history – Page 18

IDF incursion into Jenin

As in the instance of many complicated issues, we cannot begin a discussion of specific issues without providing background and context. Earlier this month, the Israel Defence Forces entered Jenin, located in what many Jews call Judea and Samaria. This portion of the originally mandated territory is in Area A under the governing authority of the Palestinian Authority in accordance with international agreements called the Oslo Accords.

This agreement was voluntarily implemented by Israel because the accords were never signed by the PA, then under the leadership of the now-deceased Yasser Arafat. At that time, there was the international aspiration that there might be a two-state solution to the Israeli-Palestinian conflict. Under the agreement, the disputed territory occupied by Israel after three wars was divided into three areas. Area C, the largest piece, was essentially vacant land with little population and was solely under Israeli governance. Area B was under joint Israel-PA governance. Area A, which was the most populated and had all-Arab cities, was under sole PA governance. Jenin is one of those cities.

Under the accords, Israel retained overall responsibility for security, including responsibility for maintaining security for all borders.

Over the years, Israel made a number of offers to the PA to resolve differences. The PA declined to consider any of them. They insisted on a return to 1948 Armistice borders and independent statehood with their own armed forces. Based on Israel’s experience with Gaza and Lebanon, this was unacceptable to Israel.

The goodwill toward Palestinians that was evidently held by an important element of the Jewish population seems mostly to have been forfeited over time. An appreciation has grown that there is no acceptable solution for the Arab side that would allow for a viable Jewish state. Consequently, for many, the idea of a two-state solution is no longer feasible.

Meanwhile, the PA has maintained a hostile attitude to Israel, educating young Arabs to hate Jews and to aspire to murder them, and paying the families of deceased and jailed terrorists substantial pensions. Many suicidal activists have been incentivized in their actions by these awards for their families. These payments are a part of the PA budget.

Further, popular support from the Arab population has shifted from the PA to the terrorist organizations headquartered in Gaza and in Beirut, Lebanon. Elections for PA leadership have continually been postponed to avoid the takeover by Hamas that occurred in Gaza. Hezbollah controls the government of Lebanon. Both these entities are now financed by Iran, which has publicly announced their intention to eradicate the Jewish state.

The situation has been aggravated by the increasing incapacity of current leadership. PA President Mahmoud Abbas is reportedly in ill health. There is now competition as to who will replace him. This has caused further internal conflict, which has impaired PA functioning. Measures aimed at controlling terrorist operations or crime gangs would not encourage popularity.

With this background, we can turn to consideration of the Jenin event.

While there is theoretical cooperation with the PA on security matters, more and more it has fallen to Israeli forces alone to carry out this task. Although the PA claims statehood, more and more it has failed to build the infrastructure required. Particularly over the last two years, security in the major Palestinian centres under their jurisdiction has been lacking. Crime is rife and terrorist organizations have used the vacuum to establish a network aimed at destroying Israel, financed primarily by Iran.

In recent months, Israel has suffered 58 attacks having their origins in Judea and Samaria. Often, the perpetrators escape to hide in sanctuaries established within the Arab population centres in the region. Arms and monies have been smuggled into that area from Jordan. One diplomat from Jordan has been arrested and charged in this regard.

The IDF exercise involving a brigade-strength force is likely the first of a number that will try and establish a return to law and order in Area A, in Judea and Samaria. Remarkably, the IDF was able to carry out its mission in densely populated Jenin while avoiding any civilian casualties. Sadly, there were two IDF fatalities.

The failure of the PA to carry out its responsibilities leaves Israel with no alternative. Even with the IDF’s efforts, many of the terrorists in this specific area escaped. Four locations in the local network were disrupted, one of them located in a mosque basement. Arms caches were removed along with funds that were found, which were being used to finance terror activities. Almost 100 operatives were arrested and 18 were killed – all were combatants.

The situation indicates that this is only the first of similar necessary exercises to discourage attacks on innocent civilians. We will probably see this not only in Jenin but in other population centres in the region. We may see the program carried out despite efforts by many parties around the world seeking to vilify the Jewish state.

Max Roytenberg is a Vancouver-based poet, writer and blogger. His book Hero in My Own Eyes: Tripping a Life Fantastic is available from Amazon and other online booksellers.

Sharing the load as a team

The greatest triumph of our summer so far is moving 10 cubic yards of gravel. Obviously, there’s a story in this! When we moved to our present house, we knew that the landscaping (along with the plumbing, electricity, insulation, boiler and more) needed work. A previous owner created rock-filled beds in both the front and backyards. This wouldn’t have been our chosen landscaping technique, but, when we moved in, these beds had so many weeds and enough scattered rock that it would be hard to remove them, so we chose to improve on what was here already.

We found an advertisement offering an entire dump truck’s worth of (slightly used) gravel for a low price. I made bad geology jokes about “new” versus “used” gravel after that, but we called them up. Soon after, we received two huge piles of gravel in our driveway, dumped efficiently by a Hutterite colony that found they had too much on hand. We had saved cardboard and put it down to kill weeds. Then the cardboard was covered with the slightly dusty and dirty (used) gravel.

The first pile of gravel, for the front of the house, was moved by the end of May long weekend. Through trial and error, I found a successful system that one mom (me) and twins (age 12) could manage. It involved using beach sand buckets and plastic flowerpots. Each person filled up two of these, and we pretended to do weightlifting as we marched from the pile to the landscape bed, over and over. My much larger partner filled a heavy wheelbarrow full of gravel with a shovel and moved it instead. We also had help from a kind neighbour who loaned us a second garden cart, which could be operated by the twins if (and only if) they cooperated.

The backyard gravel pile took longer. It wasn’t in the way as much, not as publicly in view and, well, some of our enthusiasm for the project had worn off. We finally moved it all into the backyard by mid-July. There are, of course, people who hire landscapers using Bobcats, or workers with multiple wheelbarrows, but we did the physical labour, for free, as a team. It worked for us. As neighbours commented on the hardworking “mama and twins” and the disappearing piles, we felt proud of our efforts.

This gravel experience reminded me of other Jewish traditions around summer, with Tisha b’Av coming. This day of mourning, where we remember the destruction of the Temple in Jerusalem, has a lot of upsetting stories attached to it. One reason the rabbis give about why the Temple was destroyed is “sinat chinam” or “baseless hatred.” In other words, there was so much infighting between Jewish factions that it caused the Romans to be able to destroy Jerusalem and the Temple.

The Roman Empire was big and powerful. Probably there were many reasons its leaders wanted to conquer more territory, including Jerusalem and the Temple. Yet, the talmudic rabbis give multiple examples of how individuals’ bad behaviour resulted in the fall of the entire Jewish world. Was every single one of these painful stories of bad behaviour completely historically factual? Well, maybe not. It’s hard to say from here.

