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From the archives … a coin, etc.

From the archives … a coin, etc.

My latest trip down a rabbit hole was inspired by this issue’s theme of Finance & Law. One of the first news items that caught my eye was “Model for U.S. Coin Revealed as a Jewess at Marriage.” The two-paragraph story appeared in the July 24, 1930, copy of one of the Jewish Independent’s predecessors, the Jewish Centre News.

“Through her marriage it was revealed that Miss Doris Doscher, whose face adorns the new twenty-five cent pieces issued by the National Treasury, is a Jewess. She was married yesterday to Dr. H. William Baum at the Jewish Institute of Religion,” reads the article.

“Miss Doscher was selected several years ago by the government representatives as the model for the new twenty-five cent pieces because she characterized ‘the highest type of American Womanhood.’”

Doscher, who lived from 1882 to 1970, was an actress (in silent films!) and model. Her main claim to fame movie-wise seems to have been the role of Eve in 1918’s The Birth of a Race. Her most famous modeling ventures were for the Standing Liberty Quarter (in circulation 1916-1930), designed by Hermon Atkins MacNeil, and for the Pulitzer Fountain of Abundance by Karl Bitter (and Thomas Hastings, according to nycgovparks.org), which was dedicated in 2016, having been completed by Isidore Konti and Karl Gruppe after Bitter died in 1915. The fountain is located at Grand Army Plaza in Manhattan.

From the late 1920s, Doscher worked as a newspaper columnist and radio broadcaster, even having her own health and beauty column for a time; she also lectured on the topic. But, back to the Standing Liberty Quarter, which was controversial for a couple of reasons.

image - A 1918 print of Doris Doscher, horizontally flipped for comparison to the Standing Liberty Quarter, for which she may have been the model
A 1918 print of Doris Doscher, horizontally flipped for comparison to the Standing Liberty Quarter, for which she may have been the model. (photo from mediastorehouse.com)
image - Standing Liberty Quarter, 1930
The Standing Liberty Quarter, 1930.

The first iteration of Liberty was quite risqué, with her right breast exposed, which apparently appalled the women’s movement of the day, as well as clergy and others. According to edmontoncoinclub.com, “The initial production run of 52,000 pieces had made their way through the Treasury system by January 1917; by then, the production of the ‘Type 1’ 1917 issue was already in full-swing … but by early 1917 clearly something had to be done. Hermon MacNeil was obliged to modify his design, which he strenuously objected to [an article on uscoinnews.com asserts that MacNeil never authorized the design change], and the reasons that were given to him by the mint were everything from poor striking characteristics, relief problems, die wear, coin wear, anything else but that exposed breast. The dies were modified in time for the 1918 strike (known as ‘Type 2’), and it featured a now ‘clad-to-the-neck’ in chain-mail Liberty.” Other changes were made for that casting and there were later revisions. 

“The last run of the Standing Liberty Quarter took place in 1930, with only Philadelphia and San Francisco minting them. None were made in 1931 or 1932, possibly reflecting an oversupply because of the Great Depression, which had decimated the world economy in 1929,” notes the article on edmontoncoinclub.com.

The second controversy – which is still unresolved – arose after Doscher died. In 1972, another actress and model, Irene MacDowell, claimed to have been MacNeil’s model. According to various reports, her husband was friends with MacNeil and would not have approved of her modeling for the sculptor, hence, the secrecy. Another rumour is that MacNeil’s wife considered MacDowell a threat to her marriage, and so the sculptor kept her identity hidden.

It may never be known whether MacDowell or Doscher was the real model for the Standing Liberty Quarter, but Doscher was publicly credited, becoming known as known as “the girl on the Quarter.” And the moniker stuck. As noted on a memorial site for MacNeil (hermonatkinsmacneil.com), “100 years after the birth of Hermon MacNeil and fifty years after the Standing Liberty Quarter was minted, Doris Doscher Baum appeared on the TV quiz show I’ve Got a Secret on April 4, 1966.” The video is on YouTube.

There’s even more on this whole topic – including the reason the Standing Liberty coin was made. According to a blog on greatamericancoincompany.com, “When Robert W. Woolley took office as Mint director in April 1915, he asked [Philadelphia Mint superintendent Adam] Joyce to have [Mint chief engraver Charles] Barber submit some new designs for the dime, quarter and half dollar. It seems Woolley misinterpreted a memo from the assistant treasury secretary stating that coin designs could be changed after 25 years. Woolley took it to mean they must be changed and set the redesign wheels in motion.”

Barber’s suggested designs did not impress, and so a few sculptors were asked to make a submission, and MacNeil’s won. In the end, the blog notes, more than 214 million MacNeil quarters were made.

I could have spent as many hours exploring the other clippings I picked for this issue’s theme. I settled on a group that, to me, shows the paper’s diversity, as well as how technology and societal attitudes change over the years. 

image - April 4, 1947: In an article by Winnipeg Jewish community member David Orlikow, Saskatchewan’s then-premier Tommy Douglas talks about the Bill of Rights his province was introducing  – the first such bill in Canada. Orlikow would have a 43-year political career, including 26 years as an MP (1962-1988)
April 4, 1947: In an article by Winnipeg Jewish community member David Orlikow, Saskatchewan’s then-premier Tommy Douglas talks about the Bill of Rights his province was introducing  – the first such bill in Canada. Orlikow would have a 43-year political career, including 26 years as an MP (1962-1988).
imaeg - Oct. 17, 1969: An organization called the National Committee for Furtherance of Jewish Education was appalled, to say the least, by the goings-on at the Woodstock Music and Arts Festival, which, it contended, created “a national hallucination which has distorted the minds of 200,000,000 Americans as to what is wrong morally"
Oct. 17, 1969: An organization called the National Committee for Furtherance of Jewish Education was appalled, to say the least, by the goings-on at the Woodstock Music and Arts Festival, which, it contended, created “a national hallucination which has distorted the minds of 200,000,000 Americans as to what is wrong morally.”

image 1 - Community organizations need to fundraise, of course. A couple of the longest-running initiatives were the Hadassah Bazaar, which may have started in 1933 as a small affair at the JCC that graduated to Seaforth Armories in 1952, though the 1952 bazaar is generally counted as the first one and the 2007 event at the Hellenic Community Centre as the last; and the community phone directory, a fundraiser for Vancouver Talmud Torah that ran from 1959 to 2013-14.

image 2 - Community organizations need to fundraise, of course. A couple of the longest-running initiatives were the Hadassah Bazaar, which may have started in 1933 as a small affair at the JCC that graduated to Seaforth Armories in 1952, though the 1952 bazaar is generally counted as the first one and the 2007 event at the Hellenic Community Centre as the last; and the community phone directory, a fundraiser for Vancouver Talmud Torah that ran from 1959 to 2013-14.
Community organizations need to fundraise, of course. A couple of the longest-running initiatives were the Hadassah Bazaar, which may have started in 1933 as a small affair at the JCC that graduated to Seaforth Armories in 1952, though the 1952 bazaar is generally counted as the first one and the 2007 event at the Hellenic Community Centre as the last; and the community phone directory, a fundraiser for Vancouver Talmud Torah that ran from 1959 to 2013-14.

