Byline: Cynthia Ramsay

Emanuel busy making music

Megan Emanuel of the band Hello Victim. She and bandmates Adam Wilson and Spencer Daley released the single “Out of It Alive” on April 2. (photo from Megan Emanuel)

Megan Emanuel released a new single this month with her band Hello Victim and, last month, she launched a bi-weekly virtual concert series with fellow Jewish Vancouverite Andy Schichter, co-owner of Park Sound Studio.

“The concerts benefit local artists who have lost their income due to COVID-19 gathering restrictions,” Emanuel wrote in an email to the Independent. “Our weekly goal is $1,000 to split amongst the artists … to cover things like groceries and basic bills. Anything over $1,000 is donated to the Greater Vancouver Food Bank.”

The next concert will be live on Instagram (@parksoundbc) on May 2.

“Of course, the money isn’t the only important thing,” Emanuel noted, “and some of our favourite feedback from audience members has been their appreciation of the ability to feel somewhat ‘normal’ for a couple of hours, like there’s still a vibrant arts culture in Vancouver.”

Schichter has co-owned Park Sound Studio in North Vancouver with Emanuel’s fiancé, Dan Ponich, since 2017.

“When the pandemic hit, it was immediately apparent that musicians were going to be hit extremely hard,” Emanuel told the Independent. “Many artists work service industry jobs in order to maintain a lifestyle that allows for gig work and touring, and the rug was just pulled right out from under them and there seemed to be a need for relief. I contacted Andy because he is an organizational phenom and pretty familiar with putting shows together since Park Sound was hosting monthly showcases prior to all of this. We pulled the first virtual concert off days after chatting about it and were able to raise $1,200 overnight. Things have taken off immensely since.”

In addition to helping others, Emanuel is working on her own musical career. Hello Victim – comprised of Emanuel, Adam Wilson and Spencer Daley – released the single “Out of It Alive” on April 2. Produced and mixed by Ben Kaplan of Fader Mountain Sound (Mother Mother, Five Alarm Funk, Ninjaspy), the song is described as “a dramatic anthem for survivors of abuse.”

“We’ve all met the person this song is about,” Emanuel says in the press release, “That person who gives you a creepy ‘something about this is very wrong’ feeling in your gut.”

Ultimately, the song has a positive message. She explains in the release: “For those of us who are unlucky enough to become entangled with these types of people, times can get pretty scary and that toxicity stays with you for some time, even after they’re gone from your life…. This song is kind of like the phoenix’s flight; it’s the catastrophic rebirth from that very dark place when you realize that none of us gets out of this life alive, and the only justice that is in our individual power to serve is choosing to reject toxicity, move on from these people, and stop letting them live rent-free in our heads.”

Emanuel told the Independent that she first met Wilson in February 2018, while on an early-days date with her now-fiancé. As co-owner of Park Sound Studio, Ponich had been hired to handle sound for a music event at Luppolo Brewery, she said. “He texted me at some point during the night because my place was about a 10-minute walk away and, when I got there, I was introduced to a couple of his friends, one of whom was Adam (who he was playing in a band with at the time). Serendipitously, I’d made a Facebook post a matter of days prior along the lines of ‘girl seeks guitar player to write tell-all album with.’ I had just gotten out of a less-than-ideal relationship and I was at this point where I was ready to pull an Adele and sing about it where everyone could hear…. It took about five months for us to start working on music together.”

Emanuel liked the electronic compositions Wilson was creating for his Instagram stories, so she asked him if she could write a vocal melody and some lyrics for his music and, she said, “it took off from there and we went on writing remotely for awhile, sending each other voice notes of ideas over WhatsApp. When we started writing our song ‘Feel Slow,’ which we released back in July of 2019, Adam suggested we talk to his other bandmate Spencer about helping us out with writing a bass line. After working with him on that one tune, it was pretty clear he belonged in the band.”

