palestinian and Israeli leaders who will work to bring Palestinians and Israelis together.”

As Aman responded to the Independent’s questions, he said Israel Defence Forces tanks were “stationed hundreds of metres away from where my family and friends are. But I always know,” he said, “that life exists and so does death. Anyone can be the next hope and anyone can be the next victim.”

More unenforced laws?

Rumours were that the federal government was about to table “bubble zone” legislation last week, which, if passed, would have criminalized protests in specific locations such as places of worship, community centres and schools.

That didn’t happen.

While the almost-proposed legislation was to be universal in terminology, there were few doubts that its intent was really to limit protests at synagogues, Jewish community centres and Jewish day schools. This was a response to concerns from Jewish organizations about persistent and often aggressive targeting at community institutions.

Bill C-9, which saw first reading Sept. 19, proposes amending the Criminal Code to add new hate-related offences and to criminalize obstruction or intimidation that prevents people from accessing certain places, like those mentioned. It does not include the “bubble zone” provision, at least not as most advocates had envisioned it. It would proscribe not mere “protests” but criminal behaviours such as obstructing or intimidating people accessing community spaces. However, if such obstruction or intimidation is already criminal behaviour, we’re not sure why new legislation is needed. In fact, this is the larger issue with this whole approach.

The so-called “bubble zone” idea was mooted alongside another piece of legislation being considered. In the last Parliament, the Liberal government had proposed an online harms bill that was wide-reaching, emphasizing content that could lead, for example, to young people self-harming, but also addressing racist ideas that foment hatred. This died on the order paper when the election was called, as all incomplete legislation does.

Both of these proposals elicited concerns from civil libertarians, and rightly so. The right to free expression, while not as unrestrained in Canada as it is in the United States, is, we assume most Canadians agree, a sacrosanct characteristic of Canadian society. Canadians also, though, have tended to accept some limitations on individual expression for what is perceived as the greater good. For example, limiting hateful commentary in the interest of intercultural harmony.

In the case of the bubble zone approach, there is at least one court case that will presumably help determine the balance between free expression and the ability of identifiable groups to be protected from harassment. The Canadian Civil Liberties Association is challenging a municipal bubble zone bylaw in Vaughan, Ont. Some commentators believe the bylaw – and, by extension, the concept – will be determined to be excessive and an unnecessary impediment to legitimate protest under Canada’s Charter of Rights and Freedoms.

One’s hearts and minds can be at odds on this issue, as they can be on so many things. The infuriating and deliberately taunting protests we have seen adjacent Jewish institutions belies the idea, in many cases, that these protests and protesters are always operating in good faith. But people being deliberately provocative and mean isn’t the legal litmus test here.

While the Liberal party made commitments during last spring’s federal election to introduce bubble zone legislation, we do not fault them for awaiting relevant legal decisions. (If we fault them, it would be on making promises in a campaign that they might have known would be subject to Charter challenge.) Here, though, we come back to what we consider the larger issue: we already have laws.

The Criminal Code has prohibitions against harassment, incitement to hatred, uttering threats, intimidation, mischief motivated by hate targeting religious property, schools, community centres and so on. And yet, too often these laws act neither as a deterrent nor as a form of accountability and consequences, perhaps because they don’t seem to be enforceable or enforced. For example, it has been noted that police hesitate to recommend charges because Crown prosecutors don’t lay charges. Crown doesn’t recommend charges, we are told, because they have wasted too many resources on cases courts throw out.

A particular case that has upset and disturbed Jewish community members involves a Vancouver woman who led a shameful chant of “Long live October 7” and called the perpetrators of those atrocities “heroic and brave.”

This case seems, to many of us, an example of incitement to hatred. And yet, no charges have been laid, a reality that some observers have attributed to a lack of political will at the top of the province’s law enforcement bureaucracy – that is, the attorney general’s office.

When a case like this languishes for more than a year without charges, is the problem the people in charge, or the system more broadly? Given the multiplicity of laws already on the books, is the answer to this problem more laws? Or is the problem something related to the human, political and judicial forces that are responsible for enforcing and judging those laws that leads to frustration in communities like ours?

This is the national conversation we would like to see as the new-ish Parliament approaches these topics in the coming weeks.

CHW expands helping efforts

Israeli journalist Rolene Marks, chair of WIZO’s Hasbara Division, was the keynote speaker at CHW Vancouver Centre’s Opening Lunch and Fashion Show on Sept. 14. (photo by Cynthia Ramsay)

“I know that, as a community, you are feeling vulnerable and you are feeling that you have to be the mouthpiece or, as I call it, the litmus test, for however Israel is prosecuting a war so many miles, so far away, from you,” Israeli journalist and advocate Rolene Marks told those gathered at CHW Vancouver Centre’s Opening Lunch and Fashion Show on Sept. 14. “And I want to tell you that, although Israel’s not perfect – even though we are the only country in the world expected to prosecute a perfect war – you can be proud of the state of Israel.”

photo - Left to right: Claudia Goldman, Rolene Marks and Toby Rubin at the Sept. 14 event — Left to right: Claudia Goldman, Rolene Marks and Toby Rubin at the Sept. 14 event. *(photo from CHW)*

Marks, who, among other things, chairs WIZO’s Hasbara Division, was the event’s keynote speaker. Toby Rubin, president of CHW Vancouver Centre, welcomed the 150-plus guests at the Richmond Country Club Sept. 14, acknowledging the presence of Judy Mandleman, Rochelle Levinson and Claudia Goldman – three local Jewish community members who have been presidents of national CHW. She noted that the current national president, Tova Train, would be speaking, as would Lisa Colt-Kotler, chief executive officer of CHW, and Marks.

