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"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

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Tag: social justice

Shared society in Jerusalem

Shared society in Jerusalem

The Jerusalem Business Development Centre (known in Hebrew by the acronym MATI) makes a direct contribution to shared living, and two leaders of the Israeli organization will visit British Columbia next month. (photo from CFHU Vancouver)

Shared living in Jerusalem takes many forms and, even during periods of unrest and tension, shared living continues for many people in the city. In the public spaces of Jerusalem, you will find Arabs and Jews and many others. They share the same spaces but they rarely have meaningful interactions and they often don’t even share the same language for communication.

The challenge of building bridges, trust and communication between diverse population groups has been one of the mandates of the Jerusalem Foundation since its establishment. For many years, it has created new community centres, cultural venues and parks and schools for all neighbourhoods across the city, working to ensure that equal access to services and leisure could be achieved.

The foundation supports programs for learning Arabic in Jewish schools and Hebrew in Arabic-speaking schools, assisting Jewish and Arab women in creating art together, in increasing their skills and employment opportunities, in finding ways for Jewish and Arab children to learn together, to play together, to understand what they have in common and not what makes them different.

Jerusalem is home to the Hebrew University which, like the city, encompasses students from a mosaic of religions, languages, ethnicities, cultures and socioeconomic backgrounds. The university leadership understands that this rich diversity is a precondition for academic excellence, critical examination, intellectual stimulation and the cultivation of the next generation of Israeli and regional leaders. Over the past decade, Hebrew University has devoted considerable efforts and resources to social and academic inclusion, as well as support of traditionally underrepresented populations.

The Israeli public elementary and high school system is separated for Arab and Jewish youth, as well as for religious and secular Jews and many places of residence are homogenous. Campuses, therefore, have great potential for shaping students’ perceptions and views regarding fairness, diversity and inclusion. Indeed, a positive campus experience will motivate university graduates from all groups in society to work alongside those from other groups in the workforce and to function as agents of change in their communities.

There are many challenges to shared living in Jerusalem, yet both the Jerusalem Foundation and Hebrew University believe that the diversity of Jerusalem is the city’s greatest asset and creates the resilience and strength needed to face all challenges for living together.

The Jerusalem Business Development Centre (known in Hebrew by the acronym MATI), which was founded by the Jerusalem Foundation in 1991 to strengthen and develop small businesses and entrepreneurship in the city, makes a direct contribution to shared living. The centre focuses on the city’s weakest economic populations: new immigrants, the ultra-Orthodox and East Jerusalem residents. Each year, MATI Jerusalem helps thousands of entrepreneurs and business owners create or expand businesses in the city, thus aiding in the creation of thousands of new jobs and advancing the city’s overall economic development.

A joint project of Hebrew U and the Asper Innovation Centre, together with the Jerusalem Foundation and MATI, sponsored microloans for women in East Jerusalem and led to the establishment of a full-time MATI centre in East Jerusalem.

Hebrew U established the Al-Bashair Program for Excellence in East Jerusalem, with the Jerusalem Municipality, as a leadership program for excelling students at the university from East Jerusalem. They attend a two-year program that includes leadership skills, internships, tours and career support. Al-Bashair for High Schools aims to prepare excellent high school students (grades 10-12) for higher education.

On Oct. 27 and 30, the Jerusalem Foundation of Canada and Canadian Friends of Hebrew University will bring the women leaders from MATI to Victoria then Vancouver, to tell their story and, through them, the story of Jerusalem. Michal Shaul Vulej, deputy chief executive officer, and Reham Abu Snineh, East Jerusalem manager, will speak about their experiences in East and West Jerusalem, and working to help empower and support underserved communities in workforce development and business opportunities. Their visit across Canada is sponsored by the Asper Foundation. In Vancouver, the visit is organized in partnership with the Jerusalem Foundation, CFHU and the Jewish Federation of Greater Vancouver.

For more information on specific events, contact Dina Wachtel, [email protected], or Nomi Yeshua, JFC, nom[email protected].

Format ImagePosted on September 16, 2022September 14, 2022Author CFHU VancouverCategories Israel, LocalTags Asper Foundation, CFHU, coexistence, Jerusalem Foundation, Jewish Federation, MATI, social justice
Feeding those in need

Feeding those in need

Mazon Canada’s Izzy Waxman, left, and Kathleen Novelia at Valley Community Learning Association in Nova Scotia. (photo from Mazon Canada)

Mazon Canada, a grassroots community foundation that helps feed Canadians of all ages, abilities, beliefs and ethnicities on behalf of the Jewish community, is making some big shifts entering the new year, as households across the country face mounting challenges involving food security. In addition to providing grants for food and equipment, and educating and advocating toward an end to hunger in Canada, Mazon says it will also be “harnessing the wisdom and power of communities.”

