gender – Jewish Independent

Supporting gender diversity

Ara Morris, principal of Brock Corydon School, left, and Naomi Finkelstein, co-founder of Parents Family Friends of Transgender Individuals. (photo from Morris and Finkelstein)

The Winnipeg School Division recently assembled a panel to discuss ways to best support trans and gender diverse children and youth, especially in school settings.

Ara Morris, principal of Brock Corydon School, was invited to sit on the Jan. 22 panel, which took place at Prince Charles Education Resource Centre. “Our school has been very active in talking about gender,” said Morris. “We’ve been making changes to our school as a result of having children in our school who are transgender. We want all of our students, all of our families, to feel included, important, and as equal members of our community and so, to do that, sometimes we have to reflect on the different ways that we are speaking, the different language that we are using.

“We know that many times children identify themselves in all different ways,” she said. “We want to be respectful of that. We have had a lot of professional development for our teachers and that has included programs from the Rainbow Resource Centre,” which offers support, counseling and educational programs for LGBTQ2S+ individuals and allies.

Brock Corydon has invited the parent of a transgender student to speak with school staff, and teachers have led sessions among themselves, as well as having had other teachers come to share how they work on being inclusive in the classroom.

“Our school division has a policy and it was updated in June 2018 for diversity and equity,” said Morris. “With all the research that our school division has been doing, I’d be surprised if other school divisions weren’t doing the same.”

Morris has received many phone calls from other principals asking for suggestions, and she works with parents to identify any needs, such as the need for a gender-neutral bathroom, which the school now has.

Even though full-time staff has been educated on the topic, part-time or causal staff also need to be informed about the proper way for teachers to speak at the school, including the use of gender-neutral language.

Naomi Finkelstein, a retired teacher and the mother of a trans child, was also on the event panel. Finkelstein was dealing with the situation 13 years ago and recalled having tried to find proper supports, which were lacking. She started a support group with another parent, called Parents Family Friends of Transgender Individuals (PFFOTI).

“I had a daughter and, when she was about 20 and a half, she came out and shared that she was transgender,” said Finkelstein. “I knew that this was something I was going to have to get support for, so I went to the Rainbow Resource Centre.”

PFFOTI started out with the two founding members and is now providing support to 170 parents. “Of course, that many do not come to all the meetings and, really, what happens is people kind of grandfather out. Their children are older now, they’ve made their transitions … maybe some have had surgery and they don’t feel the need to attend anymore. We’re always getting new people,” said Finkelstein.

“Our group is specifically for parents,” she continued, “because there are some parents who have just found out and they need the support. And there are always Kleenex boxes on the table. For some parents, it is a real shock.

“I was shocked, too, but I did my crying at home in the shower, which was really very good. There was something, I don’t know why, it was almost like being in a womb, feeling protected in there…. We want the parents to be able to share their fears and concerns; you can’t do that if a child is there.”

Over the years, Finkelstein has developed a list of do’s and don’ts for parents who suspect that their child might be trans.

The do’s list includes respecting your child’s identity and following your child’s lead and listening to them about what trans is all about. Each child is different and there’s no right way to be trans. As Finkelstein pointed out, “some go on hormones, some don’t, and some just dress in what they consider the gender’s clothing.”

The list encourages parents and others to learn about the difference between sex and gender – gender is a social construction, whereas sex is biological.

PFFOTI advises parents to start by helping and educating themselves so they can better help their child. “This involves reading and coming to support groups,” said Finkelstein. “And parents need to take into account if there are other siblings. There can be issues for the other siblings, and they need to be educated, too.”

If the children are minors, parents need to take the lead in setting up doctors’ appointments, buying appropriate clothing, getting haircuts, etc.

“Truly, the key to success is offering the kids your unconditional support,” said Finkelstein. “One of the support groups online, their motto was, ‘Fake it until you make it.’ But, we also talk about what parents need to do within the school system and that they need to advocate for their children. Although the human rights law says that they have rights, not all school divisions are on board. Winnipeg [School Division] 1 is totally on board and they have a process. We need parents to take part in the process and get the school to take part in the process.

“And a critical thing is bathroom talk,” she said. “You have to talk to your child before you go to the administration, so you’re both on the same page as to what the child wants to do. Some schools now have non-gender-specific bathrooms, which is great. I wish every school would have one.

