disability

Dancers explore new territory

Magic & Remembering opens at Scotiabank Dance Centre on June 1, which is B.C. Access Awareness Day. (photo from All Bodies Dance Project)

The themes in this show range from home and belonging to our collective connection to self, city and architecture,” All Bodies Dance Project co-founder and facilitator Naomi Brand said about Magic & Remembering, a program of dances and films, featuring dancers with and without disabilities, that runs June 1-3 at Scotiabank Dance Centre.

“A lot of ABDP’s choreography highlights the relationship between different bodies moving in different ways,” said Brand, who is a member of the Jewish community. “We try and make work where our differences as dancers are celebrated and exploited for their choreographic potential. We’re always looking for new territory that challenges notions of the ‘typical’ dancer and the typical ways of making dance.”

A similar motivation sparked the idea for this show.

“Magic & Remembering was born out of the desires from artists in our company to lead their own choreographic processes, as well as an idea to explore new territory in dance filmmaking,” said Brand.

The program comprises three dances and three films. Most of the works are new for this production and created by longtime members of All Bodies Dance Project.

“ABDP works in a very organic way as a collective of artists who work through collaboration and improvisation to devise new choreography,” explained Brand. “Each of the pieces came about in a different way through a different creative process. My role has been to act as an ‘outside eye’ to support the choreographers, offer feedback and suggestions; sort of an editor to help clarify the pieces.”

Two of the three filmmakers are local, she said. Martin Borden – who is also a visual artist, woodcarver and educator, and has been documenting ABDP’s work for many years – collaborated with dancers/choreographers Rianne Svelnis and Harmanie Taylor on Sanctuary.

Gemma Crowe worked with Carolina Bergonzoni on Ho.Me. “Gemma is a dancer who has been working in video for a number of years,” said Brand. “As a dancer, she brings a keen understanding of how the camera moves almost as a partner in the dance.”

The third film is called Inclinations and it was created, said Brand, “by our friends and colleagues Danielle Peers (Edmonton) and Alice Sheppard (based in New York) and features a cast of four manual wheelchair users, including Harmanie Taylor from All Bodies Dance Project.”

Quoting from Sheppard’s website, Brand described the piece as one that “contrasts the playful connections when disability esthetics, disability community and a gorgeous ramp meet the institutional histories and discordant inclinations that can lurk just below the surface.”

“We are excited to include this beautiful film in our production,” said Brand, “as a way to connect and support disabled dance artists in our network from outside of Vancouver.”

The press material for the production notes that the films are “of dance works reimagined for the camera.” As to what that means, Brand explained that Sanctuary and Ho.Me were originally created as dances performed live: the former for the 2018 Vines Art Festival and the latter for last year’s Dancing on the Edge Festival.

“We’ve taken those dances,” she said, “and ‘reimagined’ them through the lens of the camera by using the same movement material, but reconfiguring it into a new piece. The camera allows for an intimacy and detailed insight into the dances that opens up whole new possibilities. For example, Carolina Bergonzoni’s Ho.Me, which consists of three personal solos, was shot in the dancers’ own apartments. We get to see these unique bodies and their movements in their private spaces, surrounded by objects of meaning to them.

“Sanctuary is shot in a busy urban location. The duet is accompanied by a soundscore created from the sounds of a typical Vancouver afternoon. Video allows us to take viewers into new worlds and to see the dancers and the dances in new ways.”

As for the dances in Magic & Remembering, Brand said they “use the dancers’ differences in unexpected and evocative ways. For example, Harmanie Taylor and Peggy Leung’s duet, Inflect, was born out of the simple choreographic question, what would happen if both seated and standing dancer used wheels? Peggy dances on a wooden wheelie board that facilitates all kinds of interesting and surprising ways of relating to Harmanie, who is a manual wheelchair user.

“Romham Gallacher’s trio, Re/integrate, delves into some deep and personal territory by exploring the process of bringing trauma-shattered pieces of oneself back together. The piece makes use of some intricate contact duet material between Adam Warren and Peggy Leung. Adam is a wheelchair user but dances the pieces without his chair.

“Cheyenne Seary’s Clove Hitch is a quintet based on themes of identity, individuality and belonging in a group,” she said. “The piece is set to music by Juno-nominated indigenous artist Cris Derksen.”