“We’re deepening relationships with our grantees, asking about how we can support them better, and making big changes based on that feedback,” said Izzy Waxman, Mazon’s executive director. “We realized we can have bigger impacts if we lift the restriction that our grants should only be spent on food.”

As an example, Waxman compared investing $2,000 on food with spending the same amount on a freezer. “The former will get you 2,000 meals at even our most efficient food bank partner, but spending $2,000 on a freezer to store rescued or donated food can rescue 1,000 pounds of food a month for at least 10 years. That’s 12,000 meals annually or 120,000 meals. This is something we might not have explored if we didn’t take time to listen to our partners and ask how we can support them better, treating them as the experts that we can learn from.”

Additionally, according to Waxman, Mazon is bringing a social justice perspective to hunger, which recognizes that more vulnerable groups need greater attention. By supporting and prioritizing marginalized communities, Mazon hopes to strengthen interfaith and intercultural alliances.

Further, Mazon is taking an active role in advocacy work. “While providing food is always our biggest expense by far, we can’t solve hunger by only treating the symptom. We have to address the root cause as well: poverty. That means starting a conversation in the Jewish community about addressing the cost of living, employment and our social safety net – including the housing crisis, disability supports, minimum wage and other issues affecting the poorest people in our communities,” Waxman said.

Helping low-income individuals in British Columbia since its founding in 1986, Mazon currently supports more than 25 organizations across the province, including hot meals for the homeless in the Downtown Eastside, community gardens at Indigenous elementary schools, hampers for Jewish seniors, food rescue operations to save edible food from landfills, and drop-in meals for people with AIDS and those experiencing addictions.

In 2021, Mazon, on behalf of the Jewish community, provided more than 300,000 meals through 205 partner programs in 92 Canadian towns and cities. Its reach extends from Victoria to Iqaluit to St. John’s.

A successful partnership program Mazon points to regionally is School District 50 (SD50), consisting of six schools on Haida Gwaii. As an archipelago, Haida Gwaii is especially vulnerable to disruptions in food supplies and the economy; because food must be shipped in from the mainland, basic nutritional staples can be very expensive.

To keep students fed, SD50 has used a strategy, called Local Foods 2 School, in which cafeteria food is sourced from nearby farms or local woods and waterfronts. Students visit the sources of the food to learn about how it is grown, gathered, hunted, preserved and prepared. Meals served at the schools are often cooked by students so they learn kitchen skills.

A significant number of SD50 students are Indigenous, thus community elders are involved in teaching traditional food and land skills. This approach, Mazon believes, supports the local economy and encourages resilience and food independence.

Looking for B.C. members

Believing it is important to have Jews from all over Canada who have on-the-ground knowledge of their communities and cities, Mazon is hoping to fill two vacant board positions with residents of British Columbia.

“That same grassroots ‘community-knows-best’ perspective we take to supporting frontline food programs matters in our leadership, too,” Waxman said. “We’re about to head into strategic planning and we need participation from Jews across the country to make sure it’s in touch with local priorities.

“I worry that the B.C. Jewish community doesn’t know about the work we’re doing in their name right in their backyards, and we need local leadership to help us raise awareness of how the Jewish community is responding to West Coast hunger. I know people would be so excited if they knew the Jewish community was helping people in their neighbourhoods,” she added.

Besides seeking a B.C. presence on its board, Mazon is looking for people to serve on its advocacy, fundraising, allocation and education committees.

In 2019, there were 4.4 million Canadians confronting food insecurity, according to Mazon. In 2021, the number jumped to 5.8 million and, by the end of 2022, it is expected to be even higher as a result of inflation. Inflation also makes it more difficult for food banks to serve people in need.

Mazon is distributing 100% of donations to its current Rosh Hashanah campaign to frontline food projects without overhead.

For more information, visit mazoncanada.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on September 16, 2022September 14, 2022Author Sam MargolisCategories NationalTags food security, hunger, Izzy Waxman, Mason Canada, social justice
Opening of hearts

Opening of hearts

In this Vancouver Playback Theatre screenshot are, top row, left to right, Peter Abrams, Diandra Lee and Laen Hershler; middle row from left, Ingrid Broussillon, Joel Bronstein and Louise Lemieux; and Carol Ann Fried.

If you want to see tikkun olam in action, see the next performance of Vancouver Playback Theatre (VPT). For the last 23 years, the ensemble has been retelling audience participants’ life stories with sensitivity and compassion.

At VPT’s March 6 show, brightly coloured scarves, banners, dance, piano music and improvisation “played back” individual audience experiences of and the accompanying emotions caused by antisemitic events and other forms of discrimination.

“We really want audience members to feel seen, understood, and learn from the playback experience,” VPT’s Peter Abrams told the Jewish Independent.