Soon after the trio had finished a few songs, they were offered a spot at the Railway Club, which they accepted. “That ended up being my first live performance in eight years!” said Emanuel of that early 2018 gig.

“I learned a little while ago that I suffer from severe generalized anxiety disorder, so jumping back into live shows was a massive hurdle I had to figure out how to jump quite quickly,” she said. She attributed some of her ability to overcome that hurdle to Wilson and Daley, who, she said, “are not only incredible musicians, but amazing human beings who consistently make me feel safe and confident on stage.”

Emanuel has been in music since she was a kid, “with piano and voice lessons beginning at around 9. Pat Covernton taught me piano and Wendy Stuart was my voice teacher – both taught me for about 10 years. I also spent many, many summers in Gotta Sing! Gotta Dance! at the JCC and participated in the Jewish Federation’s events for Yom Ha’atzmaut, Yom Hazikaron and Yom Hashoah.

“Since I can remember,” she said, “being a musician is literally the only thing I’ve ever been able to identify as my ‘dream.’… I started writing music when I was 14 and went on to play small venues throughout Vancouver. In my last year of high school, I participated in the JCC’s Battle of the Bands and became the first and only solo, non-rock artist to win first place.

“After high school, I began traveling – first to Israel, then New York, then Melbourne – which meant that I put performing my music on hold, but continued to write in the absence of an audience.”

Emanuel attended both Vancouver Hebrew Academy and King David High School.

“I think my Jewish day school upbringing shaped the questions I’m looking to answer when I write music,” she said. “I wouldn’t say that my music is religious in any sense, but there’s such a distinct method of thinking within the Jewish community that I think is probably the product of generations of Talmud study, and I often find myself hearing it most when I’m writing. What’s the truth? What’s the point? Why are we here? How can I connect?”

For more information on the band and to watch the video for “Out of It Alive,” visit facebook.com/hellovictimofficial. To find out about the next virtual Park Sound Studio concert, visit parksoundstudio.com.

 

A busy year for local artist

“Midnight Sun” by Monica Gewurz, who was to show her work at Art Vancouver, which has been postponed. (image from Monica Gewurz)

The Jewish Independent last spoke with Vancouver artist and Jewish community member Monica Gewurz when she participated in Art Vancouver in 2018. She was to be a participant in this year’s international art fair, which has been indefinitely postponed because of the coronavirus pandemic.

“As a professional artist,” said Gewurz, “it is important to exhibit at high-calibre international art exhibition shows. Art Vancouver provides me with a platform to display my works as well as sell them – this will be my fifth time exhibiting there.”

Gewurz was to share a booth with fellow contemporary artist Pam Carr. Previous Art Vancouver fairs have drawn more than 10,000 art appreciators and collectors to the Vancouver Convention Centre. The annual event is billed as “Western Canada’s largest contemporary art fair.”

“In the past year,” Gewurz told the Independent, “I have successfully increased the number of juried exhibitions in B.C. and the U.S., including one in Singapore. My sales and my collector base has increased, as well.”

Gewurz’s artwork can be found in corporate and private collections throughout Canada, the United States, Europe, Mexico, Peru, Australia, New Zealand, China and Japan.

photo - Vancouver artist Monica Gewurz
Vancouver artist Monica Gewurz.

Artistically, she said, for this past year, “the focus of my work has become more introspective and philosophical, with less emphasis being put on the literal depiction of the landscape and more on the feelings evoked by the experience.

“The expansiveness and the quiet energy of coastal British Columbia are strongly evident in the imagery and the palette of my recent paintings, which are meant to be a transformative interpretation rather than a literal rendering of the coastal landscape,” she explained. “Using mixed media and metallic paints and foils has allowed me to develop a personalized style that translates and interprets nature and iconography through layers of transparent glazes.”

Another new development since the Independent spoke with Gewurz is that her art is featured on both a wine bottle and on a line of skincare products. While she has always created wearable art, such as jewelry, this foray into commercial art is different.