All Bodies Dance Project has many collaborators and partnerships that make its work possible, said Brand. “For this production,” she said, “we have partnered with the Roundhouse Community Art Centre and the Gathering Place, where we do most of our rehearsals, and are grateful to have received grant funding from the City of Vancouver.”

Magic & Remembering opens on B.C. Access Awareness Day, which is “a comprehensive campaign to raise awareness about disability, accessibility and inclusion,” said Brand.

In line with ABDP’s efforts to remove barriers, “all of the performances are scent-reduced with sliding scale ticket pricing – no one is turned away for lack of funds,” she said. “Our two performances on Monday, June 3, include ASL interpretation.”

For tickets ($10-$25) and more information, visit allbodiesdance.ca.

Intern a student and teacher

Xianzhi (Paul) Chen, in the Lakers T-shirt, not only led programming at the Jewish Community Centre of Greater Vancouver, but participated in it. (photo from JCC)

Xianzhi (Paul) Chen came to Canada from China in 2011 with his family. He loves outdoor sports, especially basketball, and has always been community-oriented, including providing care for Chinese seniors at a nursing home. But how did he find his way to the Jewish Community Centre of Greater Vancouver?

Paul is pursuing a recreation and leadership diploma at Langara College. Last year, he approached six organizations for an internship, to apply the training and skills of this program to a real-world environment, but was turned away by all the organizations he approached. When he initially interviewed for a position at the JCC with Lisa Cohen Quay, Adult 55+ program coordinator, she also said no. However, the issue was not whether he could do the work required, but rather that the requirements and expectations of the Langara internship were too much for her department to oversee.

Paul is blind in one eye and has limited vision in the other. He requires accommodations. But accommodations were not the issue either. Lisa’s mom lives with extremely low vision. She knew that, with slight adjustments to the work environment and access to a CCTV machine and specialized software like ZoomText, Paul would be able to meet and even exceed expectations. His disability, as so often is the case, was not the barrier.

Fortunately for the JCC, Paul would not take no for an answer. Without an internship, he would have had to delay the completion of his education. So, he wrote Lisa after that first meeting and asked her for a chance to show his skills. Paul – bright, friendly and tenacious – left a powerful impression. Lisa could not stop thinking about his abilities and the challenges he had faced. Determined to provide him with a meaningful and useful internship, she reached out to me, the coordinator of the JCC’s inclusion department, to see if we could create one between our two departments.

We did just that, agreeing to co-supervise Paul’s internship. We decided to provide him with program planning experience and program support experience, while also allowing him to actively participate in some of the JCC’s inclusion programming. Lisa then reached out to the Langara internship coordinator to negotiate a modified internship for Paul. The school agreed to Paul interning between the two departments at a reduced load over a longer, five-month period.

Paul was very nervous at first. He did not know how to set up for events like mah jongg, poker or bridge, how to manage a budget or how to plan programs. But, he took instruction well, was eager to learn and did his best. He demonstrated care in all his interactions with community members and poured his heart into every project in which he participated.

“I oversaw Dumpling Night at the Community Kitchen to share the Chinese New Year with community members,” said Paul by way of an example of how he incorporated his previous experience into his internship at the JCC, and learned more about leading programming.

“I oversaw all aspects of a balcony beautification project, including [doing] the budget by myself,” he added. “I learned how to use my hands to make art during the Art Hive program.”

photo - Xianzhi (Paul) Chen — Paul Chen *(photo from JCC)*

Paul tried many new activities during his internship and, as a result, made a lot of friends. He learned quickly that friendships are forged through recreation.

Paul said the highlights of his internship were “making three excellent art pieces,” the beautification project and the “terrific relationships with people that I met in this community.”

“Paul has demonstrated a passion for community development through his internship at the JCC, with a focus on diversity and inclusion,” said Erin Wilkins, department chair, recreation studies, at Langara College. “He has also demonstrated how to provide engaging recreation experiences that support diverse community members and build resilience through empowerment.”

She said the department is “so proud of Paul’s accomplishments at the JCC, and thankful for the support he received throughout his internship, which is the final semester of the recreation leadership diploma.”

The JCC is proud to have been part of Paul’s training and professional development. We are happy to have provided him with a meaningful and diverse introduction to recreational programming, to community building and to leadership development. We are equally grateful for what he has given back to our community and us as professionals, and hope that he will continue to participate in our community and lead programming in the future.

