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Byline: Cynthia Ramsay

Stories of trauma, resilience

Love runs through every word in Voices of Resilience: An Anthology of Stories Written by Children of Holocaust Survivors, edited by Deborah (Devora) Ross-Grayman with Wendy Bancroft and the writers.

This compelling, hopeful and inspiring collection of stories will be launched on May 25, 7 p.m., in the Floral Hall at VanDusen Botanical Garden in an event supported by the Vancouver Holocaust Education Centre (VHEC). Some of the authors will share parts of their stories, and signed books will be available for purchase.

image - Voices of Resilience book coverThe 12 contributors of stories and poems are children of Holocaust survivors and members of the Vancouver Second-Generation (2G) Group, which Ross-Grayman joined in 1993 and of which she is now a facilitator. Bancroft, a former journalist and researcher, is a trained instructor of guided autobiography. 

“After an extensive investigation to better understand the impact of the Shoah’s legacy, Wendy adapted and crafted themes for our group,” writes Ross-Grayman in the book’s preface.

“What began as a six-week course for six of us grew to a two-year writing project for 12 participants,” she explains. “Through laughter and tears, we marveled at the similarity in our felt experiences despite the varied external circumstances. At times it was challenging to face and hold our parents’ pain and loss; at times we were sleepless and anxious, but we supported each other, developed deep bonds, and persevered. Through listening and reflecting on each of the stories, our understanding of ourselves and each other grew as we shared what some of us had never shared and, with understanding, came to a deeper compassion for ourselves and our parents.

“Our narratives so impressed Wendy that she recommended organizing an anthology. We included accounts of our parents’ survival to honour their lives and illustrate examples of post-traumatic growth – the positive psychological changes that can unintentionally arise from a life crisis or traumatic event, even while acknowledging the profound distress such experiences entail.”

The simultaneous holding of grief and contentment, even joy, is remarkable, as is the strength to continue, to grow, to heal – as much as healing is possible. The authors (in order of entries) – Gabriella Klein, Ross-Grayman, Henry Ross-Grayman, Jane Heyman, Marg Van Wielingen, Fran Alexander, Agi Rejto, Marianne Rev, Esther Chase, Barbara Gard, Olga Campbell and Sidi Schaffer – are open, sharing personal, vulnerable experiences on the page. The intergenerational impacts of trauma are clear from their diverse experiences, but so is the capacity for finding peace, for building community, for embracing one’s cultural roots while forging your own individual identity. While specific to the Holocaust, these stories, these remembrances, speak to a universal experience of living through and with historical trauma.

The anthology, put out by Amsterdam Publishers as part of the series Holocaust Survivor True Stories, is dedicated to the writers’ families; “to those who risked everything to save lives; to those who survived; to the millions who perished in the Holocaust; and to all people affected by war, displacement and genocide.” It is published in memory of Rev, who passed away in January.

Dr. Robert Krell, a psychiatrist, author, child survivor and founding president of the VHEC, wrote the book’s foreword, in which he shares some of his own story – he is both a Holocaust survivor and a 2G child – and offers emotional context. Dr. Chris Friedrichs, professor emeritus at the University of British Columbia, provides historical context.

Krell explains that, in general, “the second-generation consists of those born after the war, thousands in the displaced persons (DP) camps, which, for several years, recorded the highest birth rate in the world!” He talks about some of the experiences that 2G have in common, such as the need to sometimes parent their parents, how it feels to live “with the ghosts of the missing.”

“There are moments one cannot forget, must not forget, and these memories linger and reverberate throughout life, reviving the inner rage about the outrage committed against our parents and us,” writes Krell.

“It should therefore be no surprise that this collection of recollections reveals evidence of a surviving rage, problems with trust, confrontations with the meaning of death, and remarkable attempts to reinvigorate a life with meaning, including a meaningful spiritual engagement, whether within the Jewish traditions or not.”

“Mass murders were nothing new in history, but the Holocaust revealed that a once civilized society could orchestrate a program of extermination of human lives on a scale and in a manner that had never been imagined before,” writes Friedrichs. “It was so extensive and so unspeakably brutal that it gave rise to the very concept of genocide.”

Friedrichs writes concisely of the origins of the Holocaust, what happened and about how there are any survivors, as well as about some of the challenges survivors faced after the war.

“This volume reveals not only the enormous variety of what survivors went through but also the tremendous range of emotions and experiences that shaped the lives of their children,” he writes. “Though the Shoah ended 80 years ago, it is a living presence for all members of the Jewish people, and for none more so than those Jews whose own parents had survived this event without comparison in the modern history of humanity.”

In Voices of Resilience, each 2G writer’s chapter includes a brief biography, their parents’ survival stories and a few of their own stories or poems. Maps near the anthology’s beginning shows where all the authors were born and all the survivor parents’ birthplaces. The geography spans continents: Asia, Europe, the Middle East and North America.

Despite vastly different experiences, there are recurring topics: dealing with antisemitism; taking care of their survivor parent; feelings of insufficiency, fear and sadness; being conflicted about religion and feeling like an outsider even inside the Jewish community.

The writers have worked to make their lives and the larger world better, as did their parents. The word “love” is prominent in these stories, as is its expression in the enduring strength of the family relationships, the caring for others, as well as oneself, the compassion shown, the emotional connections forged.

“We offer our stories as a source of hope and the possibility of resilience in the aftermath of trauma,” writes Deborah Ross-Grayman in the afterword.

No one contribution is more quotable than another. The collection does indeed offer hope, as well as thought-provoking explorations of memory, displacement and the generational impacts of genocide.

To attend the launch, RSVP at vhec.org. The anthology is available on Amazon for those who can’t make it on the 25th.

Posted on May 8, 2026May 7, 2026Author Cynthia RamsayCategories BooksTags 2G, Deborah Ross-Grayman, Holocaust, intergenerational trauma, memoirs, resilience, second generation, Vancouver Holocaust Education Centre, VHEC
A responsibility to help

A responsibility to help

Dr. Jonathon Leipsic will be honoured by Schara Tzedeck at MOSAIC on June 16. (photo from Schara Tzedeck)

At its annual MOSAIC event on June 16, Congregation Schara Tzedeck will honour Dr. Jonathon Leipsic. 

“It would be hard to find someone more worthy,” Rabbi Andrew Rosenblatt told the Independent. “In addition to the countless hours that Jonathon gives toward advancing the synagogue goals, one cannot miss the fact that Jonathon loves Schara Tzedeck with his full heart. He attends, classes, services, programs regularly – which he is clearly fitting in between clinical, research and family responsibilities. Jonathon provides leadership in practice and in personal example and his commitment to personal growth, learning, community and helping others is almost without peer.”

