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Author: Pat Johnson

Rebuilding a life after Shoah

Rebuilding a life after Shoah

Prof. Robin Judd, author of Between Two Worlds: Jewish War Brides After the Holocaust, speaks with community members at the Kristallnacht commemoration in Vancouver Nov. 9. (photo by Sova Photography)

The history of war brides – generally British or European women who married Allied military men – is widely known and has been explored by historians and social scientists. Between 1944 and 1948, about 65,000 dependents came to Canada as spouses or intended spouses of military personnel. 

Speaking at Vancouver’s annual Kristallnacht commemorative event Nov. 9 at Congregation Beth Israel, Prof. Robin Judd discussed an almost unknown subset of this phenomenon: Holocaust survivors who met Allied soldiers in displaced persons’ camps after the war and went on to marry them.

Judd is associate professor of history at Ohio State University and immediate past president of the Association for Jewish Studies, the largest international society for scholars of Jewish studies. Her award-winning book Between Two Worlds: Jewish War Brides After the Holocaust explores the harrowing task of rebuilding a life in the wake of the Holocaust. 

Many Jewish survivors, as well as community and religious leaders, viewed marriage between Jewish women and military personnel as a way for the survivors to move forward after extraordinary trauma, said Judd, whose academic interest in the subject stems from family history.

“My grandmother was a war bride,” Judd said. “She was a survivor. She and my father survived the war in hiding. My biological grandfather died at liberation, and my grandmother married an American soldier after the war, who then adopted my father.”

Her grandmother spoke little about her experiences during or immediately after the war, though Judd knew the rough outline of her past. Only when Judd began research into the subject did she learn that her grandmother’s experience was not as unique as Judd had assumed.

The individual stories of these war brides, and their efforts to integrate, offer lessons around survival in the aftermath of trauma, as well as larger issues concerning marriage, immigration and citizenship, she said. 

Judd focused on a few couples, including Isaac and Leesha (neé Leisje Bornstijn) Rose, and Sala (neé Solarcz) and Abe Bonder.

Sala survived in the Warsaw Ghetto for more than a year, before deportation to a ghetto outside Lublin, then to Majdanek and a series of other camps. She was liberated during a death march in April 1945.

At Rosh Hashanah services at a DP camp in Hanover, she met Abe, a mechanic in the Royal Canadian Air Force. Until then, Judd said, Sala had avoided the Canadian and British soldiers overseeing the DP camp because she said they made her feel like a monkey in the zoo.

“But Abe came to her and started to speak to her in a very quiet Yiddish,” Judd recounted. “It was his questioning, his real interest in understanding who she was and what she had experienced that made her want to seek a second encounter with him.”

Many of the war brides found themselves at the whims of their new extended families, subsumed into existing structures that were foreign and unfamiliar. Often, they arrived in the new country and did not have homes of their own but lived with their husbands’ families, sometimes with multiple generations in the same home.

Leesha arrived in Ottawa and moved in with fiancé Isaac and her soon-to-be mother-in-law, with whom she had limited language skills to communicate. The groom’s mother took it upon herself to plan the wedding. 

“Leesha and other war brides are often talking about how, in these moments, whether it was the marriage or it was having their first child, or it was their first child’s bar or bat mitzvah, or their first child’s wedding, how they so desperately missed those murdered family members at that time,” Judd said.

Newcomers were sometimes judged unfairly, as if their healthy appearance diminished the perception of their suffering. A newspaper article described Leesha as “a good-natured chubby little girl.”

“There was this notion that these women looked almost too healthy,” said Judd, “That the trauma was almost not written sufficiently enough on her body.”

Associations and networks existed for the newcomers to connect with others from similar backgrounds, including Jewish war bride clubs and synagogue-affiliated groups. 

The war bride experiences Judd studies are diverse and include sad but also happy memories, she said, from the difficulties of reconstruction and recovery to stories of resilience and rebuilding.

Prof. Chris Friedrichs, a scholar of German history who taught at the University of British Columbia from 1973 until his retirement in 2018, contextualized Judd’s presentation, as well as Kristallnacht and the larger history of the Holocaust. 

Kristallnacht sent a message to the world, he said. But the world did not listen.

“This horrific Night of Broken Glass was front page news all over the world, but not for long,” he recounted. “Much else was going on in the world at that time and, within a few days, Kristallnacht was forgotten. In fact, the world learned nothing from Kristallnacht. But the Nazis learned a lot. They realized that whatever they might do to the Jews, there would be no consequences. And thus, once Hitler’s war started in 1939, within Germany itself and in every country the Germans conquered under cover of war, a relentless program to exterminate the Jews began to be carried out by beatings, by shootings, by starvation and by gas.”

Hannah Marazzi, executive director of the Vancouver Holocaust Education Centre (VHEC), which presented the event in partnership with Beth Israel and the Jewish Federation of Greater Vancouver, called Kristallnacht “a defining moment in which the shadow of hatred quite literally burst into flame.” 

Dr. Abby Wener Herlin, associate director of programs and community relations for the VHEC, introduced Holocaust survivors, who lit candles of remembrance. 

“Tonight, as we are about to light candles … we vow never to forget the lives of the women, men and children who are symbolized by these flames,” she said. “May the memory of their lives inspire us to live so that we may help to ensure that their memories live on.”

Beth Israel’s Rabbi Jonathan Infeld thanked the speaker and reflected on his family’s experience.

“My father left the DP camp and moved to Pittsburgh,” Infeld said. At a party at the Jewish community centre specifically to make shidduchim, marriage matches, for Holocaust survivors, he met the woman who would become his wife and the rabbi’s mother.

photo - Vancouver Deputy Mayor Sarah Kirby-Yung, centre, and councilors Lenny Zhou and Lucy Maloney at the Nov. 9 Kristallnacht commemoration
Vancouver Deputy Mayor Sarah Kirby-Yung, centre, and councilors Lenny Zhou and Lucy Maloney at the Nov. 9 Kristallnacht commemoration. (photo by Sova Photography)

Cantor Yaakov Orzech chanted El Moleh Rachamim, the memorial prayer.

