KDHS honours grandparents

Ivan Decker, left, and Leonard Brody are among the presenters at King David High School’s Golden Thread Gala May 13. (PR photos)

On May 13, King David High School is honouring its “grandparents,” people who have particularly supported the school over the years, in a variety of ways. With the theme “education is the golden thread weaving our past to our Jewish future,” the virtual Golden Thread Gala “celebrates the community that nurtures King David High School, inspires the next generation of leaders and is rooted in the appreciation of Jewish values and traditions.”

The Diamond Foundation is being recognized as an “honorary grandparent,” while the “grandparents” being paid tribute are Gary Averbach, Shirley Barnett, Beth and Leon Bogner, Sylvia Cristall, Marie Doduck, Rose Marie Glassman, Dr. Arthur and Arlene Hayes, Dr. Simon and Rosalind Jacobson, Evelyn Kahn, Tamar Khalifa, Dr. Robert and Marilyn Krell, Lana and Mendy Landa, Norman and Sandra Miller, Norman and Lola Pawer, Dan and Trudy Pekarsky, Yvette Porte, Lyle Pullan, Arnold and Anita Silber, and David and Elaine Youngson. Dr. Robert and Elke Mermelstein are being celebrated as “adopted grandparents.”

“We can never fully show the Diamond Foundation the gratitude they deserve, so we named the foundation as honorary grandparents,” explained gala co-chairs Jacci Sandler, Chana Charach and Margaret Hemingson in an email interview. “Gordon, Leslie, Jill and Lauri have made our school possible. They are foundational, literally and figuratively, for King David’s existence and success. They have not only provided the building in which we live, learn and play but also have provided ongoing support and funding for the Judaic studies program to ensure the ongoing success of the school.

“Over the years, King David has been blessed by the ongoing support we receive from our grandparents,” they continued. “Whether it’s giving of their wisdom, time or financial support, they are always there for us. This gala recognizes them all! All of our grandparents deserve thanks for instilling Jewish values in their children that they are passing on to our students.”

The 19 grandparent families’ philanthropy has ensured that a Jewish education is accessible for every child, said the co-chairs. “The reality is that, without their generous support, we would not be able to provide a Jewish education to every child. It is a time to show our appreciation and thank every one of our grandparents for continuing the golden thread that binds our past to our future.”

Regarding the Mermelsteins, the co-chairs said, “They are passionate about Jewish education and have adopted all of us at King David as their grandchildren. They are integral members of our King David family and provide ongoing positive input and generous support so all students can attend and be proud King David Lions.”

In Judaism, l’dor v’dor (from generation to generation) is an enduring idea, said the co-chairs. “The passing of knowledge to future generations provides both legacy and a story. Each generation passes down wisdom, ancient traditions, rituals and customs. Jewish education values and honours this transmission of knowledge, literacy and skills…. Our grandparents’ colourful tapestry of experiences enrich the lives of students every day.”

The gala program “includes comedy, inspiration, musical performances by King David students and alumni, plus silent and live auctions with incredible items,” said the co-chairs.

Comedian Ivan Decker – who has appeared at the Montreal Just for Laughs Festival and has various TV and radio appearances, including his own comedy special on CTV and Netflix – will emcee the gala. KDHS head of school Russ Klein will interview entrepreneur, venture capitalist, author and media commentator Leonard Brody, co-founder and executive chair of Creative Labs, about “disruption, innovation, and their effects on our world and children.” And entertainment and media executive Howard Blank will act as the evening’s auctioneer. The online silent auction is currently open and will close during the gala. “Items include workout sessions, cooking classes, handbags, beauty and relaxation products, power tools, wine and so much more!” said the co-chairs.

The inaugural Golden Thread Gala was originally scheduled for May 2020, but it was postponed due to COVID-19. “We witnessed so many families in our community that suddenly found themselves being impacted by the pandemic, financially as well as emotionally,” said Sandler, Charach and Hemingson. “This event is so important as it is King David’s major fundraiser and friendraiser. All funds raised will directly impact our students and enable the school to achieve its vision of ‘empowering Jewish minds and engaging Jewish hearts’ by enhancing our fundamental curriculum, educational excellence and vibrant Jewish life programming.”

With respect to the effects of the pandemic, Klein said, “King David has experienced, as a family, the same challenges that individual families have had and yet the students and staff have been so positive and resilient. We have had full-time school all year and, although we have had to adjust our schedule a little, there has been no loss of learning. I feel for the students, though, in that so many of our wonderful experiential programs are on hold. Our Grade 8 Israel trip is now two years behind, our Los Angeles Holocaust studies trip is a year behind, and our school-wide retreats are not happening. And, of course, the students cannot play competitive sports against other schools, which is a big loss for many of our students.”

But, there have been bright spots, too, he added. “Our parent-teacher meetings were better attended and even more personal, and we have been able to reach out more frequently and invite parents to meet via Zoom. Assembly presentations have also been better, as the smaller in-class environment makes more student engagement and participation possible. In sports, we have been very active within the school grade cohorts and added non-competitive co-ed activities like volleyball and soccer, and the students have really loved the fun and camaraderie with each other and their teachers. No doubt, we will be keeping some things that we have learned but all of us cannot wait to get back to having the meaningful ‘extra’ experiences that make school life and learning so very enjoyable.”