Access to opportunity, we are reminded, requires adjustments and flexibility and is always worth the effort.

Leamore Cohen is inclusion services coordinator at the Jewish Community Centre of Greater Vancouver.

Jewelry that’s easier to wear

This necklace uses snap fasteners instead of clasps [see below]. (photo from Deborah Rubin Fields)

Diane von Furstenberg is attributed with saying: “Jewelry is like the perfect spice – it always complements what’s already there.” Some of us would say that’s all well and good, until you have to ask for help in closing a necklace.

Maybe you can release the spring, which opens the lobster clasp’s arm, but you can’t hold it long enough to actually close the clasp. Or perhaps your hands just can’t negotiate the T into a toggle clasp’s circle. Whatever your exact manoeuvrability problem, one thing is sure, putting on jewelry can be a frustrating experience. And the frustration seems to increase with age.

In The Journals of Gerontology, academics Eli Carmeli, associate professor at Haifa University, the late Hagar Patish and Prof. Raymond Coleman of the Technion state, “Hand function decreases with age in both men and women, especially after the age of 65 years. Deterioration in hand function … is, to a large degree, secondary to age-related degenerative changes in the musculoskeletal, vascular and nervous systems.

photo - The necklace's snap fasteners — The necklace above’s snap fasteners. *(photo from Deborah Rubin Fields)*

“Prehension is defined as the act of seizing or grasping. Aging hands and fingers are especially prone to osteoarthritis and rheumatoid arthritis. It is clear that common tasks involving precision dexterity, two-hand coordination, such as are needed to thread needles, open buttons on clothing or fine-grip tasks, as in holding a pen or cutlery, become increasingly difficult with aging. This is also true with regard to simple handgrip tasks requiring strength, such as opening bottles. The difficulty of performing such tasks may be in part due to declining vision.”

So what are the different kinds of jewelry clasps or closures and how easy are they to use? Today, eight clasps are usually added to necklaces.

The lobster clasp and spring ring clasp have a spring-loaded mechanism. Both operate by fitting one end into the opened spring side, then releasing the spring mechanism to shut.

The fishhook clasp is so named because part of the closure resembles the hook used in fishing: one end is a metal hook, while the other is an oval-shaped case. The hook slides into and locks inside the case.

Somewhat similar in shape to the fishhook, the S hook works by sliding the S-shaped hook onto a ring at the other end.

In a toggle bar clasp, one end is a long bar or T shape and the other is an open shape, usually a circle. The bar slips through the centre of the shape and locks in place.

The barrel clasp is so named because, when closed, it looks like a barrel. This clasp consists of two metal pieces, one on each end of the necklace, which close by screwing together. Likewise, in the slide-lock clasp, one tube slides inside the other and locks in place.

Finally, both ends of a magnet clasp contain magnets, which attract each another and snap together, locking the piece of jewelry in place. While not always particularly attractive, the newer magnet closures can actually look quite pleasing.

Clips designed to be easy to put on. *(photo from Deborah Rubin Fields)*

While all these clasps are relatively secure, if you have dexterity issues, six of the eight might be difficult to manipulate. So, if you’d like to continue wearing certain pieces of jewelry, to what clasps should you switch? For people with handgrip problems, two necklace closures are usually recommended: the slide-lock and the magnet clasps.

Israeli Keren Doron, who has designed and produced gold necklaces, however, is skeptical about a magnet clasp staying closed when the necklace is really heavy. She also warns that it is possible to damage a necklace when switching its existing clasp. There are many ways to do so, although it depends on the different kinds of jewelry. For example, Doron said not all necklaces with stones can withstand the heat of burner re-soldering.

Occupational therapists at Jerusalem’s Shaare Tzedek Hospital suggest that people with dexterity problems switch to necklaces that are long enough to simply slip over the head.

If you enjoy wearing costume jewelry, a new Israeli company offers another solution. Snaps (snaps.co.il) makes attractive necklaces and earrings that completely do away with clasps. Instead, designers Lilach Bar Noy and Inbar Ariav glue snap fasteners to the back of their pendants (using either a single or double set of snaps) and to each end of the necklace chain. Without having to apply much pressure, the male and female parts of the snap attach.