Leipsic is professor and chair of radiology and professor of cardiology at the University of British Columbia, as well as a Canada Research Chair in Advanced Cardiopulmonary Imaging. He has more than 800 published peer-reviewed manuscripts and more than 300 scientific abstracts – he has been one of the top 1% most impactful scientists globally for multiple years, according to the Web of Science citation database.

In addition to his professional roles, Leipsic has been significantly involved in the Jewish community, notably with Schara Tzedeck, King David High School, Vancouver Talmud Torah and the Jewish Federation of Greater Vancouver.

Schara Tzedeck executive director Shelley Rivkin, who is also an active community leader, recently becoming board chair of Jewish Family Services and having worked with the Jewish Federation for 17 years, called Leipsic “a pillar of our community.”

“His impact extends far beyond the boardroom or the walls of our shul,” she said. “His leadership is defined not by title, but by character. As immediate past president of Schara Tzedeck, Jonathon led the board with steadiness, compassion and a deep sense of responsibility to klal Yisrael.

“During the heartbreak of Oct. 7 and the resilience required in its aftermath, his voice as a tireless advocate for our shul and wider community – and his clarity of heart – were the anchor that held us together over challenging times. Jonathon is a man of many talents and accomplishments: community engagement, Torah study and medicine. We are celebrating all of these facets at the gala.”

The evening will feature Shulem, one of Leipsic’s favourite performers, said Rivkin. There will be tributes, followed by dinner and another performance by Shulem, who blends traditional cantorial melodies with classical crossover.

“I am honoured to even be a part of the Schara Tzedeck community,” said Leipsic about his being 

recognized by the congregation. “The shul has played a foundational role in my spiritual growth and in infusing ahavat Torah and ahavat Yisroel in my family and amongst so many. I am humbled to have served the shul as a board member and as president.”

Schara Tzedeck has been the spiritual home of Leipsic and his wife, Karly Bogner, since they met. Bogner’s grandparents were members of the synagogue, said Leipsic. “I feel privileged to daven, to celebrate simchas and to join for moments of reflection and learning at Schara Tzedeck,” he said.

“I try to live my life in accordance with the talmudic principle of ‘Klal Yisroel arevim zeh lah zeh’ [‘All of Israel is responsible for one another’]. Karly and I feel deeply grateful to be part of klal Yisroel and to have the privilege to enjoy all that Jewish Vancouver has to offer – a community and institutions that we did not build but that we feel deeply responsible to help strengthen and build,” said Leipsic.

“As we enter our 119th year, longevity is finding the right balance between the responsibilities that the halachah demands and flexibility to meet our congregants’ needs on a contemporary basis,” said Rosenblatt. “We must have that backbone of daily service attendance and regular Torah study, reliable kashrut and Shabbat observance. At the same time, we have to be relevant to the contemporary generation, we have to provide opportunities for them to give back and to leverage Jewish wisdom in their own growth and in answering the questions and challenges they face today.”

This year, MOSAIC’s fundraising focus is the Clergy Sustainability Fund.

“Vancouver is a great distance from the large Orthodox centres, where we primarily recruit our clergy,” said Rivkin. “To attract additional clergy, we need to be able to support the real conditions that make long-term leadership possible: housing, family connection during the holidays, and professional growth. This fund 

will enable us to address these concerns and help ensure that Schara Tzedeck can continue to attract outstanding young rabbis to our community and give them the foundation to stay and lead.”

To attend MOSAIC, visit scharatzedeck.com.

Format ImagePosted on May 8, 2026May 7, 2026Author Cynthia RamsayCategories LocalTags fundraising, galas, Jonathon Leipsic, Mosaic, philanthropy, Schara Tzedeck, tikkun olam, volunteerism
Film festival starts next week

Film festival starts next week

Jackie Tohn, left, and Sarah Podemski play longtime best friends Nomi and Mara in The Floaters. (still from film)

The Vancouver Jewish Film Festival opens on April 30 with the award-winning The Ring (Israel/Hungary) and closes on May 10 with the multiple-award-winning Once Upon My Mother (France/ Canada). In between, there are more than two dozen films from several other countries, most of which have been recognized with honours.

Among the offerings at this year’s festival are two locally produced documentaries that the Jewish Independent has reviewed previously: Becky Wosk’s One Thread (jewishindependent.ca/different-but-connected) and Kai Balin’s Son of a Seeker (jewishindependent.ca/sharing-a-personal-journey). Each young filmmaker engagingly investigates, in different ways, what it means to be Jewish. Both docs screen on May 3.

Also screening on May 3 is the American film The Floaters. Leading the cast are Jackie Tohn (Nobody Wants This) and Sarah Podemski (Reservation Dogs) as longtime best friends Nomi, a struggling musician, and Mara, a struggling Jewish summer camp director. When Mara finds herself a counselor short at the last minute, she asks Nomi, who just got fired from her own band, to step in. Reluctantly, Nomi agrees and Mara puts her in charge of a group of teens who don’t fit in at camp for various reasons and who didn’t sign up for any activities – hence, they are “floaters.”

Directionless in life herself, Nomi proves an apt mentor to these lost kids. She learns from them, they learn from her. Nomi and Mara’s friendship is put to the test, the kids are put to a test. It’s a charming movie, with plenty of laughs, that, thankfully, doesn’t resort to crude gags, though a malfunctioning septic tank does add a lightly gross element.

The Floaters is a coming-of-age film about friendship and second chances, firmly rooted in Jewish traditions, from Orthodox to secular, featuring characters who are Jews by birth and Jews by choice. It has a John Hughes-esque feel and a few actors who were popular in the 1980s/1990s have supporting roles. But director Rachel Israel makes the film her own, and Nomi, Mara and the young misfits are at the movie’s heart.

image - Ruth (Niv Sultan) organizes an unorthodox picnic date for her and Baruch (Maor Schwitzer) in Matchmaking 2
Ruth (Niv Sultan) organizes an unorthodox picnic date for her and Baruch (Maor Schwitzer) in Matchmaking 2. (still from film)

Matchmaking 2 (Israel), which screens on May 5, also has a misfit at its heart. Many of the actors from the first movie reprise their roles, including Maor Schwitzer as Baruch Auerbach, a former rising star scholar in his ultra-Orthodox community, now in his late 20s and yet to find a wife. There is no need to have seen the first movie to fully enjoy its sequel. The characters are likeable and, even when Baruch acts like an idiot, you still cheer for him and hope that he’ll find his match.

While Matchmaking 2 gives viewers a glimpse into the cultural differences between Ashkenazi and Sephardic Jews, and into the ultra-Orthodox shidduch (matchmaking) system, it is mainly a rom-com. As The Floaters does, the movie celebrates Judaism and Jewish life with humour, tenderness and respect.

As entertaining, in a completely different way, is the documentary The Stamp Thief (United States/ Poland/Germany), which screens May 7.