Tickets to the Golden Thread Gala start at $36 for entry, with increasingly more benefits at each level. For tickets, more information about the event and access to the auction, visit goldenthreadgala.com. The pre-show starts at 7 p.m. on May 13, and the main event at 7:30 p.m.

Beth Israel hails Dr. Henry

Dr. Bonnie Henry will be honoured at Beth Israel’s gala event May 30. (photo from BI)

Dr. Bonnie Henry will be honoured at the 2021 Congregation Beth Israel gala May 30. The provincial health officer for British Columbia will be given the Keter Ha’bri’ut Award at the virtual celebration.

The term keter ha’bri’ut translates to Crown of Health, and the award has been created “to honour those in the community who have worked diligently, relentlessly and with humility for the betterment of their fellow citizens.”

“The truth is that we couldn’t think of anyone better than Bonnie Henry because, the fact is that she’s literally been a keter ha’bri’ut, a crown of health, for our province in helping to keep us healthy,” said Rabbi Jonathan Infeld, senior rabbi at Beth Israel. “She embodies one of the single most important concepts of Jewish tradition, spreading the word of chesed, of kindness. It’s not only that she cares about the physical health of our province, but I think one of the reasons that she has become famous across the country and the world is because she cares about the humanity of our province as well.”

When the synagogue’s gala committee asked Henry if she would be willing to be honoured by the gala and receive an award, about nine months ago, organizers hoped that the event might be in person or, at least, a hybrid event with some people present and others tuning in virtually.

Instead, the main portion of the event will feature words from Henry, Infeld and others, all virtually, with musical entertainment by Maya Rae. At certain ticket levels, food delivery is included and, for major donors, a pre-event will feature a mixology session, with cocktail kits delivered to the homes of virtual attendees. Henry will share a favourite cocktail recipe of her own.

Henry’s commitment to inclusion and her respect for Jewish traditions impressed Infeld from the moment Henry held her first group conference call with clergy from around the province, about the time the pandemic began.

“One of the things that really touched me,” he said, “was in her very first address to the clergy of British Columbia – I’m not talking about the rabbis, but for the clergy of British Columbia – many, many months ago, as we were entering into the COVID era, she said, we are going to have to have fewer faces and bigger spaces and one of the things that that means is we won’t be able to do in-person shivas for awhile.”

Infeld believes that Henry’s time as associate medical officer of health for Toronto Public Health during H1N1 and SARS outbreaks in that metropolis put her in close contact with the Jewish community there.

Henry’s work is serious, as is the award she will receive from Beth Israel, said the rabbi, but parts of the evening’s program will be lighthearted.

The gala is to be emceed by Dr. Isaac Elias, a young member of the synagogue and a medical doctor who helped guide the synagogue’s response to COVID from the beginning.

The event will be relatively short – about an hour – and partial proceeds will be donated to the B.C. Centre for Disease Control.

Infeld said, “It’s an opportunity for us as a community to say thank you to someone who has done so much for the province and for the residents of the province and embodies some of the most important messages of Jewish thought, being that of the importance of saving lives and of the importance of being kind to others.”

While the virtual gala will be an unusual event, Infeld stresses that the shul is no stranger to Zooming. Since the week the pandemic began, he said, the decision was made “to ramp up our programming, not ramp down.”

“We actually have more programming than we have ever had before,” he said. “In the early days of COVID, when everyone was literally shut in, we had teams of volunteers calling and assisting our seniors, we engaged all of our young adults and they were helping deliver food to seniors, helping them with whatever needs they had, technological, food and beyond.

“We also increased our programming. We never had a daily learning [before COVID]. Now, we have a daily mussar class. What used to be a monthly Lunch & Learn became the weekly Zoom & Learn and now is becoming the weekly evening program known as Prime Time BI. A Zoom Scholars series was funded in part by Harley Rothstein and Eleanor Boyle. One of the things that we’ve seen is participation rates in our services online and our online programs are up anywhere from 30 to 100%, and we’ve been able to maintain that.”

Presenting sponsor for the gala event is the Shay (Shy) Keil Group.

“I am thrilled to be the presenting sponsor for this event, both in support of the Beth Israel Congregation and also Dr. Bonnie Henry,” said Keil. “It is an honour to present this award to Dr. Henry for all that she has done during the pandemic, making extraordinarily difficult protocol decisions and becoming the public face of this pandemic. It is a thankless task that she has assumed since March 2020 and I am so happy that Beth Israel has decided to recognize her.”

For tickets to the event, visit bethisrael.ca.

Innovators now online

JFS fundraiser takes guests on “plane ride” to a place above the clouds. (screenshot)

Jewish Family Services is doing something new with its Innovators Lunch. Normally a large in-person event, the annual fundraiser this year is an entirely digital experience that forgoes the usual format of lunch and speaker. And, for the first time, registration is free.

