On display now at the Museum of Jewish Heritage in New York City, the exhibit Auschwitz: Not Long Ago. Not Far Away is the most comprehensive Holocaust exhibition ever mounted in North America about Auschwitz. Dedicated to the victims of the death camp, the goal of this exhibit is to make sure no one ever forgets.
A study conducted by the Conference on Jewish Material Claims Against Germany reported that 41% of Americans and 66% of millennials say they don’t know about the Auschwitz death camp, where more than a million Jews and others, including Poles, Sinti and Roma, Soviet prisoners of war, homosexuals, Jehovah’s Witnesses and others, were executed. And 22% of millennials say they haven’t even heard of the Holocaust.
“Seventy-three years ago, after the world saw the haunting pictures from Auschwitz, no one in their right mind wanted to be associated with the Nazis,” Ron Lauder, founder and chair of the Auschwitz-Birkenau Foundation Committee and president of World Jewish Congress, said. “This exhibit reminds them, in the starkest ways, where antisemitism can ultimately lead and the world should never go there again. The title of this exhibit is so appropriate because this was not so long ago, and not so far away.”
The exhibition consists of 20 galleries spanning three floors, and features more than 700 original objects and 400 photographs. They are on loan from more than 20 institutions and private collections around the world, as well as the Auschwitz-Birkenau State Museum in Poland.
An audio guide given to each visitor upon entry details the items on display. Visitors will see hundreds of personal possessions, such as suitcases, eyeglasses, photos, shoes, socks and clothes that belonged to survivors and those murdered at the concentration camp. In one glass case, a child’s shoe is on display with a sock neatly tucked inside. We are left to wonder, who put that sock in the shoe and were they expecting the child to shower and then retrieve it?
Auschwitz was located 31 miles west of Krakow in the small southern Polish town Oswiecim, which dates back to the Middle Ages. Jews were a part of its society for centuries. Auschwitz-Birkenau was conceived and initially constructed to house 100,000 Soviet prisoners of war and slave labour, before it became a factory of death. The architect who designed the camp was Fritz Ertl, a native of Austria. Ultimately, some 1.1 million Jews and thousands of others were killed there. Many who arrived at Auschwitz were sent directly from the overcrowded, sealed, windowless boxcars to the gas chambers and crematoriums.
There are videos throughout the exhibit, including one of Hitler and a large adoring crowd. There’s a concrete post that was a part of the fence at the Auschwitz camp, and a part of the original barrack for prisoners at the killing centre.
A German-made Model-2 boxcar, like those used to transport people to Auschwitz, sits outside the museum. In a video, survivors talk of the horrible conditions and stench inside those boxcars.
Viewers can see the operating table, test tubes and instruments used in medical experiments. There’s a gas mask used by the SS and a model of a gas chamber door used in crematoria 2, 3, 4 and 5 – and testimonies from survivors of the camp. To show the striking contrast between the victims and the perpetrators, there are photos of Rudolf Hess at his nearby residence with his family enjoying the outdoors.
Nazi ideology and the roots of antisemitism are traced from the beginning, to understand what happened before the gas chambers were created. Discrimination and bigotry against Jews existed long before Hitler came into power, of course. In one room, there’s an anti-Jewish proclamation issued in 1551 by Ferdinand I that was given to Hermann Göring for his birthday by German security chief Reinhard Heydrich. The proclamation required Jews to identify themselves with a yellow ring on their clothes. Heydrich noted that, 400 years later, the Nazis were completing Ferdinand’s work.
In a video seen near the end of the exhibition, Holocaust survivors urge people to refrain from hate and to work for peace.
This exhibition was in Madrid before coming to New York. This important and moving must-see exhibition is both a reminder and a warning.
Alice Burdick Schweiger is a New York City-based freelance writer who has written for many national magazines, including Good Housekeeping, Family Circle, Woman’s Day and The Grand Magazine. She specializes in writing about Broadway, entertainment, travel and health, and covers Broadway for the Jewish News. She is co-author of the 2004 book Secrets of the Sexually Satisfied Woman, with Jennifer Berman and Laura Berman.
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Located in the Museum of Jewish Heritage, at 36 Battery Place, entry to the exhibit Auschwitz: Not Long Ago is by timed tickets available at mjhnyc.org. An audio guide is included with admission, and tickets range from $10 to $25. Hours are Sunday to Thursday, 10 a.m.-9 p.m. (last entry at 7 p.m.), and Friday, 10 a.m.-5 p.m. (last entry at 3 p.m.). The exhibit will be in New York until January 2020.
Dayson Here portrays Ben Dayson’s innate business acumen and his economic success, as well as his unwavering devotion to his wife, Esther.
Following the publication of the Nemetz family biography Don’t Break the Chain: The Nemetz Family Journey from Svatatroiske to Vancouver, in 2017, comes a new book called Dayson Here: The Story Behind the Voice, compiled and written by Shirley Barnett and Philip Dayson.
Anyone who met Ben Dayson knows he was larger than life. Standing at five feet, six inches (or thereabouts), he was a giant among men. People knew him for many things, but primarily his business success, his deep and abiding love for his “beautiful wife” Esther, and his close family. What’s missing from that picture are his modest beginnings in Ukraine, the journey that brought him to Vancouver, and the man behind the voice. The new book, comprised mainly of direct quotes from Dayson – thanks to the Dayson/Barnett families and the Jewish Museum and Archives of British Columbia – and black-and-white photos, tells a more intimate story of his life. My favourite quote of his is: “I know nothing and you know even less!” Pure Ben Dayson.
The book portrays not only Dayson’s innate business acumen and the extent of his economic success, but also his unwavering devotion to his wife, Esther. She was the epicentre of his life, the voice of reason and the sole calming influence in his life.
It’s no secret that Dayson was an extraordinary character. He made his presence known, and loved to “work a room.” Within the space of a few hours, he could be loud, moody and assertive in his office, then morph into a charming, polite man in a social setting.
Dayson was very interested in real estate development, first residential and, later on, commercial. He had a natural business sense, despite having little to no formal education. There’s no question that his obsession with building and developing fed the fire in his belly. He’d often drive friends around to visit his buildings.
Starting life in Canada wasn’t easy, but, with determination and sheer energy, he parlayed his first business ventures into greater and greater things. Ironically, his difficult start in life (his father died when Dayson was 15) primed him for later success. Having witnessed pogroms and antisemitism, Dayson was determined to have a better life for himself and his family. When a cousin in Kamsack, Sask., sent papers to help him come to Canada, that gave Dayson the impetus to build that good life. Traveling from Ukraine to Moscow, then Riga, Berlin and Rotterdam, Dayson’s world opened up. In Rotterdam, “he became acquainted with new things in life – chocolate, coffee, white bread and girls.”