Taleeb Noormohamed, member of Parliament for Vancouver Granville, warned of the dangers of ignoring the lessons of history.

“If we don’t take the lesson that remembrance requires us to take, we end up with a quiet normalization of what that night represented,” he said. “This is a fight that we all take on. We take on with responsibility, we take on with conviction, and we take it on to honour all of you who survived and all of you that have relatives and friends and loved ones that didn’t. So, we say, may their memory be a blessing and, indeed, may it be, but may it also be a reminder to all of us that the work that is to be done is for all of us.”

Terry Yung, member of the BC Legislature for Vancouver-Yaletown and a retired senior officer with the Vancouver Police Department, told the audience the future depends on education.

“We cannot arrest ourselves out of hate, we cannot,” he said. “We have to educate people in this world of darkness.”

Sarah Kirby-Yung, deputy mayor of Vancouver, and fellow city councilors Lenny Zhou and Lucy Maloney read a proclamation from the city. 

Posted on November 21, 2025November 20, 2025Author Pat JohnsonCategories LocalTags Beth Israel, Chris Friedrichs, Hannah Marazzi, history, Holocaust, Jonathan Infeld, Kristallnacht, Robin Judd, Sarah Kirby-Yung, Shoah, Taleeb Noormohamed, Terry Yung, Vancouver Holocaust Education Centre, VHEC, war brides

Raising existential questions

Yuri Elperin’s solo show, Cycles of Being, opened at the Lipont Gallery in Richmond on Nov. 15. The show consists of Elperin’s large abstract mixed media paintings of the last few years. The art is powerful, eloquent and elegant, reflecting the artist’s personal voyage across Europe, Asia and North America, but also humanity’s collective journey. Memory, history and spirituality merge and interplay.

Elperin was born in Riga, Latvia, a year after the Second World War ended. Unable to pursue his artistic goals inside the limits prescribed by the Communist Party of the Soviet Union, he emigrated in 1977. Searching for artistic freedom, he lived in Rome for about a year while waiting for his Canadian immigration papers.

“During his time in Rome, and his subsequent travels and research across Spain, France and Italy, he immersed himself in Western modern art,” notes the Lipton Gallery’s site.

In Vancouver, Elperin has had a decades-long career as a commercial photographer and in film, and he became dedicated to being a full-time artist in 1998, according to the gallery. His current show explores Eastern and Western philosophies. 

Many religions and philosophical tenets of both Eastern and Western cultures throughout time are concerned with common questions: What is life? Why are we humans here? What is the purpose of life? How does everything link together? Elperin’s art contemplates possibilities, and the show’s name, Cycles of Being, underscores the cyclical nature of our unending chain of existence. 

The paintings in this exhibit are three-dimensional, a fusion of paint and sculpture, golden leaf and marine plants. Paper, wood, metal and fabric combine and emerge as more than a sum of their parts. 

The images tell stories, convey legends. They inspire questions and personal responses. Every title card in the gallery is a mini story, and the abstract artistic style suits the complexity of the philosophical exploration. 

No reflection of the outside world manifests. No photographic likeness. Just meditations on the timeless themes of life, death and rebirth, which lead to further associations on the part of viewers. 

The first painting that meets our eyes upon coming into the gallery is “Phase One” – a golden spread on the dark background. Does it reflect evolutionary theory or the world’s divine beginnings? One will interpret it according to one’s own beliefs.

photos - “Beginning of Endless Knot,” left, and “Impermanence” by Yuri Elperin, whose solo exhibition, Cycles of Being, is at the Lipont Gallery in Richmond until Dec. 4
“Beginning of Endless Knot,” left, and “Impermanence” by Yuri Elperin, whose solo exhibition, Cycles of Being, is at the Lipont Gallery in Richmond until Dec. 4. (photos by Ning Li)

“Beginning of Endless Knot” continues the viewer’s journey, with its contrast of blue and gold, a simple circle versus a complex knot. In Buddhism, the endless knot represents, among other things, interconnectedness.

“Impermanence” reminds us that everything in the world is ephemeral. The red twisted shape, sinuous and enigmatic, teases with its perpetual dance. To me, it defies definition and implies that everything around us, physical and mental, is transient – the only constant is change.

On the opposite wall, the painting “Wu Zetian Dream” is a symphony in blue, a tribute to the only female ruler of China, Wu Zetian (624-705). During her reign, China became one of the greatest powers of the world. Many historians consider her the force that revitalized the Chinese culture and economy.     

Many paintings in the exhibition include a circle as one of their main elements. The exhibit title piece, “Cycles of Being,” refers to the Buddhist idea that existence is an eternal sequence of birth, growth, transformation and renewal, that life and death are not linear, and that all living creatures are linked. This concept is represented by a mandala, a circular image of the universe.

Other images involving a circle are those of the five elements of wood, fire, earth, metal and water. The artist’s visualization of them incorporates what could be called the traditional colours and energies of those elements (blue for water, red for fire, for example), but go beyond literal meaning. Again, all is connected, there are no beginnings and no ends.

Readers can meet Elperin on Nov. 26, 3-5 p.m., at the gallery. The exhibit runs until Dec. 4. To learn more, visit lipontgallery.ca.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on November 21, 2025November 20, 2025Author Olga LivshinCategories Visual ArtsTags art, Cycles of Being, Lipont Gallery, multimedia, painting, Yuri Elperin
Explore Jewish music 

Explore Jewish music 

On Dec. 3, Rabbi Deborah Sacks Mintz will speak on Harnessing the Potential of Our Comfort Songs, as part of Kolot Mayim Reform Temple’s Building Bridges Speakers Series. (photo from Hadar Institute)

Kolot Mayim Reform Temple’s annual six-part series of free lectures – the Building Bridges Speaker Series – returned earlier this month with the Nov. 2 talk by Dr. Lori Şen of Shenandoah University on Classical Echoes in Ladino: Sephardic Songs Reimagined. It continues Dec. 3, with Rabbi Deborah Sacks Mintz of the Hadar Institute speaking on the topic Harnessing the Potential of Our Comfort Songs.