 

image - Nov. 17, 1995: Antisemitic graffiti on Beth Israel Synagogue concerned a passerby, but it was a “false alarm.” BI had agreed for its exterior to be used for “an episode of the locally-produced cop show The Commish.”
Nov. 17, 1995: Antisemitic graffiti on Beth Israel Synagogue concerned a passerby, but it was a “false alarm.” BI had agreed for its exterior to be used for “an episode of the locally-produced cop show The Commish.”
Format ImagePosted on October 24, 2025October 23, 2025Author Cynthia RamsayCategories From the JITags coins, finance, history, Jewish Centre News, Jewish Western Bulletin, law, ytttttttttt

מדוע האנטישמיות הולכת וגואה בעולם

 אנו עדים לעליה משמעותית באנטישמיות ברחבי העולם אחרי השבעה באוקטובר. על כך אין מחלוקת

אך נשאלת השאלה מה הביא לעלייה הכל כך משמעותית באנטישמיות כולל פגיעה פיזית ביהודים וישראלים בעולם? למרבה הצער בישראל מעדיפים שלא להתעסק בסיבות אלה רק בתוצאות שכידוע הן קשות מאוד ולא מוצדקות בשום מקרה

קודם כל: הגל האנטישמי הנוכחי לא החל מהשבעה באוקטובר אלא לאחריו. זאת, לאחר שבעולם החלו לראות את התמונות הקשות מרצועת עזה. גם הפעולות המזויעות של החמאס ושותפיו בשבעה באוקטובר שכללו רצח, אונס ועוד מעשים בלתי אנושיים – לא יכולים לשמש כתירוץ לפגיעה והריגת אלפי ילדים, נשים ואחרים שגרו ברצועת עזה. אי אפשר לטעון שכל תושבי הרצועה הם אנשי חמאס ושאר הארגונים, למרות שקל לעשות זאת. המראות הקשים האלה מהרצועה הם שהדליקו את מדורת השנאה הנוכחית כנגד הישראלים והיהודים בעולם. בישראל לא רוצים להבין זאת וממשיכים להתעלם מהמציאות הקשה של תושבי רצועת עזה, שחלקם הגדול אף מורעבים. לא פלא שישראל הפכה כיום לאחת המדינות השנואות בעולם. כצפוי ראש הממשלה, בנימין נתניהו, הוא אחד האנשים השנואים ביותר בישראל וכן ברחבי העולם כולו

הדיבורים של שרי הממשלה בדבר החלת הריבונות הישראלית על השטחים הכבושים, תוך כדי עיבוי ההתנחליות שהן דבר ביומו, וכן הגליית כל תושבי הרצועה בהתאם למשנתו הגרועה של נשיא ארה”ב המטורף, דונלד טראמפ, רק מגבירה את השנאה כלפי הישראלים והיהודים בעולם. החלת הריבונות והגליית הפלסטינים מהרצועה עשויות גם להרחיק מדינות ערביות מהסכמי השלום עם ישראל

ולאור זאת ולמרות הכל, ממשלת נתניהו מאלצת את צה”ל להמשיך ולהילחם בעזה כאשר מחיר הדמים הוא גבוה ביותר. כשש מאות חיילים נהרגו מאז כניסת צה”ל לעזה לאחר השבעה באוקטובר

מרבית החטופים שחזרו לישראל שוחררו באמצעות משא ומתן וצה”ל הצליח לשחרר בעצמו מספר בודד של חטופים. ומהצד השני נהרגו אלפי אזרחים מקומיים ברצועת עזה כתוצאה מפעילות צה”ל

לאור זאת אני שואל בקול גדול: כמה עוד חפים מפשע משני הצדדים צריכים להיהרג בעזה כדי שממשלת הדמים של נתניהו תואיל להוציא את הצבא משם? האם המספרים הגבוהים האלה שהשאירו אלפי משפחות יתומות מתאבלות על אובדן יקיריהם – לא מספיקים לכם? האם אתם רוצים וצריכים בעוד נהרות של דם באזור

בישראל בדרך כלל לא חושבים על רק על היום ולא על מחר ובוודאי ובוודאי שזה לא מטריד את ממשלת נתניהו: לא העליה הקשה באנטישמיות ברחבי העולם, לא העמקת הפילוג בתוך ישראל ולא המשך אבדן חיים משני הצדדים. בישראל בעידן של נתניהו שכחו כנראה שהאירועים הקשים האלה ברצועת עזה ישליכו גם על עתידה של ישראל ושכנותיה

יש לזכור שרבים בקרב הטרוריסטים הפלסטינים שאחראים על פעולות טרור רצחניות בישראל לאורך השנים, שייכים למשפחות שאיבדו את יקיריהן בפעולות שונות של צה”ל. ולכן לא מן הנמנע שתמונה זו תחזור על עצמה בעתיד הנראה לעין, וחלק מהטרוריסטים העתידים לפגוע בישראלים ימנו על משפחות פלסטיניות שאיבדו את יקיריהן ברצועת עזה. אני חושש שהתוצאה של הנזק העצום בעזה תעלה לישראל במחיר כבד בעתיד. וכמו שציינתי היינו כבר בסרט הזה בעבר

ארה”ב השאירה נזק רב במקומות בהן צבאה פעל בהם אפגניסטן, עיראק ווייטנאם. אך מדינות אלו רחוקות מאוד מארה”ב, לעומת רצועת עזה הסמוכה לישראל. מוטב היה אם ממשלת נתניהו הייתה חושבת גם על המחר, ועל כך שישראל מוקפת בשכנות שצריך להמשיך לחיות עימן גם בעתיד

Posted on October 16, 2025October 8, 2025Author Roni RachmaniCategories עניין בחדשותTags 7 באוקטובר, antisemitism, Gaza, Israel, Netanyahu, Oct. 7, politics, war, אנטישמיות, ישראל, מלחמה, נתניהו, עזה, פוליטיקה
New bio gives Vrba his due

New bio gives Vrba his due

Rudolf Vrba, left, and author Alan Twigg at the University of British Columbia in 2001. Twigg’s new book on Vrba, Holocaust Hero: The Life & Times of Rudolf Vrba, breaks much new ground. (photo by Beverly Cramp)

Celebrated German factory owner Oskar Schindler is estimated to have saved the lives of about 1,200 Jews during the Holocaust. Carl Lutz, a Swiss vice-consul in Budapest, is credited with organizing protective documents and “safe houses” that helped between 50,000 and 62,000 Jews survive. Raoul Wallenberg, a Swedish envoy in Budapest issued passports and sheltered people in buildings, saving somewhere between 20,000 and more than 30,000 Jews. Chiune Sugihara, a Japanese consul in Kaunas, Lithuania, wrote thousands of transit visas, enabling about 6,000 Jews to escape via the Soviet Union and Japan, some of whom came to Canada and settled in Vancouver.

