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Orr action sparks complaint

Jewish agencies have filed a complaint against Sean Orr, a Vancouver city councilor who spoke earlier this month at an event they say has links to terrorism.

Orr was elected to council in a by-election last April, representing the Coalition of Progressive Electors. He spoke at the “Flood Vancouver for Palestine” rally at the Vancouver Art Gallery Oct. 4.

The protest was organized by Al-Awda Vancouver, an organization that the Centre for Israel and Jewish Affairs (CIJA) says has documented links to Samidoun: Palestinian Prisoner Solidarity Movement, which the Government of Canada last year designated as a terrorist entity under the Criminal Code.

CIJA identified Al-Awda Vancouver as being connected with Samidoun through Samidoun’s international coordinator, Charlotte Kates, who was listed as a member of Al-Awda’s national board as recently as Nov. 6, 2024, on a webpage that has since been deleted. Both Al-Awda and Samidoun are members of the NY4Palestine Coalition, according to CIJA, which noted that Dave Diewart, a director listed on Samidoun’s corporate filings, was seen working at the Oct. 4 event.

CIJA, with the Jewish Federation of Greater Vancouver, filed a formal complaint with the City of Vancouver’s integrity commissioner, Lisa Southern, regarding Orr’s participation in the protest.

“Sean Orr is an elected official of the city of Vancouver,” Nico Slobinsky, CIJA’s vice-president, Pacific region, told the Independent. “We strongly believe that those who hold public office should hold themselves, and should be held to, a higher standard. We believe that it is inappropriate for an elected official to use their public office, to use their platform, and to give legitimacy to organizations that have links to terrorist organizations, terrorist entities.”

The complaint was filed on Oct. 9, and an acknowledgment from the integrity commissioner’s office was received. The complainants are now waiting to hear back.

Sean Orr, a Vancouver city councilor, spoke at the “Flood Vancouver for Palestine” rally at the Vancouver Art Gallery Oct. 4. (photo from vancouver.ca/your-government/sean-orr)

Orr’s speech was shared on social media. The councilor insists there is nothing controversial in his remarks.

“Being against what the UN calls of a genocide is not controversial,” he said. “Being against apartheid is not controversial. Calling for an end to illegal settlements is not controversial. Being in favour of enforcing international law is not controversial. Condemning the murder of journalists, doctors and children is not controversial. Calling for an arms embargo is not controversial. Calling for a boycott on Israeli wines is not controversial. But here we are. I think silence is controversial. I think famines are controversial. I think blockades are controversial. I think intercepting aid ships is controversial.”

Orr cited his family’s history as explaining his position.

“As someone whose parents are from the north of Ireland, I’m deeply aware of the effects of colonialism, famine, checkpoints and collective punishment,” he said in the speech. “So, while some will criticize me for speaking here today, I will remember where I’m from.”

Slobinsky said Orr’s presence at the rally sends the wrong message.

“At a time when cities in our country are seeing an unprecedented rise in antisemitism,” said Slobinsky, “and when cities like Manchester … have come face-to-face with the deadly impacts of extremism and support for terrorism, our civic leaders in Vancouver should be a model for dialogue, for inclusion and for protection and safety for all communities. I would like to remind Sean Orr that that is his duty to the residents of the city.”

Prior to and after his election on April 5, Orr was called out by Jewish organizations and others for statements on social media, including statements after the 10/7 terror attacks in Israel.

“[M]erely 23 days after Hamas’s barbaric Oct. 7 massacre in which over 1,200 Israelis were murdered, Councilor Orr falsely accused the state of Israel of committing acts of genocide while it acted to defend its citizens and sovereign territory from terrorist aggression,” the Jewish Federation of Greater Vancouver and CIJA said in a joint statement three days after Orr was elected. “Such reckless and inflammatory language not only distorts reality but also endangers Jewish communities by further inflaming antisemitism and denying Israel’s right to defend itself.”

Prison sentence for hate

An Ontario court has handed down a 12-month prison sentence to a man who incited hate against Jews in public during a vigil last year at Nathan Phillips Square in Toronto.