The Building Bridges Speaker Series’ theme for 2025/26 is Kolot Zemirot: The Many Voices of Jewish Music. In the wake of the dramatic rise in antisemitism following the events of Oct. 7, 2023, it is more important than ever to celebrate and amplify the rich tapestry of Jewish culture, history and heritage. This series of lectures will explore the role of music in shaping and sustaining Jewish identity across generations and around the world, delving into the diverse expressions of Jewish music – its history, traditions, and its cultural, religious and secular aspects. Music has always been a source of strength, resilience and hope for the Jewish people, and this series will highlight its power to unite communities and inspire pride in our shared heritage.

An educator, practitioner, composer, vocalist, multi-instrumentalist and facilitator of Jewish communal music, Sacks Mintz will explore, on Dec. 3, how Jews use the internal strength we source from singing our own anchor songs to serve our communities in times of disruption. For Sacks Mintz, the power of communal music ignites spiritual creativity, fosters participation and deepens connections within Jewish life. 

Historian and lecturer David Benkof, “the Broadway Maven,” will speak in person in Victoria on Jan. 11, with hybrid access for a wider audience. His presentation will dig into Jewish creators, characters and themes that have shaped – and continue to shape – the world of Broadway, revealing how musical theatre reflects and influences Jewish identity.

A leading voice in the study of contemporary Israeli music, ethnomusicologist, Dr. Naomi Cohn-Zentner of Bar-Ilan University observes that Israeli songs about the war and the army have always been about a hope for peace, and this was even more the case after Oct. 7. Her Feb. 8 talk – called Music and War: An Optimistic View – will examine how Israeli musicians have responded to the tragedy, offering an exploration of music’s role in processing grief, inspiring resilience and connecting community in times of crisis. 

On March 8, Dr. Joshua Jacobson, author, composer, scholar and founder and director of the Zamir Chorale of Boston, will speak on Jewish Music: What’s That? One of the world’s leading authorities on Jewish music, Jacobson will share his expertise in the history and ongoing evolution of Jewish music. His presentation will invite listeners to consider what we mean by Jewish music and how musical expression is a rich part of our identity. 

Toronto author and biographer Michael Posner wraps up the 2025/26 series on April 12 with the lecture Hallelujah and Beyond: Leonard Cohen’s Torah of Song. Posner will explore Cohen’s Jewish heritage, philosophy and musical legacy and how Judaism influenced the singer-songwriter’s lyrics, philosophy and life.

The Jewish Independent will feature coverage of the lectures in future issues, including Şen’s Nov. 2 lecture, which can be viewed on Kolot Mayim’s website.

Kolot Mayim, from the Hebrew “Voices of the Water,” is Victoria’s Reform Jewish Congregation. The Building Bridges lecture series is partially supported by the Jewish Federation of Victoria and Vancouver Island and donations are gratefully accepted, with tax receipts available for contributions over $25.

The webinars are free and mostly occur monthly mostly on select Sundays (with the exception of Sacks Mintz’s), at 11 a.m., on Zoom. Pre-registration is required via kolotmayimreformtemple.com. 

– Courtesy Kolot Mayim Reform Temple

Format ImagePosted on November 21, 2025November 20, 2025Author Kolot Mayim Reform TempleCategories LocalTags education, Kolot Mayim, music, speakers

Life, beginning to end

Love is at the heart of three new children’s books that would make great Hanukkah gifts.

image - Mazel Toes! book coverMany different types of families welcome their newborns in Mazel Toes!, written by Dr. Audrey Barbakoff and illustrated by Annita Soble. Each set of pages is a work of art with a rhyming poem that highlights playful gestures of love, like a kiss on the pupik (belly button), and more serious ones, like making sure baby is safe and warm in their schmatte (rag or, in this case, “a well-loved baby blanket”). Multiple generations of Jews are depicted, multiple family configurations and multiple cultures. It is a fun board book for both reader and listener – and can be as interactive as you want it to be. You can read it quietly, all snuggled up, or more raucously, with tickles of “mazel toes” and other giggles.

image - Waiting for Max book coverA more serious but equally  adorable and educational book is Waiting for Max: A NICU Story, written by Emily Rosen and illustrated by Esther Diana. Based on Rosen’s own experiences of having had a baby who had to spend 16 days in the hospital’s neonatal intensive care unit (NICU), Waiting for Max centres around Louise, Max’s big sister, who is very keen to meet her new baby brother and doesn’t really understand why Max, who was born premature, can’t come home yet. So, she puts her mind to figuring out ways to help him escape from the “little plastic box” (incubator) he’s in. She puts a lot of imagination and work into drawing out her ideas. Each one she comes up with, she gives to her parents to take to Max, so that he can follow her instructions. She shows great perseverance, always thinking up a new idea when one doesn’t work. She keeps at it until Max eventually makes it home – no doubt, because of her idea.

Apparently, one in 10 babies in the United States must spend time in an NICU, and Rosen will donate a portion of her book’s proceeds, as well as copies of Waiting for Max, to NICU hospitals and nonprofits across the States.

image - Memory Stones book coverAt the other end of the life spectrum, author Kathy Kacer, who specializes in writing books to educate younger readers about the Holocaust, has come out with a different kind of lesson. In Memory Stones, which is beautifully illustrated by Hayley Lowe, we meet Sophie, who has just lost her beloved grandmother. We see some of the many fun things Sophie and Granny would do together, and how heartbroken Sophie is when Granny dies. Sophie brings flowers to Granny’s grave, but they never last long. When Sophie’s mom shares that people in some cultures, including Jews, place stones on loved one’s graves, Sophie figures out a special way to remember her grandmother.

Memory Stones, published by Second Story Press, is intended for readers 6 to 8 years old. Published by the Collective Book Studio, Waiting for Max is for readers 4 to 8 years old, and Mazel Toes!, for babies to toddlers.

