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A life of music and activism

A life of music and activism

Gary Cristall (photo by Brian Nation)

‘My Jewish identity has always been associated with the struggle for basic human values and rights and freedoms,” said Gary Cristall, co-founder of the Vancouver Folk Music Festival, in conversation with the Jewish Independent. “I thought that was the centre, was the core of being Jewish. That was the way I was raised and the stories that were told. I had two identifications with being Jewish – one was social justice, and the other was culinary. I worshipped at Schwartz’s Deli in Montreal.”

A longtime advocate for both the arts and progressive politics, whose passion was forged in the Canadian left of the 1950s and ’60s, Cristall is a cultural pioneer. He co-founded the Vancouver Folk Music Festival in 1978, later serving as its coordinator and artistic director until 1994.

As well as being an educator, activist and promoter, Cristall has fought for artists, struggling to win them professional respect while also defending their rights to fair fees and copyright ownership. For his range of work, he was awarded an honourary doctorate by the University of British Columbia in 2015 and was recognized as an outstanding alumnus of Simon Fraser University in 2017.

Cristall sees his involvement in activism and folk music as natural outgrowths of the culture in which he was raised. “Jews played a major role in folk music in this country, and in the States,” he said. “There were around 50 Jews who invented folk music. It was a conspiracy that was so successful no one understood what had happened.”

Cristall estimates that about 10,000 people attended the first Vancouver Folk Music Festival in 1978. This year’s festival, which takes place July 13-15, is expected to draw more than 35,000 people to Jericho Beach, where the event has been located since 1979. Seven stages are set up in the park and every available inch of parking space in the neighbourhood disappears. This year’s festival will present more than 50 concerts or workshops by artists from around the world, as well as an artisan market and a range of food vendors.

Beyond the festival, Cristall has served in the Canada Council for the Arts and was the founding president of the Public Service Alliance of Canada.

“When the CCA hired me, I was getting tired, getting ready to leave the festival, wondering what I would do next,” Cristall said. “When I saw the job ad, I thought, they’ll never hire me, but they’ll interview me and I’ll get a free trip to see my mother in Toronto. But they were looking to make a change, and they were interested in me because I was a shit-disturber and a rabble-rouser. They called my bluff, and said, ‘OK, you want to change things, come work for us.’”

Today, Cristall is at both Douglas College and Capilano University, where he teaches Canadian cultural policy and arts administration. He has spent 18 years working on a history of folk music in English-speaking Canada, which, he joked, is “1,200 pages written so far, a few hundred pages left to go.”

Asked about what he’s looking forward to at the festival year, Cristall reeled off a list of a dozen performers and what’s special about them. Among them, he mentioned Rodney Crowell, “a brilliant songwriter”; Guy Davis, a “great blues player, son of Ossie Davis and Ruby Dee, left-wing Harlem artists going way back”; Les Poules à Colin, “young people who are the children of that first revival generation of Quebecois folk music”; the Dead South, “Saskatchewan bluegrass”; Dálava, “a Moravian group doing avant-garde classical and folk and jazz music”; Dori Freeman, whose hometown, Galax, Va., “was a centre of old-timey music”; Vancouver’s Gord Grdina, who “plays the oud and is a brilliant guitar player, got a Juno, plays with a 10-piece band”; A Familia Machado, a “great guitar player playing with two members of his family from Brazil”; and Archie Roach “from Australia, a senior aboriginal songwriter.”

As he spoke, the enthusiasm poured off of him. Cristall is clearly still a man who loves music. “They’re the real thing,” he said. “That’s what I like about the folk festival, it’s the real thing.”

In his list of highlights, Cristall notably passed over most of the more well-known acts playing at the festival, names like Art Bergmann, Ry Cooder, the Mariel Buckley Band, Neko Case and indigenous artist and 2018 Juno nominee Iskwé. “What I love about the folk festival is not just seeing the big names, but seeing someone I never heard of before and come home loving,” said Cristall.

How does the world look to a longtime activist like Cristall? What’s his advice to the next generation?

“My hope is very much alive,” he said. “My Zaida was imprisoned for political activism, and he escaped and came to Canada. I’ve been active since 1965. We have to keep on fighting, nothing says we’re going to win quickly. I’m not pessimistic. Every movement has its ups and downs and nobody said that we were going to win fast and easy. My advice to younger people is get involved, educate yourself, learn and fight. That also connects to the kind of music [at the festival], both implicitly and explicitly – the music is a struggle to survive against the behemoth of capitalism and the fact that those artists have survived is a cultural victory. Hey, it’s too late to be pessimistic.”

For the full festival lineup and tickets, visit thefestival.bc.ca.

Matthew Gindin is a freelance journalist, writer and lecturer. He is Pacific correspondent for the CJN, writes regularly for the Forward, Tricycle and the Wisdom Daily, and has been published in Sojourners, Religion Dispatches and elsewhere. He can be found on Medium and Twitter.

Format ImagePosted on July 6, 2018July 5, 2018Author Matthew GindinCategories MusicTags activism, folk music, Gary Cristall, history
Once will be enough

Once will be enough

Gili Roskies and Adrian Glynn McMorran in Once at Granville Island Stage. (photo by Emily Cooper)

Walking into the Arts Club Theatre’s Granville Island Stage and seeing a bar set up on stage is usually not a big deal. But when it turns out that the bar is a working bar for theatre-goers, well, that is a nice twist.

Not only can you go up on stage to buy your drink, the cast of the play (musicians all) hang out and mingle and eventually start playing instruments as patrons stand about chatting. Then, as audience members make their way to their seats, just a few movements on stage get the set ready for the first scene.