In lieu of a ticket, guests receive a “boarding pass” to click on, which will transport them to a virtual plane, rising above the clouds in what feels like a virtual gaming experience. An introductory message appears from Tanja Demajo, JFS chief executive officer. Once at their digital destination, attendees can navigate to learn about JFS services and the impact they have on the lives of clients.

An AI host greets guests, guiding them through the Gallery of Innovation to view stories focused on three different pillars of JFS services: food security, mental health, and wellness and senior care. There is an opportunity to donate and support the areas of greatest need.

“Even though we can’t physically connect with each other, we’re trying, through this experience, to engage people in this space with some imagination and playfulness, so they can see things in a different and inspiring way,” said Demajo. “As JFS’s major annual fundraiser, the funds raised are critical in giving us the assurance that the 3,000 clients who depend on us to feel secure and supported can continue to do so during the third wave of the pandemic.”

The Innovators event went live on May 4 and has been extended due to popular demand. Flights will continue to “take off” for another week. Visit jfsvancouver.ca for details.

– Courtesy JFS Vancouver

 

Louis Brier campaign starts

(photo from thelouisbrierfoundation.com)

This spring saw the launch of the This Year Like No Other, This Year More Than Ever 2021-2022 Louis Brier Jewish Aged Foundation campaign, which is raising funds to enhance care and innovate the program and service offerings for residents of the Louis Brier Home and Hospital.

Early in 2020, the foundation stepped up to assist the Louis Brier leadership in its exemplary response to the COVID-19 pandemic. By doubling the home’s funding, the foundation was able to support the home in keeping its seniors safe and engaged during one of the most challenging years of their life.

The biennial campaign, which started April 19, will run to May 28. With the community’s help, the goal is to raise $2.4 million. Campaign chairs are Harry Lipetz (board president) and Lee Simpson (immediate past president).

The $2.4 million amount is needed to keep up with the home and hospital’s funding needs, which doubled with the onset of COVID-19. While the foundation is well aware of the many challenges of the present time, we believe this year, like no other, and more than ever, we must collectively come together to care for, and give a well-deserved kavod, to the people who built our community for us in the first place. To contribute and create impact where it’s most needed after the extraordinary challenges of the year 2020. To be part of ensuring that the physical, mental and spiritual needs of the home’s Jewish seniors are met.

Louis Brier’s background

In 1945, 14 friends known as the Hebrew Men’s Cultural Club shared a vision to create a home for Jewish seniors in Vancouver. That home, initially built to accommodate 13 residents, was established in 1946. Over time, that modest facility grew, changed locations and expanded its services, eventually becoming the Louis Brier Home and Hospital, which has progressed in step with Vancouver’s Jewish community.

Today, Louis Brier is part of a continuum of care known as the Snider Campus, which also includes the Weinberg Residence, a boutique assisted living and multi-level care residence adjacent to Louis Brier.

The Louis Brier Jewish Aged Foundation provides and distributes funds to the Snider Campus towards maintaining and fostering the well-being of the Jewish aged of British Columbia, while supporting the enhancement of their quality of life based on Jewish traditions.

Some quick facts

  • The Louis Brier is a 215-bed long-term residential care home serving Vancouver’s Jewish community.
  • The home and hospital provide three levels of residency (intermediate care, extended care and special care).
  • Thirty-five residents of the current population at Louis Brier are Holocaust survivors.
  • Eighty percent of Louis Brier Home and Hospital’s residents are diagnosed with varying levels of dementia.
  • The Louis Brier has 436 employees – 195 full-time, 101 part-time and 140 casual.
  • The home and hospital residents range in age from 50 to 103, with the average age being 84.
  • The Louis Brier is an accredited institution with exemplary standing (2018). The Accreditation Canada survey team spent four days at the facility and reviewed a total of 19 required organizational practices (ROPs), 216 high priority criteria and 295 other criteria, for a total of 551 criteria. The surveyors determined that Louis Brier successfully met 100% of the 551 criteria evaluated.
  • The Louis Brier was awarded the 2020 Canadian Non-profit Employer of Choice Award.
  • The Louis Brier is the only facility in British Columbia with a companion program and has the largest recreation team in Western Canada.
  • The Louis Brier had a single COVID case among residents.

To donate to the campaign, click here. For more information, call 604-261-5550.

– Courtesy Louis Brier Jewish Aged Foundation

Peer service reinvented

To say that COVID-19 has wreaked havoc on British Columbians would be an understatement. The virus has disrupted anything that we would call the normal activities of daily life. Most of us have had to make major compromises: where we go, what we do and how we can avoid getting the terrible virus. These adjustments have had a major impact on Jewish Seniors Alliance clients, who are already compromised by loneliness and isolation.

How we serve our clients and how we support our volunteers has undergone major changes – let’s give it the label “reinventing peer services.” In order to better understand what has taken place, I interviewed Charles Leibovitch, JSA senior peer support services coordinator, and Grace Hann, JSA trainer of volunteers of senior support services.

