With antisemitism rising in British Columbia, professionals from three sectors – health care, post-secondary education and K-12 schools – have started organizing so incidents of hatred in their workplace are challenged at every opportunity.
The Jewish Academic Alliance of British Columbia and the Jewish Medical Association of British Columbia have launched in the past few months, while BC Teachers Against Antisemitism has grown more active since the Hamas terror attacks on Oct. 7, 2023.
“Antisemitism is reaching crisis levels in BC, and we are proud to be able to support the important work of these newly formed groups at this critical time for our community,” said Ezra Shanken, chief executive officer of the Jewish Federation of Greater Vancouver.
“I am in awe of all of our community members and allies who are stepping up to address what is a clear crisis at workplaces across the province – particularly since employees are uniquely positioned to address workplace issues with their employers,” noted Nico Slobinsky, vice-president, Pacific Region, Centre for Israel and Jewish Affairs.
“We have seen an incredible increase in worrying activities – from terror-affiliated organizations like Samidoun setting up an encampment at UBC to teachers making inappropriate comments towards Jewish students in the classroom, to troubling behaviour in our healthcare system. Yet, we have seen little by way of new activity by government,” said Slobinsky.
“The rise of antisemitism inside health care has been chilling. In a profession dedicated to healing people, we’ve witnessed hateful words and actions that have some fearing for their safety,” said Sharon Gershony, clinical instructor, pediatric nuclear radiologist, BC Children’s Hospital. “The Jewish Medical Association of BC is a supportive community for Jewish physicians, trainees and allied healthcare professionals. Together, we will create safe workspaces by confronting antisemitism with engagement, education and promotion of respect and greater tolerance.”
“Post-secondary institutions across BC have been a focal point of antisemitic activities and actions, some of these threatening the safety of faculty, staff and students. There is no place for this in BC,” said David Silver, a University of British Columbia professor who is helping form the Jewish Academic Alliance of BC. “By bringing together Jewish professors, educators and staff from across campuses, the Jewish Academic Alliance of BC will work to ensure that hate is confronted and campuses are again a place where Jews can feel safe.”
“Since Oct. 7th, some horrible things have happened in classrooms and in schools – to teachers and students alike, who have been singled out because they are Jewish and only because they are Jewish,” said Ginaya Peters, founder of BC Teachers Against Antisemitism. “We have had to become more active and will continue to push back against the hatred and discrimination and create a safe learning environment for all.”
Karen Kaeja and Allen Kaeja in Lasterday. (photo by Kendra Epik)
Featuring more than 30 performances June 13-22, Dancing on the Edge audiences will see world premières, Western Canadian debuts and works-in-progress. This year’s lineup includes the Vancouver première of Lasterday, with choreography by Hanna Kiel, music by Adam Campbell, lighting by Gavin McDonald and performances by Kaeja d’Dance, Toronto Jewish community members Karen and Allen Kaeja.
Lasterday is part of EDGE 1, which also features Tiger Princess Dance Projects and Calder White. Performances are June 16 and 17, 7 p.m., at the Firehall Arts Centre.
Lasterday delves into the relationship of two individuals who carry different memories and perceptions of the same events from their past – sense of timeline, emotional impacts and interactions – revealing how they remember and interpret their shared history. Lasterday is part of the Kaeja d’Dance’s lifeDUET commissioning series. The works explore the Kaejas’ creative and personal partnership. Many duets have toured across the world through Canada and to Spain, India, England, Japan, Mexico, Venezuela and Israel. (For more, see jewishindependent.ca/life-stories-told-in-dance.)
Kiel is a Dora Award-winning artist hailing from Seoul, South Korea, who made Vancouver her home in 1996. Founder and artistic director of Human Body Expression, Kiel is also a resident choreographer at Canada’s JörgenDance.
Campbell is a sound designer, composer, percussionist and singer-songwriter. Originally from Summerside, PEI, and currently living in Stratford, Ont., he has worked as sound designer/composer with many festivals.
McDonald has designed lighting for more than 25 years, across North America and the United Kingdom, and teaches lighting and media design at York University.
Karen Kaeja is an award-winning choreographer, performer and educator. The heart of her research, creation and writing concentrates on the agency of touch. She develops platforms for collaborative relationships between dancers and everyday people, highlighted in her Porch View Dances festival and concept. She is currently co-choreographing with Roshanak Jaberi for Jaberi Dance Theatre’s international collaboration with Sweden – Architecture of Violence.
Allen Kaeja is an award-winning choreographer and dance film director. The child of a refugee and Holocaust survivor, he has created 30 years of Holocaust-inspired stage and film works. He has created more than 210 stage works and choreographed/directed 35 films. His works have been featured in commercials, films and festivals around the world. He teaches Kaeja Elevations and Dance Film master classes worldwide.
About the overall DOTE program this year, the festival’s artistic producer, Donna Spencer, said, “This year, we are pleased to honour one of Canada’s great dance and contact improvisation creators, Peter Bingham, and share his work with the presentation of EDAM’s Dead Weighting. Peter’s body of work has had such an impactful ripple on many of the artists participating in this year’s festival. We are also excited to offer what was a work-in-progress at last year’s festival as a world première this year with Company 605’s lossy; and to bring new choreographic voices such as Anya Saugstad, Clala Dance Project and Simran Sachar to the festival. Stirring things up is in DOTE’s DNA, and we can’t wait for audiences to experience this year’s lineup.”
The complete festival schedule is available at dancingontheedge.org. Tickets can be purchased online via the website or by phone at 604-689-0926.
Stand Up for Mental Health founder David Granirer. (photo from smhcomedysociety.org)
Stand Up for Mental Health (SMH), a program started in Vancouver that teaches stand-up comedy to people with mental health issues as a form of therapy and to destigmatize mental illness, celebrated its 20th anniversary this spring.
“It feels like such an accomplishment. Helping so many people has been the highlight of my life,” said David Granirer, the founder of SMH. “One thing I am really good at is making other people into stars, and I feel like I have done that a lot. Over the past 20 years, I have trained about 700 comics. So, that’s a lot of stars.
“I had no idea what I was doing when I started out, so I had no expectations about the program being successful or not. I could never have imagined this,” he said.
Granirer, a counselor by profession, as well as a stand-up comic, told the Independent that the two-decade journey has been unforgettable. “Everything stands out,” he said. “Every show, every comic I have ever trained, every laugh we have gotten.”
When considering some of the more memorable bits over the years, he recalled writing a mental health version of the Beatles song “While My Guitar Gently Weeps.” In Granirer’s rendition, the guitar has dizziness, dry mouth and is too depressed to get out of bed.
Granirer, who is open about his own struggles with mental illness, has trained groups in more than 50 cities, in Canada, the United States and Australia, in partnership with various mental health organizations. He plans to continue the program and run it in more cities in the coming years.
