An inscription (top of above photo and below), written in Greek, was translated by Prof. Leah Di Segni of the Hebrew University of Jerusalem. Dated to the early fifth century CE, it says, “Only God helps the beautiful property of Master Adios, amen.” (photos from IAA courtesy Ashernet)
New neighbourhood construction in the southern part of the Sharon Plain of central Israel has revealed an estate, some 1,600 years old, which was determined by Israel Antiquities Authority (IAA) archaeologists to have been the property of a wealthy Samaritan. The discovery reinforced evidence that, at one time, the area was extensively populated by the Samaritans, who claim they are Israelite descendants of the northern Israelite tribes of Ephraim and Manasseh. An inscription, written in Greek, was translated by Prof. Leah Di Segni of the Hebrew University of Jerusalem. Dated to the early fifth century CE, it says, “Only God helps the beautiful property of Master Adios, amen.” According to Dr. Hagit Torge, director of the excavation on behalf of the IAA, “The inscription was discovered in an impressive winepress [near the top of Tel Zur Natan, where remains of a Samaritan synagogue were found] that was apparently part of the agricultural estate of a wealthy individual named Adios. This is only the second such winepress discovered in Israel with a blessing inscription associated with the Samaritans. The first winepress was discovered a few years ago in Apollonia near Herzliya.” The Samaritans were originally brought to the region as part of Assyrian policy, and first settled on and around Mount Gerizim.
This picture of Molly Bernstein, right, was taken last year at the School of Peace, a program run in partnership by IsraAID and the Israeli Hashomer Hatzair Youth Movement on Lesbos, Greece. (photo from IsraAID)
“I say crisis with air quotes because I think that’s a bad attitude,” Molly Bernstein told the Independent. “It’s an opportunity.”
In discussing the number of displaced people in the world, usually referred to as “the refugee crisis,” Bernstein said, “I strongly believe that diversity is a social good for our societies. When we integrate new people into our communities, we learn more about ourselves and others, build bridges between communities, and build relationships that breed positivity in the world.
“When we open our doors and our hearts to refugees, we’re doing exactly this,” she said. “That’s why it’s an opportunity to expand our worldview and the spectrum of opportunities for doing good that stands before us.”
Bernstein, a 27-year-old resident of south Tel Aviv, works for IsraAID, an Israeli nongovernmental organization that works in emergency and long-term development settings in dozens of countries. The humanitarian aid organization responds to conflict, natural disasters, acute poverty, discrimination and displacement.
Bernstein, currently working in the communications department at IsraAID headquarters in Tel Aviv, spoke to the Jewish Independent during a recent trip to Vancouver, Jan. 31-Feb. 3.
“My parents were longtime members of Habonim,” she said, referring to the Zionist youth movement. “We lived in Israel for a time and I became interested in learning Arabic, so as to have a deeper understanding of the conflicts in Israeli society and how to address them. Learning Arabic opened up a lot of doors for me.”
Bernstein completed a bachelor of arts at the University of Maryland, College Park, then lived in Morocco, Jordan and Tajikistan. She began working with an Arab-Jewish Israeli NGO in Israel, the Abraham Fund Initiatives, which focuses on the creation of a shared society, and then landed a job with Ha’aretz.
It was while she was working at Ha’aretz, combing through pictures of the Syrian military’s chemical attacks on Syrian civilians, that she decided she wanted to do relief work. She had heard of IsraAID and considered working for them “an item from my bucket list.” So, when a job opportunity with the organization arose, she jumped at it, and got it. She was sent to the Greek island of Lesbos as head of missions, where she oversaw programs supporting refugees. Six months later, she was promoted to the NGO’s headquarters in Tel Aviv.
“IsraAID started when a group of buddies who were connected and had networks of doctors, nurses [and] engineers, and search-and-rescue folk would organize themselves and fly out and get some work done,” explained Bernstein. “When [the 2010 earthquake in] Haiti happened, they realized they needed a long-term response plan and so they started an NGO to develop that capability. They were in Haiti for eight years.”
Founded in 2001, IsraAID has an annual budget of about $10 million and has worked in emergency and long-term development missions in 46 countries, including the United States. Volunteers with IsraAID, for example, continue to work in Reno, Nev., with evacuees from the wildfires in Northern California. In 2017 alone, IsraAID worked in 20 countries.
As an Israeli aid organization, IsraAID sometimes finds itself in the crosshairs of those who want to view their work through the framework of either Zionist or anti-Zionist ideology. Bernstein said IsraAID is having none of it either way. “We are really just focused on the work,” she said. “Other people may want to raise other questions about it, but we’re just like, OK, you have that conversation, there’s a person I have to help over here.”
That said, the organization’s Israeli base means they have unique contributions to offer. “We are proud to bring technologies from the country we come from,” said Bernstein. “And it’s not a coincidence that we’re really good at water management and trauma processing. Those are two things Israelis have needed to become good at it.”
Bernstein is continuing her academic studies at Tel Aviv University, pursuing a master’s degree in Middle Eastern history, while working for IsraAID. Meanwhile, the NGO is looking to expand the ranks of their volunteers. They’ve opened a headquarters in Los Angeles and Bernstein said another North American base may follow, possibly even in Canada. In Vancouver? “It’s not impossible,” she said.