Once is set in Dublin’s music scene and opens with the male lead, known only as “Guy” (Adrian Glynn McMorran), singing and playing guitar despondently in a bar. “Girl” (Jewish community member Gili Roskies) admires his singing and starts up a conversation about his songs. He explains that he wrote them for a girlfriend who left him and moved to New York, and now he’s giving up his music and devoting his time to working as a vacuum salesman. Girl convinces him to fix a vacuum she has and, as payment, she’ll play piano for him. They end up at a music store where the two sing the breakout hit “Falling Slowly.” Girl, a Czech immigrant, cannot afford her own piano, so the music storeowner lets her use his.

After that, Girl insinuates herself into Guy’s life. She bugs him to go after his former girlfriend and win her back with his songs, she signs him up for an open-mic night and she even makes an appointment with a banker on Guy’s behalf to get a loan to book a recording studio. (Though broke, with no collateral, Guy gets the loan by playing a song for the banker. Ahhh, if only that happened in real life.)

As to be expected, the two fall for each other, but keep things platonic, as Girl is actually married and might reconcile with her estranged husband; and, eventually, Guy sees the possibility of getting back with his girlfriend, too.

Despite the romantic settings and interactions between the two main characters, I was never fully engrossed in this play. I didn’t find the chemistry between Guy and Girl to be that captivating and I think I got somewhat annoyed by the mixed messages and constant back-and-forth of emotions demonstrated by Girl for Guy. Guy’s feelings for her were clear; Girl was all over the map.

There are also several long, convoluted stories that seem only to end in lame jokes, and some odd dance routines whose choreography I just didn’t get. In this case, as with many productions, I found the backstory more interesting.

Once is based on a 2007 Irish film in the musical drama genre. The sleeper hit was made for only $150,000 US and grossed more than $23 million US. Part of its success was no doubt due to winning audience awards at both the Sundance and Dublin film festivals, the Independent Spirit Award for best foreign film in 2007 and an Academy Award for best original song, “Falling Slowly,” in 2008. The soundtrack was nominated for a Grammy.

The musical did even better, winning eight of 11 Tony nominations on Broadway in 2012, including best musical, as well as a host of other awards for productions around the world.

“Falling Slowly” was written, composed and performed by the film’s co-stars, Glen Hansard and Markéta Irglová, specifically for the film and recorded by Hansard’s band, the Frames. Many of the other songs in the production were provided by Hansard and Irglová and gave them material to perform together in the years following the film’s release. The film’s director, John Carney, called Hansard and Irglová his Bogart and Bacall.

Unfortunately, that chemistry is nowhere to be found on stage at the Arts Club. Thankfully, their performance of “Falling Slowly” does justice to the original, and is one of the highlights of the play, as is an a cappella version of the song “Gold,” sung by the entire cast. The voices and musicianship are all of high quality and there is definitely sweetness in this play, but once was enough for me to see it.

Once runs until July 29 at the Arts Club Granville Island Stage. For tickets, visit artsclub.com.

Baila Lazarus is a Vancouver-based writer and principal media strategist at bailalazarus.com.

Format ImagePosted on July 6, 2018July 5, 2018Author Baila LazarusCategories Performing ArtsTags Arts Club, Gili Roskies, Ireland, musicals
Height of celebration

Height of celebration

Feeding time for the giraffes in Ramat Gan Safari Park on June 21, which was World Giraffe Day. (photo from Ashernet)

It is no coincidence that the day to raise public awareness of the tallest animal on earth takes place on the longest day of the year, at least in the northern hemisphere. In the world, there are nine sub-species of giraffes, all of which are categorized as endangered. Seven giraffes live in the Safari Park: Denisa, Daniela, Dikla, Diana, Dedi, Anton and Dadon. This year, Denisa, the Dutch-born giraffe who came to the safari when she was just 2 years old, broke a record when she passed the age of 28, becoming the oldest giraffe in any zoo.

Format ImagePosted on July 6, 2018July 5, 2018Author Edgar AsherCategories IsraelTags animals, giraffe, Ramat Gan Safari Park, zoo
הערים היקרות בעולם

הערים היקרות בעולם

הונג קונג (סין) היא העיר היקרה ביותר בעולם. (צילום: Estial)

מי אמר שקנדה יקרה: רק 5 ערים קנדיות ברשימת 209 הערים היקרות בעולם

חברת הייעוץ מרסר מפרסמת את הדוח השנתי ליוקר המחייה בעולם. המדד של מרסר המתפרסם זו השנה ה-24 ברציפות כולל 209 ערים, והוא מתבסס על בדיקת עלויות של למעלה מ-200 מוצרים שונים (כולל הוצאות לדיור, הוצאות על מזון, הוצאות על תחבורה, הוצאות על מוצרי צריכה לבית, הוצאות על ביגוד והוצאות על בידור).

קנדה שיש טוענים שהיא מדינה יקרה מיוצגת רק על ידי 5 ערים ברשימת 209 הערים היקרות בעולם. טורונטו במקום ה-109, ונקובר גם כן במקום ה-109, מונטריאול במקום ה-147, קלגרי במקום ה-154 ואוטווה במקום ה-160.

הונג קונג (סין) היא העיר היקרה ביותר בעולם. אחריה בעשירייה הראשונה: טוקיו (יפן), ציריך (שוויצריה), סינגפור (סינגפור), סאול (דרום קוריאה), לואנדה (אנגולה), שנחאי (סין), נג’מנה (צ’אד), בייג’ין (סין) וברן (שוויצריה).

העשירייה השנייה: ג’נבה (שוויצריה), שנז’ן (סין), ניו יורק (ארה”ב), קופנהגן (דנמרק), גונגג’ואו (סין), תל אביב (ישראל), מוסקבה (רוסיה), ליברוויל (גבון), ברזוויל (הרפובליקה של קונגו) ולונדון (בריטניה).