But Dayson became impatient to get to Canada. In anticipation of his future, he bought a few essentials: a new suit, a pair of shoes and a hat, which left him with only $7. His arrival in Canada took him from Halifax to Montreal to Winnipeg and then to Kamsack, where he settled in 1927. Beyond most everything else, gaining Canadian citizenship was one of his proudest accomplishments. A more patriotic man you could not find.
Friends from his hometown sent word that Esther Nemetz, who grew up just blocks from Dayson in Ukraine, was living in Vancouver – and she was a beauty. Despite never having met her, Dayson began a correspondence with her in 1931. He courted her by mail, despite that she was engaged to a doctor from London, Ont. Dayson’s trademark perseverance won the day and their romance grew. As some people know, Dayson began life as Boruch Deezik, but, at the urging of his wife-to-be, he Americanized his name and became Ben Dayson.
Nemetz’s six brothers had done well since their arrival in Canada and she benefited from their generosity, having the “wedding of her dreams,” after which, the couple moved to Viscount, Sask., where Ben Dayson had already purchased a general store. The book recounts that “Esther sold her furs and diamond rings to help buy inventory.” Their business grew, they made more money, and became community leaders.
Working together as partners, Ben and Esther Dayson grew their family and built a good life. They moved to Saskatoon and bought a meat market, which also did well. In 1949, Esther suggested they move to Vancouver, since her six brothers and two sisters lived there. Living in the big city, the Daysons involved themselves in the Jewish community, surrounded themselves with extended family and expanded their social circle.
In 1951, Dayson discovered real estate and became consumed by it; he built numerous apartment buildings in Vancouver, Richmond, Burnaby, New Westminster and West Vancouver. He had a remarkable sense of what would work and what wouldn’t in the real estate world. He was a pragmatist and a savvy, self-taught businessman. In the 1970s and 1980s, he discovered industrial property, and the book paints a picture of a tenacious but principled man who always got what he wanted. Unless his wife vetoed it.
Throughout their life, Ben and Esther Dayson were great philanthropists and ardent supporters of Israel. Among the many causes they supported was the Richmond Public Library, where I was first introduced to Ben. Having built the first high-rise apartments in Richmond and benefited from them, Dayson felt he owed a debt of gratitude to Richmond. So, in 2004, the couple gave $50,000 to the Richmond Public Library Endowment Fund, one of the library’s largest single donations.
An avid reader and lover of books, Ben Dayson also gave most of his personal Judaica book collection to the library, and established the Ben and Esther Dayson Judaica Collection at the Brighouse (Main) Branch. Thanks to the Daysons, the library is now home to one of the Lower Mainland’s largest Judaica collections, and includes Jewish books, DVD movies and newspapers. In 2004, Ben Dayson was awarded the British Columbia Library Association Keith Sacré Library Champion Award for his support of libraries, literacy and public access to information.
As a senior librarian at the Richmond Library, I had the honour and pleasure of working closely with Ben Dayson to develop this collection. He maintained a hands-on approach to the collection, and would regularly buy and donate Jewish-themed books to the library. Always insisting on an accurate (and usually immediate) accounting of the books he donated, I would often get calls from him, asking (telling?) me to come to his home with the library’s laptop, so I could type out an author/title list of the books he donated.
This was a regular occurrence. But I remember one particular time when there was a bad snowstorm. It was a Friday night and my home phone rang at around 8 p.m. It was Dayson. He said, “I have books for you. Come and get them.” I recall asking him, “You mean right now?” To which, naturally, he replied, “Yes.” It was around 2006 and I didn’t yet own a personal laptop. Knowing that few people ever say no to Ben Dayson (and live to tell the tale), I drove through the snowstorm to his home, bearing a pad of paper and a pen. The rest is history.
Dayson Here: The Story Behind the Voice is filled with fascinating information about the Dayson family business. But there are also plenty of surprising and humorous anecdotes demonstrating how passionate Ben Dayson was about issues that offended him personally. He pursued causes until he got a satisfactory resolution, or was forced to give up the fight, like when the government revoked his driver’s licence at age 95.
As Shirley Barnett said so eloquently in her father’s eulogy, Ben Dayson “lived his life loud and clear.” It’s nearly impossible to encapsulate the enormity of his personality, but this book does just that, with humour, honesty and love. His headstone says it all: “Once met, never forgotten.”
Copies of Dayson Here are available at the RPL Brighouse branch, the Isaac Waldman Jewish Public Library at the Jewish Community Centre of Greater Vancouver or by contacting the authors directly.
Shelley Civkin is a happily retired librarian and communications officer. For 17 years, she wrote a weekly book review column for the Richmond Review, and currently writes a bi-weekly column about retirement for the Richmond News.
Keynote speaker Irene Dodek and Bill Gruenthal, from the Temple Sholom 60+ group, at the latest JSA Snider Foundation Empowerment Series event, which took place May 15. (photo by Marcy Babins)
Jewish Seniors Alliance of Greater Vancouver and the seniors group Temple Sholom 60+ co-sponsored the fourth in the 2018-19 JSA Snider Foundation Empowerment Series, which has the theme “Renewing and Reinventing Ourselves.” About 60 attendees met at Temple Sholom on May 15 for lunch, followed by a talk by Irene Dodek on Writing Our Own Stories.
Bill Gruenthal of the 60+ group welcomed the audience and announced the names of everyone who was having a birthday in April and May. He then introduced Ken Levitt, president of Jewish Seniors Alliance, who thanked Temple Sholom for the opportunity to co-sponsor the event with them and briefly outlined JSA’s programs, with particular emphasis on the Peer Support Program. He also explained that JSA’s motto is “Seniors Stronger Together.”
Gruenthal introduced Dodek, one of two charter members of the Jewish Museum and Archives of British Columbia (JMABC).
Dodek is a graduate of the University of British Columbia in anthropology and museum studies. She said she first became interested in stories while growing up in Wapella, Sask., where she heard many family tales from her grandfather and her uncles, who were homesteaders there.
Dodek has been conducting interviews for the JMABC for many years. She outlined a few of her early interviews and pointed out some of the mistakes made by beginners. She offered the following tips, stressing that the most important thing is for the interviewees to be heard. Questions must be open-ended, she said, to give the person a chance to talk and explain. Confidentiality must be maintained, as well as respect for the person, and patience in waiting for answers. Interviewers must give people a chance to think before they answer, she said.