The Stamp Thief, produced/directed by Dan Sturman, is fascinating on many fronts. The filmmakers make a potentially convoluted detective story into an easy-to-follow “page-turner” and there are a few moments where you’ll find yourself holding your breath. There are also many moments – well after the film – where you’ll be thinking about humanity’s capacity for doing good and evil, intergenerational trauma, generational responsibility, and many other issues.

photo - Dan Sturman, left, Dylan Nelson and Gary Gilbert in front of the building in Poland, where the stolen stamps were buried in 1945
Dan Sturman, left, Dylan Nelson and Gary Gilbert in front of the building in Poland, where the stolen stamps were buried in 1945. (photo from Boxhead Films)

In The Stamp Thief, it’s refreshing how open the filmmakers are about the morality of what they’re trying to do – steal back for the Jewish community some rare stamps that were stolen by a Nazi officer whose task was to catalogue and appraise the possessions being stolen from Jews entering Auschwitz. The conversations between producer/writer Gary Gilbert and his family are uplifting, even as his family questions his motives and actions, because that’s what loved ones should do – be supportive but not uncritically so.

The story behind the filmmakers’ quest came from screenwriter David Weisberg’s father, who was a psychiatrist. His dad had a patient in the 1970s who was married to the daughter of a former Nazi. The patient revealed that his father-in-law had buried a case of stolen stamps in the basement of his home in Legnica, which was part of Germany until 1945, but is now in Poland.

Weisberg had no desire to return to Poland, but his friend Gilbert was game, and Gilbert had a plan – one based on an elaborate “fake movie” scheme that Weisberg’s father had 

drawn up in the ’70s. Sturman would direct a fake film, giving him, Gilbert, producer Dylan Nelson and their handpicked team a non-controversial reason to explore the former Nazi’s apartment building. The help they receive from Polish film professional Sylwia Szczechowicz-Warszewska is moving, and the resulting documentary is compelling.

The Vancouver Jewish Film Festival runs April 30-May 8 at Fifth Avenue Cinemas, which is a 19+ venue, and concludes on May 10 at the Rothstein Theatre with a few films. For the full lineup and tickets, go to vjff.org. 

Format ImagePosted on April 24, 2026April 23, 2026Author Cynthia RamsayCategories TV & FilmTags movies, Vancouver Jewish Film Festival
Keeper of VTT’s history

Keeper of VTT’s history

David Bogoch, second from the left in the second row, is one of three generations of his family to attend Vancouver Talmud Torah. (photo from David Bogoch)

“David has been so dedicated to VTT,” Vancouver Talmud Torah head of school Emily Greenberg told the JI about why the school is honouring David Bogoch at their May 14 gala.

“From his dedication to our archives and to his preserving our traditions and our history, to being really forward-focused and really understanding what the school needs to be successful,” she said.

“He’s also been very dedicated to our alumni and, as an elementary school, having an engaged alumni is a bit more challenging than a high school, just inherently, but he’s really been an advocate,” she added, noting that Bogoch has been a mentor to her. 

“I came here seven years ago, and he was one of my very first meetings that I had,” she recalled. “He and I meet semi-regularly and he’s somebody I can pick up the phone and call at any time and say I need your advice on this…. And what I know is that he has no other agenda than VTT must be a successful place, and we must make sure we’re doing well to serve the community and to serve Vancouver’s Jewish future.”

Bogoch also connected VTT with Stable Harvest Farm. Syd Belzberg has a named space at the school, so was already a big supporter, but, in recent years, he has focused his philanthropic efforts on the nonprofit community farm. VTT’s partnership with Stable Harvest has been central to the school’s plant-based learning program and most of the students are out there at least once or twice a year, said Greenberg.

“We now have curriculum across all grades where our kids are integrating and learning through plants … not just the growing cycle but environmental technology, environmentalism, how to care for the land, the agrotechnology that’s coming out of Israel – drip irrigation, for example, it’s in our garden and it’s something that Syd uses…. The partnership with the farm and then our Jewish Community Garden … has been just an amazing marriage.”

Plant-based learning is one of the school’s hallmark programs, what differentiates VTT from other schools, said Greenberg. Funds raised from the gala will go towards it, as well as the school’s hallmark athletics, arts and other programs.

“Then, of course, there’s always tuition assistance – that’s a piece that we want to continue to support so that all families who want a Jewish education are able to attain it,” she said.

“This coming year, we’re introducing a universal lunch program, so all of our kids are going to be on a meal plan,” Greenberg said, which means the kitchen will need outfitting and the dining hall updating so that the school can “feed about 600 people a day a kosher, healthy lunch that will be tied into some of our plant-based learning…. That’s definitely a high undertaking of the school that we’re hoping to fund.”

For his part, Bogoch said, “I would love to see record amounts of money being raised – and I’d like to see record amounts of attendance and satisfaction.”

Bogoch’s father, Dr. Abraham (Al) Bogoch, was “Mr. Talmud Torah,” spearheading multiple building campaigns on behalf of the school, among many other things. And David Bogoch has followed in those footsteps. He’s been the keeper of VTT’s archive for more than 20 years and is responsible for the alumni portfolio. 

“Why? Because it’s a good puzzle,” he told the Independent. “Trying to find every person that went to TT since 1918, trying to identify them, whether they’re living or dead, what’s their current email address and phone number, their mailing address.”

He noted that, every decade or two, the names one sees on various boards and in other community activities and volunteer positions change. For example, when more Israelis started coming, there were more Israeli names. “Same thing happened in the ’50s, when all the Hungarian kids showed up, so they had different names. When Soviet Jewry ended up leaving Russia and coming over…. When Yugoslavia broke up, there was an influx in kids at Talmud Torah with unusual last names.”

photo - David Bogoch, curator of Vancouver Talmud Torah’s archive, will be honoured at the school’s May 14 gala
David Bogoch, curator of Vancouver Talmud Torah’s archive, will be honoured at the school’s May 14 gala. (photo by Jennifer Shecter)

It is from exploring the school’s archives that Bogoch sees such trends.

“Every time somebody adds something to the archives, whether it’s photos or documents, it’s always adding to the inventory, so now we’re well over 50,000 documents, photos, in the archives,” he said. “And it’s growing like crazy because we haven’t included [yet] a lot of the digital stuff that Jenn [Shecter] or the other people at the school are taking. And, each year, there are new alumni.”

The archives has benefited from past presidents keeping material from their time on the school’s board, said Bogoch. He also has gone through every Jewish Western Bulletin/Jewish Independent from 1925 to about 2010, copying every mention of Vancouver Talmud Torah.

“We got so much of the information about the history of the school through the Jewish Independent, through the Jewish Western Bulletin,” he said, listing off some of the many types of fundraisers the school has had over the years. “The most weird one,” he said, “was a Gentleman’s Smoke, where they got together, they drank some whiskey and they smoked, either cigarettes, cigars or pipes.”