In the beginning

By mid-March 2020, the first sign of COVID-19 began to show its ugly head. The lockdown left clients and volunteers absolutely unprepared. Persons who were already isolated and lonely found themselves even more isolated and lonelier. As time progressed, clients were cut off from family members who might have supported their relatives through personal contact and social events. This was especially devastating for persons without family.

In many situations, volunteers were their primary contact; their lifeline! Being alone undermines one’s mental health. Being alone exaggerates one’s fear of COVID-19. Most of the clients were cut off from community programs, like adult day care. Spouses who usually spent time with their spouse in a long-term care facility were also cut off. Simple activities like going for a walk and sitting on a bench were curtailed. Elders had depended on having that human connection – having that human touch makes us feel needed and whole.

Volunteers meet challenge

The changing scene called for quick action, initiated by Grace and Charles. Instead of personal visits, the telephone would become the prime instrument of contact between volunteers and their clients. It was necessary to contact the volunteers quickly. Support for the volunteers would be provided by Zoom. This necessitated a steep learning curve for volunteer and client. After all, making and keeping the connection was critical. The three services – peer support, friendly visits and friendly phone calls – had to be reassessed in terms of the neediest clients. Each of the three services’ volunteers had different levels of training by Grace.

In some situations, a certified peer support volunteer was assigned to a person who ordinarily would have had contact with a friendly visitor or a friendly phone caller. Moving from in-person contact to impersonal contact was a major transition – almost like reinventing how support was to be provided. The JSA volunteers made the transition like veterans, with the extraordinary help of Grace and Charles. There was an increase in the contacts between volunteers and clients and an increase in Zoom online meetings to support the very special work being carried out by the volunteers.

Supporting the volunteers

Grace and Charles organized many activities, including outdoor picnics, weekly webinar seminars, a Chanukah party with a singalong and group support meetings every three weeks. The spirit and esprit de corps by the volunteers has been amazing. Volunteers will send cards to their clients as an additional way to keep in contact. Who doesn’t like to receive mail?

Next steps

Challenging times require challenging solutions. Charles and Grace rose to the challenge and proved that, with dedication, imagination and determination, obstacles can be overcome. When the COVID-19 vaccine has been fully distributed, we will establish a “new normal.” This will present JSA, Grace, Charles and the volunteers with a new set of issues and situations. And, as the song goes, “we shall overcome” – they will face these challenges with creativity, empathy and caring.

Ken Levitt is a past president of Jewish Seniors Alliance, former chief executive officer of Louis Brier Home and Hospital, and a past chair of Camp Miriam. In 1985, he co-edited The Challenge of Child Welfare, the first textbook on child welfare in Canada. A version of this article originally appeared in the March 2021 issue of Senior Line.

Making a film during COVID

Kamil Whaley-Kalaora stars as the title character in Malka Martz-Oberlander’s David Michael Frankel Feinstein-Goldberg and the Unbarmitzvah. (screenshot)

It was a rainy day near the beginning of the pandemic. Sourdough was in the oven, Zoom was new and fun and spirits were higher. That’s when I found out I’d won the Earl Parker Award and I’d get to make my film for the Edmonton Jewish Film Festival. Little did I know I would have to go through months of hurdles, Plan B ideas and cast my entire family to get my film made.

A few months prior, my mom had passed me the Jewish Independent and showed me the notice for a film award at the Edmonton Jewish Film Festival. At the time, I was co-directing a musical, directing a film and finishing my applications for universities, so I didn’t think much of it. But, I am very glad I eventually picked up that notice and applied to the competition because it changed the course of my path.

image - The Community Calendar announcement in the Jewish Independent about the Edmonton Jewish Film Festival’s Earl Parker Award
The Community Calendar announcement in the Jewish Independent about the Edmonton Jewish Film Festival’s Earl Parker Award.

Last year was tough in a thousand ways. The pandemic hit everyone differently and, no doubt, we will all have lifelong effects because of it. When I originally pitched my film, David Michael Frankel Feinstein-Goldberg and the Unbarmitzvah, in 2020, I had a vision that could only have been actualized pre-pandemic. I adapted it and changed things to meet the constraints of the circumstances and I truly did my best to pull it off in a safe way for the entire cast and crew. One of the changes I had to make was to cast solely from within my bubble and community, which was not what I had originally planned to do.

screenshot - Malka Martz-Oberlander
Malka Martz-Oberlander (screenshot)

I normally cast my films through Vancouver Actor’s Guide, UBC ACTRA and Facebook film & TV pages, but, instead, I ended up casting my parents as two of the main characters. As much as they are incredibly charismatic and intelligent people, they’re both doctors, not actors the stature of a Leonardo DiCaprio. So, performing was a big challenge for them and, vice versa, for me directing them. That being said, it was a fantastic experience for me to learn how to produce a film under circumstances that many filmmakers haven’t had to face.