But few outside certain circles know of Rudolf Vrba. The late University of British Columbia professor of pharmacology escaped from Auschwitz and alerted the world to what was happening there. Estimates of the number of Jews saved by Vrba’s report vary, but a consensus among historians worldwide suggests he helped halt the mass deportation of more than 200,000 of Hungary’s Jews to Auschwitz. The late eminent historian Sir Martin Gilbert said of Vrba: “No other single act in the Second World War saved so many Jews from the fate that Hitler and the SS had determined for them.”

And yet, Vrba’s name remains largely unknown. This is not a coincidence. After the war, especially in Israel, there was a deliberate effort to downplay Vrba’s perspective of events. 

image - Holocaust Hero book coverA new book – the first of a meticulous two-volume assessment of Vrba’s life – has just been released by Vancouver author Alan Twigg. It goes great lengths to broadening awareness of Vrba’s heroism and correcting the many misconceptions around his legacy. In the process, Holocaust Hero: The Life & Times of Rudolf Vrba breaks much new ground. 

Coincidental to the release of this publication, a monument to Vrba’s memory is to be unveiled later this month at Schara Tzedeck Cemetery, righting what many locals see as an unjust historic oversight. 

While Vrba wrote his own memoirs, somewhat incredibly, Twigg’s book is the first real Vrba biography. 

“There’s never been an in-depth biography of Rudolf Vrba,” said Twigg, who deliberately did not replicate the contents of Vrba’s own 1963 book, written with Alan Bestic, titled I Cannot Forgive and re-released in the 1980s as Escape from Auschwitz. “I tried to concentrate on information that was not available anywhere.”

While this first volume is an eye-opener for those who know nothing of Vrba, it contains bombshells and fascinating depth even for those who have read Vrba’s book or who otherwise know something about his story. And Twigg promises more to come in the next volume.

“The really revealing material is going to be in Volume Two,” Twigg told the Independent. “That volume will be almost entirely original material and it will show the evolution of Rudi’s character.”

Those who know of Vrba are aware of his daring escape. But that was, in many ways, the beginning of his historic story. He joined the Partisans and was a decorated war hero. He was an extraordinary intellectual, a difficult personality, had a dark humour many people didn’t understand, and carried anger throughout his life.

“I think it’s so important if you’re writing a biography to get across his character, not just the events of his life,” said Twigg. The participation of Vrba’s widow, Robin, was invaluable and the book includes extended transcriptions of Twigg’s engaging conversations with her.

Rudolf Vrba was originally a false name that came on the forged papers given to Walter Rosenberg soon after he filed his report and then joined the Czechoslovakian resistance after his escape from Auschwitz.

Born in Slovakia, Rosenberg/Vrba was transported to Auschwitz in June 1942. He steadfastly viewed the plunder of Jewish assets – not antisemitism as its own accelerant – as the motive for the Holocaust.

Vrba is said to have had a near-photographic memory, which allowed him to store away data that would change the course of history. It is believed that he greeted almost every train arriving at Auschwitz for 10 months, mentally noting estimated numbers and places of origin.

Eventually, he gained the coveted job of registrar of Birkenau’s quarantine camp, allowing him unusual access to additional information and limited freedom of movement. He learned that plans were afoot to liquidate the last remaining large population of European Jews – the 800,000 in Hungary – whose destruction would be streamlined by the construction of a new rail line to expedite transportation to the crematoria.

Vrba connected with Alfréd Wetzler, another Slovakian Jew who was registrar of the morgue.

On April 7, 1944, Vrba and Wetzler hid in a woodpile, still on the Birkenau site but outside the barbed wire prisoner encampment. Gasoline-soaked tobacco threw search dogs off their scent. They hid there for three days and nights as search parties worked 24/7 to find the escapees. After the intensive search was called off, they made their move.

The pair made an 11-day trek by foot through Poland to the border with Slovakia, where they connected with the Jewish community. 

“Their feet were bloodied and misshapen,” Twigg reports. “A doctor was summoned. The malnourished pair recovered and soon cooperated with Jewish Council officials to produce an anonymous report that would be so detailed and emotionless that it could not not be believed.”

The Vrba-Wetzler Report, as it became known, was the first to have any significant reverberations, apparently because of the mathematical tallies and objective, scientific-like writing. 

With the report, pressure came down on Admiral Miklós Horthy, the Hungarian leader viewed by most as a Nazi collaborationist, to halt the deportations of Hungarian Jews to Auschwitz. By 1944, the tide had begun to turn against the Nazis and so it was not moral considerations, Twigg suggests, that turned Horthy against the deportations, but the fear of war crimes charges after the war. Regardless of Horthy’s motivations, it was this impact of the Vrba-Wetzler Report that is believed to have saved at least 100,000 and as many as 200,000 lives.

The deportations did not end permanently, though. And here Vrba’s history is inescapably tied up with that of another Rudolf – Rudolf (Rezső) Kasztner, one of the most polarizing figures in Holocaust history.

“A controversy persists to this day as to the extent prominent Jewish and Zionist leaders should be held accountable for a myriad of failures to adequately inform Jews about the lethal dangers of boarding the trains,” Twigg writes. “For the rest of his days, Vrba would chiefly lay the blame for the failure to adequately inform approximately 800,000 Jews in Hungary about the Holocaust on Kasztner, the Zionist leader from northern Transylvania.”

Kasztner was the first non-Slovakian official to see the Vrba-Wetzler Report and a harsh dispute rages still around what happened next.

In meetings among the leadership of Hungarian Jewry, it was apparently Kasztner who pressed for an approach in which, rather than alerting the Jewish population, the leadership would keep the information to themselves and negotiate directly with Adolf Eichmann for favourable terms that made it possible for Kasztner and other senior Jewish figures to save themselves and a number of others.

