Mary-Louise Albert: Bidding adieu to Chutzpah!

Mary-Louise Albert was not only a dancer in the first-ever Chutzpah! Festival, but its poster model (see image below).

As the 19th annual Chutzpah! Festival approaches, ready to embrace its new season – no longer a spring festival but a fall one – it will have to loosen its embrace on its artistic managing director, Mary-Louise Albert. After 15 years heading Chutzpah!, this is her last. Albert is moving on to the next part of her creative and personal journey, and the Jewish Independent spoke to her about the festival, its legacy and what might lie ahead for her.

JI: What do you think the main impact of the Chutzpah! Festival has been for the Jewish and general communities and the relationship between the two?

MA: Presenting and facilitating the growth of professional performing arts is an exciting and multi-layered approach to uniting communities. I am very proud that we have brought the festival to a point of national and international recognition, as well as being one of the flagship Jewish festivals in North America.

Through the insistence of high standards and by supporting new work, the festival has increased an understanding and appreciation of programming that embraces an eclectic range that is Jewish arts and culture, in particular from a Canadian perspective. Expanding on this programming, Jewish and non-Jewish artists share our stages, increasing our ability to bring many Canadian and North American premières to Lower Mainland audiences. Seeing, over the past 15 years, audiences from all walks of life and backgrounds embracing the festival is particularly rewarding.

JI: Have you accomplished what you set out to do when you took over the festival 15 years ago?

MA: Yes, which feels very satisfying to be able to say. I wanted the festival to not only survive but thrive in a very competitive local and national performing arts scene, which is tricky given a cultural umbrella. This meant attaining an international standard – not just a couple of high-profile shows, but across the board. It also meant the dance and music programming had to expand, which has in particular allowed for funding opportunities and artist growth.

An area I’m very proud of is connecting urban and rural communities through creation residencies. Many B.C.-based Chutzpah! artists have had creation residencies in both the North Island region and in the Norman and Annette Rothstein Theatre, resulting in world premières, with these productions going on to tour nationally and internationally. For example, this year, Geoff Berner, T.J. Dawe, Toby Berner, Tallulah Winkelman and Jack Garten will be Chutzpah! artists-in-residence for a week in Sointula, Malcolm Island, where they will perform as well. Chutzpah! will be sending UNA dance company from New York City to perform in Sointula, Port McNeil and in Alert Bay with the N’amgis nation directly before their Vancouver performances, which is a rare and meaningful opportunity for all involved. Sharing artistic wealth with underserved regions of B.C. is and has been an important aspect of the festival for the past few years. It is also in keeping with the times.

image - Chutzpah! 2001 poster featuring Mary-Louise Albert
Chutzpah! 2001 poster featuring Mary-Louise Albert.

JI: In a couple of interviews I’ve read, you speak about how your training and working as a dancer was helpful to you in running Chutzpah! Could you speak a bit to that?

MA: I was trained in ballet and contemporary, danced professionally for 20 years and, within this time period, became a mother of two children. I was 45 when I stopped performing and, through support from the Dancers Transition Resource Centre, embarked on a new adventure of being the oldest “kid” in the class for a few years at Capilano U and BCIT’s Business School.

I was then hired by Gerry Zipursky [then-executive director of the Jewish Community Centre of Greater Vancouver, which is home to the Rothstein Theatre] and an inquisitive hiring committee (who I will always be grateful to) … and embarked on this job where I needed to come in running and move things forward. All this took stamina, tunnel vision, a somewhat sharp brain (and elbows), nerviness, flexibility and passion – things that a combination of dance training and a professional dance career prepares you for.

JI: In relation to Chutzpah!, what are one or two of your “I’m most proud of” moments?

MA: There are so many that I am proud of, but I would have to say the festival has been a trailblazer in presenting Israeli artists – and often in their first Canadian or North American appearances. Artists such as the Idan Raichel Project, Kibbutz Contemporary Dance Company, Batsheva Dance Company, Balkan Beat Box, Yemen Blues, Idan Sharabi, Roy Assaf, Avishai Cohen Quartet, Itamar Borochov Quartet, Dudu Tassa, Diwan Saz, Maria Kong, Baladino, Victoria Hana, David Broza and Mira Awad, A-WA and many more. And continuing this year with AvevA, Yemen Blues, Guy Mintus Trio, and Rami Kleinstein.

As well, I’m very proud of the growth of the dance and music programming and how this growth has affected positively and in a multi-faceted way the artistic development of many artists.

JI: What’s next for you?

MA: I live in both Burnaby and in Sointula on Malcolm Island. Development of contemporary dance, rural B.C. and social causes are beckoning. At 64, I still have a bit of “oomph” left to pursue.

JI: If there is anything else you’d like to add, please do.