Matthew Gindinis a freelance journalist, writer and lecturer. He is Pacific correspondent for the CJN, writes regularly for the Forward, Tricycle and the Wisdom Daily, and has been published in Sojourners, Religion Dispatches and elsewhere. He can be found on Medium and Twitter.
A survey of Jewish Canadians indicates that we are not a Zionist monolith. This will be news to no one who has enjoyed a family seder or logged onto social media in recent years. However, it is useful to have a fairly comprehensive public opinion survey on the range of issues that tend to most divide us.
For some, the organizations that co-sponsored the survey will lead to outright dismissal. Undertaken by the polling firm EKOS on behalf of Independent Jewish Voices Canada (IJV) and (UJPO), the goal of the exercise was no doubt to show considerable support for the positions espoused by these two groups that are routinely critical of Israeli policies.
By and large, though, the methodologies of the survey appear to have been relatively unbiased, and to ignore the findings is to bury our heads in sand.
Almost half (48%) of Jewish Canadians surveyed believe that “accusations of antisemitism are often used to silence legitimate criticism of Israeli government policies.” More than one-third (37%) have a negative opinion of the Israeli government. On the matter of the United States moving its embassy to Jerusalem, 45% oppose and 42% support the move. Nearly one-third (30%) think that a boycott of Israel is reasonable and 34% also oppose Parliament condemning those who endorse such a boycott. Almost one in three (31%) oppose the military blockade of the Gaza Strip.
The sponsors of the survey see the results as evidence that Jews whose positions are often dismissed as marginal actually represent a large swath of Canadian Jewish opinion.
We quibble with aspects. One question asks: “In 2004, the International Court of Justice ruled unanimously that the wall built by the Israeli government on Palestinian territory violates international law. In response, one year later, over 170 Palestinian citizens’ organizations called for a boycott to pressure Israel to abide by international law. Do you consider the Palestinians’ call for such a boycott to be reasonable?” It may be a bit much to ask someone answering a phone at dinnertime to disagree with something called the International Court of Justice and 170 Palestinian organizations. Overall, though, most of the questions were not misleading nor did they have preambles intended to lead the respondents, as did this one. The survey does, nonetheless, reflect a prevailing narrative that Israel has no legitimate security concerns and erects barriers along the West Bank and blockades Gaza just for fun. But that is the playing field we are on.
Whatever criticisms or doubts we might have about the survey should not distract us from the reality it means to deliver. There are serious divisions between Diaspora Jews and the approach of the government of Israel. Ignoring, papering over or stigmatizing these differences of opinion will harm both Jewish cohesion in the Diaspora and crucial support for Israel. As we have said in this space many times over the years, Israel’s leaders must make decisions based on its security needs, not on what makes it easier for Diaspora Jews to be proud Zionists. However, we do Israel and our own community a disservice by isolating and denouncing those who disagree with the positions of our main communal agencies.
An election is approaching in Israel and that could lead to more of the same or to a significant shift in policy – or to some sort of hybrid between the two. Things change quickly, particularly in that part of the world, and what is true in a survey today may not be true in a year or five.
Even if Israeli policies remain largely the same after April’s election, it is probably not a sustainable position for Canadian or other Diaspora Jewish communities to pretend that a (seemingly) growing chorus of dissent is nonexistent, insignificant, misguided or ill-willed. That is a recipe for irrelevance, particularly among younger Jews.
In fairness, the idea that the Jewish “establishment” is a monolith is an unjust characterization. A diversity of opinions exists in our communal organizations and, certainly, in the plethora of traditional media (like this one) and new media (blogs, online publications and social platforms), a million flowers bloom. So, we challenge the premise that our community enforces a strict ideological membership code. But, we definitely could be better at acknowledging the full range of diversity – even if that means arguing and contesting positions, or even shifting our communal narrative. Indeed, that is entirely in keeping with our community’s tradition.
The survey raises questions we rightfully should be addressing.
Prime Minister Binyamin Netanyahu at the Israel Aerospace Industries control room to witness the launch of Israel’s first attempt to put a lander on the moon. (photo from IAI courtesy Ashernet)
In the early hours of Feb. 22, Bereishit, which means Genesis, successfully lifted off on one of Elon Musk’s U.S.-based SpaceX Falcon 9 rockets. It is hoped that the 585-kilogram Israeli space vehicle will land on the moon in about six weeks’ time. “There are four countries that have launched a spacecraft to the moon, one of them is 800 times bigger than we are, one of them 500 times bigger, and one that is a little less than that,” said Netanyahu, referring to the United States, Russia and China. “We are a small country, but huge in achievements and in the capacity of our initiative. I hope that the spacecraft to Mars is already being planned.” He also said he hopes that, on April 11, “we will be able to celebrate the safe landing of Bereishit.”
Grandparents and grandchildren discover their roots in Jerusalem with the G2: Global Intergenerational Initiative. (photo by David Salem / Zoog Productions)
The G2: Global Intergenerational Initiative is a new yearlong program being offered by the Jewish Agency. It helps bring grandparents and grandchildren closer with activities and conversations. It is spearheaded by Jay Weinstein, a rabbi from New Jersey who now lives in Israel.
