Cynthia Ramsay – Page 66

B.C. mission to Israel

B.C. Finance Minister Michael de Jong speaks at the Canadian reception in Tel Aviv, kicking off the Nov. 13-17 trade mission to Israel. (photo from flickr.com/photos/bcgovphotos)

In November, B.C. Minister of Finance and House Leader Michael de Jong led a provincial trade mission to Israel. The invitation to delegates was sent by the minister and Dr. Moira Stilwell, MLA for Vancouver-Langara.

“A lot of the impetus for this [mission] derived from the tech sector, the health sciences sector, the cybersecurity sector itself here in B.C., who said, look, we are seeing increasing opportunities and we’d like to explore those further, is the government prepared to work with us?” de Jong told the Independent in a phone interview. “And that led to a conversation between myself and Moira – of course, she has been, for many years, a big proponent of growing the bilateral relationship – and, out of that emerged this formal trade delegation.”

It was de Jong’s second mission to Israel. His first was about five years ago, during his tenure as the province’s minister of health.

“The role the government and a minister can play is to help facilitate partnerships and contacts between people, and this particular group had done a lot of that work themselves,” he said. “So, for example, the Rick Hansen Institute had already created the beginnings of a partnership with Hadassah [Medical Centre] and we saw that go to the next level in terms of formalization. We went out to Technion University, which is this world-leading institute – in their hallway, they feature Nobel laureates the way other institutions feature alumni – it’s quite remarkable…. [On] the cybersecurity side, some of the folks who were with us are even now actively pursuing with colleagues in Israel opportunities for exchange and for trade and, ultimately, that’s what this is all about.”

photo - Finance Minister Michael de Jong at Yad Vashem during the November B.C. trade mission to Israel — Finance Minister Michael de Jong at Yad Vashem during the November B.C. trade mission to Israel. (photo by Yuval Yosef)

Delegates on the Nov. 13-17 mission traveled to Tel Aviv, Jerusalem, Beersheva, Haifa and the West Bank to meet with various government, university and other stakeholders. Among those accompanying de Jong was Nico Slobinsky, director of the Centre for Israel and Jewish Affairs, Pacific Region. CIJA hosted an optional tour and Shabbat dinner on Nov. 18 for delegates who stayed after the mission was officially over, Slobinsky told the Independent.

“CIJA was delighted by the Government of British Columbia’s initiative to lead a trade delegation to Israel composed of B.C. entrepreneurs and professionals involved in life sciences and cybersecurity,” he said. “This mission assisted in cementing existing relationships, creating new partnerships and promoting opportunities in the province by deepening the economic, cultural and academic ties between Israel and B.C.”

One of those ties was with the Centre for Health Evaluation and Outcome Sciences (CHÉOS), a centre of the Providence Health Care Research Institute and the University of British Columbia faculty of medicine.

“Israel is viewed as a world exemplar in science, technology and commercialization – a place where we can learn, but also can share best practices from B.C.,” said Prof. Robert Sindelar, who, among other things, serves as an advisor to CHÉOS. He added, “Having participated in valuable and hugely beneficial B.C. trade missions previously to China and India, I said yes immediately when I had received the invitation to consider participating in a B.C. trade mission to Israel from the B.C. Ministry of International Trade.”

About the November trip, he said, “From our very first meeting in Israel to the very last meeting, I was continually impressed by our Israel hosts’ efforts to: 1) openly and candidly share valuable insight and details of their successes and endeavors with our delegation, and 2) the immediate connection in person or via email within 24 hours of an event to further explore potential opportunities and collaborations. Thus, we are already working together on several possible collaborations between Israel and B.C.”

Being a multidisciplinary health research centre, CHÉOS looks “to partner and collaborate with synergistic and like organizations researching at the cutting-edge of health and wellness,” said Sindelar. “Thus, true partnerships and collaborations with the best health-outcomes organizations in the world – sharing knowledge, skills and new methodologies – is a continuing goal for us. Each and every life-science event planned for the B.C. trade mission to Israel provided an opportunity and unique ideas for possible collaborations for CHÉOS health scientists and clinicians at a world-class level.”

Of course, the relationship with Israel extends beyond British Columbia to all of Canada.

“There is this very strong political and cultural tie,” said de Jong. “I think we still underachieve with respect to trade. I think there is genuine room for growth on the trade front. There are some emerging opportunities, as Israel begins to explore offshore energy potential.”

As well, “we have room to learn from the ‘start-up nation,’” said de Jong. “You go down to Beersheva, for example, and see how they have managed to create a technology hub in concert with the university there and the community there, and you see elements of that beginning to develop in British Columbia, in the Lower Mainland, in Victoria, but there are some real lessons to be learned.

“Frequently, the conversations began with the Israeli representatives reminding us of the unique challenges that they face and how innovation is borne out of necessity – smaller population base, smaller country, neighbors that aren’t always particularly friendly and, in some cases, are downright hostile, and, out of that, out of necessity, innovation has emerged. At one point, I replied to a group, acknowledged that and said I want you to think about another form of necessity. Imagine four-and-a-half million people in an area the size of Europe … well, that’s our circumstance. That breeds a different kind of innovation … 35 million people in a country that’s the second-largest country in the world. And so, we have to innovate in order to achieve a standard of living that is amongst the highest in the world, with vast distances and a very small population base, and we may have something to teach you about that. Different circumstances, both have required a degree of unique innovation, and two countries that have performed remarkably well economically.”

The cost of the trip, which included travel to Israel and England for the minister and his chief of staff, came in slightly below the ministry’s $25,000 estimate, said de Jong.

“It costs money,” he said. “You go to these hotels and, if you can find one that’s below $300 a night, you’re lucky. It’s not cheap.”

But, he explained, “It’s well spent if it facilitates business and trade. If it doesn’t, then it is not a sound investment. We try to track the trade stats and the partners that came with us and do the follow-up.”

Regarding that follow-up, he said, “Well, the trade ministry, who were also represented on the trip, will be following up with the members of the delegation; in some cases, providing additional information to folks we met in Israel. In a couple of cases, there are groups there who have indicated a desire to come here to follow-up. The ultimate test of success is the degree to which investment flows out of Israel into British Columbia and out of B.C. into Israel, and we see increased levels of commerce and trade in goods and services. We can dress it up any way we want, but that’s the measure of success. If, a year or two from now, our trade levels remain the same, then it hasn’t been a success.”

To those who support the boycott, divestment and sanction movement, de Jong said, “I disagree with the approach. I see benefits for British Columbia in developing and enhancing the trade relationship, benefits for Canada; I see benefits for Israel, I see benefits for the region. I met with the finance minister for the Palestinian Authority, went into Ramallah, had a conversation, obviously got a perspective on some of the economic challenges that they are facing. I had met earlier that day or the day previous with the Israeli health minister. There is a vexing challenge there, and I’m not going to pretend to have the recipe for resolution, but I do know that Canada and Canadians are well-regarded within Israel and, my impression was, amongst the Palestinian officials. To the extent that we can encourage or influence the prospect of negotiations and resolution, so much the better.”

After the mission to Israel, de Jong stopped in London, where British Columbia was honored by the London Stock Exchange for innovation in financial capital markets.

“As finance minister over the last five years, there’s a bit of a pattern,” said de Jong of his international travel in general. “After the budget, I’ll usually do a tour involving the North American markets, so Toronto, Montreal, New York, Boston, Chicago, that sort of triangle, if you will. We also have a lot of investors in Europe, so every second year, there will be a European show.

“As forestry minister, those were the years we were opening up the China market and were very active there, happily. It’s paying dividends now. And, more recently, we were the first government anywhere in the world to issue what are called ‘dim sum and panda bonds,’ one is offshore, one is onshore, Chinese currency bonds.

“Earlier, I mean just before I was in Israel, I was in India. We were the first government anywhere in the world to issue what are called ‘masala bonds,’ rupee-denominated bonds. We’re able to do these things because we’re triple-A … so we can go where no one has gone before … and break new ground. On the way back from Israel, I stopped in London, and the reason the stock exchange wanted to honor British Columbia was for creating an entire new trade through this masala bond. We issue it out of London and now, of course, others are following.”