Regardless, the personal stories of hatred remain powerful thousands of years later. I thought of this stuff as we trudged back and forth with our little buckets of stones. I also nearly joked with my children about Sisyphus, forced to push his rock uphill for eternity, as they occasionally complained, but Sisyphus was Greek, not Roman, and I didn’t want to mix metaphors while hauling gravel.

What I found most interesting about moving the gravel, or cleaning up construction messes as a family, is that, after initial grumbling, we all settle down into a rhythm together. We put in the work. We all pull in the same direction and, well, with all four of us working, things get done.

This struck me as the absolute opposite of sinat chinam, or baseless hatred. We are faced so often with hard tasks – as individuals, as families, in neighbourhoods or in the wider Jewish community. Not every task is physical labour either. It’s easy to fall apart and bicker over everything instead of finding a common cause and working efficiently together. However, if we search for what we have in common, including big goals, it’s amazing what we can accomplish.

Jewish people are like everyone else – we’re all very different individuals, prone to disagreement and conflict. Some of us will avoid haircuts, washing clothes, eating meat and then fast on Tisha b’Av. Others may skip those rituals altogether. Whatever we do or don’t do for Jewish holiday observance, we also might forget that we have things in common, too. If we choose to pull in the same direction to make changes about things that matter to us, we can do it.

I’m not claiming to know what matters for all of us or how to fix it, because in my mind, that, too, is part of our work. The work we have to do together, as people who care about one another, as part of a larger community. Perhaps identifying common goals is a hard part of our task, too.

This summer, my family moved gravel. It wasn’t world peace and it didn’t end homelessness or poverty. It was just a step closer to restoring our character home, which needs so much more done to it. Each time I see my family working together, wiping up endless drywall dust or moving small stones, I think about how much we accomplish and build as a family “team” and how proud I am to be a part of this one.

As community members, we’ve also got a “team” and, together, we can do so much to improve the world if we pull in the same direction. If we base our efforts in love, we can find common ground and work together. It might not bring about the rebuilding of the Temple in Jerusalem (and not everybody even yearns for that) but it might make the world we live in a much better place in the meanwhile.

Joanne Seiff has written regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

May you leave with laughter

Ahrida Synagogue is one of the two still-functioning synagogues in the Balat neighbourhood of Istanbul. (photo by Deborah Rubin Fields)

On my first trip to Israel just after graduating high school, I met a similar-aged Turkish Jew. He was also visiting Israel. He spoke no Hebrew or English, so I tried my then-proficient Spanish. Surprisingly, he responded, although not all the words he used were familiar to me. I didn’t know then that he was speaking Ladino, or Judeo-Spanish. Slow forward several years to May 2023, when I finally visited Istanbul for the first time.

While I only recently “made it” to Turkey, Jews have been there for a very long time. If you take a biblical approach, you know that, when the flood ended, Noah’s ark rested on Mt. Ararat, near Anatolia, Turkey. If you take an historic approach, Jews have lived in what is now Turkey since Roman times.

While most members of the Jewish community in Istanbul today trace themselves back to the Jews who were forced out of Spain and Portugal in the late 1400s and early 1500s, there have also been communities of Karaites, Jews who do not accept rabbinic law, but rely solely on what is written in the Hebrew Bible. As of 2014, they numbered less than 100 in Istanbul.

Sultan Beyazid II welcomed the Jews from Spanish-speaking countries – when Spain expelled its Jews and Muslims in 1492, Beyazid sent his navy to evacuate them to Ottoman lands.

Among the Jews in Turkey in the 1500s was widowed businesswoman Doña Gracia (1510-1569). Originally from Portugal, which ordered Jews to convert to Catholicism a handful of years after Spain’s decree, she moved to Istanbul so she could openly practise her Judaism. Having been a “conversa” (forced convert), she was keen to help others in the same situation. She established yeshivot and synagogues in Istanbul. She also was the first woman printer and publisher in the Ottoman Empire. She lived in the European quarter of Galata.

Doña Gracia was not the only Jew to do well in Turkey. A number of Jews had successful businesses. Many dealt with precious metals and stones; others were money changers or lenders. In the 1500s, Hekim Jacob served as Sultan Mehmed II’s personal physician – by 1800, Jews would make up 27% of all licensed physicians in Istanbul. Even today, Balat’s 120-bed Jewish Hospital or Yahudi Hastanesi is still functioning, although the patients aren’t usually Jews.

In 1666, the false messiah Shabbtai Tzvi made an appearance in Istanbul. He had visited other countries when there was the breakdown of the social order or the economy was on the decline. The opinion of Jews in Istanbul (then called Constantinople and the capital of Turkey) was divided, but the majority feared his appearance would be the cause for actions against Jews in general. When those who were attracted by his messianic enthusiasm went out to meet him and pay him homage, opponents informed the grand vizier and he ordered Shabbtai Tzvi’s arrest. After Shabbtai Tzvi’s conversion, the communal leadership decided on a course of damage control, downplaying the false messiah incident, including by attempting to prevent discussion on the subject.

At the beginning of the 20th century, the Jewish population in Istanbul was 100,000. Today, there are fewer than 20,000 Jews in all of Turkey and a new wave of emigration has started. Contributing factors are President Recep Tayyip Erdogan’s tumultuous 20-year rule, with its up-and-down relationship with Israel, rising antisemitism, perceived threats to the personal security of Jews and rising anti-Jewish discrimination from Turkish society, as well as the country’s unabated inflation. Altogether, since Israel became a state, some 100,000 to 150,000 Jews have left Turkey for Israel.

In Istanbul’s Balat neighbourhood, for example, where, at one point, more than half the population was Jewish, the Turkish bath or cavus Hammami (el bano de Balat in Ladino) that was frequented by Jews in the neighbourhood is apparently still running but most synagogues have closed. In Balat, only two are still functional: Ahrida Synagogue, with its unusual bima in the shape of the prow of a boat, and Yanbol Synagogue.

Today, most of Istanbul’s Jews are Sephardi, with only about 600 individuals who identify as Ashkenazi. Yet, Etz HaHaim Synagogue, also known as Ortakoy Synagogue (for the neighbourhood in which it is situated) holds combined services for both Sephardim and Ashkenazim.

photo - Istanbul’s Ortakoy Synagogue, also known as Etz HaHaim, holds combined services for both Sephardim and Ashkenazim — Istanbul’s Ortakoy Synagogue, also known as Etz HaHaim, holds combined services for both Sephardim and Ashkenazim. (photo by Deborah Rubin Fields)

Istanbul’s Neve Shalom Synagogue (and mikvah) has been the site of two major terrorist attacks. In September 1986, Arab terrorists staged an attack with guns and grenades on worshippers in the synagogue, killing 23. In November 2003, a car bomb exploded outside the synagogue during a bar mitzvah service. Hundreds of people – mostly Turkish Muslims who lived or worked in the area – were wounded and over a dozen were killed. For security, there is now a guard post in front of the synagogue and the adjacent Jewish museum and those interested in visiting must show proper identification.