“We commend the Court for making clear that there is a difference between free speech and hate speech, and for demonstrating that those who target our community, or any Canadian community, will be held accountable under our country’s laws,” said Richard Robertson, B’nai Brith Canada’s director of research and advocacy.

Razaali Bahadur, 45, was convicted this past June of inciting hatred at the April 7, 2024, event. His outbursts included blood libel, such as that Jews enjoy killing children and are, as a collective, responsible for killing Jesus.

During Bahadur’s sentencing, B’nai Brith Canada delivered an impact statement reflecting the fear and anguish many Jewish Canadians have felt as antisemitism has increased in this country.

As part of its advocacy at the federal level, B’nai Brith Canada penned a formal submission to the House of Commons Standing Committee on Finance, which is preparing an official report to inform the federal government’s fall budget.

In addition, B’nai Brith Canada is calling on the federal government to use the Budget Implementation Act to eliminate a loophole that temporarily allowed Samidoun, which was listed as a terrorist entity in this country in 2024, to continue operating as a nonprofit corporation.

“It is astonishing that, in Canada, an organization does not automatically lose its corporate status when it is declared a terrorist entity,” said Robertson.

In its fall budget submission, B’nai Brith recommended that the government:

• Make new investments to strengthen Canada’s resilience against violent extremism;

• Ensure that recipients of federal grants are in compliance with Canada’s anti-racism strategy: Changing Systems, Transforming Lives, 2024-2028;

• Develop a five-year plan to enhance Canadian youths’ understanding of contemporary antisemitism, as outlined in the IHRA working definition of antisemitism, which Canada adopted in 2019; and

• Make mandatory the existing antisemitism training approved for federal public servants.

– Courtesy B’nai Brith Canada

Etgar Keret comes to Vancouver

(PR photos)

Israeli author and filmmaker Etgar Keret will be at the Rothstein Theatre Oct. 30, 7 p.m., in conversation with author and columnist Marsha Lederman. The JCC Jewish Book Festival event is sponsored by the Ronald S. Roadburg Foundation.

Keret, who also teaches creative writing at Ben-Gurion University of the Negev, is known for writing short stories that are lean and accessible in style, but whimsical, surrealist and darkly funny in subject. His work explores life’s smallest, most unremarkable interactions in ways that are profound and unusual, and his seventh story collection, Autocorrect: Stories (translated by Jessica Cohen and Sondra Silverston), is no different – it is vast in reach yet grounded in the bewildering absurdity of modern life. Books will be available for purchase at the Oct. 30 event and the author will be signing. For tickets ($36), go to jccgv.com/jewish-book-festival.

– Courtesy Cherie Smith JCC Jewish Book Festival

New fall lecture series

White Rock South Surrey Jewish Community Centre’s first-ever Fall Speaker Series, starts Oct. 29, with a talk on Jewish immigration to Canada. (image designed by Chloe Heuchert)

On Oct. 29, I will help launch White Rock South Surrey Jewish Community Centre’s first-ever Fall Speaker Series, which will also feature presenters from the Jewish Genealogical Society of British Columbia and the Jewish Museum and Arch-ives of British Columbia over the coming months.

For my presentation, I will give an introduction to the history of the Jews in Canada and some of the adversities they have had to face. I start off with the first known Jewish settlers, who came here in the 1760s, following Britain’s conquest of New France. So, Jews first came to Canada when it was under the British colonial rule. While there were no legal restrictions on them, the opportunities for integration into public life and to hold public office were limited.

One of the earliest Jewish settlers was Aaron Hart, a fur trader who lived in Trois-Rivières, Que. The Hart family was influential over generations and laid the groundwork for Canada’s first Jewish community, in Montreal, in the late 1760s.

Most formal Jewish communities – which grew into the ones we inhabit now – were established in major Canadian cities during the 19th century. Most of these Jewish Canadians would have been small business owners, farmers and traders. While small in number, they established the first synagogues and communal organizations.

During the latter half of the 19th and early 20th centuries, a significant surge of Jewish migration from Eastern Europe occurred. Between 1880 and 1920, Canada’s Jewish population grew from a few hundred to tens of thousands. These individuals found jobs as garment workers, shopkeepers and tailors, among other things, contributing to the industrial economy. They formed organizations, published English and Yiddish newspapers, held social gatherings, etc. In the larger community, Jewish immigrants were regularly at the forefront of labour, social justice and human rights movements, in part because of their own experiences with marginalization.