Posted on November 21, 2025November 20, 2025Author Cynthia RamsayCategories BooksTags Annita Soble, Audrey Barbakoff, children's books, Collective Book Studio, death, Emily Rosen, Esther Diana, Hayley Lowe, Kathy Kacer, kids books, life, Mazel Toes!, memory, Memory Stones, Second Story Press, Waiting for Max

Give yourself the gift of love

A friend shared her plans for a “great” day off. This included a deep dive into her refrigerator to clean things out. This household task is necessary. Food safety is important, but that doesn’t make it fun. When the kitchen is completely clean and there’s nothing growing where it shouldn’t, it’s a relief. I also feel much better after a big clean up, even when it’s an effort.

I’m studying the Babylonian Talmud Tractate Zevachim, which is about how sacrifices must be done in the Temple, including what is prohibited. It’s mostly an intellectual exercise. The rabbis discussing this all lived after the destruction of the Second Temple. They were ironing out the minutiae, even when the whole sacrifice infrastructure no longer existed. Some see this debate as a grand effort of the imagination. Others read it to witness ancient legal debate in action. Many ask what we draw from these rabbinic texts today.

Since I’m a mom with twin teenage boys who eat a lot, I think about it practically. The concept of piggul pops up often. This is a disqualified offering, a sacrifice that cannot be accepted because the priest’s plan is to eat the sacrifice after the correct time for doing so. In modern terms, imagine purchasing food for a family gathering with deep spiritual meaning, but intending to wait to cook and serve it after its “best before” date. “Here, beloved relatives, please have this expensive roast that I chose to spoil before cooking!” It feels like a rabbinic prohibition that says: “It’s disqualified and forbidden to make a holy sacrifice this way because it’s wrong to give people food poisoning.” It’s bad housekeeping.

This food poisoning reference is meant in jest! Yet, sometimes we forget to be grateful and celebrate the amazing foods and gatherings that our families and friends offer us. One of my teens is taking a food and nutrition elective at school. This wasn’t a class he rushed to sign up for but he’s learning a lot. When he missed classes due to a field trip, he cooked at home instead. This kid likes to be our salad chef, but now he’s learning to make muffins, cakes and pancakes. He’s suddenly aware of how much goes into making meals. He now feels bad when he sees that I’ve produced (yet another) dinner without help, or when his dad stays up late frying eggs or making pancakes for breakfast the next morning. We don’t want our kid to feel bad. It’s both our duty and gift to our kids to feed them well, but I’m thrilled that he’s learning what goes into this labour so he can contribute, too.

I’m a “maker.” I find meaning in making things by hand, whether it’s sewing clothing, spinning yarn and knitting sweaters, or baking bread. The calm and focus I feel while making things is one of my life pleasures. Still, the drudgery of producing endless meals or sewing 10 pairs of pyjama pants for fast-growing twins can seem less pleasurable. 

Since I have high standards for how things are made, my household often claims it is hard to buy gifts for me … so they don’t. (Note: I give them lists, I point out things I admire by other artisans and even voice when something is too expensive!) This past week, I gave myself a gift instead.

First, I came up with easy meals. I arranged grocery pick up so that the rest of the household could do it and then put the items away. Next, I lined up several necessary, but enjoyable, making activities that I wanted to do when I didn’t have work deadlines. As the week unfurled, I spent hours at the sewing machine and hand-sewing. I knitted and read. I took long dog walks. I relished wearing new flannel PJs that I’d just made myself and using new dishtowels I’d sewn. I even sewed a new, natural-fibre oven mitt rather than shop for a subpar one. 

On Friday, I scheduled a walk by myself to two well-regarded artisan markets. I didn’t buy much. I came home with a new pottery service piece (for family food production), an industrial sweater pin made by Cloverdale Forge, a blacksmith, and a lot of inspiration for future creativity.

My weekend was also a big present. Our incredible cantor, Leslie Emery, was formally installed at Congregation Shaarey Zedek, though she has worked in our community for many years. My children and I chanted Torah at her installation Shabbat service. We heard amazing music at a Saturday night concert. We celebrated our cantor as a community. It was full of love.

The congregational installation guest was Elana Arian, an accomplished Jewish composer, performer and educator. It turned out I knew who she was. When I attended and worked at what used to be called UAHC Kutz Camp – the international leadership summer camp for Reform Jewish teenagers in Warwick, NY – Elana was one of the children running around. Her parents, Rabbi Ramie and Merri Arian, often came to teach at Kutz Camp. It was a full-circle moment to hear this Jewish musical talent at my congregation. I remembered the joyful little kid she’d been at summer camp, too.

Elana Arian taught us a song from her new album, If We Loved Like That, which is based on the talmudic teaching to “love your neighbour as yourself.” First, Elana pointed out – we need to love ourselves. Sometimes, making time to do this great service, to love ourselves, feels like too much. It’s too hard to offer ourselves a clean refrigerator or a staycation of rejuvenating creative work. It’s too much work to learn to chant a new Torah reading. Fact: we often don’t make time to go to bed early or sleep late, make and eat healthy food or take a long walk. Yet, these are the greatest gifts we can offer ourselves.

Don’t do “piggul” and eat spoiled meat. Carve out time, when you need it, to honour yourself and do things right. By extension, those chores for family, community and the world will feel easier. As one of Elana’s famous songs goes, “I have a voice. My voice is powerful. My voice can change the world …” – but to be the most powerful you? You need to fill your own cup up first.

Joanne Seiff has written regularly for the Winnipeg Free Press and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

Posted on November 21, 2025November 20, 2025Author Joanne SeiffCategories Op-EdTags Judaism, lifestyle, piggul, self-love, Talmud
From the archives … books

From the archives … books

In honour of Jewish Book Month, which runs Nov. 13 to Dec. 13, I’m highlighting a short article that appeared in the Independent’s predecessor, the Jewish Western Bulletin, on Dec. 18, 1970.

image - Rita Weintraub photo in the article on the JCC Library from the Jewish Western Bulletin, on Dec. 18, 1970 The focus on the Jewish Community Centre Library, now called the Isaac Waldman Jewish Public Library, stressed the “vital role” the library plays “in the life of the Vancouver Jewish community” and how it serves “the community at large in a very meaningful and important way. At any time, one can pass by and see it being used for recreational reading, browsing or study.”