“‘Ebbing’ was chosen through a juried competition to become the label of Safe Haven fortified wine of the 40 Knots winery,” she said. “A portion of the wine sales goes to support the Kus-kus-sum salmon habitat restoration by Project Watershed, an NGO. Because I am a supporter of environmental causes, I donated the artwork.”

photo - Monica Gewurz’s painting “Ebbing” adorns the label of 40 Knots Vineyard and Estate Winery’s Safe Haven fortified wine
Monica Gewurz’s painting “Ebbing” adorns the label of 40 Knots Vineyard and Estate Winery’s Safe Haven fortified wine. (image from Monica Gewurz)

The vineyard also produces its own line of skincare products and, said Gewurz, “The owner of the 40 Knots winery commissioned the artwork ‘Waves of Tranquility’ to be featured in all VinoSpa product labels, using some of the lees of their red wines. The painting was created to capture the feeling of and tranquility and restfulness provided in all VinoSpa skincare lines and their associated spa.”

The winery website explains that Gewurz mixed the lees from the fortified wine with acrylic gels and paints to create the colours of “Waves of Tranquility.” It notes, “Influenced by Turner, ‘the painter of light,’ and Asian traditional painting, Monica’s abstract landscapes aim to reflect truthfully the moods of nature. Captured on canvas or in silver, her work draws on the exceptional landscape of the Pacific West Coast.”

Gewurz was to bring a new collection of work to this year’s Art Vancouver. Her bio noted, “She is excited to share her highly textured, iridescent, colourful acrylic and oil abstract paintings, often worked with a palette knife, unconventional tools and metallic patinas.

“Texture and thin layers of colour are two key elements in her work, as she aims to blur the line between painting and sculpture. She invites you to touch the work, by integrating natural and man-made repurposed materials, including textiles, paper and plastic, each layer of colour and medium allowing you to experience the paintings – perhaps sparking memories, perhaps freeing your mind to wander, imagine and dream. Through materials and her own travels and life experiences, she strives to make work that can be understood across cultures.”

For more on Gewurz, see jewishindependent.ca/inspired-by-cultures-nature, and her website is mgdesigns.org. For updates on Art Vancouver, visit artvancouver.net.

About the Passover cover art

As I always do in anticipation of needing an image for the Jewish Independent’s Passover issue, I started with an internet search. This Passover, I was led to creativejewishmom.com, which features creative projects parents can do with their kids. The Crossing the Red Sea Kid’s Craft captured my imagination. Not one to let the lack of children in my immediate vicinity stop me, I collected the materials necessary and learned to use a glue gun. Through the generosity of a few friends, I didn’t have to buy anything to make the diorama on this issue’s cover.

To capture the notion that, in every generation, we are to regard ourselves as if we personally left Egypt, I created a variety of Israelites, from Moses, Miriam and Aaron leading the group, to a Middle Eastern family from an indeterminate era to a 1920s dandy, a Mary Poppins-inspired woman in a fancy black hat and a Chassid. A teen wears headphones, a toddler wears a mouse-ear raincoat and a girl in a wheelchair negotiates the streambed with the help of a Beatnik.

 

The project took hours. The logistics of taking a photo that would fit within the parameters of the newspaper’s cover took almost as long to figure out as did the creation of the 29 Israelites, two load-carrying camels, two carts full of supplies, six waves and one streambed “staircase.” The wooden donkey near the back of the image is the only figure I did not make – JI production manager Josie Tonio McCarthy donated it to the effort; she bought the carving on a trip to Israel and we both thought it was appropriate to include, as the travelers’ destination is, of course, the Promised Land.

Wishes for a healthy and meaningful Passover, and a chag sameach.

Just a reminder: The Jewish Independent is now on a publishing hiatus. Our next issue will be April 24 or May 1, depending on the COVID-19 situation. Email [email protected] with story ideas and [email protected] for ad bookings.