MA: I’m honoured and thankful to have worked with so many excellent professional colleagues in the arts world and at the JCC in accomplishing the festival’s achievements, as well as working with some wonderful volunteers. However, there are two volunteers in particular who I want to give a special thank you to. People with integrity and grace who have stuck by me and the festival from the very beginning – Harriet Wolfe and Lloyd Baron.”

Kolot Mayim installs rabbi

Rabbi Lynn Greenhough represents a series of firsts for the Victoria Jewish community. (photo from Kolot Mayim)

When Lynn Greenhough is officially installed as rabbi of Kolot Mayim Reform Temple in Victoria tonight, Sept. 6, she will bring with her a series of firsts to the city’s Jewish community: its first rabbi born on Vancouver Island, its first Canadian-born rabbi, its first full-time female rabbi with her own congregation and its first rabbi who was not born into Judaism.

A stalwart in Victoria’s Jewish life for nearly 30 years, Greenhough has been Kolot Mayim’s spiritual leader since 2017, while simultaneously completing her rabbinical studies at the program offered by the Jewish Spiritual Leaders Institute (JSLI) in New York.

For someone born and raised in Happy Valley – 15 kilometres west of Victoria – at a time when the area was still a farming community, the rabbinate was not a calling many in the community, or indeed on the Island, might have considered.

Her first taste of Judaism, and some of the recent history of the Jewish people, came in Grade 5, when she found a copy of William L. Shirer’s The Rise and Fall of the Third Reich in her schoolroom library, and her curiosity and sense of connection to Judaism ensued. She recognized that justice had tragically failed Jews during the Holocaust and she felt a need to be part of rebuilding a world where such a failure could never happen again.

“I consciously gravitated towards Judaism because of its inherent sense of justice,” Greenhough told the Independent. “At that early point, I realized, I would be a Jew.”

Life, jobs and family followed. She finished school, married and had a son, helped open Everywoman’s Books in Victoria and then worked for Canada Post as a truck driver for 20 years.

In the 1980s, Greenhough attended a few Jewish events at Victoria’s Congregation Emanu-El. She began to light candles and tried to build a sense of Shabbat into her week. She also looked for a Jewish partner who could help her build a Jewish home. Yet, it wasn’t until she was in her late 30s that she was determined – accompanied by now-husband Aaron Devor – to convert. Devor grew up in a Jewish neighbourhood on Long Island, but was not a regular synagogue attendee. Along the way, the couple became deeply engaged in Jewish life.

By 1992, Greenhough’s conversion was complete and, from then, it was full-on immersion to the point where she became a leader and educator. At Emanu-El, she guided historical tours, joined the board of directors, led services, including chanting Haftarot and Torah, joined the Chevra Kadisha (Burial Society) and served as a funeral officiant.

In 1996, she served as an instructor at the synagogue’s Hebrew school and then began teaching and coordinating b’nai mitzvah classes. In 1998, she began to teach Torah and Haftorah studies for adults and, in 1999, taught an introduction to Judaism course for those interested in conversion.

However, it was the Chevra Kadisha that became her passion. In 2000, Greenhough completed her master’s degree at Royal Roads University under the supervision of Dr. Rabbi Neil Gillman, z”l, from the Jewish Theological Seminary in New York. Her thesis – We Do the Best We Can: Chevra Kadisha in Small Jewish Communities in North America – looked at both the history of Jewish models for care of the dead, and present-day practices and training models from 16 different small Jewish communities.

This work led to further connections. Greenhough, along with Rena Boroditsky of Winnipeg, Man., and David Zinner of Maryland, worked together to organize the first of now 16 international conferences dedicated to learning about these burial practices.

Greenhough has also taught Judaism in the University of Victoria’s religious studies program (2007-09), was scholar-in-residence at Temple Beth Shalom in Phoenix, Ariz. (2009) and taught courses in academic writing at Royal Roads (2012-16).

In 2014, she joined Kolot Mayim as a member and led Torah studies and Shabbat and holiday services as needed, before becoming its spiritual leader in September 2017. Synagogue members are glowing in their praise of Greenhough as their choice.

“She brings a richness of experience as a born and raised ‘Island Girl.’ Indeed, she has attracted, and continues to attract, new members through her wisdom, spirituality, empathy, knowledge and quirky sense of humour,” said Sharon Shalinsky, president of Kolot Mayim.

Kolot Mayim was founded in 1998 by a small group of individuals and families, initially meeting monthly at the Victoria Jewish Community Centre. As the congregation grew, the frequency of services increased, ultimately to a weekly schedule. The synagogue has struggled to find a permanent rabbi and has, at times, been challenged in terms of membership recruitment and retention. The past year, though, it has seen a 70% increase in membership.