As far as eating in Turkey, aubergines (eggplants) are plentiful in the summer, so most meals include either fried, baked or stuffed aubergines. Empanadas, as they are called in Spain, are usually referred to as börekas or börekitas in the Sephardi cuisine in Turkey, using the word börek for the same type of Turkish pastries. A tapada is prepared in a pie fashion, baked in a tray with a variety of fillings – best, of course, with aubergines.

Food expert Claudia Roden whose grandmother came from Istanbul, offers a recipe for prasifouchi, a creamy leek pâté that was traditionally served as a dairy evening meal in Turkey during Pesach. It is made with leeks, potatoes, eggs, kashkaval cheese, nutmeg, salt and pepper and sunflower oil. (See The Book of Jewish Food: An Odyssey from Samarkand to New York, page 527.)

There are at best two kosher restaurants in Istanbul. While not at all fancy, there is also a centrally located vegan café.

If you visit Turkey, güle güle gidin, may you leave with lots of laughter, ie. with a smile on your face, having had a good time.

Deborah Rubin Fields is an Israel-based features writer. She is also the author of Take a Peek Inside: A Child’s Guide to Radiology Exams, published in English, Hebrew and Arabic.

For new generation

The marvelous children’s stories in Ilse Weber’s Mendel Rosenbusch: Tales for Jewish Children (illustrated by P. John Burden) are fascinating in their own right, as is translator Hans Fisher’s discovery of this book. He and his wife, Ruth, have brought Weber’s book, first published in 1929, from the original German to English.

Let’s get to stories first; then we’ll talk about how this book was discovered.

Ilse Herlinger Weber was born 1903 in Witkowitz, now in Czechia, and, after a period of time in Theresienstadt with her husband and son, was deported to and murdered in Auschwitz in October 1944. She was a Czech poet and writer who, like Kafka, wrote in German, and is best known for Mendel Rosenbusch: Tales for Jewish Children.

The title character is an older man (pictured with a white beard and wearing a black yarmulke) who gets a coin that enables him to become invisible whenever he wishes, and he uses this gift to help his neighbours anonymously. Mendel plays a beneficent role in most of the stories, including magically arranging that a stubborn father permits his son to marry the girl of his choice, and is beloved by all the children in Weber’s stories.

One of my favourites – perhaps because he reminds me of a combination of Tom Sawyer and Huck Finn, with a blend of some of the rascals in Sholem Aleichem’s stories – is “Uri, the Rascal.” Uri is a lad who always gets into trouble, always plays pranks. But, when a poor, sickly boy, the son of a needy widow, becomes his seatmate in school, Uri does his best to help and defend him, and even comes up with an idea on Purim to help the mother and son.

Another charming tale is “Simcha, the Liar,” about a boy who cannot stop telling fibs – until, one day, he suffers a punishment (purple patches on his face) for his uninterrupted stream of untruths. But, here again, Mendel Rosenbusch comes to the rescue and Simcha never tells another lie again.

These are typical of the heart-warming, ethically pointed stories in this book. Now to its (re)discovery.

When Hans Fisher, who taught at Rutgers University in New Jersey for many years, visited Santiago, Chile, for his mother-law’s funeral, he discovered in her vast library a book of children’s stories in German that he had read as a child in Germany 60 years earlier, before immigrating to the United States to escape the Nazi slaughter of Jews. Like Proust’s biscuit, which brings a flood of memories to the author as he remembers the past, so with Fisher. Seeing this old, torn book brought back memories of wonderful, gentle stories that, in Fisher’s words, “transported me to my own boyhood in Breslau.”

It is with love and devotion and the translators’ writerly skills that Ruth and Hans Fisher have restored these wonderful tales and made them accessible to a new generation of readers.

Curt Leviant also recently made a literary discovery of his own. He found a neglected novel by the famous Yiddish humourist Sholem Aleichem, Moshkeleh the Thief, which he translated into English: for a review, see jewishindependent.ca/a-rediscovered-novella. Leviant’s 12th novel, Me, Mo, Mu, Ma & Mod; Or Which Will It Be, Me and Mazal or Gila and Me?, was published in 2021.

Honouring ancestors’ stories

Juan Villegas rehearsing Edictum, choreographed by Vanessa Goodman, which is about Villegas’s Sephardi ancestry. The work is part of Dancing on the Edge’s EDGE One July 6 and 8 at the Firehall Arts Centre. (video still from Vanessa Goodman)

“I am very happy to be able to share my work and talk about Sephardic Jews, as I am doing a lot of research and I am discovering a lot about my own culture and where it comes from,” Juan Villegas told the Independent about Edictum, a new work with Vanessa Goodman about his family heritage, an excerpt of which he will perform at this year’s Dancing on the Edge July 6 and 8. “Throughout history, the Jewish community has suffered a lot and I am very happy to be able to pay respect, honour, shed some light and help tell the story of my ancestors,” he said.

Villegas and Goodman had already started their collaboration when Villegas found out that his ancestors were Spanish Jews who, following the Alhambra Edict of Expulsion in 1492 and the persecution of Jews by the Spanish Inquisition, sought refuge in Colombia.

In 2015, Spain passed legislation to offer citizenship to members of the Sephardi diaspora, but the window of opportunity to apply was only a handful of years and Villegas’s family missed it. However, they did apply to Portugal, which passed a similar law, also in 2015. Given the number of applicants, it could be several years before the family finds out. For the application, certified records were needed, so Villegas’s siblings hired a genealogist.

“They did both of my parents’ family trees and both ended up having the same ancestor – Luis Zapata de Cardenas, who came to Antioquia, Colombia, from Spain in 1578 and whose family had converted to Catholicism in Spain,” he said. “What is unclear to me is whether Luis Zapata de Cardenas was a practising Jew and was hiding it or if his family back in Spain became Catholic and raised him Catholic. I find it very hard to believe that people fully converted to Catholicism, as religion is so embedded in one’s culture and must be very difficult to switch by obligation. So, this is probably when they started disguising some Jewish rituals as Catholic, which happened a lot in Colombia.”

Villegas left Colombia in 2003, at the age of 18, concealing from his family his real reasons for leaving.

“I told them that I was going to only be in Canada for eight months to study English and then come back to Colombia,” he shared, “but deep inside I knew that I wanted to find a way to stay in Canada. I am gay and had a hard time growing up in Colombia – without realizing it, I was also escaping from a traumatic childhood, as I had been sexually abused and bullied at school. I was lucky enough that my parents helped pay for ESL studies in Canada and then I was able to do my university studies in Vancouver at Emily Carr University.”