Wearing pierced earrings may also be a problem for people with hand issues. One solution is to wear omega-back earrings with a hinged back that simply flips closed; there are no tiny posts or backs to manipulate.

Neta ben Bassatt’s fashion jewelry addresses the problem of closures in a different manner. As a student at Bezalel Academy of Arts and Design, she won a prize for her coat pins designed especially for people who have visual impairments. Her wood and brass pins may be used with heavier clothes, such as cotton, wool, linen, etc. Two of her pins have a kind of clasp that can fasten best to a shirt collar or the lapel of a suit, where it is easier to get to the other side of the fabric. Her other designs feature a long, open needle pin, which can be attached anywhere on the fabric. Importantly, the wearer does not need to touch the pin itself, thus eliminating the chance of sticking oneself.

Is jewelry important? The answer depends on whom you ask. One thing is clear: jewelry has been around a long time. As early as Chapter 24 of the Book of Genesis, Abraham’s chief servant (Eliezer) is giving jewelry to Rebecca’s family. And, with people living longer, more and more adaptability and accessibility issues will arise, so we are likely to be talking about jewelry for a long time to come.

Deborah Rubin Fields is an Israel-based features writer. She is also the author of Take a Peek Inside: A Child’s Guide to Radiology Exams, published in English, Hebrew and Arabic.

Standing under the chuppah

Adir under the wedding canopy with his bride, Liat. (photo from UPnRIDE)

Forty days before his marriage, a wheelchair-bound Israeli man named Adir wrote to UPnRIDE Robotics, sharing his dream to stand under the chuppah with his bride, Liat. Chief executive officer Oren Tamari invited Adir to company headquarters in Yokne’am Illit to try the UPnRIDE 1.1 mobility device, now in transition from research-and-development to market.

“We saw he managed well with it, and we arranged for him to use the device during his wedding” on Nov. 12, Tamari told Israel21c.

The day after his wedding, Adir posted on UPnRIDE’s Facebook page: “Thank you all for [the] wonderful experience and magnificent night. Our chuppah was so amazing, people cried when [they] saw me standing and praying. My wife and I just want to say that you made our night as close as possible to perfection!!!”

UPnRIDE was invented by Amit Goffer, whose ReWalk robotic exoskeleton allows paraplegics to stand, walk, navigate steps and even run marathons. Goffer, who has a PhD in electrical and computer engineering, could not use ReWalk himself because he is a quadriplegic, paralyzed from the neck down. So he and Tamari formed a new company to develop an upright mobility solution enabling any wheelchair-bound person – quadriplegics, paraplegics, people with multiple sclerosis, cerebral palsy, ALS and traumatic brain injury – to recline, stand and navigate indoors and outdoors.

Jointed braces and harnessing straps provide support, while advanced motion technology and real-time computing ensure automatic balancing and stability on uneven terrain. Goffer said other types of standing wheelchairs can’t be used outdoors because of the danger of tipping over.

UPnRIDE is now raising funds, working toward U.S. Food and Drug Administration clearance and doing usability studies with all kinds of wheelchair users. A major study has begun at the U.S. Veterans Health Administration’s Centre of Excellence in New York to determine the benefits for UPnRIDE users. Many health problems are associated with long-term wheelchair sitting, from muscle atrophy to cardiovascular disease.

Goffer, chief technology officer and president of the company, doesn’t yet have his own UPnRIDE because the sample models are for testing. He borrows one on weekends and for special events, such as his daughter’s wedding last July.

Like Adir, he was able to stand under the chuppah and with his family for photos.

“My son and middle daughter were already married years ago,” he said, “and it was a very different feeling at the wedding of my ‘baby’ because I was standing like the rest of the family. I was also able to mingle with guests as never before.”

Eventually, Goffer expects UPnRIDE to become his everyday wheelchair. “I enjoy it because I can stand and sit easily whenever I want; I don’t have to be moved and lifted by someone else. It can recline, too, so it’s better for napping or receiving medical treatment.”

The smart wheelchairs are to be manufactured in a northern Israel factory run by Sanmina, an American electronics manufacturing services provider. Tamari said the company plans to use proceeds from the current funding round for marketing, establishing mass production and developing advanced and new models.

For more information, visit upnride.com or email [email protected].

Israel21c is a nonprofit educational foundation with a mission to focus media and public attention on the 21st-century Israel that exists beyond the conflict. For more, or to donate, visit israel21c.org.