“I work in the partnership unit, trying to build relationships between Jews around the world and Israelis,” Weinstein told the Independent. “I bring my connections from North America and also am exposed to Israeli communities here … trying to build bridges with Israel and overseas.”
The project stems from findings gleaned from meetings that the Jewish Agency held in a few prominent Jewish communities, which pointed to a lack of programming provided to older adults and a lack of an Israel connection among the young.
“We went to our partners on the ground, saying, ‘Let’s come up with something together’ … versus coming up with the idea ourselves and then trying to sell it or take it somewhere,” said Weinstein. “We wanted to do it in collaboration.
“Much of what we do in the Jewish community is for the younger generation,” he continued, “but, here, you have … people who spent their lives building up the federations, schools and synagogues. They’re usually the ones volunteering and donating, [yet] we’re failing to have something to really offer to them.”
Certainly, grandparents can be a positive influence in creating a Jewish identity in their grandchildren.
“When they’ve done studies asking young adults why they are involved in Jewish life or Jewish programming, what came back involved Jewish grandparents,” said Weinstein. “That’s even truer in interfaith marriage, [where] the role of the Jewish grandparent passing down values to their grandchildren is of even greater importance.”
The G2 initiative brings grandparents and grandchildren together over the course of a year through activities and creative projects.
“It gives grandparents the chance to think about what is important to them, about what they want their grandchildren to know about, how their family narrative makes them unique, and special things they care about,” said Weinstein.
Participating grandkids should be in Grades 5 and 6, preteens old enough to have deeper conversations, while still under the guidance of their parents “and they aren’t yet too cool to be with Grandma and Grandpa to do the activities,” said Weinstein.
“It’s not a text-based study. It’s more experiential,” he said. “And, at the monthly meetings, we give the grandparents and grandchildren things to do on their own time without a facilitator, like a little mesima (activity) or venture to do in the community.”
Each month has a different focus, such as discussing the most important Jewish gem of a place. This particular theme gives grandparents the opportunity to take their grandchildren to one of their favourite places and explain why it is important to them. Then, the grandchildren guide the grandparents to the most important Jewish gem to them, also sharing why it is important. If the grandparents and grandchildren so choose, they can record the visits on a two-minute podcast to share with others.
“Based on the partnership platform, we have communities overseas doing it with communities in Israel,” said Weinstein. “And, over the course of the year, they’ll connect with each other digitally. Sometimes, they’ll be synchronized and do a Zoom call, sometimes unsynchronized. One of the bigger goals of the unit is to connect Jews from around the world to Israel and, on the other hand, to teach and educate Israelis about what Jewish life is like outside of Israel.”
Many larger Jewish communities can run G2 on their own, in-house, connecting with their sister city in Israel, but most communities won’t be able to carry it out on the same scale as that of the Jewish Agency.
“We believe there is power in the global Jewish community,” said Weinstein. “To be part of a worldwide network of people is a wonderful experience. I don’t think, oftentimes, that a fifth or sixth grader in Vancouver is connected with another Jewish fifth or sixth grader in Miami and Sydney … and we believe that is a very powerful experience. We’ve been in touch with the Jewish Federation in Vancouver and they are interested in G2.”
The partnership unit needs a local organization to launch the program in a region.
“In most cases, [the partner] is the federation, as they are our national partner, but, that being said, we’ve designed this program to be brought to any organization,” said Weinstein. “So, if there’s a synagogue that wants to participate in G2 or a JCC, we can work with them.
“I’ve gotten a tremendous amount of interest from communities all around North America and the world. People understand that grandparents and grandchildren have this special and unique bond. When we can build meaningful Jewish experiences around the grandparent and grandchild relationship, it’s just very powerful.”
The yearlong program includes an eight-day visit that the grandparents and grandchildren take to Israel – traveling about the country, learning and meeting their Israeli partners. They also get the opportunity to stay in the homes of their Israeli partners for part of the trip, getting a firsthand glimpse at everyday life in Israel.
While there is a cost for the program, G2 works with the different community partners to subsidize some of that, and is also looking for philanthropic partners.
“We’d love to have a partner to help us bring this around the world and not have a barrier of prices and expenses prohibiting families from participating,” said Weinstein. “We truly believe … sometimes we use the language of Birthright … that it’s a birthright of every grandparent to have meaningful Jewish experiences with their grandchild, including traveling with them to Israel.”
Historical ignorance has been in the news recently, with polls indicating widespread lack of awareness of the Holocaust, especially among young people in North America and Europe. (See jewishindependent.ca/much-work-left-to-do.) Some media reports got the story wrong, however, claiming that many people “don’t believe” six million Jews died in the Holocaust. The reality is that many people “don’t know” this fact, and there is a big difference between not knowing and not believing. Then there is a different phenomenon altogether: denial.
Plenty of well-informed but ill-intentioned people know the truth of the Holocaust but, for various reasons, take a position that the facts are falsified. The notorious Holocaust denier David Irving is reportedly again making the rounds in Britain, promoting his ahistorical ideology. In a nice contrast, Irving’s nemesis, Prof. Deborah Lipstadt, is back in the news promoting her new book, Antisemitism: Here and Now.