According to Jewish Federation of Greater Vancouver chief executive officer Ezra Shanken, in his Nov. 18 e-newsletter, other local Jewish community members who joined the B.C.-Israel mission were Candace Kwinter, who is on Federation’s Israel and overseas affairs committee and CIJA-PR’s Local Partnership Council; Paul Goldman, who is CIJA’s immediate past chair; and Eli Mann, chief executive officer of Shield4UC, who also serves on Federation’s community security advisory committee.

Laughter a vital salve

“It’s that time of year, when you are wondering what to get your husband, father, uncle, friend, or any other smooth dude in your life … so why not get them that greatest of all gifts: laughter. And what’s funnier than prostate cancer? After all, it’s basically pee, poo and (no) boners, what’s not to like?”

So reads the Nov. 30 post on the Facebook page of Finger Up the Bum: A Guide to My Prostate Cancer by Michael Hart Izen (Leola Productions, 2016), which features illustrations by Izen’s brother, Jon Izen, as well as some by his father, J. Roy “Sneeze” Izen. These cartoons are on the edgy side, and might offend some people, but the humor is vital, not just for the book, but for Izen, his family, his friends – for survival. The ability to see humor in even the grimmest of situations is something to be valued.

This is one of the many takeaways from the book. Another, which appears most succinctly at the end of a short promotional video on Facebook, is “Finger up the bum … get ’er done!” In other words, men should buck up, go to the doctor and get a prostate exam.

Izen had none of the risk factors for prostate cancer. He had symptoms about which he was worried – he had to pee more often, he had some “softwood lumber issues.” After much poking, prodding and testing, trying various treatments for what might be wrong, he finally found out he had prostate cancer. He was 45. He was told, “With the removal of the prostate and hormone therapy to follow, people in your condition have a 60% survival rate in the next five years.”

After surgery, hormone therapy, radiation and all the side effects – about which Izen is candid – just when his body seemed to start functioning again, at age 49, he found out the cancer had spread. “Sure, there is always hope for some new medication or another, but the cancer is in my liver, so the best they can do is delay the inevitable,” he writes. “There is no cure. At least I am not yet at the stage where they are offering to make me comfortable.

“So now I’ve signed up for a few clinical trials and, luckily, the first of the new meds seems to be working. Hopefully, this buys me some more time, because I’m not ready to go.”

The book is dedicated to the Vancouver Prostate Centre and B.C. Cancer Agency who are trying to keep him alive, but the main dedication is to his wife, Gina Leola Woolsey. And, of course, Izen is not only thankful for her helping him shape his “ragtag ramblings … into the almost Shakespearean tale” that is Finger Up the Bum, or that “she did the research to recommend Page Two Strategies, Kickstarter and other key people on this project.” (The Kickstarter campaign raised more than its $25,000 goal to cover publishing and related costs.)

“When I was having my initial troubles,” he writes, “it was Gina who kept sending me back to the doctors to get answers. When I was not always completely forthright with my doctors, it was Gina who made me tell them everything. When my doctors were content to just pass things off as one of those things, it was Gina who made us all reconsider our next course of action. When I came home from the hospital after surgery, it was Gina who nursed me back to health with good food and great care.”

Izen thanks his brother, parents and daughter (who also helped on the book project) and many others. This might be the less obvious takeaway from this book: the importance of the people in your life, and being grateful for them. In contemplating what lies ahead, Izen says he doesn’t need “a greatest regrets tour” – “I’m not looking for more time to rewrite my life; I only want more of what I already have.”

Finger Up the Bum is available from amazon.ca, chapters.indigo.ca, smashwords.com and barnesandnoble.com, or directly from Izen, [email protected].

Exploring power of women

Expectations – our own and others’ – can motivate us or constrain us. Two recently published novels feature strong (Jewish) women who must fight for their independence, battling not only parental, societal and other judgments, but their own self-conceptions. One book takes readers to the wilds of Arizona more than a century ago, the other takes us to a contemporary world of privilege in Boston. Both are internal, as much as they are external, journeys, and both are journeys worth taking.

The Last Woman Standing: A Novel by Thelma Adams (Lake Union Publishing, 2016) is a fictional account of how Josephine Marcus met and fell in love with Wyatt Earp (and he with her). While the real-life Josephine apparently tried very hard to keep her and Wyatt’s private life private, Adams has mined what information exists and creatively filled in the blanks for the beginning, in 1880-1881, of their infamous romance.

Josephine defied all expectations when she ran away from home as a young teen in the 1870s and, though she returned, she didn’t do so for long. She left home again in 1880, at age 19, with a promise of marriage from Johnny Behan, a man she met on her first foray into the Wild West from the relative safety and security of San Francisco.

The daughter of Prussian Jewish immigrants who eked out a living on her father’s income as a baker, Josephine cannot bear to be contained by the strictures of society, her religion and her mother, whose story of coming to America is truly tragic. “I loved my mother but wouldn’t follow her down her path of righteousness and sorrow,” says Josephine in The Last Woman Standing. “We lived in a new world. She dwelled among old dybbuks.”

While the spirits of the dead might have haunted her mother, Josephine learned how brutal the living world could be when she arrived in Tombstone, Ariz. A shonda (shame) to her family – though her father and three siblings are portrayed as more understanding than her mother – Josephine becomes a shame to herself.

Johnny doesn’t follow through on his promises; in fact, he’s a cad who cheats and lies to get his way, including betraying Wyatt in order to become sheriff of the county. The position came with power, and money, but Johnny also knew of Josephine and Wyatt’s attraction to each other, so revenge was also a motivation. As well, Wyatt was a marshal – a position that deals with federal issues – and there was still unrest stemming from the Civil War. Johnny was friendly with the cowboy crowd, which generally voted Democrat and were sympathetic to the Confederates, if not Confederate veterans themselves, while Wyatt and his brothers were Republicans. These political differences no doubt played a part in the men’s animosity for each other.

Josephine eventually leaves Johnny, after one particularly harrowing experience in which he places her as a bet in cards and loses, and another in which she catches him mid-dalliance. On her own, she finally starts to understand a woman’s terrifyingly narrow set of survival choices – not that men were much more secure at that time and in that place. Wyatt must also fend for his life, and not just at the shoot-out at OK Corral.

All told, The Last Woman Standing is a fascinating tale, a western from a woman’s perspective, though it does drag a bit in places. It takes a long time in the narrative for Josephine and Wyatt to finally get together and they aren’t together for that long before Wyatt is a wanted man and must fight for his life. There’s a little too much of Josephine’s pining in the sections in which the lovers are separated, but, otherwise, this is a great read.

* * *

Good Girls by Shalta Dicaire Fardin and Sarah Sahagian (Inanna Publications and Education, 2016) is a young adult novel that not-so-young adults – women mainly – will also enjoy very much.

When we meet Octavia Irving, 15, she’s in the middle of hosting the party of her life at her family’s summer home. And she’s loving it, until her 19-year-old boyfriend leaves early with a bunch of his friends. Fortunately for her, as it turns out, one of those friends vandalizes a neighboring home.

book cover - Good Girls — Good Girls book cover

Octavia’s father gets the news during the bar mitzvah of his wife’s nephew. We find out that this is his second marriage and that he had walked out on Octavia’s mother during her pregnancy, “because his parents found her bohemian nature objectionable.” We also find out that he has issues with “her lax parenting style.”

So, while Octavia may come from a family with money to spare, the family dynamic is complex. As well, the expectations her parents have of her, and that she has of herself, are low. However, when Octavia tells her father the name of the culprit, and he calls her mother, she knows things are about to seriously change – “No matter how badly she misbehaved, her parents had never teamed up against her before.”

Allie Denning, on the other hand, is one of the “good girls.” She loves being a student at Anne Bradstreet College, an all-girls prep school in Boston. She follows the rules to the letter and is totally focused on doing the best she can. But, no matter what she does, because it comes from a place of privilege, it doesn’t seem good enough for her mother, the daughter of immigrants, who grew up in poverty but managed to get a scholarship to Columbia then go on to graduate with a PhD from Harvard. Allie’s father also went to Harvard and her great-grandfather was a president of the university, so expectations all round are that Allie will continue the legacy.