In the early stages, I had a few moments when I felt selfish and embarrassed to want to make films during a literal plague. How could I have the chutzpah to be making dumb little comedy films while millions of people have died and more are dying? Why should I worry if my lenses are going to work for a scene while people are saying goodbye to their loved ones on iPads?

But then it dawned on me just how much we rely on art and story for our own sanity. We tell our children stories from the moment they are born, and we offer and receive stories to our last day on earth. We humans are, at our core, storytelling creatures. In moments of darkness we turn, time and time again, to art to save us. We are drawn to an astonishing multitude of fictions – on pages, on stages and on screens; stories of murder, love, war, conspiracies; stories fictional and true.

We are obsessed with story, but our obsession runs deeper than we think. We can walk away from our books and our screens, but story is like gravity: an inescapable force field that influences everything, but is so omnipresent that we hardly notice it. We’re social creatures and, with the added challenge of isolation, art has become a tool for staying connected with one another.

I’m now finishing up my first year at film school, in Capilano University’s Motion Picture Arts Program, where I have been learning invaluable skills and refining my knowledge and abilities in writing, directing and producing. With the vaccination rollout well underway and more knowledge and experience of how to safely work together in-person, I am ready to see what’s next for film and storytelling. I hope you are, too.

My film David Michael Frankel Feinstein-Goldberg and the Unbarmitzvah screened at the Edmonton Jewish Film Festival on May 2 and I will be speaking on a panel of past Earl Parker Award winners on May 9, 11 a.m., on Zoom (meeting ID 846 7697 0846). To view the film, visit jewishedmonton.org/festival-news; after the festival, it will be publicly available on Vimeo.

Malka Martz-Oberlander is a 19-year-old screenwriter, film and theatre director and actress, currently “squatting” at her parents’ house in Vancouver, the unceded territories of the Squamish, Tsleil-Waututh and Musqueam peoples. Her website is malkamo.wixsite.com/film. She thanks the Edmonton Jewish Film Festival and the Earl Parker Award for their kindness and generosity in making David Michael Frankel Feinstein-Goldberg and the Unbarmitzvah possible during such an unpredictable time for artists.

Ethical responsibilities in business

Writer and filmmaker Joel Bakan takes part in an online Canadian Hadassah-WIZO fundraising event May 30. (photo from Penguin Random House Canada)

The Canadian Hadassah-WIZO (CHW) Vancouver Book Club invites all CHW supporters, family and friends to an exclusive opportunity to be part of a conversation with Vancouver’s own Joel Bakan, an internationally recognized and award-winning author, producer, professor and legal scholar. Brunch with Bakan, which is a national CHW fundraising event, will take place May 30, at 11 a.m. PST.

Journalist and author Adam Elliott Segal will ask his own, as well as your questions, about Bakan’s hard-hitting book, The New Corporation: How “Good” Corporations are Bad for Democracy, which won the silver medal at the 2021 Axiom Business Book Awards in Business Ethics and is shortlisted for the B.C. and Yukon Book Prize for 2021. Segal’s roots are in Vancouver, though he now lives in Toronto, where he writes for the Globe and Mail, Toronto Star, Reader’s Digest and a host of other newspapers and magazines.

image - The New Corporation book coverThe New Corporation traces the consequences of a world close to losing its foundation of democracy. Bakan says the onus is on us to make the necessary connections and to actively be part of meaningful solutions if we want to leave our children and grandchildren a positive future. The Q&A with Segal will have a special focus on Jewish values, and ethical responsibility in business and corporate governance.

There are various ticket tiers for the Brunch with Bakan event, from $18 for the Zoom talk only to $118 for the talk, access to stream the film, a copy of the book (minimum two-week turnaround time for delivery) and name recognition. All ticket tiers include a tax receipt for the maximum allowable amount and the film, called The New Corporation: The Unfortunately Necessary Sequel, will be available May 25-28 for ticketholders to stream.

Over the last century, CHW has been involved in all aspects of Israeli life, supporting programs and services for children, women and healthcare in Israel and Canada. To tickets to the Brunch with Bakan fundraising event, visit chw.ca/thenewcorporation.

– Courtesy CHW Vancouver

New exhibit at Uvic

Dr. Helga Thorson of the University of Victoria. (photo from uvic.ca)

The University of Victoria unveiled its Stories of the Holocaust: Local Memory and Transmission exhibit – a project that was part of a combined undergraduate and graduate seminar on Holocaust and memory studies – during an online launch on April 15.

The exhibit is the result of a collaborative effort. Ten community members, comprising Holocaust survivors and descendants of survivors, from Vancouver, Victoria and Salt Spring Island, were paired with 10 UVic students to present wide-ranging and diverse stories from the Shoah in a context both personal and relevant to future Holocaust education.

“Students worked one-on-one with a community partner to figure out the best way to tell each story. This, as they discovered, was no easy task,” said UVic professor Dr. Helga Thorson, the course’s instructor. The students had to learn new technological skills, go over an extensive reading list and develop interpersonal skills, which included “relationship-building and the ethical dilemmas that come into play when telling somebody’s story that is not your own.”