To mark the installation of a new rabbi at its westernmost location, Dr. Pekka Sinervo, the head of the Canadian Council of Reform Judaism, will be on hand at the ceremony, as will Rabbi Allan Finkel, who, along with Greenhough, is a 2019 graduate of the JSLI program and now leads services at Temple Shalom in Winnipeg.

Ahead of the occasion, Greenhough reflected, “This was not a career move, but the fulfilment of a dream.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

CHW tickets going fast

Left to right, Sasha Gerson, Joanna Wasel and Frances Belzberg will be honoured by CHW on Sept. 22. (photos from CHW Vancouver)

Welcome to September! A few signals that summertime is ending are the kids going back to school, the Jewish holidays quickly approaching and the return of Jewish community gatherings like the upcoming Canadian Hadassah-WIZO (CHW) Vancouver luncheon.

On Sept. 22 at the Richmond Country Club, CHW is holding an event to honour exceptional volunteers. As a volunteer organization driven by women, which focuses on the welfare of children and women in Israel but is also concerned with the health care of all Israelis, CHW often chooses to recognize the contributions of local women who make a difference to the lives of those in our local community.

This year, the organizing committee of the luncheon, headed by CHW volunteer Toby Rubin, selected three visionaries who have put their considerable talents as organizers, motivators and mentors to work to improve various areas of Jewish life in Vancouver. Sasha Gerson, Joanna Wasel and Frances Belzberg represent three different generations of volunteers and all contribute in diverse ways to the community.

Gerson is well known in the Russian-Jewish community. For years, she helped immigrants settle in Vancouver through her work at Jewish Family Services. Her most public role is as an award-winning radio host. Twelve years ago, she and her partner, Dmitry Shiglik, launched Radio VERA, a weekly Russian-English talk show. Her motivation is to bring Jews together, and her volunteer activities through the radio have included organizing trips to Israel, festivals for children and music events. She interviews people primarily in Vancouver but has guests from Russia and Israel on her show. She is also a CHW volunteer, currently serving as treasurer of CHW Vancouver.

Familiar to those who are connected in any way to Camp Hatikvah, Wasel is known as a volunteer extraordinaire. She is currently serving her fifth year as president of the Camp Hatikvah board and, during her presidency, she has expanded participation in the camp’s programming. One of her most important legacies is the introduction of Family Camp, which was first held eight years ago. This program has brought a camp experience to more than 220 people every year since its inception.

“You’re never too old or too young to be a camper!” said Wasel of Family Camp. She sees the weekend-long experience as a chance for adults to make new friends. “People bond and it establishes a foundation for the Camp Hatikvah community. In addition to being good, quality family time, we see it as a community-building experience,” she said.

Camp Hatikvah is associated with the Young Judaea movement, a Zionist organization that dates back to 1917. Historically, CHW has been associated with Young Judaea, as well, providing funding for national programs including Biluim Canada and Israel.

The third honouree, Belzberg, has had a life-long commitment to philanthropy and Jewish community building. She has been involved with CHW for 67 years, most of those in Vancouver. Having contributed in the early years of her marriage to Hadassah in Edmonton, Belzberg knew that joining a Hadassah chapter when she moved to Vancouver would help establish close friendships in a new city. She continued as a volunteer in many leadership roles, including chair of the Hadassah Bazaar, and on the national board as well.

Belzberg’s dedication to community extends beyond CHW. She also has served as Jewish Federation of Greater Vancouver’s first women’s division chair and has held many other leading fundraising roles, including with St. Paul’s, B.C. Children’s and Vancouver General hospitals. She was a founder of the Dystonian Medical Research Foundation and was recognized for her diverse and numerous efforts with the Order of Canada in 1995. Belzberg has given countless hours as a volunteer, driven by a belief she explained this way: “Without community involvement,” she said, “there will be no future for the Jewish people. It is up to us to combat antisemitism and make sure our communal organizations remain strong.”

Those who attend the Sept. 22 luncheon, 11 a.m. to 2 p.m., will have the opportunity to hear a short address by each of the honourees. Proceeds from the event will benefit one of the many educational projects CHW supports in Israel – the CHW Centre for Clinical Training and Community Care, Hadassah Academic College in Jerusalem, is one of the fastest-growing institutions of higher learning in Israel. It is a pluralistic college with a range of undergraduate and graduate degrees, from health and life sciences to information and computer technology.

Luncheon tickets are selling fast, said Rubin. With more than 100 already sold and capacity at 150, those interested should purchase tickets soon. For more information or to register, call the CHW office at 604-257-5160.

Michelle Dodek is a freelance writer living in Vancouver.

Photos inspire a dream

“Curiosity,” photo by Liron Gertsman.