“And then they have to talk to the administration about what their rights are. They should know those rights before they go in.”

Setting up a safe person at the school, with the help of administration, who the child can go to, someone who affirms their identity, if they are having problems, is also important, as is talking about the school’s anti-bullying policy and how that is handled.

“Past the age of 12 and up, you’re also dealing with all these hormones that rage through the child’s body,” said Finkelstein. “So, some kids are going to have to get on blockers to prevent their periods and their breasts from developing, and stuff like that.”

Parents and others must understand that a child’s identification as trans is not likely a passing phase. Although some children identify as trans and later change their mind, that is uncommon. So, do your best to avoid calling your child by their previous name, said Finkelstein.

Parents “really have to make an effort not to misgender,” she said. “Misgendering kind of denies their existence as a person, and that’s a big negative. But, as a parent, if you screw up, you just apologize. I think kids are very understanding about that. As long as you don’t deliberately misgender a child, they are open to the fact that, you’ve had them for 13, or 18, or 20 years, and, yeah, that other name is going to come out. It takes you awhile to reformat.”

Another PFFOTI recommendation is to never out your child – let them do it when they are ready.

“Statistics have proven that, [even] with children who are trans who get support from their parents and their family … four percent commit suicide,” said Finkelstein. “The statistics are much higher – about 45% – for those who do not get support. This past summer, we lost four kids (three in Winnipeg and one who had moved to Vancouver).”

Finkelstein regularly checks in with her son to talk about his mental health and to assure him she accepts him as he is.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Liked Beauty, not Wall

Lili Tepperman is one of five kids featured in Beauty. (photo from NFB)

It’s fine to be who you are,” says Bex Mosch, who turned 9 years old last year, when Beauty was released. Since the age of 3, Bex – formerly Rebecca – says he has known that he is a boy. He and the other “gender-creative” kids interviewed in Christina Willings’ 23-minute documentary have been forced by circumstances to become more mature than most kids their age. And they have more nuanced views on what it means to be human than many adults.

Beauty has its local première during the Vancouver Queer Film Festival’s first short film program, called The Coast is Genderqueer, which takes place Aug. 17. In addition to Bex, Fox Kou Asano, Milo Santini-Kammer, Montreal Jewish community member Lili Tepperman and Tru Wilson are interviewed. Interwoven with the interviews, footage of the kids being kids and meeting their families briefly, parts of Beauty are animated. These illustrations depict some of the kids’ favourite interests and tie together some of their common experiences. None of the parents is interviewed.

“In a way, the concept of this film came to me in the early ’80s,” says Willings in an interview on the NFB media site. “I was thinking a lot about the deconstruction of gender at that time, as were many others. We examined it from every angle, but what’s new now is that it’s children who are leading the conversation, who are saying, ‘Hey! Something’s wrong here!’ Some compassionate, and I would say enlightened, parents are hearing them. The new conversation isn’t ideologically driven, it’s experiential, and there’s a profound purity about that. It’s a breakthrough that I have felt very moved and honoured to witness and, by 2012, I realized this shift was going to be the subject of my next film.”

All of the five interviewees have had to face serious challenges, from being laughed at to being bullied. And, of course, they have had to talk with their parents about how they see themselves, versus how their parents initially viewed them.

“Sometimes, it’s easy to think it would be less stressful just to fit in,” says Lili in the film, “but then I’m not really being myself, and I find that’s an important part of living life because, if everybody’s trying to be like everybody else … it doesn’t make any sense to me.”

Beauty screens Aug. 17, 5 p.m., at SFU’s Goldcorp Centre for the Arts. For tickets, visit queerfilmfestival.ca/film/the-coast-is-genderqueer.

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image - David Hare’s Wall purports to have complexity it doesn’t — David Hare’s Wall purports to have complexity it doesn’t. *(image from NFB)*

Another NFB film being screened in Vancouver next month is Wall, which is based on British playwright David Hare’s 2009 monologue on the security fence/wall between Israel and the Palestinian territories. Wall is not the first extended exploration of the Israeli-Palestinian conflict for Sir David, who was knighted in 1998. Written in 1997, his Via Dolorosa monologue premièred in London in 1998.