While Jewish immigrants had thriving communities, they also faced adversity. Antisemitism dates back millennia, before there was even a word for it. In the context of the first Jewish settlers in Canada, Jews were often treated with suspicion and faced social exclusion. Certain professions, institutions and clubs were closed to them. Different publications and political figures depicted Jews as a threat to Canadian morality and economic stability. Restrictive measures were put in place in the 1910s and 1920s, as Jews were seen as “undesirable.” The 1923 Immigration Act severely restricted Jewish and other immigration. (Most notably, it effectively banned Chinese immigration.)

Antisemitism continued to be prevalent during the interwar years, becoming more organized and explicit. Hotels, social clubs and resorts often displayed signs barring Jews and there were several groups advocating for even more restrictive policies. The government of William Lyon Mackenzie King was antisemitic and, during the Second World War, only permitted a small percentage of Jews into Canada – the attitude of “none is too many,” in reference to Jewish immigrants, applied. Many Jewish boys and men were put into internment camps and the government imposed strict financial responsibility requirements on those wanting to sponsor others to enter the country or be freed from internment. While immigration policies began to loosen after the Holocaust, antisemitism is an ongoing challenge in Canada.

White Rock South Surrey Jewish Community Centre’s new speaker series was created to highlight and celebrate Jewish heritage and identity in Canada. Its goal is to engage the community in exploring Jewish genealogy, culture and history, while encouraging intergenerational dialogue and a personal connection to the past. Ideally, it will serve as a platform for education, reflection and preservation of Jewish life in Canada, inspiring attendees to delve into their own histories and contribute to the broader communal narrative.

To register for any of the series talks, go to wrssjcc.org.

Chloe Heuchert is an historian specializing in Canadian Jewish history. During her master’s program at Trinity Western University, she focused on Jewish internment in Quebec during the Second World War.

Series explores music

Building Bridges, Kolot Mayim Reform Temple’s annual six-part free lecture series, returns this year, beginning Nov. 2, 11 a.m., on Zoom. The theme for this season is Kolot Zemirot: The Many Voices of Jewish Music, exploring the role of music in shaping and sustaining Jewish identity across generations worldwide.

The series opens with Dr. Lori Şen presenting Classical Echoes in Ladino: Sephardic Songs Reimagined. Rooted in the folk melodies of Sephardi Jews and shaped by centuries of migration, Sephardi art song brings a distinctive voice to the Western classical stage. Şen explores the transformation of Ladino folk songs – an expressive Judeo-Spanish language enriched with influences from Turkish, Arabic, Greek and other cultures encountered throughout the Sephardi diaspora – into Western classical art song.

Through musical examples, historical context and stories from her research, Şen reveals a genre that not only preserves Jewish memory but also expands understanding of what Jewish classical music can be. Her presentation offers listeners a rare sound world that bridges history, culture and art.

Şen is a Turkish mezzo-soprano and Fulbright alumna known for her versatility across opera, art song, musical theatre and jazz, with an international performing and teaching career. She uniquely bridges the worlds of art and science with a background in physics coupled with vocal pedagogy and voice science. As a dual citizen of Turkey and Spain, her multicultural perspective drives her pioneering research in Sephardi art song. She is recognized as the first to catalogue Western classical settings of traditional Sephardi folk songs and to create a Ladino diction guide specifically for singers.

Currently assistant professor of vocal pedagogy at Shenandoah University and part of the voice faculty at the Peabody Institute of the Johns Hopkins University, Şen has shared her work worldwide.

For more information about the Building Bridges series, visit kolotmayimreformtemple.com. The series is partially supported by the Jewish Federation of Victoria and Vancouver Island. Donations are gratefully accepted, with tax receipts for gifts over $25.

– Courtesy Kolot Mayim Reform Temple

Doc on Zapiro screens Nov. 6

The South African Film Festival, which takes place Nov. 6-17, is primarily a streaming festival, but there are a few in-person cinematic experiences, including a screening of The Showerhead on Nov. 6, 6:30 p.m., at SFU Goldcorp Centre for the Arts.