דיון בוועדת העלייה והקליטה של הכנסת להוקרת תרומת יהודי קנדה

ועדת העלייה, הקליטה והתפוצות של הכנסת קיימה דיון מיוחד להוקרת יהודי קנדה, ביום שלישי שעבר (ה-26 בחודש).

בקנדה חיים כיום למעלה מ-400 אלף יהודים ומדובר בקהילה השלישית או הרביעית בגודלה בעולם, מחוץ לישראל. מרבית היהודים בקנדה חיים בריכוזי הערים הגדולות: טורונטו ומנטריאול.

שגרירת קנדה בישראל, דבורה ליונס, שהשתתפה בדיון המיוחד של ועדת העלייה והקליטה, אמרה בין היתר כי היהודים החלו להגיע לקנדה כבר בשנת 1760. הפרלמנט הקנדי החליט כי חודש מאי יהיה חודש מורשת יהודי קנדה, מדי שנה. ליונס הדגישה כי קנדה תמשיך להילחם עד חורמה באנטישמיות ובתנועת החרם נגד ישראל והיהודים. ובמקביל קנדה תמשיך להנציח את זכר השואה תוך אמירת השבועה “לעולם לא עוד”. היהודים בקנדה ימשיכו להיות בטוחים ומוגנים כמו שאר האזרחים בקנדה.

ליונס עושה רבות לקירוב היחסים בין ישראלים לפלסטינים. במרץ אשתקד היא אירחה במעונה הרשמי כמאה נשים מתנועת “נשים עושות שלום”, המבקשת לקדם את הפיתרון הסכסוך בין שני העמים. האירוע לרגל יום האישה הבינלאומי, כלל את השתתפותן של 11 שגרירות שמהכנות בישראל (בהן מסלובניה, פינלנד ואירלנד). וכן שלוש סגניות שגרירים. ליונס אמרה באירוע: “התכנסו הערב, נשים מכל העולם, כדי לתת הכרה לתפקיד הקריטי שנשים ישראליות ופלסטיניות ממלאות בחברה כאן על כל רבדיה. אין מטרה נעלה יותר מאשר שלום במדינה. במיוחד היום כשאנו נושאות את מבטינו מסביב, אנו רואות מספר עולה וגובר של קונפליקטים, אשר גובים מחיר אנושי במיוחד מנשים וילדים. לכן מצאנו לנכון שהיום – יום האישה הבינלאומי, נישא על נס את התפקיד החשוב שממלאות חברות בארגון נשים, שעושות שלום ובקידום השלום. הטרמינולוגיה בה משתמשות הנשים הייתה ביטחון כולל על רבדיו השונים. ביטחון הוא לא רק צבא, אלה הוא גם ביטחון כללי, חברתי ואישי. אך מעבר להרחבת המושג, מדובר בשיתוף נשים בהליכים המובילים להסכמי שלום. כאשר נשים מעורבות במשא ומתן ההסכמים שנחתמים מכילים יותר ומחזיקים מעמד לטווח ארוך יותר. למרות זאת, כיום רק 9% מהנושאים ונותנים הינן נשים. ורק 4% מהחתומים על הסכמים הן נשים. משמעות הדבר היא בפועל כאשר מדובר בהחלטות קריטיות על ביטחון, ממשל, חוקים ותקציבים, כחצי מהאוכלוסיה נשארת מחוץ למעמד החשוב של קבלת החלטות. אנו תומכות במעורבות גוברת של נשים בחברה, דבר היביא לשיפור מצבה”.

Format ImagePosted on July 4, 2018June 28, 2018Author Roni RachmaniCategories עניין בחדשותTags Canada, Deborah Lyons, Diaspora, Knesset, most expensive cities in the world, women, דבורה ליונס, הערים היקרות בעולם, התפוצות, כנסת, נשים, קנדה
Encounters with the divine

Encounters with the divine

Barbara Pelman speaks at the opening of the exhibit Encounters, which is at Congregation Emanu-El in Victoria this summer. (photo by Frances Aknai)

On June 3, the exhibit Encounters opened at Congregation Emanu-El in Victoria. It is the culmination of the most recent Calling All Artists exchange, a project that has been going on for more than a decade.

“Bible has to be interpreted to be relevant,” said Barbara Pelman, coordinator of Calling All Artists since its inception. “All Renaissance art is Bible interpretation. That’s what we do with this project.”

In 2004, Pelman was the head of the adult education committee at the synagogue.

“Rabbi Harry [Brechner] came up with the idea to gather a bunch of artists and writers for a few study sessions to teach them a particular theme and its rabbinic interpretation,” she recalled. “I thought it was a wonderful idea. The sessions were conducted once a month for five months. Afterwards, the artists would offer their own interpretations of the theme, and the synagogue would have an exhibit of their works.”

While the congregation also produced colourful chapbooks – mini catalogues of the exhibitions – in previous years, they did not do so this year.

Over the course of the project, the artists have studied a variety of subjects. The first exchange was based on the topic of Paradise, and the exhibit was held in 2005. In subsequent years, themes have included dreams and prophecies; creation; the Book of Ruth; death and afterlife; and reinventing rituals.

“We missed a few years since the beginning,” said Pelman. “Once, we thought that maybe we are finished with the project and won’t do it anymore, but everyone involved said, ‘No! No! We should continue.’ Another year, holidays interfered.”

This year’s theme examines divine-human interactions.

“What happens in these encounters? What does one look like and how is it reported and remembered? What are some examples in biblical and rabbinical tales? How do we understand divinity and how does that understanding affect our worldview? These are some of the questions the artists of different genres have been exploring,” Pelman explained.