The film Wall has been a long time in coming. According to the NFB media site, in 2010, NFB executive producer and producer David Christensen “had a three-hour drive ahead of him when he chanced upon a podcast of Wall.”

“‘Listening to David Hare’s take on this wall Israel had put up gripped me visually,’ recalls Christensen.

“Riveted by Hare’s reframing of the issue and struck by how he could visualize the piece as an animated film, Christensen immediately called his producing partner Bonnie Thompson, who had the same reaction he did upon listening to Hare’s piece.

“‘For many of us, the issues around the Middle East, Israel and Palestine are complex and polarizing,’ says Thompson. ‘We thought making an animated film was a way to better understand this wall.’”

Canadian filmmaker Cam Christiansen is the animator who brought the concept to life visually, using 3-D motion-capture footage and other “cutting-edge animation tools.”

Wall has been the official selection of six film festivals to date, so it has captured critics’ imaginations. However, most Jewish community members will find it hard to watch, as Hare pays lip-service to the complexity of the situation but never veers very far away from blaming Israel for pretty much everything. When he says, “words become flags. They announce which side you’re on,” anyone with a basic knowledge of the Israeli-Palestinian conflict only has to look at the title of this work to know on which sides he falls. But then he goes on for 80 minutes about it.

There are a few instances when Hare seems about to offer the Israeli side, or at least condemn Hamas, but then he retreats. When he is told about a Hamas torture tactic, he is at first repulsed but then suggests it’s a metaphor for how Palestinians must feel at the hands of Israel. When he sees a poster of Saddam Hussein in a Ramallah café, he wonders about the appropriateness of such a man as a hero but then concludes it’s OK because Israel put up the wall, after all. And, then there’s his exchange with a Palestinian who says that Britain is to blame for all the problems: “Of course it’s your fault. The British were running Palestine in the 1940s. When they ran away and left everything to the Israelis, they didn’t care what happened to everyone else. There was a life here – a Christian life, a Muslim life, a Jewish life – and that life was destroyed.”

This ridiculous statement – and so many others – is not only left unchallenged by Hare or any of the filmmakers, but gets nods or words of understanding. With Israeli novelist David Grossman as the predominant voice defending or explaining Israel’s motivations and actions in Wall, most Jewish movie-goers will know before seeing it just how limited are the views expressed in this film, no matter what complexity it proclaims to convey.

Wall screens four times between Aug. 17 and 21 at Vancity Theatre. For tickets, visit viff.org.

Big dreams, challenges

Eden Lyons as Emory (seated) and Nathan Cottell as Linda in Awkward Stage Production’s MilkMilkLemonade, which runs May 23-26 at CBC Studio 700. (photo by Javier Sotres)

True to form, Awkward Stage Production’s upcoming show, MilkMilkLemonade by Joshua Conkel, will challenge and entertain audiences.

“Eleven-year-old Emory dreams of two things – leaving his farm for Mall Town, U.S.A., and going on Star Search. His grandmother wants him to be a normal boy and be friends with Elliott, the tough boy from down the road. Meanwhile, Linda, his depressed best friend, dreams of surviving to the next dawn,” reads the synopsis, noting that Linda is a giant chicken who does stand-up comedy and that the show includes the music of Brittany Spears, Spice Girls and Nina Simone.

Jewish community member Eden Lyons plays Emory. With Arts Umbrella Pre-Professional Troupe, she played Mrs. Tottendale in The Drowsy Chaperone in 2016 and Hope Cladwell in Urinetown last year. Her resumé includes stilt walking as a special skill.

“I’ve been interested in acting and musical theatre for as long as I can remember, I was a very attention-hungry child,” Lyons told the Independent. Nevertheless, it wasn’t until her role in Urinetown that she knew she wanted to make a career of performing.

Born in Hamilton, Bermuda, Lyons has lived in Vancouver since she was 3 years old. She attended Vancouver Talmud Torah from preschool to Grade 7 and graduated from Point Grey Secondary School last June. When she left VTT, she said, “I felt somewhat disconnected to the idea of the Jewish community. Maybe because I didn’t feel I belonged from a gay perspective, because I always saw Judaism as more of a conservative traditional thing, as opposed to the ever-changing and loving thing I see it as now. In lots of ways, I feel my safest in the Jewish community.”