Again, a complex family dynamic. But one with which Allie more or less knows how to deal. As long as school is good, life is good. And that’s how Octavia throws a wrench into Allie’s world; she’s the bad girl who has been banished to the all-girls school, and she has the attitude to prove it.

One of Allie’s main sources of pride is being “the first 10th grader in ABC history to make captain of the debate team.” When Octavia tries out for the team at the behest of the school’s new guidance counselor, and makes it – showing a natural talent for debating – both Allie and Octavia must adjust. And, as the team gears up for a big competition, the girls must decide the person they want to be, whether or not that person meets their, or anyone else’s, expectations. The tension leading up to the debate is palpable and the reading compelling.

The cast of characters in Good Girls is diverse, and Allie and Octavia are not the only ones facing challenges and trying to figure out who they are. We meet fellow students and get to know the guidance counselor and other teachers, as well. The storyline doesn’t always go in the direction one expects, which is a great attribute for a novel. And, since it is a novel that is intended to be part of a series that will follow Allie, Octavia et al through their time at ABC, not everything gets resolved in this first instalment.

One of Inanna Publications’ priorities is “to publish literary books, in particular by fresh, new Canadian voices, that are intellectually rigorous, speak to women’s hearts, and tell truths about the lives of the broad diversity of women – smart books for people who want to read and think about real women’s lives.” With Good Girls, they have done just that.

Museum launches Oakridge

Cambie Street, looking south from 41st Avenue, 1952. (photo from City of Vancouver Archives via jewishmuseum.ca/oakridge)

On Nov. 23, the Jewish Museum and Archives of British Columbia had both its annual general meeting and launched its newest online exhibit, Oakridge.

JMABC board president Perry Seidelman called the AGM to order and noted a major absence.

“Forty-five years ago,” he said, “Cyril Leonoff became our founding president and was at our side throughout all of those years. However, sadly, this ongoing support ended this year with Cyril’s passing. There is so much that can be said about Cyril but tonight I will only say that he has been and will continue to be missed. It goes without saying that we would probably not be here tonight if it was not for Cyril Leonoff.”

Seidelman then went on to list some of the year’s accomplishments, including ongoing speaking engagements and historical tours, as well as the recording of 35 new oral history interviews and the digitization of “various family fonds, the Mountain View Cemetery Restoration Committee fonds and the Temple Sholom fonds.”

He noted that the digitization of “the oldest books from Congregation Emanu-El (1861 through 1901 approximately)” was complete and they will be online soon, that several online exhibits had been mounted during the year, and that the museum’s “largest collection by far, the Canadian Jewish Congress, Pacific Region, fonds, has begun to be processed, with immense research potential.”

The museum handled hundreds of research requests, he said, and “received donations ranging from fiction manuscripts to synagogue records to WWII records.”

Seidelman noted that longstanding JMABC member (and a past president) Bill Gruenthal was recognized by “Jewish Seniors Alliance for years of extraordinary volunteer work” and that archivist Alysa Routtenberg had “recently completed her first year as archivist as Jennifer Yuhasz’s successor. It has proven to be a nearly seamless transition with a continuing and increasing inflow of documents and interviews and regular transmission of the vast history of which we are guardians.”

He thanked JMABC administrator Marcy Babins, JMABC coordinator of programs and development Michael Schwartz, Shirley Barnett for her leadership in the restoration of the Jewish section of Mountain View Cemetery, Cynthia Ramsay for editing the JMABC’s annual journal, The Scribe, and donors and funders, including the Jewish Federation of Greater Vancouver. He bid farewell to three members of the board – Barnett, Chris Friedrichs and Barbara Pelman – and welcomed four new members: David Bogoch, Alan Farber, Alex Farber and Carol Herbert.

After the AGM was the Oakridge launch.

“With this exhibit,” said Schwartz, “we set out to document an important period in our community history; a moment when a population boom coincided with financial stability and postwar optimism to cause our community to grow both in size and stability in a way rarely seen before or since. This era set a new foundation for our community that we have built upon and relied upon ever since.

“This exhibit places this period in context with events happening both before and since. It asks why and how many Jewish families and institutions chose to establish themselves in Oakridge.”

Compiled over two years, the Oakridge research team was Erika Balcombe, Junie Chow, Elana Freedman and Josh Friedman, with Schwartz. A large portion of the exhibit comprises oral history interview excerpts from community members Harry Caine, Vivian Claman, Irene and Mort Dodek, Gail Dodek Wenner, Wendy Fouks, Debby Freiman, Sarah Jarvis, Ed Lewin, Sandy Rogen, Ken Sanders, and Seidelman.

“Irene deserves double thanks,” said Schwartz, “as we have included an excerpt of an interview that she carried out with Bea Goldberg and Marjorie Groberman in 1996. Naturally, I thank Bea and would certainly thank Marjorie were she still with us.”

Schwartz also gave thanks to JMABC colleagues Babins and Routtenberg, as well as Yuhasz, “each of whom devoted much time and energy to this project,” and the board of directors.

At the turn of the last century, explained Schwartz, “there were essentially two interconnected Jewish communities: the affluent Reform Jews in the West End and the Orthodox, working-class Jews in the East End, what today we call Strathcona…. Over time, the Jews of the East End grew more financially stable and began to relocate to the new neighborhood of Fairview in the 1920s and ’30s.”

He noted, “If the Great Depression hadn’t hit, it seems likely that Oak and 12th Avenue would have been the heart of the Vancouver Jewish community. Instead, campaigns to build Beth Israel, Talmud Torah and a new Schara Tzedeck were put on hold until after the war. All three projects were completed in 1948. By that time, the city had continued to expand southward, so these three facilities were built closer to King Edward Avenue.

photo - Oakridge Mall at 41st and Cambie opened in 1960 and provided a commercial hub for the neighborhood, which attracted many young families – Jewish and not – to the area — Oakridge Mall at 41st and Cambie opened in 1960 and provided a commercial hub for the neighborhood, which attracted many young families – Jewish and not – to the area. *(image from jewishmuseum.ca/oakridge)*

“This southward shift was further encouraged by another important event,” he continued. “In 1950, the CPR, the Canadian Pacific Railway, released a parcel of land stretching from 41st Avenue and Granville Street to 57th Avenue and Main Street. The city identified the middle third of this land for residential development and worked with Woodward’s and other developers to construct Oakridge Mall as an anchor for the new neighborhood.

“This neighborhood didn’t attract exclusively Jews, but it arrived at a perfect moment for our community.”

There was a lot of material from which the researchers had to choose. “The work was to pare it down to a manageable size, a representative cross-section of the community,” said Schwartz. “As you can imagine, everyone we spoke to had a very different experience. For instance, Vivian Claman and Ed Lewin shared with us the experience of survivor families.”

In the exhibit, said Schwartz, Lewin comments, “The survivors and their children were almost like a sub-community of the Jewish community. We kind of did everything together, we were like an extended family.”

“In general, the Baby Boomers we spoke to had happy memories of their childhoods,” said Schwartz, giving the example of Claman.

“We played in the street – we would be gone all day,” she says in the exhibit. “We played kick the can! I mean, those were the days that you would go outside and you would just play till it was dark or till your parents yelled and said come in for dinner. There was a lot of hanging out.”

That’s not to say everything was perfect. Schwartz noted Mort Dodek’s comments in the exhibit.

“One other thing that you have to understand is that there was a lot of antisemitism at that time,” says Dodek. “There were people who were uncomfortable living in Shaughnessy, a lot of Jewish people were not comfortable there. The Shaughnessy Golf Course was there, and it was restricted, no Jews were allowed to join that club.”

And Irene Dodek notes, “When we first moved to Vancouver in 1947, my parents went out with a real estate man to look at a house at 25th between Oak and Granville, and the real estate agent told my father, ‘This is a good neighborhood because no Jews or Chinese are allowed.’”

Schwartz also pointed out that there were divisions within the Jewish community, citing Seidelman and Mort Dodek’s comments from the exhibit.