After getting a bachelor’s degree in design from Emily Carr, Villegas worked at a design studio but was let go when the economy collapsed in 2008. He took about a year to figure out what he wanted to do next.

“I had a lot of unresolved trauma and I think it was a combination of having the time and (unconsciously) wanting to be healed from trauma that I started taking yoga and dance classes,” he said. “I met a dance artist named Desireé Dunbar, who had a community dance company called START Dance and she invited me to join her company. Vanessa [Goodman] had just graduated from the dance program at SFU and she was in the company also, this was back in 2009. Then, in 2010, I joined the dance program at SFU and Vanessa came to choreograph for us a couple of times. I always loved working with her and I felt like I connected with her.”

Graduating from SFU with a diploma in dance, Villegas moved to Toronto, where he danced for a few years. When he returned to Vancouver in 2017, he started following Goodman’s work. Intrigued, he asked if she would choreograph something for him and she agreed.

“And that piece that we created was about family,” he said, “but we left it at that, because I did not get the grants I needed to continue the work. So, when I discovered about my Sephardic Jewish ancestry, I pitched the idea to her and she agreed (without me knowing that she also has a Jewish background).”

video still - Juan Villegas rehearsing Edictum — Juan Villegas rehearsing Edictum. *(video still from Vanessa Goodman)*

Everything fell into place, he said, including some funding, so they took up work again this year on Edictum, which is Latin for order or command. The project was always intended to be a solo for Villegas, and they had started by “diving into his family history and the names of his ancestors to build movement language,” said Goodman.

“Since his family found that they have Jewish ancestry and were a part of the diaspora from Spain and Portugal in the 1400s, we found it very relevant to revisit the starting material and expand on this history inside the work,” she said. “I was raised Jewish culturally and we found, through conversations about our family rituals in relation to culture, food and celebration, there were some very interesting links between his family’s expressions of their identity and mine. We have woven these small rituals into the piece and have found a very touching cross-section of how this can be shared through our dance practice in his new solo.”

Goodman is also part of plastic orchid factory’s Ghost, an installation version of Digital Folk, which will be free to visit at Left of Main July 13-15. It is described on plastic orchid factory’s website as “a video game + costume party + music and dance performance + installation built around the desire to revisit how communities gather to play music, dance and tell stories.”

“I began working with plastic orchid factory on Digital Folk in the very early days of its inception,” said Goodman. “James [Gnam] and Natalie [Purschwitz] began researching the work in 2014 at Progress Lab, and I was a part of that initial research for the piece. Since then, the work has been developed over a long period of time with residency creation periods at the Cultch, at Boca del Lupo, at the Shadbolt, at SFU Woodward’s, and it has toured Calgary and northern B.C. This work lives in several iterations, but the Ghost project is a beautiful way for the work to live in a new way one more time. The cast got together at Left of Main in December of 2022 and filmed the piece for this upcoming iteration…. It is exciting to see a work have such a rich life with so many incredible artists who have been a part of this project.”

Dancing on the Edge runs July 6-15. It includes paid ticket performances at the Firehall Arts Centre, where Edictum will be part of EDGE One, and offsite free presentations, such as Ghost. For the full lineup, visit dancingontheedge.org.

Seeking diverse voices

Jimmy Chow, Burnaby resident and prop master since 1973. Burnaby Village Museum’s Many Voices Project is focusing on stories from people and communities who haven’t had the opportunity to add to the historical record. (photo from Burnaby Village Museum, BV022.21.25)

With its Many Voices Project, Burnaby Village Museum is focusing on stories from people and communities who haven’t had the opportunity to add to the historical record, including members of the Jewish community who have a Burnaby connection.

The museum is documenting the diverse lives of people connected to Burnaby, capturing stories of all areas of life in the city, including school, work, recreational activities, social events, family activities, and more. Anyone who has a meaningful and personal connection to Burnaby has an important story. However, to date, the museum has more personal accounts and historical information about people with British or European backgrounds, and is seeking to continue diversifying its collections by interviewing a wider range of people. This may include cultural minorities, people of colour, and sexually and gender diverse people.

How will interviews be used?

The Burnaby Village Museum is the primary historical resource for the City of Burnaby. It encourages understanding, appreciation and enjoyment of and participation in Burnaby’s unique history, and fosters a shared sense of community and identity for the citizens of Burnaby and visitors.

A big organization, the museum offers many ways to connect and learn. It has a heritage village and carousel, but also runs school programs, summer camps and public programs for people of all ages and backgrounds. In addition, it manages a collection of 50,000 historical artifacts, as well as archival materials, many of which are on display in the village. However, about 60% of the collection is stored in a secure vault and made accessible online via the website heritageburnaby.ca. The museum is always collecting and refining its holdings, and taking new donations that help tell the story of Burnaby’s history. The oral histories conducted will become a part of this growing archival collection.

The information contained in such interviews is invaluable. Museum researchers who work on new exhibition content and educational programs draw heavily on these historical records to help tell stories. They use the information to write text and shape how stories are told.

Why interviews?

Oral history interviews are a rich and textured way to capture history. Voice recordings capture more personality, details and subtleties than can the written word. Many people don’t have more than an hour or two to devote to the museum, and that is completely understood. An interview captures a tremendous amount of information in a relatively short period of time.

Why online?

Heritage Burnaby is the city’s searchable database for all things history. It holds community assets, heritage services and historic collections and adds new holdings daily. Many researchers – genealogists, reporters, university professors and museum professionals – access records regularly. Through Heritage Burnaby, this work benefits many more people than those who work at the museum.

Alternatives to interviews?

Sometimes sitting down for an interview can be intimidating, especially if you haven’t done something like this before. The museum is always collecting artifacts, original photographs, documents and ephemera related to life in Burnaby. Consider looking at your collections and family items, and making a donation to the museum, which aims to preserve its collections in perpetuity so that people many generations from now can see what life was like in Burnaby.

The museum also has options for those who would like to be interviewed but would prefer to use a pseudonym, or have their recording released at a later time.

Want to know more?

Burnaby Village Museum has a few open house events coming up that people are welcome to join. These events will be held on the afternoons of June 24, July 22 and Aug. 19. Come meet the team conducting the interviews. These sessions also will provide a private tour of the museum’s collections vault, where the archives are held. This will be followed by a short tour of the village, highlighting the ways that oral histories have been used in exhibitions.

For more details and times, register with Kate Petrusa, assistant curator. Petrusa is also the person to contact if you or anyone you know would like to share stories with the museum, or have questions about the Many Voices Project. She can be reached at 604-297-4559 or [email protected].

– Courtesy Burnaby Village Museum

Yukon Jewish history online

The rich and rugged history of Jews in the Yukon has found an internet home on the website of the Jewish Cultural Society of Yukon, jcsy.org. The lure of the Klondike Gold Rush and the stories of its enterprising and colourful Jewish personalities, some respectable and others salacious, comprise a large portion of the newly created virtual real estate.