She said that not all participating artists are members of the congregation, or even Jewish. “The project is open to the community,” she said. “This year, 30 people signed up for the project; 17 artists remained to the end to exhibit their works. Five of them are not Jewish, but all of them are interested in learning.”

Studying with the rabbi is a mandatory part of Calling All Artists, Pelman said. “This entire project is about learning from those who know more than we do. The point is not to exhibit but to learn. That’s why the art is not vetted.”

photo - Encounters features a range of artistic genres, including pottery
Encounters features a range of artistic genres, including pottery. (photo by Frances Aknai)

Participating artists represent a wide variety of media and genres, as well as skill levels. Some participants are professionals; others do art as a hobby. The exhibits feature photographs and paintings, fibre art and pottery, sculpture and poetry. Every piece is accompanied by an explanation of the work by the artist.

Pelman is a poet, so her involvement in every year’s project has been a poem. For her, divinity is not an all-knowing old guy somewhere above. “It’s the biggest and best part of you, of us all,” she said. “How do we find it? How does it inform our muse?” This is what she contemplates in her poem for this year’s explorative journey.

Pelman worked as an English teacher for many years. She taught high school, college and university classes, and she has been writing poetry for a long time. “I have three poetry books published,” she said. “The last two by Ronsdale Press, a Vancouver publisher.”

Another frequent participant in the project, artist and writer Isa Milman, said, “I participated in the first Calling All Artists, The Paradise Project, in 2005. It was a spectacular experience. The combination of Rabbi Harry Brechner’s teaching, the group of artists who gathered and learned from each other, wrestling with text that most of us were unfamiliar with, was truly energizing. The process involved five sessions spread over a few months, to learn from Harry’s teachings and engage with one another, as we entered a spiritual quest for meaning. Then we went off to put our learning into practice and create our responses.”

Milman has taken part in a number of Calling All Artists projects. “I’ve written poems as well as created paintings for these projects,” she said. “Learning with Rabbi Harry is an inspiration. He’s a gifted teacher and a wonderful spiritual guide. My Jewish education was extremely Orthodox and doctrinaire and I rebelled against it. Learning Torah with Rabbi Harry is so different. It’s an invitation to engage and converse, which I so welcome.”

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on June 29, 2018June 28, 2018Author Olga LivshinCategories Visual ArtsTags art, Barbara Pelman, Emanu-El, Isa Milman, Judaism, spirituality, Victoria
Movement and sound mix

Movement and sound mix

Vanessa Goodman is part of MascallDance’s OW, which premières at Dancing on the Edge. (photo from DOTE)

Audiences saw a glimpse of MascallDance’s OW last year at Dancing on the Edge. This year, the full work premiéres at the dance festival, with six performances July 6-14 at MascallDance’s home, in St. Paul’s Anglican Church downtown.

OW “analyzes timing, accents and rhythms of the sounds that erupt from the body as expressions, building a libretto of repeatable human emotions. Exploration is physically challenging and unpredictable; what has emerged to date is fast, rhythmic, often wildly funny and noisy,” explains MascallDance’s website.

Jewish community member Vanessa Goodman, artistic director and choreographer of dance company Action at a Distance, is one of the dancers in OW.

“One of the interests in the work that we keep coming back to is finding out how sound moves the body and how the body moves sound,” Goodman told the Independent. “As we dive deeper into the process, we are often faced with more questions about accessing the authentic experience of voice and movement. We started by exploring what sounds come from the body with specific physicalities and then also tried to see what happened physically when we made specific sounds.”

Goodman has been involved in the project since 2012, when MascallDance Society founder and artistic director Jennifer Mascall started doing research with her “to explore some of the thematic content that is present in OW,” said Goodman. “Then I was brought back into the process in January 2017 to continue with Walter [Kubanek], Eloi [Homier] and Anne [Cooper].”

The website notes that 17 dancers perform in the production. Also performing will be composer and violist Stefan Smulovitz and specialist in experimental voice D.B. Boyko.

“One of the inspirations for this work,” said Goodman, “was musicals – we watched a lot of clips from older films and observed the complexity of their compositions. They use tons of counter and polyrhythms, and our material was set so that we could achieve a similar result. What you are going to see is definitely not a typical musical formula, but, inside OW, some elements have been inspired by their compositions.”

Goodman has worked with Mascall before.

“My first experience with Jennifer was in 2005, when I was a student at SFU [Simon Fraser University] and she created a piece in my rep class exploring the voice of Glenn Gould. One of my favourite memories from that experience was that she watched the piece from the corner one day in rehearsal. It was one of our final runs before the show and, after watching, she declared that was how the work was meant to be seen, so we adjusted our ‘front’ to this new diagonal perspective. I loved this, as it allowed us to have a brand new experience inside the work and showed me that the creative process is always in a state of evolution.”

Working with Mascall “is fantastic,” said Goodman. “She has a deep practice of finding movement for the body from physiological systems. This is a vibrant place to work from, and I am also interested in anatomical processes and how they relate to movement.”

One of the most rewarding aspects of OW for Goodman has been working with all of the production’s collaborators. “Each artist involved on the team offers unique and critical information,” she said. “Performatively, this process has expanded my practice and has allowed me to discover new interests and curiosities.”

Dancing on the Edge runs July 5-14. For the schedule and tickets, visit dancingontheedge.org.

 

Format ImagePosted on June 29, 2018June 28, 2018Author Cynthia RamsayCategories Performing ArtsTags dance, Dancing on the Edge, DOTE, MascallDance, Vanessa Goodman

The pot talk we need

Last week, Prime Minister Justin Trudeau announced that marijuana would become legal in Canada on Oct. 17. He had intended that it should be legal this Sunday – Canada Day. But the Senate, rousing itself from obsolescence just long enough to throw a wrench in the plans, delayed passage of the pot legalization bill until this month, making implementation by Canada Day impossible.