World without prisons?

Prof. Liat Ben-Moshe teaches disability studies at the University of Toledo. (photo from Liat Ben-Moshe)

University of Toledo assistant professor Liat Ben-Moshe moved to the United States in 2002 to do her doctorate in disability studies at Syracuse University, as the field was not offered in Israel at the time.

Ben-Moshe describes the field as one “that looks at disability as an identity and a culture.”

“So,” she said, “we read things about mad culture – ‘mad’ as in ‘crazy’ – deaf culture and a variety of disability histories, disability laws and social movements related to disabilities … as well as representation [of] people with disabilities and disability, in general, in films and in literature.”

Ben-Moshe is a member of and has been a leading voice in the disability community. She works to educate anyone who will listen about disability rights, to change the outlook.

“We are not asking for charity,” said Ben-Moshe. “We are asking for what is rightfully ours, like an increase in disability stipends and things of that nature. At that time, there was also no kind of formulated disability law.” Now, there is, and there are both similarities and differences between such laws in Canada, the United States and Israel, she said, noting, “They are all rights-based laws, discrimination-based laws.”

As Ben-Moshe was developing her understanding of disability law and how society began looking differently at people with disability, she started seeing correlations between how people with disabilities were being treated in institutions and how prisoners were being treated.

Society has dismantled many large institutions for people with mental and intellectual disabilities. “People don’t really understand how massive these institutions were,” said Ben-Moshe. “Some of them housed 3,000 people with intellectual disabilities in the heyday.

“Closures of these facilities came out of a desire to really change the way that we understand what disability means and how to react to it on a social level,” she explained. “We don’t need to be segregated in order for the civility to be viable in our communities. And the reason I’m connecting it to the prison arena is because there has been – and, today, for sure – a vibrant, although quite small, social movement that advocates for the closure of prisons…. By that, I mean prison abolition.”

Ben-Moshe contends that people should not be locked away as punishment.

“It’s really a radical framework – to understand how we can react to each other differently and how we can respond to harm that’s done to us differently … without segregation, without locking people away,” she said. “When you take this [locking up] idea of out of sight, out of mind, [something] that only exacerbates the root of the harm, you can see a lot of connections between this [non-segregating] framework and the framework of deinstitutionalization.”

Just as some people thought that deinstitutionalization could not work, there are those who don’t believe that decarceration is achievable. But Ben-Moshe said we can learn from how deinstitutionalization took place in most American states and in Canada, and how well it has worked, in general.

“How do we learn from it, as a historical precedence?” she said. “A lot of my work is about bridging those two ideas – frameworks and social movements.”

Ben-Moshe mentioned the 128-page ebook called Are Prisons Obsolete? by Angela Davis (Penguin Random House, 2003). In it, says the description online, Davis argues that “American life is replete with abolition movements and, when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly, the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom…. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable.”

There is no short answer to the question of how to abolish prisons. But, according to Ben-Moshe, the answer has to come from communities. The prison abolition movement in the United States, she said, is led by the black feminist movement and, in Canada, it is led by indigenous groups, as these communities are most impacted by the prison system.

Insofar as the movement’s success in both countries, Ben-Moshe said, “I’d say, definitely, there is, in Canada, a pretty vibrant prison abolition movement. As it is in the U.S., it’s pretty varied. Some of it does come from the indigenous perspective. For example, the idea of sentencing circles.

“In many indigenous communities, there has never been a prison. So, we don’t necessarily need to go back in time to see what it means to live in a world without a prison. We can talk to the indigenous people who have never bonded to this idea of prison. Not to romanticize it. I mean, harm has been done in those communities, but how did they deal with it? That’s definitely something that’s going on in Canada, as well.”

Ben-Moshe pointed to the somewhat new concept of using ankle bracelets, as opposed to imprisonment, as a misguided move. The way she sees it, by doing this, instead of reducing incarceration, the prison walls become endless.

“These are for-profit things that people who are incarcerated have to pay for,” said Ben-Moshe. “And what we see is that people who would have not even been incarcerated before now get ankle bracelets.”

In the same way that disability can’t exist in a place with no barriers, prisons can cease to exist if people are taught how to better work within society’s limits.