“The engagement and involvement of the 10 students, who took the class assignment seriously, will go a long way in helping us remember the Shoah and the story passed on by their community partner,” said Thorson. “Remembering the past also helps us reflect on the present and what this means for us in today’s world as we continue to grapple with antisemitism, racism and other forms of violence, hatred and injustice.”

Ireland Good, one of the students involved in the project, thanked the Jewish community members for “their courage and their trust in us to tell their stories and to create this exhibit. I have thoroughly enjoyed this experience,” said Good, “even with its low moments, as I am sure it is with all the other students.”

The stories represent varied experiences, including having hid in order to survive and having been sent to a Soviet gulag. They come from Hinda Avery, Lillian Boraks-Nemetz, Rudolf Deman, Ilserl Fränkel, Julius Maslovat, Micha Menczer, Isa Milman, Fred Preuss, Claire Sicherman and Hester Waas.

Maslovat was the youngest prisoner ever at Buchenwald, and he is the subject of a recent film, Why Am I Here?: A Child’s Journey Through the Holocaust. The day of the launch, April 15, had a special significance for Maslovat, as it marked the 76th anniversary of his liberation from Bergen-Belsen. He was just under 3 years old at the time.

“My story did not come to me in a neat package. There were people who knew parts of it and contributed. Other parts I had to dig out of archives in Israel, Germany, Sweden, Britain, Poland, U.S. and Finland. I have tried to tell my story by putting together the pieces like a jigsaw puzzle. This time, I have included material I have not spoken about before,” said Maslovat, explaining his contribution to the archive.

“Despite what people may think about Holocaust survivors writing their memoir or speaking about their experience, we are not navel-gazing,” said writer Boraks-Nemetz, who escaped from the Warsaw Ghetto and lived in hiding. “We who have stared into the abyss of the atrocity that was the Shoah can never erase it from our memories. When I speak about my experience, I always think of the survivors and the victims, of the injustice wrought by a madman who destroyed lives – lives of children, of my little 5-year-old sister, who was brutally murdered for being a Jewish child … of the 1.5 million children who needlessly died.”

Boraks-Nemetz continues to explore the personal and broader impacts of the Holocaust through recent works, the novel Mouth of Truth and a collection of poetry, Out of the Dark.

Dr. Richard Kool is the son of Waas, who hid in the Netherlands during the war. He spoke of the importance of conveying the story to future generations. “I’ve really understood that, as Hester’s child and the oldest of my siblings, I have a responsibility as a carrier of a message that helps me keep looking forward towards recipients, towards recipients who have more life in front of them than behind, recipients who may not even be alive yet,” he said.

“We, the survivors and their children, must look forward and consider the powerful message for future individuals and generations,” he added. “Messages that say, ‘Don’t wallow in despair, worry and victimhood, but act, now, to do what you can with the tools at your disposal and the people around you to help co-create a fairer, healthier, more just, more peaceful community and society.’”

To view the exhibit, go to omekas.library.uvic.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Torah class marks 10 years

Rabbi Manis Friedman is the keynote speaker at Chabad Richmond’s celebration on June 1. (photo from Wikipedia)

On June 1, Chabad Richmond will mark 10 years of the weekly Torah studies class. A special event celebrating the past and launching the future will feature guest speaker Rabbi Manis Friedman, a renowned lecturer, counselor and author of several books and many articles. The topic is The Top 10 Reasons to Study Torah.

Starting in 2011 as a small group that met with Rabbi Yechiel Baitelman to discuss the weekly parashah (Torah portion), this assembly of retirees has grown to more than 20 people weekly.

“While not exclusively the domain of the retired, these weekly morning Torah classes mainly attract seniors,” said Baitelman. “Not only are local Richmond and Vancouver folks attending, but participants from Alberta and Quebec are joining virtually as well. During the pandemic, with more people working from home, we have some younger participants, too. Everyone is welcome.”

When the pandemic struck last year, Baitelman recognized the need for the continuity of Torah studies and immediately started offering classes via Zoom. These weekly classes have provided learning, but, more importantly, inspiration.

Richmond resident and longtime Chabad attendee Grace Jampolsky approached Baitelman back in 2011 and asked if he would offer a weekly Torah class. She gathered a few friends, and so began the 10-year tradition that is now a foundational part of the participants’ lives. The weekly class is a program of the Rohr Jewish Learning Institute of Richmond.

Acknowledging Chabad Richmond’s accomplishments to date, Baitelman said, “It’s all about celebrating our past learning and looking forward to growth and continued learning for the future. The continuity of weekly Torah study over 10 years is a real milestone. It represents thousands of hours spent studying the Torah portion of the week together, interactively, as a community of learners.”

As the participants attest, the classes have had a positive impact on expanding their Jewishness.

“If you were to ask me what the goals of the Torah classes are, I’d say it’s two-pronged goal – to increase class attendance and to share a love of Torah with our community,” said Baitelman.

Speaking with a few of the initial attendees, it became apparent that it’s not just the content of the classes that resonates with people, it’s Baitelman’s approach to teaching.