Kasztner (and those sympathetic to his narrative) would have seen some logic in the fact that the Nazi war effort was foundering and the Germans desperately needed goods and money, something Kasztner and his associates believed they could access through Jewish channels internationally. With the Soviets approaching from the east, they may have thought they could buy time and save more than their limited numbers.

Eventually, Kasztner negotiated with Eichmann that a trainload of about 1,684 Jews, many or most of Kasztner’s own choosing, would set off for Switzerland. It is estimated that the passage for each passenger had been “bought” from Eichmann for about $1,000. 

The passengers did not go directly to Switzerland, though, but were rerouted to Bergen-Belsen. Unlike the other Hungarian Jews arriving at the concentration camps, however, these 1,600 or so were kept separate and eventually did make it to Switzerland, in two transports, later in the year.

In the meantime, 400,000 Hungarian Jews were sent to Auschwitz, where almost all of them were murdered. 

The title of Vrba’s book, I Cannot Forgive, is assumed to refer to the Nazis. Twigg, among others, believes it is simultaneously a reference to Kasztner and his coterie of Jewish leaders.

Vrba was openly critical of the Jewish leadership, particularly those in Hungary and especially Kasztner, who by this time had risen to a moderately senior post in the Israeli government, along with other Hungarian Jewish leaders who were senior or mid-level figures in the governing party, Mapai. To some extent, put simply, the Hungarian Jews who had negotiated with Eichmann and who Vrba blamed for preventing his report from saving exponentially more Jewish lives, became integrated into the nascent elite of the new Jewish state. It was decidedly not in their interests to have the provocative professor, now halfway around the world in Vancouver, obtain any wider audience for his book.

Ruth Linn, an Israeli scholar of moral psychology and Holocaust memory at the University of Haifa, has Vancouver connections and stumbled onto Vrba’s story a couple of decades ago. She could not understand why his name was almost completely unknown in Israel. She spearheaded the first publication of the Vrba-Wetzler Report in Hebrew, in 1998, and, in 2004, wrote Escaping Auschwitz: A Culture of Forgetting, which examined why Vrba’s account had been marginalized in Israel and how politics and memory shaped Holocaust historiography.

Capturing the dichotomy of the debate around Kasztner’s role in the Hungarian Holocaust, Twigg juxtaposes two quotes. An Israeli judge, Benjamin Halevi, said of Kasztner, “He didn’t sell his soul to the devil; he was the devil.” Canadian author and publisher Anna Porter, who has written about the subject, said, “If you’re in hell, who do you negotiate with but the devil?”

A 1955 libel trial instigated by Kasztner proved his undoing. Ostensibly a case against Malkiel Gruenwald, who publicized the wartime actions of Kasztner, the trial turned into an examination of the facts of the case. Halevi, the judge who deemed Kasztner the devil himself, ruled that, by saving a chosen few, Kasztner had sacrificed the majority of Hungarian Jews. More than two years later, Israel’s Supreme Court overturned the judgment, but Kasztner did not live to see his legal redemption. He was assassinated outside his home in March 1957.

Twigg came to the Vrba story more by happenstance than design. Twigg edited BC Bookworld, a newspaper about books and authors, for more than three decades. 

“I used to keep track of all the books of British Columbia and I had categories,” he said. He could cross-reference, for example, all books on Japanese-Canadians or forestry. 

Based on this knowledge, in 2022, Twigg wrote Out of Hiding: Holocaust Literature of British Columbia. (See jewishindependent.ca/a-roadmap-to-remembering.) Its largest, though still necessarily brief, section is on Vrba. However, this was inadequate for Twigg, who decided to expand the project – first as a comprehensive website (rudolfvrba.com) – now as this book.

Not directly related to Holocaust Hero but timely, if profoundly overdue, an ad hoc group of friends and admirers of Vrba will erect the world’s only monument to him on Sunday, Oct. 26, beginning with a ceremony in the chapel at Schara Tzedeck Cemetery at 2 p.m. The program will feature reflections on Vrba’s life, legacy and enduring impact from Dr. Robert Krell, Dr. Joseph Ragaz and Prof. Chris Friedrichs, and will conclude with the dedication of the memorial monument. 

Format ImagePosted on October 10, 2025October 8, 2025Author Pat JohnsonCategories BooksTags Alan Twigg, history, Holocaust, Rudolf Vrba, Vrba-Wetzler Report
Joy brighter than ever

Joy brighter than ever

Gila Münster, left, Yan Simon and Sarah Freia bring 8 Gays of Channukah: The Musical to the Chutzpah! Festival Nov. 13. (photo by Jamie Marshalls)

At this year’s Chutzpah! Festival, which runs Nov. 12-23, Jewish drag queen entertainer Gila Münster presents the Western Canadian debut of 8 Gays of Channukah: The Musical.

Calling Chutzpah! “one of the city’s most beloved celebrations of music, theatre and culture,” Münster wrote in a recent Facebook post: “What began in Toronto as the largest annual queer Jewish event in Canada is now coming West, bringing music, comedy and unapologetic queer Jewish joy to the stage.

“And it couldn’t come at a more important time,” she adds. “As antisemitism and anti-LGBTQ backlash continue to rise across North America, spaces that celebrate and centre our communities are not just entertainment – they are acts of resilience, visibility and solidarity. This show is about more than laughter: it’s about lighting the menorah together in defiance of hate and letting our joy shine brighter than ever.”

8 Gays of Channukah takes place Nov. 13, 7:30 p.m., at the Rothstein Theatre. “Eight stories are brought to life by the show’s creators, Gila Münster, Sarah Freia and Yan Simon, who reimagine holiday traditions with camp, sparkle and pride,” reads the Chutzpah! blurb. Local artist Joylyn Secunda opens the event with an excerpt from their show, The Routine, and there is a holiday shuk (market) during intermission and after the performances. People can pick up some gifts – made by local artisans – for the holidays.

First performed in December 2019, 8 Gays of Channukah started out as a variety show, said Münster. Last year, it evolved into a full-length musical created by Münster, Freia and Simon, and directed by Hershel Blatt.

“Now, 8 Gays of Channukah: The Musical is a 90-minute theatrical extravaganza with original songs, storytelling and dazzling costumes by queer Jewish designer Dan Dwir of House of Dwir,” said Münster. “The premise is that the three of us – Yan, Sarah and I – find ourselves on stage without a plan. We decide to share our experiences as queer Jewish people, but, as tensions rise, our bickering begins to twist the message. Over the course of the show, we learn how to coexist despite our differences and discover how much we truly share.