The idea for SMH originated from a course Granirer has been teaching at Langara College since 1998 called Stand-Up Comedy Clinic. Occasionally, he would see people have life-changing experiences by getting on stage and using comedy to tell a club full of people who they were.
“One woman had a fear of flying and told me that the day after our event she had to get on a plane and she said, ‘My fear was gone. I felt like once I’d done stand-up I could do anything,’” Granirer said. “And I thought, wouldn’t it be amazing to be able to give this experience to people who wanted to do comedy but who also wanted to change their lives? And since I work in mental health and I also have a mental illness, I thought that would be the perfect place to start.”
For Filomena Black, a graduate of the course, SMH has been a lifeline. An introvert by nature, she said she has been able to be more comfortable around people.
“I’ve lost my self-conscious focus and become more engaged in enjoying other people’s company. I’m now looking forward to successfully meeting challenges in all aspects of my life rather than avoiding them,” Black said.
Asked to tell one of the jokes in her repertoire, Black responded, “I used to run away from home a lot, but my kids always found me.”
Another SMH graduate, April Soon, also speaks highly of the program, lauding Granirer for shining a light on what people with mental health issues can do and not letting finances be a barrier to participation.
Soon, a veteran of public speaking through Toastmasters, did not find standing up before a crowd as intimidating as others might have and, these days, she not only performs at SMH gigs but at other venues around Vancouver.
“When bad things happen to me now, I wonder how I can use it as material,” said Soon. “SMH has helped reframe my thinking and provided good resilience training.”
On a lighter note, she added, “Being involved with SMH has exposed me to many other mental illnesses I want to try out.”
Kevin Scow similarly expresses his gratitude, saying the program has given him his voice and was vital to his recovery.
“This came to me at exactly the right time,” he said. “Instead of seeming strange … now they know I am strange … and they love me all the more for it. Thanks to David and my fellow alumni for nurturing my voice and helping with making it funny. My First Nations side says thanks.”
SMH’s 20th anniversary was recognized last month with a proclamation from the Province of British Columbia declaring April 13 as Stand-Up for Mental Health Day.
SMH’s 20th anniversary was recognized last month with a proclamation from the Province of British Columbia declaring April 13 as Stand-Up for Mental Health Day. The proclamation reads, in part, that SMH provides a program for thousands of people “to improve their lives and combat the stigma surrounding mental health and … is an opportunity to raise awareness of and show support for people managing mental health issues or illnesses.”
Since 2004, Granirer and his comics have performed more than 500 shows for mental health organizations, government departments, corporations, universities, correctional facilities and the military. Granirer also gives “laughter in the workplace presentations” to organizations across North America, helping them use humour to lower stress, improve wellness and cope with change. Granirer, too, is the author of The Happy Neurotic: How Fear and Angst Can Lead to Happiness and Success.
SMH’s classes in Vancouver last for six months and students step on stage for two shows, a debut and a graduating performance. As Granirer says, “The comics go from knowing nothing about stand-up to killing it.”
Stand Up for Mental Health is currently recruiting for its next class, which starts July 30. For more information, visit smhcomedysociety.org.
Sam Margolishas written for the Globe and Mail, the National Post, UPI and MSNBC.
Janice Masur and her daughter, Liora Freedman, on March 3, after unveiling the memorial plaque in Nagoya village near Mbale, Uganda. (photo from Janice Masur)
I have just come back from Uganda, where my family used to live, in the Jewish community that existed from 1949 to 1961. My daughter, Liora, had returned 10 days earlier, as planned. I had to stay longer because my passport had been stolen two weeks previously, off my lap while sitting in a slow-moving car. Thankfully, after Liora involved my local member of Parliament, my temporary Canadian passport, processed in Nairobi, Kenya, finally arrived in Kampala, and I was able to leave.
Although still essentially an agricultural economy, Uganda is touted to visitors as the most entrepreneurial country in Africa. Most people in the countryside have a small plot to grow their own food and sell the surplus. Large-scale plantations of sugar cane, tea, coffee and bananas are grown for export. The Pearl of Africa is rich in mineral deposits and China is beginning to drill for oil on the edge of Murchison Falls National Park.
I could not find my way around Kampala anymore. It used to be a self-contained town situated over seven hills. Now it sprawls and spreads in all directions with Ugandan street names I can barely pronounce. My old house has a high fence and a guard at the gate, with a gun slung across his shoulder, who wouldn’t let us enter. I was charmed to find the same small five-petaled purple flowers floating down like tiny propellers, strewn on the driveway just as they had done in my childhood. Across the rutted road, there was a new modern hotel instead of modest houses.
We drove up Kibuli Hill to see Kibuli Mosque. In my day, the mosque was a friendly looking place of worship. I was shocked to see how fortress-like it had become, painted grey instead of white, with the words “None shall be worshipped but Allah. Muhammad is his prophet.”
I tried to find my bearings on Tank Hill – named for the three extremely large round water tanks in the neighbourhood – where we had once lived but couldn’t. Instead of being given help, I was told not to take photos, or I might be thought to be spying on an army unit. Important ministers travel in cars with armed guards seated outside of the cars facing sideways, guns at the ready.
Kasubi Tombs on the Hoima Road, Kampala, Uganda. (photo from Janice Masur)
I visited the Kasubi Tombs, where the kabakas, or kings, have been buried since pre-Christian times. I had never known about this sacred UNESCO site when I lived in Uganda. A steep thatched roof, reaching almost to the ground covered intricate woven designs in the inner ceiling of one of the tombs. It was my absolute luck to have Prince Joseph as my tour guide. When I showed him a photograph, he told me proudly that he was the grandson of Edward, the brother of the kabaka, Mutesa II or Freddy, who was one of the two Ugandan men in the picture.
My purpose for traveling to Uganda was to unveil two memorial plaques for my Jewish community, which had been there from 1949 to 1961. None of the community infrastructure exists today, not even the cemetery, now submerged under real estate.
We placed a plaque in the Nagoya village near Mbale, where the Abayudaya, who converted to Judaism in 1921, live. Conservative Rabbi Gershom Sizomu and his wife, Tziporah, and others in the community were so welcoming and warm, helpful and supportive. We had a wonderful Shabbat evening, with lots of music and drumming, and Shabbat lunch under two large mango trees, with stunning views of Mount Elgon.
On Sunday, the whole community was invited to the unveiling of the plaque. We ambled down to a lower flat piece of land after morning minyan in the synagogue. There were speeches by Rabbi Sizomu and by Rabbi Netanel Kaszovitz, a young Orthodox rabbi visiting from Nairobi, who is responsible for administering to all the Orthodox Jewish communities in East and West Africa. The plaque glowed in the dappled sunlight. Two newly planted mango trees and two benches were nearby, offering enough room for a minyan, at Rabbi Sizomu’s request. The white lettering on the black granite looked impressive; beautifully supervised by Ariel Okiror Eyal.