Fellow Jewish community and troupe member Joel Bronstein added, “Our work takes audience members out of their heads and into their hearts … when people share their feelings and life experiences in a safe and supportive environment, there is a collective opening of our hearts, even when it is light and funny.”

Playback Theatre was created in New York 47 years ago with the intention of returning theatre to its storytelling and community-building roots. With troupes now established worldwide, Playback Theatre directly engages participants in sharing experiences and ideas related to themes of importance to them individually, and as groups, organizations and communities.

Abrams, Bronstein and Carol Ann Fried, who is also a member of the Jewish community, have all been part of the ensemble for more than two decades. Fried’s most memorable audience story involved a father talking about the love he had for his son.

“As he was speaking,” she said, “I wanted to sing a song about his love. I knew there was a Cat Stevens song called ‘Father and Son’ but I couldn’t remember the words or the melody. The only song I could think of was ‘You are the Wind Beneath My Wings,’ and I sang a few lines.”

After the show, the father told Fried that he had made a video of his son when his son was younger and the sound track was “You are the Wind Beneath My Wings.”

“That’s the magic of Playback,” said Fried. “It’s Hashem in action.”

Abrams remembers a story about a woman who found herself attracted to two men who were both interested in her, and she was wondering what to do about her pleasant dilemma.

“In the playback, myself and another male actor represented the two suitors in an old-fashioned duel that was a slow-motion dance, also using fabrics,” said Abrams. “We ended in a draw, appealing to the teller [audience participant] to decide. The teller and the audience loved it, and the teller realized she didn’t need to rush any decision, and decided just to enjoy the experience.”

There seems to be no limit as to what can be expressed in performances with VPT and what insights can be gained.

Fried said she has particularly enjoyed playing “non-literal parts.” For example, she has played a table at which two people fell in love, she has played the feelings of love and has even played internal organs. She said she has learned to trust that her creativity will emerge when invited.

Bronstein remembers when he had to play back a story about a violent character. “Although I symbolically represented the violence, when the story was finished my body was shaking intensely,” he said.

It’s not surprising that VPT works with organizations that help others, such as the Kitsilano-Fairview Mental Health team and Oxfam Canada.

“When we do a workshop for an organization or a community group, we often start with a short performance on an issue, and follow this with breakout groups where participants can dialogue on what they’ve learned and where to go from here on the issue,” Abrams said. “The groups we work with are focused on progressive social issues, so we contribute to forward movement on these issues through our workshops.”

VPT offers a variety of services, including public and conference performances, workplace conflict resolution workshops, peace-building in schools, community engagement projects, and Playback skills training, in person (when possible) and virtually (via Zoom).

Fried said she has learned a lot about the human condition through working with culturally diverse audiences. “Although our lives, cultures, religions and life experiences are different, we all value and care about the same things,” she said. “We all have the same variety of feelings. I feel connected on an internal level with each teller.”

When they aren’t together storytelling, Fried runs her own company and is a keynote speaker, workshop leader and coach; Bronstein is the executive director of Little Mountain Neighbourhood House; and Abrams runs his own organizational development consulting business.

The other members of the ensemble are Diandra Lee, Laen Hershler, Ingrid Brousillon, Louise Lemieux, Laurie Damer and Matthew Spears.

The troupe’s website is vancouverplaybacktheatre.com. Their next online public performance will be on June 26 in honour of World Refugee Day, which is June 20.

Cassandra Freeman writes stories with the support and love of her husband, Irwin Levin.

Format ImagePosted on April 8, 2022April 7, 2022Author Cassandra FreemanCategories Performing ArtsTags Carol Ann Fried, Joel Bronstein, Peter Abrams, Playback Theatre, social justice, tikkun olam
Climate action update

Climate action update

Seth Klein speaks at the Press Conference from the Future on March 12. (photo by Lorne Mallin)

On March 12, hundreds turned out for a creative event that imagined what could be accomplished by 2025 with climate movement leaders in government.

“With the money that would have gone to piping some of the worst oil in the world to the West Coast, we have instead unleashed a wave of investment in healthy people and healthy land,” Kukpi7 Judy Wilson told A Press Conference from the Future in front of Vancouver Public Library’s central branch.

Wilson, secretary-treasurer of the Union of British Columbia Indian Chiefs, was speaking as if the twinning of the Trans Mountain (TMX) pipeline had been scrapped in 2023 and a TMX reparations and healing secretariat had been created.

The press conference event was under the banner of a fictional ministry of just transition presenting an update on new programs and institutions slashing pollution, creating meaningful work, and addressing injustice and inequality in energy, Indigenous rights, housing, transit, public health and more.