The article notes how a visiting professor who stopped in at the library remarked “how thoroughly cross-referenced it was.” 

“Mrs. Marvin Weintraub, hardworking and dedicated volunteer librarian,” aka Rita Weintraub, is interviewed for the story. Many in our community will have known Rita, who died in 2020. The library she was instrumental in building was a lifelong passion. In the article, she refers to the library as important for “the spiritual well-bring of the community.” As such, she said, it should be “the concern of all organizations as well as of all public-spirited individuals who are in a position to provide an endowment which will link their name in perpetuity with the highest Judaic ideas of learning and Torah.”

Posted on November 21, 2025November 20, 2025Author Cynthia RamsayCategories From the JITags history, Isaac Waldman Jewish Public Library, Jewish journalism, Jewish Western Bulletin, Rita Weintraub

היהירות היא אחד האויבים הגדולים ביותר של ישראל

הישראלים יודעים הכל, מבינים בכל והם הכי טובים בכל דבר ועניין. ולמרות זאת שורת המחדלים הקשים של השבעה באוקטובר הוכיחה שבמציאות זה רחוק מהאמת

המודיעין לא תיפקד, השב”כ לא תיפקד, לקח לצה”ל 6-8 שעות להגיב על קריאת האזרחים (“הורגים אותנו”), החומה הטובה והטכנולוגית ביותר בעולם נפלה בתוך פחות מחמש דקות. צה”ל אישר לערוך מסיבת טבע ליד הגבול – שזה טמטום משווע. משאירים בסיסי צה”ל ריקים כי מדובר בחגים – וזה טמטום משווע נוסף. ממשלת המחדלים והשחיתות העבירה גדודים של חיילים לשמור על המתנחלים במקום על אזרחי העוטף. והיכן התצפיתניות שצפצפו על המידע שלהן כי הן “רק” חיילות

ומעל הכל התפיסה של ראש הממשלה בנימין נתניהו ורבים אחרים שעדיף “לשמן” את החמאס שישתוק במקום לקדם את הרשות הפלסטינית

ישראל של היום היא מדינה ימנית מתחרדת ומשיחית. ולאור האמור לעיל אינני חושב שהיא יודעת כיצד באמת להתמודד עם השכנים ולדאוג לאזרחים

בישראל שכחו כי מחר צריך לחיות עם השכנים האלה אחרי שהפציצו אותם יומם ולילה. ארה”ב עשתה זאת באפגניסטן, עיראק ווייטנאם – והיא מזמן לא נמצאת במקומות האלה שהם רחוקים מאוד מארה”ב. לעומת זאת, ישראל תאלץ להתמודד עם השכנים שלה כל העת. אני לא חושב שנתניהו שעומד בראש ממשלה כושלת, הוא זה שאפשר לסמוך עליו. הוא ובעיקר תומכיו הרבים לא הולכים לשום מקום. הם רק הורסים את דמוקרטיה יום יום (ממש כמו בארה”ב של הדיקטטור דונלד טראמפ)

הסכם הפסקת האש הנוכחי נכפה על ישראל על ידי המושחת השני טראמפ שרוצה פרס נובל (כי אובמה קיבל אותו) ובעיקר כי יש לו, למשפחתו ולחבריו עסקים ענפים בקטאר ובאזור כולו. את המלחמה המיותרת בעזה אפשר היה לעצור לפי חודשים ארוכים. את אותו הסכם הפסקת האש אפשר היה להשיג אז, להציל יותר חטופים, והרבה פחות חיילים היו נהרגים. אז גם השנאה לישראל בכל העולם הייתה פחותה

טראמפ ונתניהו קוראים להסדר – הסכם שלום. באמת? האם ישראל והפלסטינים יחליפו שגרירים? עתה יותר מתמיד העולם הערבי לא יקבל את העבודה שישראל מסרבת לתת לפלסטינים מדינה והיא ממשיכה לעבות את ההתנחלויות

ולסיום עוד נקודה: מדינה שיודעת מול מי היא מתמודדת לא היתה מאפשרת לרבים רבים (החרדים) להשתמט מהצבא. ולא הייתה נותנת למחנה המשיחי לשלוט בסדר היום הציבורי

ובנימה האישית: הפעם היחידה שפחדתי ב-20 השנים האחרונות (בהן אני גר בקנדה) הייתה דווקא בביקור בישראל ליומיים אשתקד. אירעה הפסקת חשמל ארוכה וחששתי שהאיראנים מתקיפים. חבר שלי עובר מרמת השרון לתל אביב כי נמאס לו לגור ליד הצבא ולהוות מטרה להתקפות בעתיד. הוא גם ציין בפניי שבישראל הסתירו את ממדי הנזק העצום של הטילים האיראנים

הפעם הקודמת שפחדתי בחיי הייתה בעת מלחמת המפרץ בעיראק הראשונה (1991) עת 40 טילים נפלו על אזור תל אביב שאז גרתי בה. לי זה הספיק לכל החיים

אינני יודע מה יהיה בעתיד ואני מודע לסכנה של האיסלאם הקיצוני. אני באופן אישי אתאיסט ומתנגד באופן עקרוני לדתות שמביאות רק נזק ושנאה. האם הותקף כאן ע”י מוסלמים? אולי? בשלב זה מרבית המוסלמים הגרים במחוז שלי (בריטיש קולומביה שמכילה כ-4.5 מיליון תושבים) ומספרם מגיע לפחות מ-200 אלף – הם איראנים – ואין בהם שום סכנה לנו

אני לא צופה עתיד טוב לעולם אשר נהיה קיצוני דתי, ימני וכוחני והדיקטטורים הולכים ומשתלטים על כל הדמוקרטיות שנשארו

Posted on November 12, 2025November 12, 2025Author Roni RachmaniCategories עניין בחדשותTags ceasefire, corruption, democracies, failure, Israel, Netanyahu, Oct. 7, radical Islam, Trump, איסלאם קיצוני, דמוקרטיות, השבעה באוקטובר, טראמפ, ישראל, מחדלים, נתניהו, פסקת אש, שחיתות
Vrba monument is unveiled

Vrba monument is unveiled

Robert Krell, left, founding president of the Vancouver Holocaust Education Centre, and Al Szajman, the current president, unveil the monument to Rudolf Vrba at Schara Tzedeck Cemetery. (photo by Pat Johnson)

Rudolf Vrba, a scientist who had a significant but comparatively quiet career in the laboratories and lecture halls of the University of British Columbia, enjoyed a comfortable life with his wife Robin in Vancouver before his death in 2006. Unbeknownst to thousands of his students over the years, Vrba may have saved more Jews during the Holocaust than any other individual. Despite this astonishing fact, his name has remained almost unknown not only among scholars of that history but even in his own adopted community of Vancouver.

