Gold Rush

Yukon Jewish history online

The rich and rugged history of Jews in the Yukon has found an internet home on the website of the Jewish Cultural Society of Yukon, jcsy.org. The lure of the Klondike Gold Rush and the stories of its enterprising and colourful Jewish personalities, some respectable and others salacious, comprise a large portion of the newly created virtual real estate.

The quest to get to the gold, a journey undertaken by 100,000 prospectors between 1896 to 1899, was treacherous, the site explains. There were several routes, but one of the more popular ones was boarding a ship to Skagway, Alaska, then trekking over the Chilkoot Trail to Yukon. Once there, prospectors and retailers set out along Yukon River for another 550 kilometres to Dawson City – a trip that could take months – traveling during the winter so they would be ready for the summer prospecting season.

Prior to venturing on their northbound journey, however, fortune seekers needed supplies, dubbed a “Yukon Outfit,” the equivalent of one ton of provisions, which were essential to live and work in the north. The website shows photos of people bearing heavy loads headed to Dawson City, climbing ice-carved stairs to get to the Chilkoot Trail.

On the same page, there is a newspaper ad by Cooper & Levy, a Seattle company equipping gold hunters for their excursions. “Are you going to the Alaska gold fields? If so, send for our Supply List for ‘One Man for One Year’…. The list will be sent free of charge to any part of the world,” the ad reads.

“The idea of getting to Dawson City was an unbelievably difficult task. People needed to get there on a raft with all their things. The strength of the people was incredible,” said Rick Karp, president of the Jewish Cultural Society of Yukon (JCSY). “It was not a party. It was unbelievably difficult and many didn’t survive. As well, the First Nations communities suffered life-changing events.”

Albert and Marcus Meyer, whose histories are told on the website, were but two of the many industrious Jews to land in Dawson City. They opened a jewelry business in 1897, were buyers of Indigenous gold and produced Indigenous-style gold jewelry. Expert silversmiths, they also crafted silver trade bracelets with carved Tlingit designs.

Other families with connections to the Klondike would rise to prominence elsewhere, such as the Barrons in Calgary and the Oppenheimers in Vancouver. And there is Sid Grauman, whose father wanted to build a theatre in the north, and who would later establish the famed Grauman’s Chinese Theatre in Los Angeles.

Diamond Tooth Lil, on the other hand, was one of the notorious characters to arrive north of the 60th parallel. Born Honora Ornstein, she started out as a star “entertainer,” popular among spendthrift gold seekers and purportedly owned a luxury home in Skagway that “catered” to wealthy clients.

Another page of the website includes photos and video footage of the discovery, restoration and rededication ceremony of the Jewish cemetery in Dawson City in 1998. Herb Gray, deputy prime minister of Canada at the time, made a speech at the ceremony.

The JCSY has plans to expand the website in the coming months. “We will be keeping the site up to date and will be posting more information and photos,” Karp said.

Originally formed as the Jewish Historical Society of Yukon in 1997 after the discovery of the Jewish cemetery in Dawson City – a century after the Gold Rush – its mandate was to clean, restore and rededicate the cemetery, as well as research those buried there. The identification of those interred inevitably led to questions about the others who participated in the Gold Rush, what they did during their stay, and the impact they had when moving on to other communities or returning to the families they’d left behind in search of fortune.

Upon completion of the cemetery project, the historical society believed its work was complete. However, by 2012, with the growth of the Jewish community in Whitehorse, interest in their work flourished and the JCSY was formed. Its mandate expanded to include forming a community to share Jewish culture, celebrate the High Holidays and Passover together and hold social gatherings.

The stories the society uncovered in its goal to learn more about the Jews of the Gold Rush resulted in the creation of a traveling historical display to share them. The display was exhibited both in Vancouver and on Vancouver Island, last making a stop at the Jewish Community Centre of Victoria in 2020. (See jewishindependent.ca/victoria-hosts-klondike.)

One can become a member of the JCSY through the website. The cost is $25 for a single membership and $40 for a family. Should a person make a donation of any size to the JCSY, they will be sent an email with a link to a new booklet (upon its completion), which outlines many of the notable stories of the Jewish presence in Yukon during and after the Gold Rush.