Among Canada’s best books

In the play Birds of a Kind by Wajdi Mouawad, the character of Eitan, injured in a terrorist attack in Jerusalem, lies in a coma. As his estranged parents and his grandmother hope for his recovery, they bitterly dig ever deeper into their familial dysfunction. At one point, the doctor tells them about Eitan, “What matters is the voices of those dear to him. His parents, his friends.”

His father responds, “His friends are in Berlin.” His mother, “Or New York.” His grandmother, “But his fiancée is here.” (The Palestinian fiancée that his parents cannot fathom and regarding whom they are nasty, based on a mix of racism, fear, guilt, concern over their own identity, secrets they have kept and more.) The doctor tells the trio, “The stronger the emotional attachment, the quicker the brain responds. We reconstruct ourselves through affection.” Godspeed to Eitan, then.

Birds of a Kind is a fascinating, if somewhat predictable, story and Mouawad’s exposition of complex and hyper-relevant topics, such as group identity versus individual choice, is nuanced and poetic; he uses language beautifully. It is no wonder that Montreal-based translator Linda Gaboriau earned the play its 2019 Governor General’s Literary Award for translation (from French to English).

Also faring well in last year’s awards was Calgary writer Naomi K. Lewis, whose Tiny Lights for Travellers was a finalist in the non-fiction category of the prize, which is funded and administered by the Canada Council for the Arts.

image - Tiny Lights for Travellers book coverLewis is extremely candid and self-critical in this travel memoir. Readers learn about her family, her struggle with developmental topographical disorientation (which means she can’t envision a map in her head and, therefore, often gets lost), the complicated messages about Judaism she received growing up, her insecurities about being Jewish (including a botched nose job when she was a teen) and her failed marriage, among other things. We follow her on her literal and metaphorical journeys to self-discovery, -understanding and -acceptance, as her personal story is interwoven with her retracing of the route her grandfather took in 1942 to escape from Nazi-occupied Netherlands to southern France, from where he then traveled through Spain and Portugal to get to London, England.

While Tiny Lights for Travellers includes excerpts from Lewis’s grandfather’s journal of his escape, it is mostly about Lewis and her exploration of identity, family history and the Holocaust. As Lewis notes well into her book, “the journal seemed a tease, so withholding, the anomalous 30-page confession of someone who otherwise lived inside his own experience with no desire to make himself known to anyone.”

Lewis may have set out with a goal of learning more about her grandfather, of connecting to her past, “trying to find what made me,” but there are not clear links from the past to the present. The journey is revealing in the end, just not about her grandfather or exactly how she came to be who she now is, but rather in coming to terms with who that person is.

Shalev’s latest not her best

In an interview with the Jewish Independent in 2014, after her book The Remains of Love came out in English, Israeli writer Zeruya Shalev said that, until that novel, she had been avoiding writing directly about what she called “the Israeli reality.” She said at the time: “And yet, still I am wrestling with the dominance of this reality, and try not to let it take over my books – it’s enough that it controls my life.”

Shalev’s latest novel to be translated into English is all about the Israel reality, but not in the engaging and provocative way that The Remains of Love was (see jewishindependent.ca/zeruya-shalev-opens-jewish-book-fest). Concisely called Pain, Shalev’s story about a Jerusalem woman suffering post-traumatic stress syndrome, which flares up on the 10-year anniversary of when she was seriously injured in a terrorist attack, is anything but concise. Translated ably by Sondra Silverston, the book needed a better editor, as Shalev gets lost in the physical and emotional suffering of her protagonist Iris, who is not portrayed likeably.

image - Pain book coverDespite being the respected principal of a successful school, despite being married to a perhaps dull but well-meaning husband (who could well be distant because of his wife’s indifference to him) and despite raising two competent and kind but vulnerable children, one of whom desperately needs her help, Iris cannot let go of a lost love from her teenage years. When, by chance, at a clinic, she meets Eitan, the man who left her so abruptly so long ago – he is now a doctor who specializes in the treatment of pain – Iris goes headlong into the fantasy of what her life could have been with him, despite all indications that he’s a selfish and emotionally stunted ass. She considers leaving everything tangible and good that she has built for herself for a life that never was.