The Showerhead is a feature-length documentary that examines the work of political cartoonist Jonathan Shapiro, aka Zapiro, tracing his journey from anti-apartheid activist and struggle artist to “conscience of the nation” and champion of freedom of expression in democratic South Africa.

The documentary delves into the origins, relevance and impact of an iconic feature in Zapiro’s work that gives the film its title: the plumbing hardware fixed to the head of Jacob Zuma, the former president of South Africa. Through Zapiro’s cartoons, the film explores Zuma’s scandal-ridden rise to power, his turbulent presidency and eventual downfall.

Zapiro’s cartoons also capture a range of critical issues that have plagued South Africa in the post-Mandela era: failures of leadership during the AIDS pandemic, corruption, chauvinism, cronyism, self-enrichment, subversion of the constitution and the rule of law, and escalating threats to freedom of expression.

For tickets to The Showerhead, go to southafricanfilmfest.com.

– Courtesy South African Film Festival

Joy of shared existence

Omer Backley-Astrachan and Jana Castillo present the North American premiere of their work Common Place on Nov. 20, as part of this year’s Chutzpah! Festival. (photo by Wendell Levi Teodoro)

Intoxicating, moving, compelling, exhilarating – these are just some of the words that have been used to describe Common Place by Australian dancers and choreographers Omer Backley-Astrachan and Jana Castillo, which premiered in March at Riverside Theatres in Sydney. The work will have its North American premiere on Nov. 20, 7:30 p.m., at the Rothstein Theatre, as part of this year’s Chutzpah! Festival.

Common Place is described as “a physical exploration of belonging and togetherness, delving into shared action, collaboration and transcendent synchronization.” It is the first work that Backley-Astrachan and Castillo have created together.

In an interview with The Scoop arts review website, Backley-Astrachan explained, “We started by not knowing what the work was going to be about. We just danced together and, through that process, found the essence of what it means to find common ground.

“Jana and I could have spent time talking about our histories and our backgrounds,” he said. “Instead, we just created the work with movement at the centre and tried to find moments where we clicked together.”

He pointed out the title of the piece also invokes that which is commonplace, or ordinary.

“We tried to find a sense of exhilaration or a profound experience through very simple, very commonplace beginnings,” he told The Scoop. “So, rather than trying to create something complicated and highly technical, we took on a sensibility, almost inspired by folk, where it is something that anyone could do.”

“What we tried to avoid is creating the story first and then moulding ourselves into a preexisting narrative,” Backley-Astrachan told the Independent. “Instead, we wanted to stay curious and let the story unfold through the meeting between the bodies. It was important to us not to obey structured archetypes, rather to allow our shared physicality to weave the drama and the intimacy.”

“Common Place, for me, is the coming together of two people,” said Castillo. “It’s feeling the ease, frustration and joy of a shared existence. The audience could be witnessing a single day of a relationship, or a lifetime of reflection.”

The dancers met at a colleague’s birthday party, Backley-Astrachan said. “Jana flipped me off from across the room, giving me the finger, which obviously caught my attention – little did I know about Jana’s Tourette’s at the time. Jana immediately explained and apologized, which turned into the funniest and most endearing friendship.”

The two share a philosophy of movement and artistic practice. When Backley-Astrachan saw Castillo perform live with the Australian company Force Majeure, he said he “vowed to work with this incredible dancer, which came true.”

“Jana and I are both the same age and have had similar career journeys, which led us to a similar idea of what we are looking for in dance and dance-making – a sense of maturity, an interest in truth-making through physical storytelling,” he explained. “Working with a like-minded collaborator is non-negotiable. It’s about being able to commit wholly to the process without getting distracted by ambition.”

The creation of Common Place took a few years. The need to get the work stage-ready by its March premiere helped drive its completion.

“But I know that, if we had more time, we would probably continue to change and evolve the work, so it’s good we were limited,” acknowledged Backley-Astrachan. “That said, we made sure the work follows an emotional structure that makes tonal sense and goes through the full life cycle during the duration of the work. That said, choreography is a living thing that starts and ends again and again every time we do it.”