“The stories we tell touch on everything from coming out, to losing a loved one, to first crushes – and, of course, the joys and challenges of being an intersectional minority.”

It was from one of those challenges that 8 Gays of Channukah came into existence.

“In 2019, I was an undergrad at York University, getting ready to perform a drag show for the school’s 2SLGBTQIA+ affinity club,” Münster said. “Two days before the show, I got a voicemail from the club’s coordinator saying the event was canceled and I was banned from the club. The reason? I had mentioned that I was planning to go on Birthright to Israel that summer, and some members said it made them uncomfortable.

“I wasn’t given a chance to explain why that reaction was antisemitic, or even to defend myself. It was devastating. I felt erased – like there was no room for me to be both queer and Jewish.

“But I didn’t want to give up,” she said. “I reached out to Hillel Ontario and started a campus group called Rainbow Jews, a space where queer Jewish students of all stripes could show up fully as themselves. At our very first meeting, people asked me if I could put together a holiday party for queer Jews. That’s when the idea hit me: 8 Gays of Channukah. It started as a scrappy variety show with eight local queer Jewish performers – and now, seven years later, it’s grown into a tradition I’m so proud of.”

Over the years, singers, instrumentalists, comedians, dancers, burlesque and visual artists have participated. “Some highlights include legendary performers like 78-year-old drag queen Fontaine and Jamaican-Jewish comic Tamara Shevon, alongside rising stars such as dancing diva Josie and punk rock princess Alissa Brink,” said Münster. “In recent years, the show has found a kind of ‘core cast.’ Yan Simon – a Russian-Israeli singer-songwriter now based in Ottawa – first performed with us in 2019 and has been part of every show since 2023. Sarah Freia – an actress, singer and poet splitting her time between Toronto and London [England] – also joined, in 2023, and has been with us ever since. Together, we’ve built on the variety show tradition while adding our own creative chemistry into the mix.”

With Münster in Kingston, Ont., Simon in Ottawa and Freia in Toronto and London, the building of the musical required tenacity – hours in transit for in-person rehearsals and hours more in digital meetings, including with director Blatt, who traveled back and forth from New York.

“Because the show is rooted in personal storytelling, we had to really learn how to listen to each other and trust each other’s artistic instincts,” said Münster. “We were also lucky to have amazing rehearsal assistants, Olivia Daniels and Jesse Levy, who helped us shape the movement on stage.

“When we premiered the musical in December 2024, it was both thrilling and terrifying. We’d spent a year and $25,000 developing an entirely new format with all original material and we knew our loyal audience was counting on us to deliver. Of course, there were a few inevitable hiccups, but the energy in the theatre was electric. One moment I’ll never forget was after the show, when the non-Jewish partner of a Jewish audience member told us that, for the first time, he truly understood how antisemitism feels. That conversation reminded me that every person in the audience will connect to the show in their own way – and that’s the real magic of it.”

Münster’s first drag performance was at an event organized by the Centre for Israel and Jewish Affairs for Pride. Called Jew-Paul’s Drag Race, it was hosted by drag legend Divine Darlin’, said Münster.

“I had spent weeks putting together my outfit, inspired by the Wicked Witch of the West. On the day of, it took me three hours to do my makeup, and then my friend Diana drove me to the Drink, where the show was happening. She practically had to drag me up the stairs – I was so nervous.

“The first song I ever performed in drag was Carrie Underwood’s ‘Blown Away’ – a nod to The Wizard of Oz – followed by Netta Barzilai’s ‘Toy,’ which had just won Eurovision 2018. The crowd went wild for that second number, and, in that moment, I realized there might be a space for me to bring my queer, Jewish and Israeli identities together on stage,” said Münster, who ended up winning the competition. 

“From that night on, I was hooked,” she said.

Some JI readers will know Münster from her having been one of JQT Vancouver’s Hanukkah Hotties in 2022. She’s also on JQT’s Wall of Artists.

“I first connected with JQT’s founder and executive director, Carmel Tanaka, about four years ago,” explained Münster. “She found me online, and we bonded quickly over our intersectional identities.

“Looking back at the Hanukkah Hotties video … always makes me laugh,” she said, “because it takes me right back to the era of ‘Zoom drag.’ That meant getting into full glam, setting up lights and lip syncing in my living room – all to a silent, invisible audience on the other side of the screen. It was bizarre, a little lonely, and yet so wonderfully camp at the same time.”

Drag isn’t just an art form for Münster, but her business.

“It’s helped me pay my way through law school and beyond,” she said. “Having signature events that only I can deliver – especially those built around original music that doesn’t exist anywhere else – sets me apart from entertainers who focus mainly on lip syncing to existing tracks.

“Alongside 8 Gays of Channukah, another one of my signature offerings is Drag Queen Story Time. I’m proud to be the only drag performer officially approved as a vendor for the Toronto District School Board.”

Münster is also adept at cross-stitching, and sells her creations and other artwork on Etsy.

“My mom first taught me to cross-stitch when I was a kid, but I really picked it back up during the pandemic lockdowns,” she said, adding that “stitching became both a way to connect with people when we couldn’t leave our homes and a way to pass time that actually felt productive.”

Münster, Freia and Simon are excited to bring 8 Gays of Channukah: The Musical to Vancouver. “More than anything,” said Münster, “we hope the show helps build bridges between queer, Jewish and allied communities – especially in this moment of deep polarization.”

For the full Chutzpah! lineup and tickets to all the shows, go to chutzpahfestival.com or call 604-257-5145. 

Format ImagePosted on October 10, 2025October 8, 2025Author Cynthia RamsayCategories Performing ArtsTags 8 Gays of Channukah, business, Chutzpah!, Gila Münster, LGBTQ+, musicals, Sarah Freia, Yan Simon

When approaches differ

News of a possible breakthrough that could lead to the end of the war between Israel and Hamas is encouraging, but there is effectively no happy ending to this situation. Nothing can return the lives lost or undo the horrors of the past two years. Even if it ends tomorrow, the tragedy of this war will go down as one of the saddest, most protracted chapters in a heartbreaking history.

The international repercussions have been less lethal but will have permanent implications for, among other things, the stability and well-being of Jewish communities in the diaspora. Global antisemitism has reached unimagined heights. And, globally, Jewish people and organizations are at odds over how to proceed.

For many months, voices in Israel, among Jews worldwide and in our own local community have been divided over, among other things, whether Israel should unilaterally end the war, pursue it to the stated end of eliminating Hamas or, depending on the perspective, something on a spectrum between these views. Some are calling for an Israeli or international occupation of Gaza. 