Rabbi Gershom Sizumo and Janice Masur with the Kampala plaque that will be held in storage. (photo from Janice Masur)
I experienced all sorts of conflicting emotions, as you might imagine. At long last a plaque to commemorate the help that my Uganda Jewish community had given the Abayudaya last century was installed. Nothing had marked the presence of the once-vibrant, secular, 23-family Jewish community, which functioned without a rabbi, a Torah or a synagogue. Who would have guessed that, in 2024, a Conservative and three Orthodox Black Jewish communities would exist, interspersed with Muslim villages?
As for the other plaque I hoped to place, it was for the Jews who were buried more than 60 years ago in the Jewish cemetery just off the Kampala-Jinja Expressway, abutting the Christian cemetery. It is not common knowledge that the Jewish cemetery here had been destroyed and Speke Apartments, built by Dr. Sudhir Ruparelia, lies on top of where it had been. After many months of trying to contact Ruparelia I finally succeeded while in Kampala. In reply to my request to place a plaque somewhere in the vicinity of the apartments, in a discreet corner or on a less important wall, he said “No! None.”
Speke Apartments in Kampala, which is built alongside an unkempt Christian cemetery and on top of the Jewish cemetery. (photo from Janice Masur)
Perhaps I could mount the plaque at the edge of the unkempt Christian cemetery? It requires a Ugandan minister’s permission to approve a location near the 1972 Entebbe Raid plaque at the difficult-to-access old Entebbe Airport. Maybe at the Uganda Museum? The garden of the Chabad compound was also considered. Unfortunately, none of these placements have materialized.
I traveled to Uganda to place two memorial plaques, but my mission was not fully accomplished, and the second plaque lies in storage with Rabbi Sizomu. The Chabad Rabbi in Kampala, Moshe Raskin, said he would try to place it somewhere, perhaps in the future grounds of the new plot of land they will buy for Chabad, because Rabbi Moshe says Chabad is in Kampala to stay.
That I couldn’t find a place to mount the second plaque greatly saddened me. In many parts of the world, history is important and physical spaces or buildings are repurposed and feature plaques to show that a mikvah is buried here or a synagogue was once there. Today, few Ugandans know their local history, including that former governor (1952-1957) Sir Andrew Cohen was a British Jew. He was the first governor not to plunder Uganda’s wealth and he encouraged education and self-rule.
Now it is my task to contact my East African friends and perhaps schools and associations because Albert Kasozi, executive director of Buganda Heritage and Tourism – to whom Prince Joseph introduced me while we drank African tea at my hotel – would like as much 19th-century Bugandan history collected as possible for a new museum that has just been built in Kampala and will be formally opened soon. The banner exhibit I created, Shalom Uganda, will find a home in this new museum and I am very happy about the prospect. And the Kampala memorial plaque? To be determined….
Janice Masuris a Vancouver author and speaker. Her book, Shalom Uganda: A Jewish Community on the Equator, tells her story of growing up in the bygone Ashkenazi Jewish community of Kampala from 1949 to 1961.
Rabbi Arik Labowitz will step forward as Or Shalom’s rabbi when Rabbi Hannah Dresner retires.
Rabbi Arik is presently serving as the congregation’s half-time assistant rabbi and has signed a two-year contract as full-time rabbi, beginning Nov. 1. Rabbi Hannah’s partnership with Rabbi Arik will facilitate a smoothtransition of leadership as Or Shalom navigates renovating their building while maintaining the congregation’s vibrancy.
The synagogue has already enjoyed Rabbi Arik’s breadth of Torah learning, the depth of his davening and meditative offerings, his musicality, his sensitive pastoral manner, his delight in children, his commitment to intergenerational programming and the new enrichment he brings, focusing on the spirituality of the congregation’sCascadian outdoors.
As Jewish Renewal’s oldest synagogue, it is meaningful that Rabbi Arik is a second-generation Renewal rabbi and that his presence ties the congregation back to the rabbis who raised and schooled him, including Reb Zalman Schachter-Shalomi and Reb Shlomo Carlebach. Born into a legacy of Jewish Renewal, with parents Rabbi Phil Labowitz and the late Rabbi Shoni Labowitz z”l, Arik’s formative years were enriched by learning from Reb Zalman and his early students during weekend retreats at his family’s South Florida home.
Eager to delve deeper into his spiritual path, Arik journeyed to Israel to immerse himself in traditional life and studies, spending transformative years at Yeshivat Machon Meir and Darche Noam/Shapells in Jerusalem from 1995 to 1997. Returning to North America, he continued his studies at the Graduate Theological Union in Berkeley, California, embodying a commitment to a diverse and enriched understanding of Jewish tradition.
Over the past two decades, Rabbi Arik has played pivotal roles in various Jewish leadership capacities. From 2007 to 2021, he served as the spiritual leader of Congregation Eitz Or, and as a regular visiting leader for several communities along the West Coast.
Rabbi Arik, along with his wife, Aliza, and their two sons, Judah and Noah, recently relocated to Vancouver, drawn by the desire to be closer to family as well as the beauty of the water and mountains.
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Marsha Lederman, winner of this year’s Max Wyman Award for Critical Writing. (photo from Max Wyman Award)
Arts and culture critic and commentator Marsha Lederman is the winner of this year’s Max Wyman Award for Critical Writing.
The annual award celebrates critical commentary on the visual, performing and literary arts in the province of British Columbia. The winner receives a prize of $5,000 and a gold and emerald pin designed by Vancouver artist Robert Chaplin. A mentee, named by the laureate, receives a $1,000 prize. This year’s mentee is Ming Wong, an emerging writer and illustrator.
The award was established in 2017 by philanthropist Yosef Wosk to honour the career and lifetime contributions of the Vancouver author, arts critic and commentator Max Wyman. It recognizes writers who have amassed a significant body of work. Eligible subjects of criticisminclude the visual arts, architecture and design, theatre, literature, dance, music, film and television, as well as more general cultural commentary.
Lederman is an award-winning journalist and author. She has been with the Globe and Mail since 2007. For 15 years, she served as its Western arts correspondent, covering visual art, theatre, music, dance, books and publishing, film and architecture. In 2022, she became a full-time columnist for the newspaper, but continues to write about arts and culture. Her memoir Kiss the Red Stairs: The Holocaust, Once Removed, was published by McClelland & Stewart in 2022. It was a national bestseller and last year won the Western Canada Jewish Book Award for biography or memoir. She has won several journalism awards, including the 2019 National Newspaper Award for Arts and Entertainment, and the inaugural Webster Award for Arts and Culture Reporting in 2023. Before joining the Globe, Lederman held a variety of positions with CBC Radio, including national arts reporter. Born and raised in Toronto, she has lived in East Vancouver since 2007.