“This piece was quite unique because we had a lot of space in between development phases to allow the qualities of the movement to be digested into the body,” Castillo said. “It became clear very early on – this piece is about a relationship between two people. The premise of the work was to bring our whole selves. So, naturally, our outside experiences influenced what we brought into the space. We weren’t dictated by a creative brief, which can be terrifying as a creator because there are too many options. Just like in a relationship, you figure it out, but it takes time. You learn … when to rein it in and when to trust and let go.”

“I truly believe in the ability of dance and physical language to transcend an ordinary sense of meaning,” said Backley-Astrachan. “I have had the pleasure of being left speechless at the end of works by [Israeli choreographer] Ohad Naharin – his work changed my life in a deep way. I try in my own work to allow a certain state where several, sometimes opposing, forces can be true at the same time. Dance as a medium can give space for interpretation and, within that, there is also clarity and detail.”

In addition to the Nov. 20 performance, Backley-Astrachan and Castillo will lead a masterclass for dancers on Nov. 21, at 10 a.m.

This year’s Chutzpah! Festival runs Nov. 12-23, opening with Modi at the Vogue Theatre, where Chutzpah! is the community partner of MRG Live for the comedian’s Pause for Laughter Tour, and closing with the Golden Thread Septet’s Yiddish Songs of Social Change at the Rothstein Theatre.

Most single tickets for Chutzpah! are offered at a pay-what-you-will price, with the levels at $18, $36, $52 and $70 (+ gst/sc). I’m Not a Comedian … I’m Lenny Bruce is $40 (students/seniors), $54 (general) and $72 (VIP) (+gst/sc). ChutzPacks are also available: see four different regular-price shows of your choice for $136. Tickets for Modi can be purchased through admitone.com/events. All tickets can be purchased at chutzpahfestival.com or 604-257-5145.

Community milestones … October 2025

photo - Anita and Arnold Silber — Anita and Arnold Silber *(photo from Jewish Federation of Greater Vancouver)*

Last month, the Jewish Federation of Greater Vancouver received the generous gift of $500,000 from the Arnold and Anita Silber Family Foundation toward the postwar renovations and expansion of Beit Vancouver in Kiryat Shmona.

The Silber family are long-time supporters of Federation’s work in its partnership region of Etzba Hagalil. This recent gift will jumpstart the launch of the centre into the next era, advancing the upgrades the facility requires in its role as the central hub of growth and resilience for the youth and children of Kiryat Shmona. As part of the renovation, the new Silber Family Wing will provide spaces for small-to-medium-sized group programs and activities, helping meet the growing needs of the community as they return to the region and rebuild their lives.

Established in 1980, Beit Vancouver has long been a centre of learning, creativity and community. More than 1,000 children and youth participate in weekly programs, including the Youth City Council, Krembo Wings (an inclusive youth movement), the Studio Program (a social-emotional therapeutic initiative) and a music centre. Since the mid-1990s, Jewish Federation and donors from the Vancouver community have invested funds to strengthen Etzba Hagalil, with Beit Vancouver at the heart of this work – supporting education, social welfare and regional development to help youth grow, lead and shape their futures.

“I don’t come from a strong home at all … and my folks are always struggling. Beit Vancouver was the one place I could rely on after school and during vacations. My other option was to hang out for hours at the park,” shared Hodaya, who grew up in Kiryat Shmona. “My experiences at Beit Vancouver have made me connected to my community and city until today. Beit Vancouver changed my life.”

Throughout the Iron Swords war, Beit Vancouver stood empty, suffering damage from nearby rocket hits and neglect. Now, as families return to the region, the need to restore and renew this space is more urgent than ever.

“Beit Vancouver represents the heart of the community in Kiryat Shmona. Our family believes in the power of youth to lead and heal, and we are honoured to help create a space where they can thrive. This gift is our way of standing with them as they rebuild their lives and their city,” said Arnold Silber.

• • •

photo - “The Frigatebird and the Diamond Ring” by Liron Gertsman — “The Frigatebird and the Diamond Ring” by Liron Gertsman

Liron Gertsman’s “The Frigatebird and the Diamond Ring” has been awarded the Bird Photographer of the Year title, selected from more than 33,000 entries. His image also won Gold Award in the Birds in Flight category.