“This luncheon today is raising funds for two very important projects that we have here locally,” said Rubin. “One is JOLT, and the other is Franny’s Fund [which supports six youth advocacy centres across Canada, including the Treehouse Vancouver Child and Youth Advocacy Centre]. JOLT is the Jewish Outreach Leadership Training program at Canadian Young Judaea, and provides camperships to seven camps across Canada, including our very own Camp Hatikvah. Today, we are honoured to have with us the president of Camp Hatikvah, Joanna Wasel, who, along with the camp director and staff has worked with CHW these past two summers with the campers.”

Last year, Wasel and staff spearheaded making keychains and bracelets for Israeli soldiers, which Colt-Kotler and Train hand-delivered on a visit last January to patients at the Gandel Rehabilitation Centre at Hadassah Hospital, said Tobin.

This year, campers in Hatikvah’s first session created their own version of the Maccabi Games, as a fundraiser for HaGal Sheli (My Wave), “a surfing program that is used to help people combat stress, anxiety and PTSD,” said Rubin. “And you can only imagine, since Oct. 7, how important that program is.”

The initiative raised more than $7,000 for HaGal Sheli, said Rubin, who also noted that the brunch’s table decorations of books, toy cars and pens would be given to Treehouse Vancouver. Many of the books were donated by Vancouver Talmud Torah, she said.

Train, who came to the event from Toronto, spoke about being from Edmonton, calling herself “a Westerner at heart.”

“I never imagined myself taking on the role of national president,” she said, “but I’ve always believed with my whole heart that, if I cannot serve Israel by wearing a uniform, then my obligation is to serve in every other way I can. That’s why CHW speaks so deeply to me. For more than a century, this organization has invested in education, health care and social services. And, today, especially after Oct. 7, those needs have never been greater – Rolene shared with me a statistic this morning that more than 10,000 IDF soldiers have been treated for mental health issues across the country since Oct. 7.”

After a video about CHW’s various impacts, Colt-Kotler presented a plaque to Bernard Pinsky, in his role as chair of the Ronald S. Roadburg Foundation.

“CHW, at our core, is philanthropy, and we were founded, as you know, in 1917, by a very dedicated, special woman named Lillian Freiman,” said Colt-Kotler, describing Freiman as “an example of philanthropy” and “of dedication to the Jewish community,” and as “the essence of what a CHW woman is … an empowered woman.”

photo - Lisa Colt-Kotler, chief executive officer of CHW, presents a plaque to Bernard Pinsky, chair of the Ronald S. Roadburg Foundation — Lisa Colt-Kotler, chief executive officer of CHW, presents a plaque to Bernard Pinsky, chair of the Ronald S. Roadburg Foundation. *(photo from CHW)*

She continued, “We created the Lillian Freiman Society to recognize individual donors for their generous philanthropy, starting at $100,000, and the Ronald S. Roadburg Foundation generously donated to Michal Sela Forum … to combat domestic violence, to provide innovative solutions for the protection from and prevention of intimate partner violence,” said Colt-Kotler.

Pinsky said he pushed the foundation to have women’s empowerment as one of its focuses because, from the time he was a teenager, he has been influenced by his sister, Helen Pinsky, who attended the brunch.

“She’s a real feminist,” he said. “And somebody who taught me that women’s empowerment and women’s protection is very, very important in life, and I think it’s no less important today than it was over 50 years ago, when she talked to me about it.”

When Marks took to the podium, she acknowledged the Israel Defence Forces soldiers, who are “fighting 24/7 to protect the state of Israel.”

“I also want to take a moment to acknowledge the over 900 soldiers who have fallen in defence of the state of Israel and the many who are wounded, both physically and who carry those invisible wounds,” said Marks.

“It is an absolute imperative that I mention that we still have 48 hostages languishing in the hell of Gaza,” she added. “Every second counts…. We want them home now.”

Marks specializes in media, public relations and training on Jewish- and Israel-related issues. She hosts a radio program called Modiin and Beyond and is a contributor on Johannesburg’s Chai FM. She co-founded Lay of the Land, hosts The Israel Brief on YouTube and serves as a national spokesperson for the South African Zionist Federation. She is currently doing a doctorate at Middlesex University London, in media, politics and antisemitism.

“I’m the W in the CHW [Canadian Hadassah-WIZO] – I represent World WIZO, Israel’s foremost women’s organization in terms of working for empowerment,” said Marks. “And we have seen, certainly in the last two years, the voices of Jewish women and the experience of Israeli women on the 7th of October completely erased from the feminist landscape.”

Israel is fighting a war on multiple fronts, she said, acknowledging how vulnerable the diaspora community feels because of what is put out in the media, which filters onto the streets and makes it into government policy.

“I know that every day you hear the accusations: genocide, mass starvation, bombing of civilian infrastructure, like hospitals. And I can tell you that, as somebody who is living through the war and covering the war, the situation is not what you are being painted out to answer for.”

Marks was in Gaza a few weeks before the CHW brunch.

“I saw mountains – mountains and mountains – of humanitarian aid marked United Nations, UNICEF, World Food Program, and more. Things like medical kits, baby formula, flour, oil, pasta, hygiene kits, all languishing in the sun. Now, accompanying the few of us that went in, apart from our incredible soldiers, were two journalists from Australia’s ABC [network]…. The IDF said to us, we’re here to answer questions, but, guys, go off, find your stories; there was no interference. And these two journalists stood in front of a big mountain of aid marked United Nations and, in his piece to camera, the correspondent said, ‘This is the image that Israel wants you to see with regards to humanitarian aid.’ And you could hear the collective jaw drop from the rest of us, including colleagues from the Arab media, because we know what we saw. But my point is this: the bias and the narrative-building start in the field.