“Marsha Lederman’s writings over the years have provided a consistent and powerful demonstration of what she has called ‘good journalism’s power to inform, guide and potentially change the world’ – precisely in line with the aims of this award, which seeks to honour informed and compelling writing that stimulates critical thinking and demonstrates the value of creative commentary in our understanding of the world around us,” said Wosk. “I am delighted that she has been chosen as this year’s laureate.”
The jury citation reads: “Marsha Lederman has made significant contributions to the field of journalism and literature through her extensive writings on social issues seen through the lens of arts and culture and social justice. The jury is unanimous in its appreciation of her ability to engage and inspire her readers, through lively and accessible writing that opens eyes and minds to fresh insights and creative thinking.”
Ming Wong is this year’s mentee. (photo from Max Wyman Award)
Wong is an art director, graphic designer and journalist at the Globe and Mail, where she produces and edits visually-driven stories for print, online, social and beyond. Her design work has been recognized by the Society of News Design and the Digital Publishing Awards. Born in Hong Kong and raised in Burnaby, she currently lives in Vancouver.
“I began working with Ming Wong as a mentor in 2022,” said Lederman. “She was particularly interested in writing about pop culture. And she has been fantastic, showing enormous creativity, drive and dedication as a writer. She is curious and smart, and writes interesting, intelligent and highly readable pieces about popular culture from her millennial perch. I can’t wait to read more from Ming over the years.”
Previous winners of the Wyman award are critic and educator Jerry Wasserman; Dorothy Woodend, arts editor of the Tyee; freelance art critic Robin Laurence; and author, critic and former University of British Columbia gallery director Scott Watson. Previous mentee award winners are Paloma Pacheco and Angie Rico.
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Ellen Schwartz’s Galena Bay Odyssey has won a 2024 Historical Writing Award (photo by William Schwartz)
Galena Bay Odyssey: Reflections of a Hippie Homesteader by Ellen Schwartz (Heritage House, 2023) has received a 2024 Historical Writing Award, presented by the British Columbia Historical Federation.
On May 4, the recipients were announced and acknowledged at the BCHistorical Federation annual conference and awards dinner, where author Ellen Schwartz was in attendance to receive the honour.
Galena Bay Odyssey traces Ellen’s journey from a born-and-raised Jewish urbanite from New York who was terrified of the woods to a self-determined homesteader living on a communal farm in the Kootenays. Throughout the memoir, Ellen reflects on what her homesteader experience taught her about living more fully, honestly and ecologically. (For a review, see jewishindependent.ca/a-hippie-homesteader-in-b-c.)
Schwartz is an award-winning author of more than 18 books for children. In addition to writing books, she works as a corporate writer and editor and as a freelance magazine writer. She and her husband live in Burnaby.
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The Arts Club Theatre Company has commissioned six new scripts as part of their Silver Commissions program, celebrating the company’s 60th anniversary. Founded in 2006 to commemorate the 25th anniversary of the first world première of a Canadian play at the Arts Club, the Silver Commissions program is designed to foster the creation of new Canadian scripts. Through this initiative, the Arts Club has commissioned, developed and produced 20 new plays.
The 2024/25 Silver Commissions includes Beware the Glunkus: A Christmas Musical, by Ben Elliott and Jewish community member Anton Lipovetsky. The other commissions are An Enemy of the People by Colleen Murphy, Fan Tan Alley by Jovanni Sy, Florida Social by Bronwyn Carradine, Little Darling by Amy Lee Lavoie and Omari Newton, and Murder on the Pacific Spirit Express by Frances Koncan.
The story of the Glunkus is a legend that Joe’s dad used to tell him as a kid about a mischievous gnome that hates Christmas. Once a heartfelt artist, Joe now exclusively makes corporate jingles and generic reality TV soundtracks. But when Joe’s niece discovers his unproduced musical in a drawer and stages a reading with his neighbours in the living room, Joe’s distaste for the holiday spirit goes big – and he starts to transform into a Glunkus (complete with pointy ears and an elf-like voice). With the help of Bella and his dad, he must open his heart before it’s too late!
Elliott is an award-winning multidisciplinary artist living in Vancouver. When not working in the theatre, he writes, records and performs his own music, animates his own music videos and composes for film, TV and radio.
Lipovetsky is a songwriter, actor, musical director, sound designer and educator based in Vancouver. He has performed on stages nationwide and his original musicals have been shortlisted three times for a Playwrights Guild of Canada Tom Hendry Award.
Together, Elliott and Lipovetsky have written the musicals The Park (with Hannah Johnson) and The Best Laid Plans (with Vern Thiessen).
By the time you read this, I’ll be working on the last days of preparation before my twins’ b’nai mitzvah. This, as many have said, is a big simcha (happy party), a once-in-a-lifetime event, a milestone and an achievement in our lives. It won’t surprise those who know me that this also puts a lot of pressure on us! Don’t get me wrong, my household is excited. We’re also nervous, apprehensive and stressed by all the details.
It helps to put this into context. We’re a family who has been going to services on Saturdays regularly since long before these children appeared on the scene. My kids are familiar with what’s expected of them and want to do a good job. We’re from a family with diverse approaches to Jewish life, so we’ve gone to all sorts of services, as well as different kinds of Shabbat dinners, family outings on Saturdays, and more. Our kids have experienced many more different ways of observing holidays and Jewish life than I did growing up. This was one of my goals for raising well-informed Jewish kids. For a small ethno-religion, we have so many varied traditions.
This came to mind when I chatted with some of my husband’s young cousins long ago. They told something to the effect that there was only one way to sing a particular part of the Shabbat service. When I explained that there were many melodies and ways to recite the same Shabbat prayers, they looked at me with disbelief. Their experiences with only one congregation in a specific ethnic group and religious movement meant they hadn’t been exposed to multiple melodies or the rich musical traditions of other Jewish communities.
Exploring these choices has made my kids’ lessons and preparations more difficult. If they only knew one tune, well, that’s the one they would sing. However, offering learners many choices means it can be harder to narrow down and practise one melody to make it shine.
Staying true to our family’s particular needs and choices when it comes to the celebration itself has been its own adventure. If one is used to a specific type of bar/bat mitzvah party, with loud music, dancing, catered “rubber chicken,” a photo slide show or a candlelighting ceremony, anything different can seem peculiar. At age 12, I attended one classmate’s bat mitzvah party that was (gasp) held at the family’s home rather than at the synagogue or at a party venue. Rather than graciously modeling that people are different, I thought this was weird. No one reprimanded me for saying this. In retrospect, it was a lovely, heimisch (homey) party held by a family who celebrated the way that they felt most comfortable. I wish I’d had the maturity to see that then.