Dodek – who said that history is her passion – was also involved in a Steven Spielberg Shoah Foundation project that required 30 hours of training in three days on how to interview Holocaust survivors. She commented that this was very different from interviewing community pioneers.
The title of her family history, which she wrote, is You’ll Always be My Darling. Dodek took the name from a note her mother once wrote in her autograph book. She did a lot of genealogical research and the book contains many maps and family photographs. The book is in the national archives in Ottawa.
After a number of questions about interviewing and also about writing, Gruenthal thanked Dodek for her stimulating presentation.
The fifth in the “Renewing and Reinventing Ourselves” series will take place on June 24, sponsored by JSA and the Kehila Society of Richmond. Called Dueling Pianists, Lester Soo and Marilyn Glazer will entertain. Lunch is at noon and the program starts at 1 p.m. at Congregation Beth Tikvah. For more information and to register, contact Toby Rubin at 604-241-9270 or the JSA office at 604-732-1555.
Shanie Levinis an executive board member of Jewish Seniors Alliance and on the editorial board of Senior Line magazine.
The book 1919: A Graphic History of the Winnipeg General Strike by the Graphic History Collective and artist David Lester is not education for education’s sake, but rather a “useful organizing tool,” according to the preface. “This comic book revisits ‘the workers’ revolt’ in Winnipeg to highlight a number of important lessons that activists can lean on and learn from today as they fight for radical social change,” notes the collective.
Lester, a Vancouver-based illustrator, musician, and graphic designer and novelist, will give the talk Getting Graphic with Labour History on June 7, 7 p.m., at the B.C. Government and Service Employees’ Union Lower Mainland Area office. He will also give a presentation as part of the World Peace Forum Society event 100 Years After the Winnipeg General Strike, in which Jewish community member Gary Cristall (activist and grandson of a 1919 solidarity strike activist) and others will participate on June 8, 2:30 p.m., at SFU Harbour Centre, Room 7000. In addition, he and members of the collective are participating in a few panels at the Congress of the Humanities and Social Sciences (congress2019.ca), taking place at the University of British Columbia June 1-7, and are then heading to Cumberland, B.C., for a June 23 event during the Miners Memorial Weekend.
In the Acknowledgements section of 1919, the Graphic History Collective describes itself as “a not-for-profit arts collective. For us, solidarity is not just a winning strategy in class struggle. It is our artistic methodology. In taking seriously the idea that we can accomplish more by working together, we prioritize collaboration…. As GHC members, we volunteer and share our artistic vision and share our artistic, writing and administrative skills.” The collective recognizes the many people who “contributed knowledge, labour and funding to this project. Most importantly, we recognize that this comic book would not have been completed without David Lester’s incredible talent and artistic labour.” Other GHC members who contributed are Sean Carleton, Robin Folvik, Kara Sievewright and Julia Smith; Prof. James Naylor of Brandon University’s history department wrote the book’s introduction.
“In 1919, 35,000 workers in Winnipeg, Manitoba, staged a six-week general strike between 15 May and 26 June,” the narrative begins. Lester’s two-page depiction of the strikers gathering at Portage and Main gives an idea of the vastness of the protest and the small area within which it took place. It is easy to see how people would have had nowhere to run and the panic that would have ensued when the Royal Northwest Mounted Police and the “special constables,” violently broke up the strike on “Bloody Saturday,” June 21, 1919. The police were among those who had voted to strike but were given dispensation to work by the strike committee; however, the city dismissed the whole force on June 9. The mayor, the Citizens’ Committee of One Thousand (formed of business leaders and others) and the federal government opposed the strike and worked together to end it by various means, using fear of immigrants (aka racism) and eventually violence to do so.
1919 gives a history of the pivotal event from the perspective of the strike leaders, workers and their supporters. The textual narrative drops away, for the most part, in the telling of what happened on Bloody Saturday and the impact of Lester’s images builds as the day progresses, from 9:30 a.m. to 11, to 2:20 and so on. Just before 3:35 p.m., two strikers are shot, one dies on the spot, the other from gangrene. The violence continues. At 4 p.m., the special constables take control. By 6 p.m., Canadian Army Service Corps trucks – equipped with machine guns – are patroling Main Street. By the end of the day, in addition to the two strikers killed, many are wounded and 94 people are arrested. The book then describes some of what happened in the trials that followed, and the strike’s legacy.
Lester shares some of his artistic process and inspiration in the essay “The Art of Labour History,” especially the Bloody Saturday pages, and this is followed by a photo essay called “The Character of Class Struggle in Winnipeg.” The notes are useful in providing context for some of the images, and the bibliography shows the depth of research. Short bios of the contributors and a list of the Manitoba unions that supported the publication conclude the book.
“Art bears witness to the injustices of the world and, in reflecting on the pain and struggles of the past, offers hope in working together for a better present and future,” writes Lester. “Art can aid the momentum of progressive social change, and that is what keeps me going…. I am trying to capture and convey the inspiration and spirit of solidarity in class conflict. That is the art of labour history.”
Rochelle Levinson is second from the right. (photo from JWB fonds, JMABC L.10738)
If you know someone in this photo, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected] or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.
Phyllis and Rabbi Wilfred Solomon, centre, with Cantor Murray Nixon and his wife Dorothy, left, and Sharon and Irving Kates, at Beth Israel’s 60th anniversary gala in 1992. (photo from Congregation Beth Israel fonds, JMABC L.22263)
On June 17, Congregation Beth Israel will pay tribute to Rabbi Emeritus Wilfred (Zev) and Phyllis Solomon. The rabbi was spiritual leader of the synagogue from 1964 to 1997. During that time, gala co-chair Marcy Schwartzman told the Independent, he officiated at more than 4,000 lifecycle events, including about 500 brit milot and baby namings, 750 weddings, 800 b’nai mitzvah, 250 conversions, 900 funerals and 900 unveilings.
But the cause for celebration goes beyond numbers, of course.
“Rabbi Zev and Phyllis Solomon were the heart and soul of Congregation Beth Israel for many years,” said board president Helen Pinksy. “Together, they gave our synagogue honour and status as a warm, caring, forward-thinking and progressive community of committed Jews in Vancouver. The role of emeritus for Rabbi Solomon indicates his distinguished service and was not awarded pro forma, but because he, together with his wife, accomplished much and were beloved by the people they served. It is a true pleasure to be honouring him in return with this gala.”