There are some astute observations in this novel – about trauma and how it affects not only the person injured but those who love them, about the harmful effects of living in the past, about forgiveness, about the fickle nature of life, and more – but it gets lost in Iris’s nearly interminable self-pity and self-delusion. Pain is not Shalev’s best work.

Gymnast excels at her sport

At the B.C. Winter Games in Fort St. John last month, Belle David received a silver medal for her ball routine and placed fourth all around. (photo from Danica David)

Local athlete Belle David started the year off with success after success after success in her chosen sport: rhythmic gymnastics.

The 10-year-old gymnast competes provincially at level 3B (ages 9-11). At the Queen of Hearts invitational competition in Vernon Jan. 24-26, she received an all around first place, a gold medal in the ball routine, a silver medal in the free routine and a bronze in rope. At the Olympia Cup in Burnaby Feb. 7-9, she received a bronze medal in rope, as well as a special award for Miss Dance Jr. And, at the B.C. Winter Games in Fort St. John Feb. 20-23, she received a silver medal for her ball routine and placed fourth all around.

“The most fun part of rhythmic gymnastics is the competitions,” Belle told the Independent in a recent interview. “The most difficult part of rhythmic gymnastics is the long practices.”

Admitting that she gets a little nervous when she competes, she said, “but I have a lot of practise with competitions and that practise helps my nerves.”

Belle trains three times a week for four hours each time at rhythmic gymnastics and she also trains in ballet twice a week. “Altogether, I train for rhythmic gymnastics over 14 hours a week (including mandatory ballet) and, combined with my other sports, I do 25 hours a week.”

The restrictions that have been implemented by various levels of government to try and manage the spread of COVID-19 have brought changes in that regimen, however.

“Belle’s coach has set an individual stretch and strengthen program for each athlete,” Belle’s mother, Danica David, told the Independent. “The coach has sent a video, 26 minutes long, of basic training exercises she expects the athletes to follow, along with detailed plans for each gymnast. Belle is expected to film herself training and send in the film to the coach to check in daily.

“Mentally, Belle is processing the end of the season coming early. When there are still three competitions left, it’s disappointing, after all her hard work, but she will keep practising at home. She said, ‘I feel like there’s nothing to do and nowhere to go.’”

In Grade 4 at David Oppenheimer Elementary School, Belle said her favourite subject is art. Interviewed before the pandemic forced closures, she said, “I socialize at school and at practice because I don’t have time for friends outside of practice. I mostly do my homework early in the morning before school.”

photo - Belle David at her first rhythmic gymnastics competition, at age 6
Belle David at her first rhythmic gymnastics competition, at age 6. (photo from Danica David)

Belle started dance classes at the Jewish Community Centre of Greater Vancouver when she was 4 years old and began taking rhythmic gymnastics classes when she was 5.

“I love sports,” she said. “I love baseball, dance, rikudei ’am [folk dances], swimming, skating and artistic gymnastics.”

She also makes time for community and cultural activities.

“I celebrate all the Jewish holidays and I keep Jewish traditions,” she said. “Our family hosts holiday parties and I enjoy PJ Library events and books.”

After three years performing in Goh Ballet’s The Nutcracker, Belle said, “I took a break this year to really enjoy Chanukah with my ima, abba, grandma, brother and friends. When I danced in The Nutcracker, sometimes I performed in two shows a day during the run and I missed the Chanukah fun. This year, we did Chanukah bowling, skating, the party bus and menorah parade and, as always, we lit candles and opened presents each night of Chanukah.”

Belle said she wears a red-string kabbalah bracelet on her left wrist, including in competitions, that her mom blesses.