“The rabbi of Schara Tzedeck would not go to Beth Israel, would not be seen to enter, whereas today they have the Rabbinical Association, all the rabbis get on really well together and they seem to respect each other’s different levels of observance, whereas in those days they didn’t,” says Seidelman.

“If you want to talk about splits in the community,” says Dodek, “there was a terrific split between the people who were involved with the Peretz shul and people who were involved with, say, Talmud Torah…. It was not religious and believed that the main language to speak for a Jewish person was Yiddish. And, of course, the people at the Talmud Torah, the language to speak, of course, with the establishment of the state of Israel, was Hebrew.”

“Another theme that emerged through our interviews,” said Schwartz, “was the way gender roles were changing and have changed since the 1960s. Men always worked outside the home, but women rarely did. This was beginning to change, but very slowly. Without full-time jobs, women had the time to dedicate to volunteer organizations like Hadassah and National Council of Jewish Women. Both organizations accomplished a great deal in the 1950s, ’60s and ’70s, but have struggled in the years since, as fewer young women have the time to devote to this type of work.”

For anyone wanting to know more about the role of women in the community, Schwartz recommended the museum’s 2013 exhibit More Than Just Mrs., which can be found online.

“Oakridge, like each of our exhibits, serves three functions,” said Schwartz, listing those functions: a chance to grow the museum’s archives, to increase awareness of the JMABC and of Jewish life in the province, and to reflect on how the community has changed over time.

For the Oakridge exhibit, he noted, the majority of the oral history interviews “were undertaken by volunteer and student interns, giving them valuable experience in the art and science of oral history interviews. Thanks to projects like this, including other exhibits and our annual journal, The Scribe, our oral history collection has grown substantially in recent years, bringing our current total to 762 interviews.

“Just this month,” he added, “we held two interviewer training sessions as the first phase of our Southern African Diaspora Oral History Project…. Through this project, we intend to interview hundreds of community members who arrived here from South Africa and the neighboring countries in the 1970s, ’80s and ’90s.”

With respect to increasing awareness, Schwartz said, “Many of you will remember the launch of our modern architecture exhibit New Ways of Living back in January of this year. This event had an attendance of over 150 people, many of whom were not Jewish and found out about the event through our partners, Inform Interiors and the UBC School of Architecture and Landscape Architecture. Similarly, our 2015 exhibit, Fred Schiffer: Lives in Photos, attracted more than 800 people over its two-week run, again with much thanks to our partners, Make Gallery and Capture Photography Festival…. Each new exhibit has a specific thematic focus which draws in a new audience.”

As for reflection on the Oakridge years, Schwartz pointed to the expansion of the Jewish community. “Families,” he said, “have settled into neighborhoods throughout the city and the region in general.”

Referring to the Oakridge area, he concluded, “[I]f fewer and fewer Jews live in this neighborhood, does it make sense for the Oak Street corridor to remain the hub of much Jewish activity? This remains to be seen.”

See the exhibit at jewishmuseum.ca/oakridge.

Greens’ policy on Israel

On Saturday, Dec. 3, at a meeting in Calgary, the Green Party of Canada (GPC) passed a resolution updating the party’s position on the Israel-Palestine conflict. It puts the entire onus for the conflict’s continuation on Israel, specifically on Prime Minister Binyamin Netanyahu.

“The possibility of a two-state solution is diminishing directly due to the Netanyahu government’s support for illegal expansion and increasingly brutal military occupation,” reads the Dec. 4 statement on the Green party’s website. “Even over 200 former members of Israeli Defence Forces (‘Security First’ [plan for West Bank, Gaza]) have decried the worsening security situation for Israelis and Palestinians – and laid the blame directly on Prime Minister Netanyahu’s policies. The former Israeli military officers have raised the alarm of a ‘humanitarian crisis in Gaza’ and the diminishing chances for a two-state solution.

“Clearly,” continues the statement, “Canada needs to do more to register with the Israeli government that flouting international law and threatening the security of its own people while violating the human rights of Palestinians is not acceptable. In doing so, Canada must continue to condemn violence from the militant elements of Palestinian society.”

While rejecting the boycott, divestment and sanction movement – as its goals “do not include supporting the right of the state of Israel to exist” and are “incompatible with Green party policy”– the addendum to the party’s policy “is based on clear differentiation between ‘legal’ Israel, as within the 1967 borders, a democracy respecting the rights of citizens of all ethnicities within its borders, and ‘illegal’ Israel – the occupied territories beyond Israel’s legal borders. The Palestinian civilians within the occupied territories are subjected to virtual continual abuses of their human rights. The occupied territories are maintained under a brutal military occupation. Products from illegal Israel should not be granted the preferred trading status of products of legal Israel.”

With this in mind, the Green party would like to see the Canada-Israel Free Trade Agreement renegotiated, the “termination and indefinite suspension of all military and surveillance trade and cooperation” between Canada and Israel, and the repeal of “the House of Commons resolution condemning the BDS movement.”

According to the Dec. 3 article “Greens vote for new Israel policy without BDS” by James Munson on ipolitics.ca, “Approximately [350] members voted on the ‘compromise’ resolution that purged the party’s policies of any reference to the Palestinian-led boycott, divestment and sanctions (BDS) movement, which pressures companies, governments and institutions with ties to Israel.”

The article cites Green party president Ken Melamed as saying, “The party wanted to be careful not to align with a particular organization or movement. The essence of it, I think, is that the party feels that diplomatic approaches to achieving peace and justice in the Middle East have been ineffective and it’s time to move to economic actions.”

The article said that, according to Melamed, about 85% of those who voted at the meeting supported the resolution – others opposed or abstained – but that it still had to be voted on electronically by all 20,000 party members before it became official policy.

Shimon Koffler Fogel, chief executive officer of the Centre for Israel and Jewish Affairs (CIJA), condemned the resolution. In a Dec. 3 statement, he noted, “The new policy is rife with historical distortions and places the Green party at odds with the Canadian consensus that BDS is discriminatory and counter-productive to peace. The Ontario legislature just voted by a tenfold margin to reject the differential treatment of Israel, underscoring how out of touch the Green party has become.

“Elizabeth May and the party’s leadership have turned their backs on the mainstream Jewish community, including the many Jewish Greens who no longer feel welcome. Despite repeatedly flagging that the anti-Israel vote was scheduled to take place on the Jewish sabbath, senior Green party officials insisted on holding the vote today, thereby excluding many Jewish Green party members from voting. This is an alarming development and a stunning failure of leadership.”

The December resolution replaces a resolution that was passed at the Green party convention in August.

In the backgrounder to Fogel’s statement, CIJA notes, “The party’s decision to endorse economic penalties against Israel is incompatible with the wishes of the party’s grassroots. A survey of Green members conducted by the party after their convention revealed that, of 2,800 respondents, 28% agreed with the decision to support BDS, 44% wanted it repealed and 28% thought it should be amended to remove any reference to a specific movement or country.”

The backgrounder further explains, “The text’s exclusive recognition of Palestinians as ‘the indigenous people’ of the region implies that Jewish people have no ancestral or indigenous roots in Israel. This misleading suggestion contradicts millennia of archeological and documentary evidence.”

And, CIJA warns, “The one-sided nature of the resolution and its call for extreme measures against Israel puts the Green party outside the international consensus for achieving peace, which emphasizes the need for both parties to compromise and negotiate.”

Note: This article has been edited to reflect later reports that about 350 party members voted on the resolution, versus the number cited on ipolitics.ca, which was approximately 275.

Internet access and poverty

On Nov. 24., writer Penny Goldsmith spoke at King David High School about PovNet, a B.C.-based anti-poverty network.

When Storming the Digital Divide: The PovNet Story was published in August by Lazara Press, the Jewish Independent received a copy. A history told in words and through illustrations about the B.C.-based online anti-poverty community network, the JI waited until school started, as it seemed the perfect topic for King David High School teacher Aron Rosenberg’s social justice class. And it was.