Holding a Jewish event on a June Shabbat in Winnipeg means that it will be light until late at night, so we’re having a seudah shlishit (a third Shabbat meal or supper). Our congregation’s building is under renovation so the meal will be at home, without the loud music or DJ, to align with those who observe more traditionally. We’ve made numerous choices that my tween self would call “weird.” As an adult, I see it as providing the celebration that fits our family the best.
We’re mostly introverts. Three of the four of us don’t usually like noisy, crowded events. An entire weekend of socialization will be a lot of people time for us. Since many of our relatives are coming from far away, it may be more like a week of company. One of us jokingly said he would announce, “Hey! The party’s over! Please leave!” so he could go back to reading quietly in a corner. We’ve encouraged him not to voice this aloud to any of our relatives or guests.
Although some people hire event planners to manage this, for many households, the burden falls on the mom to arrange everything. This seems to be yet another gendered responsibility. I’ve been told that 50-some years ago, women in the community cooked all the food as well, and there was no catering on offer. I’ve had kind supportive offers from older women friends who remember those days. However, even if one wants to hire serving staff, it can be hard to do in these post-COVID days. There’s just nobody out there who seems to want to do it.
Making so many decisions, from catering to dishes to compost bins and yard games for kids, feels overwhelming. In some moments, I find myself excited about when it will be over and I can stop worrying. Yet, I know that, for many people, this event is a lifelong memory. I just want to make it a meaningful one for all of us. With twins, we only get one chance at it, too, so … no pressure?
Often, I have Jewish texts to lean on to help me understand and guide me. Although it’s not my family’s tradition to recite Eishet Chayil (Proverbs 31:10-31), the tribute to a “woman of valour,” it strikes me that the woman in this important narrative knew how to throw a perfect Jewish family event. I hope I can do something that is half as acceptable, where everyone feels welcome, comfortable and full of good food at the end.
In my head, I’m hearing phrases offered by the older people in my husband’s family at the end of every family party: “May we only meet at happy occasions,” for example. After such a difficult and sad time, I cannot forget those messages. While I worry over the details, please take the opportunity, when it is offered to you, to celebrate at these once-in-a-lifetime happenings. Bring your joy and light to make them special for everyone. “May we only meet at weddings (and not funerals). May we only meet at happy occasions,” these aunts would say as they hugged us. It’s about time to find space for some happy moments, too.
Joanne Seiff has written regularly for the Winnipeg Free Press and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.
There’s nothing like a weekend in Montreal, whether you’re in the mood for a classic bagel, a mouthwatering babka dripping with chocolate, or a heaping smoked meat sandwich from Schwartz’s Deli. Now that Porter Airlines has launched direct daily flights between Vancouver and Montreal, it’s a great time to explore this fabulous city, which oozes with personality, culture, history and great food.
We joined a fast-paced bike tour to see the city’s highlights, pedaling 15 kilometres through green alleyways, busy boulevards and along the Lachine Canal to get a broad overview of Montreal’s history. We rode through the Old Quarter, with its ancient stone buildings, following the canal past factories and warehouses reincarnated into swanky apartments. We puffed up the hill to the base of Mount Royal and zipped back down past the austere buildings of McGill University.
At Place d’Armes, we stopped to gaze at a pair of statues called “The Two Snobs.” On one side, a Francophone woman holds her poodle, looking with contempt at the head office of the Bank of Montreal, a symbol of English power. On the other, an Anglophone holds his pug, looking with similar disdain at the Notre-Dame Basilica, a symbol of the Catholic Church in Quebec. The statues hint loudly at the enduring, simmering tensions between English and French in Montreal.
We escaped the tourist crowds in the Old Quarter by heading to Mile End to join a food and history tour offered by the Museum of Jewish Montreal. Our guide, Avery Monette, a 23-year-old master’s student at Concordia, led us on a gastronomic feast as she described the city’s Jewish origins in 1760. That’s when Jews first arrived in Montreal to work as fur trade merchants. The community stayed small until the 1880s, when pogroms drove Eastern European Jews to the safety of Montreal’s Mile End. Over the next 90 years, it would become the largest Jewish community in Canada.
We bit into a sweet, rich cheese crown from Boulangerie Cheskie, a small kosher bakery in the neighbourhood, and then braved the cold wind to line up outside St-Viateur Bagel, one of Montreal’s two most famous bagel shops. Established in 1957 by Hyman Zeligman and Myer Lewkowicz, the store never closes. Ever. “In April 2023, there was an ice and snowstorm that knocked out all the electricity in the area,” Monette recalled. “Even then, this place was open!”
We strolled along rue Jeanne-Mance in Mile End, where frum families pushed strollers alongside us and a man wearing a shtreimel strode by, headed for the synagogue with his tallit tucked under his arm. The Jewish influence was easily spotted, with most houses having mezuzot on their doors and many with the skeleton of a sukkah in their front yard.
By the 1950s, Jews in Montreal had migrated to the middle class, and many left Mile End for larger homes in Côte Saint-Luc, Hampstead and Côte-des-Neiges. We passed the College Français, once the home of the B’nai Jacob Synagogue, which was known as the Carnegie Hall of cantorial singing in its heyday.
Our Vancouver jackets were feeling pretty inadequate in Montreal weather by the time we arrived at Fairmount Bagel, where the line out the door was even longer than at St-Viateur. Once inside, we were surrounded by garlic, pumpernickel, cranberry and muesli bagels, as well as matzah with sesame, onion and poppy seeds. While none of it is kosher, the store is still owned by the same Shlafman family that first opened it in 1949.
A few doors away is Wilensky’s, a small restaurant with origins in 1932 and family members still at the helm. With its Formica counters, bar stools and what could easily be the world’s tiniest washroom, the store feels like a 1930s time capsule. Monette orders the Wilensky Special, an original family recipe featuring beef salami, beef bologna and mustard on a grilled roll. No special requests or modifications are allowed, not for us or for Anthony Bourdain and Mordecai Richler, both of whom were customers.
On Boulevard Saint-Laurent, new stories mingle with the old. We picked up a babka at Hof Kelsten, where Jeffrey Finkelstein is turning heads with his challah, rugelach and rye. We passed Leonard Cohen’s grey-stoned triplex, a house he lived in from 1968 and that’s still owned by his family. “He was well known for padding around the streets in the slippers he bought right here,” Monette says, gesturing at J. Schreter, a shoe shop on the corner.
Between the bagels, the babkas and the Wilensky Special, it’s hard to make room for more food, but the length of the line outside Schwartz’s Deli tells us this one is not skippable, so on we go. Famous for its smoked meat sandwiches since its inception in 1928, the deli is now owned by Celine Dion and her partners, who have kept things much the same, adding a smoked meat poutine to the menu. Take a bite of one of Schwartz’s sandwiches, which literally bulge with hefty portions of meat, and you understand precisely why the little deli is such a cultural icon in the city. Quite simply, it’s unforgettable. It’s a fitting symbol for the city of Montreal, which is bursting with flavour.