“I’ve had several instances where I’ve gone into the field with the foreign media,” she said. “And, despite what they have seen, they have turned it into an agenda that they can push to put the pressure on Israel, and to put the pressure on you as a community.”

Marks stressed that “we can hold our heads up high as a community and as a people. There is nothing dirty about the Z word.”

Zionist, she said, “just means a belief in the existence of the nation-state of the Jewish people in our ancient homeland.”

In the fight against antisemitism, everyone must play a role, said Marks, whether “sharing on your social media or writing letters to the press or getting involved in your community organizations. We are a people that have survived millennia of blood libels, persecution, and attempts to erase our history and our narrative.”

This can include something like wearing a Magen David, she said: “When you show your pride and you show your strength, you stand up to the hate, you stand up to the misinformation.”

She added, “The truth always comes, but we need your help to make that happen. When people accuse us of genocide, I can tell you, as somebody who has been working on the ground, the complete opposite is true.… Our army inoculates children against polio in the Gaza Strip, and drops leaflets, and moves civilians out of harm’s way.”

She recommended people follow Israel’s COGAT (Coordinator of Government Activities in the Territories) website, where you can track the humanitarian aid going to the Gaza Strip and related news.

Referring to the murder of American activist Charlie Kirk, she said “it was symptomatic of something very, very frightening that is spreading around the world, and that is a move to disengage in discourse, a move to shut down conversation. And it is so important that we have these conversations. It is so important that we interrogate the truth and the facts.”

In the question-and-answer period, Marks suggested the lack of support from allies like Canada, France, the United Kingdom, Australia and others, is “a big campaign to deflect from problems that are domestic.”

“It’s very, very distressing for us in Israel to see our allies taking the side of Hamas, and also treating us like the naughty child of the world,” she said. “And part of that is, we believe, that many countries have forgotten or don’t know what it’s like to live under constant threat. We live under constant threat … wars within wars.”

Marks recalled what Israeli President Isaac Herzog told British Prime Minister Keir Starmer in a recent meeting: “Friends can sometimes disagree – but don’t reward terror.”

While in Vancouver, Marks also spoke at a CHW-Community Kollel event on Sept. 12.

photo - The fashion show part of CHW Vancouver Centre’s opening event featured local community members sporting clothes from Maison Labelle Boutique and After Five — The fashion show part of CHW Vancouver Centre’s opening event featured local community members sporting clothes from Maison Labelle Boutique and After Five. (photo from CHW)

The Sept. 14 speeches and brunch were followed by an intergenerational fashion show, with models sporting clothes from Maison Labelle Boutique and After Five. Walking down the runway were grandmothers, mothers, daughters, granddaughters and friends.

Seeking middle ground

At the local launch for her new book, October 7th: Searching for the Humanitarian Middle, Globe & Mail columnist Marsha Lederman admitted she’s “not doing great.”

“A lot of us in this room can say that,” she said in her opening remarks at the Jewish Community Centre of Greater Vancouver Sept. 18. “It’s been another terrible week with terrible news.”

Lederman was the Western arts correspondent for the Globe for 15 years, before moving to the opinion section in 2022. Her memoir, Kiss the Red Stairs: The Holocaust, Once Removed, was published that same year. (See jewishindependent.ca/a-story-of-two-families.)

On Oct. 9, 2023, Lederman began writing columns on the aftermath of the Oct. 7 massacre in Israel and the tide of antisemitism that followed it. When an editor suggested she publish a book containing a full year of those columns, together with other material she’d written on Jewish identity, she began working on October 7th.

The process of collecting material for the book was emotionally wrenching, said Lederman, a child of Holocaust survivors whose intergenerational trauma was triggered by the Hamas attack.

“It was really hard to relive those early days, rereading the columns and remembering what was happening in the world at that time. When I read through older articles I’d written about my Jewish identity, I was shocked at how many times that subject matter had come up and the extent to which they foreshadowed what would happen in the war.”

When she filed that first column on Oct. 9, Lederman said she wrote it in a haze of shock, emotion, upset and fear. “I knew it wasn’t what had just happened, but what would happen next: retaliation, that it would be terrible for Palestinians, and that there would be anti-Israel sentiment. But I could never have predicted that all things would have exploded the way they have and that it would still be there, almost two years later.”

Describing herself as a “progressive Zionist,” Lederman said she believes the state of Israel has a right to exist but is “strongly against the war and the occupation. I’m horrified by what some of the settlers are doing in the West Bank, but I love Israel and Israelis – though not the ones in power right now. I don’t blindly approve of everything Israel does and part of my caring for Israel is what has led me to speak out.”

In an hour-long talk moderated by Kathryn Gretsinger, a journalist and associate professor at the University of British Columbia, Lederman discussed her hope for a two-state solution, her annoyance at how people speaking out in favour of Palestinians have been branded antisemitic, and the threats she has received in response to her columns.

“My trauma is nothing compared to what people in the war zone are experiencing, but it’s still a horrible experience,” she said.

Prior to Oct. 7, Lederman said she saw herself as a journalist who happened to be Jewish. After Oct. 7, as she began writing about the attack and subsequent war, she said she put herself on the page, explaining her Jewish background. When she wrote about plastic surgery recently, the Globe received a letter to the editor stating, “how dare Lederman write about that when children are dying in Gaza!”