A sense of safety is particularly relevant to MilkMilkLemonade, which contains sensitive and explicit material. Producer and choreographer Erika Babins – also a member of the Jewish community – said the play “walks a fine line of comedy and heavy subject matter. Emory is subject to bullying at school because of his effeminate nature. Elliot attempts, and often fails, to reconcile his friendship and attraction to Emory with the internalized homophobia and misogyny that he was raised with. There are both scenes of intimacy and violence in the piece.

“We began rehearsing this play,” she said, “in the wake of controversy in the Canadian theatre community regarding directors and companies crossing professional boundaries in their rehearsal halls in the name of creating art. It brought to light a lot of practices that many theatre artists take for granted as part of the industry and certainly needn’t be. At the beginning of our rehearsal process, we outlined specifically what was deemed appropriate behaviour in rehearsal and what would not be tolerated, in order to create a safe environment for everyone. Actors have to be extremely vulnerable to create situations with physical intimacy and it is the job of the theatre company and the creative team to create and enforce that environment.”

Co-starring with Lyons are Demi Pedersen (Elliot), Stefanie Michaud (Lady in a Leotard), Sachi Nisbet (Nana) and Nathan Cottell (Linda). The producer is Sarah Harrison and the rest of the team is stage manager Laura Reynolds, light/sound designer Andie Lloyd, costume/prop/set designer Alaia Hamer, graphic designer Julia Lank and promotional photographer Javier Sotres.

“The age range of the cast is between 18-27,” said Babins. “All the cast members and creative team on this project are emerging artists.”

Winning the role of Emory came as a surprise to Lyons.

“When I went in for the MilkMilkLemonade auditions, I didn’t even think I would get cast at all, as I hadn’t yet been in a professional show and all I had gotten until then was a string of rejection emails,” she said. “When I got my email for MML, I was at work and I cried in the bathroom and called my parents saying, ‘Maybe I’m not a terrible actress after all!’ This is my first show with Awkward Stage, and I am really thankful that they are the first company I’m working with in my professional career.”

When asked what were the most challenging and fun aspects of playing Emory, Lyons said, “It was a challenge for me to get past my fear of being the youngest in a cast, especially since all of them have already graduated theatre school and worked professionally for years. It was also difficult to find the physicality for acting like a kid, and the balance between me being a woman, who’s playing a little boy, who is actually a little girl. Lots to unpack there. Emory is a really fun role because I get to play around and throw little tantrums and scream, and basically just be a kid. It offers me a lot of freedom to try new things.”

And Lyons is working on many new things in addition to this production.

“I’m currently assistant directing Oklahoma! with the Arts Umbrella Pre-Professional Musical Theatre troupe, which is playing at the Waterfront Theatre from May 18th to 26th, and I am assistant directing and associate producing Jasper in Deadland with Awkward Stage for the Vancouver Fringe Festival in September,” she said. “In the fall, I am moving to Toronto to attend Randolph Academy for Musical Theatre.”

While there is no specific target audience for MilkMilkLemonade – “There are pieces for all ages and walks of life in it,” said Babins – due to the subject matter, she said, “we do advise parental discretion for children under the age of 12.”

MilkMilkLemonade is at CBC Studio 700 May 23-26, 8 p.m., with a 2 p.m. matinée on May 26. Tickets ($20) are available at awkwardstageproductions.com/milkmilklemonade.

Love your child as they are

The Swirsky family. Jackie Swirsky has written a children’s book, Be Yourself, which features illustrations by her eldest child, Jacob, and her sister-in-law. (photo from Jackie Swirsky)

Maybe it’s because I’m an academic, but I tend to gravitate to categories, which is why the most current discourse on gender has made me feel challenged. I am, by now, very comfortable with the increasingly understood categories of transgender and cisgender (meaning that one’s body conforms to one’s gender identity). But what about cases of individuals who identify as neither transgender nor cisgender, but operate, instead, somewhere in the middle?

Jackie Swirsky, a speech-language pathologist based in Winnipeg, is the mother of two sons, one of whom (Jacob, age 8) Swirsky describes as “gender creative.”