One of the most important issues we should be grappling with nowadays is the preservation of our habitat. At the forefront of the nature preservation movement are photographers and one of them is Liron Gertsman, a young, award-winning local nature photographer whose solo show, Essence of Earth, is at the Zack Gallery until Sept. 22.

The show is sponsored by Esther Chetner.

“Eldad Goldfarb, executive director of the Jewish Community Centre of Greater Vancouver, approached me about this upcoming sponsorship opportunity, aware of my own concern about climate change and my passion for photography,” Chetner told the Independent. “Though I’ve traipsed parts of the globe enjoying the wonders that photo details can deliver, I’m not at all technically trained nor technologically nimble…. I recognize the remarkable quality of Liron’s images, and see value in making his work accessible to others.”

Calling Gertsman a “rising star,” Chetner said, “Encouraging this type of exquisite work is another way to help people appreciate our natural world more deeply and then, hopefully, to work toward preserving such essential global health and diversity. The more we see and appreciate about our natural environment, the more we will all be inclined to proactively protect it.

“Jewish values are quite aligned with environmental stewardship, and so having Liron’s work displayed at the JCC seems like an appropriate fit.”

Part of the proceeds of the exhibit will benefit the gallery, and another part will go to the Nature Trust of British Columbia.

“There are several charities concerned with nature preservation in B.C.,” Gertsman said, “but I like the Nature Trust because they purchase land specifically to build and maintain a treasury of wild areas.”

The 19-year-old photographer is passionate about preservation. (See jewishindependent.ca/tikkun-olam-through-photos.)

photo - Liron Gertsman has loved nature and photography all his life
Liron Gertsman has loved nature and photography all his life. (photo by Ian Harland)

“I’ve loved nature and taking photographs all my life,” he told the Independent. “Recently, I started moving toward doing it professionally, like giving photography workshops or guiding people on their bird-watching expeditions.”

His photographs are like a guided tour. “I want people to witness nature,” he said. “I want to share with them what I see, even if they can’t travel themselves.”

To cover some of his costs, he has, at times, formed partnerships with companies and organizations.

“I choose companies focused on nature conservation,” he explained. “They would subsidize some aspects of my trip, or sometimes an entire trip, in exchange for photo use and social media marketing, usually through my Instagram account, which has close to 50,000 followers.”

For instance, in May and August of this year, Gertsman partnered with Ocean Outfitters, an ecotourism company based in Tofino.

“They are Tofino’s first carbon-neutral ecotourism company, and they have committed to donating $200,000 a year for multiple years towards restoration of the Tranquil Watershed,” he said.

Gertsman’s photos at the Zack Gallery are full of life and colour. His birds seem to soar through the gallery space. His landscapes are like windows, looking out into the British Columbia wilderness. Stars twinkle in the night sky. Pink crags reflect in the still surface of the lake. Waterfall gurgles across the boulders. Owls hide in the grass, and gulls skim over the rippling wavelets. But the beauty and serenity of his images filled me with apprehension. Could we lose all of this gorgeousness? The night after I visited his show, I had a dream, and Gertsman’s imagery figured heavily in my dreamscape.

* * *

“What is it, Grandpa?” a girl asked.

“A picture archive,” the old man replied.

“But it’s not a memory crystal.”

“No, it’s from the 21st century, an antique. Two hundred years old,” he said, inserting an outmoded device into a slot of his com-link and opening the files. Hundreds of pictures appeared on his screen. Nature, when it flourished.

“Oh,” his granddaughter said with interest. “What are those?”

“Birds,” he whispered reverently. In the image, hundreds of small dark bodies hurtle across the peachy sky, their wings pumping so rapidly, the image blurred.

“Like a hologram in a museum?”

“Yes. Only they were alive. Flying.”

“But why is the wall pink? Why would they paint it pink?”

photo - “Sandpiper Sunset,” by Liron Gertsman
“Sandpiper Sunset,” photo by Liron Gertsman.

The old man glanced at the wall of the cave that housed the archives. Nobody lived on the surface of the earth anymore. Nobody could survive the toxic environment. People inhabited underground caverns such as this one and, mostly, they didn’t bother painting the walls. There were few resources anymore.

“It’s not a wall, it’s the sky,” he said. He had been very young when the last of humanity had moved underground, but he still remembered the sky. Scientists said that, in a few more generations, they could live outside again, but he wasn’t sure his granddaughter would last that long. He certainly wouldn’t.

“Our teacher said the sky should be blue,” the girl insisted.

“The sky could be any colour. This is probably sunset.”

“What is sunset?” She had never seen the sun.

He sighed, but, before he could explain, her gaze had skipped to another image.

“It looks like a fountain,” she marveled, “but what are these green blobs?”