There were two Jewish speakers: Seth Klein of the Climate Emergency Unit and filmmaker Avi Lewis as the minister of just transition, as well as Secwépemc/Ktunaxa filmmaker Doreen Manuel, director, Bosa Centre for Film and Animation, Capilano University; Rueben George, Sacred Trust, Tsleil-Waututh Nation; Khalid Boudreau, climate youth activist/organizer; Christine Boyle, Vancouver city councilor; Alison Gu, Burnaby city councilor; and Anjali Appadurai, Sierra Club BC.

photo - Kukpi7 Judy Wilson addresses the Press Conference from the Future
Kukpi7 Judy Wilson addresses the Press Conference from the Future. (photo by Lorne Mallin)

Klein, author of A Good War: Mobilizing Canada for the Climate Emergency, spoke as chief executive officer and commissioner of the fictional Just Transition Transfer Agency. “Winning [on emissions reductions] also means leaving no one behind,” he said, “especially the regions that have long relied on revenue and jobs from oil and gas.”

Klein said that, like the Bank of Canada’s qualitative easing policies in the first year of the COVID-19 pandemic, the just transition could be financed in a similar way.

“Most of that year, the Bank of Canada was buying up federal government securities to finance the COVID emergency response to the tune of $5 billion every week for a year,” said Klein. “Once we embedded our climate emergency goals within the mandate of the Bank of Canada, the bank proceeded to do this again for a mere four weeks a year, generating $20 billion for climate and just transition programs.”

Lewis said his government is committed to climate action, having carefully studied the conditions and capacities of Canada’s advanced industrial economy. “We conducted an inventory of our conversion needs to determine how many heat pumps, solar arrays, wind farms and electric buses we needed to electrify virtually everything and end our reliance on fossil fuels,” he said.

Lewis encouraged the audience to make the future presented in the event happen. “Do you want to live in this future? Are we ready to fight for this future? Because this future we described here today is the work of all of us – the fruits of our imagination and struggle – and that’s what we came here today to commune around: the future we can build together.”

Manuel, portraying the chair of the land back secretariat, updated progress of an imagined Land Back Act, whose goal is “to reverse the land theft that underlies the colonial nation state of Canada. That means that 80% is being systematically returned to Indigenous jurisdiction.”

After the speakers, and entertainment by the Carnival Band, volunteers engaged members of the audience on their thoughts and feelings about the climate emergency.

The March 12 event was part of a national day of action calling for the passage of a national Just Transition Act.

“The Just Transition Act is the most important missing piece of climate legislation in Canada and it needs to pass this sitting of the House of Commons,” said Katie Rae Perfitt, senior organizing specialist with 350.org, one of the press conference’s sponsoring organizations.

“We cannot tackle the climate crisis without rapidly phasing out fossil fuels,” said Perfitt. “Canadians deserve immediate action from our federal government to make that shift happen in a way that puts workers and communities first.”

– Courtesy A Press Conference from the Future ogranizers

Format ImagePosted on March 25, 2022March 28, 2022Author A Press Conference from the FutureCategories LocalTags Avi Lewis, climate crisis, Doreen Manuel, Judy Wilson, Just Transition Act, Katie Rae Perfitt, politics, Seth Klein, social justice
Real-life learning

Real-life learning

Clockwise from top left: Prof. Daphna Lewinsohn-Zamir, Prof. Guy Davidov, Ohad Amar and Vardit Dameri Madar of Hebrew University’s Clinical Legal Education Centre. (photos from cfhu.org)

Five representatives of Hebrew University’s Clinical Legal Education Centre (CLEC) took part in an online discussion about the legal aid the organization offers to disadvantaged individuals and groups.

“It is one of the jewels in our crown. CLEC has taught our students how social responsibility is an important part of the legal profession,” said Daphna Lewinsohn-Zamir, dean of HU’s faculty of law. “And it continues to do exemplary work during the coronavirus pandemic.”

Besides offering professional legal assistance to underprivileged people in Israel, particularly in the Jerusalem area, the centre provides students with hands-on experience. Each clinic, which is comprised of 16 students and includes six hours of field work each week, is overseen by an attorney and an academic advisor.

“The main goal is to demonstrate to students the difference between law in the books and law in action,” said Prof. Guy Davidov, CLEC’s academic director. “It is essential in showing how the law works in real life. We don’t want to be detached from the community in our ivory towers.”

Another key objective of the centre, Davidov said, is to present the potential (and limitations) of the law as a tool for social change, which also is better understood in practice and engagement.

To illustrate the scope of the centre, Vardit Dameri Madar, CLEC’s executive director, told the assembled Zoom audience the story of Hanna, a 32-year-old mother of six children, including one who has mental challenges. Hanna lives in severe poverty and is divorced after having suffered years of physical and mental abuse. She survives on minimum income benefits.