Seeing how the community has evolved and how the city has changed are two of Bogoch’s favourite aspects of working with the archives, “finding out the early stories of Strathcona,” and stories from when most of the Jewish community moved “to False Creek, and then to Oakridge, and spreading all over the Lower Mainland.”

In preparation for the gala, he’s been going through material with his son, Adam, who knows the school’s history as well as his dad and grandfather, having not only attended VTT but also having written and directed the one-hour documentary Vancouver Talmud Torah Onward: The 100-Year History, which was released in 2017, as part of the school’s centenary celebrations.

While the most visible Bogoch link to VTT is via the paternal side, from father to son to grandson, David Bogoch’s mom, Margaret, was also involved – in the PTA and in fundraising – as well as with other Jewish organizations, such as Hadassah.

The gala event honouring Bogoch is aptly called The Roots We Share.

“There are families that have four generations who have gone to TT. That’s pretty amazing,” he said.

“Right now, the school is so strong, I could not see it failing. You never know what happens in the future, but I can almost guarantee that, if you have people in the background who are willing to step up and make sure it doesn’t fail, it’ll stay. That’s the way I look at my role – behind the scenes. I don’t like to be up front, that’s why this is so unusual, to be up front,” he said about being honoured.

He hopes that people will be inspired by what fellow community members have done to keep Jewish communal life going. He wants people to feel as excited about the school as he is.

At the May 14 event, guests will enter through a passageway of photos from throughout VTT’s history. Adam Bogoch also will create a video tribute to his dad, as well as a video for the night’s formal fundraising ask. He has been tasked with creating other event exhibits that highlight his dad’s archival work.

“Time capsules, in a sense,” said the younger Bogoch. “Guests will be transported into different decades of the school’s history, seeing themselves as children, their parents/grandparents and their old teachers/colleagues, visually experiencing where the school has been, where it is today, and hopefully how it will continue.

“The event is called The Roots We Share and, whether those are old roots or ones just taking shape, what will hopefully be realized is a continuum of values, experiences and purpose.”

“When we understand that we’re part of that history,” said Greenberg, “we understand the purpose of what we’re doing – and no one understands that more than David – that we are linked to our history, we’re linked arm and arm with it, and that’s what will help propel us into the future. We have to have that proper respect and honour for the past, and also the shoulders we stand on, and he really understands that…. He’s such a bridge in so many ways for the school.

“He’s a bridge between the past and the future, he was a bridge to Stable Harvest Farm, he’s been a personal bridge for me to this community and I’m just so grateful for his ongoing engagement in the school,” she said. “He obviously gets great joy from it and I always tell him, he’s not allowed to go anywhere.”

For tickets to the gala, go to talmudtorah.com. 

Format ImagePosted on April 24, 2026April 23, 2026Author Cynthia RamsayCategories LocalTags archives, David Bogoch, education, fundraising, gala, history, The Roots We Share, Vancouver Talmud Torah, VTT

Different but connected

Jews are not a homogeneous group in ritual, beliefs, thought or experience. We are diverse, coming from many different places, speaking countless languages, putting our unique spins on food, music and other cultural aspects. We are both a religion and a nation. Yet, despite the differences, we are connected to one another in myriad ways, linked by shared ancestry and core values, as well as by external forces that, all too often, are hostile.

“The documentary you are about to watch highlights the resilience and unity of the Jewish people, surviving thousands of years of persecution, violence and dispersion while staying connected, hopeful and shining light in the darkest times,” narrates Becky Wosk at the beginning of her film One Thread, which screens May 3, 1 p.m., at Fifth Avenue Cinemas, as part of the Vancouver Jewish Film Festival.

screenshot - Becky Wosk’s documentary One Thread, which highlights the BC Jewish community, screens May 3 as part of this year’s Vancouver Jewish Film Festival, which runs April 30-May 10
Becky Wosk’s documentary One Thread, which highlights the BC Jewish community, screens May 3 as part of this year’s Vancouver Jewish Film Festival, which runs April 30-May 10. (screenshot from Instagram)

The documentary is a reminder that, while there are so many reasons to be proud of being Canadian, many (most?) immigrants to Canada, Jews included, have come here from somewhere else not so much by choice, but because of adverse conditions in their home country. We must also remember that Canada has not always been a welcoming place for newcomers or, of course, for the peoples who were here before any Europeans arrived. Sometimes, Canada has completely closed its doors, as in the case of Jews fleeing the Holocaust on the MS St. Louis in 1939.

In One Thread, Wosk interviews 15 members of the BC Jewish community. They share brief overviews of their family histories, how they ended up in British Columbia. Most of their ancestors were fleeing persecution or arrived as a survivor of it. Their families sometimes traveled via other countries or provinces before settling here.

Wosk asks interviewees what being Jewish means to them, what they wish non-Jews knew about Jews and Judaism, their favourite parts about being Jewish, and other questions. The answers are both similar and different. They offer a glimpse into the challenges and joys of being Jewish.

Wosk has done a masterful job at editing some nine hours of interview recordings into a 42-minute documentary that includes some wonderful archival footage and photographs. She lets viewers know that Jews are roughly 0.9% of the Canadian population (2021 data) and 0.2% of the global population (2023). She bookends the film with two quotes that reinforce her themes of resilience, unity and hope, and she highlights Canada’s message to Jews wanting to come here after the Holocaust: “None is too many.” But, mostly, she lets her interviewees tell the story.

“I was a student in the Langara film arts program (directing stream) and the head of the program, Jonas Quastel, sent me the application for the Earl Parker Award for Jewish Film via the Edmonton Jewish Film Festival,” Wosk told the Independent about the film’s origins. “I applied with the idea to document some of the history of the Vancouver Jewish community, as well as the commonalities of Jews in the diaspora. As someone who is a documentary lover, and a genuinely curious human, I really wanted to share local community members and their stories.”

She found those community members by putting a call out through local organizations and social media groups. She wanted people from a range of ages and genders. While everyone she spoke with lives in British Columbia, some of them are from other places originally, including Argentina, the United States and other provinces.

photo - Becky Wosk, director of One Thread, which screens May 3 at Fifth Avenue Cinemas
Becky Wosk, director of One Thread, which screens May 3 at Fifth Avenue Cinemas. (photo by Kristine Cofsky)

Her own family history illustrates the different places from which community members have come and the impacts they have had here.

“My paternal great-grandparents came to Canada from Ukraine in the early 1900s,” said Wosk. “That side of the family was actually documented in the book by Shirley Barnett, Don’t Break the Chain: The Nemetz Family Journey from Svatatroiske to Vancouver. My paternal great-grandfather, Abrasha Wosk, was a pioneer of the Vancouver Jewish community. He secured the building and funding for the original Schara Tzedeck and helped start the Hebrew Free Loan Association.”