At Schara Tzedeck Cemetery in New Westminster on Oct. 26, a monument was unveiled that seeks to remedy Vrba’s relative anonymity. 

“Why do so few know his name?” asked Dr. Robert Krell, founding president of the Vancouver Holocaust Education Centre and a member of an ad hoc group that came together to recognize Vrba’s life and bravery. “Sir Martin Gilbert, the British historian, wrote that Vrba was directly responsible for saving at least 100,000 Jewish lives. Others now credit him with the preservation of as many as 200,000 Hungarian Jews.”

Before about 200 people gathered in the cemetery’s chapel prior to the monument’s unveiling, Krell recounted the exploits of Vrba and his co-conspirator, fellow Slovakian Jew Alfréd Wetzler, who were incarcerated in Auschwitz. 

In April 1944, Vrba, just 19 at the time, and Wetzler, 25, contrived to conceal themselves within the Auschwitz compound, while, outside the camp, a massive search was undertaken by dogs and armed guards. After hiding silently in a woodpile for three days, the two men escaped and traveled for days by foot to Slovakia, where they shared all the information they had amassed about operations at the death camp. Vrba has been credited with having had an almost photographic memory and, over 22 months in Auschwitz, with Wetzler and he both having risen to positions of comparative privilege and trust in the camp, they were uniquely equipped to tell the world what was happening. 

Vrba had worked on the arrival platforms at the camp, observing the incoming Jews and, later, in the “Kanada” compound, where the stolen valuables of arriving prisoners were stored. Wetzler was a registrar and clerk in the camp. The pair chose their moment to act because their vantage points alerted them to the imminent deportation of the last remaining large group of surviving Jews in Europe, those of Budapest. 

Their account, which became known as the Auschwitz Protocols, or sometimes the Vrba-Wetzler Report, was the most credible and detailed information received to that moment about the extent of mass murder taking place in Auschwitz. More than 400,000 Hungarian Jews had already been murdered. 

“The Jews of Budapest were next,” said Krell. 

After dictating the report, Vrba joined the Slovakian army as a machine gunner and, later, joined the Slovak partisans, participating in 10 major battles and being awarded multiple medals for bravery. 

After the war, Vrba completed a PhD in biochemistry at Charles University in Prague, then lived in Israel and England before serving as a research fellow at Harvard Medical School. He married Robin, an American, in 1975 and they made a home in Vancouver. Vrba was an associate professor in the department of pharmaceutical sciences at UBC for 30 years and Robin was a realtor.

The explanation for Vrba’s relative anonymity has been explored in books, including a recently released first volume of a two-part biography by Vancouver writer Alan Twigg. (Holocaust Hero: The Life and Times of Rudolf Vrba was reviewed in the Oct. 10 issue of the Independent.)

The unfamiliarity with Vrba’s story in Israel, in particular, has been explored by Ruth Linn, a University of Haifa academic who first heard of Vrba when she was on sabbatical in Vancouver in the late 1990s. She returned to Israel and began asking if others with expertise in the field knew of Vrba, Wetzler and their escape. Her explorations led to her 2004 book Escaping Auschwitz: A Culture of Forgetting, which made the case that there was a deliberate effort in Israel to silence Vrba’s voice and obscure his history.

Vrba bore particular animus toward Rezső Kasztner, a leader of the Budapest Jewish community who went on to become a mid-level bureaucrat affiliated with the Israeli establishment and the Mapai party that led the country. Vrba – and others – viewed Kasztner’s actions as having saved the lives of Kasztner, his family and several hundred of his friends and associates at the possible expense of thousands of other Hungarian Jews. Vrba believed that, had ordinary Hungarian Jews been privy to the Auschwitz Protocols, as Kasztner was, they could have made their own decisions about whether to board the deportation trains.

The new monument and the unveiling ceremony were the culmination of several years of work by a group including Krell, Yosef Wosk, Geoffrey Druker, Joseph Ragaz, Arthur Dodek and Bernie Simpson, who formed a core committee advancing the project. Dodek, who emceed the Oct. 26 event, acknowledged additional contributions from the Kahn family, Ryan Davis, Marie Doduck and Jack Micner. Mayor Patrick Johnstone of New Westminster attended.

Organizers thanked the Schara Tzedeck Cemetery Board, including chairs Arnold Silber and Jack Kowarsky, and executive director Howard Jampolsky, as well as Schara Tzedeck’s Rabbi Andrew Rosenblatt.

Rosenblatt spoke of biblical and modern concepts of righteousness, citing Vrba as the definition of a hero. 

“He did not escape from Auschwitz simply to save his own skin,” said the rabbi. “He escaped from Auschwitz to save Hungarian Jewry. He escaped from Auschwitz to warn the world.”

The monument, located adjacent to an area of the cemetery not yet open to burials, means that future generations who pass through mourning loved ones will have an opportunity to reflect on true heroism.

“I am struck anew by how singular his legacy was, how young he was, how hard he fought to bring the truth to the world,” said Hannah Marazzi, executive director of the Vancouver Holocaust Education Centre, which sponsored the ceremony. “It is a legacy of courage, brilliance, sorrow, resilience and endurance. But perhaps what I have treasured most is learning about his life and legacy from those here who have had the privilege of knowing him.”

Druker noted that the monument reflects an increased awareness of Vrba locally and hoped that the knowledge would expand beyond his hometown.