The old man winced. “Trees. Bushes. It’s not a fountain. It’s a waterfall.”

Her finger zeroed in on another image. “I know,” she said triumphantly. “These are dogs. Strange dogs, though.”

“These are not dogs. These are bears. The mother bear is….” He contemplated the animals on the screen, trying to remember his own textbooks. He had never seen a living bear either. “I think she is as big as I am,” he said at last. “Maybe bigger. And the little bears are probably your size.”

“So huge?” She eyed him with doubt. “They lived outside, too?”

He nodded.

“I don’t think I’d like it outside,” she said. “Everything is different. I like it better here.” She climbed off her chair and started to leave. “We have everything here.” She went out into the corridor. “I think it’s all fairy tales anyway,” she called back.

The old man remained still, staring at the closed door with sadness.

* * *

Essence of Earth opened at the Zack Gallery. To see more of Gertsman’s work, visit lirongertsman.com or instagram.com/liron_gertsman_photography.

 

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Speak in the new year

It is the season of new beginnings: new school year, newly turning leaves and a new Jewish year. On a leisurely drive on Labour Day Monday in suburban Vancouver, bright orange pumpkins that weren’t there last time we passed had suddenly exploded into full-sized squash seemingly overnight. Summer, of course, is officially with us until Sept. 23, but, especially if your household has kids (or teachers), summer unofficially ended when the first school bell rang on Tuesday.

This is the time of year for reflecting back and looking forward. The promise and excitement of the new mixes with nostalgia and other emotions about the passage of time and memories – good or bad – of what we leave behind.

This coming Monday, we will hear from four speakers at FEDtalks, the launch of the Jewish Federation of Greater Vancouver’s annual campaign. Among them is Isaac Herzog, head of the Jewish Agency for Israel who (in last week’s Independent) acknowledged that one of the challenges our global Jewish community faces is engaging and involving young Jewish people. As students return to post-secondary campuses in British Columbia, across Canada and around the world, we can anticipate the usual challenges – some years better or worse than others – of campaigns, referenda and assorted political shenanigans that have particular impacts on Jewish students.

Understandably, young people who have grown up with connections to Judaism, Jewish peoplehood and Israel will take exception to some of the things they will face. Some will rise admirably in these encounters, as we have seen year after year, when students at Hillel, Chabad and some ad hoc Jewish and Zionist organizations have spoken out against misleading and false expressions on their campuses. Others, also understandably, will avoid such unpleasant controversies and focus on less polarized topics and activities. Those who take up the frontlines in these battles deserve our community’s support.

There are broader issues than Zionism on campus. Free expression is top of mind for many professors, students, parents and other interested parties. A particular flare-up over the summer involved the Vancouver Pride Society (VPS), which puts on the city’s largest annual event, banning the University of British Columbia and the Vancouver Public Library from participating in the Pride parade because they both provided space for presentations by speakers who are virulently vocal against the rights of transgender people. It was a rock and a hard place for many. The Pride society certainly has the right to welcome or exclude anyone they choose (although the amount of public funding and in-kind support they receive should require a degree of public accountability). But, seeing the province’s largest university and largest library system excluded from any event, for whatever reason, is upsetting. If ideas, however odious, cannot be discussed on a university campus or at a library, they cannot be openly discussed anywhere. Driving ugly ideas underground is not a solution. The answer to hate speech is anti-hate speech. And if, as critics said, the messages of the speakers were so insidious that they could lead to violence, then that was a job for the RCMP to confront, not, perhaps, the VPS.

A 2017 poll indicated that 69% of American students say that conservatives can “freely and openly” express their views on campuses, while 92% say the same about liberals. What the poll indicates, probably, is that being a conservative on campus today is more unpopular than being a liberal. Likewise, it is probably easier on most campuses to speak against Israel rather than for Israel. But does this mean an individual’s rights are being infringed? Unless there is a systematic and official injunction against the ideas someone expresses, the issue is probably not the right to speak freely and openly, but the courage and, not inconsequently, the privilege to do so.

Pro-Israel students have demonstrated courage in defending Israel against bad-faith campaigns and insinuations. In a significant number of cases, it has resulted in young adults who have become masters of community organizing and experts in responding to attacks – and, if they were not natural leaders before, they have developed skills that will advance them throughout their lives. Our instincts, as their elders, may be to shield them from the sometimes hateful ideas they will encounter. Instead, we should be supporting and encouraging them in confronting and contesting these ideas.

To all who are embarking on new adventures – and, especially at this time of year, aren’t all of us in some way? – may we be strengthened by courage, determination and the support of one another.

Concern over what to share

For many of us, it’s the beginning of the year. Not the year that starts with Rosh Hashanah. I mean, the academic year. If you’re a student, a student’s parent or a teacher, professor or other education professional, the beginning of September can mean only one thing. It’s time to get back to the grind.