Ralph and Gina Blasbalg are two of the original members and, when asked how the classes have impacted their lives, Ralph Blasbalg said: “It’s always something to look forward to, especially when we’re cocooning during the pandemic. We don’t go out very much because we’re very vulnerable. The Torah lessons, the talks, the spirited wisdom of our rabbi – we are so lucky to have this rabbi in our community. Rabbi Baitelman is such a mensch, he’s just a wonderful human being.”

When asked how it’s enriched their lives, he added: “First of all, the knowledge that we are gaining, the knowledge about Torah, the knowledge about our community and the responsibilities that each one of us has to share and pay forward to the community. And the benefit that it gives to us, meaning that we have a sense of belonging, and we realize how our ancestors lived and how faith supported them through even worse times. We just have a pandemic – they had pogroms and illness and suppression and oppression … and, still, this faith, this Yiddishkeit, the manner of living by the Torah rules – the manual of life – is so important to us, for me, it’s definitely giving me that.”

Former participant Stevie Steiner said: “I was one of the first people in the group … and I attended for several years. I loved that class. It gave my life more meaning and purpose. If I went to the class tired, by the time it was over, I found myself so uplifted, or thoughtful. It made me look at things very differently, and very positively. Rabbi Baitelman always saw the glass half full, rather than half empty. It made quite a difference in my life actually. Rabbi Baitelman is a wonderful man and excellent teacher. He’s got a talent for getting the lesson across. The material was always very relevant. The rabbi was a very positive influence.”

Regular participant Maria Hughes said: “The weekly Torah classes have had a big effect on me. I’m from Russia, where there were no Torah classes, no nothing. I just knew I was Jewish because it was in my past, but I was discriminated against everywhere there. I went to live in Israel, but didn’t go to synagogue because I felt like an outsider and we didn’t know Hebrew. When I came to live in Richmond and started attending Chabad Richmond, I really started learning about Judaism and started feeling more and more proud of being Jewish…. It was like the puzzle came together. I started studying more and loving it. So I started talking to my daughter (who lives in Israel) about it a lot and we had different discussions. She was not religious at all … but, slowly, my daughter started keeping Shabbat and I think my influence was a big part of it. My talking about Judaism had a big effect on her. It affected not just me, but also my daughter and grandchildren. It affected a whole generation.”

Ezra Shanken, chief executive officer of the Jewish Federation of Greater Vancouver; Rabbi Efraim Mintz, executive director of the Rohr Jewish Learning Institute; and Sheldon Kuchinsky, board member of Chabad Richmond, will be present to offer greetings at the celebration of the class’s 10 years.

Guest speaker Friedman is the dean of Bais Chana Institute of Jewish Studies, the world’s first yeshiva exclusively for women. He hosts his own cable TV series, Torah Forum with Manis Friedman, which is syndicated throughout North America.

The event takes place at 7 p.m. on June 1 via Zoom at chabadrichmond.com/celebrate. Register online using the link, or call 604-277-6427. Everyone is welcome.

Shelley Civkin is a happily retired librarian and communications officer. For 17 years, she wrote a weekly book review column for the Richmond Review. She’s currently a freelance writer and volunteer, including at Chabad Richmond.

Interactive history tour

To find out more about the history of Made in BC – Dance on Tour and its network of artists, visitors to madeinbc.org/history-project just have to hover over one of the images displayed and click on it. (screenshot)

It is easy, in Metro Vancouver, to take certain things for granted, such as access to live theatre, music and dance. But the pandemic, with its limits on social gatherings, has given urbanites an inkling of what smaller communities regularly experience. The relative scarcity of live performance in places like Prince George and Revelstoke is one reason that Made in BC – Dance on Tour was created in 2006. It is unfortunate, then, that Made in BC’s 15th anniversary falls in a time of travel and other restrictions. But that hasn’t stopped the organization from celebrating, and innovatively so.

Made in BC (MiBC) has collaborated with artist and graphic recorder Adriana Contreras to create an interactive online illustrated map “offering viewers the opportunity to take a visual and audio trip through the last 15 years of work, celebrating the numerous artists, presenters and community members that have been a part of this history.” Among these artists are Jewish community members Tara Cheyenne Friedenberg (Tara Cheyenne Performance), Amber Funk Barton (the.response), Naomi Brand (All Bodies Dance Project) and Vanessa Goodman (Action at a Distance).

“Especially in an art form that is so ephemeral, documentation is important not only for our personal memories, but for the history of the organizations and communities that we work with,” Brand told the Independent. “These kinds of records are really valuable for us to learn from what has happened before and to remember the accomplishments and discoveries that came before us. The map is a beautiful and creative way to write our history in the present while it is still relatively fresh in the bodies and memories of those who participated in it.

She added, “The field of contemporary dance in Canada is small enough that most of us are connected through a few degrees of separation that can be traced through our lineage of teachers, mentors and collaborators…. The map project represents all of that visually across the geography of this province.”