Just as the coronavirus struck, Hanna had her benefits stopped, said Dameri Madar. In spite of the pandemic forcing people to stay in isolation, the country’s housing department demanded that Hanna come to its offices in person to fill out the necessary documents to receive her benefits.

“Unlike a TV show such as LA Law, problems do not get resolved in the time it takes to watch an episode,” Dameri Madar explained. “In real life, it takes a long time to get a response from the housing department.”

After sending letters to the department and raising the issue in the media of Hanna’s possible eviction, a precarious circumstance shared by thousands of Israelis as the virus started, CLEC was able to make a difference – the housing department relented and allowed people to fill in their applications online.

CLEC handles 600 cases per year. The centre aims to address policy changes that affect broader populations; it initiates 35 to 40 policy change projects a year through tests cases, position papers, shadow reports, draft legislation and alternative models. CLEC also organizes about 90 lectures per year for the general population, as well as for specific groups, such as youth, single mothers and social workers.

This coming year, CLEC will run eight clinics, on the topics of at-risk youth, international human rights, marginalized communities, disability rights, criminal justice, the wrongfully accused, multiculturalism and women’s economic empowerment.

CLEC, too, has formed a Corona Crisis Program that manages existing cases related to poverty with responses in “real time”; provides Social Justice Operations Rooms on Facebook, with legal aid available in Hebrew and Arabic; and promotes policy changes stemming from the Facebook room and clinical activities.

“We decided that Facebook was a good tool to help answer people’s questions at a time when the rules were in flux,” said Ohad Amar, the lecturer at CLEC who started the Facebook groups.

From the Facebook groups, the public has easy access to specialized aid from attorneys, students and volunteers. To date, its 60 volunteers have helped more than 1,500 people.

Ariel Elkayam, a second-year law student, said “this is the best thing that happened to me with my studying here. I am so lucky to get to do this work. With the centre, you do teamwork. It really gives you a sense of belonging.”

Elkayam’s recent work with CLEC has been advocating for at-risk youth who have been fined and arrested for being out on the streets with nowhere to go during the COVID crisis – at a time when Israeli law enforcement has been clamping down on homelessness.

Every year, approximately 140 students are accepted to the CLEC clinics. For more information, visit openscholar.huji.ac.il/clinicallecen/book/clec-experience-assistance-impact-law-students.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on August 21, 2020August 20, 2020Author Sam MargolisCategories IsraelTags Ariel Elkayam, CLEC, Daphna Lewinsohn-Zamir, education, Guy Davidov, Hebrew University, law, legal aid, Ohad Amar, social justice, tikkun olam, Vardit Dameri Madar
Artistic telling of strike

Artistic telling of strike

The book 1919: A Graphic History of the Winnipeg General Strike by the Graphic History Collective and artist David Lester is not education for education’s sake, but rather a “useful organizing tool,” according to the preface. “This comic book revisits ‘the workers’ revolt’ in Winnipeg to highlight a number of important lessons that activists can lean on and learn from today as they fight for radical social change,” notes the collective.

Lester, a Vancouver-based illustrator, musician, and graphic designer and novelist, will give the talk Getting Graphic with Labour History on June 7, 7 p.m., at the B.C. Government and Service Employees’ Union Lower Mainland Area office. He will also give a presentation as part of the World Peace Forum Society event 100 Years After the Winnipeg General Strike, in which Jewish community member Gary Cristall (activist and grandson of a 1919 solidarity strike activist) and others will participate on June 8, 2:30 p.m., at SFU Harbour Centre, Room 7000. In addition, he and members of the collective are participating in a few panels at the Congress of the Humanities and Social Sciences (congress2019.ca), taking place at the University of British Columbia June 1-7, and are then heading to Cumberland, B.C., for a June 23 event during the Miners Memorial Weekend.

In the Acknowledgements section of 1919, the Graphic History Collective describes itself as “a not-for-profit arts collective. For us, solidarity is not just a winning strategy in class struggle. It is our artistic methodology. In taking seriously the idea that we can accomplish more by working together, we prioritize collaboration…. As GHC members, we volunteer and share our artistic vision and share our artistic, writing and administrative skills.” The collective recognizes the many people who “contributed knowledge, labour and funding to this project. Most importantly, we recognize that this comic book would not have been completed without David Lester’s incredible talent and artistic labour.” Other GHC members who contributed are Sean Carleton, Robin Folvik, Kara Sievewright and Julia Smith; Prof. James Naylor of Brandon University’s history department wrote the book’s introduction.