The book’s subtitle, Searching for the Humanitarian Middle, deals with the quandary of holding several feelings simultaneously: concern for Israel and the Israeli soldiers, as well as Palestinians who are being killed.

“I believe the humanitarian middle is essential, and there are a lot of caring people who want to see an end to this war. The numbers are terrible: 60,000 Gazans have been killed in this war,” she said, citing numbers released by the Hamas-controlled Ministry of Health.

“That’s appalling to me,” she continued. “Hostages are still underground and antisemitism has reached a level that’s shocking, even to me, as a pessimistic catastrophizer. The word genocide carries so much weight for us as Jewish people. Israel was born out of the ashes of the worst genocide we have known. So, for Israel to be accused of that very crime is heartbreaking.”

Asked what her solution to the war would be, Lederman said a ceasefire deal is the way to go. “I believe what we’re seeing from Israel is an over-

reaction and I would urge the government of Israel to consider a two-state solution. I believe that’s the answer.”

She said, “My heart aches for the hostages and their families, and for all the people in Gaza. When I think about the intergenerational trauma from this time, it’s shattering. I feel a responsibility to write about this as a Jewish person, a journalist, a mother, as someone who cares about other human beings, and as a child of Holocaust survivors, but I’m feeling the weight of the world in my fingers.”

Lauren Kramer, an award-winning writer and editor, lives in Richmond.

Impacts of oppression

Franz was shot in Prague, including near Franz Kafka’s birthplace. (still from film)

Troubled father-son relationships, both literally and metaphorically, are themes of Franz and Orphan, the former a biopic with some quirks and the latter a more old-school period piece. The two movies are part of this year’s Vancouver International Film Festival, which runs Oct. 2-12.

Director Agnieszka Holland’s Franz is an imaginative film that flits between the “present,” Franz Kafka’s adult years, until his death, at age 40, in 1924, and some formative childhood moments (mostly highlighting his domineering and dismissive father), while also jumping into the future, where tour guides at various institutions and parks tell modern-day tourists all about the influential writer.

In one of these future moments, we learn that the ratio of words written by Kafka and those written by others about him is approximately one to 10 million. Some of these millions of words were written by Kafka’s friend and literary executor, novelist Max Brod, who rescued much of Kafka’s work. Brod’s Franz Kafka: A Biography is apparently a primary source of what we know about Kafka’s life, and he is featured in Holland’s film.

While Idan Weiss, who plays the tortured writer (and insurance lawyer) has gotten kudos from other reviewers for his performance, Peter Kurth, who plays Hermann Kafka, Franz’s father, stands out even more. Kurth plays stubborn and unlikeable well, but also shows Hermann’s vulnerability and how he uses meanness to cover it up.

Franz Kafka was born in Prague, in 1883, and he is witness to world-changing events, including the First World War and the subsequent collapse of the Austro-Hungarian Empire. Kafka was drafted, but his employers successfully argued that he was an indispensable worker – according to the movie, they did so at Hermann’s behest. The creation of Czechoslovakia and several other independent states after the war is not an explicit aspect of Franz, but the oppressiveness of the empire (the fatherland, in the metaphor) comes out in Kafka’s depictions of bureaucracy, alienation, anxiety, etc. While Franz doesn’t add any new knowledge to what’s known about Kafka, his upbringing (harsh on many levels), writing (most of it published after his death), love life (engaged for a period, then involved with a married woman), religion (not an observant or believing Jew) and illness (tuberculosis), but it might bring a new generation to his ideas, which remain important.

As Holland told Variety: “the dehumanization of society, the despisal of [certain groups of people] and alienation are once again becoming the main communicative tools,” but, not wanting to “give an interpretation like that,” she said, “Kafka has been interpreted in so many ways, as is shown in the film, but when you compare what he wrote with what was written about him they are poles apart. So, we didn’t want to reinterpret Kafka; we wanted to make him alive.”

And Franz is a success in those terms. It is entertaining and thought-provoking, though sometimes the thoughts are about odd creative choices. There is a lot of male nudity and it’s not always clear why. For example, in one scene at a sanitorium, naked men, some wearing animal head masks, engage in a game of tug-o-war.

László Nemes’s Orphan, which takes place in Hungary, is a more linear and literal form of storytelling, also focusing on a time of upheaval and oppression. While most of the film takes place in 1957 – a year after the Soviet Union crushed the people’s revolt against the country’s communist government – the young Jewish protagonist, Andor (played by a brooding Bojtorján Barábas), was put into an orphanage during the Second World War. We witness his mother and a reluctant Andor reunited after the Holocaust. Her “saviour” was a non-Jew, Berend (played by Grégory Gadebois with nuance), who Andor absolutely hates.

photo - Bojtorján Barábas and Grégory Gadebois in Orphan — Bojtorján Barábas and Grégory Gadebois in *Orphan. (photo © Mostra internazionale d’arte cinematografica)*

Andor cannot forgive his mother for giving up on the possibility of his father’s survival, even years after the war, and, when Berend claims that Andor is actually his biological son (and Andor’s mother never clarifies), Andor’s anger is barely containable and the tension mounts to a climatic Ferris wheel ride. While Berend is an abusive brute, he also seems to genuinely want Andor’s filial affection. Andor and Berend not only represent son and (possible) father, but Hungary’s desire for freedom from its Soviet oppression.

Orphan is slow-paced, capturing the heaviness of the period, the incapacitating fear and oppression of 1957 Hungary. Twelve-year-old Andor doesn’t go to school, roams the streets, amuses himself at home, seems bored silly at times, and has nowhere positive to channel his frustrations and his feelings of abandonment.