A section of the booklet’s introduction states, “While the north may not seem like an obvious choice for a nice Jewish boy from Milwaukee, Edmonton, Vancouver or Seattle, when you think about it, it is not such a stretch. Harsh times foster resilience and for every dreamer there is also a pragmatist. With a history of harsh times, Jewish people have been nothing if not resilient.”

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Diverse and innovative films

A still from Amanda Kinsey’s documentary Jews of the Wild West, a series of vignettes that shines a light on a noteworthy and usually overlooked history.

The Wild West, Jews in Germany and a surprisingly vivacious Israeli seniors home feature among the diverse films at the Vancouver Jewish Film Festival this year.

Somehow, we tend not to associate Jews with the legends that have built up around the development of the American West, a serious oversight that is in the crosshairs of filmmaker Amanda Kinsey’s documentary Jews of the Wild West.

The mythology of the Wild West is perhaps as much an invention of Hollywood as of history, so it is notable that the 1903 film The Great Train Robbery, which introduced the genre of the cinematic Western, featured Gilbert “Broncho Billy” Anderson – né Max Aronson.

The myth of the West was no less inspiring to Jews than to other Americans and dreamers from around the world. Perhaps one of the most famous names in the lore was Wyatt Earp. The film introduces us to Josephine Marcus, who fled her family in San Francisco to become an actress and ended up being Earp’s wife. Earp himself is buried along with the Marcus family in a Jewish cemetery.

The gold rush drew Jewish peddlers and merchants to the West Coast in the late 19th century including, most famously, Levi Strauss, who left the Lower East Side and, via Panama, arrived in San Francisco. His brothers sent dry goods from New York and Levi sold them up and down the coast. When Jacob Davis, a tailor, was asked by a woman to construct pants that her husband wouldn’t burst out of, he imagined adding rivets. He took the idea to Strauss and the rest is American clothing history. As one historian notes, it was a Jew who invented “the most American of garments.”

The rapid industrialization in the mining sector is where the Guggenheim family got its start and so, while the name is now most associated with Fifth Avenue, the finest address in New York City, their start was in the gritty West of the 19th century.

We meet Ray Frank, the first woman said to have preached from a bimah. Called the “golden girl rabbi,” she was not ordained, but was apparently a phenomenon that drew crowds to her sermons.

Many people will know that Golda (Mabovitch/Meyerson) Meir spent formative years as an immigrant from Russia in Milwaukee and then Denver. This footnote to her history is often considered curious and interesting, but in this film it integrates the Jewish experience of the 20th century and its roots in the American West with the development of the Jewish state – the opening up of another frontier, one might say.

The Hebrew Immigrant Aid Society, seeing the poverty in the Lower East Side, actively encouraged migration to the West. The film introduces families who have worked the land for generations, some of whom have maintained their Jewish identity and at least one of whom was raised Methodist. But, it suggests, the thriving Jewish community of Denver owes much to the failed farmers of the West who made their way to the nearest metropolis to salvage their livelihoods.

The documentary is really a series of vignettes and at times the shift from one story to another is confusing but, as a whole, Jews of the Wild West successfully shines a light on a noteworthy and usually overlooked history.

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The festival features two German films that complement each other in interesting ways.

In Masel Tov Cocktail, a short (about 30 minutes) film, high schooler Dima (Alexander Wertmann) welcomes viewers into his life just as he is suspended for a week as a result of punching a classmate in the face during an altercation in the washroom. The “victim,” Tobi (Mateo Wansing Lorrio), had taunted the Jewish Dima, graphically play-acting a victim in a gas chamber, a performance enhanced by the austere, sterile setting of the restroom’s porcelain-tiled walls. So begins an interplay of victim and perpetrator that is just one of several provocative themes weaving through this powerful short.

Dima’s family, it turns out, heralds from the former Soviet Union, like 90% of Jews in today’s Germany. After the fall of the Soviet Union and the reunification of Germany, the German government actively encouraged migration of Jews to revitalize Jewish life in the country. This fact, like other statistics and tidbits, is flashed across the screen.