“In 1919, 35,000 workers in Winnipeg, Manitoba, staged a six-week general strike between 15 May and 26 June,” the narrative begins. Lester’s two-page depiction of the strikers gathering at Portage and Main gives an idea of the vastness of the protest and the small area within which it took place. It is easy to see how people would have had nowhere to run and the panic that would have ensued when the Royal Northwest Mounted Police and the “special constables,” violently broke up the strike on “Bloody Saturday,” June 21, 1919. The police were among those who had voted to strike but were given dispensation to work by the strike committee; however, the city dismissed the whole force on June 9. The mayor, the Citizens’ Committee of One Thousand (formed of business leaders and others) and the federal government opposed the strike and worked together to end it by various means, using fear of immigrants (aka racism) and eventually violence to do so.

1919 gives a history of the pivotal event from the perspective of the strike leaders, workers and their supporters. The textual narrative drops away, for the most part, in the telling of what happened on Bloody Saturday and the impact of Lester’s images builds as the day progresses, from 9:30 a.m. to 11, to 2:20 and so on. Just before 3:35 p.m., two strikers are shot, one dies on the spot, the other from gangrene. The violence continues. At 4 p.m., the special constables take control. By 6 p.m., Canadian Army Service Corps trucks – equipped with machine guns – are patroling Main Street. By the end of the day, in addition to the two strikers killed, many are wounded and 94 people are arrested. The book then describes some of what happened in the trials that followed, and the strike’s legacy.

Lester shares some of his artistic process and inspiration in the essay “The Art of Labour History,” especially the Bloody Saturday pages, and this is followed by a photo essay called “The Character of Class Struggle in Winnipeg.” The notes are useful in providing context for some of the images, and the bibliography shows the depth of research. Short bios of the contributors and a list of the Manitoba unions that supported the publication conclude the book.

“Art bears witness to the injustices of the world and, in reflecting on the pain and struggles of the past, offers hope in working together for a better present and future,” writes Lester. “Art can aid the momentum of progressive social change, and that is what keeps me going…. I am trying to capture and convey the inspiration and spirit of solidarity in class conflict. That is the art of labour history.”

Format ImagePosted on May 31, 2019May 30, 2019Author Cynthia RamsayCategories BooksTags David Lester, general strike, graphic novel, history, social justice, Winnipeg
An out-of-hand hobby

An out-of-hand hobby

Si Kahn plays at the folk festival, which runs July 13-16. (photo from sikahn.com)

While Charlotte, N.C.-based folk musician Si Kahn – who’s coming to play at the Vancouver Folk Music Festival next week – may have called the United States home for most of his 73 years, he spent about 12 of his first 16 months of life in Canada. His father, Rabbi Benjamin Kahn, was sent to Montreal by B’nai B’rith in 1944 to help set up the Hillel Foundation at McGill University, which he did for just over a year before being called back to Pennsylvania State University.

“I like to say that I don’t have a single negative memory of my time in Montreal,” said Kahn, whose father eventually became the international director of B’nai B’rith Hillel Foundation (1959-1971).

And Kahn’s Canada cred goes back further.

“After my paternal grandfather, Gabriel Kahn, deserted the czar’s army and walked across Europe, he was a pick-and-shovel labourer for the Canadian Pacific Railway, helping build the ‘northern spur’ through the [Canadian] Shield towards Timmins,” Kahn told the Independent. “He was also a hod carrier in Winnipeg, helping build the Royal Alexandra Hotel, carrying 100 pounds of bricks or mortar up 10 or more storeys on his shoulders.”

Kahn tells his grandfather’s story – and that of many other members of his family – in the musical Hope. The song “Crossing the Border” highlights the border-crossings of his grandfather’s journey from Russia: “He got passage to Nova Scotia / Got married in Manitoba … Then he moved down south of the border / By the mills on the Merrimack River / He pumped gas and kept store for a living / Raised up his daughter and sons.”

Gabriel and his wife, Celia, settled in Lowell, Mass., said Kahn, who wrote about his Jewish roots and their influence on his music in an article called “The Chords that Bind.”

“When I was growing up … our family sang together,” he writes. “On the Sabbath and on holidays, we would stay at the dinner table long after the food and dishes had been cleared, and we would sing. Because musical instruments were not allowed on the Sabbath, we sang without instrumentation – but not without accompaniment.”

From his paternal grandfather, he learned “the fine points of creating a rhythm section, using only two basic variations (closed fist and open palm) of the basic hand-on-table technique.” From his parents, he and his sister, Jenette – whose career in the comic book industry included being president of DC Comics for more than 20 years – learned “the rudiments of high and low harmony, made up as you go along.”

The songs they sang were mostly prayers. “We sang a little bit in Yiddish, too, folk and story songs from the Old Country, which in this case meant almost any place in Europe,” he notes. And, despite his not understanding most of what he was singing, he did understand “what the songs really meant to us as Jews, as a family, as people in the world. They were our bond, our unity, our affirmation, our courage. They were our way of claiming our rhythmic and harmonic relation with each other and with our community. Our songs reinforced our solidarity, our sense that we could overcome the obstacles in our path.”