While Franz and Orphan are two very different movies, they cover overlapping themes that are sadly all too relevant. Franz screens Oct. 7 and 11, and Orphan plays Oct. 2 and 4.

For tickets to either film and the entire festival line-up, go to viff.org.

Flawed drama popular

A scene from Annemarie Jacir’s Palestine 36, which screens at the Vancouver International Film Festival Oct. 9-10. (still from film)

Bethlehem-born filmmaker Annemarie Jacir’s historical epic Palestine 36 had its world premiere Sept. 5 at the Toronto International Film Festival. It screens at the Vancouver International Film Festival Oct. 9-10.

While Jacir is an accomplished filmmaker and spokesperson for her people, her flawed drama is unlikely to bring clarity to events then – or now.

Shot in Israel, the West Bank and Jordan, and incorporating colourized archival footage from the 1930s, Palestine 36 tells the story of the Arab Revolt against the British Mandate from 1936 to 1939 through the eyes of Yusuf, played by Karim Daoud Ananya. Other stars include Jeremy Irons, Hiam Abbass and Liam Cunningham.

Depicted in Palestine 36 are characters like British High Commissioner Sir Arthur Wauchope and anti-insurgency experts Maj.-Gen. Orde Wingate and Sir Charles Tegart. Alas, they are all depicted as cartoon characters protecting Britain’s imperial interests even as they violently suppress the revolt and implement the emergency measures acts still used in Israel today. While Wingate was a Bible-quoting, onion-chomping eccentric, Jacir’s depiction of his behaviour and absurd haircut are egregious.

What struck this reviewer most was the lack of nuance about Arab society in 1930s Palestine. (At the time, Jews called themselves Palestinians while Arabs avoided that name.) The country’s foremost leader in the years before the bloody revolt, Hajj Amin al-Husseini, does not appear in the film. Nor does rebel leader Fawzi al-Qawukji. Both escaped the British dragnet and made their way to Iraq, where they staged a pro-Nazi coup in 1941, then fled to Berlin during the war. Their bitter rivalry is well documented.

Since neither man graced Jacir’s film, there was no need to explain the clan divisions, mutual contempt and assassinations that characterized Palestine and prevented the country’s Arabs from uniting. A militant Muslim triumphalist and genocidaire, al-Husseini aimed to destroy Palestine’s Sunday People once he had dealt with the Saturday People. Perhaps surprisingly, given that Jacir is Christian, this detail was omitted. Instead, the film falsely gives the impression that, rather than being marginalized, her co-religionists fought alongside their Muslim neighbours as equals.

The natural hero of Izz ad-din al-Qassam is also missing from Palestine 36. A teacher from Syria who bravely faced the British soldiers and their bloodhounds until hunted down in the Galilee, al-Qassam’s name graces the missiles today’s Gaza terrorists lob at Israel.

Typical of Jacir’s striving for accurate details while omitting the big picture, she depicts British customs officers in Jaffa Port uncovering a barrel of smuggled Mauser rifles, but fails to mention the guns’ German source. Indeed, there’s the rub of this movie – while correctly pursuing the policy that the enemy of my enemy is my friend, the Palestinians’ alliance with Nazi Germany and Fascist Italy is not part of the story.

Judging from the 10-minute standing ovation at Roy Thompson Hall, such a huge omission is unlikely to spoil the impact of Palestine 36 in Vancouver and elsewhere. In Pallywood – and the rest of the film industry, for that matter – facts can’t stand in the way of a good story. Indeed, Zionist mega-hits like Exodus and Cast A Giant Shadow are both kitsch films with a huge impact. Palestine 36 is likely to join them.

Survival in the forest

The harrowing new memoir by Vancouver’s Evelyn Kahn, They Never Left Me: A Holocaust Memoir of Maternal Courage and Triumph, written with her daughter Hodie Kahn, tells of a family’s survival while hiding in the forests of Eastern Europe.

They Never Left Me includes some of the most debasing inhumanity imaginable. Perhaps most shocking, though, is that human beings can withstand what the author and her family experienced and somehow endure and begin again in a post-Holocaust world, to raise a successful family and find meaning and happiness.

image - They Never Left Me book cover — Evelyn Kahn wrote They Never Left Me: A Holocaust Memoir of Maternal Courage and Triumph with her daughter, Hodie Kahn. On Oct. 19, at Schara Tzedeck Synagogue, Evelyn Kahn will talk about the book with Dr. Robert Krell.

Stories of Chava’s (Evelyn’s) early years, typical of traditional Eastern European Jewish shtetl life – her father’s preparations for morning prayers, her mother baking round challah for Rosh Hashanah, a live fish floating around in preparation for gefilte – read as ominously ordinary, knowing as we do a little of what is to come.

From their hometown of Eishyshok, a shtetl in Poland that historically had shifted between Lithuania, Poland and then, tragically, between the Nazis and the Soviets, the family moved a few dozen kilometres to Lida, in what is now Belarus. This relocation, an economic move driven by her father’s proficiency in the Russian language, was the least dramatic move of Chava Landsman’s young life. Nonetheless, that move might have been the first of many near-miracles that saved the lives of Chava and the women in her family.

“On the eve of Rosh Hashanah 1941, Eishyshok’s Jews were rounded up and locked in the synagogue and two schools. After three days, they were herded to the horse market.… Over the next two days, the Jews were taken in groups of 250 – first the men and then the women and children – to the old Jewish cemetery. They were ordered to undress and stand at the edge of large open ditches, where they were shot to death by Lithuanian police. Babies were bashed to death against headstones or tossed into the air for sharpshooting practice led by the chief of police, Ostrauskas, before their tiny lifeless or quivering bodies were thrown into the killing pits to join their parents. Everyone was murdered.”