Lipstadt went from respected Emory University professor to a sort of global superstar when Irving sued her for libel in a British court in 1996 for correctly characterizing him as a Holocaust denier. Although Lipstadt is an American, she and the book’s U.K. publisher were targeted because Irving apparently thought that country’s libel laws might serve his cause. In the United Kingdom, libel law places the burden of proof on the defendant instead of the plaintiff. As a result, the trial played out as a public history lesson, with Lipstadt’s legal team forced to prove the historical truths of the Holocaust. They did, of course, and won the case. Nonetheless, Irving’s career as a provocateur and historical revisionist continues.
More serious than a nasty British gadfly is the Holocaust denial taking place in Poland right now, a phenomenon that has led to a collapse in Israeli-Polish relations.
Until recently, Poland was one of Israel’s closest allies on the world stage. While Polish society has never undergone the self-reflection that Germany did after the Holocaust, Polish governments developed excellent relations with the Jewish state. After the fall of the communist regime, relations between the two countries grew quite warm. Trade and diplomatic relations at the highest levels flourished.
With the election of the right-wing nationalist Law and Justice party, in 2015, things began to change. Last year, the Polish government passed a law criminalizing speech that references Polish collaboration with the Nazis during the Holocaust.
Canadian Prof. Jan Grabowski, who spoke in Vancouver last fall, heads a team of researchers, most of them in Poland, who are scouring archives throughout that country amassing what is probably the most comprehensive assessment ever compiled on the subject of Poles’ complicity in the Holocaust. Without Polish collaboration – frequently offered willingly and without compulsion, the research indicates – the Nazis could not have succeeded nearly so completely at their murderous destruction of Polish Jewry, Grabowski insists.
Politicizing this history – that is, criminalizing the truth – has put the Polish government on a trajectory of institutionalized denial. Unlike masses of young North Americans and Europeans, the Polish leaders know very well what transpired in their country during the war. As Grabowski notes, it is not the collaborators and their descendants who are today ostracized in small communities across Poland but rather those families whose members helped their Jewish neighbours.
It was inevitable that Poland’s approach would have repercussions in the Polish-Israeli relationship. It happened dramatically in recent days. The Visegrád Group, which is a cultural and political alliance of the Czech Republic, Hungary, Poland and Slovakia, was slated to meet with Israeli leaders at an extraordinary summit in Israel this week.
A week ago Friday, Prime Minister Binyamin Netanyahu was visiting the Museum of Polish Jews, in Warsaw, when he stated, in a meeting with Israeli reporters where recording devices were not permitted, that Poles had aided the Nazis. A flurry of confusion followed as the prime minister’s office clarified that he had said “Poles,” and not, as some media had reported, “the Poles” or “the Polish nation.”
Polish Prime Minister Mateusz Morawiecki decided to snub Netanyahu by withdrawing from the summit and sending his foreign minister instead.
Yisrael Katz, on his second day on the job as Israel’s foreign minister, dumped fuel on the simmering conflict in a TV interview. Ostensibly sent to smooth over the matter, Katz used the opportunity to quote the late Israeli prime minister Yitzhak Shamir to the effect that “the Poles imbibe antisemitism from their mothers’ milk.”
Suffice to say the summit is off. The leaders of the three other countries are still slated to travel to Israel for bilateral meetings but Polish-Israeli relations are on the rocks.
The conflict illuminates a strange dichotomy. The government of one of the countries most affected by the Holocaust tries to blot out what they certainly know to be the truth. Meanwhile, a generation of young people look on, unaware of even the barest details of what is at the root of the uproar.
Adir under the wedding canopy with his bride, Liat. (photo from UPnRIDE)
Forty days before his marriage, a wheelchair-bound Israeli man named Adir wrote to UPnRIDE Robotics, sharing his dream to stand under the chuppah with his bride, Liat. Chief executive officer Oren Tamari invited Adir to company headquarters in Yokne’am Illit to try the UPnRIDE 1.1 mobility device, now in transition from research-and-development to market.
“We saw he managed well with it, and we arranged for him to use the device during his wedding” on Nov. 12, Tamari told Israel21c.
The day after his wedding, Adir posted on UPnRIDE’s Facebook page: “Thank you all for [the] wonderful experience and magnificent night. Our chuppah was so amazing, people cried when [they] saw me standing and praying. My wife and I just want to say that you made our night as close as possible to perfection!!!”
UPnRIDE was invented by Amit Goffer, whose ReWalk robotic exoskeleton allows paraplegics to stand, walk, navigate steps and even run marathons. Goffer, who has a PhD in electrical and computer engineering, could not use ReWalk himself because he is a quadriplegic, paralyzed from the neck down. So he and Tamari formed a new company to develop an upright mobility solution enabling any wheelchair-bound person – quadriplegics, paraplegics, people with multiple sclerosis, cerebral palsy, ALS and traumatic brain injury – to recline, stand and navigate indoors and outdoors.
Jointed braces and harnessing straps provide support, while advanced motion technology and real-time computing ensure automatic balancing and stability on uneven terrain. Goffer said other types of standing wheelchairs can’t be used outdoors because of the danger of tipping over.