Pinksy and her family have been members of Beth Israel for about 25 years. Upon joining the synagogue, she said, “Almost immediately, I asked Rabbi Solomon to teach me Torah and Haftarah reading, because I wanted to have an adult bat mitzvah. Under his tutelage, it took place. After that, my oldest son Isaac was in Rabbi Solomon’s last bar mitzvah cohort, in 1997.”
Current spiritual leader of Beth Israel, Senior Rabbi Jonathan Infeld, met the Solomons at his installation 13 years ago.
“Rabbi Solomon was beloved because of his warmth, love and concern for the Jewish people, the Vancouver Jewish community and the members of our synagogue,” said Infeld. “He worked extremely hard to bring Torah and love to everyone in his realm. I always hope to emulate his examples.”
Both Infeld and Pinsky attended the Rabbinical Assembly, which took place this year in Montreal May 5-8. Solomon was one of six rabbis honoured by the Conservative movement organization on the first night of the convention.
“Conservative rabbis from across the world were in attendance,” said Infeld. “Unfortunately, Rabbi Solomon and Phyllis were not able to make it because they live in Jerusalem. Rabbi Lionel Moses organized and chaired the ceremony. I spoke about Rabbi Solomon and his wife, Phyllis. Liberal MP Anthony Housefather presented an award that Helen Pinsky received on Rabbi Solomon’s behalf.”
“As soon as I heard about the tribute ceremony for the Solomons, I wanted to be there,” said Pinsky. “It was an extreme honour to accept the certificate of merit and tribute on their behalf. The certificate is signed by Prime Minister [Justin] Trudeau, and the prime minister filmed a message of congratulations to the Rabbinical Assembly to welcome us there.
“The greatest thrill,” she said, “was to hear Rabbi Infeld describe the accomplishments and the personal courage and integrity of the Solomons to the assembled rabbis and other guests at the assembly. It was easy for us to decide to attend, because we didn’t want this opportunity to honour the Solomons to go by without proper acknowledgement.”
The Solomons worked for the benefit of the synagogue and the larger community. “They became friends with many of their congregants and the families that made up the synagogue, grew up with the Solomon family,” said Pinsky. “Rabbi Solomon took a leading role in advocating for human rights and protecting human dignity within the Vancouver Jewish community and neither he nor Phyllis hesitated to stand up for what they believed to be fair. He was involved in demanding freedom of Soviet Jews, in the exodus of Ethiopian Jews, and he supported Martin Luther King and other leaders who fought for racial and social equality during the ’60s, ’70s and onwards. The Solomons also aided in the synagogue’s adaptation to include women as equals within the Conservative movement. Their impact was huge.”
The couple made aliyah right after Rabbi Solomon’s retirement in fall 1997, said Pinsky. “They have lived in Jerusalem ever since,” she said. “In around 2006, they attended and Rabbi Solomon officiated at my niece’s bat mitzvah at the Southern Wall, just below the Western Wall, and we socialized all weekend. The Solomons retained a warm and friendly relationship with my extended family, as they did with most of the families in the synagogue. They had known my parents since the ’70s, for example, and were quick to send us kids kind notes of sympathy on the passing of our father and then our mother. I know of many congregants who have lunched with the Solomons each time they visit Jerusalem, and still maintain that special relationship that one can have with ‘my rabbi.’”
“I see them every time that I am in Israel,” said Infeld. “We also talk on the phone and email.”
Infeld is joined in leading the congregation by Assistant Rabbi Adam Stein, Ba’alat Tefillah Debby Fenson and youth director Rabbi David Bluman. The synagogue has more than 640 member families, according to its website.
“Rabbi Solomon and Phyllis gave so much to Beth Israel and the entire Vancouver Jewish community. We are as we are today as a synagogue because of the two of them. They built so much. We should always be grateful to them,” said Infeld. “Our gala will be just one way to continue to show them our gratitude and appreciation.”
For the last while, the gala committee, which Schwartzman co-chairs with Leatt Vinegar, has been asking the community to send in photographs of and stories about the Solomons. These photos will be shared throughout the event in different ways, said Schwartzman.
“It is going to be a lovely evening of celebrating our beloved Rabbi and Mrs. Solomon,” she said, “but it is also a celebration of our congregation and how it touches our lives at those lifecycle pivotal moments.”
In this vein, a new exhibit is being mounted.
“We are excited to officially open the museum cases in the synagogue once again,” said Schwartzman. “Jean Gerber and Lissa Weinberger have been working hard at bringing back these displays. Phyllis Solomon helped develop the original museum in the old building and she has been involved in helping to decide which pieces will be in this new display that officially opens at the gala.
“We will also be naming the street that leads down to our parking lot … and, if technology holds up, we will be trying a live link to the Solomons in Israel.”
A special book of messages is being designed to give to the Solomons as a keepsake, and a digital version will also be created, so that everyone can view it. To contribute to the book, contact Esther Moses-Wood at [email protected].
Proceeds from the gala and book will support the operation of the synagogue. For tickets ($180), call 604-731-4161 by June 1.
The fear, bloodshed and massive loss of life in the cause of freedom are illustrated through remarkable – and convincing – dramatic reenactments in D-Day in 14 Stories. (photo from YAP Films and the History Channel)
The horrors and heroism of D-Day took place 75 years ago June 6. A remarkable new documentary, with distinct Canadian and Jewish connections, will air on the History Channel June 1. D-Day in 14 Stories includes firsthand recollections from Allied and German soldiers and French civilians – many of them kids or teenagers at the time of the conflict.
The massive battle of the Second World War saw more than 150,000 Canadian, American, British and other Allied soldiers storm the beaches of France, marking the turning point of Nazi – and Allied – fortunes.
D-Day in 14 Stories is a social history of D-Day, a joint production of YAP Films and the History Channel. The events on that long-ago day in 1944 are illuminated by eyewitness accounts from some of the few remaining veterans of that historic battle.
On D-Day alone, 359 Canadian soldiers were killed. More than 5,000 Canadian soldiers died during the succeeding weeks of fighting in Normandy. The fear, bloodshed and massive loss of life in the cause of freedom are illustrated through remarkable – and convincing – dramatic reenactments, visual effects and historical footage, including a trove of colour film taken by a soldier using an early Bell and Howell handheld movie camera.
Many soldiers on both sides were just following orders but, as Morton Waitzman recounts in the documentary, some Jewish soldiers felt a particular motivation.
“Being of the Jewish faith myself, and so many of my comrades, we knew we had to get over there as soon as possible to do whatever we could to stop this terrible curse,” he said. As a communications specialist, he connected American and British forces with members of the French Underground to help coordinate the battle.