Her paternal great-grandmother, Abrasha’s wife, Chava (Nemetz), was a community builder in her own right.

“My maternal great-grandmother, Rose Cohen (Beckerman), came from North Dakota; her family came over from Eastern Europe. My maternal great-grandfather, Maurice Cohen, was from Lithuania, the rest of his siblings went to South Africa. He came to Prince Rupert and opened a dry goods store called Director, Cohen & Co.”

Wosk’s grandparents were all born in Canada, she said, except for her paternal grandmother, who was from Manchester.

“It reinforced the feeling of being part of something bigger than oneself, something very deeply rooted in ancient spirituality,” said Wosk about making the film. “I loved being able to chat with the interviewees about our favourite foods and holidays. I just love witnessing the common thread in our existence, the ties to our ancestors, and the genuine desire to learn.”

As winner of the 2024 Earl Parker Award for Jewish Film, One Thread screened at the Edmonton Jewish Film Festival in 2025.

“It’s one thing to create something, but to get it in front of an audience is a whole other matter, so having these opportunities is invaluable,” Wosk told the Jewish Federation of Edmonton’s HaKol at the time.

She is very excited to have the film now screen at the Vancouver Jewish Film Festival. “I want our community to know that we are stronger together, and we need to lift each other up – especially in the face of adversity,” she told the Independent.

“As a people, we face a lot of hate, especially online” she said. “It’s easy to open up Instagram and just be bombarded by antisemitic individuals and just awful comments. I try to find peace and strength in the fact that we do have this incredible community of resilient, strong and compassionate people. We are part of an ancient quilt, and we can always tap into that communal comfort whenever we need to.”

Currently working as a freelance director and videographer, Wosk said she will soon be starting a feature screenplay that relates to her family history and, separate from that, she is hoping to start a new documentary film in the next year or two. Her band, Hollow Twin, will be releasing some new music later this year.

The Vancouver Jewish Film Festival runs April 30-May 8 at Fifth Avenue Cinemas, which is a 19+ venue, and May 10 at the Rothstein Theatre. For the full lineup of films and tickets, go to vjff.org. 

Posted on April 10, 2026April 9, 2026Author Cynthia RamsayCategories TV & FilmTags BC Jewish history, Becky Wosk, documentaries, film, history, movies, Vancouver Jewish Film Festival
Musical celebration of Israel

Musical celebration of Israel

Local Israeli cover band HaOpziot will get people dancing at this year’s Yom Ha’atzmaut celebrations on April 21. (photo from JFGV)

“As we hold Israel close to our hearts, we are reminded that our connection transcends oceans,” wrote Ezra Shanken, chief executive officer of the Jewish Federation of Greater Vancouver, in a recent enewsletter. “We have the power to bring Israel closer, to feel it and to celebrate it together right here at home through our community’s signature Yom Ha’atzmaut event.”

On Yom Ha’atzmaut, April 21, 7:30 p.m., Israeli musician and producer Ben Golan will headline our local celebration of Israel’s 78th Independence Day. (See jewishindependent.ca/story-of-israels-north.)

Golan came onto Federation’s radar when Shanken saw him perform during a 2024 visit to our community’s partnership region in Israel, the Upper Galilee. Golan is from Kiryat Shmona, where he also runs a recording studio. 

In addition to his own performance, Golan will join local Israeli cover band HaOpziot for a couple of songs during their set.

HaOpziot is comprised of Goor Cohen (vocals, guitar), Kobi Gabay (vocals, guitar), Yotam Ronen (bass guitar), Avishai Weissberg (lead guitar) and Omer Yehi Shalom (drums). The group was founded by Ronen and the band’s former drummer, Maoz Kaufmann, in 2022. The pair posted a call-out on Facebook looking for musicians.

“The rest of us responded, we clicked instantly, and the Optziot were born,” said Cohen.

The band performs a few times a year, at clubs around Vancouver, as well as at the Jewish Community Centre of Greater Vancouver. To find out where and when they’re playing, people can follow the band on social media: Instagram, Facebook and/or YouTube.

When asked how to describe their musical sound or style, Cohen said, “In short: high-energy, loud and often fast.

“Our sound is a fusion of hard rock, punk and heavy metal, with subtle touches of Mizrahi influences, creating a style that strongly resonates with Israeli musical taste and culture,” he elaborated.

Each band member brings their different influences to the music, said Cohen, “ranging from mainstream to underground, old-school to contemporary, and classic to anarchistic. That diversity is a big part of what shapes our unique sound.”

Federation’s website page promoting the Yom Ha’atzmaut celebration highlights some of the songwriters whose music HaOpziot performs, including artists like Mashina, Eifo Hayeled, Berry Sakharof and Monica Sex.

The band’s popularity in the local Israeli community is how they came to Federation’s attention, their sound suiting the vibe that Federation would like the event to have, with the night ending in a dance party.

“This will be the biggest crowd we’ve played for so far,” Cohen told the Independent, “and we’re really excited to have more members of the community come see us in action.”

Unfortunately, Gabay won’t be able to make the Yom Ha’atzmaut concert. But no worries.

“For this show,” said Cohen, “we’ve asked Noga Veiman, our unofficial band manager, to join us on stage and take part as a band member – so, together, we’ll deliver the high-energy show we’ve been planning.”

The night, of course, will begin in a more sombre fashion, with the conclusion of Yom Hazikaron, the day of remembrance for Israel’s fallen soldiers and civilians who lost their lives in war and terror attacks. In Vancouver, the community’s memorial service will take place on April 20, 7:30 p.m., both in person and online. To attend or watch, register at jewishvancouver.com/zikaron.

For tickets ($36/adult, $12/youth, $75/family pack) to the Yom Ha’atzmaut celebrations on April 21, go to jewishvancouver.com/yh2026. 

Format ImagePosted on April 10, 2026April 9, 2026Author Cynthia RamsayCategories Local, MusicTags concerts, cover bands, HaOpziot, Israel, Jewish Federation, Yom Ha'atzmaut, Yom Hazikaron
Shoppe celebrates 25 years

Shoppe celebrates 25 years

Leo Franken, left, with Manny (the mannequin) and David Downing. The community is invited to join the 25th anniversary open house at the store on April 15. (photo from Spectacle Shoppe)

On April 15, the Spectacle Shoppe will host an open house in celebration of Leo Franken’s 25 years as owner.

Franken, an optician, bought the Kerrisdale store in 2001. The location has been an optical shop since the 1960s, its name changing from Western Optical to the Spectacle Shoppe in 1999.

Born in Amsterdam, Holland, he moved to Montreal with his family when he was 4 years old. His father was an optician as well and his mother helped in their store a few days a week, eventually getting her optician’s licence. His older brother was in the teaching profession, working within the Orthodox Jewish community in Toronto.