UPnRIDE is now raising funds, working toward U.S. Food and Drug Administration clearance and doing usability studies with all kinds of wheelchair users. A major study has begun at the U.S. Veterans Health Administration’s Centre of Excellence in New York to determine the benefits for UPnRIDE users. Many health problems are associated with long-term wheelchair sitting, from muscle atrophy to cardiovascular disease.
Goffer, chief technology officer and president of the company, doesn’t yet have his own UPnRIDE because the sample models are for testing. He borrows one on weekends and for special events, such as his daughter’s wedding last July.
Like Adir, he was able to stand under the chuppah and with his family for photos.
“My son and middle daughter were already married years ago,” he said, “and it was a very different feeling at the wedding of my ‘baby’ because I was standing like the rest of the family. I was also able to mingle with guests as never before.”
Eventually, Goffer expects UPnRIDE to become his everyday wheelchair. “I enjoy it because I can stand and sit easily whenever I want; I don’t have to be moved and lifted by someone else. It can recline, too, so it’s better for napping or receiving medical treatment.”
The smart wheelchairs are to be manufactured in a northern Israel factory run by Sanmina, an American electronics manufacturing services provider. Tamari said the company plans to use proceeds from the current funding round for marketing, establishing mass production and developing advanced and new models.
Israel21c is a nonprofit educational foundation with a mission to focus media and public attention on the 21st-century Israel that exists beyond the conflict. For more, or to donate, visit israel21c.org.
Best known for couture wedding gowns, Galia Lahav is one of the major players in the wave of Israeli designers making a mark on the international bridal industry. (photo from Instagram)
With fashion accessible at our fingertips via e-commerce, shopping apps and social media, the past few years have seen the rise of emerging designers from around the world. Along the way, a number of Israeli designers have won favour with the international fashion crowd, particularly celebrities and their stylists.
“I always say that talent has no geographical boundaries. If your vision is strong, the quality of your work is high and you know how to work with international markets, then your way to success is quick,” Israeli fashion blogger and Instagram influencer Roza Sinaysky told Israel21c.
Sinaysky, known on Instagram as @moodyroza, said she has seen a change in the Israeli fashion scene over the last two to three years, where more people are interested in fashion and willing to support young designers. The designers, she said, also are more aware of trends and the needs of the industry thanks to social media.
“The rise of social media made a huge difference in the fashion industry. For designers, it opened a lot of doors. When everyone can see your work, you never know who might reach out,” said Sinaysky.
Over the past few years, Israeli designers have been approached by Kensington Palace, Beyoncé, Serena Williams, Lady Gaga and many others to create custom pieces.
“I think it’s so great that Israel is recognized as a place of talents, not just technology. It makes me very proud to see local designers do so well abroad,” said Sinaysky.
Below are eight Israeli fashion and accessory designers making their mark internationally.
Shahar Avnet
What do Beyoncé and Eurovision winner Netta Barzilai (who was just in Vancouver for a concert) have in common? They both wear Shahar Avnet. The young Israeli designer made headlines last year when her custom-made, nude-coloured tulle gown was worn by Beyoncé on stage during her world tour with Jay-Z.
Avnet also designed the multicoloured kimono famously worn by Barzilai on the cover of her hit song “Toy.”
“My garments are for confident women who are fearless, intelligent and chic; women who are not afraid to be the centre of attention and making a statement,” Avnet told Vogue Italy.
The Tel Aviv-based designer’s tulle creations walk the line between art and fashion, often combining techniques such as drawing, embroidery and collage into a single dress.
Avnet graduated from Shenkar College of Engineering, Design and Art in 2016, receiving her first international exposure when her final project was chosen to represent the school at the International Catwalk during Graduate Fashion Week in London, England.
Avnet’s bold colours and unusual, feminine silhouettes have caught the attention of celebrity stylists and magazines. Other celebrities who have worn Avnet’s dresses include American actresses and singers Zendaya and Kelly Rowland, and members of the Israeli band A-WA.
Marei1998
Designer Maya Reik launched Marei1998 several seasons ago, almost immediately earning praise from the fashion world for her classic-modernist design sensibility – an unusually subdued approach for a designer her age (1998 refers to the year Reik was born).
Drawing upon Reik’s love for European cities and vintage nostalgia, Marei1998 offers a twist on classic luxury, reviving traditional styles like the robe coat and wrap dress. The brand’s claim to fame is its faux fur coats, which have become a celebrity-approved go-to for a sustainable statement. Last year, Marei1998’s eco-fur was spotted on model Bella Hadid and actress Priyanka Chopra.
Marei1998 has presented its collection in Milan the past few seasons and has had several successful trunk shows with online retailer Moda Operandi, which says “the young Israeli is living proof that elegance doesn’t come with age.”
A by Anabelle
Anabelle Tsitsin, the 26-year-old designer behind celebrity-approved shoe brand A by Anabelle, drew upon her background in fine arts to launch a collection of luxury footwear in 2016 that features unexpected and playful embellishments like crystals, feathers and fur. All the shoes are made of Italian leather and fabrics in Parabiago, a town just outside Milan known for its history of footwear craftsmanship.