The final victim of the massacre was the town rabbi, “shot after being forced to witness the murder of his entire flock.”

As the Nazis invaded Lida, the family witnessed the aerial bombardment and made the decision to flee. They headed south, and sought refuge in another shtetl, Zhetel. But this was a brief refuge – not an escape. Death was chasing them.

Chava’s father was rounded up during a cull of intelligentsia on July 23, 1941, barely a month after they arrived.

“We watched in misery as Papa climbed into the back of a truck and was driven away,” she writes. “I never saw my father again.”

Chava’s Uncle Chaim and Rivke’s husband Shael were conscripted into the Red Army, leaving the women as the only family together in the Zhetel ghetto, which was created in February 1942. Chaim was captured by the Nazis, but incredibly escaped a POW camp and returned to Zhetel, where he became a Partisan in the forest and was killed. On April 30, 1942, the first liquidation began in the Zhetel ghetto.

“My own memory of the procession along the street is of being corralled into a narrow funnel and of feeling smothered by the crush of human bodies around me,” she writes. “I remember telling my mother I could not breathe. I was worried I might pass out and be trampled. People were on top of one another – on top of me – crying and tearing their hair out. I wanted Mama to pick me up, but it was impossible. We were compressed like livestock in a cattle chute. I just held onto Mama’s hand and prayed that mine would not slip out of hers.”

In terror, Chava told her mother she was being suffocated.

“She bent down close to me and I will never forget her tearful words,” Kahn writes. “My child, it is better that you should suffocate here than my eyes should witness you being murdered.

“I took in what she said and then simply asked, ‘Does it hurt to die, Mama?’ She assured me it was a peaceful experience. ‘Neyn mayn kind, es iz vey a feygele, git a brum’ (‘No my child, it is like a chirp of a bird’).

“Her answer quieted my fears and calmed me. I was never afraid of death from that moment on. I never remember feeling despair. On the contrary, I was exceptionally calm and clear throughout the nightmare to come.”

Somehow, the women survived the first liquidation. When the second and what would be the final liquidation of the ghetto began on Aug. 6, 1942, 3,000 Jews were herded to the Jewish cemetery and murdered. Knowing what was to come, Chava’s mother Basia decided to risk going into hiding – a choice between instant death and likely later death for disobedience. Again, it was a lifesaving decision.

Basia, Chava and her grandmother (Bobe) Hoda fled to the forest. Miraculously, with the help of a non-Jewish friend of the family, they were reunited with Chava’s Aunt Rivke, and the three adult women and Chava would endure the horrors of life in the woods for two years. (Shael fought with the Red Army through the war and survived, but he and Rivke did not reunite.)

The women largely fended for themselves with some assistance from Partisans and the occasional righteous non-Jew. Like other Jews in the forests at the time, they formed fluctuating ad hoc survival “family groups” of a dozen or as many as 20 people.

“We had learned the rules of the ghetto and we had survived. Now we would have to learn the rules of the forest. And we would have to learn them very, very well and very, very quickly. We could either adapt and hopefully live or not adapt and definitely die.

“We lived with the constant nervous anticipation of being discovered and killed at any moment. We were careful to speak quietly. We were always alert. We became as hypersensitized and wary as the creatures of the forest.”

In winter, they sheltered in holes in the ground.

“Needless to say, hygiene and maintaining our health in the forest was hugely challenging,” Kahn writes. “We were malnourished and vitamin deficient. We were unwashed and unkempt. We wore the same clothes day after day with no relief. We were filthy skeletons, bulked up only by the layers of our lice-infested clothing, which we wore 24 hours a day. I often wonder how we managed to survive those two years without bathing.”

Basia’s doggedness saved her family. Even at 40 degrees below zero and with snow to her thighs, she would trudge out of the woods to beg or steal provisions from local farmers.

“It is true that many (most) farmers were unfeeling or, worse, informers. But it is important to acknowledge that there were those who hung onto their humanity during the war, righteous gentiles who were sympathetic and compassionate and gave us food and other necessities,” Kahn writes.

It is estimated that only one-half to one-third of the Jews who hid in forests survived to liberation. And, when “liberation” did come, and the Nazis were defeated, antisemitism remained. Many ordinary Russians, Poles, Lithuanians and Belarusians thought they had seen the last of the Jews and were not welcoming to the few straggling remnants who found their way back home.

The three generations of women – Bobe Hoda, mother Basia, Aunt Rivke and Chava, as well as Rivke’s baby, Joseph, who was born in and knew life only in the forest – remarkably survived and proceeded through a series of displaced persons camps, with schooling and vocational training for the young survivors. They had no family in the new state of Israel and so America seemed the more logical destination. At age 16-and-a-half, Chaya/Evelyn, her mother, aunt, cousin and grandmother were greeted at New York by the Statue of Liberty and a coterie of cousins. Eventually, Evelyn reconnected with a young man from Eishyshok, Leon (Leibke) Kaganowicz, who would become Leon Kahn and, because of American migration quotas, a Canadian who lived in Vancouver. Together, they became stalwarts of the Vancouver community.

Leon Kahn passed in 2003. His memoir, No Time To Mourn: The True Story of a Jewish Partisan Fighter, was published in 1978 and reissued in 2004. It will be released again this fall.

Evelyn has two sons, Mark and Saul, and daughter Hodie, as well as seven grandchildren and three great-grandchildren.