Cheyenne Friedenberg also spoke about the ephemeral, or temporary, nature of dance, making it hard to keep track of accomplishments.

“We spend much of our time and energy justifying and fighting for our art and art-making, it’s no wonder many of us don’t take time to reflect or celebrate the wake behind the boat,” she said. “It’s also very important to take note of what artists have brought to communities around the province and how these communities have influenced the art and the art makers. We are an ecosystem and it benefits all of us to appreciate how we have grown and developed as an artistic community. I know my work has been greatly influenced by my relationships across the province. I know folks who started making their own work after seeing a show or taking a workshop. I think part of the reason I’m still making work is because I feel part of this artistic ecosystem that is ever-evolving.”

Made in BC statistics show that, over the past 15 years, MiBC “has provided opportunities for over 50 dance companies incorporating over 200 dance artists to tour their work, reaching over 20,000 people around the province. And over 30,000 people have participated in and experienced the joy of other community-engaged dance activities, beyond the theatre.”

“MiBC as a network is about fostering relationships between artists, presenters, audiences and new communities,” said Brand. “As dance artists, we work with living, breathing, feeling people as our material (as opposed to clay, or an instrument, or paint brushes). This human-to-human, personal interaction is so important to what we do in the studio, as well as through emails and Zoom these days. We’re lucky to have an organization like MiBC that supports artists and has brought so many incredible experiences to communities across the province.”

Brand recalled one experience in particular. “In 2017,” she said, “my colleague Sarah Lapp and I did a residency through Made in BC at the Rotary Centre for the Arts (RCA) in Kelowna. It was our first experience touring with our company All Bodies Dance Project and bringing our artistic practice to a new community. We met such beautiful, courageous and lovely participants in the weeklong workshop and learned a lot about ourselves through sharing what we do with a new community. That residency had a huge impact on Sarah, who actually ended up relocating to Kelowna a year or so later, and beginning an integrated dance project in partnership with RCA with a collaborator that she met during that residency.”

Cheyenne Friedenberg first toured with MiBC in 2009, when the organization selected her first full-length solo work, bANGER, to tour along with Day Helesic’s piece Surge.

“I had toured a lot in the U.S., across Canada and Europe, but this was my first real experience taking my own work around the province,” said Cheyenne Friedenberg. “I was, and continue to be, very interested in connecting with the land and the people closer to home. Why have we as a culture believed touring Europe is more prestigious than touring the West Coast? It’s not. Since that first tour in 2009, I have toured, taught, created and learned around B.C. over half a dozen times and I can’t wait to get back out here!”

She said it was hard to pick just one MiBC experience that was especially impactful or memorable, so she offered two:

“1) Smithers, 2012: after seeing my solo Goggles, a couple (who are now my friends) were so taken by seeing me and my family (who I tour with) taking questions and, probably, breast-feeding after the show, that they decided to have a baby and continue to make art.

“2) Dolly Alfredson, a Wet’suwet’en language speaker and teacher shared many post-show thoughts with me, all in Wet’suwet’en. It felt very special. This was after my show I can’t remember the word for ‘ I can’t remember,’ in 2018.”

Contreras, who collaborated with MiBC in collecting and communicating these types of recollections from the dance artists, said her favourite part of the process was listening to all the stories, “getting a glimpse at a special moment in time from the many artists I had the pleasure to work with in part.”

It was Jane Gabriels, executive director of MiBC, who invited Contreras – in spring of 2020 – to be part of the 15th anniversary history project.

“I had just left my full-time job as director of programming and communications with New Performance Works Society to work as an independent graphic recorder, illustrator and designer,” Contreras told the Independent. “This was also around the time that COVID-19 was declared a pandemic and the province went on lockdown. Needless to say, this project was a bright light in a very uncertain moment.”

On the project, she worked closely with Gabriels, as well as Debora Gordon, MiBC manager of community dance connectors, statistics and promotions, and Zahra Shahab, a dance artist and choreographer who was the 2019 creative residency artist at MiBC.

“The process was one of collective discovery and experimentation,” said Contreras. “I knew that MiBC has a vast archive documenting the work of all the artists that have been part of its programs, but I wanted to go back to the essence, the aspect that makes MiBC so unique, the unifying element of supporting B.C.-based artists to present their work and connect with communities throughout the province; bring contemporary dance to audiences that don’t often get to experience it.

“During my time as an arts administrator supporting dance artists,” she continued, “I had heard many anecdotes and memorable stories that happened during MiBC tours. Many of these occurred in the theatre, others in the liminal space, on the road. Many others in everyday occurrences that nurtured community. We decided that these were the stories we wanted to highlight.

“MiBC reached out to artists and asked if they wanted to share their stories, which were audio-recorded to be featured on the website. We then chose an object to represent each of the stories, and those are the elements you see in the drawing, one for each artist or collective.”

She added, “Creating this work reminded me why I love the performing arts so much, and I can’t wait to sit in a theatre and experience live dance, theatre and music again.”

In the meantime, dance enthusiasts can take a virtual audiovisual trip through the province at madeinbc.org/history-project.