“My dad was an optician, and the idea was that I would take over the business,” he told the Independent. “I enjoyed the field and, when he passed away in 1970, I was put in a position of keeping the practice afloat.”

Franken moved to Vancouver in 1978, because of the political instability in Quebec. At the time, the threat of the province separating from Canada was a real possibility.

In Vancouver, he became a member of Congregation Schara Tzedeck and the Jewish Community Centre of Greater Vancouver, and he worked at various places before the Spectacle Shoppe came up for sale.

“It resembled the kind of store that my dad had and in a community that was similar to where I grew up in Montreal,” he explained of why he seized the opportunity to buy it.

“It took a long time,” he said of learning the commercial side of owning a shop. “I still think it is my greatest weakness,” he admitted, “but I just love the business and that is what keeps it going.”

And that love is what keeps him going, as well. Now officially semi-retired, he said he’s working on retirement, but, “it turns out, as long as I am healthy, I will be in the store at least one to two days a week.”

His wife, Marlene, has made the transition into retirement, after a career as an occupational therapist specializing in the psychiatric field. The couple has two sons, Sheldon and Josh, but each of them decided on a different career path.

photo - Spectacle Shoppe front window
(photo by Cynthia Ramsay)

David Downing is the primary optician at the Spectacle Shoppe. He has more than 20 years’ experience in the industry, and is also the store’s eyewear-fitting specialist. Visitors to the open house will want to say hi to him and Franken, as well as the rest of the staff, Denisa and Gabriele.

They can learn more about the many types of frames the shop carries, including Ray-Ban Meta smart glasses, which “blend technology with everyday style,” said Franken, noting that the “glasses discreetly integrate features that allow you to capture moments and stay connected, without compromising on design.” The frames are available in a range of women’s, men’s and unisex styles.

From April 15 to 18, the shop will feature the complete lines of frame brands LA Eyeworks (“high-quality and design from Japan”), Etnia Barcelona  (“colourful and youthful look from Spain”) and Lool (“lightweight metal and plastic models for a softer look,” also from Spain).

“It is a business that makes people happy,” he said when asked his main thought about his 25-year milestone. “If the client is happy, they refer more people. To see my clients keep coming back while their family grows, I share in the joy of continuing growth all around.”

He is grateful for all the support he has received, including from the Jewish community.

“It has been our privilege serving Kerrisdale and beyond,” he said. “We thank you for your trust and support throughout the years. We are grateful for the many customers who have ‘grown up’ with us over the past quarter-century. We look forward to many more years of being an integral part of Kerrisdale and its community.”

The April 15 open house will take place from noon to 8 p.m. at the store, which is located at 5683 West Blvd. 

Format ImagePosted on April 10, 2026April 9, 2026Author Cynthia RamsayCategories LocalTags annivesaries, glasses, Kerrisdale, Leo Franken, opticians, Spectacle Shoppe
Story of Israel’s north

Story of Israel’s north

Kiryat Shmona musician Ben Golan will perform at the Yom Ha’atzmaut celebrations in Vancouver April 21. (photo from Ben Golan)

“Music for me is a way to say: we are still here, still alive, still building a future. It gives people a place to feel, and also the strength to keep going,” said Ben Golan, who will headline our local celebration of Israel’s 78th Independence Day, on April 21.

Golan is a musician and producer from Kiryat Shmona, a city in our community’s partnership region, the Upper Galilee, in Israel. He is the founder of the initiative Patifon.

“For 17 years,” he said, “I’ve been producing music and running a recording studio in the city. Over time, I realized that my work isn’t just about producing songs. It’s about building something that can sustain a real musical community in the north, giving a stage to local creators and creating a movement that feels connected to this place.”

Patifon, which means record player or turntable in Hebrew, serves as a hub for local artists.

“It all started simply, with jam sessions in the studio,” explained Golan. “People began coming to play, sing, meet and connect. Slowly, it grew, until the gatherings were too big for the studio to handle. There wasn’t enough space, but there was a hunger for music. Then, thanks to the youth centre and the amazing Elad Kozikaro, who gave us a budget and the perfect space, we got a shelter, which, in times like these, is a valuable commodity in the north. We moved in, completely renovated it and turned it into the most beautiful music lounge; a place where you can come and feel at home, even if it’s your first time there.”

The lounge morphed into Patifon.

“We started filming live sessions of artists and bands there, with proper sound and respect for the music,” Golan said. “All the sessions were uploaded to YouTube under Patifon and, over time, it started to catch on and reach more and more people. Suddenly, what began as a small local gathering became a stage watched by people outside the north.

“As the audience grew and we realized this needed more breathing room, we opened a community pub. Students from Tel-Hai College volunteer there as part of a scholarship program and help keep the place alive and running.”

For Golan, Kiryat Shmona is not just where he was born and grew up. He calls the city and the Upper Galilee his “inner language.” 

“In this city, I learned what the rhythm of a community really is: people who know each other, who will always help you when you need something. There’s a different kind of air here,” he said.

“I have a stream right by my house. It seeped into my music without me even intending it to – a mix of rough and tender, of truth and esthetics, of wanting to shout and needing a moment of quiet to breathe,” he explained. “The nature here, the open space and the distance from the centre taught me how to really listen – not to the noise, but to what lies underneath it.

“Continuing to create in the north, especially after Oct. 7, is not a romantic choice for me – it’s a stance,” he said. “The region went through a real upheaval: fear, evacuation, uncertainty and, also, a kind of pain that people who don’t live here sometimes don’t fully understand. Out of all of that, creativity becomes a tool for connection and healing.”

Golan chose to stay in Kiryat Shmona out of a sense of mission.

“I believe the periphery holds immense talent, real hunger and stories you can’t fake – it just needs infrastructure, a home and support,” he said. “I want the young people and artists here to feel that they don’t have to leave in order to become something. On the contrary – that this place itself can become a source of inspiration, an opportunity and a creative centre that generates culture rather than just consumes it.”

Coming to Vancouver for Yom Ha’atzmaut, Golan said he brings messages of resilience and hope – and he takes those words seriously.

“Independence, for me, is also the ability to choose to create despite the difficulty, to choose community, to choose light,” he said. “I want to bring the story of the north: people who continue to build, to organize events, to create music and to hold each other up even when reality is complicated. In my music, there is room for both joy and pain, because both are part of our lives – especially in this time.”

On April 21, Vancouver band HaOptziot will also take the stage at the community celebrations, playing covers of various Israeli hits.

For tickets ($36/adult, $12/youth, $75/family pack) to the Yom Ha’atzmaut celebrations, go to jewishvancouver.com/yh2026. 