The quest to get to the gold, a journey undertaken by 100,000 prospectors between 1896 to 1899, was treacherous, the site explains. There were several routes, but one of the more popular ones was boarding a ship to Skagway, Alaska, then trekking over the Chilkoot Trail to Yukon. Once there, prospectors and retailers set out along Yukon River for another 550 kilometres to Dawson City – a trip that could take months – traveling during the winter so they would be ready for the summer prospecting season.

Prior to venturing on their northbound journey, however, fortune seekers needed supplies, dubbed a “Yukon Outfit,” the equivalent of one ton of provisions, which were essential to live and work in the north. The website shows photos of people bearing heavy loads headed to Dawson City, climbing ice-carved stairs to get to the Chilkoot Trail.

On the same page, there is a newspaper ad by Cooper & Levy, a Seattle company equipping gold hunters for their excursions. “Are you going to the Alaska gold fields? If so, send for our Supply List for ‘One Man for One Year’…. The list will be sent free of charge to any part of the world,” the ad reads.

“The idea of getting to Dawson City was an unbelievably difficult task. People needed to get there on a raft with all their things. The strength of the people was incredible,” said Rick Karp, president of the Jewish Cultural Society of Yukon (JCSY). “It was not a party. It was unbelievably difficult and many didn’t survive. As well, the First Nations communities suffered life-changing events.”

Albert and Marcus Meyer, whose histories are told on the website, were but two of the many industrious Jews to land in Dawson City. They opened a jewelry business in 1897, were buyers of Indigenous gold and produced Indigenous-style gold jewelry. Expert silversmiths, they also crafted silver trade bracelets with carved Tlingit designs.

Other families with connections to the Klondike would rise to prominence elsewhere, such as the Barrons in Calgary and the Oppenheimers in Vancouver. And there is Sid Grauman, whose father wanted to build a theatre in the north, and who would later establish the famed Grauman’s Chinese Theatre in Los Angeles.

Diamond Tooth Lil, on the other hand, was one of the notorious characters to arrive north of the 60th parallel. Born Honora Ornstein, she started out as a star “entertainer,” popular among spendthrift gold seekers and purportedly owned a luxury home in Skagway that “catered” to wealthy clients.

Another page of the website includes photos and video footage of the discovery, restoration and rededication ceremony of the Jewish cemetery in Dawson City in 1998. Herb Gray, deputy prime minister of Canada at the time, made a speech at the ceremony.

The JCSY has plans to expand the website in the coming months. “We will be keeping the site up to date and will be posting more information and photos,” Karp said.

Originally formed as the Jewish Historical Society of Yukon in 1997 after the discovery of the Jewish cemetery in Dawson City – a century after the Gold Rush – its mandate was to clean, restore and rededicate the cemetery, as well as research those buried there. The identification of those interred inevitably led to questions about the others who participated in the Gold Rush, what they did during their stay, and the impact they had when moving on to other communities or returning to the families they’d left behind in search of fortune.

Upon completion of the cemetery project, the historical society believed its work was complete. However, by 2012, with the growth of the Jewish community in Whitehorse, interest in their work flourished and the JCSY was formed. Its mandate expanded to include forming a community to share Jewish culture, celebrate the High Holidays and Passover together and hold social gatherings.

The stories the society uncovered in its goal to learn more about the Jews of the Gold Rush resulted in the creation of a traveling historical display to share them. The display was exhibited both in Vancouver and on Vancouver Island, last making a stop at the Jewish Community Centre of Victoria in 2020. (See jewishindependent.ca/victoria-hosts-klondike.)

One can become a member of the JCSY through the website. The cost is $25 for a single membership and $40 for a family. Should a person make a donation of any size to the JCSY, they will be sent an email with a link to a new booklet (upon its completion), which outlines many of the notable stories of the Jewish presence in Yukon during and after the Gold Rush.

A section of the booklet’s introduction states, “While the north may not seem like an obvious choice for a nice Jewish boy from Milwaukee, Edmonton, Vancouver or Seattle, when you think about it, it is not such a stretch. Harsh times foster resilience and for every dreamer there is also a pragmatist. With a history of harsh times, Jewish people have been nothing if not resilient.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Beit HaRav Kook at 100 years

Rabbi Itzhak Marmorstein – a former spiritual leader of Vancouver’s Congregation Or Shalom – stands beside the ark in Beit HaRav Kook, where he is the gabbai (sexton). (photo by Gil Zohar)

Scores of congregants packed Beit HaRav in downtown Jerusalem June 2-3 to celebrate the centenary of the historic synagogue, yeshiva and home of Rabbi Abraham Isaac Kook (1865-1935), a seminal Zionist religious leader during the British Mandate who founded the Chief Rabbinate of Israel.

Born in Griva – then part of the Czarist Empire but today Daugavpils, Latvia – Kook arrived in Jaffa, Ottoman Palestine, on Iyar 28, 5665 (1904), where he became the city’s leading Jewish spiritual figure. The family’s private celebration became a national holiday during the 1967 Six Day War when Israel conquered the Old City of Jerusalem on the same date.

Exiled in Switzerland and then in Britain during the First World War, Kook – also known by the Hebrew acronym HaRaAYaH – played a key role in London in securing the 1917 Balfour Declaration by which Britain announced its support for the establishment of a “national home for the Jewish people” in Palestine.

Returning to the country then under British military occupation following the war, Kook served as the Ashkenazi chief rabbi of Jerusalem. Both the city’s Jewish religious leaders and Whitehall were anxious to replace the Ottoman office of hakham bashi, chief rabbi of the former Turkish empire. Thus, in 1921, Kook was appointed to the newly created position of Ashkenazi chief rabbi of the Land of Israel.

But where was a scholar of such stature to live, especially since the representatives of other religions in the holy city all had an appropriate residence?

The issue was brought up in a July 24, 1921, meeting at Government House on the Mount of Olives – today the Augusta Victoria Hospital – between Britain’s newly arrived high commissioner, Sir Herbert Samuel (1870-1963), and New York businessman Harry Fischel (1865-1948). Asked by Samuel to raise money for the project among his American peers, the philanthropist and his wife Shayna volunteered to fund the building themselves.