This may not seem like a particularly relevant topic for a Jewish newspaper editorial, but substance use is just as relevant in our community as it is in any. A few years ago, a panel discussion took place at Schara Tzedeck Synagogue on the topic. Prof. Raphael Mechoulam, a chemist and expert on marijuana’s medicinal uses visiting from the Hebrew University of Jerusalem, and Dr. Kathryn Selby, a University of British Columbia clinical professor in pediatric developmental neurosciences, took opposing sides.

Mechoulam said that cannabidiol (CBD), a component in marijuana, may have medical uses “in almost all diseases affecting humans.” However, little scientific research has been done.

Cannabinoid receptors are abundant in several regions of the brain, including those where movement control, learning and memory, stress, cognitive function and links between cerebral hemispheres occur. CBD can also impact appetite, blood pressure, cerebral blood flow, the immune system and inflammation. It can, in some cases, reduce or eliminate seizures and cancerous tumours.

But Selby raised an issue that has gone almost entirely ignored throughout Canada’s national discussion about marijuana legalization.

Marijuana can have deeply deleterious effects on the brains of adolescents and young adults, altering the brain’s structure and function in lifelong ways. The development of the human brain continues into the 20s, Selby said, and the prefrontal cortex, where judgment and executive functions occur, is the last to develop – thus the most likely to be affected by intensive marijuana use.

Longer-term impacts of marijuana use by adolescents have been shown to correlate with schizophrenia later in life and a 50% to 200% increase in psychoses among heavy users. Daily marijuana use during high school has been correlated with a 600% increase in depression and anxiety in later life.

Selby recommended that marijuana use, if undertaken at all, should be “as late and as little as possible.”

During the national discussion around this issue, much concern was expressed about the ability of law enforcement officials to identify and measure marijuana impairment among drivers. Almost no discussion was devoted to the effects of marijuana on developing brains.

Part of the reason for delaying legalization until October was to allow provincial and municipal governments to prepare for the related distribution, legal and other public policy issues legalization raises. While criminal law is a federal issue – marijuana legalization is on Ottawa’s plate – it is the provinces that determine where, how and to what consumers the “product” may be marketed. In Alberta and Quebec, the age will be 18; in the other provinces, 19. (Most provinces have made the decision to create equal ages of majority for alcohol and marijuana purchase.)

Alcohol has its own harmful impacts on the bodies of young (and older) people, but marijuana may have particular harms on the development of adolescent and young adult brains.

Once the brain is fully developed, by the mid-20s, the dangers of permanent damage by marijuana use are significantly reduced. This scientific evidence – not the fairly random legal decision to permit consumption at age 18 or 19 – should perhaps have received more attention than it has. Given that it did not, it now falls to parents, grandparents, trusted adults and educators to share with young people the potential harm heavy marijuana use has for adolescents and young adults.

It is time Canada moved away from prohibition and towards a compassionate model that reduces and minimizes the harm that stems from fear and a lack of evidence-based policies. Fear-mongering is a waste of time – and marijuana’s positive impacts can’t be denied.

However, for those of us with young people in our lives, a good approach is to model the moderate use of all substances, to leave open lines of nonjudgmental communication (however hard that is) and to demonstrate for one another how to make wise and healthy choices. Sharing information in a rational way and asking young people to avoid heavy use or to delay if possible is the least we can do. It is our hope, too, that pot companies will temper their impulses to capitalize on every opportunity and avoid marketing edibles made to appeal to children and teens so that we’re not fighting an uphill battle. Healthy communities with resilient kids are a group effort.

Posted on June 29, 2018June 28, 2018Author The Editorial BoardCategories From the JITags Canada, children, health, legalization, marijuana, politics, science, teens

Do you have a gratitude list?

Ever had coffee with a friend and complained the whole time? As the gripe session takes a downward spiral, I often feel worse than I did beforehand. I’ve taken time off to see a friend … and we may be smiling, but we’re dumping negativity on each other.

True, we need to get those feelings out, but repeating bad thoughts without finding upbeat solutions doesn’t do us any good. The mind creates an “alternate reality” in which we only see the negatives. Plus, by doing this with someone else, we compound the bad experience. How do we change our inner narrative?

Recent neuroscience and psychology research indicates that consciously creating a daily gratitude list may help us feel better. This rewires the brain, helping us get rid of toxic feelings in order to embrace the good ones. If you’re Jewish and traditionally religious, this may not be news. The world’s major religions feature “gratitude lists” in daily prayers. If you already pray – and you pay attention to those thanksgiving prayers we do each day – you may provide yourself with a more positive outlook, even if those prayers aren’t necessarily personalized ones.

It’s great to have a gratitude list “built in,” but, if you don’t do formal prayer, for whatever reason, you can still create an informal gratitude list. Here are some tips to get started.

1) Food. Most Canadians are lucky, we have enough food. Choose things that taste good – and be grateful. Think about it. While you’re at it, consider what it’s like to be hungry. If you can afford to donate to the food bank or provide food for others, that’s a great way to show your gratitude.

Most of us know the Hamotzi, the blessing over bread, or the Kiddush, over wine or grape juice. You could push yourself just a bit farther and think about learning the blessings for other foods. Even if you aren’t saying a blessing each time you eat, even a moment of gratitude for food is worth it.

2) Sleep. There’s a reason that sleep deprivation is used as a form of torture. If you’ve gone without sleep for extended periods – parents, this means you! – you know that having uninterrupted, deep sleep is something to appreciate. I am grateful every day that I get more than six hours of resting horizontally. In that hazy space after waking up and before getting out of bed, relish that feeling of rest. Anyone with a small child knows you can’t be sure when you’ll next get enough sleep, so enjoy it whenever you can.