This is both exciting and a nerve-racking time. You want people to like you and appreciate your skills, talents and special gifts. You want to feel welcome and make others feel welcome, too. Seeking approval is an important part of life. We all do it, right?

As overachievers, my husband and I try to start early. He mentioned that some new colleagues were moving in down the street at the beginning of August. They were moving from another country, so we should try to help, we figured. The wait for one’s belongings to arrive and pass through customs can be awhile. (For us, it took 10 days.)

My husband was out of town when they arrived, so I sprang into action. We loaned them a picnic basket filled with dishes, silverware and cups, some patio chairs and, when they asked, even a broom and dustpan.

A few days later, my husband home, we enjoyed a Saturday together out in the sunshine. When we checked our email again, we found that our new neighbour had asked us to loan more items. We apologized, but explained we weren’t usually online on Saturdays. “Oh!” she replied, “Do you do a tech Sabbath?” I had to look this up, but this term was coined in 2010 by Tiffany Shlain, an internet pioneer, and her husband, Ken Goldberg, a robotics professor. It is based loosely on the notion of unplugging from technology on a traditional Sabbath.

I was flummoxed. There seemed to be no nice way to say, “Uh, no, I do real Shabbat.” So, I thought, OK, I will try to explain. I said something like: “In the safety of Canadian diversity, we observe real Shabbat, not just ‘tech Shabbat.’

“We are Jewish and try to take the day off from Friday night to Saturday night. So, we have a big family dinner on Friday nights, we go to synagogue on Saturdays many weeks and we spend the day together, sometimes with friends. However, if you need to reach us, you can always call the landline or walk over and knock on the door. We use the phone when necessary, drive, turn on lights, etc. We are not very strict in our observance; sometimes, we spend the day as a family outside, at a farm or doing an outing together. We just try to rest and not to work.

“We hope your belongings will arrive soon!”

Her response? I kid you not – she said, “Thanks for sharing.”

I felt completely uncomfortable and embarrassed. This was from a new neighbour, someone to whom we offered the loan of various items and tried to welcome. I left it there, I had nothing else to say. My partner was somewhat more hopeful, that perhaps they were just clueless. He tried to explain how hard it is sometimes to be a minority in this way.

In the end, I realized that this fit right into the “new school year, new school experience.” Many of us are seeking approval from peers, colleagues, family members and friends. We jostle and jockey for position. We want others to admire us or, at the least, accept who we are. Then, in an effort to bond or make connections we maybe overshare with people who couldn’t care less.

At the start of the new school year, I’m often keen to make new connections, but it would have been altogether possible for me to say nothing about who we were or why we weren’t online on Saturdays. We might even have saved ourselves the trouble by not offering to loan things in the first place. However, in the interest of being welcoming to strangers and reaching out to make friends, I ended up feeling embarrassed and self-conscious rather than proud. I didn’t like it.

Before I moved to Canada, I lived in the southern United States in a place where I had good reason to feel wary about revealing too much about my religious life. We knew it could be an issue; it wasn’t an especially tolerant place.

Based on recent news events – a swastika painted on a car in a Winnipeg neighbourhood, an election scheduled for Shemini Atzeret – I have to conclude that maybe it’s time to be more careful here.

Sadly, for the first time in 10 years in Canada, I’m wondering if I would have been better off to keep my Jewish practice to myself, and reveal less. Maybe if I were hip, I’d be considering a tech Sabbath, but no. I’m connected to something that’s perhaps less popular, but a lot deeper. Sometimes, sharing this is important, even if it isn’t always the cool answer.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. See more about her at joanneseiff.blogspot.com.

Glimpse of 19th festival

Sandra Bernhard performs at the Chutzpah! Festival Oct. 31. (photo by J. Graham)

The Chutzpah! Festival returns during a new late-fall time period – from Oct. 24 to Nov. 24 – with performances at the Rothstein Theatre, Vogue Theatre, Rickshaw Theatre and the WISE Hall. Here are some of this year’s offerings.

Opening night, Oct. 24: Multi-award-winning, London-based songwriter, broadcaster and musical storyteller Daniel Cainer performs the Canadian première of his internationally acclaimed Gefilte Fish and Chips. Based on personal stories of what it’s like to be Jewish – and British – then and now, it includes travelers’ tales, feuding tailors, a naughty rabbi, family fables, and foibles. All of the human condition is here, lovingly and intelligently depicted in a remarkable collection of stories in song.

photo - Sandra Bernhard
Sandra Bernhard (photo by J. Graham)

Quick Sand, Oct. 31: Sandra Bernhard is always three steps ahead of the crowd. She has to be. She’s “quick sand.” In these fast-paced times, a lady can’t stop moving. You never know what you might encounter next in this fun house world we’re living in. So, performing with a three-piece band, Bernhard takes control, bringing a mélange of musings, music and whimsy – “never boring, j’adoring” is her motto, covering the waterfront of the outrageous, quotidian and glamorous.