The idyllic start of Chava’s life, surrounded by a tight and loving family and community, juxtaposes horrifically with the abrupt cataclysm of history that would follow. The survival of three generations of women in the forests of Eastern Europe is a monument to human resolve and resilience. They Never Left Me is a momentous contribution to the literature of the Holocaust.

An event featuring Evelyn Kahn in conversation about the memoir with Dr. Robert Krell will take place on Oct. 19, 2 p.m., at Schara Tzedeck Synagogue, presented by the Vancouver Holocaust Education Centre, Ronsdale Press and Schara Tzedeck.

Milestone performance

photo - The Jerusalem Quartet, left to right: Kyril Zlotnikov, Alexander Pavlovsky, Ori Kam and Sergei Bresler — The Jerusalem Quartet, left to right: Kyril Zlotnikov, Alexander Pavlovsky, Ori Kam and Sergei Bresler. (photo © Felix Broede)

The Vancouver Recital Society welcomes the multiple-award-winning Jerusalem Quartet back to the city for a concert at the Vancouver Playhouse Oct. 19. The program features works from Hadyn, Janácek and Beethoven.

This year marks the 30th anniversary of the establishment of the Jerusalem Quartet. Since their first appearance for the VRS in 2001, the ensemble has become a regular and beloved presence on the world’s concert stages. They have appeared many times in Vancouver, and a highlight in the annals of the VRS was their five-concert performance of all the Shostakovich string quartets in the Telus Theatre at the Chan Centre in 2006. They are returning to Vancouver to perform the same program they played in their Wigmore Hall debut 25 years ago, an appearance that launched them to international fame. It features Hadyn’s Quartet in B-flat major, Op. 76, No. 4 (“Sunrise”); Janácek’s Quartet No. 1 (“Kreutzer Sonata”); and Beethoven’s Quartet in B-flat major, Op. 130, with the Grosse Fugue finale, Op. 133.

The Jerusalem Quartet is Alexander Pavlovsky (first violin), Sergei Bresler (second violin), Kyril Zlotnikov (cello) and Ori Kam (viola). Both individually and as the quartet, the musicians have performed around the world, garnering numerous accolades.

Born in Ukraine, Pavlovsky immigrated with his family to Israel in 1991, and is a graduate of the Jerusalem Academy of Music and Dance.

Bresler was also born in Ukraine. He started to play violin in age of 5 and, at the age of 12, gave his first recital. He immigrated to Israel in 1991, where he studied at the Rubin Academy of Music and Dance in Jerusalem.

Zlotnikov also studied at the Rubin Academy, having begun his studies at the Belarusian State Music Academy, and Kam, who was born to Israeli parents in La Jolla, Calif., grew up in Israel and studied there, as well as in the United States and Germany. Kam started his musical education at the age of 6, began playing the viola at 15 and had his debut at age 16.

The Jerusalem Quartet has found its core in a warm, full, human sound and an egalitarian balance between high and low voices. This approach allows them to maintain a healthy relationship between individual expression and a transparent and respectful presentation of the composer’s work. It is also the drive and motivation for the continuing refinement of their interpretations of the classical repertoire, as well as exploration of new epochs.

In 2019, the quartet released an album exploring Jewish music in Central Europe between the wars and its far-reaching influence, featuring a collection of Yiddish cabaret songs from 1920s Warsaw, as well as works by Schulhoff and Korngold. The second instalment of their Bartok quartet recording was released in 2020. Starting this year, the quartet began recording exclusively for BIS records, with their first release featuring three quartets by Shostakovich: Nos. 2, 7 and 10.

Although the Quartet No. 2 was composed in 1944, it makes no direct reference to the war; yet, this is a substantive work, dark, powerful and, at times, dissonant. Quartet No. 7, consisting of three short movements played without interruption, is an enigmatic and deeply personal work dedicated to the memory of the composer’s wife. For all its questioning and complex inner references, Quartet No. 10 is among the most immediately appealing of Shostakovich’s later works. By this stage in his life, his music tended to speak in a quieter voice and to a more intimate audience.

The Jerusalem Quartet’s performance at the Playhouse on Oct. 19 starts at 3 p.m., but there is also a pre-concert talk, at 2:15 p.m. For tickets, visit vanrecital.com.

– from vanrecital.com and jerusalem-quartet.com

Vrba monument to be unveiled

photo - Rudolf Vrba, in the 1960s — Rudolf Vrba, in the 1960s. *(photo from University of British Columbia. Archives)*

Rudolf Vrba’s escape from Auschwitz and testimony helped alert the world to the horrors of the Holocaust, and Vrba is credited with saving the lives of more than 100,000 Hungarian Jews. On Oct. 26, 2 p.m., at Schara Tzedeck Cemetery Chapel in New Westminster, a commemoration ceremony will be held for Vrba. The program will feature reflections on his life, legacy and enduring impact from Dr. Robert Krell and Dr. Joseph Ragaz, and will conclude with the dedication of a memorial monument in Vrba’s honour.

Chutzpah! opens on Nov. 12

Lorin Sklamberg, left, Sasha Lurje and Craig Judelman close the 10-day festival of comedy, music, theatre, dance and storytelling on Nov. 23 with Yiddish Songs of Social Change. (photo from Chutzpah! Festival)

The Chutzpah! Festival returns for its 25th anniversary with a mix of festival favourites and new discoveries in a lineup of performances Nov. 12-23, showcasing music, theatre, comedy, dance and storytelling through a multicultural Jewish lens.