We’ve got prayers for this, too, of course. We say Modeh Ani when we get up, expressing thanks for “returning our soul” after waking up from sleep. Another prayer thanks G-d for giving the tired strength. I often look around at a service when this is said and think about how we all keep on keepin’ on, getting things done even when we feel exhausted.

3) Housing. Did you sleep in a safe place? Are you able to eat your meals indoors when it’s cold out? Not everyone has this opportunity. Stable access to affordable housing is a Canadian problem. There are days when we all worry that we cannot afford to keep up with housing maintenance. However, there is nothing better than a cozy, warm space indoors during a rainstorm. If you feel thankful to have a safe, comfortable home, consider those who don’t. Homelessness is a Canadian problem. Together, we can think of positive solutions beyond a gratitude list, but we work together better by taking care of ourselves first.

The prayer for this? Birkat Habayit. Different versions include verses from the Torah. The summary? Let this be a peaceful, joyful house, without discord, fear or conflict. Let there be knowledge, wisdom and learning in this home. Let it be filled with holiness, G-d’s presence and beauty.

4) The weather and our natural world. Canadians love to moan about weather. It’s a popular hobby. Yet, we have access to four amazing seasons. Jewish prayers include mention of rain, the growth of crops and animals, sunshine, and even the arrangement of the stars in the firmament. That’s pretty great stuff in there. I’m pretty inspired by nature, growing things and the earth when I read the liturgy carefully.

5) Our bodies. Did you know that many faith traditions have specific ways to appreciate how our bodies are made? It can be amazing to acknowledge how cleverly our bodies work. When you exercise next, even if it is walking to the corner, consider how well things function. Even moderate amounts of exercise keep us healthy and make us feel good. The next time you play a musical instrument, sing, talk, laugh, smell a scent or breathe? Remember to be grateful it’s all working mostly as it should.

Our liturgy includes Asher Yatzar, a prayer that acknowledges how amazing it is that our bodily functions (like going to the bathroom regularly) work so well. Without this functionality, we couldn’t use our bodies to their greatest potential.

6) Our clothing. Are you dry and comfortable? Warm or cool according to the season? Humans used to spin, weave, knit, crochet and sew everything they wore by hand. We’re lucky that our “modern” clothes are easy to come by, but disposable clothing doesn’t show gratitude towards the earth or those who made the clothes. Another aspect of thankfulness is to make things last – to take care of our clothes, mend them, wash them and pass them along when they’re no longer needed. If we value well-made, long-lasting clothes, we also help others stay warm and clothed by using less.

We recite the Malbish Arumim, thanking G-d for clothing the naked. It’s a chance to remember how lucky we are to have the right clothing for the season, occasion and our needs.

Focusing on gratitude doesn’t mean ignoring bad stuff. We can’t (and shouldn’t) screen out the world news, suffering, or upsetting things that happen every day. However, being thankful for small, everyday things can make us better able to cope. Research indicates that it can ease depression, make us more patient, better at taking care of ourselves and our relationships, and help keep us on an even keel, where we might do things in moderation: sleep well, eat less and maintain a sustainable feeling of contentment.

These are many reasons to figure out why we’re thankful – every day. If you voice your thanks to others, you’ll be using good manners. All could benefit from an increase in honest, well-intentioned civility! Pay it forward. Pass along these good feelings of gratitude about what we have. I’ll start. Thank you for reading this – and thinking about gratitude.

Joanne Seiff writes regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. See more about her at joanneseiff.blogspot.com.

Posted on June 29, 2018June 28, 2018Author Joanne SeiffCategories Op-EdTags gratitude, Judaism, philosophy
A chuppah for another 150

A chuppah for another 150

Congregation Emanu-El’s chuppah is on display throughout the summer. (photo by Janna Ginsberg Bleviss)

Congregation Emanu-El in Victoria is celebrating its 155th year. It is marking the occasion, in part, with the art exhibit Encounters, as well as by displaying a quilted chuppah that was created by a group of women in the community for the congregation’s 150th birthday.

The creation of the quilt was spearheaded by Janna Ginsberg Bleviss, who talked with the Independent about this unusual project.

“Five years ago, when Congregation Emanu-El was celebrating its 150th anniversary, I was active with a couple of projects,” she said, “and I was looking for a specific art project. Rabbi Harry Brechner suggested a new chuppah.”

The original chuppah of Emanu-El has a long history. According to Ginsberg Bleviss, it dated from 1864. Made in England from Chinese silk with gold embroidery, it was donated to the synagogue by the Hebrew Ladies of Victoria. Throughout the intervening century and a half, it had been used repeatedly. Of course, by 2013, it was showing its age. “It was frayed and tired looking,” said Ginsberg Bleviss.

The congregation needed a new chuppah, but was unsure how to approach the making of a new one. “Rabbi Harry directed me to Colleen Golumbia, a gifted quilter and fabric artist,” recalled Ginsberg Bleviss. “I had seen her work at the shul’s Calling All Artists displays and I thought that a fabric project would be suitable for the chuppah, as I already knew many textile artists. Colleen agreed to work with me, to coordinate putting the pieces together and make it look like a chuppah. She was absolutely the right person to be involved.”

Golumbia decided the chuppah would feature a central panel surrounded by 12 squares. “Colleen designed the gorgeous centre piece, resembling the stained glass window in the sanctuary ceiling, with colours of gold, red, white and blue,” said Ginsberg Bleviss.

Meanwhile, Ginsberg Bleviss put out a call and found 12 women interested in creating the surrounding panels. In the end, 14 women worked on the project.