The Trombonik Returns to New Chelm, Nov. 1: Taking inspiration from the traditional comic tales of Jewish folklore about Chelm, songwriter Geoff Berner and writer, performer and satirist T.J. Dawe, along with friends Toby Berner, Tallulah Winkelman and Jack Garten, present a klezmer musical set in Depression-era Saskatchewan.

A wandering con artist posing as a rabbi becomes entangled in the Prohibition-era whiskey trade. This production combines the social critique of Berner’s decades of activist songcraft with the comedic zaniness of Mel Brooks. Following this performance is a celebratory full-on drinking, dancing Klezmer Punk performance with Berner and his co-conspirators, along with special guest and renowned clarinetist Michael Winograd, to mark the release of Berner’s new CD, Grand Hotel Cosmopolis.

The Diary of Anne Frank LatinX, Nov. 6-9: Everyone knows the story of Anne Frank, the Jewish teenager hidden away while Nazis hunted down Jews during the Holocaust. One American-Jewish director, Stan Zimmerman, adds a modern-day twist to the production, which will see its Canadian première at Chutzpah! Zimmerman said, “When I learned there are over a dozen Safe Houses in the L.A. area hiding Latinx families from ICE [Immigration and Customs Enforcement], it got me wondering – How do these families survive with so little money and needing to remain in the shadows? How do they not lose hope? What are their lives like on a day-to-day basis? Do they see the parallels to Anne’s story?”

DAI (enough), Nov. 12-13: Iris Bahr is an award-winning writer, actor, director, producer and host of the hit podcast X-RAE and she is bringing her critically acclaimed, award-winning solo show DAI (enough) to Vancouver.

AvevA, Nov. 14: Chutzpah! presents the West Coast première of Ethiopian-Israeli singer and songwriter Aveva Dese. A rising star in the Israeli music scene, AvevA’s music fuses traditional Ethiopian sounds and groove with her soul-pop songs; she sings powerfully in both English and Amharic about society, freedom and love. Opening for AvevA is B.C.-based Leila Neverland with Mountain Sound.

Closing night, Nov. 24: Celebrates a week-long inclusion project of sharing, exploring and creating through art. Internationally renowned disability and mental health advocate and stand-up comedian Pamela Schuller and Brooklyn-based professional dancers and choreographers Troy Ogilvie and Rebecca Margolick will perform stand-up and solo dance work, respectively, in a shared evening of dance and comedy. The show will also present Ogilvie and Margolick’s new movement dance work created, directed and performed with members and guests of the inclusion community of the Jewish Community Centre of Greater Vancouver.

In addition to these and many other shows, the Chutzpah! Festival will pay tribute to the JCCGV and celebrate the 25th anniversary of its long-standing and renowned musical theatre summer camp created by Perry Ehrlich – Gotta Sing! Gotta Dance!; present a Shticks & Giggles comedy night with local comedians Ivan Decker, John Cullen, Lisa Person, Yisrael Shurack and others; and host multiple workshops as well as creation residencies for artists in dance and theatre in urban and rural B.C. settings.

Festival tickets range from $24 to $60 and are available at chutzpahfestival.com or 604-257-5145.

Premières & audience faves

Artists of Ballet BC in a previous production of Bill. (photo by Cindi Wicklund)

Ballet BC’s 2019/20 season marks its 34th anniversary year, as the company continues to celebrate life as movement. The new season features a North American première, a Ballet BC première and the return of five renowned choreographers.

Reveling in the beauty of our humanity, the season opens with Program 1, Oct. 31-Nov. 2. It features the première of BUSK by Canadian choreographer Aszure Barton and B.R.I.S.A. by Johan Inger. Inspired by the world of busking and set to an atmospheric score, Barton’s BUSK showcases her versatile and poignant choreography. Inger’s B.R.I.S.A., a probing and liberating piece exploring themes of awakening and change, returns to the stage by popular demand.

In Program 2, March 4-7, the company revisits the pleasure, pain and politics of young love with Romeo + Juliet by Medhi Walerski. In response to unprecedented demand and soldout performances for 2018’s world première of Romeo + Juliet in Vancouver, Ballet BC returns to this iconic story set to Sergei Prokofiev’s score. Crafted by Walerski, an original voice in international dance, it is an innovative and contemporary retelling of the full-length classic.