The Germans were anticipating an attack, but had no idea when, where or how large a force the Allies would assemble. The documentary follows a wall of soldiers parachuting through a cascade of tracers. In all, 13,000 Americans dropped inland by air to support the amphibious landing and undermine the German response.
While one Allied soldier says, “Anybody who says they weren’t afraid is not telling the truth,” a German soldier recounts, tellingly: “We had no fear. We were convinced that we would win.”
Until D-Day, the British Air Force had strafed the Normandy coast, but returned to their island redoubt. French residents of the area were familiar with the routine: take shelter when the alarms go off and come back out when they ring again.
Bernard Marie was a 5-year-old child in Normandy at the time.
“The big difference is that, on June 6th, the siren never came back,” he said.
In all, 7,000 vessels embarked from Britain to the French coast. The Allies had no illusions about the cost of the operation. Casualties were anticipated to reach 25 to 30%.
Emotionally powerful dramatizations follow 16- and 17-year-olds as they face the life-and-death moment for themselves and the free world.
“Some never got off the boat,” recalled one soldier. “They were shot, bodies laid all over, boats turned upside down, real chaos. We still kept going forward.… Soldiers.”
One survivor remembers that, despite the explosions all around him, his sole consideration when coming ashore at Normandy was that his socks were soaked through.
The average soldier was carrying 35 kilograms on his back and, for those whose vessels did not manage to make it close to shore, jumping off the ship, in many cases, led to almost instantaneous drowning.
If they survived the initial landing, the soldiers had to confront the German enemy firing down from above at Allied soldiers who were effectively sitting ducks. A German soldier recalls: “We merely had to point that machine gun and it was like cutting wheat with a scythe. For the odd miss, we had a thousand hits.”
The film admirably makes the effort to capture the particular experiences of African-American and First Nations soldiers.
Waitzman, the Jewish American soldier, went on to fight in Europe and participated in the liberation of concentration camps.
“We became eyewitnesses to the Holocaust by what we saw,” he says in the film. “We were very compelled to tell the details to young people. We had to talk, to fight this as much as possible.”
Another veteran of the battle reflects on the loss of life, but ponders the alternative: “God knows what would’ve happened if we hadn’t done it.”
Prof. Norma Joseph (photo from Association for Canadian Jewish Studies)
On June 2, the Association for Canadian Jewish Studies is holding a day of lectures in the Jewish community that will be topped off with music from the Vancouver Jewish Folk Choir, the granting of the 2019 Louis Rosenberg Canadian Jewish Studies Distinguished Service Award to scholar and activist Norma Joseph and a talk by Franklin Bialystok on Canadian Jewish Congress.
“We offer a community day every year, and it’s always the opening day of the conference,” co-organizer Jesse Toufexis told the Independent.
“The motivations for the community day are plentiful,” said Toufexis. “Firstly, we receive great support in a number of ways from Jewish communities all over Canada, so this is an excellent way not only to thank them but to show them what the scholarly community is up to.
“Secondly, the Jewish community is interested in the topics we cover, from history to sociology to literature and art. So, coming from fields where we work on such minutely detailed projects, it’s fun to engage with a community that gets excited about the topics we ourselves find exciting.
“Thirdly, I think holding a community day is just part of a tradition that fosters togetherness. We aren’t scholars out in the ether, doing our own thing and keeping it to ourselves. I think of us more as a branch of a much larger Canadian Jewish community that includes all the various roles and aspects of Jewish life in this country, and I think it’s something of a duty to share what we’re constantly learning about our common past, present and future.”
Prof. Rebecca Margolis, ACJS president, praised Toufexis and co-organizer Prof. Richard Menkis on having “put together an amazing community day together in partnership with a team of local organizations that have gone above and beyond to make this day a success: Jewish Museum and Archives of B.C. and our host, the Peretz Centre for Secular Jewish Culture. As a member-run organization,” she said, “we value opportunities to collaborate with local organizations in order to produce exciting programming on the Jewish Canadian experience.”
The first panel session of the day is Jewish Space in Literature and Popular Culture, followed by Antisemitism and the Holocaust. At lunch, a panel discusses the topic Archives Matter. The two afternoon panels are Media Studies, and Challenging the Status Quo. Joseph’s talk in this last session is called No Longer Silent: Iraqi Jewish Immigrants and the CJC.
“I’ve been working on the Iraqi Jewish community in a bunch of different ways and my most recent publications are about their food and what we can learn about their cultural history and immigration patterns through studying their food,” Joseph told the Independent in a phone interview from her home in Montreal. “But I’ve also looked at, through the immigration pattern, the traumas they suffered by the expulsion from Iraq and the processes through which they had to escape from Iraq, as well as the ways in which they adapted to life in Montreal.”
It is only in the last decade or two, said Joseph, that Iraqi Jewish community members have “begun to present their memoirs and talk about how awful the experience from the Farhud in 1941 was. So, then I began to gather their stories.”
Joseph is particularly interested in the transition of the community from being unwilling to talk about their experiences to talking about them. “And also,” she said, “in the process of [preparing for] this year’s conference, which is celebrating 100 years of Canadian Jewish Congress, to figure out in what ways did Canadian Jewish Congress help or not help this community migrate or emigrate into Canada, which was, in fact, to Montreal. And that’s where I’m doing research right now. The Iraqi Jews themselves say, oh no, they didn’t help us … we came alone, we found our way on our own and nobody ever helped us. We didn’t ask for help. We weren’t refugees…. End of story.”
This perspective, as well as the larger Jewish community’s focus at the time on dealing with the impacts of the Holocaust, contributed to the silence, said Joseph.
“I wanted to go behind the scenes and say, OK, but in what ways that they [Iraqi Jews] might not have known was Congress working with the Government of Canada to open the doors, because we know that the doors of Canada were closed to Jewish immigration during World War Two but, afterwards, in the 1950s the doors open…. Did anyone in Congress help Middle Eastern Jews come? That’s my question. And that’s what I’m researching now at the archives, interviewing some people.”
Joseph’s interest in the Iraqi Jewish community comes in part from her and her husband Howard’s experiences.
“In 1970,” she said, “we came to Canada [from the United States]. He was invited to become the rabbi of the Spanish and Portuguese congregation. He was their rabbi for 40 years. And the congregation has many different communities – it has Iraqis, Lebanese, Moroccan, some Iranians, and we love the diversity of communities, the cultural diversity was so exciting.