“If everyone spoke sign language, those who are deaf wouldn’t even be categorized as disabled, because they would just be a linguistic minority,” said Ben-Moshe. “Disability is not something in people. It’s something in the interaction between people and their environment.

“In disability studies, we talk about ‘ablism’ (able-ism), which is oppression that people with disabilities face. But, I also connect that to racism, sexism and other forms of oppression, to say that we’re always living simultaneous forms of privilege and oppression.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Celebrate 150 with laughter

Canadian-born, U.K.-based Tanyalee Davis will make a special appearance in Comedy on Wheels, which features many contributors. (photo from Comedy on Wheels)

Realwheels celebrates Canada’s 150th birthday with laughter. Their new show, Comedy on Wheels, will play for only three days but, hopefully, the levity will stay with audiences much longer. The show will present members of the Vancouver disability community in performances that capitalize on people’s greatest common asset: the ability to use humour to cope with life’s trials and tribulations.

“What better way to celebrate Canada’s 150th than with laughter?” said Jewish community member Rena Cohen, the director of the show, in a press release. “A shared laugh strengthens our bonds and dissolves barriers. Whether you self-identify as able-bodied or as having a disability, come giggle and be entertained. And be prepared for a challenge to any and all preconceptions.”

Cohen joined Realwheels as managing artistic director in 2009. Before her, the company, which was founded in the late 1990s, had produced one show, Skydive, in 2007. Featuring Realwheels founder James Sanders, a professionally trained actor with quadriplegia, the play was regarded as an important and innovative contribution to changing perceptions of disability.

“I joined Realwheels after meeting its brilliant founder, James Sanders,” Cohen told the Independent. “I transitioned into arts management six years earlier and, when James invited me to discuss the company’s next steps, I was curious to learn about the lived experience of disability. I was also well aware of the company’s enormous success with their Skydive project. I saw an opportunity to bridge Realwheels’ early success into a more stable future. The mandate of the company – to create and produce performances that deepen people’s understanding of disability – quickly internalized and became a passion of mine.”

Since Cohen became part of the company, Realwheels has been producing new shows steadily every year, sometimes more than once a year. “We produced Creeps this past winter at the Cultch and we’re currently creating Comedy on Wheels. That’s two productions this season, plus another show in development, and two side projects that are centred on increasing people with disabilities’ inclusion in the arts…. In total, we’ve mounted five professional productions and six community shows to date,” she said. (For more on Creeps and Realwheels, see jewishindependent.ca/creeps-is-a-canadian-classic.)

Realwheels’ ultimate goal is to fully integrate creative people with disabilities into the performing arts.

“A trained actor with a disability can play many roles,” said Cohen. “Absolutely, an actor with a disability can perform in classical plays. Why not?… Every actor brings their own range of experience; every actor accesses their emotional life a little differently.”

About directing, she said, “Our professional shows are typically integrated, a combination of professional actors with and without disabilities. I’m always trying to bring out the truth, looking to the script for what’s called for in the role. Working with different casts and talents is one of the joys of this work.”

In addition to professional shows, Realwheels also produces community shows. “For our community shows,” said Cohen, “we invite anyone who self-identifies as having a disability to participate. We offer training, coaching, a meaningful and considerable theatre experience.”

Comedy on Wheels falls into the community show category.

“We have great stand-up acts, and these are augmented with scenes, live music and projections, making it far more theatrical than an average nightclub or comedy club,” said Cohen. “We touch on the theme of Canada’s 150th birthday, but, more than anything, that’s an excuse to get together, talk about what we think is hilarious, learn about the structure of comedy and celebrate the amazing talents of the people who live with disabilities.”

According to Cohen, the idea for this show – like the ideas for many Realwheels shows – came out of an ongoing dialogue with the community.

“Last season, we explored sexuality from a disability perspective in a large burlesque show. That was in response to the demand to break down the stigmas surrounding sexuality and disability in playful and dazzlingly unexpected ways,” she said. “There was tremendous humour in that show and there appeared to be a growing desire to further explore comedy. One of our regular community cast members is an emerging comic star. I threw the idea over to him, and we came up with Comedy on Wheels.”

To make the show punchier, Cohen invited Canadian-born comic star Tanyalee Davis, who is now based in the United Kingdom, to appear.

“Tanyalee will be integrating her comedy with our show and emceeing it. Very exciting!” said Cohen.