Whether you come for the food, the history, the arts scene or the culture, Montreal is charmingly seductive, and so vastly different from Vancouver that it feels like an entirely different country. Now just four-and-a-half hours away, it’s an easy decision to put this sophisticated French city on the itinerary.
If you go …
• In April, Porter Airlines launched its daily round trip service between Vancouver and Montreal (flyporter.com)
• A bike tour with Fitz Montreal is a great way to explore Montreal’s highlights, with many sights packed into an exhilarating, fast-paced ride (fitzmontreal.com)
• Museum of Jewish Montreal offers regular Beyond the Bagel Tours in the spring, summer and fall. The three-hour tours include food and range from $79-$95 per person (museemontrealjuif.ca/beyond-the-bagel)
• Humaniti Hotel offers sophisticated accommodation in the heart of the city, steps from Old Montreal, the Palais des congrès and the Quartier des Spectacles (humanitihotel.com)
Lauren Kramer, an award-winning writer and editor, lives in Richmond.
מפעל בונדס ישראל בקנדה מגייס כספים למען ישראל כאשר כלכלה ניזוקה קשות לאור המלחמה הארוכה בעזה
הבונדס שהוא בעצם מפעל מלווה העצמאות והפיתוח עוסק במכירת איגרות חוב של מדינת ישראל ליהודים ברחבי העולם, ובעיקר בארצות הברית וקנדה. מפעל הבונדס הוקם בשנת אלפים תשע מאות וחמישים ביוזמת ראש ממשלת ישראל דאז, דוד בן גוריון. לפרוייקט היו שותפים גם שר האוצר דאז אליעזר קפלן, גולדה מאיר ושמואל רוטנברג
עד כה גייס מפעל הבונדס כחמישים מיליארד דולר (אמריקני) והכספים מיועדים בעיקר לתקציבי הפיתוח של ממשלת ישראל. בין הפרויקטים שהוקמו בישראל בכספי הבונד: המוביל הארצי, מיפעלי ים המלח, תחנת הכוח אורות רבין בחדרה, פיתוח נמלי הים בחיפה, אשדוד ואילת, עזרה בעלייה הגדולה מברית המועצות, הרחבת נמל התעופה בן גוריון, שיפור תשתיות כולל של רכבת ישראל
קיים ויכוח מתמיד בין התומכים במפעל הבונד ובין השוללים אותו. התומכים אומרים כי בונדס ישראל נחוץ לקיים את הקשר והזיקה בין היהודים בעולם רוכשי אגרות החוב לבין מדינת ישראל. ואילו השוללים טוענים כי הריבית של בונדס ישראל גבוהה מאוד והיא מהווה נטל בלתי מוצדק על תקציב מדינת ישראל
נשיא הבונדס בשלוש השנים האחרונות הוא דני נווה (שמונה על ידי שר האוצר לשעבר איווט ליברמן) ועל מועצת המנהלים בקנדה נמנים: מייק פלורנס, ג’ורג’ כהן, אורה סלוטוביץ’, רוברט אייסמן, עליזה פגן ורחל צפתי. ואילו המנהלים של בונדס ישראל בקנדה הם: וורן קייל (באזור מטרו טורונטו), לן שפירו (באזור מערב קנדה), הרב אהרון פלנצ’ריק וברנלי גלאס. לבונדס יש ארבעה משרדים ברחבי קנדה שנמצאים: בטורונטו – לאזור מטרו טורונטו, במונטריאול – לאזור קוויבק, באוטווה – לאזור מזרח קנדה ובוונקובר (בבניין הג’ואיש קומיוניטי סנטר) – לאזור מערב קנדה
:להלן הריביות לאגרות הבונדס השונות
אגרות ג’ובילי (מינימום השקעה עשרים וחמישה אלף דולר): שנתיים – 4.83%, שלוש שנים – 4.74%, חמש שנים – 4.98%, עשר שנים – 5.25% וחמש עשרה שנים – 5.50%
אגרות מכבי (מינימום השקעה חמשת אלפים דולר): שנתיים – 4.68%, שלוש שנים -4.60%, חמש שנים – 4.83%, עשר שנים – 5.10% וחמש עשרה שנים – 5.35%
אגרות סברה (מינימום השקעה חמשת אלפים דולר): שנה – 4.88%
אגרות סברה (מינימום השקעה אלף דולר): שלוש שנים – 4.87%
אגרות מזל טוב (מינימום השקעה מאה דולר): חמש שנים – 5.17%
אגרות מזל טוב (מינימום השקעה שלושים ושישה דולר): חמש שנים – 5.27%
אגרות שלום (מינימום השקעה מאה דולר): שנה אחת – 4.88%
אגרות שלום (מינימום השקעה שלושים ושישה דולר): שנה אחת – 4.98%
מאז תחילת המלחמה של ישראל בעזה גייס הבונדס למעלה ממאתים מיליון דולר (אמריקני) בעיקר בארצות הברית. מרבית הסכום (כמאה וחמישים מיליון דולר) גוייס ממוסדות שונים בהן מדינות ורשויות. היעד של הגיוס השנתי עמד אשתקד על כמיליארד דולר (אמריקני) והוא הושג במלואו ואף יותר מכך. יו”ר דירקטוריון הבונדס בארה”ב הווארד גולדשטיין אומר: “המסר שלנו לאחינו ואחיותינו בישראל הוא חד-משמעי. עמדו חזק, אתם לא לבד. אנחנו כאן איתכם ותמיד נהיה איתכם. אנו עומדים לצד ישראל עכשיו יותר מתמיד. ארגון הבונדס הוכיח שוב כי הוא מרכיב מכריע בעמוד השדרה הפיננסי של ישראל”
בישראל נשמעת לא מעט ביקורת על מפעל בונדס ישראל שהפך למקור לג’ובים למקורבים, עם הוצאות תפעול גדולות בארצות הברית וקנדה. עלות תפעול הבונד מגיעה לכשלושים וחמישה מיליון דולר קנדי בשנה
Child survivor Lillian Boraks-Nemetz speaks at the community’s Yom Hashoah CommemorationMay 5. (Rhonda Dent Photography)
The pogrom of Oct. 7 and the hurricane of antisemitism that has swirled since then added resonance to commemorations of Yom Hashoah this week.
Around the world, Jewish communities united in different ways to mark the annual Holocaust remembrance day. Sunday night, May 5, the local commemoration at the Jewish Community Centre of Greater Vancouver featured child survivor Lillian Boraks-Nemetz, who reflected on the unmistakable parallels across time, of “Broken families, broken bodies and minds and the poor frightened children and much more.”