They identified Beit David, a one-storey kollel almshouse erected in 1873 by philanthropist David Reis. Owned by the Ashkenazi community’s Central Committee of Knesset Israel, the site was eminently suitable. The courtyard – opposite Rothschild Hospital (today Hadassah College) and near the residence of pioneering ophthalmologist Dr. Alfred Ticho and his wife, artist Anna – was located on Hadassah Street, which was renamed after Rabbi Kook following his death.

photo - The yeshiva hall and beit midrash of Beit HaRav Kook — The yeshiva hall and beit midrash of Beit HaRav Kook. *(photo by Gil Zohar)*

A cornerstone for the second-floor addition was laid on Aug. 15 before the Fischels departed. Work began immediately. Fischel, an architect and real estate developer in Manhattan, ensured the structure included all the latest modern conveniences. The double-height ceilings were decorated with colourful stencil patterns. Built surrounding a central courtyard, one wing included a reception area, kitchen, bathroom and three bedrooms for the Kook family. The other side included the Central Universal Yeshiva, a synagogue and the scholar’s bureau – now restored to its appearance a century ago. At Kook’s insistence, the synagogue incorporated a moveable roof to permit a sizeable sukkah.

The Kooks moved in at Hanukkah 1922, though the synagogue and yeshiva were still under construction. That spring, the Fischels again crossed the Atlantic. Docking in Alexandria, they caught the train from Egypt across the Sinai Desert to Palestine. Arriving at Lydda (Lod) on May 9, they were greeted by a delegation of rabbis. The couple insisted on being immediately escorted to Beit HaRav.

The dedication began at 3:30 p.m. on Thursday, Sivan 12, 5683 (May 27, 1923). The program – which included 33 events and speakers with a tea break – augured well for cooperation between the country’s growing Jewish community and the new imperial regime.

The many dignitaries in attendance included leading rabbis and Zionist figures. The event was a quasi-national holiday. Jerusalem was decorated with bunting in the Zionist, British and American colours. Flags flew everywhere across the city.

The orchestra of the nearby Institute for the Blind played the Star-Spangled Banner, God Save the King and Hatikvah, while the Etz Chaim Talmud Torah’s choir performed for the guests.

Among the dozens of speakers was Fischel, who addressed the assembly in Hebrew and then English: “Words fail me at this moment to express my gratitude to the Almighty for granting me this privilege of building this Beth HaRav and synagogue…. While my heart always beats for Palestine, yet my home is in America. I have, therefore, had to travel nearly 6,000 miles to participate in this holy celebration….

“The building committee has just presented me with the key of this house certifying thereby that the building is now completed. In view of the fact that this residence and synagogue are to be used for the benefit of the people of Palestine, and that Your Excellency [Samuel], is the chief executive of the land, I therefore deem it fitting and proper to present you with the key, and designate you as custodian of this combined edifice. May I ask you, please, to accept this golden key and keep it as a souvenir and memento of this occasion? I want to take this means also of publicly thanking you for the honour you have bestowed upon us. May God grant you, your administration and the people of Palestine continued security and peace.”

Turning to Kook, sitting next to him on the dais, resplendent in his Sabbath and festival fur spodek (tall, black hat), Samuel declared:

“I congratulate the Chief Rabbinate, Mr. and Mrs. Fischel and the Jewish community at large on this auspicious day. Among the many problems with which the civil administration had to deal on its establishment was the adoption of measures to place the Jewish community both on its secular and on its ecclesiastical side, upon a permanent and regular basis. The question of the organization of the secular side was not yet fully settled. But the government has been able to establish, on an electoral basis, the Chief Rabbinate and, for the first time after an interval of many centuries, a Jewish ecclesiastical authority has been founded on a permanent footing, based upon the decisions of the community itself.”

The ornately carved chair that Samuel presented to Kook on behalf of King George V remains in its place of honour on the synagogue’s eastern wall next to the aron kodesh (Torah ark).

photo - The Beit HaRav dedication ceremony a century ago. Rabbi Isaac Kook, fourth from the right in the photo, is wearing the fur spodek. To his left is Harry Fischel. Herbert Samuel and Sefardi Chief Rabbi Yaakov Meir — The Beit HaRav dedication ceremony a century ago. Rabbi Isaac Kook, fourth from the right in the photo, is wearing the fur spodek. To his left is Harry Fischel. Herbert Samuel and Sefardi Chief Rabbi Yaakov Meir. (photo from Rabbi Aaron I. Reichel, esq., administrator of the Harry and Jane Fischel Foundation)

Asked about the importance of Beit HaRav, the institution’s gabbai (sexton) Rabbi Itzhak Marmorstein – also known by his nom de plume rabbanique Evan-Shayish – cited Kook’s dedication address a century ago:

“We are engaged here in declaring an elevated ideal that must proceed higher and higher. This ideal must develop and grow its activity through the gathering together of our scattered powers so that together we can proceed in the rebuilding of the ruins of Jerusalem together. This involves strengthening the physical building of the land and the nation in the material realm as the basis for the higher, holy and spiritual building of the Torah and holiness. This will illuminate the living light for the entire national renewal in all its branches.”

Kook’s funeral in 1935 was attended by an estimated 20,000 mourners. Beit HaRav continued to function as the flagship for the dati leumi (national religious) community, but a larger yeshiva was erected in Kiryat Moshe in 1964, and the old building fell into disuse.

Since 2008, Marmorstein – a Canadian-Israeli who formerly served at Congregation Or Shalom in Vancouver – has been engaged in reviving the original building. The building today operates as a neighbourhood synagogue with Sabbath services, as well as a museum.

The centre offers a class every Thursday at 9 p.m. taught by noted kabbalist Rabbi Yohai Yemini on Kook’s commentary on Rabbi Isaac Luria’s teachings. Those insights, recorded and edited in Safed between 1570 and 1572 by his disciple Haim Vital, form the basis for Lurianic kabbalah (mysticism), a system of thought Kook helped spread under which the arrival the Messiah and the ingathering of the Jews to Israel is imminent.

Gil Zohar is a writer and tour guide in Jerusalem.

A double anniversary

Congregation Schara Tzedeck is celebrating 20 years since Rabbi Andrew Rosenblatt and Dr. Cirelle Rosenblatt arrived in Vancouver, and 115 years as the city’s flagship Orthodox congregation. (photo from Schara Tzedeck)

Members of Congregation Schara Tzedeck are celebrating 20 years since Rabbi Andrew Rosenblatt and Dr. Cirelle Rosenblatt arrived in Vancouver. And, while gala festivities are slated for June 14, the rabbi wants members of his congregation and the larger community to focus less on the individuals than on the role the synagogue has played in the past – and could play in the future.

Schara Tzedeck, which is marking 115 years as the city’s flagship Orthodox congregation, has been a central institution of the community, though Rosenblatt balks at the word “institution.”

“It’s more than a registered authority with CRA,” he said. “It is more than an organization with a letterhead. It’s even more than the sum of its membership because plenty of people who feel a connection with Schara Tzedeck may not currently be paying members but they may have a historical connection. They may live elsewhere now but feel very close to Schara Tzedeck.

“The thing that I want our community to appreciate and to value and perhaps give more attention to is that they are part of this very long story and, if they treat it well, it can play a very important role in their lives,” the rabbi said. “It can play a very significant role in their future and in the security of their family and the emotional health of their family.”