The season closes May 7-9 with the return of two of the most influential artists in international dance today, both of whom are from Israel. Ballet BC will be the first North American company to perform Hora by Ohad Naharin, following the success of the audience favourite Minus 16 in previous seaons. Program 3’s dynamic lineup features the much-anticipated return of Bill by Sharon Eyal and Gai Behar.

For the holidays in December, Ballet BC presents Alberta Ballet’s retelling of holiday classic The Nutcracker. With choreography by Edmund Stripe, sets and costumes designed by Emmy Award-winning designer Zack Brown, and Tchaikovsky’s musical score played live by the Vancouver Symphony Orchestra, this extravagant production is set in turn-of-the-century Imperial Russia. Reflecting an era noted for its opulent grandeur, this show, which runs Dec. 28-30, displays more than a million dollars in sets and costumes.

“In 2019/20, we are excited to continue a dialogue about dance and its power to transform and connect us in ways that echo across time, place and culture. Today, more than ever, we need channels of expression that examine society and our place in it,” said Ballet BC artistic director Emily Molnar. “Dance can move people to feel and interpret life in new and meaningful ways. This season we are eager to delve deeper into a dance with each of you.”

All performances are at the Queen Elizabeth Theatre. Tickets and more information can be found at balletbc.com.

New VSO season starts

Israeli mandolinist Avi Avital joins Vancouver Symphony Orchestra for a concert in the spring. (photo from vancouversymphony.ca)

The Vancouver Symphony Orchestra’s 101st season opens Sept. 20-21 at the Orpheum Theatre with Canadian diva Adrianne Pieczonka singing Franz Schubert’s orchestrated lieder, including Der Erlkönig (The Elf King), paired with Gustav Mahler’s Symphony No. 1 (Titan) and the world première of a new work commissioned from Juno-nominated Bekah Simms.

The VSO’s upcoming season also features several performers from the Jewish community, including cellist Gary Hoffman, originally from Vancouver, who provides a definitive interpretation of Edward Elgar’s Cello Concerto. Part of the 2019-2020 Masterworks Gold series, the Nov. 29-30 concert includes Modest Mussorgsky’s Night on Bald Mountain and Jean Sibelius’s Symphony No. 5.

Also as part of this season’s Masterworks Gold series, Gidon Kremer joins the VSO Jan. 31 and Feb. 1 in a performance of Robert Schumann’s Cello Concerto, in a transcription for violin. Anton Bruckner’s fourth and most popular Romantic symphony is part of the program, as is Orpheus by Canadian composer/conductor Samy Moussa.

This season’s Musically Speaking series includes Israeli mandolinist Avi Avital in a May 9 concert of works inspired by Italy, playing Ludwig von Beethoven’s Symphony No. 8, perhaps Beethoven’s most experimental symphony. Likewise, Giovanni Sollima’s new Mandolin Concerto, written for Avital, mashes up musical styles from baroque to rock ’n’ roll. Antonio Vivaldi’s Mandolin Concerto and Igor Stravinsky’s Pulcinella Suite round out the program, which will also be performed in North Vancouver on May 7 and in Surrey on May 8.

On May 22-23, Barenaked Ladies co-founder Steven Page brings an arsenal of songs from his 30-year catalogue for a sweeping set backed by the VSO. Together with trio mates Craig Northey and Kevin Fox, Page will guide audiences through an evening featuring songs from his solo career as well as Barenaked Ladies classics. This concert is part of the London Drugs VSO Pops series.

For information on the full VSO season, visit vancouversymphony.ca.

Musical mornings anew

Brentano String Quartet (photo by Juergen Frank)

Brentano String Quartet launches Music in the Morning’s new season at Vancouver Academy of Music Sept. 11-12 and at Christ Church Cathedral Sept. 13. The quartet – Mark Steinberg (violin), Serena Canin (violin), Misha Amory (viola) and Nina Lee (cello) – will perform Ludwig von Beethoven’s String Quartet No.12, Opus 127, one of the pillars of the modern string quartet.

Music in the Morning’s Main Series also features Russell Braun, baritone, with Carolyn Maule, piano (Oct. 9-11); Anagnoson & Kinton, piano duo (Nov. 13-15); the Calmus Ensemble (Dec. 18-20); Stewart Goodyear, piano (Jan. 15-17); Colin Carr, cello, with Thomas Sauer, piano (Feb. 12-14); and Afiara String Quartet (March 18-20).

While the dates of Music in the Morning’s Summer Music Vancouver have not been announced, Noon with June: Lunch with the Artists, now in its second season, starts with an interview by host June Goldsmith of Brentano String Quartet on Sept. 11. The series of four conversations with mainstage artists continues with interviews of James Anagnoson and Leslie Kinton Nov. 13, Calmus Ensemble Dec. 18 and Afiara String Quartet March 18.

For tickets and more information, visit musicinthemorning.org.