“I spent well over a year of planning to capture my dream of a bird in front of the total solar eclipse,” said Gertsman. “I enlisted the help of a boat to position myself near some islets off Mazatlán that were frequented by seabirds. As the moon uncovered the sun’s edge at the end of totality, I captured this image during the eclipse phase known as the ‘diamond ring’ – a moment that lasts mere seconds.”

Celebrating bird life from around the world, the Bird Photographer of the Year images comprise some of the most incredible bird photos in the world, while also raising funds for Bird Photographer of the Year’s partner charity, Birds on the Brink.

Check out the behind-the-scenes clip at birdpoty.com/2025-winners to see the moment that Gertsman took the photograph. To attend one of Gertsman’s workshops or tours, visit vancouverbirdingtours.com.

• • •

The Jewish Federation of Greater Vancouver welcomes several new community connectors – local leaders who foster engagement, connection and belonging.

Abbey Westbury is the community connector for the Okanagan. She has been a pillar of Jewish life in the region for more than a decade, serving as vice-president of the Okanagan Jewish Community Centre and as a board member of the Jewish Museum and Archives of British Columbia.

On Salt Spring Island and the Gulf Islands, Ayala Reznik has already begun her work, and Elvira Molochkovetski and Anabel Wind are on the Victoria team, in partnership with the Jewish Federation of Victoria and Vancouver Island (JFVVI).

In Squamish, Sara Evans will support local Jewish engagement, strengthen connections between individuals and organizations, and work closely with both Federation and grassroots partners.

In South Delta, Lizz Kelly has joined the team, bringing her experience in community engagement with the Chamber of Commerce to her new role.

In the Comox Valley, Jessica Benoualid’s work over the past year to create welcoming spaces for the Jewish community made her the perfect fit for this position.

To learn more or connect with a community connector near you, email [email protected].

MAID vs Jewish values

I am a Canadian Jew with deep roots in Canada. My grandfathers, one from Winnipeg and the other from Toronto, helped build two of Vancouver’s prominent synagogues in the postwar era. I married a Canadian, also the descendent of Canadian Jewish leaders. Now that my wife and I are raising children south of the border, we frequently hear from my relatives in British Columbia about how much more enlightened Canadian society is. We often agree.

However, my perspective on Canada has been shifting as I’ve learned more about Canada’s ever-expanding Medical Assistance in Dying (MAID) program. Recent international media attention has focused on the fact that Canadians are choosing MAID at rates far beyond expectations, particularly as Canada has expanded eligibility to include non-terminal cases (“Track 2”). I am deeply concerned about this direction.

My message to Canadians, especially Canadian Jews, is this: please be more critical of your government. (Notice I said “please” – can’t shake those Canadian manners.) Just because MAID is legal does not mean it’s ethical. We Jews know all too painfully that the actions of Western, enlightened governments can be immoral.

Since I’m a rabbi, I’ll start with the ways I believe that MAID violates the most basic Jewish tenets. The Talmud teaches that three partners are involved in the creation of every human being: the two parents, and the Holy One. (Kiddushin 30b, Niddah 31a) This ancient teaching captures something profound about the limits of human authority over life and death – we are partners in creation, not owners of life itself.

Our tradition also teaches that “One who saves one life, it is as if he saved a whole world.” (Sanhedrin 37a) One of the most important theologians of our time, Rabbi Irving “Yitz” Greenberg, recently published Triumph of Life: A Narrative Theology of Judaism. In this book, a culmination of lifelong philosophical inquiry, Greenberg presents a theologically grounded vision of a world moving toward deeper recognition of the infinite value, equality and uniqueness of every person. I recommend reading it.

Judaism values protecting and supporting the vulnerable, not offering them death as a solution. Even Track 1 MAID presents complex questions within Jewish tradition. While Judaism prohibits hastening death, there is also a tradition against unnecessarily prolonging the dying process. Some Jewish authorities might find space within this framework for passive euthanasia for Track 1 cases; others maintain that any hastening of death crosses a fundamental line. But Track 2 MAID represents something categorically different and far more troubling from any Jewish perspective on the sanctity of life.