While Rabbi Rosenblatt has been tending to the spiritual and other needs of his congregants, Dr. Rosenblatt has been tending to the medical needs of individuals with brain injuries. As founder and director of Advance Concussion Clinic, she is a leader in the field of neuropsychology and has applied interdisciplinary expertise in concussion as a neuropsychologist and consultant to amateur and professional athletes and teams, including in the Olympics, the National Football League and the National Hockey League.

Reflecting back on two decades, Dr. Rosenblatt believes that it was no accident they landed in Vancouver.

“The primary feeling I have is one of gratitude,” Dr. Rosenblatt told the Independent. “I’m really grateful – I guess it’s appropriate for a rabbi’s wife – I’m really grateful that we were guided to Vancouver. I have a very strong sense of faith and belief that we were meant to be here and that there was a plan in place for us. [I’m] really grateful that God led us to this place but really also to the community and for the community and for the opportunities that Vancouver specifically provided for us and for our family.”

It is partly because of Dr. and Rabbi Rosenblatt’s scientific and theological intersections that the guest speaker for the gala, which is called Mosaic 2023, is Yeshiva University’s president, Rabbi Dr. Ari Berman.

“The reason that we thought it was such a good idea,” explained Rabbi Rosenblatt, “is that Yeshiva University’s motto is ‘Torah Ummada’ [‘Torah and Science,’ or secular knowledge]. The idea of sophisticated wisdom and intellectual disciplines coupled with Torah is going to be something that makes them both better on some level.”

Dr. Rosenblatt was educated in the Yeshiva University system from high school, through her undergraduate studies, to her doctoral work.

Rabbi Rosenblatt, a native of Baltimore, Md., received his smicha, rabbinic ordination, from Yeshiva University. He earlier completed an undergraduate degree in chemistry and English literature and a master’s in bioorganic chemistry at Columbia.

photo - Rabbi Andrew Rosenblatt and Dr. Cirelle Rosenblatt — Rabbi Andrew Rosenblatt and Dr. Cirelle Rosenblatt *(photo from Schara Tzedeck)*

The gala will celebrate the two decades of the Rosenblatts’ service to the community but also the much longer history of Schara Tzedeck, which began as B’nai Yehuda, in 1907, and has been at the heart of Jewish Vancouver almost as long as there has been a Jewish Vancouver. But the rabbi worries that social changes are affecting his congregation and all religious assemblies, and community groups more broadly. Among these are declining engagement at religious services, the omnipresence of social media, the alienation from community connections and related phenomena that author Robert D. Putnam outlined in his 2000 book Bowling Alone: The Collapse and Revival of American Community.

“Those kinds of group spaces, those kinds of community living, are extremely powerful for the need of the individual in terms of their emotional health,” he said. “That, too, is under threat.”

For 115 years, under successive rabbis, Schara Tzedeck has been much more than the sum of its parts, said Rosenblatt.

“You have this network, this community, this thriving ability to provide help and resources and support in a rotating fashion,” he said. “The value of this community has lent emotional and financial and physical and every other kind of support you can possibly imagine. That’s severely threatened now in the 21st century.”

Being spiritual leader of Schara Tzedeck is to play a leadership role in maintaining the infrastructure of Jewish life in the city, including the mikvah (ritual bath) and the cemetery, as well as what is, in the context of those two community assets, a far more recent addition: the 32-kilometre eruv, the spiritual boundary that allows observant Jews to carry certain items outdoors on Shabbat, which Rabbi Avi Baumol created more than 20 years ago.

Taking wisdom that has been passed down for millennia and making it “speak in a modern voice” is what Rosenblatt calls his stock-in-trade, with the late chief rabbi of the United Kingdom, Rabbi Lord Jonathan Sachs, being a model he cites.

“We also try to do things that are a little bit on the creative side in terms of how people can access these mitzvot, but have very long-standing or deep roots in the Torah,” he said, citing a “sukkah-raising” that allowed people to get involved hands-on in the tradition.

“I guess that’s the Jewish equivalent of a barn-raising,” the rabbi said with a laugh. But the congregation also took the opportunity of the ancient tradition of constructing a temporary shelter to discuss the very modern reality of housing security.

Food security is another area that Rosenblatt has emphasized. For years, volunteers from the shul were involved in a vegetable garden at Yaffa House, Vancouver’s Jewish group home and centre for adults with mental illness. The rabbi would take bar mitzvah classes to the garden and talk about the importance of food and sustainability. He also takes great pride in the long presence of members of the Schara Tzedeck community as volunteers in groups like Yaffa House, Tikva Housing and other agencies.

Rosenblatt has trouble believing his family has been here for 20 years, but that passing of time has a very physical manifestation, in the form of the youngest of the Rosenblatts’ five children, the daughter the rabbi calls their “anchor baby,” who was born a few months after the family’s arrival.

“It’s hard for me to believe that her entire life is here,” he said, noting that all five (now adult) children love Vancouver. “They think it’s a really special place.”

As come-from-aways themselves, the Rosenblatts understand the long history of newcomers arriving, often from inhospitable places, to start a new life here. In the days of Schara Tzedeck’s Rabbi Nathan Pastinsky, who began his long service in 1918 and continued until his passing in 1948, the spiritual leader would meet migrants at the train and set them up with a cart from which to sell wares and begin a career.

“I’m not giving people carts anymore,” said Rosenblatt. But he is still very much involved in easing the way for newcomers to navigate the immigration system, find a job and housing and settle into the community.

Shelley Rivkin, vice-president of the Jewish Federation of Greater Vancouver, is just one person with accolades for the contributions the Rosenblatts have made to their chosen home.

“Rabbi Rosenblatt is a consummate bridge-builder,” Rivkin told the Independent. “He is always willing to reach out and have a conversation with anyone regardless of religious practice and beliefs. When you attend his Zoom classes, you see participants from across the Jewish community who are actively engaged in what he has to say.

“Cirelle (Dr. Rosenblatt) is a role model for modern Orthodox women,” Rivkin continued. “She is very learned. She is a highly respected professional and successful businesswoman and she is the mother of five children. When she gives a class, she is able to effectively weave together Torah study with contemporary issues.”

Rabbi Rosenblatt, though, deflects back to the longer history of the shul.

“I want people to understand that the anniversary of this milestone is a moment to appreciate how valuable this institution is,” he said.

Düsseldorf returns painting

Wilhelm von Schadow’s “The Artist’s Children” (1830).

The German city of Düsseldorf reached an agreement recently with the heirs of Max Stern (1904-1987), a Jewish art dealer forced to flee the city in 1937, ending a long-standing battle over the ownership of a painting, according to The Art Newspaper, which first reported the deal.