“This Chutzpah! Festival is one of collaboration and celebration, combining past artistic managing director Jessica Gutteridge’s vision and my own,” said the festival’s new artistic managing director, Shayna Goldberg. “Chutzpah!’s legacy over the last 25 years has been to share diverse work from a multitude of Jewish perspectives, and the offerings this year are just as thrilling and exciting as any other. For 10 days this November, come and experience the best of what Canadian and international artists have to offer.”

photo - Israeli-American comedian Modi Rosenfeld brings his Pause for Laughter Tour to Vancouver on Nov. 12 to open the festival — Israeli-American comedian Modi Rosenfeld brings his Pause for Laughter Tour to Vancouver on Nov. 12 to open the festival. *(photo from Chutzpah! Festival)*

The festival opens Nov. 12, 8 p.m., at the Vogue Theatre with Modi Rosenfeld, presented in partnership with MRG Live. The Israeli-American comedian brings his Pause for Laughter Tour here for the festival.

Erik Angel, also an Israeli-American comedian, brings his project Comedy for Peace to Chutzpah! on Nov. 22, 7:30 p.m., at the Rothstein Theatre. Aimed at uniting communities through humour and mutual understanding, Comedy for Peace brings together stand-up comedians – Jewish, Christian, Muslim – for a show of “no politics. just laughs.” Joining Angel will be Ashley Austin Morris, Natan Badalov and Zara Khan. (See jewishindependent.ca/comedy-can-unite-and-heal.)

Chutzpah presents the West Coast debut of 8 Gays of Channukah: The Musical (Canada) at the Rothstein Theatre Nov. 13, 7:30 p.m. Blending Broadway-style musical numbers with comedy, drag artistry and Jewish joy, eight stories are brought to life by show creators Gila Münster, Sarah Freia and Yan Simon. The show includes an opening act by a local artist and there will be an 8 Gays of Channukah Shuk, featuring the work of local artisans, where you can pick up some gifts for the holidays.

Lea Kalisch’s Shtetl Cabaret (Switzerland/United States/Canada) is a night of collaborations featuring Tobias Moss and local Vancouver artists including Mike Braverman and Jason Overy. This show, which takes place Nov. 19, 7:30 p.m., at the Beaumont Studios (19+ venue), presents Jewish music, from forgotten melodies to original songs, and mashups from rap to rumba and folk to feminism.

Yiddish Songs of Social Change (United States/Germany/Latvia), presented by the Golden Thread Septet, explores Yiddish music as a tool for and reflection of social change, and features Lorin Sklamberg and Sasha Lurje, with arrangements by Craig Judelman. Judelman has arranged the Yiddish and English songs in a style that reflects the context of the songs themselves and honours the centuries-old tradition of using all these influences to inform the creation of new Yiddish music. In addition to the performance on Nov. 23, 7:30 p.m., at the Rothstein, Sklamberg, Lurje and Judelman will lead a free workshop about Yiddish music and dance that same day, at 2 p.m. Come explore both traditional and contemporary versions of Yiddish music and learn how you can dance along.

Back by popular demand, Chutzpah! and Vancouver Opera present Ne. Sans Opera & Dance’s Take This Waltz: Celebrating the Music of Leonard Cohen (Canada/Israel). This operatic and contemporary dance performance inspired by Canadian singer-songwriter Leonard Cohen was originally presented in 2022 as a Chutzpah! Plus event. Created by local choreographer Idan Cohen and bass-baritone Daniel Okulitch, it features Okulitch alongside dancer/musician Ted Littlemore and a virtuoso live ensemble of strings and accordion. Take This Waltz is at the Rothstein Theatre Nov. 15 and 16, 7:30 p.m. (See jewishindependent.ca/celebrating-leonard-cohen.)

On Nov. 20, 7:30 p.m., at the Rothstein Theatre, Chutzpah! presents the North American premiere of Common Place (Australia/Israel) by power-duo dancer/choreographer Omer Backley-Astrachan and multiple-award-winning dancer Jana Castillo. Common Place is a physical exploration of belonging and togetherness, delving into shared action, collaboration and synchronization.

Deb Williams returns to Chutzpah! with the Flame, an evening of storytelling, on Nov. 17, 7:30 p.m., at the Rothstein Theatre. The Flame is a grassroots series where real people share their personal, true stories in front of an audience under Williams’s direction. This edition will feature a multicultural group including Karen Segal, Dhana Musil and others. Williams will also host an in-depth weekend workshop prior to the event (Nov. 15 and 16, at the Post at 750) to help storytellers hone their craft.

On Nov. 18, 7:30 p.m., at the Rothstein, Chutzpah! presents I’m Not a Comedian … I’m Lenny Bruce (United States), a one-man show exploring the life and battles of one of the most groundbreaking comedians of all time, Lenny Bruce. Created and performed by Ronnie Marmo and directed by Tony Award-winner Joe Mantegna, this show threads Bruce’s original comedic bits with insights from his writings.

Other workshops and talkbacks with festival artists, facilitated by members of the Vancouver arts community, will run throughout the festival. Visit the festival website for updates and registration information.

Most single tickets for Chutzpah!’s live performances are offered at a pay-what-you-will price, with the levels at $18, $36, $52 and $70 (+ gst/sc). I’m Not a Comedian … I’m Lenny Bruce is $40 (students/seniors), $54 (general) and $72 (VIP) (+gst/sc). ChutzPacks are also available, for $136: see four different regular-price shows of your choice. Tickets for Modi can be purchased through admitone.com/events. For tickets to any of the performances and more information about any of the events, visit chutzpahfestival.com or call 604-257-5145.

– Courtesy Chutzpah! Festival