Here in British Columbia, weekly solidarity rallies at Vancouver City Hall have continued, sometimes with small numbers, and featuring a diversity of voices. Other rallies, including marches across the Burrard Street Bridge and, this week, a community commemoration of the second anniversary of 10/7, have brought together overlapping and different participants.

It is sometimes hard for human beings, especially those deeply determined to do the right thing, to accept that there can be legitimate but differing opinions on the best way forward. We should be able to agree on this: no one can predict the future or know for certain what is best for the people of that region (or for Jews worldwide). We may disagree on fundamentals, such as whether a two-state solution remains a viable possibility or whether, at the other end of opinion, the West Bank and Gaza should be absorbed into an enlarged state of Israel (a perspective still generally viewed as extremist), or whether some kind of federated one-state system might integrate both peoples’ needs and futures. If we disagree on the end goal, we will almost certainly find fault with the other side’s means of reaching it.

Stuck as we may be in what seems an ideological, moral, political, strategic and theological disagreement, it is easy to view others, even those in our own community, as adversaries – this certainly is reflected in some of the messages we have received in recent days. On the one hand, we received an open letter to community rabbis ostensibly reminding them what Jewish morality entails, and, on a different hand, we received messages declaiming those in our community who call for a ceasefire as being in cahoots with nefarious groups, including one proscribed by the federal government as a terrorist entity. Both missives encourage community members to call out those who do not agree with their approach.

The passions ignited around this topic are understandable. These are existential issues faced by our people and our homeland. With no universally agreed-upon ends or means, division is inevitable. We should, though, keep in mind that, while it is our obligation to pursue justice, that pursuit includes minimizing harm in our own community. We should be guided by the understanding that our actions will have greater impacts on our people’s well-being here at home than on events halfway around the world. 

While it may be difficult in the moment of discord to see the sincerity and humanity of those we see as our opponents, there is a commonality at play. Believe it or not, the people in our community most vehemently hostile toward your outlook are convinced, as you are, that they are acting in the best interests of the Jewish people, and, in most circumstances, the best interests of our homeland.

Human affairs are an art, not a science. There are – surprise! – no right answers, only opinions and presumptions. As convinced as we may be otherwise, not one of us can conclusively know for certain the best avenue to pursue to bring about the future we dream of. 

At a minimum, let us presume we are all committed to a future of peace, justice and security. What that looks like, and how we get there, will differ.

Let us further presume the best intentions in others and celebrate our shared desire for positive outcomes and the impassioned commitment even of those with whom we disagree. 

Posted on October 10, 2025October 8, 2025Author The Editorial BoardCategories From the JITags community, diversity, hostages, Israel, Israel-Hamas war, peace, politics

New leadership at the JCCV

Following 12 years as president of the Jewish Community Centre of Victoria (JCCV), with many accomplishments to his credit, Larry Gontovnick will hand over the reins of the organization to Deborah Bricks at the JCCV’s annual general meeting in December.

A charitable nonprofit, the JCCV houses a deli, gift shop and library. It is also home to the Jewish Federation of Victoria and Vancouver Island, PJ Library, Jewish Family Services and Kolot Mayim Reform Temple. Additionally, it provides a location for Bema Productions, the Victoria Jewish theatre, to hold its auditions and rehearsals, and it hosts other Jewish organizations, such as Hadassah-WIZO and Camp Miriam, for meetings and events. Among the activities the JCCV organizes are webinars with guest speakers, a virtual Jewish conversation café, drop-in mahjong, a book club and Israeli dance.

photo - After 12 years at the helm of the Victoria Jewish Community Centre, Larry Gontovnick is handing over the reins to Deborah Bricks
After 12 years at the helm of the Victoria Jewish Community Centre, Larry Gontovnick is handing over the reins to Deborah Bricks. (photo from Larry Gontovnick)

Gontovnick, by far the longest-serving president of the JCCV since its founding in 1989, oversaw the raising of grant monies to renovate the centre’s kitchen, revitalize the interior and exterior of the building, enhance its security system and improve its audio-visual system.

The technical side of operations witnessed the redesign of the JCCV website, which now offers an online calendar and a PayPal option for donations and membership dues. A newsletter was implemented for communications with members and friends, and a payment device was installed at the centre for purchases.

“I am most proud of maintaining the warm, friendly and welcoming environment of the deli and centre, and maintaining this important facility for the Jewish community in Victoria,” Gontovnick told the Independent about his time running the JCCV. “I am very thankful for the wonderful staff and volunteers at the centre and the board members, who have all been a great pleasure to work with.

“I will now turn my attention to three beautiful grandchildren and being the best zayde I can be. My wife and I will continue our travels, as well as thoroughly enjoy living in one of the most beautiful places on earth.”

A notable and ongoing program started under Gontovnick’s leadership is the Victoria International Jewish Film Festival (VIJFF), now in its 11th year.  Bricks is the current director of the VIJFF.

“I am so pleased that Deborah, a current board member and director of the VIJFF, will be standing for president at the upcoming AGM,” said Gontovnick, who believes the energy and enthusiasm he brought to the centre will be furthered by his successor.  

An event planner with deep roots in Jewish culture and community, Bricks has been designing and orchestrating arts and culture events – music, cinema and literature – through Deborah B Event Management, both in Toronto and, for the past 10 years, in Victoria. She holds a bachelor’s degree from the University of Toronto in religious and cinema studies and a master’s in media and communications from the New School for Social Research in New York.

“The JCCV president role – a combination of strategic direction, community building and operational oversight – is especially important now,” Bricks said. “JCCV provides a home, a makom [place], for programs, services and events important to communities of Canadian Jews and our culture, such as the Lox, Stock & Bagel Deli, loved by community.

“And there are untapped directions for new, meaningful programs, services and events that build community among Jews in Victoria, seniors and families alike, and with our neighbours in Canada.”

As part of her community-building goals, Bricks is already engaging younger Victoria-area Jews from her own network to join the JCCV and its board, as well as older community members, who may enjoy the experience of Jewish community via the JCCV.

Part of her vision as president, Bricks said, is to direct a new strategic plan for the JCCV that eventually transforms it (i.e., its constitution) into a Jewish community arts and culture centre. As a formal arts organization, the centre could access more local, provincial, federal and other grants.

photo - Deborah Bricks will be both president of the JCCV and director of the Victoria International Jewish Film Festival
Deborah Bricks will be both president of the JCCV and director of the Victoria International Jewish Film Festival. (photo from Deborah Bricks)

Bricks told the Independent that she sees the JCCV “serving up something Jewish-ish for everyone.”