As for when his musical career began, Kahn told the Independent, “You might say I ‘turned professional’ in 1974. I had just turned 30 years old a few months before I recorded my first album, an LP titled New Wood, which was released in 1975 on June Appal Records.

“One of my first paid public performances was in 1979 … at the second-ever Vancouver Folk Music Festival. I’d led traditional labour and civil rights songs at rallies and demonstrations and on picket lines, but Vancouver was one of the first times I played my own original songs in public.

“While I do consider myself a professional musician, and while I’m a longtime member of the American Federation of Musicians (AFM), music has always been a very part-time vocation for me. My lifetime identity and work since I was 21 years old has been as a civil rights, labour and community organizer.

“I once told a reporter that my music is ‘a hobby that got out of hand.’ That’s really an accurate description. I typically do no more than three festivals and a dozen concerts each year at most. Most of my appearances are benefits for progressive nonprofits,” he said, adding that he’d be performing at the Vancouver Folk Music Festival house-party fundraiser on July 12.

Kahn heads to Orillia, Ont., for a July 7 performance at the Mariposa Folk Festival. From there, he’ll come to Vancouver for the folk festival, but also “to do some organizing work for Musicians United to Protect Bristol Bay.” It’s a cause he’s been helping on a volunteer basis since 2010 – the campaign’s goal is “to stop the Pebble Mine, and to protect permanently Alaska’s Bristol Bay, a cultural and environmental treasure, and one of the world’s last remaining great wild salmon fisheries.” He has donated all of the income from his 18th CD, called Bristol Bay, to the musicians’ group.

About combining music with activism, Kahn said, “The defining moment for me came when I was working with the Student Nonviolent Coordinating Committee (SNCC) on the Arkansas side of the Mississippi River Delta in the summer of 1965, when I was 21 years old, during the Southern Civil Rights Movement, which was very much a singing movement. That was when I first began to understand the usefulness of music in movements for social justice.”

Among Kahn’s many achievements in the social justice arena was being, in the early 1980s, an initial organizer and the founding national board chair for the Jewish Fund for Justice, the predecessor to Bend the Arc: A Jewish Partnership for Justice. He has written three books on community organizing.

“I see myself as an organizer, which I consider a specific type of activism, rather than as an activist,” he explained. “Organizers work to bring people together so that they can use the power of numbers to counter the power of money, authority and/or force.

“In any organizing campaign, in any campaign for justice, there will be competing sets of ‘facts.’ Whether our facts are more accurate/truthful than their facts isn’t nearly as important as whether, through organizing, we can build enough collective power to persuade those who have the ability to make the change, or changes, we’re asking for to meet our demands.”

On the topic of truth, Kahn said, “For me, there’s a difference between accuracy and truthfulness. Take, for example, the story of Moses receiving the Ten Commandments on Mount Sinai. Is that story accurate in the literal sense? But it should be told and retold truthfully, meaning that it’s our responsibility to transmit the story as it was told to us, whether verbally or in written form.

“My question is whether, in the real world, it’s even possible to differentiate,” he said. “If someone believes something passionately, it’s more than likely that no amount of either ‘facts’ or ‘alternative facts’ is going to persuade them to change their mind.

“Minds are more likely to be changed by experience. One of an organizer’s roles is to help the people she/he is working with have experiences through which they achieve a sense of possibility, that the world might be different for them and for others like them.

“This is also one of the places where storytelling can be useful. Years ago, I was in an audience listening to former U.S. senator Paul Simon. I don’t recall the specifics but, at one point, he was challenged on his support for legislation concerned with disability rights. He could have answered with facts/statistics (or, for that matter, with ‘alternative facts’). Instead, he said, ‘Let me tell you about a young man I know,’ and proceeded from there.”

In the musical Hope, there is a song called “Dreamers,” the chorus of which calls for us to “honour the dreamers.”

“I consider myself a ‘practical radical,’ someone who helps people work towards what at least appear – based on careful analysis and strategic thinking – to be achievable goals,” said Kahn. “If that’s being a dreamer, dayenu.

“There are many things I’d like to see in this world we share that I just don’t see as possible. I may be wrong in that judgment. But, if I’m going to help people organize themselves in order to achieve a goal they share, I need to believe there’s at least one and hopefully several practical paths to achieving that goal.

“The ‘dreamers’ I honour are those who not only have a dream, but who do everything they can to make it real.”

For the Vancouver Folk Music Festival’s 25th anniversary, Kahn wrote the song “For Canada,” which recalls the Underground Railway, the slaves making their dangerous way here: “When all hope was failing, think what strength it gave / To dream about a country that no longer held a slave….” A country to which, “… my own father’s father came with willing hands / To bend his back and lay the track across this wild land….”