Recently, said Boraks-Nemetz, she heard the words of Israel’s ambassador to the United Nations, Gilan Erdan, who reflected on how a sunny Shabbat morning in Israel turned, in a matter of seconds, into hell.
“On just such a sunny morning, in Warsaw, I lost my childhood,” said Boraks-Nemetz, who was introduced Sunday night in a touching tribute by her son, Stephen. “The day Nazis invaded Poland, I remember German bombers flying low over my head against an innocent blue sky and as World War Two began on Sept. 1, 1939, I had to become an adult at the age of 6.”
In the war that began that day, she said, 1.5 million Jewish children were murdered. She suffers guilt and questions around her survival when so many, including her little sister, did not live.
“Some of us were younger than others. Some older,” she said. “Nevertheless, we were all traumatized – as our brothers and sisters are today, in Israel, and in a world that won’t learn history and its lessons. We don’t feel safe anymore around our world. Thousands protest against us as they have always done, just looking for a reason to express their hate for Jews.”
Boraks-Nemetz shared parts of her Holocaust history, from the earliest time, when her mother took her to a favourite café only to find a sign declaring Jews were forbidden from entering – signs that then proliferated in parks, recreation areas, theatres, streetcars and elsewhere.
“We were beginning to lose our humanity,” she recalled. “Thousands protested against us with words such as ‘Death to Jews,’ ‘Final Solution’ and more.”
Today, she said, similar words are directed at Jews.
“This is being allowed to flourish unpunished, using our freedom of speech for their purposes,” she said. “But surely there are red lines where free speech ends and hate speech begins that must be punishable by law.”
She recalled seeing the wall around the Warsaw Ghetto being constructed, higher and higher, as she watched.
“I asked my father what this wall means,” said Boraks-Nemetz. “I asked many questions. I was almost 7 years old. This wall, he replied, will eventually enclose a part of Warsaw where we will be forced to live.”
That day came when, through a window, she saw a long car with officers and a bullhorn ordering Jews to enter the ghetto or suffer severe consequences.
“From the day I and my family entered our one room within these close, shabby quarters, I felt as if I had stepped out of sunlight into darkness,” she said. “I felt as if I was being stifled and the feeling of being stifled stayed with me as a memory and a trigger all of my life. The wall meant confinement, exclusion, isolation, fear, hunger and quarantine of a disease called typhus.”
Boraks-Nemetz shared the story of how she was to be smuggled out of the ghetto by her father, who had bribed a non-Jew but, when the day came, she was ill and instead her sister was sent out, never to be seen again.
“The streets were treacherous, with children dying of hunger and disease, poor and starved people peddling what little they had for a few potatoes and stealing what they couldn’t buy,” she said.
While smuggling a child out of the ghetto was a life-threatening act for all involved, so was remaining in the ghetto, she said. Eventually, thanks to an enormous bribe, young Lillian was passed through the gate of the ghetto, where she survived on the outside in the care of her grandmother, who had secured a false identity.
“That day, I felt as if I had lost my family, my home and any degree of safety I had felt,” she recounted. “I became numb and frozen. As a child, I didn’t understand why was I being sent away, alone, into a hostile world. I felt I wasn’t wanted by family or society. That day, I lost my identity as a Jew and a human being, a daughter.”
A forged piece of paper gave her a new, false name, false parents, a false age.
With a small blue suitcase in hand, she walked the short distance from her father, past the bribed guards, who looked the other way, into the care of a waiting stranger who would whisk her to a new, still very hazardous, life outside the ghetto.
“Although it was a very short distance, today I think of it as the longest walk, from impending death to the possibility of life,” she said.
Eventually, she started a new life in Canada, married at 19 and took on the role of a typical Canadian housewife, she said. At 40, she had a crisis, during which she was forced to confront the realities of what she had experienced, a struggle she has addressed ever since, through poetry, sharing her story with students and other means. For her, and for so many others, she said, Oct. 7 brought back from the mists of time the collective consciousness and memory of the past.
“We are still persecuted, blamed, hated,” she said.
Rabbi Carey Brown, associate rabbi at Temple Sholom, spoke earlier in the evening, expressing the need to be careful in drawing parallels between historical events, but acknowledging that the traumas of the past inform reactions to the present.
“It is difficult to distinguish between remembering the past and living in the present,” she said. “It feels inseparable.”
The current generation, said Brown, owes it to the memory of those who perished in the Shoah, as well as to the generations yet to come, “to take seriously and be steadfast in our commitment to ‘Never again.’”
Singers Erin Aberle-Palm, left, and Cantor Shani Cohen and cellist Eric Wilson were part of the music program produced by Wendy Bross Stuart. (Rhonda Dent Photography)
The solemn ceremony began with Holocaust survivors in a procession escorted by King David High School students who are descendants of survivors.
Shoshana Krell-Lewis, a member of the board of directors of the Vancouver Holocaust Education Centre and a daughter of the centre’s founding president, Dr. Robert Krell,welcomed the audience and acknowledged elected officials and survivors. In recognition of survivors from the former Soviet Union, Irena Gurevich translated into Russian.
Sarah Kirby-Yung, deputy mayor of Vancouver, represented the city.
Cantor Yaacov Orzech recited El Moleh Rachamim.
A moving musical program by artistic producer Wendy Bross Stuart featured Eric Wilson on cello and singers Erin Aberle-Palm, Cantor Shani Cohen, Lisa Osipov Milton, Matthew Mintsis, Kat Palmer and Lorenzo Tesler-Mabe.
The program was presented by the Vancouver Holocaust Education Centre, funded through the Jewish Federation annual campaign and by the Province of British Columbia, and supported by the Gail Feldman-Heller & Sarah Rozenberg-Warm Memorial Endowment Fund, Temple Sholom Synagogue and the Jewish Community Centre of Greater Vancouver.
Berlin’s Nana Schewitz brings her show Florida! Ya Kill Me! to Vancouver May 31-June 2. (photo from Nana Schewitz)
Florida! Ya Kill Me! is a “love letter to aging,” says Berlin-based drag artist Nana Schewitz, who created the show with Josh Walker. But it’s also a “wakeup call,” she warned, about the systems we have in place for aging.
Florida! Ya Kill Me! comes to Vancouver for three nights, opening May 31 at the Dusty Flowerpot Cabaret.
“JQT is so excited to bring Nana Schewitz to both Toronto and Vancouver, as part of our JQT [Jewish Queer Trans] Mental Health Support Series in partnership with JFS Vancouver, a series supported by the
Jewish Community Foundation of Greater Vancouver,” said Carmel Tanaka, executive director of JQT Vancouver, noting that the shows are being sponsored in both cities by Goethe-Institut Toronto, which is part of a global network that works to foster understanding of Germany’s cultural diversity.