While president, Bricks will continue as director of VIJFF, leading its planning, film curation and event strategy.

“As Victoria’s only Jewish cultural festival, we try to spotlight Canadian-Jewish filmmaking and filmmakers,” Bricks said. “This year, we have three films by Canadians, ranging from stories about a Franco-Moroccan mother and son, about Yiddish in Sweden, and about the early Jewish immigrant experience in Montreal.” 

Also playing will be Sabbath Queen, which follows the story of Rabbi Amichai Lau-Lavie, the heir of 38 generations of Orthodox rabbis who became a drag queen and the founder of Lab/Shul, an experimental “God-optional” congregation based in New York. It will be followed by a discussion with filmmaker Sandi DuBowski (via Zoom) and Victoria drag king Dublin Tendre.

This year’s festival runs Oct. 18-23 and features seven film events at the Vic Theatre. For more information, visit vijff.ca. 

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Posted on October 10, 2025October 8, 2025Author Sam MargolisCategories LocalTags arts, community, culture, Deborah Bricks, JCCV, Larry Gontovnick, movies, Victoria, Victoria International Jewish Film Festival, VIJFF

Find the funny in you

In Irwin Levin’s upcoming Jewish Humour Playshop, participants will discover and/or build upon their own creativity and sense of humour through improv games, written and spoken exercises.

With a background in stand-up comedy and improvisation, Levin is a man with a message: “Everyone is funny!” He encourages community members (18+) to join in his three-hour “playshop” at the Jewish Community Centre of Greater Vancouver on Oct. 19, starting at 10:15 a.m.

“Come as you are, ready to play and have some laughs!” he told the Independent, adding, “I’m looking forward to teaching fellow members of the tribe at this unique event, where we can let loose and be the funny people we know we are.”

Featured exercises will include Wisdom from Chelm, Mensch on the Bench, and Jokes from Jewish Entertainers.

photo - Irwin Levin encourages community members to join his Oct. 19 improv playshop at the Jewish Community Centre of Greater Vancouver
Irwin Levin encourages community members to join his Oct. 19 improv playshop at the Jewish Community Centre of Greater Vancouver. “Come as you are, ready to play and have some laughs!” he said. (photo from Irwin Levin)

Levin has had what he calls “a wicked sense of humour” since childhood.

“Being funny is very important to me,” he said. ”I hated school because of problems with focus, and I didn’t bond well with other kids. My solace was making kids, teachers and others laugh, but, most importantly, I made myself laugh – like when I was 17 and accidentally reversed my dad’s car instead of going forwards, thus making a hole in the side of the garage and then crashing through the back onto our back lawn. After being very upset, I had the thought that we have the only three-door garage on the block – that made me laugh and helped me a lot. 

“The point is, sometimes it helps to look at the funny side of life. Laughter is very healthy and sometimes necessary, especially in a stressful world. That doesn’t mean you shouldn’t take life seriously, but it’s always nice to find someone to laugh with or on your own.”

Over the last five years, Levin has taken improv classes from David C. Jones, stand-up comedy classes with David Granirer and sketch comedy classes at Blind Tiger Comedy. He has performed at China Cloud Studios in Vancouver and is currently teaching a three-month improv series at Carousel Theatre with his wife, Cass Freeman.

“I started taking stand-up courses before improv, to see if that was something I wanted to do for a living. Around that time, I started dating Cass and she was into improv and got me interested. This was in the mid-’90s,” Levin said.

“Improv can relieve stress, reduce stage fright and improve self-esteem,” Freeman told the Independent in an interview a few years ago about the theatrical form. (See jewishindependent.ca/many-reasons-to-learn-improv.)  “Improv games encourage creativity, quick thinking and communication skills, and are a great tool for breaking the ice, having fun and building team spirit,” she said.

“When taking classes, improv is mostly playing games and doing short scenes,” Levin explained about what people can expect at his upcoming playshop. “There are no mistakes in improv! In improv, you aren’t trying to say funny things – you say things funny. The comedy just comes organically in a scene.

“The games in my playshop will be low pressure, because a lot of the exercises will be written, so that participants can take their time with coming up with answers and read out in a circle. Also, they don’t have to participate in any game that they won’t be comfortable playing.”

The cost to attend Levin’s Jewish Humour Playshop is $30 or pay what you can. People can register by texting Levin at 778-862-4638. 

Posted on October 10, 2025October 8, 2025Author Cynthia RamsayCategories UncategorizedTags humour, improv, Irwin Levin, Jewish Humour Playshop, workshops

Human rights in sports

The seventh annual Simces & Rabkin Family Dialogue on Human Rights, organized by the Canadian Museum for Human Rights, Vancouverites Zena Simces and Dr. Simon Rabkin, and Equitas-International Centre for Human Rights Education, takes place Oct. 23, at noon, via Zoom. It tackles the topic of The Match-up Between Human Rights and Sports: How Both Can Win Well in Today’s Landscape.

According to the Office of the High Commissioner for Human Rights, “sport is anchored in human rights values. It promotes fairness, non-discrimination, respect and equal opportunities for all. As it reaches billions, including young people, it is a conduit for societal change through empowerment and inclusion.” Despite being anchored in human rights values, sport also faces human rights-related challenges through various forms of discrimination be it sexism, racism, ableism, classism or others. The Oct. 23 dialogue will explore the benefits of sport as a force for good in upholding human rights, the challenges currently faced by the Canadian sport system, and pathways to strengthen the balance between sports and human rights so that both win by promoting well-being for all.

The expert panelists featured will be Bryan Heal, Jeff Adams and Armeen Kadwa. Attendees will have the opportunity to ask questions and share comments.

Heal is social impact research lead with Maple Leaf Sports & Entertainment (MLSE), heading such initiatives as the MLSE Foundation’s Change the Game research program for youth in Ontario. 

Adams, a labour, employment and human rights lawyer, is a Canada’s Sports Hall of Fame inductee. He won three gold medals in the Paralympics: twice in the 800-metre (1996 and 2000) and once in the 1,500-metre (2000) wheelchair racing events. 

Kadwa is founder and executive director of the nonprofit Hijabi Ballers, which is dedicated to creating positive sport experiences for Muslim girls and women. 

The panel will be moderated by Wendy MacGregor, a consultant, educator and lawyer, and founder and executive director of Athlete Zone. She has a master’s in law on abuse and maltreatment of athletes. Her published work focuses on the root causes of sport violence, maltreatment prevention, power imbalance and wellness in sport.