The family portrait from 1830, “The Artist’s Children,” by 19th-century Romantic painter Wilhelm von Schadow, has been held by the city since 1959, when it acquired the canvas from a private collector. It was discovered when a researcher from the National Archives in Ottawa found it in a catalogue for a 1967 Düsseldorf Museum Kunstpalast exhibition, which listed the painting’s location as the Stadtmuseum. In recent years, the Max Stern Art Restitution Project, based at Montreal’s Concordia University, and the Dr. Max and Iris Stern Foundation sought to reclaim it, contending that Stern sold the painting under duress.

Founded in 2002, the Stern Project, headed by Dr. Clarence Epstein, is seeking to track down the 220 Old Masters and Northern European artworks that formed Lot 168 in the November 1937 sale at Cologne’s Mathias Lempertz auction house, known as Auktion 392. The paintings constituted the inventory of Düsseldorf’s Galerie Stern that Nazi officials forced him to liquidate at vastly discounted prices. As well as the 1937 auction canvases, the Stern Project is seeking to regain the paintings the art dealer left with Cologne shipping agent Josef Roggendorf, which the Gestapo confiscated in 1938, when Stern was already in Britain.

As part of the agreement, Düsseldorf handed over the portrait on condition that the municipality immediately buys it back. The terms of the settlement, including how much the city paid to re-acquire the artwork, were undisclosed.

In a press release, Düsseldorf mayor Stephan Keller said he was pleased with the “fair and just solution” between the parties and that von Schadow’s artwork “will remain in Düsseldorf.” He added that the painting will go on view at the city’s Museum Kunstpalast starting in August.

Stern took over Galerie Stern on Königsallee, which was founded by his father Julius, in 1934. By order of the Nazi government, the gallery was “aryanized” in 1937. Its inventory was sold at a forced auction for a fraction of its value.

Armed with a single suitcase stuffed with his remaining possessions, Stern fled to London that year. But, in May 1940, when Hitler’s invasion of Britain seemed imminent, Scotland Yard rounded up more than 2,000 German and Austrian citizens, mostly Jews, and incarcerated them as enemy aliens. Stern was sent to an internment camp on the Isle of Man.

Hearing that some detainees were being sent to Canada to free up soldiers guarding British camps, Stern volunteered to join them. In North America, he believed, he would be well-positioned to help his mother and one sister in Britain, as well as his other sister and her family in France. But Canada, where he was greeted by bayonet-wielding soldiers, was even less hospitable than Britain. As Stern recalled years later, “We had to stage a hunger strike to convince the Canadian authorities that we were certainly not Nazis but, on the contrary, anti-Nazi.”

Held in a camp first near Fredericton, N.B., and later in Farnham, Que., he was put to work cutting down trees. Still, he remained optimistic, thankful for the food, shelter, clothing, exercise and 20 cents per day in pay. He also welcomed the opportunity to teach. Twelve years earlier, he had earned a doctorate in art history, which he put to use in classes for his fellow internees.

Stern’s talent and positive outlook caught the attention of William Birks, scion of the Montreal jewelry family, who headed the local branch of the National Committee on Refugees. Birks was openly critical of Canada’s restrictive and antisemitic immigration policy, which he called “narrow, bigoted and very short-sighted.” He believed the government should have sent trade missions to Europe to recruit men like Stern, “not wait for them to seek and beg us.” In 1941, he sponsored Stern’s release and move to Montreal.

Needing a job and hoping to assist in Canada’s war effort, Stern looked for work in an airplane factory. When he was not hired, he turned to the thing he understood best – art. “You’ll starve,” people told him, but he was certain he could be successful as a dealer in Montreal, because he had spotted a void he knew how to fill. Most of the city’s galleries were pushing stuffy 19th-century European genre and landscape paintings. No one was promoting or selling home-grown works because, as he later explained, “Canada didn’t have any confidence in its own artists.”

Stern pitched his vision to Rose Millman, who had just opened a space on rue Sainte-Catherine called the Dominion Gallery of Fine Art. Impressed by his assurance and expertise, she offered him a job for $12.50 a week. Stern said he wanted $17.50 and her promise to make him a full-fledged partner once he built up her business by conquering Canada, as he put it, “by selling Canadian artists.”

Within months, he was mounting exhibitions by contemporary Canadian painters. Over the years, they would include John Lyman, Goodridge Roberts, E. J. Hughes, Stanley Cosgrove, Jean-Paul Riopelle, and others whose names he would play a pivotal role in establishing. Stern secured their loyalty and best work by offering them monthly retainers for an agreed-upon number of works, already an established practice in France, Britain and the United States, but not yet in Canada.

Stern’s first major coup came in 1944, when he visited Emily Carr, then 72, at her home in Victoria. She showed him a room packed with 300 paintings. Struck speechless by her talent, he asked if he could mount an exhibition.

Laughing, she replied, “You will not sell a single painting.” The recipient of critical praise, Carr had yet to enjoy commercial success. “If you let me choose the paintings,” Stern replied, “I think I can make it a perfect success.”

In 1947, Stern and his wife Iris became the sole owners of the gallery.

Following the defeat of Nazi Germany, Stern endeavoured to track down his confiscated paintings. His efforts were largely unsuccessful. He died childless in 1987, and left his estate to Concordia University and McGill University in Montreal, as well as Hebrew University in Jerusalem.

The three schools later founded the Max Stern Art Restitution Project to reclaim the estimated 400 artworks lost during the 1930s. To date, the project has recovered 24 pieces, including paintings by Otto Erdmann, Nicolas Neufchatel and Jan Brueghel the Elder.

The case of von Schadow’s “The Artist’s Children” proved to be particularly complicated due to questions of provenance. When the city of Düsseldorf acquired the portrait in 1959, it was hung in the office of the city’s mayor. Decades later, when the Stern Foundation filed a claim for the artwork, it pointed out that, in 1937, Galerie Stern allowed for the piece to be reproduced in a book about paintings of children. But Düsseldorf city officials pushed back, arguing that the book did not prove the gallery owned the artwork at that point. There was no evidence of the painting being surrendered under Nazi persecution, the city contended.

In 2017, a scheduled exhibition in Düsseldorf about Stern and the Restitution Project was abruptly canceled due to local opposition, leading to intense controversy. The city’s stance apparently softened following the 2020 municipal elections.

“We couldn’t prove that it was not a restitution case, so we, as the city government, recommended to the assembly that it should be restituted,” Miriam Koch, the Düsseldorf city official in charge of culture, told The Art Newspaper. “The big parties in the city council supported restitution.”

According to Lynn H. Nicholas’ 1995 book The Rape of Europa: The Fate of Europe’s Treasures in the Third Reich and the Second World War, more than 140,000 pieces of artwork were looted under the Nazi regime. Most of them remain unclaimed.

Gil Zohar is a writer and tour guide in Jerusalem.