“The content of her show addresses the challenges of Jewish queer trans seniors, which is a very near and dear topic to JQT,” Tanaka said of Nana’s Florida! Ya Kill Me! “We hope that, through drag and comedy, we will be able to raise awareness of the work our JQT Seniors Initiative is doing to create safer long-term care homes and spaces, so our aging JQT community members can proudly celebrate all their identities into their twilight years.”
Florida! Ya Kill Me! is a theatrical retelling of Nana’s 2021 trip to Florida in search of a final resting place, Nana told the Independent. The character is a feisty 96 years old.
“Josh and I traveled up and down the state in search of retirement paradise, visiting every bingo hall, craft fair and 55-and-up pool we could find along the way,” she explained. “We met some incredible seniors who really opened up to me about their experiences with aging, finding love, losing love, accepting change and finding joy. I have the privilege to share these words through both my own retelling, and some filmed interviews we took. You’ll meet Josie, the 109-year-old bingo master. You’ll meet Doris, born and raised in Berlin (my current home) who lives in Florida’s largest retirement city (with over 100,000 residents). You’ll even meet my dead Cuban grandmother!
“The ability to tell these often-overlooked stories and cement the legacies of some of my favourite friends is my favourite thing about what this show is,” said Nana. “It’s a love letter to aging, but also a wakeup call to its effects. The systems in place around aging are crumbling quickly while our average life expectancy is getting higher and higher. I don’t want us to have to sacrifice our quality of life as we age, and this show is a call to action to make that happen!”
The name Nana Schewitz was inspired by Manischewitz, perhaps after a few glasses of its sweet kosher wine. The 96-year-old – who doesn’t “look a day over 69” – was brought to life by almost-30-something Bryan Schall, who studied at Philadelphia University of the Arts and graduated in performance design and production.
She emerged as an entity “out of a little hole-in-the-wall disco in Philadelphia. She stayed dormant for awhile, as her ‘style’ didn’t really fit in my idea of what drag in the US was. When I got to Berlin, however, I said, ‘Ooooohhh!!! Nana totally could work here!’
“The drag scene of Berlin was very different,” explained Nana. “It was quirky, brash, silly – all the things I wanted out of a drag performer. And I found myself really missing this very specific branch of Ashkenazi-Americana Judaism that I took for granted at home. I didn’t realize how much I missed it until moving to Berlin.
“Being Nana really allowed for space to connect with my Judaism, while also allowing me to rewrite Judaic tradition in a way that serves queer people,” she added. “I’ve hosted Passover seders, Hanukkah shows, Rosh Hashanah events and more in Berlin, and it’s been a beautiful connective tissue to bring the Jews of Germany (yes, we’re here!) together in a meaningful and unexpected way.”
Nana moved to Berlin in 2016 and says she hasn’t looked back.
“I grew up in South Florida, and just could not do one more winter of beautiful, it was just getting to be unbearable,” she said. “I couldn’t take the beaches and the sunshine of Florida anymore. Call me a masochist, I guess.”
Berlin has her heart, Nana said, “But all cities change, and the Berlin I moved to looks very different than the city I currently live in. I’ve learned here how precious community is, but it is something that requires maintenance and care, and cannot be taken for granted. I’m able to live my most authentic life here, but that is not a forever guarantee…. I worry about the future of this city, especially as a Jew. Your life can be taken very quickly if you stop paying attention and take things for granted.”
Describing herself as “50% lighting designer and 50% drag queen,” Nana said, “I studied lighting design and do it professionally, but doing drag gives me the outlet and access to say and do the things that are really meaningful to me. The lighting design definitely pays for the drag, but I love to light up a room nonetheless. I actually just came off tour doing lights for Canadian-Jewish icon Peaches around the US and Canada! It was a blast, but I really feel the most myself when I’m dressed up as a 96-year-old Jewish grandmother, singing sexually perverse parodies of Barbra Streisand songs in a dark smelly bar.”
Joining Nana in the Vancouver performances will be co-creator Josh Walker.
Josh Walker is an integral part of Florida! Ya Kill Me! (photo from Nana Schewitz)
“I’m always so grateful to have my life partner/grandson by my side,” she said. “I’ve been working on Nana with Josh Walker for almost 10 years now. He is my most treasured collaborator, and we actually just came back from another two-month trip to Florida where we (along with my new grandson, filmmaker Lucky Marvel) just filmed the Florida! You Kill Me! documentary. We’re in production now after having visited and filmed in different Jewish and queer retirement homes, RV parks, assisted living facilities, etc., around the Sunshine State. The show me and Josh are about to put on in Canada is just a small taste of the incredible shenanigans we got up to around the state. You can catch Josh playing some classic Jimmy Buffett tunes on the banjo during this show.”
Nana exudes confidence, but that doesn’t mean she doesn’t have concerns about people’s reactions.
“I’ve had to stop being afraid, it wasn’t doing anything for me! When we went to Florida, I was extremely nervous,” she admitted. “A lot of what Nana is about is being out on the streets, very public and very vocal. I’m not sure if you know this, but there was recently a drag ban in Florida, as well. I’m not exaggerating, ‘adult live performances featuring sexual content’ were banned in Florida. I’m not sure if you’d consider my matzoh ball titties to be sexual content, but that’s beside the point. So, I went there with my guard up, worried for my safety and for the safety of my team. We had an ‘in case Nana gets arrested’ plan and everything. I’m proud to say, the ban eventually got overturned due, in part, to the relentless work of some of the drag queens of Fort Lauderdale (my hometown). But the damage had been done.
“I came in expecting bigotry,” she said, “but I really believe in my heart of hearts that is not our human nature. I think a lot of people are confused these days. There’s a lot of anger and hurt in the world and lot of information, and people are looking for where to place it and what to do with it all. This ‘drag queens bad’ narrative is political propaganda, but people will think what they want to think. Lucky for me, this Nana can move fast. When some of these Floridians see me, they’re not sure if they should pull out a gun and shoot me dead on the street, or give me a five dollar bill! By the time they’ve made up their mind, I’m gone. Whoosh!”
All jokes aside, Nana and Florida! Ya Kill Me! have a serious message.
“A new friend told me this as I was filming my documentary, and I think about it all the time so wanted to share it here as well,” said Nana. “She worked at the McArtor senior centre [in Florida], taking care of LGBT+ patients with Alzheimer’s and dementia. She told me, ‘If I can get you to do one thing after speaking to me, it’s call an older loved one in your life. A parent, a grandparent, an aunt, whoever. There will come a day when you call them and they won’t remember who you are anymore. Don’t wait for that moment to reach out. Enjoy every interaction you can, while you still can.’”
For tickets ($18) to Florida! Ya Kill Me!, visit jqtvancouver.ca.