Once students were into the rhythm of classes and the High Holidays had passed, Rosenberg met with Penny Goldsmith – PovNet founder and a longtime community organizer and advocate – to determine how to address the subject. Goldsmith wrote Storming the Digital Divide, while B.C. artist, writer and activist Kara Sievewright – who has been PovNet’s web coordinator and illustrator since 2005 – created the images, and there are additional drawings by artist, researcher and educator Nicole Marie Burton of Ad Astra Comix, which publishes comics with social justice themes.

Before Goldsmith even did her presentation to Rosenberg’s class on the morning of Nov. 24 – appropriately enough, a day that fell during KDHS’s Random Acts of Chesed Week – the students had homework. In pairs, they had to choose a bubble from the 12-page timeline laid out in the book, which, as the book notes, highlights “selected issues that are an important part of the history of work done by the many advocates and marginalized community members who use PovNet in British Columbia. It also scans the history of technology and organizing as it affects the anti-poverty movement in British Columbia.”

The timeline goes from 1971 – “The first email is sent” – to 2015, which contains several key developments, such as the province’s first seniors’ advocate (Isobel Mackenzie) being appointed and the release of a 40-page report in which “nine social services agencies from across B.C. have asked the ombudsperson of B.C. to launch a systematic investigation into service reductions at the Ministry of Social Development and Social Innovation (the welfare ministry) that shut out many eligible people from accessing social assistance.”

For Goldsmith’s presentation, students were asked to consider their chosen bubble with respect to a few questions: “What does the information in the bubble mean for poor people? For anti-poverty advocates who work with them? For you?” Divided into groups, a table spokesperson shared some of the thoughts that arose from the brief group discussion of the questions. Student Leora Schertzer, in her role as master of ceremonies, made sure that every student who wanted to contribute aloud was invited to do so.

Alternating between group discussion and Goldsmith’s talk, which included visuals of some of the book’s illustrated pages, the students considered questions that Goldsmith and Rosenberg had prepared in advance, such as “What do you think the digital divide might mean?” “What do you think the difference is between charity and anti-poverty work?” and “How do you envision a future online world?”

Once the students had a chance to think about the issues, Goldsmith offered her thoughts, using portions of the book, beginning with an explanation of its title.

“From trying to get a job, finding adequate housing and accessing government services … to networking with fellow advocates and fighting for social change, the internet is now at the very least an essential service,” said Goldsmith. Regarding the accessing of government services, she gave the example of qualifying for welfare, which requires the completion of a 90-screen online application.

She offered a few definitions. “Collins English Dictionary defines the digital divide as ‘the gap between those people who have internet access and those who do not.’ Simple,” she said. “Dictionary.com expands the definition to include ‘the gap between those who are computer literate and those who are not.’ An important addition. Other dictionaries expand the definition to include marginalized communities in developing countries.

“According to a report from the Public Interest Advocacy Centre published in July 2016,” she said, “one-half of low-income Canadians are trading off other household goods or services in order to pay their communications bill – almost one in five (17%) indicated they went without other essential goods such as food, medicine or clothing in order to pay a communications bill.”

A lack of money is not the only barrier to internet access.

“An online space can, by its very structure, leave out marginalized communities,” Goldsmith explained. “If English is not your first language, online communication is not always as easy as being in the same room together with your peers. If accessing a computer is an issue, particularly in rural communities, if technology is daunting – people get left out of the conversation.”

It is these barriers that PovNet also works to diminish.

“PovNet is an online community of social justice advocates, activists, community workers and marginalized people who work in the anti-poverty world in British Columbia and across Canada,” said Goldsmith. “It hosts a public website that provides up-to-date information about welfare, housing and homelessness, unemployment, disability and human rights issues.

“PovNet’s community of users is vast,” she continued. “A disability rights organizer in Nelson goes to the PovNet website to get some information for a community workshop she is doing that night about changes to disability bus passes. A tenant in the Lower Mainland of Vancouver goes online to find an advocate to help him deal with a landlord trying to evict him. Several workers at a women’s centre in a small northern British Columbia town sign up for an online course at PovNetU about dealing with debt because they have so many clients coming into the women’s centre who are being harassed by a local collection agency.

“But what’s important,” she said, “is that everyone who wants to, has to have access to PovNet. That means money for computers, and government commitment to universal bandwidth and internet access. It also means that all of PovNet’s diverse communities have to feel that the network belongs to them.”

Storming the Digital Divide contains many illustrated stories from the online anti-poverty community, which bring the facts and figures closer to home, as well as the impact of PovNet over the 20 years since it began in 1997. While Goldsmith is no longer the organization’s executive coordinator – a post she filled for 18 years, until 2015 – she remains passionate about its work. And some of it rubbed off. Here are some of the comments students wrote after her talk.

• “Penny’s presentation exposed me to how reliant our society and greater world is on the internet…. Those who are unable to access the internet or technology are at an automatic disadvantage for workplace opportunities and almost all information.” (Justine Balin)

• “Listening to Penny’s presentation last week gave me an insight into the challenges that people without access to the internet face. Hearing about how some people have to choose between paying for internet access or having dinner made me realize how much I take having internet for granted. I also realized how big of a luxury it is to have my own computer and the privacy that comes with owning my own device. Before hearing Penny speak, I never realized how large of an issue internet access was…. Hearing about PovNet and how they advocate for internet access for those who need it really opened my eyes to a social justice issue that I would have otherwise been oblivious to.” (Talia Buchman)

• “In ‘A PovNet Timeline,’ I chose to focus on the [2008] bubble that states that over 40% of people who died in B.C. of HIV-AIDS died because they never received the necessary treatment because they were poor. Reading this bubble disturbed me quite a bit. I was mostly disturbed because we, as a country, try so hard to be the best society we can possibly be (i.e. equal rights), however still tend to fail at the situation with people living in poverty. We advertise that Canada has free health care, but do we really?” (Michelle Nifco)

• “The cost to live in British Columbia has been rising steadily and the welfare rate has also been rising but not as fast as the cost of living. I am fortunate enough to not be relying on welfare and hope that I will never need to rely on it, but many Canadians rely on welfare cheques every month to keep a roof over their head and food in their stomachs.” (Elle Poirier)

• “What I found immensely important about my experience with Povnet’s work was what they called ‘A PovNet Timeline: A Selective History of Poverty, Anti-Poverty Organizing & Technology in B.C.’ The timeline was extremely motivational and taught me that if citizens have enough passion and drive, they can influence the powers that be, even when it may seem that said powers are completely inflexible or severely rigid. This premise was explored throughout a variety of different events within the timeline.” (Anthony Schokalsky)

Storming the Digital Divide ($12.95) is available from lazarapress.ca.

Acoca launches book here

Rabbi Ilan Acoca has published his first book, The Sephardic Book of Why (Hadassa Word Press, 2016).

Why is a set of Sephardi tefillin different from an Ashkenazi pair? Why do Sephardim laugh during Havdalah, after reciting the blessing over the wine? Why do Sephardim not use the shamash to light the Chanukah candles? Why do Sephardim celebrate with henna before a wedding? These and so many other questions are answered by Rabbi Ilan Acoca in his book The Sephardic Book of Why: A Guide to Sephardic Jewish Traditions and Customs, just published by Hadassa Word Press.

The spiritual leader of Congregation Beth Hamidrash for 17 years, Acoca will return to the synagogue for the book’s local launch on Dec. 10, as part of a larger tour. Acoca and his wife Dina have been rabbi and rebbetzin of the Sephardic Congregation of Fort Lee, N.J., since they left Vancouver in August, and Rabbi Acoca is also rabbi-in-residence of Yeshivat Ben Porat Yosef, in Paramus, N.J.

photo - Rabbi Ilan Acoca will be back in Vancouver for the Dec. 10 book launch — Rabbi Ilan Acoca will be back in Vancouver for the Dec. 10 book launch. *(photo from Hadassa Word Press)*

“I would like to invite the entire community to the book launch,” Acoca told the Independent, “where I will explain what triggered me to write the book, as well as some singing and shmoozing.”

The rabbi shared a little of his motivation for writing The Sephardic Book of Why, which, he said, took three years to put together.