The Toronto Board of Rabbis wrote to Canadian senators in 2021 about MAID, expressing concern about “pressure, both subtle and overt” on vulnerable people to choose death. While this letter represented important rabbinic concern, it wasn’t enough. Canadian Jewish leaders from every denomination should articulate clearly that MAID’s existence and expansion fundamentally contradict Jewish values about infinite human worth.

Dr. Arielle Berger, a Toronto geriatrician studying for the rabbinate, writes about “fundamental ideas necessary for aging such as the centrality of gratitude to living a meaningful life, and the truth of interdependence, which allows us to both give and receive with generosity.” She notes the “transformative impact these counter-cultural ideas can have” on understanding worth beyond productivity. Berger uses a Jewish lens and Jewish texts to express that human worth isn’t contingent on productivity, independence or the absence of suffering. Dependence, weakness and need of others are universal features of being human.

I want to amplify voices like Berger’s and Greenberg’s, and urge more Canadian rabbis and other Jewish leaders in Canada to take a clear stance: MAID needs to be questioned on both societal and individual levels. Individual citizens should reject MAID. Rabbis and religious leaders should call on the Canadian government to repeal MAID, while also guiding congregants to choose life. Choosing to live, even when life is diminished or difficult, even when we might feel like “a burden,” remains sacred and valid.

Even non-religious people have good reasons for concern. When the government anticipates almost $150 million in annual savings from MAID, we’ve created a system where death becomes financially advantageous. The possibility of coercion is impossible to avoid.

It’s also deeply troubling for a government to play a role in killing citizens. Decriminalizing suicide is one thing; making death easily accessible through state systems is categorically different. And, if you wouldn’t end your own life directly, asking someone else to do it for you isn’t ethical either. It’s also unethical to be a doctor providing MAID; perhaps the people who do so need a new professional title – “euthanists” – since they’re no longer practising medicine in any traditional sense.

Additionally, MAID represents ageism and ableism dressed up in the language of autonomy and choice.

When my great-aunt Mona Winberg was born with cerebral palsy in Toronto in the 1930s, doctors told her mother to institutionalize her and forget her. The medical consensus was that her life would have no value. Her mother refused. Mona became a pioneering journalist and disability rights activist, receiving the Order of Canada, among other honours. But, even if Mona had never won awards or achieved public recognition, her life would have been important and worthwhile, just like my own.

If any of these more secular arguments speak to you, or if MAID just makes you uneasy, or if recent headlines feel like a dystopian novel, rest assured that you have support from Jewish wisdom that has guided our people for thousands of years.

The Canada my grandparents helped build was founded on the principle that society is judged by how it treats its most vulnerable members. Today’s Canada seems to have forgotten that value, bent on helping vulnerable members access easy death rather than better care. I’m not saying we in the United States have society all figured out; far from it. But Canadian Jews have an obligation to think and act critically, and to engage in this public conversation before MAID unravels in even more alarming ways.

Seth Winberg is executive director of Hillel at Brandeis and senior chaplain of Brandeis University. This article was originally published by the CJN. For more national Jewish news, go to thecjn.ca.

Cheshvan a great month, too

The Hebrew month of Cheshvan, or “Mar Cheshvan,” is the second month on the calendar after Tishrei. It comes right after all the fall holidays end. The rabbis called it “mar,” or bitter, because it doesn’t have any holidays or special mitzvot (commandments). This mom has an entirely different take. I’m very tired … and relieved.

This doesn’t take away from any of the meaning, pomp or special parts of the fall Jewish holidays, which are all fantastic. I’m still holding one moment as dear: sitting in my sukkah, I could see the clear sky, with a few clouds floating past, see and hear the migrating birds, smell and see the fall leaves, and embrace the chill in the air. It was a fabulous family meal moment, only topped by the solitary lunch I ate on the back porch, in the sukkah sunshine. I had the newspaper, along with a big plate of food. I was warm. There were no wasps. A true triumph, considering it often rains or snows in Winnipeg during this harvest holiday.