And it was on his way home (by car) from his 1979 festival appearance that Kahn wrote “Plains of Canada,” the lyrics of which show his affection for the country – an affection that endures.

And so, too, does his love of singing and performing.

“Vancouver resident Josh Dunson, who was my agent for over 30 years until his retirement from the music business, once told me that what I bring to my musical performances is my many years’ experience as an organizer. That’s a very perceptive observation and a good description of what I try to do in the musical part of my life and work,” said Kahn. “When I’m planning a concert, when I’m on stage, I’m doing my best to help those who are listening feel that they’re not so much a passive audience but active participants. Sometimes this means singing along, sometimes it means thinking about what they’re hearing and applying it to their own lives and their own work. It’s that possibility that still excites me even after all these years.”

This year’s folk festival, once again at Jericho Beach, starts with a free concert the night of July 13, and then there are day and weekend passes that can be purchased for the performances July 14-16. For tickets and the full schedule, visit thefestival.bc.ca.

Format ImagePosted on July 7, 2017July 5, 2017Author Cynthia RamsayCategories MusicTags Bristol Bay, Si Kahn, social justice, tikkun olam, Vancouver Folk Music Festival

More to becoming an adult

It’s a bat mitzvah year in our family. We’ve booked the photographer, the caterer, the DJ and the invitation company. Our daughter is studying her parashah and learning to chant the Haftorah and maftir.

Now, it’s time to inject some social justice into the experience, in the form of what have come to be known as “mitzvah projects.” Coming of age in the 1980s, my generation was less social justice-oriented. So what exactly, I wondered, should a “mitzvah project” entail?

I turned to JEDLAB, the Jewish educators’ forum on Facebook. I discovered that there is an organization expressly founded to support kids in their mitzvah project strategies. Called Areyvut (Hebrew for “social responsibility”), the New Jersey-based group offers consulting services – from a free phone consultation to more extensive, fee-based ones – and direct organizing of an array of hands-on, direct-action-style activities in which party guests can participate. Called “chesed fairs,” these might include game-board painting for a social-services agency, hat-making for cancer fighters or cupcake-decorating for a local day centre. Clients need not live in the area, or even in the United States.

Elsewhere, Areyvut teams up with synagogues and youth groups to teach kids to be “mitzvah clowns” for residents of long-term care facilities.

I decided to take up Areyvut’s offer to engage in a free phone consultation on my daughter’s mitzvah project idea. She had chosen a complex topic – addressing the economic effects, particularly around access to housing, of urban gentrification. Talking to Areyvut’s staff reminded me that mitzvah projects need not be confined to financial giving. Advocacy and awareness can be just as important.

I decided to take some of these ideas to my own community. Through word of mouth, I initiated a b’nai mitzvah club to help develop mitzvah project ideas. At the first meeting, which we called “Hot Chocolate for Hot Issues,” I led a workshop to get the kids thinking about a given issue, how to identify deeper causes of the problem and how to consider the range of action one might take to address these problems.

For our mitzvah club this year, each child will identify a pressing issue around which he or she is passionate and then develop an action plan, a plan that should involve at least two of the following: fundraising, political advocacy, public awareness and direct action. Fundraising could involve donating a portion of bar or bat mitzvah gift money, or holding a bakeathon or danceathon. Political advocacy might involve letter-writing to elected officials. Public awareness could include an Instagram campaign increasing public understanding of the issue. And direct action means identifying a relevant organization at which the child can volunteer.

Sometimes, there is an identified need, but not an established organization dedicated to it. In these cases, Areyvut can support kids in being more ambitious – for example, in creating their own nonprofit organization. Billy’s Baseballs grew out of a bar mitzvah initiative where a child organized the sending of decorated baseballs to soldiers stationed abroad.

Daniel Rothner, Areyvut’s founder and director, puts it this way. As Jews, we are supposed to be a “light unto the nations,” engaged in making the world a better place, he told me. And the impact extends beyond the Jewish community, he added. He is also passionate about getting kids to think about the deeper causes. What of Dave, the homeless man who appears at the soup kitchen every week? Why does Dave need to come week after week?

Our own b’nai mitzvah club has come a long way from kids reciting the “today I am a fountain pen” joke. As my daughter said, the bar or bat mitzvah milestone means that “technically, you’re becoming a woman or a man and, once you are [an adult], you have a responsibility to help out with the issues in the world and in our community.”

Mira Sucharov is an associate professor of political science at Carleton University. She is a columnist for Canadian Jewish News and contributes to Haaretz and the Jewish Daily Forward, among other publications. This article was originally published in the CJN.

Posted on March 11, 2016March 10, 2016Author Mira SucharovCategories Op-EdTags Areyvut, bat mitzvah, JEDLAB, social justice, tzedekah
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