Juxtapositions pack a punch, including Dima’s switching between a baseball cap and a kippa, perhaps reflecting his complex identities, as well as the schism in the identities of post-Holocaust Jews more broadly in a society that struggles to assimilate the idea of contemporary, living Jews in the context of the blood-soaked soil of their state. A shift from colour to black-and-white also evokes the stark break between the present and the past.

But the present and the past are themselves in conflict as Dima recounts how other Germans react when they learn he is Jewish. Why does he only meet Germans whose grandparents weren’t Nazis, he wonders. Statistic: a survey indicates that 29% of Germans think their ancestors helped Jews during the Holocaust, while the screen text helpfully informs us the number was more like 0.1%.

Dima’s teacher, who can’t utter the word Jew and struggles to get the word Shoah out of her mouth, wants Dima to share his family’s Holocaust story with the class. The film’s implication is that Dima’s family was largely spared the trauma of the Holocaust, but he decides to play along because, “There’s no business like Shoah business.”

Dima’s grandfather is taken in by the AfD, the neo-fascist Alternative for Germany party, convinced that their pro-Israel and anti-Muslim rhetoric means that they are defenders of the Jewish people. In a moment that confounds the AfD campaigner (and causes the viewer to reflect), Dima drags his grandfather away from the campaigner while yelling: “Don’t let foreigners take away your antisemitism.”

The film is kooky, funny and light, while also serious, dark and thoughtful throughout.

That description applies to the similarly named feature film Love and Mazel Tov, which features Anne, a non-Jewish bookstore owner who has Munich’s largest selection of Jewish titles and who herself is more than a little obsessed with all things Jewish – including potential romantic partners.

“Some are into fat. Some are into thin. Anne is into Jews,” a friend explains. This turns out to be more than a romantic or erotic attraction, perhaps a disordered response to national and family histories.

Thinking she has found not only a Jewish boyfriend but a doctor at that, Anna (Verena Altenberger) courts Daniel (Maxim Mehmet), who in typical cinematic fashion lets her believe what she wants to believe until the inevitable mix-up explodes in a farcical emotional explosion – though not before an excruciating family dinner.

Parts of the film exist on a spectrum between cringey and hilarious. The film features (at least) two fake Jews who don this identity for extremely different reasons, inviting reflections on passing, appropriation and the fine line between veneration and fetishization.

Both of these films use humour to excavate deeply troubling concepts of identity and addressing horrors of the past. They approach these challenging themes in truly innovative and entertaining ways.

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Understated comedy is key to the success of Greener Pastures, an Israeli film in which Dov, a retired postal worker, has lost his home after a “pension fiasco” involving the privatization of the postal service.

He is a curmudgeonly old square when it comes to marijuana, which the government has decided should be available to anyone 75 and over, but he sees a moneymaking opportunity. Dov (Shlomo Bar-Aba) enlists a network of seniors to order medicinal cannabis and mail it to him so he can distribute it to his “connection,” who shops it around to younger consumers. This “kosher kush,” guaranteed “Grade A government-approved stuff” sold in tahini bottles, brings Dov into conflict with a two-bit drug kingpin in a wheelchair and, of course, a snooping police officer.

There is romance and suspense in this madcap caper, but there is also the theme of elder empowerment, along with the laughs.

The Vancouver Jewish Film Festival runs online only March 3-13. For the full festival lineup and tickets, visit vjff.org.

Victoria hosts Klondike

Cooper & Levy store, 104-106 1st Ave. S. near Yesler Way, Seattle, 1897. The store was one of the major outfitters of the Klondike Gold Rush. (photo from Asahel Curtis Collection, University of Washington UW 4770)

The archival images and newspaper headlines contained in the Gold Rush exhibit now on display at the Jewish Community Centre of Victoria (JCCV) evoke a sense of the hysteria that gripped the West Coast more than century ago, in spite of the risks involved in traveling to a severe and treacherous terrain. And Jews were not immune from the mania, as the three-panel display, entitled “The Jewish Presence During the Klondike Gold Rush 1897-1918,” distinctly demonstrates.