Druker read aloud the inscription, which recounts the details of Vrba’s life: his origins, his deportation to Majdanek and Auschwitz, his escape, his war heroism and his life as an academic. 

“We hope that, in Israel, he will finally be recognized for what he is: a central hero that changed the course of the Holocaust for Hungarian Jews,” Druker said. “We want the world to recognize that too.”

photo - The new monument to Rudolf Vrba at Schara Tzedeck Cemetery
The new monument to Rudolf Vrba at Schara Tzedeck Cemetery. (photo by Pat Johnson)

Chris Friedrichs, professor emeritus of history at UBC, put Vrba in the context of his times.

“The existence of Auschwitz was no secret to those leaders,” he said. “They knew that Auschwitz was the site of a vast industrial complex where German war production was being performed by forced labour. But, as we know, this report for the first time described the actual operations of the camp in terrifying detail, making clear that Auschwitz was not only a location of industrial activity, but also the site of mass extermination of human lives on a scale that nobody had previously fully grasped.

“A huge number of Hungarian Jews had already been sent to Auschwitz, but the approximately 200,000 Jews of Budapest had not yet been deported, and it was largely thanks to this warning that the deportations were halted and the lives of most of those 200,000 Jews were saved.”

The experiences Vbra underwent at a young age, as well as his anger that his escape and the report he helped draft did not save even more lives, affected him through his life. Friedrichs, who knew Rudi and Robin Vrba, said they enjoyed a happy life in Vancouver, but the past haunted Vrba.

“For, although he could escape from Auschwitz, Rudolf Vrba could never really escape from the Shoah,” said Friedrichs. “He knew too much and he cared too much to put what he had seen behind him.… Rudolf Vrba was dedicated to relating the facts, but there was also anger, and that anger was directed not just against the Nazis, but also against Jewish leaders during the war who could not bring themselves to inform their fellow Jews about what was happening in Auschwitz. He was like a biblical prophet who had inveigled against the wilful ignorance or stubborn disbelief of those who should have known better.”

Friedrichs credits Robin, who now lives in the United States and was not able to attend the unveiling, as “not only his cherished companion for over three decades,” but with ensuring that his legacy not be forgotten. 

“In fact,” said Friedrichs, “that task is a challenge for all of us. Even the Jewish community of Vancouver never fully recognized the greatness of this man and the role he had played both in saving Jewish lives and in contributing to knowledge of the Shoah.” 

The monument is a belated recognition, said Friedrichs.

“What we do today is overdue, but it is not too late,” he said. “Future generations will pass by this monument and realize how proud our community should have been that this man lived and worked for 30 years in our midst. As we watch the monument being unveiled, and if we gently lay some stones upon it, we will be paying a debt of gratitude to someone who is not only a hero of the 20th century, but should continue to be an inspiration for the 21st.” 

Format ImagePosted on November 7, 2025November 6, 2025Author Pat JohnsonCategories LocalTags Andrew Rosenblatt, Chris Friedrichs, history, Holocast, memorials, Robert Krell, Rudolf Vrba, Schara Tzedeck Cemetery, Vancouver Holocaust Education Centre
Music to build bridges

Music to build bridges

On Nov. 29, sopranos Jaclyn Grossman, left, and Miriam Khalil will perform Salam-Shalom: Echoes of Home, a program they put together in an effort “to build bridges between our communities.”

“Salam-Shalom: Echoes of Home grew out of countless conversations between Miriam and me over the past few years – conversations that gave me a lot of hope during a difficult time,” Jaclyn Grossman told the Independent about her upcoming concert with fellow soprano Miriam Khalil.

“We shared what we were each experiencing, what our communities were going through, and how we might better understand and support one another,” said Grossman. “We both felt a deep need to do something meaningful and to use our voices and our art to foster empathy, connection and healing. This project is deeply meaningful to me because I hope it can create a space for reflection, healing and understanding for our communities, and for anyone who connects with its themes of home, acceptance and belonging. I truly believe we are stronger when we stand together, and I hope this concert helps build bridges that make that possible.”

Grossman and Khalil will be accompanied on piano by Gordon Gerrard, artistic director of City Opera Vancouver, which is presenting the concert. Idan Cohen (Ne.Sans Opera & Dance) will lend his experience in stage and movement, and Avideh Saadatpajouh has created projections that, among other things, highlight some of the textual elements.

“Jaclyn is a beautiful person and has always been someone that I have connected with,” said Khalil about why she wanted to be involved with the production. “Through many of our conversations, our shared dialogue grew and became something we realized we both needed in order to find healing. Jaclyn had mentioned that she had spoken to Gordon about the possibility of creating something together. What made this project so special was our dialogue from the very beginning. Through numerous meetings, we spoke about finding a way through song, language and poetry to create a space for healing and shared empathy and, most importantly, to build bridges between our communities. We longed for the same thing, peace and human connection – this recital is an extension of that longing and an expression of hope.”

As for his participation, Gerrard said he became interested after a conversation with Grossman more than a year ago. “I was distressed to hear that she had had several concert appearances canceled over recent months,” he said. “It seemed to me that many organizations seemed hesitant to present Jewish and Arab artists out of fear of controversy. The program was suggested by Jaclyn as a direct way to counteract this.”

photo - Pianist Gordon Gerrard, artistic director of City Opera Vancouver
Pianist Gordon Gerrard, artistic director of City Opera Vancouver. (photo from City Opera Vancouver)

About the risk of City Opera Vancouver being “canceled” for presenting Salam-Shalom, Gerrard said, “Certainly, we have committed to this special event after careful consideration of the charged environment that we are all a part of right now. We wanted to be sure that we acted responsibly, and that we would be able to create a respectful space for everyone involved. Because I trust Jaclyn, Miriam and Idan entirely, we’ve been able to have many helpful conversations about this event and how to go about it. This has given us at City Opera confidence that we are doing something that intends to create better understanding and, for us, this remains the priority.”

“Our goal with this project is to create a space for nuanced dialogue, where all voices can be heard and where empathy and understanding can grow,” said Grossman. “While this kind of work isn’t always easy, I believe it’s essential. In times like these, it’s more important than ever for communities to come together, listen to one another, and foster compassion. To me, standing together in empathy and respect for all people feels like the only path forward.”