Yet, I’m also worn out, and not just from two years of worry about the war. If you live outside big Jewish population centres and you want celebratory holiday meals, the options are limited. In Winnipeg, if you want kosher food, there’s only catering from two or three places. If you’re OK with kosher-style food, there are more options, but, for instance, a beautiful big challah is not always easy to procure at the last moment. Even if you’re not strictly traditional, purchasing and putting together a holiday meal can be expensive and time consuming, even if you don’t cook it.

Challah is a good example. If you want a buy a single challah, it costs somewhere between $6 and $12 in Winnipeg. I like to cook and bake. From what we’ve observed, my recipe is richer and has a higher food cost than these commercially produced challahs. In the past, I used to make one batch (about three pounds) using my bread machine and produce three loaves. One would go into the freezer for a future Shabbat or holiday. Two would go out on the table and last the weekend. I now have twin teenage boys. All three challahs might last through Sunday lunch. Doubling the recipe and doing it all by hand results in more loaves to freeze for another day, but I receive grumbling from the peanut gallery because it doesn’t taste the same.

The person in charge of food prep in your household is well-aware of the grocery planning and food preparation time needed. They’ll even know the time it takes to set a holiday table and get everything out onto it before a holiday starts. Yes, it’s sometimes easier if others help, but sometimes it results in bellyaching and goes slower than if the most efficient person does it all by themselves.

In recent years, this effort has been given a few names: mental load is one. I’ve carefully tried not to gender this task. However, just as women’s pay rates in Canada still don’t equal men’s, it’s also true that women tend to shoulder much of this unpaid burden. Yes, there are exceptions, absolutely. There are women who’ve never left the workforce to have children, haven’t married or compromised in any way for a man’s career, and never been a caretaker. These women might make an equal wage for their work, and that’s great. It’s also true that there are men who shoulder most household tasks. Just like the example of Golda Meir as Israel’s prime minister, simply because an exceptional woman has achieved equity or high office doesn’t mean we’re “there” yet in terms of equality and equity for everybody.

I recently pitched a class for Limmud (an international program offering Jewish learning, where everyone pays to attend and shares the cost) about positive tips for raising Jewish kids. Many of the tips I thought of relate to this situation: special foods or cooking together, holiday celebrations, Jewish stories, activities or events, and Jewish learning and home life. Again, many of these tasks often fall to women, even though there’s no essentialist reason why they should. If a mom wants to do some quiet quitting and pull back to regain some time for herself, her work life or other pursuits, it doesn’t always follow that the other partner will jump into action to fill the void.

While mainstream Jewish organizations bemoan the cost of Jewish life, it’s rare that the supports exist to make this kind of unpaid labour easier. One exceptional example is when Jewish preschools provide parents with a way to order challah for Shabbat. Every Friday or holiday when school was in session, we were able to bring home challah affordably. It made a huge difference.

This isn’t, of course, a new phenomenon. I recently read about the requirements of the priests’ clothing in the Babylonian talmudic tractate Zevachim. Essentially, in the days of the Temple in Jerusalem, if the priests’ clothing wasn’t appropriate, it could make a person’s animal sacrifice invalid. To do a sacrifice, a person incurred a lot of costs: raising or purchasing an animal, getting to Jerusalem, and more. An invalid sacrifice could result in a horrible outcome for the person and their family, the priest and the community. Yet, no one discussed in this section how the priests got the clothing in the first place. Other information indicates that predominantly women spun all this yarn (on spindles, by hand) and wove the fabric and likely sewed it all together for the priestly garb. This effort was thousands of hours of unpaid work behind the scenes.

I’m looking forward to a hopefully peaceful and easier Cheshvan ahead. It’s a time that some may find bitter, but, like a bitter coffee served with dessert, sometimes a little less hoopla might be a nice, restful contrast. It also might give families time to reflect on who provides all that planning and labour to make your home celebrations special and your holidays a reality – there are many ways to alleviate that burden. Further, we should stop using examples of truly exceptional cases – that woman with nine kids who works full time and makes all the meals – to shame everyone else. A better outcome would be more equitable distribution of these Jewish tasks – to increase holiday or Shabbat joy in every household.

Joanne Seiff has written regularly for the Winnipeg Free Press and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.