Swirsky is my second cousin, but we only became acquainted after she published her children’s book, Be Yourself, which features a gender creative child and focuses on acceptance. We recently spoke by phone, where I admired her eloquence and compassion and, above all, her comfort with accepting the in-between.

When Jacob was 4, he said to his parents he felt it “wasn’t fair” that he was “a boy.” That’s when we opened up a dialogue, Swirsky said. Currently, he still identifies as a boy, “but his gender expression is very feminine,” she said.

There may have been a time when, faced with a son who prefers to dress in what are conventionally thought of as “girls” clothes, a parent may have tried to force the child to change. One can imagine the emotional pain that would have enveloped those households in those generations. Instead, Swirsky puts it plainly: Jacob “is perfect the way he is.” She sees it as her job not to change her child, but rather to “educate the world” in order to “make it a happier, safer place.”

Enter her book, Be Yourself, with illustrations by Jacob and Swirsky’s sister-in-law Jaimee Appel. It can be purchased at beyourselfbook.ca.

Swirsky took her message to Camp Massad at Winnipeg Beach before camp started, as Jacob would be a camper there over the summer. Leading a workshop for counselors on how to rethink gender norms, Swirsky’s goal was to help the staff “identify their own gender stereotypes,” while encouraging them to open a dialogue with the campers – rather than scold – if they happen to encounter issues of gender stereotyping or instances of gender mocking.

And, while some camps might think of themselves as progressive on the issue of gender, given the easy availability of costumes and the playful gender-crossing that may ensue, Swirsky is clear: for Jacob, this isn’t “dress up,” it’s who he is.

Camp Massad program director Sari Waldman shared with me that, in trying to make camp as “inclusive and accessible as possible,” they are rethinking some of what they realize are overly gender-binary practices. “Simple things,” Waldman said, like do we really need to divide the chadar ochel (dining hall) along gender lines?”

They are now more sensitive to gender stereotypes when writing cabin songs. Not every boy plays sports and longs to sneak into girls’ cabins, they now realize. Waldman added that they have installed gender-neutral washrooms in various spots around camp, and would include a gender-neutral stall in the refurbished bathrooms. This year, for the first time, boys’ and girls’ cabins would no longer be on opposite sides of the field.

Other camps have taken gender-awareness on board, too. As was reported in the Washington Post, Habonim Dror camps across North America, including Camp Miriam on Gabriola Island, have created a new, gender-neutral Hebrew word for camper (chanichol) for those who identify as neither male (chanich) or female (chanicha). And they have renamed each of their age-group names with a pan-gender neologism suffix (imot) rather than the male im or the female ot. It’s a mouthful (and not traditionally grammatical), but the move has created new awareness around gender identity and the categories into which we put each other.

No doubt, attending Jewish camp won’t be without its challenges for someone like Jacob. It’s hard to get around separate sleeping and showering arrangements, even if privacy is granted for changing. And, when it comes to ritual garb, Jacob doesn’t feel comfortable wearing a kippah, for example. Swirsky hoped that the staff would either let him choose whether or not to wear one, or else ask everyone – boys and girls – to cover their head.

As for school, Swirsky finds that the teachers at her son’s school are excellent in supporting Jacob where he is. She also has much praise for the Winnipeg One School Division, which recently issued a new “safe and caring policy on transgender and gender-diverse students.”

Occasionally, though, there are setbacks. One day, a substitute teacher asked the kids to divide up according to gender. Relaying the day’s events to Swirsky that evening, Jacob revealed that he didn’t know which side to stand on. “I just sort of wandered,” he said.

While Swirsky finds that some people she encounters lavish praise on her for her apparent open-mindedness, she insisted that this is basic to who she is as a parent.

“I love and accept my child for who they are; not who I expect them to be,” she said.

And, when talking with Jacob, Swirsky always makes sure to ask open-ended questions. “If you’re really listening to your kid,” Swirsky said, “you’re going to help support them to be on a path that makes them happy.”

It’s a wonderful message about love and acceptance, parenting our kids where they are, and helping society evolve to embrace diversity – even if that diversity is much more finely grained than we may have realized.

Mira Sucharov is an associate professor of political science at Carleton University. She is a columnist for Canadian Jewish News and contributes to Haaretz and the Jewish Daily Forward, among other publications.