“My concern,” said Khalil, “is that we have a responsibility to one another. If we keep being afraid, then no change will ever take place. We must unite and listen to each other. As Jaclyn mentioned, without compassion and empathy, the way forward feels unattainable. There is great growth in seeing and appreciating one another’s perspective.”

Grossman and Khalil chose the repertoire, and the result will be a concert of “beautiful and seldom performed works entirely curated by the two of them,” said Gerrard.

The hour-long program comprises melodies from myriad musical heritages, including Arabic, Hebrew, Ladino, Spanish and Yiddish. The concert’s press release highlights “Eli, Eli,” an arrangement of a poem by Jewish-Hungarian resistance fighter Hannah Szenes during the Second World War; “Mermaid Songs” by Palestinian-American composer Felix Jarrar; “Ukolebavka,” a lullaby by Jewish composer Ilse Weber, who wrote and performed songs to comfort children when she was interned in Terezín; “Ayre,” by Argentine Jew Osvaldo Golijov, which explores the themes of exile and belonging using the words of a Hebrew prayer and those of Palestinian writer Mahmoud Darwish; and “The New Colossus,” a setting of Emma Lazarus’s poem (inscribed on the Statue of Liberty) by pianist and composer Nate Ben-Horin, who is part of Grossman’s duo, the Likht Ensemble. Another of the songs on the program is “Mi Lo Yeshalach,” by contemporary Israeli composer Hana Ajiashvili. The complete repertoire, with all the lyrics, has been posted on cityoperavancouver.com.

“To me, Salam-Shalom: Echoes of Home is an urgent expression of a voice that feels increasingly silenced,” said Cohen. “I believe the growing calls to silence or divide rather than engage in dialogue are deeply troubling. When Jaclyn, Miriam and Gordon reached out, I immediately said yes. 

“This project also speaks to my responsibility to uphold these values and address the horrors we are living through, through art,” Cohen added. “It’s easy to see conflict in simple opposites – right and wrong, us and them – but true understanding asks us to face complexities.

“Art,” he said, “should remain a space for reflection and critical thought, not moral posturing. I believe in its power to unite, to reveal our shared humanity, and to keep hope for peace alive.”

For tickets to Salam-Shalom, go to cityoperavancouver.com. 

Format ImagePosted on November 7, 2025November 6, 2025Author Cynthia RamsayCategories MusicTags City Opera Vancouver, dialogue, Gordon Gerrard, Idan Cohen, Jaclyn Grossman, Miriam Khalil, peace, Salam-Shalom

A better future possible

This feels like a turning point. Few people who observe international affairs, especially in the Middle East, would doubt that the conclusion of the two-year-long war means a significant change in the dynamics of the region.

It is an understatement to say that wars cause upheaval. The result of any war is always catastrophic death and destruction. But wars also, by definition, upend status quos. 

The First World War decisively ended the age of empires. The Second World War ushered in, among much else, a new world order including the concept of universal human rights. 

Every war, among its other consequences, is like throwing a deck of cards in the air. What emerges in the aftermath is to some extent beyond the control of any of the belligerents, including the victors (such as there are ever true victors in war). 

In Israeli history, it has sometimes seemed as though a war ends and things return to the status quo ante. Israeli-Arab wars have ended before with little or no decisive change in the broader context of conflict. New wars, sadly, have always erupted. Perhaps the end of the Gaza war will usher in a time of changed dynamics or maybe the region will revert to its perpetual bottom line of Zionists-versus-anti-Zionists and little will change. The eight-decade battle over Israel’s right to exist is unlikely to be conclusively settled, whether or not the current ceasefire holds.

This feels different, though, in many ways. 

The global engagement with this particular conflict – the diplomatic condemnations, the isolation of Israel, the worldwide street protests, the systematic boycotts of Israelis and Jews, the raging antisemitism that paralleled it – set this war apart from others of the past. One thing almost all Jews are probably watching closely is whether the easing of military tensions in the Middle East leads to an easing of antisemitic tensions worldwide. Many of us hold our breath awaiting that verdict.

The US administration plays a distinct wild card. It helped broker the ceasefire, but also has floated some provocative ideas of how to rebuild Gaza.

The talk about rebuilding Gaza, to which some European powers have committed and to which Arab states have given at least lip-service, is a physical necessity. As formidable as that reconstruction process will be, a moral and political rebuilding will be far more daunting. “De-Hamas-ification,” to update a term from a previous war, is a stated objective of Israel and its supporters. But, as some commentators have noted, Hamas may be as much a symptom of an extremist intolerance in elements of Palestinian society as a cause. This is likely particularly true without broad and sustained supports for Palestinian voices and aspirations that are anti-authoritarian or desiring of coexistence or peace with Israel. Militaries can be defeated perhaps more easily than some of the tenacious ideas that they represent. 

Additionally, it will be fascinating to see whether the world, having made Gaza the almost singular focus of international affairs for the past two years, will now take any responsibility for ensuring the safety and prosperity of the Palestinian people, or whether we will collectively abandon them again until the next catastrophe reawakens our sense of humanitarianism.

Despite the Madison Avenue mantra, “new” does not always mean “improved.” Sometimes, things can change for the worse. But this does seem like a moment of opportunity. 

On the one hand, it has become clear that “From the river to the sea …” is not a practical strategy. On the other, for those who seek peace, we have understood that we are not powerless witnesses to history. Each of us, in our way, has influence. Many erstwhile apolitical people have been motivated to action, to engage in dialogue across social and political boundaries, and to be part of the efforts to bring about a better life for all sides.

Now that the immediate war is over, we should hope coming together is possible among those of differing perspectives to advance a future of mutual benefit. What we do now, as individuals, as countries, as Jews, as humans, and in whatever context we act and whatever forms our actions take, can have a powerful impact on what happens next. 

Posted on November 7, 2025November 6, 2025Author The Editorial BoardCategories From the JITags change, conflict, Gaza, Israel, Palestine, peace, politics, rebuilding Gaza, war

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