The exhibit will be at the JCCV through January. It brings with it a number of revisions from the one that toured Canada from 2016 to 2018 and included a stop in Vancouver.

“During its previous run, we received a lot of additional information from people who visited the exhibit, so much so that we couldn’t include it all in the current display. We are seriously thinking about doing a book starting later this year,” Rick Karp, president of the Jewish Cultural Society of Yukon (JCSY), told the Independent.

Once the previous display returned to Whitehorse, Karp followed up on the input he received and updated the three panels and the booklet accompanying the exhibit.

“As well, we revised the video that details the finding of the Jewish cemetery from the Gold Rush in Dawson, the cleaning and bringing it back to its original condition, and the rededication ceremony,” Karp said. “All the information about the cemetery in the accompanying booklet has been added, as well as the section entitled ‘The History of the Jews in the Klondike Gold Rush’ and the ‘Stories of the Gold Rush.’”

A significant addition to the Gold Rush stories is that of Joseph Barron, one of the first to open a mercantile store in Dawson. Barron came from Winnipeg and followed the stampede of 1898. He mushed into the Yukon via the White Pass route, bringing with him a stock of merchandise.

His beginnings in the north were not the most fortuitous. He lost his supplies on three occasions to fire between 1899 and 1901. Undeterred by adversity, he restocked and started over.

The Barrons would become a prominent Calgary family. Joseph’s son Abe founded the law firm Barron & Barron, which is still operated by the family today. His other son, Jacob (J.B.), was a leading businessman and theatre owner in the city, building Calgary’s first high-rise, the Barron Building, and breaking ground on its first Modern Orthodox synagogue, Shaarey Tzedec (which was demolished in 2013).

Joseph Barron’s wife and children did not come to Dawson until 1902. The younger Barrons only stayed for two years before they left to complete their education. The senior Barrons eventually left Dawson to join their children in Calgary in 1915.

Henry Isaacs was another entrepreneur who ventured north. He earned the moniker “the Butter King of the Klondike” upon learning about a technique using sea water to re-churn a shipment of what others had considered rancid butter into something edible.

Among the most enterprising adventurers was David Gross, a Russian immigrant and dropout trained as tailor, who, not yet 20 years of age when he made the journey north, found ways to make money selling groceries, stoves and other provisions, though his primary business was a clothing store. His ingenuity led him to see opportunities where others did not. For example, if butter had turned rancid and was unsalvageable for food purposes, he would sell it as axle grease for squeaky wheels. After learning that water can only penetrate an inch or two into flour, he would purchase large sacks of flour other merchants thought had been drenched and, therefore, ruined and then sell the flour that the water had not reached at a much higher price. Gross also became active in the nascent movie theatre business in Dawson City.

Yet the prize for the most daring Jewish seeker of fortune would have to go to Max Hirschberg. After losing his supplies en route and then finding, in 1890, that many of the good claims in Dawson had been staked, Hirschberg pushed on to Nome, where more gold was reported to be, on a bicycle!

Later in life, before his passing in 1964, he recounted the 11-week journey in which he made his way along a two-inch trail, confronting snow-blindness, exposure and exhaustion, nearly drowning in the Shaktoolik River and losing $1,500 in gold dust. When his bike chain broke, he made a sail from his coat and rigged it to his bicycle, then crossed the Norton Sound to Nome.

Interest in the Jewish community during the Gold Rush was ignited after the discovery of the aforementioned Jewish cemetery in Dawson City in 1995, and its ensuing restoration in 1997 and 1998. “The discovery of lives lost inevitably leads to questions about lives lived,” the exhibit booklet reads.

“The Jewish Community Centre of Victoria is excited to host the mobile exhibit. We would like to thank Rick for making it possible,” said Larry Gontovnick, president of the JCCV.

After it completes its current tour around Canada, the exhibit will be on permanent display at the Dawson City Museum in the Yukon. A duplicate copy will tour various communities in the United States.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.