As is customary for stand-up comedy, the cast members have written their own jokes. “Our only ground rule was nothing sexist, racist or homophobic,” Cohen explained. “The only filter being applied is whether it’s funny or not. Of course, comedy is subjective, but we have a pretty good idea when something works or not.”

Another person has been instrumental in bringing Comedy on Wheels to life – fellow Jewish community member David Granirer.

Granirer is a counselor, stand-up comic, writer and speaker on mental-health issues. He teaches comedy classes at Langara College and founded Stand Up for Mental Health, which, according to his website, is “a program that teaches stand-up comedy to people with mental illness or mental-health issues, as a way of building confidence and fighting public stigma.”

“The cast members have created this work with the support and guidance of David Granirer,” said Cohen. “David has an elegant system for creating comedy, the system he’s honed over the years. He breaks the process into very clear and workable steps.”

“Rena Cohen brought me in – she’d heard about me from one of the participants who had taken my Langara Stand-Up Comedy Clinic course,” said Granirer.

For him, it was a small step from his students to the actors. “All of the performers in Comedy on Wheels are disabled in some way,” he said. “Their ages range from 20 to 60. Some have theatrical training and others don’t, but my job was similar. It’s about helping everyone find their comic voices. Most, but not all, of their jokes concern disability. Some of the jokes are also about Canada, but all of the jokes stand on their own (pardon the pun) as good comedy. Everyone will appreciate them.”

Comedy on Wheels is at Performance Works May 18-20. Audio description is provided by VocalEye and all performances are also accessible through American Sign Language. For more information, visit realwheels.ca. For tickets, go to comedy-on-wheels.bpt.me.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Diamonds at Shalva opening

The new Shalva National Centre in Jerusalem officially opened on April 27. (photo from Shalva)

History was made on April 27, when hundreds of friends and donors traveled from around the world to gather in Jerusalem to celebrate the grand opening of the new Shalva National Centre. The day began with a rendition of “To Dream the Impossible Dream.”

photo - Leslie Diamond — Leslie Diamond *(photo from Shalva)*

“I fell in love with the concept that Shalva represents,” said Jerusalem Mayor Nir Barkat. “It is an icon and a role model for the world. Shalva has shown innovation in dealing with children with disabilities and I believe it will create ripple effects around the world.”

Leslie and Gordon Diamond, who dedicated the centre, flew in from Vancouver with family and friends. In addition, they dedicated the Steven Diamond Sports and Wellness Centre in memory of their son, Steven. With its semi-Olympic pool, large therapy pool, fitness centre and gymnasium, it is a significant gift of wellness to the Shalva children, their families and the broader community. Also dedicated was the Shalva Inclusive Parks in memory of Ambassador Ronald E. Arnall.

“Shalva epitomizes tikkun olam, making the world a better place and respect for family dignity. I am sure that Shalva will serve as the gold standard in its field for many years to come,” said Gordon Diamond. “For me and my family, it is an amazing honour to help this institution. Imperfection is inevitable in this world. We cannot make this a perfect world, but this is where society can shine. There is no more shining model than Shalva.”

“We have built a centre of excellence, full of colour, a magical place for the children of Shalva,” said Shalva chairman Avi Samuels. “We are humbled to open this state-of-the-art facility.”

photo - Gordon Diamond, reading into the microphone — Gordon Diamond, left, with Shalva co-founder Kalman Samuels, who is holding the mezuzah. *(photo from Shalva)*

MK Chaim Katz said, “This is a huge day of giving. There’s so much heart and so much soul. I am bursting with pride to know that these world-class facilities are available right here in the state of Israel.”

The ribbon-breaking ceremony began with the sounding of 10 shofars. Barkat said, “When people come to the city of Jerusalem, they ask me what they should see. I tell them to go see the City of David so they see their roots. And then I tell them to go and see Shalva. People who enter this centre do not go out the same people. This place changes them.”

Kalman Samuels, who founded Shalva 27 years ago with his wife Malki when their infant son became blind and deaf following a faulty vaccination, thanked the audience of philanthropists, dignitaries and well-wishers. He said, “Your boundless love and your selfless care for your brothers and sisters with disabilities makes this earthly site heavenly.

I have gratitude to the Almighty and gratitude to each of you who continue to impact precious lives.”