“Through the years, many people (Sephardim and Ashkenazim alike) asked me questions about Sephardic customs, trying to understand where each originated and what is the significance. At times, I had an answer and, at times, it intrigued me to research and find out more. One day, I was invited to a wedding as a guest and saw that the officiating rabbi had a Chabad rabbi’s guide. I knew that the RCA [Rabbinical Council of America] had an Ashkenazi rabbi’s guide so I thought to write one for Sephardic rabbis. A few days later, I sat down with my friend David Litvak and shared my idea with him. He thought about it for a moment and suggested a book that would include the entire Jewish and non-Jewish world. Immediately after the meeting, I opened my email and saw one from Hadassa press telling me they saw some of my classes on YouTube and were interested for me to publish a book with them. For me, that was a sign from heaven that I could not ignore.”

Adorned by a cover featuring the interior of Lazama Synagogue in Marrakesh, Morocco, The Sephardic Book of Why – Acoca’s first book – is divided into five chapters: Daily Rituals, Shabbat and Holidays, Lifecycle Events, Sephardic Culture, and Rabbi’s Musing. The last chapter comprises a selection of articles by Acoca that were originally published in the Canadian Jewish News. They cover a range of topics, including essays on “the middle path,” unity and the importance of diversity. So, having arrived in the United States from Vancouver only months before the presidential election, the Independent asked him if he had any advice to offer to Jews living in the United States (or Canada) about the polarity and divisions that were highlighted in the campaigns.

“It is pretty simple,” he said. “In order to move forward, we have to find things in common. There are so many things that unite but we often concentrate on what divides us. By finding things in common, we could understand each other, communicate and move forward.”

While there are a couple of other books on Sephardi customs, Acoca said, “My book is the only book that is in a question-answer format. It is more condensed, short, to the point, with sources.”

“The book is very thorough, yet easy to read,” writes Rabbi Elie Abadie, MD, of New York City’s Edmond J. Safra Synagogue and director of the Jacob E. Safra Institute of Sephardic Studies, Yeshiva University, in the book’s foreword. “It will please scholars and students equally, with good source material and footnotes. It covers the entire year-cycle of holidays and the lifetime milestones. It is a perfect book for Sephardim who, unfortunately, are just beginning to learn about their own traditions and for Ashkenazim who have just begun to interact with and learn about the Sephardim and their ‘different’ customs.”

Abadie puts quotes around the word different because, he notes, “In the overwhelming majority of minhagim [customs], the ‘Sephardi way’ was the ‘original and standard way’ of fulfilling a commandment, and the Ashkenazi community throughout the ages veered from the original minhagim and traditions, given the geographic region that they lived in and the circumstances that surrounded them.”

For those wanting to learn more about the “original” ways of Jewish practice, or to see a good friend while he’s in town, the Dec. 10 book launch, talk and signing starts at 8 p.m. People can also order a copy of the book from Hadassa Word Press.

Yiddish food’s long history

Michael Wex, author of Rhapsody in Schmaltz (St. Martin’s Press, 2016), will close the Cherie Smith JCC Jewish Book Festival on Dec. 1.

“Heavy, unsubtle and, once it emerged from Eastern Europe, redolent of an elsewhere that nobody missed, the food of Yiddish speakers and their descendants is a cuisine that none dares call haute, the gastronomic complement to the language in which so many generations grumbled about it and its effects,” writes Michael Wex in the introduction of his latest book, Rhapsody in Schmaltz: Yiddish Food and Why We Can’t Stop Eating It.

“This vernacular food continues to turn up in vernacular form in the mouths of people who have never eaten it, or who don’t always realize the Jewish origin of the strawberry swirl bagel onto which they’re spreading their Marmite,” he writes. “We’ll be looking at the aftertaste of Ashkenazi food as much as at the cuisine itself. But before we can do so, we have to go back to the Bible to see why Jewish food exists and what it really is.”

Toronto-based Wex – who is the author of many books, including Born to Kvetch: Yiddish Language and Culture in All of Its Moods and How to Be a Mentsh (& Not a Shmuck) – will close the Cherie Smith JCC Jewish Book Festival on Dec. 1. His topic, appropriately enough, is Jews and Food.

In Rhapsody in Schmaltz, Wex takes readers from the Exodus from Egypt – “Most national cuisines owe their character to flora and fauna, crops and quarry, domesticated animals and international trade. Jewish food starts off with a plague” – to the modern delicatessen, which “might no longer be the social hub it was for earlier generations, but the food that it serves is still recognized as Jewish, even when the ingredients are combined in ways that can’t help but pain an observant Jew.”

Michael Wex (photo by Zoe Gemelli / St. Martin’s Press)

While written in a tongue-in-cheek manner, Wex’s love of Yiddish culture, if not of Yiddish (aka Ashkenazi) food, is apparent in every page. And each page is packed with information – that he somehow compiled on his own, without research assistants.

“Although all of my non-fiction is rooted in subjects with which I was already quite familiar, I’ve found that it’s the research itself, the jump from one source to the next, that tends to produce the sparks that lead to the better ideas,” he explained to the Independent of his creative process. “I don’t think summarized works or lists of facts provided by an assistant would allow for the immersion that I, at least, need in order to write a book.

“It generally takes me about a year to research and write a book – maybe 18 months, if you count the preliminary research that usually goes into preparing a proposal for a publisher. I generally start with a specific, if somewhat vague, question and then try to answer it: What makes Yiddish different from other languages? Why do Jewish people go on eating traditional Jewish food even when they spend most of their time finding fault with it and have abandoned the rituals and ceremonies with which such dishes were associated?”

With nine pages of endnotes and a 13-page bibliography, one might assume that Rhapsody in Schmaltz is a dry read. It is anything but – Wex’s style is completely irreverent. For example, in writing about the formation of the dietary laws, he comments, “the Israelites aren’t supposed to feel any more deprived of the right to eat certain creatures than most of us usually do about the right to get high on crystal meth or pee in the street.” He openly discusses over-the-top kosher practices, bodily functions, etc. Perhaps surprisingly, his writing hasn’t ever gotten him into trouble with his religious compatriots.

“The only ‘trouble’ I’ve encountered has arisen from misunderstanding,” he said. “For instance, I received a vehemently condemnatory email from a woman who objected to my having used the phrase ‘goat or kid’ in describing the Passover sacrifice; she was afraid that non-Jews might take the word ‘kid’ as proof that we really murder gentile children and use their blood to bake matzah. Otherwise, though, the response has been quite positive. A number of rabbis – Orthodox, Conservative and Reform – have written to tell me that they’ve used material from my books in their sermons; Born to Kvetch is frequently cited in the language column of Hamodia, an English-language ultra-Orthodox paper published in Brooklyn.

“Most feedback about Rhapsody in Schmaltz has focused either on readers’ memories of the foods mentioned or on the ritual or halachic reasons behind the forms they’ve assumed or the occasions on which they are eaten, including questions relating to their viability in a world in which most Jews are not religiously observant.”

For many readers, some of Rhapsody in Schmaltz will serve as a memory refresher of the origins of certain rules of kashrut or the types of meals that are traditionally prepared for various holidays. But there is much readers will learn and, while Yiddish food may have been a topic with which Wex was familiar before he began his research, there were a few findings that surprised him.

“The whole Crisco-Manischewitz nexus and the things that grew out of it was probably the main thing I learned; I’d known how important Crisco was for kosher marketing, but until I looked into it, had no idea of why,” said Wex. “The other thing that really shocked me when reading through cookbook after cookbook was the surprising popularity of brain latkes at one time – I knew that brains were once popular, but had never heard of consuming them in latke form.”

Tickets to the closing of the book festival, which takes place at the Jewish Community Centre of Greater Vancouver, are $24 and the event features a food reception – brain latkes not included. To order, call 604-257-5111, drop by the JCCGV or visit jewishbookfestival.ca.

Fairy tale reimagined

Taylor Pardell as Gretel and Pascale Spinney as Hansel in Vancouver Opera’s adaptation of the classic fairy tale. (photo by Emily Cooper)

While Vancouver Opera is presenting the fairy tale Hansel and Gretel Nov. 24-Dec. 11, cast member Leah Giselle Field is living one of her dreams.