Format ImagePosted on March 27, 2026March 26, 2026Author Cynthia RamsayCategories MusicTags Ben Golan, HaOptziot, Jewish Federation of Greater Vancouver, Kiryat Shmona, music, Patifon, Yom Ha'atzmaut
Raising funds for Survivors

Raising funds for Survivors

Artists Claire Kujundzic and Bill Horne have created a Bondi Beach memorial shirt. Monies raised are being donated to Bema Productions’ high school Holocaust education tours of Wendy Kout’s Survivors. (photo from Amazing Studios)

After the terror attack at Bondi Beach, Australia, on Dec. 14, in which two gunmen killed 15 people and wounded some 40 others who had gathered to celebrate the first night of Hanukkah, Victoria artist Bill Horne hosted a print-your-own glow-in-the-dark menorah shirt event at his and partner Claire Kujundzic’s Amazing Space Studio.

“Claire and I were very distressed by the antisemitic murders at Bondi Beach, and wanted to do something,” Horne told the Independent. “I’ve screen-printed with glow-in-the-dark ink before, e.g. images of aurora borealis, and the image of a glowing menorah popped into my mind. I thought it could symbolize the spirits of those killed at Bondi Beach, as well as literally ‘light up’ a menorah on a shirt this way.”

On Facebook, Horne invited anyone who wanted to print their own glow-in-the-dark menorah to bring a shirt to the Saanich studio before one of the Hanukkah light-up events in Victoria.

image - The front of the shirt features a menorah that glows in the dark
The front of the shirt features a menorah that glows in the dark. (photo from Amazing Studios)

“I had a few spare, unprinted black shirts in the cupboard, so I printed them,” he said. “When our visitors saw them, they asked if they were for sale. I hadn’t conceived of this as a commercial project, and that would have felt completely wrong, so I thought it could be a fundraiser. With Zelda Dean’s permission, I announced through word-of-mouth and our studio’s newsletter that we would be printing the shirts to raise funds for the high school tours of Bema theatre’s production of Survivors, as part of BC’s Holocaust education.”

Horne and Kujundzic, neither of whom is Jewish, have seen the play.

“It was an excellent production,” said Horne.

“The first production we attended at Bema was Si Kahn’s Stranger in a Strange Land,” he said. “I had heard Si sing at the Vancouver Folk Music Festival many years ago, and didn’t know he wrote plays. We saw a poster for this play of his at the [Victoria] Jewish Community Centre one day when we went for lunch. The musical was great, and Si was in attendance, which was a bonus.”

That was when the couple first met Dean, the founder and managing artistic director of Bema Productions, which is based in Congregation Emanu-El.

“We think she’s one of the best things about Victoria!” said Horne.

He and Kujundzic have since seen various plays and readings at Bema.

image - The back of the glow-in-the-dark menorah shirt lists the names of those murdered at Bondi Beach, Australia, on Dec. 14, while celebrating the first night of Hanukkah
The back of the glow-in-the-dark menorah shirt lists the names of those murdered at Bondi Beach, Australia, on Dec. 14, while celebrating the first night of Hanukkah. (photo from Amazing Studios)

The fundraising initiative is just starting, with $100 donated from that first, unplanned small batch of shirts.

“Once we receive enough orders to print and sell at least a few dozen more shirts, we’ll be able to make a larger contribution,” said Horne. “In terms of raising spirits, most people who see the shirt (especially with the lights out) have been moved or glad to see something positive in response to the Bondi Beach massacre. I also think it’s important for gentiles to wear a shirt like this in solidarity.”

“I am so grateful to my dear friends Claire and Bill for their tremendous generosity and their ongoing efforts to make the world a better place,” Dean told the Independent, noting that fundraising “becomes more difficult every year and we welcome donations toward this very important Grade 8 to 10 educational play, which is approved by the provincial government.”

Bema will be doing its fifth annual tour to BC schools with Survivors, which was written by Wendy Kout, based on recorded testimonies of 10 survivors talking about their experience as teens during the Holocaust, said Dean. “We have so far presented at 45 schools on Vancouver Island and in Greater Vancouver and hope to reach the Interior as well this year.”

Horne and Kujundzic operated Amazing Space Studio and Gallery in Wells, BC, for more than 25 years, before moving to Saanich in 2021. While not a retail gallery anymore, people can arrange a visit to the studio.

The Bondi Beach memorial shirt is completely in character for the couple, who have been involved in many causes and projects since they met in 1981. 

“Tools for Peace published two fundraising calendars of Claire’s Nicaragua-themed art in the late 1980s,” said Horne. “We’ve produced art and design for fundraising or promotion projects for groups such as BC Black History Awareness Society, the Wells Historical Society, Friends of Barkerville, families of Nicaraguan political prisoners, Ukrainian refugee families, RAVEN Trust and Treaty 8 First Nations (resisting the Site C dam), the United to End Racism delegation at the World Peace Forum (Vancouver, 2006) and the successful Wells Save Our School Campaign of 2002-2003.

“Claire has designed logos, graphics and posters for Pacific Post Partum Society, BC Organization to Fight Racism, Potters Without Borders, Nuu-Chah-Nulth Tribal Council, Kettle Friendship Society, International Women’s Day, many unions, including Union Women, and the International Metalworkers’ Federation.”

As a printmaker, Horne can silkscreen shirts, as well as editions of prints for exhibitions, he said. He has also designed books of poetry and photography. 

“Claire learned the printing trade in her 20s, worked as a designer doing layout and logos, and produced paintings, prints and sculptures as well,” he noted.

A reprint of the menorah shirts will take place this spring, with probably another run in the fall. Horne needs to first create a secure online order system.

If anyone wants a shirt, contact the studio for details of the next printing, shirt size/style options and prices: amazingspacestudio.com. To donate to Bema Productions’ high school tours of Survivors directly, go to holocausttheatre.com. 

Format ImagePosted on March 27, 2026March 26, 2026Author Cynthia RamsayCategories LocalTags antisemitism, Bill Horne, Bondi Beach, Claire Kujundzic, fundraising, Hanukkah, Holocaust education, tikkun olam, Victoria, Zelda Dean

On the wings of griffon vultures

Liberation. Freedom. Renewal. Recalling our history, our stories. Passover’s themes are many, and the challenge every year is for us to interpret them in a meaningful way for our time.

image - JI Passover cover March 26 2026
This year’s cover of the JI’s Passover issue.

In making this special issue’s cover, I started with the idea that I would use artificial intelligence – one of the most contemporary tools – to create it. Would AI free me from the hours that art creation takes? Short answer: no.

I started with the directive to design a collage centred on the Jewish fight for freedom throughout history, and got lots of great feedback on how to arrange images to tell a powerful story. I could place “key representative figures or symbols at the forefront,” “use overlapping images to create dimension and a sense of ‘flow’” and incorporate “symbolism of ‘tikkun olam.’”