The brand’s signature style features an architectural A-shaped heel, worn by celebrities like Victoria’s Secret model Josephine Skriver and actresses Katharine McPhee and Logan Browning. In 2017, Halle Berry wore A by Anabelle’s lace-up “starlette” shoes during an interview with Ellen DeGeneres on The Ellen Show.
Although based in Israel, the brand has started to make its rounds on the international style scene and social media thanks to influencers and fashion bloggers like Maja Malnar, Camila Carril and Cristina Musacchio.
Nili Lotan
Israeli-born, New York-based designer Nili Lotan launched her namesake brand in 2003. The label, which revolves around timeless slip dresses, simple cargo pants and elevated basics, is tomboy meets luxury, making it a go-to for model-off-duty style.
Though Nili Lotan has been a mainstay in Tribeca since the store opened in 2006, it has been pushed toward the spotlight in the last several years thanks to an ever-expanding list of celebrity followers, like Gigi Hadid, Rihanna, Jennifer Lawrence, Gwyneth Paltrow and Kaia Gerber. The brand has been referred to as Hadid’s “wardrobe secret weapon” by Vogue, with frequent images of the model in Lotan’s designs flooding Instagram.
Galia Lahav
Best known for couture wedding gowns, Galia Lahav is one of the major players in the wave of Israeli designers making a mark on the international bridal industry.
Led by head designer Sharon Sever, the brand’s embellished, forward-thinking designs have been worn by Beyoncé, Serena Williams, Ciara, Jennifer Lopez and many others – Lahav made headlines when Beyoncé chose a dress from the label’s Victorian Affinity collection to renew her vows with husband Jay-Z. Another defining moment came when the designer created six custom-made, cream-coloured gowns for Williams’ wedding party.
Dresses from Lahav’s line of evening wear have made frequent red carpet appearances, with their plunging necklines and figure-hugging sequins adorning stars like model Shanina Shaik, actress Sarah Hyland and singers Ciara and Halsey.
Alon Livne
While Alon Livne opened his Soho, N.Y., atelier and ready-to-wear showroom in 2017, he has been designing under the label Alon Livne since he founded his studio in Tel Aviv in 2010.
With three separate lines – bridal, evening and ready-to-wear – Livne has gained a following of international brides, celebrities and lovers of bold, fearless fashion.
Lady Gaga is among the brand’s A-list fans, having worn several custom gowns by Livne over the last years. His avant-garde, innovative designs have also been worn by Beyoncé, Nikki Minaj, Jennifer Lopez, Naomi Campbell and many others. One of his dresses made waves when it was worn by actor Johanna Mason in the film Mockingjay, part of the four-movie Hunger Games franchise.
Inbal Dror
Inbal Dror began designing wedding dresses in 2014, pioneering the style of the “red carpet bride,” with her glamorous, figure-hugging styles that were new to the bridal industry at the time.
Since then, the brand has dressed high-profile brides around the world. In 2017, Dror was contacted by the royal family about possibly making the wedding dress for Meghan Markle’s wedding to Prince Harry. Though the newly appointed Duchess of Sussex chose a different dress in the end, the famous inquiry solidified Dror as one of the biggest names in bridal.
Dror had previously dressed Beyoncé for the Grammys in 2016, proving that wedding dresses aren’t just for brides.
Tuxe
When Meghan Markle wore a silk Boss bodysuit by Israeli designer Tuxe for an evening out with Prince Harry in February 2018, the style was immediately backordered until May.
Tuxe was founded by Tamar Daniel, who was born in Jerusalem, raised in London, and graduated from the Shenkar College in Ramat Gan. She founded her Philadelphia-based bodywear line in 2015, focusing on transforming the bodysuit, once a 1990s staple, into a chic, modern garment.
Her collection includes a range of bodysuits with names like Boss, CEO, Pacesetter, Game Changer and Expert, and has become particularly popular with professionals and religious communities, Daniel told Vogue in an interview. Prices range from about $80 for a simple sleeveless bodysuit to $463 for a cashmere turtleneck version.
“We’ve been royally approved!” the brand posted on Instagram after Markle was photographed wearing the bodysuit. “We absolutely love Meghan for all she has done for women’s rights and are honoured to be worn by someone who encapsulates what we stand for as a brand. She uses her spotlight to be an inspiration and she definitely is to us!”
Israel21cis a nonprofit educational foundation with a mission to focus media and public attention on the 21st-century Israel that exists beyond the conflict. For more, or to donate, visit israel21c.org.
(Michel Rathwell) .משרדי הרשות המיסוי הקנדית באוטווה
רשות המיסוי הקנדית (הסי.אר.איי) הודיעה במהלך החודש שעבר לארגון היהודי-חרדי “בית עולות” מטורונטו, כי הוא יאבד את מעמדו כגוף צדקה לצורכי מס. זאת כיוון שהארגון העביר תרומות למכינות קדם-צבאיות בישראל ולגופים הנמצאים מעבר לקו הירוק. לפי תקנות המיסוי בקנדה “בית עולות” עבר על כללי החוק הקנדי למתן תרומות מצד קרנות צדקה. “בית עולות” כך התברר תרם כספים לפרוייקטים הקשורים לצה”ל בניגוד לכללי המס בקנדה. במקרה כזה הארגון לא זכאי לפטור במס. כן גם התורמים שלו עצמם לא זכאים לפטורים במס. על פי רשות המיסוי הקנדית תרומות הכספים למכינות הצבאיות על ידי הארגון שיפרו את היעילות של הצבא הישראלי. המידע בעניין “בית עולות” פורסם לאחרונה ברשת החדשות המקומית גלובל ניוז.