“I never thought of studying the communities that we were friendly with and that my husband was the rabbi of, but, eventually, at some point, somebody said to me, why don’t you study Canadian Jews? And I looked around me at all these wonderful, diverse ethnic communities of Jews and I said, oh, this is a great idea, why not study the people I know so well?
“And I was interested in gender. I started asking a lot of questions and I especially focused on the women. And it came out that they were willing to talk to me, especially about food, and food was an entree into learning about their experiences, both in Baghdad and the transitions to Montreal and how hard those transitions were…. They couldn’t find the right foods and they didn’t know how to cook and there were no cookbooks and how were they going to cook and where were they going to find the spices? That was very symbolic of life, the difficulties of life in Montreal for this community that didn’t like gefilte fish.”
Joseph is being honoured by the ACJS for attaining the “highest standards of scholarship, creative and effective dissemination of research, and activism in a manner without rival in our field of Canadian Jewish studies, as well as being a respected voice in Jewish feminist studies more broadly.” Not only is she being recognized for “her mastery of both traditional rabbinic sources and anthropological methods,” but her teaching, her work in documentary and educational film, being a founding member of the Canadian Coalition of Jewish Women for the Get, as well as participating in the founding of the Institute for Canadian Jewish Studies at Concordia University, among many other accomplishments. For more than 15 years, she has written a regular column in the Canadian Jewish News. In one of these columns, in recent months, she recalled a time “when the phrase ‘liberal values’ was not a dirty word.”
“I was raised Orthodox,” she told the Independent. “My grandfather was a great Orthodox rabbi in Williamsburg…. But my parents worked very, very hard to send me to one of the great liberal Orthodox schools. It was called the Yeshivah of Flatbush, where boys and girls study together and we were taught that boys and girls could learn, and girls were included in that equation. It was one of the best schools because I learned fluent Hebrew, which was very rare, and it was a Zionist school, beginning in the ’50s.”
She added, “It wasn’t our liberal values in the 21st century, but it was mid-20th-century values. We learned to love Israel. We learned about justice, we learned about equality in some very interesting ways. We were patriotic Americans, my country right or wrong, which, after Vietnam, we had to rejig, but we were there before Vietnam…. I’ll tell you another thing that’s interesting about my upbringing – we didn’t learn about the Holocaust. At that age, in the ’50s and ’60s, parents didn’t want their children traumatized by stories of the Holocaust.”
Between her own studies of Jewish law and those of her husband, Joseph lauded the insight and flexibility that can be found in Judaism. “My husband always taught me that, if you are a legalist, are in charge of the law … the easiest answer is no, because it means you don’t have to examine and search the law. The hardest thing, but most creative thing, is to find a way to say yes…. We have thousands of years of law – surely in all that precedent you can find something.”
As but one example, Joseph has used Jewish law to argue for the rights (and obligations) of women, and has seen progress on the feminist front.
“For example,” she said, “let’s just take the world of bat mitzvah. In the 1950s, there weren’t bat mitzvahs, for the most part. Even the Conservative and Reform movements didn’t want bat mitzvahs…. Today, 2019, there isn’t a community that doesn’t offer some form of recognition of a girl’s 12th birthday,” including Chassidic communities.
“That’s a transformation because of feminist critique,” she said. “They will never admit it. They will say we always did it. But that’s a big change, on one hand. On the other hand, it’s silly, it’s narishkeit; it’s small, it’s nothing.”
But even incremental change leads to larger change, and Joseph spoke about the “incredible historical research coming out – women [always] had strong ritual lives, but what’s coming out now is the need for public ritual formats for women in all sectors of society.”
For the full schedule of and to register for the ACJS community day, visit eventbrite.ca.
A postcard showing Janusz Korczak in the courtyard of the orphanage on Krochmalna Street in Warsaw, Poland, in the early 1930s.
An unprecedented interdisciplinary event will take place this summer at the University of British Columbia, focusing on the legacy of Janusz Korczak, a pioneer in the area of children’s rights and welfare.
Korczak is perhaps remembered most for his final act of heroism: his refusal to accept an offer of a reprieve, choosing instead to walk with the 200 or so orphaned children of his school as they were sent to their deaths at Treblinka. But it is his legacy as an educator, physician and writer that will be the focus of the 2019 Korczak Summer Institute. The two-week intensive program, called Advocacy in Action: The Legacy of Janusz Korczak, is open to graduate and undergraduate students across disciplines. It takes place July 2-11.
“To the best of my knowledge, there’s never been a university-based course on the work of Janucz Korczak, not in his native Poland, not in Israel, certainly not in North America,” said Rabbi Dr. Hillel Goelman, professor emeritus in UBC’s department of educational and counseling psychology, and special education. The program was developed across disciplines, reflecting Korczak’s range of academic and philosophical work.
“He was a pediatrician by training, so we reached out to the department of pediatrics to get their help and a number of faculty members are going to do Korczak-related activities,” said Goelman. “He was an educator, so the faculty of education were happy to co-sponsor the course with the Januscz Korczak Association [of Canada]. But it would also be open to people studying social work or any sort of child-focused activity. A lot of people at UBC support the whole cause of child activism and child welfare from an interdisciplinary perspective.”
Korczak’s philosophy inspired and informed the United Nations Charter on the Rights of Children. Importantly, his work was not limited to academics or writing, but was devoted to applying his values of child empowerment directly to the real world.
“Children are not the people of tomorrow but people today,” Korczak wrote. “They are entitled to be taken seriously. They have a right to be treated by adults with tenderness and respect, as equals.”
“In the orphanage that he ran in Warsaw, they had a children’s parliament, where children elected their leaders to make the rules and enforce the rules,” said Goelman. “There was a children’s court, where children could complain about their treatment either by the staff or by other students. There was a children’s newspaper that they published. He very much empowered children and he thought it was important to draw on this and give them opportunities to develop their own leadership. I think those are all very important contemporary messages for educators, social workers, pediatricians … and it’s kind of timeless. It’s really relevant to where we are today in terms of child activism, child welfare and child advocacy.”
The institute is designed to help participants transform their working environment to model democratic principles pioneered by Korczak in his writings, pedagogy and governance of the orphanages under his care. It will also encourage participants to adopt strategies to translate the respect for children’s rights into professional practices, including communication with parents and the larger community, and to learn how to help children in developing and sustaining their cultural identity, particularly among those who may struggle with multiple identities.