AI had recommendations for typography, what media I could use, what colour palette. It suggested historical struggles I might want to include in a spiral-shaped design: the Exodus and the Maccabees in the outer ring; Conversos and Partisans in the next ring; early kibbutzim and the Iron Dome in yet another ring; and the yellow ribbon for the Oct. 7 hostages or “street-art style seen in Tel Aviv or New York” in the centre.

I eventually figured out how to create an image in AI, but everything I tried looked horrible, so I decided to make my collage the old-fashioned way – with my own hands, using only paper, inspired by artist Deborah Shapiro (deborahshapiroart.com), whose art I’d used on the JI’s 2021 Rosh Hashanah cover. 

After what felt like forever, I figured out what my focus would be. I came across the verse in Exodus (19:4): “You have seen what I did to the Egyptians, how I bore you on eagles’ wings and brought you to Me.”

An article on aish.com by Rabbi Warren Goldstein, chief rabbi of South Africa, helped me think through the symbolism, from both a spiritual and secular perspective.

“Each year, we are told to relive the experience of leaving Egypt – and I imagine being lifted from slavery and oppression ‘on the wings of eagles,’” he writes. “What better way could there be to express our transition from the earthly bonds that constrain us to the spiritual transcendence that God gave us than through the exhilarating, soaring rush of the eagle’s flight.”

image - I tried two different backgrounds for the griffon vulture collage on this issue’s cover, before I decided to make my own. This one is an AI-generated image based on colour suggestions, going from darkness to light
I tried two different backgrounds for the griffon vulture collage on this issue’s cover, before I decided to make my own. This one is an AI-generated image based on colour suggestions, going from darkness to light.

Goldstein goes on to talk about Rashi’s interpretation that “the eagle’s wings represent the nature of God’s protection over us.” The rabbi notes the miracle that Jews are still here, despite a long history of various peoples trying to kill us. And he compares the “rush of the eagle’s flight” to “the speed with which God liberated us from Egypt” – so fast, of course, that our bread didn’t have time to rise, hence, the matzah we eat on seder night as a symbol of our “supernatural” redemption.

“This divine dynamism – depicted by the image of a soaring eagle – becomes a call to action: ‘Be light as an eagle,’ says the mishna in Pirkei Avot. Too often we get bogged down by life,” writes Goldstein. “We become consumed with angst, submerged in introspection and inertia. The mishna urges us to live life energetically and enthusiastically – like an eagle – with a sense of urgency for the task at hand, which is uplifting ourselves and our world through our mitzvot.”

I like this idea of living with a sense of energetic purpose, whether the motivation to improve ourselves and the world is inspired by Torah or other moral codes and teachings. Freedom and responsibility are inextricably intertwined in my view, but it is easy to get overwhelmed, and the thought of being carried sometimes, of soaring above the earth and gaining new perspective, appeals to me.

I decided I would “paint” an eagle.

image - I also asked AI to design a collage of the Jewish fight for freedom, from the Exodus to modern days
I also asked AI to design a collage of the Jewish fight for freedom, from the Exodus to modern days.

As I searched online for what types of eagles would be at home in Egypt or Israel, I came across a few articles about the mistranslation of “nesherim” in Exodus 19:4. Apparently, we were most likely carried out of slavery on the wings of vultures, not eagles, and probably on the wings of griffon vultures specifically.

“Both the biblical nesher and ornithological griffon are known for their ‘bald’ head, enormous wingspan, effortless flight, cliff nesting, devoted nurturing, rapid descent and group feasting on carrion,” writes Dr. Fred Cannon, a professor emeritus at Pennsylvania State University, in Journal for the Study of the Old Testament. “From biblical times until the industrial age, griffons have been ubiquitous in the Middle East but absent in northern Europe or the Americas. However, eagles commonly resided in northern Europe but are uncommon residents or pass-through migrants in the Middle East. Through millennia, when northern Europeans sought translations for biblical plant and animal names, they sometimes replaced Middle Eastern meanings with recognizable northern European ones. So, the nesher became known as the eagle to many northern Europeans and North Americans. However, recent Hebrew-speaking ornithologists concur that the nesher is the griffon. This distinction becomes important when gleaning nuances from biblical metaphors, clarifying kosher dietary regulations and discerning genealogical connections among raptors.”

Natan Slifkin, director of the Biblical Museum of Natural History, in Israel, notes that another part of the verse – “va’esa etchem,” “I bore you,” or “I carried you” – can be translated as “I elevated you.”

“The explanation,” he writes about the symbolism, “is that the nesher is the highest-flying bird, and God raised the Jewish people to spiritual heights above anything in the natural world with His miraculous redemption. The highest-flying birds are griffon vultures.”

As well, he explains, “While people today view the vulture in a negative light, the Torah presents it as an example of a loving and caring parent. This also relates to the vulture’s entire parenting process. Female griffon vultures usually lay one egg, which both parents incubate for an unusually long period of around seven weeks until it hatches. The young are slow to develop and do not leave the nest until three or four months of age. The long devotion of the vulture to its young symbolizes God’s deep dedication to the Jewish people.”

Sadly, it’s more than time for us to dedicate ourselves to the griffon vulture. Only around 230 of them remain today, according to a brochure of the Society for the Protection of Nature in Israel (SPNI), which suggests helping save the griffon vulture as a b’nai mitzvah project. 

The word “nether” comes “from a Hebrew root that means ‘to shed’ or ‘to fall off,’” explains the brochure. “That’s because, as baby vultures grow up, they shed the feathers on their heads – an adaption that actually helps them stay clean! A bald head makes it easier for vultures to stick their heads into carcasses when they eat, without getting messy.”

The brochure notes that griffon vultures live in the Golan Heights, Negev Desert and Carmel Mountains. They have a wingspan of up to 2.65 metres and spend two to three hours a day combing their feathers. They can spot food from seven kilometres away, eating dead animals before the bodies rot, which helps prevent the spread of diseases.

Poisoning, electrolution, land loss, illegal hunting, and that griffon vultures only lay one egg a year, are all threats to their future. To help counter these pressures, SPNI has a breeding program, it is working with electric companies to insulate power poles, lobbying for stronger laws against poisons, and teaching farmers and others about more eco-friendly pest control.

That the griffon vulture is endangered made it, to me, an even more appropriate image for the JI’s Passover cover, underscoring the connection between freedom and responsibility. The words I chose for the cover’s background – cut and ripped from the last few issues of the JI – are my attempt to depict Goldstein’s commentary. While the eagle/vulture is protecting us as much as possible from that which bogs humanity down, giving us some respite and renewed strength, we must continue to try and uplift ourselves and the world around us, grateful for the blessings we have, and working to bring more of them into being.

Chag Pesach sameach. Happy Passover. 

Posted on March 27, 2026March 26, 2026Author Cynthia RamsayCategories Celebrating the HolidaysTags AI, art, collage, endangered animals, Exodus, griffon vultures, Hebrew Bible, Jewish life, Judaism, Passover

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