Field first moved to Vancouver from Calgary – where her parents had moved from Montreal the year before she was born – for an undergraduate degree in opera at the University of British Columbia. “I left for a two-year master’s program in Ontario and then came back for my doctorate,” she told the Independent. “I came back to Vancouver several times during those years away, so I feel like I’ve been a Vancouver resident for the last 14 years.”

In fact, her connection to Vancouver goes back even further.

“Vancouver has always felt a little bit like home,” she said. “After the war, surviving members of my maternal grandfather’s family moved to Canada. My grandparents settled in Montreal, and my grandfather’s sisters settled in Toronto and Vancouver…. Growing up in Calgary, my family would take road trips to Vancouver over spring break and in the summers, and the time we spent with my great-aunt and my mother’s cousins’ families was formative. Friends of theirs have been part of family events and celebrations for decades, and it’s always fun to catch up during holidays. I’ve been part of the Congregation Beth Israel High Holiday Choir for the past few years and enjoy catching up with my BI family each fall.”

Her professional experience includes appearing “in the title roles of Carmen and Julius Caesar, and as Marcellina in The Marriage of Figaro, Suzuki in Madama Butterfly, the Principessa in Suor Angelica, and Jennie in Maurice Sendak and Oliver Knussen’s Higglety Pigglety Pop!” notes her bio. “She is a past winner in the Western Canada District of the Metropolitan Opera National Council Auditions and a 2015 semi-finalist in the Marcello Giordani Foundation International Vocal Competition.”

photo - Jewish community member Leah Giselle Field plays Gertrude, the siblings’ mother — Jewish community member Leah Giselle Field plays Gertrude, the siblings’ mother. *(photo from Leah Giselle Field)*

In Hansel and Gretel, Field, who is a mezzo-soprano, plays Gertrude, the mother. All of the principal singers in the show, including Field, are 2016-2017 participants in Vancouver Opera’s Yulanda M. Faris Young Artists Program.

“My experience with Vancouver Opera so far has really been a dream come true,” Field said. “I still have moments of disbelief that I get to do this every day, that I have the opportunity to work and learn with such wonderful colleagues within an organization that treats its singers with so much respect. The eight of us in the Yulanda M. Faris Young Artists Program [YAP] have become really dear friends – we had ‘YAPsgiving’ together last month (because Thanksgiving fell between Rosh Hashanah and Yom Kippur, I brought matzah ball soup, round challah with raisins, apples and honey, and honey cake) – and our bass-baritone always says, ‘Goodnight, family,’ on his way out the door.

“Being part of this production of Hansel and Gretel has been amazing…. We have exciting, fresh perspectives from the director, conductor and designers to work with, the stage management team has been incredible, and the performers are so caring and supportive. It has been exciting every day – seeing the show come together is such a thrilling experience.”

Vancouver Opera is billing their Hansel and Gretel as a “family-friendly production” for ages 6-plus.

“There are all sorts of factors that make this production more family-friendly than our standard conception of ‘opera,’” explained Field. “First, the subject matter is familiar: anyone who has heard the Grimm story – about the brother and sister lost in the forest who find a house made of sweets and outsmart the witch who lives there – already knows the foundation of our story.

“We’re also performing an updated translation of the original libretto, so audiences will be hearing our story in English. [And] Hansel and Gretel is … an opera that involves child performers – we have a chorus of 14 children,” she said.

“Beyond the traditionally family-friendly elements of the opera, we have the most incredible design concept enhancing our production. This is a larger-than-life, technicolor world that brings to mind the dream world Maurice Sendak’s protagonist Max imagines in Where the Wild Things Are. This show is a co-production with the Old Trout Puppet Workshop, so costume pieces, the set, hand-held puppets and multi-operator puppet costumes help create this realm of ‘everyday spectacular.’ It’s such a visually rich presentation that audiences of any age will be engaged by the complete realm of story they see and hear.”

In addition, the new production has been shortened – it will run approximately two hours and 20 minutes, with one intermission – and the “youthful cast of emerging opera stars” will be conducted by 24-year-old Scottish-born conductor Alexander Prior. The original score by German composer Engelbert Humperdinck (1854-1921) has been adapted to suit the relatively small size of the venue – Vancouver Playhouse – and will be performed by “a 14-member ensemble of the Vancouver Opera Orchestra, which includes strings, woodwinds, brass, percussion, a saxophone and an electric guitar.”

While Field’s focus is classical music, she said she also has some musical theatre, folk, jazz and pop music in her repertoire.

“Some of the music I’ve performed most includes Yiddish songs I learned in elementary school,” she said. “Whenever I can fit it into a program, I try to include ‘Oyfn Pripetchik.’ That’s always been a special song to me. When we learned new songs in Yiddish class, I would sing them over the phone to my grandfather in Montreal. He’d always say, ‘That’s very nice, Ketzeleh,’ but when I sang ‘Oyfn Pripetchik’ to him, he sang along. We had a party for his 90th birthday in 2010, and he got up to sing ‘Oyfn Pripetchik’ again with me then. I’m sorry to say he’s declined significantly in the past few years, but we still manage a sing-along every now and then.”

“Oyfn Pripetchik” is a song about a rabbi teaching his students the alef-bet, and it was written by Mark Warshawsky (1848-1907). In addition to folk songs, Field said that, since elementary school, she has “been interested in music and art suppressed under Nazism.”

“My maternal grandparents are Holocaust survivors and interwar European culture provides a fascinating snapshot of life and art amidst tragedy,” she explained. “Mary Castello, our pianist in the Yulanda M. Faris Young Artists Program, and I are beginning to plan a recital of suppressed music for the new year and hope to present it across the country.

“Jewish-Canadian composer Srul Irving Glick was commissioned by the CBC to write a song cycle for the great Canadian singer, Maureen Forrester,” she continued. “He used the translated text of children’s poems salvaged from Terezin for his cycle ‘I Never Saw Another Butterfly,’ and I had the honor of performing ‘Narrative’ from this cycle with pianist Richard Epp for UBC’s honorary degree conferral ceremony for Elie Wiesel.”

In addition to the recital planned for next year, Field said, “I’m looking forward to Vancouver Opera’s festival in the spring, and getting to play the bad guy in a production of Puccini’s Suor Angelica in Ottawa in February.”

For tickets to Hansel and Gretel, call 604-683-0222 or visit vancouveropera.ca.

Creeps is a Canadian classic

Left to right, Aaron Roderick, Paul Beckett and Adam Grant Warren in Creeps, which is being mounted at the Cultch by Realwheels Theatre, Dec. 1-10. (photo by Tim Matheson)

David E. Freeman’s Creeps premièred in Toronto in 1971. Forty-five years later, it could still be considered radical, and most certainly remains relevant.

The 75-minute one-act play takes place in the washroom of a sheltered workshop, where the main characters – four men with disabilities – take refuge. Freeman, “who lived with cerebral palsy, was one of the first writers to put his own voice – a Canadian voice – on the stage in the early ’70s,” reads the description by Realwheels Theatre, which is mounting the production at the Cultch Dec. 1-10. “Tired of the way they’ve been treated, [the men] rebel and barricade themselves in the washroom. The brutality and hilarity of Freeman’s uncompromising and sardonic dialogue drives the show and expresses the tension of the oppressed with a raw ferocity and clarity.”

Realwheels’ mandate includes providing “respectful and accurate representation of disability, with a vision for full integration of people with disabilities in the performing arts.”

“We’ve cast three fabulous actors who live with disability in Creeps,” producer/dramaturg Rena Cohen told the Independent in an email interview. “They’re working alongside four of Vancouver’s top professional, able-bodied actors. To accommodate the stamina of the PwD [people with disabilities] cast members, we’re extending the rehearsal period to six weeks of part-time (four-hour) days – rehearsal duration for a professional show typically runs three weeks, full-time.

“As happens virtually anytime accommodations are made for accessibility, everyone in the company is loving and benefiting from this accommodation. The creative, interpretive process is given more time to germinate, allowing ideas to be explored and tested, and busy actors appreciate being able to take other gigs or auditions that come up during their free hours.”