הארגון “בית עולות” הוא גוף צדקה יהודי-קנדי שמגייס מדי שנה עשרות מיליוני דולרים למטרות יהודיות, שחלקם הגדול מיועדים לישראל. הארגון פועל מאז אלף תשע מאות ושמונים והוא ממקום במקום השישים ושניים, בקרב רשימת העמותות לצדקה הפועלות בקנדה. בשנת אלפיים ושבעה עשרה “בית עולות” גייס תרומות בהיקף שישים ואחד מיליון דולר קנדי. שנה קודם לכן הוא גייס תרומות בהיקף ארבעים וחמישה מיליון דולר. ואילו באלפיים וחמש עשרה גוייסו ארבעים ושניים מיליון דולר. מרבית הכספים מועברים כתרומות לפרוייקטים מחוץ לקנדה. ולכן “בית עולות” נמצא במקום החמישה עשר בקרב רשימת העומותות הקנדיות לצדקה שמעבירות כספים לחו”ל.
רשות המס הקנדית שביצעה בדיקה בנושא “בית עולות” הודיעה לראשיו כי תרומותיו של הארגון למכינות קדם-צבאיות מהוות בפועל תמיכה בצה”ל. בנוסף נטען כי מדובר בהפרה של התנאים המחייבים גופי צדקה שפועלים שלא למטרות רווח, לא לתרום לפרוייקטים צבאים זרים. אז כספים שנתרמו על ידי תורמים שונים לא יוכרו כהוצאה מוכרת לצורכי מס. לא ברור בשלב זה כמה בדיוק כסף העביר “בית עולות” למכינות הצבאיות בישראל, ולאן בדיוק הכסף יועד.
“בית עולות” דחה את הפרשנות של ממשלת קנדה. בארגון אומרים כי התרומות נועדו לתמוך בפעילות חינוכית ודתית במכינות הצבאיות ולא לסיוע ישיר לצבא הישראל.
במקביל לתלונה בנוגע להעברת תרומות למכינות הצבאיות טוענת רשות המיסוי הקנדית, כי “בית עולות” תרם מיליון ומאתיים אלף דולר קנדי לגופים בשטחים הכבושים. בממשלת קנדה אומרים: סיוע להתנחלויות הישראליות בשטחים הכבושים עומד בניגוד למדיניות הציבורית של קנדה, וכן בניגוד לחוק הבינלאומי. ב”בית עולות” אמרו בתגובה לכך כי התרומות היו מיועדות לתמיכה במשפחות חלשות, בעיקר מהמגזר החרדי הגרות בשטחים. ברשות המיסוי הקנדית לא מקבלים את הסברי הארגון היהודי.
כפי שפרסמנו לאחרונה רשות המיסוי הקנדית בודקת מזה מספר שנים את פעילותה של קרן קיימת קנדה, לאור מידע שהתקבל לידיה כי הארגון עבר על כללי החוק הקנדי למתן תרומות מצד קרנות צדקה, ותרמה כספים לפרוייקטים הקשורים לצה”ל.
בקרן קיימת קנדה הגיבו לדבר החקירה בעניינם: “קרן קיימת קנדה תמשיך לעבוד במשותף עם רשות המיסוי לבדיקת הפעילויות שלנו. בעבר היינו מעורבים בפעילויות צדקה הקשורות בעקיפין בצה”ל. רבים מהפרוייקטים היו לטובת בין היתר איכות החיים של החילים ובני משפחותיהם. כל הפרוייקטים האלה נמצאים על שטחים השייכים לצה”ל והכסף לא הועבר לצבא. אנו לא ידענו שהפרוייקטים שלנו יהיו מטרה לחקירה של רשות המיסוי הקנדית, כיוון שהם נמצאים על אדמה בבעלות צה”ל. מייד שקיבלנו מידע על כך הפסקנו את התמיכה בפרוייקטים אלה. מזה מספר שנים אנו לא תורמים כספים לפרוייקטים על אדמת בצה”ל”.
“I could not let it go on without being there to see the outcome,” Adi Salant told the Independent in a phone interview from Israel about the new work she is creating with Ballet BC. The piece will have its première Feb. 28-March 2 at Queen Elizabeth Theatre.
Salant was in Vancouver last August to work with the company and she was scheduled to return here earlier this week to help prepare for the performances.
“The [creative] process was split into two periods,” she explained, “and I was there for three weeks [in the summer], building the major part of the piece. Now I’m coming, it’s more the last adjustments, refining, rethinking, being open to the suggestions that will happen, but most of it is ready and they are working on it now, preparing it for my arrival. I’m very excited to meet them and meet the piece again because it’s been awhile.”