The course will be taught by Prof. Tatyana Tsyrlina-Spady, an internationally recognized expert on the life and legacy of Korczak and adjunct professor at Seattle Pacific University. She will be joined by a team of international and national invited speakers: teacher trainer and UNICEF consultant Jonathan Levy (Paris, France); founders and leaders in the field of social pediatrics Dr. Gilles Julien and Hélène Trudel (Montreal); researcher and practitioner of Korczak’s legacy Wojtek Lasota (Warsaw, Poland); several UBC professors of nursing and psychology; U.S.-Canadian writer Tilar Mazzeo (Victoria); and a Holocaust survivor and poet, Vancouverite Lillian Boraks-Nemetz.
Promoting Korczak’s pedagogical ideas, as well as their effect on children’s education, is part of the mandate of the Janucz Korczak Association of Canada, which was founded in 2002. The president, Jerry Nussbaum, lives in Vancouver, as do fellow board members Goelman and Boraks-Nemetz.
“His work is very much alive,” said Goelman of Korczak.
The Vancouver Jewish Folk Choir in a performance last fall at the Peretz Centre, led by conductor David Millard, with pianist Danielle Lee. (photo from VJFC)
As they say, nothing comes from nothing and so it is with the Vancouver Jewish Folk Choir of the Peretz Centre for Secular Jewish Culture. Officially, our birth date was 1979 – and that’s what we’re celebrating in the June 9 spring concert unironically called Freylekhe Lider: Yiddish Party Songs – but, when you come right down to it, we were in labour for around 25 years before finally coming into the world.
An early predecessor to the Vancouver Jewish Folk Choir was a group called the UJPO’s Vancouver Jewish Folk Singers. UJPO was the United Jewish People’s Order and it was a decidedly political organization that positioned itself somewhere left of Lenin. Its eight-member choir, though keen on socially progressive issues as well, was somewhat less political and more focused on bringing Yiddish and international music to the Vancouver community. Yiddish singer Claire Osipov, the choir’s founder and director, formed the group in 1956 and kept it going for six years. In that time, the choir performed at Peretz Centre events, as well as reaching out to the community beyond. On two occasions, the choir performed at the CBC studio and was broadcast over CBC Radio.
Everyone familiar with Claire knows she seems to have boundless energy when it comes to her love of music and so, to no one’s surprise, she took on additional musical duties and began a children’s choir at Peretz in 1959. The Peretz Centre had an active children’s education program under principal Leibl Basman and Claire’s choir drew on this group, bringing in children who ranged in age from 7 to 11. Noteworthy in this choir was part-time piano accompanist Gyda Chud, current president of the Peretz Centre.
Time and circumstance brought both those choirs to an end some time in the 1960s and, for a time, the halls of the Peretz Centre were chorally silent.
Then, a Peretz choir formed under the direction of Morrie Backun, an employee of Ward’s music. Little is remembered about this choir because Morrie discontinued the group after just one year. Tammy Jackson sang in this choir and one of her main recollections is not so much the repertoire and performances as the brilliant discount they got on sheet music.
* * *
Searle Friedman arrived on the Vancouver scene 1978. He had been out of the country for a number of years studying music in East Germany. After his studies, he and his family – wife Sylvia and sons Michael, Robert and David – settled in Toronto, where Searle became conductor of the Toronto Jewish Folk Choir.
After a time, the family decided to move to Vancouver and Searle came here on his own initially to pave the way. At first, he taught at an alternative education program (called Relevant High School) that was based at what was then called the Vancouver Peretz Institute but, after a year, he parted company with that organization. Since his Ontario teaching credentials were not immediately transferable to British Columbia, Searle spent much of his time at Peretz and it was there that he had a conversation with Tammy, who suggested that he form a choir to occupy his time.
The beginnings of the Vancouver Jewish Folk Choir were rather humble, comprising just a few members and a Russian pianist named Wolfgang. The roster at that time is only vaguely remembered but it certainly included Tammy (Searle’s niece) and Sylvia (his wife). It likely also included David Friedman (Searle’s son), Goldie Shore, Betty Ewing, Davie Cramer, Carl Lehan and Margie Goldhar. When there were no-shows at rehearsals, the standing joke was that the choir could at least consider the possibility of becoming a barbershop quartet.
In those early years, the choir performed informally at various Peretz Centre festival occasions and cultural gatherings. The repertoire was a potpourri of traditional Jewish folk songs sung in Yiddish, as well as some non-Jewish selections that piqued Searle’s interest – “Roosters Crowing on Sourwood Mountain” and “Martian Love Song,” to name two. Incidentally, Searle could never figure out why the “Roosters” song never sounded quite right, until one day he discovered somebody in the bass section was singing “roosters growing on the side of the mountain.”
But the choir grew rapidly. Searle was not just a brilliant conductor and arranger. He was very much a people person and had a charisma and affability that drew others to him. He had a knack for making his singers believe in themselves. Maurie Jackson, an early recruit, recalls Searle often saying to struggling singers: “If you can talk, you can sing!” In a short time, the choir grew to around 30 members, including me.
I had seen Searle’s choir perform and I thought about joining but my interest was kind of a passing thing. I was determined to do something Jew-ish but my real hope was to join a folk dancing class at the Jewish Community Centre. My job kept me glued to a desk most days. I figured folk dancing would be a good way to get some exercise, lose some weight and meet new people. As fate would have it, the folk dancing class was canceled, so I had to begrudgingly fall back on my second choice – the choir. It was a choice that I stuck with for almost 36 years and a choice that introduced me to Tammy – the remarkable lady I’ve been married to for 31 years and counting.
Tammy’s uncle, Searle, was inordinately pleased to know he had played matchmaker to two of his choir members. As often as Searle gave me pointers on singing, he also asked for updates on the state of my relationship with his niece: “Are you seeing each other after choir?” “Are you engaged yet?” “Do you have a wedding date?”
Rehearsals were a lot of fun. Searle liked to laugh and humour was always a part of our repertoire. I recall one day when Searle was working hard at getting us to blend our voices more closely. He wanted to hear the choir singing as one voice. After puzzling over how to make us understand this, he said, “I want all of you to try really hard to feel each other’s parts!” That did us in for most of the rest of that rehearsal, and even Searle had to take time to get back his concentration.
Searle’s one nemesis in rehearsals was his wife, Sylvia. While the rest of us were in awe of his talents and put Searle on a pedestal, Sylvia felt no such compunction. She freely advised Searle of proper pronunciations of Yiddish words and even was vocal about the pace of various songs when she thought Searle had got it wrong. The expression we often heard from Sylvia was, “In my village….” The expression we often heard from Searle was “Sylvia, who’s running this choir?” For fear of hurting his feelings, no one ever answered that question. Many a rehearsal degenerated into heated debates regarding Yiddish linguistics and the proper treatment of traditional songs.