“These women ranged in ages, the oldest [then] being 86. They came from Victoria, [elsewhere on] Vancouver Island and even as far away as Washington, D.C. Some were professional artists, some were experienced sewers or quilters or knitters, some worked in fabric from time to time and some took it on as a challenge. They were all pleased to participate in this project. Although not all were synagogue members, all were connected in some way to Congregation Emanu-El.”

Golumbia gave snatches of fabric to everyone in the colours of her portrayal of the stained glass window, thus linking the whole composition by colour; other than that, every participating woman had full creative freedom. Ginsberg Bleviss recalled: “I was frustrated at first because I kept asking Colleen: ‘Don’t you want to give them some directions?’ She didn’t.”

The artists got together a few times anyway, to share and learn from one another. Since they didn’t all live in Victoria, they mostly communicated through emails circulated by Ginsberg Bleviss.

photo - Each panel was created by a different artist. Annette Wigod sewed Shabbat candles, using an antique doily as the tablecloth and Phyllis Serota painted fish coming toward a Magen David (acrylic on canvas)
Each panel was created by a different artist. Annette Wigod sewed Shabbat candles, using an antique doily as the tablecloth and Phyllis Serota painted fish coming toward a Magen David (acrylic on canvas). (photos by Janna Ginsberg Bleviss)

“When the squares came in, the diversity and similarities were quite amazing. Many used the Magen David in various forms. There were images of Judaism, nature, light and colour. Some of the squares were abstract. Only one had words on it – the last piece that came in was from Washington, D.C. It said, ‘I am my beloved and my beloved is mine,’ which is often said at weddings. Done by Nancy Micklewright, it was a stunning gold stencil on a white background…. Phyllis Serota, known for her early fish paintings, painted fish coming into a Magen David centre. Annette Wigod, our oldest contributor, sewed Shabbat candles and used an antique doily as the tablecloth. Enid Elliot created a West Coast theme of oceans, mountains and sky. Arlene Ackerman, another experienced quilter, created pomegranates.”

The other participants included Narcis Kellow, Isa Milman, Jackie Saunders Ritchie, Natalie Beher, Charlotte Sutker, Gail Steinberg, Janis Diner Brinley and Barbara Horowitz.

“It was truly a communal effort, vibrant and colourful, meticulously sewn together,” Ginsberg Bleviss said. “Some squares were hand-stitched, some machine-stitched, some reflected quilting traditions, and some used appliqué. It was extremely varied. Colleen put all the pieces together and did the quilting lines. Several months later, in March 2013, we handed it to the synagogue as a donation from all the women…. It was too beautiful not to let others see it. We decided to place it in the sanctuary, where it has been ever since. Its first proper use came that same summer for the wedding of one of the artists and her partner.”

The old chuppah now resides at Royal B.C. Museum, although it was brought out for the 150th historical exhibit at Emanu-El.

Five years have passed since the new chuppah’s creation, and Ginsberg Bleviss thought it was time to display it to a wider audience.

“It was hanging in the sanctuary, with no explanation,” she said. “It kind of looked like a wall-hanging. I wanted to acknowledge the shul’s 155th anniversary this year and felt that there was still something to be learned about the chuppah and the process that went on in 2013. I wanted to move the chuppah to a more visible spot and give it some attention.”

Besides, everyone was getting older, she added. The oldest participant, Annette Wigod, is now 91. Ginsberg Bleviss wanted to give each woman a chance to talk about their pieces and what inspired them.

The new exhibit consists of the chuppah, the creators’ photographs and a story of each square.

“It is modern and beautiful, something that we could all be proud of,” said Ginsberg Bleviss. “I hope it might last as long as the original chuppah.”

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on June 29, 2018June 28, 2018Author Olga LivshinCategories Visual ArtsTags art, chuppah, Emanu-El, Janna Ginsberg Bleviss, Judaism, quilting, Victoria
#MeToo and education

#MeToo and education

Lu Winters, academic and student wellness counselor at King David High School. (photo from Lu Winters)

In the fourth of a series of articles on sexual harassment and violence in the Jewish community, the Jewish Independent speaks with Lu Winters of King David High School, Elana Stein Hain of the Shalom Hartman Institute and Rabbi Carey Brown of Temple Sholom.

The first step in reducing bullying and other abuse in schools is to work with the students, said Lu Winters, academic and student wellness counselor at King David High School.

“I build connections with students in class,” she told the Independent. “And, with various groups in the school, I sometimes take them on trips. After the connection has been built, then the helping relationship can happen. It can happen one-on-one, in groups, in gender groups and through workshops.

“At King David, I’ve created a wellness program. Each grade receives a workshop, or two or three, depending on what’s going on during the year, on specific topics that I think are age-appropriate. I wish I could do every workshop for every single grade, but then the academic part of school would fall to the wayside.

“We run workshops on topics like LGBTQ awareness; healthy relationships with your body; self-esteem; stress and anxiety; drugs and alcohol; choices and values; and sexual health.”

Since the start of the #MeToo movement, Winters has seen some momentum. People have a lot to say about the movement, she said. “We haven’t had a specific workshop about it this year, but it’s on my radar for next year. During our sexual health education classes, we do address sexual harassment and consent, including talking about the roles of everyone involved, people’s faith, and making appropriate decisions for themselves at the right time … what to do if, G-d forbid, anything happens: who to talk to, what kind of support you can get.”

photo - Elana Stein Hain, scholar resident and director of faculty at the Shalom Hartman Institute
Elana Stein Hain, scholar resident and director of faculty at the Shalom Hartman Institute. (photo from Elana Stein Hain)

In the greater Jewish educational sphere, the Shalom Hartman Institute has produced a series of videos about related topics and examines how scripture has educated Jews on the subject over the years. Elana Stein Hain, scholar resident and director of faculty, has been leading the project.