Salant knows Ballet BC artistic director Emily Molnar from the world of dance in general, but the two really connected just over two years ago, when Salant was invited to be one of the choreographers taking part in the inaugural Creative Gesture, a residency program led by Molnar and program head Stephen Laks at the Banff Centre. For the program, Salant had to create a short piece for the young dancers, who attended the residency from several countries, “to see how it is to work professionally.”
“I really enjoyed the energy there and the way I worked with the dancers. And she [Molnar] believed in me and gave me the opportunity to come and work with her company.”
Creating something in two time periods is interesting, said Salant. “It gives you time to reflect and to visit it with videos, or in my mind or afterthoughts of what happened. Even though I’m not there [in Vancouver], it’s like I stayed with the dancers. I got to know them.”
The limited amount of time made the work more intense, she said, “because both the dancers and I know, OK, we have now three weeks. There’s engagement and we’re just going for it.”
The piece involves many dancers. “I knew I wanted a feeling of a big group,” said Salant. “I think there will be 17 people, if I’m not mistaken. I fell in love with all of them and we want to use everybody…. I enjoyed so much and appreciated so much the energy and open hearts, and diving in with me to the unknown.”
In considering the piece about to be performed, as well as her previous works, Salant said, “I am just so fascinated by life – the everyday kind of life and the demands of life and the struggles. Some people, they create from what they dream about; I’m more about what I’m experiencing every day, so that’s the energy [of the new piece]. It’s about how, in life, you can plan and plan, but you can meet someone … if it’s a job interview or, for our profession, if it’s an audition, so he chooses, yes you are in, no you are out, and how [that concept] applies to the rest of your life. Or where you’re born … if you’re born into this kind of society or this kind of place, it’s also affecting you…. You can aim, but, in the end, we divide: you go there, you go there, you yes, you no, you up, you stay there, you down.”
Salant has been dancing since she was a young girl. “I started to dance in Bat-Dor dance group in Tel Aviv when I was 6…. When I graduated high school, I went for an audition … and, lucky for me, I was the one that got the yes.”
After two years at Batsheva Dance Company, she was invited to join the main company, with which she danced for five years. “Then I left, but I stayed in a very close relationship professionally with Ohad Naharin [then-artistic director of Batsheva], staging his works all over the world … and setting his repertoire for different companies – this is actually where I met Stephen, who I mentioned before. He was dancing in Les Grands Ballets Canadiens. It’s very nice and very exciting for me to look back and to realize, on this journey, I have met so many people.”
Members of her generation of dancers are now leading companies, choreographing and teaching, she said. “It’s really nice to see, and I enjoy very good and close relationships with my colleagues and we continue to share our passion in that way.”
Salant returned to Batsheva in 2009, but, she said, “this time, Ohad invited me as the co-artistic director.” She held that position until October 2017, when she struck out on her own.
“It’s part of my journey – all the tools that I collected until now and the experiences, and having actually more time now that I’m not directing a very busy company and dealing with the schedule of the company,” she said. “Now I have my schedule, and [am] owning my time in a way. I put the focus on choreographing and teaching workshops around the globe.”
Salant said she has created a motto of sorts for work, “Adi – Life is Moving,” “because I really enjoy meeting with people and, [while] it’s true that I’m coming to teach dance to them, I really connect it to life, and their life and how their emotions and, again, like I said about my work, this piece, it’s the same when I’m teaching or when I’m working now with the dancers of Ballet BC. Yes, I’m giving them the movements but I’m all the time connecting it to life, to the everyday behaviour. That’s what I’m aiming for.”
Salant teaches in various places around the world. This April, for example, she will be in Los Angeles for a week. “It’s called the Gypsy Project…. It’s the second time that I am involved there,” she said. “I’m looking forward to go, and to share and to learn and to deepen my knowledge and understanding.”
Salant reiterated her appreciation for Molnar. “As I said, I left my job as the co-artistic director and it’s, of course, a demanding job and you’re recognized with this position and with this place…. When I left and wanted to now continue to choreograph, because I did choreograph before, but I put it on hold because it was too intensive with the company life and, of course, I have three kids, something had to wait … Emily really was the first to open her door and believe fully. It’s not something that you see so often, that you feel that someone believes in you and takes a chance and appreciates who you are, knows your strengths and believes in your strength, no matter your title.”
Salant has enjoyed working with Ballet BC. “I had an amazing meeting with the dancers,” she said. “They inspired me and moved me a lot, so I really can’t wait to come back on Monday [Feb. 11], even though I miss my family. I have to leave three kids behind, and that’s the hardest part, but I’m happy that we can share again our time together and bring it on stage and to the audience what we did.”
Salant and her husband, Jesper Thirup Hansen, have two daughters, 10 and 8, and a 5-and-a-half-year-old son. Thirup Hansen is a physiotherapist. “I met him in Batsheva, he was a dancer, he is Danish,” said Salant. “Actually, they joined me in the summer in Vancouver; the whole family came. They had such a great time. I came to their place from work, and they told me all the fabulous things they did that day.”
For tickets to Ballet BC’s Program 2, visit balletbc.com.