To register for the free public event, go to humanrights.ca/event/matchup-between-human-rights-and-sports. 

– Courtesy Simces & Rabkin Family Dialogue on Human Rights

Posted on October 10, 2025October 8, 2025Author Simces & Rabkin Family Dialogue on Human RightsCategories NationalTags Armeen Kadwa, Bryan Heal, education, human rights, Jeff Adams, sports, webinars, Wendy MacGregor

Granirer returns to Carnegie

From Oct.31 to Nov. 8, the Heart of the City Festival features more than 100 events – music, stories, poetry, theatre, ceremony, film, dance, readings, workshops, discussions, art talks, history walks and more – all rooted in Vancouver’s Downtown Eastside (DTES). Among the performers is award-winning counselor and stand-up comic David Granirer, founder of Stand Up for Mental Health, which teaches stand-up comedy to people with mental illness as a way of building confidence and fighting stigma. 

photo - Counselor and stand-up comic David Granirer will perform, with other comedians from Stand Up for Mental Health, on Nov. 5, as part of the Dowtown Eastside Heart of the City Festival
Counselor and stand-up comic David Granirer will perform, with other comedians from Stand Up for Mental Health, on Nov. 5, as part of the Dowtown Eastside Heart of the City Festival. (photo from Heart of the City Festival)

On Nov. 5, 4 p.m., at Carnegie Community Centre’s theatre, Granirer, with comedians from Stand Up for Mental Health, will look at the lighter side of taking meds, seeing counselors, getting diagnosed and surviving the mental health system.

The festival kicks off on Oct. 31 at Carnegie’s theatre with a Halloween event. Dress in costume, walk the red carpet, enter the costume contest to win a prize, and gear up for disco-ball dancing with DJ Maxi and crew spinning tunes. Hosted by Lance Lim of the Pigeon Den Art Collective, there will be masquerade magic and community fun for friends and families alike, refreshments provided.

Some other highlights in the upcoming festival are:

• Gerardo Avila’s theatrical performance Spirit Encounters celebrates Día de Muertos and features shadow puppetry, comedy, flamenco and Mexican dancing and music.

• Indigenous Cultural Exhibition with dancing, drumming and community, featuring Two-Spirit grass dancer Larissa Healey and Powwow dancer Pavel Desjarlais.

• Finding My Own Voice, a new folk opera work-in-progress presentation by Beverly Dobrinsky.

• Theatre in the Raw presents staged readings of two award-winning plays from their Biennial One-Act Playwriting Contest.

For more about this year’s festival, visit heartofthecityfestival.com. 

– Courtesy Heart of the City Festival

Posted on October 10, 2025October 8, 2025Author Heart of the City FestivalCategories Performing ArtsTags comedy, David Granirer, festivals, Heart of the City, Stand Up for Mental Health, stand-up
A last solidarity cycle

A last solidarity cycle

The inaugural Solidarity Cycle, in 2017. (photo by P. Simson)

We didn’t ride 100 kilometres, or even quite 50. It was a glorious symbolic ride in celebration of the many years of Solidarity Cycle, a much-beloved event that has seen dozens of cyclists and hundreds of supporters unite bike and heart to raise more than $400,000 for the Stephen Lewis Foundation Grandmothers to Grandmothers Campaign.

Even though Solidarity Cycle has pushed its last pedal – the event having been canceled this year – three members of Tikun Olam Gogos, who rode in the inaugural event back in 2017 and have served in numerous capacities every year since, just couldn’t let go.

Monday, Sept. 8 was a perfect day as Marie Henry, Darcy Billinkoff and I set out: not a drop of rain, not a wisp of smoke, just sunny skies with occasional clouds and a light breeze.

Nothing could keep us down, not Darcy’s fractured ribs, Marie’s stress injuries or my right hip, waitlisted for replacement. Could this “Wride of the Wrecked” be a clue to Solidarity Cycle’s demise?

There were more portents to come, but first it was time to ride.

Many features of our route to Westham Island came with joyful reminders of the previous cycles: cornfields reminiscent of the years of Chilliwack corn and chili celebration dinners, acres of sunflowers like those popping the Pemberton Valley ride the year of pandemic and big smoke, and kilometres of dike trails like those we traveled in Pitt Meadows. The one-lane, wood-deck river crossing onto the island was a refreshing antidote to that !@#$%!!! (oops, I mean challenging-but-fun) Golden Ears Bridge.

We reached our designated turn-around point, the Reifel Bird Sanctuary, to find the birds behind locked gates.

Even more dismaying, Emma Lea’s dairy bar was shut tight. NO ICE CREAM?! Clearly, the closed signs said it was time to wave a regretful goodbye to the ride that has fueled our summers and our love for the grannies these past eight years.

But, still, we weren’t quite done.

We topped off our ride with Heineken and lunch on the deck of the Riverhouse Restaurant and Pub, an indulgent reminder of many post-cycle beer and burger banquets. We always suspected we consumed more calories than we burned.

In the absence of a formal event this year, I did not solicit sponsorships. However, I set up a fundraising page to show my appreciation for the many people who have supported Solidarity Cycle over the years. Please do visit the page because there is a message there for you: slf.akaraisin.com/ui/grandmotherscampaign2025/p/BarbaraHalparin.

Without the yearly opportunity Solidarity Cycle has afforded you, I urge you not to forget the grandmothers and grand-others aiming to alleviate the scourge of HIV/AIDS that continues to significantly impact Africa. Here are some other ways you can continue your steadfast support for them, now that crucial international aid has been withdrawn. 

First, attend Tikun Olam Gogos’ other fundraising events. Second, be on the lookout for another in our fabulous concert series in the near future. Third, buy our merch! We sell our signature tote bags, pouches and other items, including our special edition O Canada line, at Fancy This Gifts (5044 48 Ave., in Ladner), by appointment at Joyce Cherry’s home boutique (604-261-5454) and on our website, tikunolamgogos.org.

You can also find our goods at several upcoming craft fairs: St. Thomas Aquinas Secondary School (Nov. 2); Dunbar Community Centre, St. Faith’s Church and St. Thomas More Collegiate (all Nov. 22); St. James Community Square (Nov. 30); and Kensington Community Centre (Nov. 30).

And, please – share your fundraising brainwaves with us because, of course, we are looking for a successor to Solidarity Cycle! 

Format ImagePosted on October 10, 2025October 8, 2025Author Barbara HalparinCategories LocalTags cycling, fundraising, Grandmothers to Grandmothers campaign, HIV/AIDS, philanthropy, Solidarity Cycle, Tikun Olam Gogos

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