As well as increasing the size of the choir, Searle wanted to increase our presence in the community and give us a focal point for our efforts. With that in mind, we performed our first annual spring concert in the spring of 1984. Our guest artists were the Shalom Dancers. In addition to the choir fans who attended, the Shalom Dancers brought to the performance their own appreciative followers. The result was a very large and lively audience. The pervasive feeling in the choir was, “We’ve got to do this again!” And so, we have, every spring.
* * *
Searle’s energy and love of music had always made him seem like an unstoppable force of nature. We thought and hoped he would last forever. We were wrong. Due to a childhood bout of rheumatic fever, his robust exterior masked the effects of a damaged heart. When he was still a young man, his doctors basically told him not to take on any long-term magazine subscriptions. They said that, with the damage to his heart valves, he would not survive past the age of 40. Searle’s response was to get married, raise three sons, travel to East Germany to study music, get his Canadian teaching certificate and start a choir. When it came to living his life, Searle was not about to call it a day.
In September 1974, Searle had a heart valve replacement and got on with his life. After he founded the Vancouver Jewish Folk Choir in 1979, he was spending repeated stints in the hospital. Nevertheless, he pushed through his medical setbacks and always came back to us ready to lead the choir without a backward glance.
I had a conversation with Searle that pretty much says it all. I was visiting him in the hospital.
Me: How are you doing, Searle?
Searle: Fantastic! I’ve gotten some very good news from my cardiologist.
Me: (greatly relieved) Wonderful! What did he tell you?
Searle: Well, it turns out he sings in a choir and he’s not happy with it. He’s thinking of joining ours! And he’s a tenor!
Searle returned to us from that hospital stay and all of that seemed behind him. But tragedy struck on Dec. 31, 1990. Searle’s heart just stopped. He was only 64.
Just over a week later, we had our first choir rehearsal without Searle. We stood in a large circle and began our warm-up exercises, led by our accompanist, Susan James. No one’s mind was on what we were doing. After a few minutes, I suggested we stop so I could say a few things about Searle. I can’t remember exactly what I said but I spoke about Searle and how much the choir meant to him, and about keeping it going as a tribute to his memory. The floodgates opened. Every choir member spoke of how much Searle had meant to them personally. When it ended, we got down to the business of carrying on what he had begun. If we doubted ourselves, we only had to look at one of the choir members who stood in that same circle to warm up and sing with the rest of us – Searle’s wife, Sylvia.
* * *
After Searle’s passing, Susan stepped up and became our conductor. She was a more reserved individual than Searle but a skilled conductor and her attention to detail was legendary. Nothing got by her and every note sung that was not to her satisfaction was drilled again and again until we got it right. And, sometimes, when the notes were right, we were still stopped dead in our tracks because the page turns were too loud. We worked harder during rehearsals, and we were better singers for it.
Susan’s tenure was five years. She was a devout Christian and the choir was composed mostly of a bunch of godless secularists. In her farewell letter to the choir, she expressed her sadness at not being able to share her beliefs with the rest of us. She left in 1995, after our annual June concert and our season had ended.
Again, a member from our ranks stepped up and helped us carry on. In fall 1996, David Millard – who for a few years had been a paid professional singer in our tenor section – became our conductor and, much to our good fortune, is still at it today.
Over the years, David has conducted, served as our resident Yiddishist, sung as a soloist, filled in on occasion as our pianist, written choral arrangements for many of our songs and led audience sing-alongs at festival celebrations. As we declared in one of our concert narrations, David is the Swiss Army knife of conductors.
In recent times, he composed an original six-part cantata based on a Yiddish translation of Lewis Carroll’s nonsense poem, “Jabberwocky” – “Yomervokhets,” in Yiddish. David’s interest was piqued when he read a Yiddish translation of “Jabberwocky” by Raphael Finkel. Finkel had apparently found a Yiddish-English dictionary that no one knew existed. In this dictionary, the “Jabberwock” translates as the “Yomervokh” and the “frumious Bandersnatch” is noted as the “froymdikn Bandershnits.” The hero’s blade that went “snicker-snack” as it sliced into the Jabberwock made a different sound held by a Jewish hero – “shnoker-shnik.” Who knew?
Translation issues aside, “Yomervokhets” is a brilliant original composition and an audience favourite. No history of the choir would be complete without it and it is to be featured at the choir’s 40th anniversary concert in June.
* * *
Helping us sound our best over the years have been our piano accompanists. Some choirs sing a cappella (without accompaniment). Some choirs, such as ours, are community choirs that welcome enthusiasts of all abilities. For that reason, many of us welcome the guidance of an accompanist to help keep us on pitch. (Some of the choir still think a cappella is an Italian dish involving meatballs.)
Good accompanists are not easy to come by. They need to work closely in tandem with the conductor, often to the point of reading his or her mind.
Over the years, we have relied on many pianists to keep us in tune. Currently, we are accompanied by Danielle Lee, who joined us at the start of this season. But, Elliott Dainow stands out as our longest-serving accompanist – almost 20 years! Beyond contributing his talents at the piano, Elliott was a choral arranger and his version of “Oseh Shalom” has been performed by the choir many times. Though he grew to be a member of the family, to everything there is a season, and Elliott left us in June of 2017, in order to give more time to the renovation of his home on Hornby Island.
* * *
Over the years, the choir has performed at countless venues, including the Peretz Centre, South Granville Lodge, Louis Brier Home and Hospital, Cityfest Vancouver, Vancouver Public Library, VanDusen Gardens, Cavell Gardens, Orpheum Theatre’s Parade of Choirs, the Vancouver Planetarium, the Israeli Street Festival and Victoria’s Congregation Emanu-El.
Sadly, one of our more recent choir performances was at a memorial service for our beloved Sylvia. Shortly after our June concert in 2016, she became ill and passed away that December. She was our last original choir member still active with the choir. In the program notes of our June 2017 concert, we wrote: “The choir dedicates this concert to the memory of our beloved Sylvia Friedman, who sang with us for all but one of the 38 years of our existence. Sylvia wanted to sing this one last concert before retiring. Her death in December 2016 prevented that, but, in our hearts, she is always right there beside us, singing as beautifully as ever.”
Under David’s able baton – figuratively speaking, since he really just waves his arms and hopes somebody notices – and inspired by the devotion to Jewish music of Searle and Sylvia Friedman, the choir is looking forward to its next 40 years.
For tickets ($18) to Freylekhe Lider June 9, 2 p.m., at the Peretz Centre, visit eventbrite.ca.