“What we do is essentially develop curriculum around challenges facing the Jewish people,” Stein Hain told the Independent. “And I wouldn’t even say it’s about developing curriculum as much as developing conceptual frameworks for thinking about issues that arise. We’re an educational think tank. We ask ourselves what issues are now facing the Jewish people and consider how to develop educational material that deepens how we think about these issues. Then, we speak with change agents in the Jewish community about some ways of thinking.”

Stein Hain and her team began by looking for Torah teachings that address the topic of harassment directly. They came up with a three-part video series, which launched with a presentation that addressed the question of how, as a 21st-century teacher, you can educate people with our most sacred text and have the value proposition of our most sacred text being very important and continuing to give us the wisdom we seek, said Stein Hain. “And, also, we address the absence or relative absence of women’s voices and women as an audience.”

The next video talk was by Dr. Paul Nahme, a member of the institute’s Created Equal Team. He speaks on how definitions of manhood are dependent on cultural context.

“There’s this ‘boys will be boys’ kind of assumption and he says that, actually, there are places in Jewish tradition where that assumption had been challenged,” explained Stein Hain. “Young men were being trained to not be bravado macho, arrogant and assertive – to instead be trained to think about what it means to have doubts, to need someone else’s help. That was in contrast to what masculinity was understood to be.”

The last talk in the series was done by another member of the team, Dr. Arielle Levites, who discusses the portrayal of women in some Jewish traditional texts.

“It’s a deep folk story about women who try to move beyond their station or to move beyond the assumptions of them being portrayed as monsters,” said Stein Hain. “And she relates that to the … women who come forward with claims of sexual harassment or sexual violence who become seen as the offending party, getting questioned and vilified in certain ways.”

All of the videos can be accessed at hartman.org.il.

“The idea is really to get to the root of education,” said Stein Hain. “We are glad that people are going to do trainings on sexual harassment, on mandated reporting and on how to respond in the moment. We’d like to get to the root thought process of a culture that has come to this. And we want to learn how we can educate better, so we can have an adaptive change in the way people think, talk and act. Then, society and the Jewish community in particular can be built upon a different foundation.”

The educational realm within synagogues has also felt reverberations of the #MeToo movement, according to Rabbi Carey Brown of Temple Sholom.

photo - Rabbi Carey Brown of Temple Sholom
Rabbi Carey Brown of Temple Sholom. (photo from Carey Brown)

“I have seen an incredible amount of conversation among rabbis about this issue,” said Brown. “Some have been from within female rabbinic circles of women … some confronting it … things that people had kept within themselves for years or decades … and, now, gaining the courage to talk about it – everything from struggles to trying to understand the situation insofar as its professional implications for female rabbis … major discussions are being had on the topic at our annual conferences.

“Within the congregation, I haven’t had any individuals come to talk to me about personal experience,” she said. “But I have had a sense that women are feeling more free to bring up topics having to do with abuse, with safety, within the congregation, [at the] board level or [from a] staff perspective.”

A couple of months ago, the synagogue’s Men’s Club had a program on the #MeToo movement and sexual harassment in the workplace, including panel discussion on the topic in which Brown participated.

“I was really glad they took the initiative to have this program,” said Brown. “This didn’t come from the rabbis; it came from their leadership wanting to have an opportunity to talk about it. The conversation was really good and those who attended were very engaged and didn’t want to leave.”

Brown spoke about the Jewish perspective, discussing its tradition of values and ideas around sexual harassment, as well as her own personal experience with harassment.

“We talked a lot about consent,” said the rabbi. “A few different pieces of Talmud were discussed. We looked at this one that was about what happens if a man – one who counts money for a woman from his hand to her hand in order to look upon her – even if he has accumulated knowledge of Torah and good deeds like Moses, he will not be absolved from punishment.

“We talked about how, if someone even has a good reputation in the community, is known for their knowledge, good deeds and business … if they are abusive or using their power in a way that puts someone else in a position in which they are abused and powerless … our tradition says that, no, that is not OK.”

Abuse can be as simple as the way one person looks at another – if there is a misuse of power or position to objectify someone, Jewish tradition says that is not acceptable, stressed Brown.

“We talked about how we need to stand up when someone is being objectified, abused or put into a difficult situation,” she said. “That is part of our Jewish imperative – not to look away. It is part of what the Torah teaches us: that we can’t be indifferent and we must act.”

Over the years, Brown has had inappropriate comments directed at her. She said, “I’ve received comments like, ‘You don’t look like a rabbi’ or ‘If my rabbi looked like you, I’d have gone to shul a lot more when I was younger,’ or comments on my clothing and hair, and such.

“I mentioned at the event with the Men’s Club that my experience, both in Vancouver at Temple Sholom and in Boston, has been that the longer that I am the rabbi of a community, the stronger the relationships. And, I feel some of those things begin to fade away … within the regular, active population of the synagogue.

“It’s often when I’m in a new environment with people who don’t know me – at a shivah minyan, a wedding or something like that – my antennae go up. I’m very aware that it’s very likely I’ll get comments that are really inappropriate or that I have to psyche myself up a little bit to deal with.

“If I’m at a shivah minyan, I’m there to comfort the bereaved. I’m generally not going to confront in that situation,” she said. “I will take it with a grain of salt and maybe grumble about it to a friend. But, sometimes I’ll say, ‘That’s not appropriate.’ Sometimes, I’ll hear things like, ‘I’ve never kissed a rabbi before.’ And, I’ll say, ‘Well, we don’t need to kiss.’ I’ll push back a little bit to establish some boundaries.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on June 29, 2018June 28, 2018Author Rebeca KuropatwaCategories LifeTags #MeToo, Carey Brown, Created Equal, education, Elana Stein Hain, harassment, KDHS, King David High School, Lu Winters, Shalom Hartman Institute, Temple Sholom

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