The local production includes Jewish community members David A. Kaye and David Bloom.

Kaye plays four characters: Michael, Puffo the Clown, a chef and a carnival barker.

“Michael is a young man with cerebral palsy, which presents in him as both a physical and cognitive disability,” Kaye explained. “Michael works at a sheltered workshop, what the characters refer to as the ‘Spastic Club,’ a place where people with disabilities used to go to perform mundane tasks for pennies a day. For Michael, I’m doing a lot of textual sleuthing, because there’s more information about Michael between the lines than in the lines themselves.

“My preparation for Michael has taught me about the many ways that CP can present,” he continued. “Each case is unique, like a fingerprint. To prepare for Michael, I’ve interviewed and observed people who live with CP, watched documentaries and then, in rehearsal, I’m responsive to the other actors who are also making their way through the interpretive process. We’re also all learning about the history of sheltered workshops for people with disabilities.”

As for the characters of the clown and the chef, Kaye said they “live in a heightened reality that engages with the perceptions of people with disabilities through an ableist perspective,” whereas the barker “provides an ironic commentary, almost an infomercial or sales pitch for the worst-case scenario option for people with disabilities.”

Bloom plays what could be called the bad guy.

“I play Carson, the guy responsible for the facility,” said Bloom. “He doesn’t appear until the end, but he is talked about a lot before he arrives, mostly with disdain.

Carson is a representation of the patronizing, suffocating ‘support’ these guys receive at the hands of the institution they’re stuck in. During rehearsals, I’m learning a lot about my own lazy thinking about people with disabilities.”

Bloom has known of Realwheels’ work for many years and of Cohen’s involvement in the company, but only met her on the first day of rehearsals. Kaye became connected to Realwheels through Creeps’ director Brian Cochrane, with whom he has worked before.

”When Brian told me he was working with Rena and Realwheels, I was excited to come on board,” said Kaye. “It’s a unique experience! I can’t wait for audiences to witness the late, great David Freeman’s exposé on the lives of this fascinating group of guys.”

For her part, Cohen joined Realwheels in 2009, she said, after meeting its founder, James Sanders.

“James – along with two other Vancouver-based theatre artists, Bob Frazer and Kevin Kerr – had created and produced Skydive, one of the most successful productions to ever come out of Vancouver,” she said. “You couldn’t help but be struck by its technical innovation (in which a person with quadriplegia flies!), plus it had considerable impact on perceptions of disability. I’d been working in arts management and as a speech/presentations coach when James invited me to discuss the company’s next steps.

“Skydive’s remarkable triumph had been supported by a fairly rudimentary start-up company infrastructure. James needed help, and I saw an opportunity to bridge Realwheels’ early success to a more stable future.

photo - Realwheels Theatre managing artistic director Rena Cohen — Realwheels Theatre managing artistic director Rena Cohen. *(photo from Realwheels Theatre)*

“I was also drawn to the opportunities that come through greater insight into the lived experience of disability. Through James – who lives with quadriplegia – and his considerable network, I was exposed to the vitality and dynamism of the disability demographics. It didn’t take long for me to become passionate about Realwheels’ mandate: ‘to create and produce performances that deepen understanding of disability.’

“We’ve since mounted three more amazing professional shows, and built up our community practice – under the Wheel Voices banner. Our most recent community project was SexyVoices, an exploration of sexuality from a disability perspective. SexyVoices was created with and by the community participants, working with acclaimed director Rachel Peake. It offered incredibly funny, daring and moving performances, received national attention, and sold out its three-evening run!”

Last year, noted Cohen, Realwheels received the City of Vancouver Award of Excellence.

Though technically a part-time position, as with many who work in the nonprofit sector, the professional and volunteer lines blur and Cohen’s “efforts in any week are often significantly greater than a full-time job.”

“Embedded into my professional capacity at Realwheels is the need to authentically reflect the values of disability culture, and to serve as a liaison between the disability community and the theatre community,” she explained. “After James took leave of Realwheels due to medical reasons, I assumed responsibility for both management and artistic direction. I challenge myself to understand and to internalize the diverse voices of the disability community, and to convey those voices through the decisions and choices that we make with regard to projects, casting, mentorships, etc.

“My pure volunteer life in Vancouver has almost completely been centred upon Temple Sholom. I served as board president during the leadership transition planning years (2010-12), and before that I oversaw Temple’s strategic planning process. I’d co-chaired the religious school committee and, earlier, I served on Temple’s security committee, which was formed after 9/11. These days, I’m chairing the communications committee for the Syrian Refugee Resettlement Project, and otherwise just enjoying our Temple community.”

Of what she has learned from her years at Realwheels, Cohen said, “The PwD experience is the human experience. By that I mean that the state of ‘disability’ is not binary with a simple on/off. There is a scale or a ‘continuum’ of sorts. We are all challenged on some level and the human experience is defined by how we manage those challenges and how we optimize as a broader community to ensure everyone has the opportunity to self-actualize. I’ve learned that attitudinal barriers are far more challenging for PwD than physical barriers.

We need to challenge both, but attitudes and preconceptions about disability are the hardest to modify. I’m certainly continuing to work on challenging my own ableist privilege.

“I’ve learned that whenever accommodations are made to serve PwD, everyone benefits. One of my proudest achievements as board president at Temple Sholom was the Accessibility and Inclusion Project, which resulted in the installation of an interior ramp to the bimah. Overall, I think Temple has become safer, more inclusive and more accommodating to the diverse range of ages and abilities of all people who participate in Temple life. As I’ve said, I believe that disability exists across the broad spectrum of society, and that most of us are actually TAB (temporarily able-bodied).

“I’m continually learning about the tremendous diversity in the disability sector,” she added. “I attended the Cripping the Arts Symposium in Toronto a few months ago. One PwD artist there insisted, ‘I can’t possibly explain what [having a disability is] like, but I can show you through my artwork, and maybe you’ll get a better understanding of the struggle for survival.’ Yet another expressed: ‘How we experience the world is all based on who you are as a human being, not about being a PwD.’ Those are two nearly opposing positions.

“I’ve learned that, in Canada, the Charter of Rights and Freedoms recognized equality for those who live with disability in 1982, but there is still a great deal of work needed. The U.S., through the Americans with Disabilities Act (1990), is far more advanced than we are. The U.K. by far leads the way in terms of disability arts practices and inclusion.”

In addition to her involvement with the Temple Sholom community, Judaism and Jewish culture have influenced Cohen’s outlook on life and the work she pursues in other ways as well.

“My Jewish upbringing exposed me to critical thinking, to appreciation for the individual and for community, and provided me with exposure to the arts and theatre,” she said. “We have a rich storytelling tradition in Judaism, and a particular way of using humor to cope with life’s challenges. Exposure to that, combined with having a large, extended Jewish family when I was growing up in Montreal, definitely informed my worldview.

“The aching stories of the Holocaust, and the enormous victory of the establishment of Israel, also feel very personal to me. My parents (z”l) would tell you that, from the time I was little, I was a champion of the underdog, always ready to speak truth to power. I’m not so brave today, but I do feel very strong moral imperatives, whether about equality for PwD, or standing up to BDS [boycott, divestment and sanction] bullies, who are either misinformed about Israel or covertly antisemitic.

“My Jewish education also involved a lot of text analysis, including as a student at parochial school in Montreal. The shift to analyzing scripts was a natural segue for me.”

Cohen encourages people to join Realwheels “for an evening of savage wit and uncompromising truth-telling as we present Creeps, the award-winning dark comedy by David E. Freeman that changed Canadian theatre forever!”

And Bloom echoed her sentiments, “I feel very lucky to be part of this show,” he said. “Not only is it a seminal Canadian classic, but I’m working with a great company and an ensemble with real integrity.”

Tickets for Creeps, which previews Nov. 30 before its 10-day run, are $18-$40 from 604-251-1363 or thecultch.com/tickets. Tickets are only two for $20 on Dec. 3, which includes a post-show reception in recognition of International Day of People with Disabilities. There are also post-show discussions Dec. 4 and 6, and ASL and audio description on Dec. 4. Warning: mature content and offensive language.