Family is important to Belle and one of her ambitions centres around her grandparents in Israel.

“I have a short-term goal to learn the apparatus hoop,” she said. “I have a long-term goal of making it to the Grand Prix Holon.

“The Grand Prix Holon takes place in my home city (Holon) in Israel,” she explained. “I would like to compete for Canada or Israel. It’s an international competition and it’s across the street from my savta and saba’s apartment. All my family could come and see me compete. This is my dream.”

Belle’s family moved from Israel to Vancouver almost seven years ago, said her mother.

“I was born in Canada and her dad was born in Israel – we met in India,” David said. “Belle was born in Israel and she has a brother born in Canada, named Omri, he is 6 years old. Their father, Ofir, has never been able to move permanently to Canada because of the nature of his work but he visits often. We live in a multigenerational household in Vancouver with my mother, who was a former competitive athlete. She finds great joy in supporting her grandchildren to pursue athletics – it’s a family passion that skipped a generation. Belle and Omri have seven cousins in Israel and a large extended family that they miss very much.”

In Israel, David said they didn’t have access to activities like they have here. “In our town,” she said, “private country clubs dominated and we had no access without costly memberships. When we came to Canada, Belle was interested in trying everything, sports, arts, activities of all kinds, and, through the JCC and local community centres, it was affordable.

“Belle’s grandmother really encouraged rhythmic gymnastics, as she was involved in the sport herself as a teacher,” continued David. “Belle participated in a rhythmic gymnastics camp at age 5 and she was hooked. When I came to pick her up, her face was red and she looked exhausted. I expected her to want to quit but exactly the opposite – she loved the challenge. The coach had been a Russian-Israeli who spoke Hebrew and Belle felt right at home. She continued camp during the summer. In the fall, she was asked by a club to enter the competitive rhythmic gymnastic training stream.”

As the parent of athletes, David said her “biggest challenge has been being a witness to the highs and lows of the sport without holding any attachments to them. The same goes for their achievements. What Belle achieves is hers alone. It is her self-discipline and motivation to grow in sport that encourages us to support her in any way we can.

“The biggest joy for me,” said David, “is to see that Belle is a wonderful sister, modeling hard work and perseverance to her brother. Belle is self-determined: she chooses her goals and achieves them in her own time. She chose to sacrifice social time and other opportunities to train two years for the winter games. It wasn’t always easy on the family or her but she followed through. I admire her drive – when I was 10 years old, I couldn’t even keep my hamster alive.”

David described herself as “hopelessly non-competitive and uncoordinated” and, therefore, said it is hard for her “to truly invest in the competitive aspect of the sport. Judging and performance can alter from competition to competition and a place on the podium is never guaranteed.

“I find my niche in the esthetic aspect of the sport,” she said, “and support Belle by adding Swarovski crystals to her bodysuits and finding the most complimentary apparatus. These athletes place a lot of pressure on themselves and, after the long hours and hard work, people question why we subject our children to the intensity of the competitive sport. In my opinion, most of the kids at this level of sport are progressing from an inner motivation and they have cultivated a sense of belonging through sport.”

Nature’s riot of colour

“Desert Spring” by Jessica Ruth Freedman.

A harsh critique early in her career didn’t stop Victoria-based Jessica Ruth Freedman from doing what she loves – painting – and becoming a successful artist.

“I was born in Montreal, and then my brother and I were whisked away to Kibbutz Ein Dor in the Galilee,” Freedman told the Independent. “After a few years there, we returned to reside in Calgary. I attended what was then called the Calgary Hebrew School-Talmud Torah. I was filled with the love for Jewish lifecycle events, food, and being part of a community. Apart from a fabulous school experience, one episode of failing an art assignment in kindergarten stands out. We were told to pick a rock and paint it like a ladybug. Creatively, I painted it black on red, rather than red on black, so that the white dots would stand out better. I sadly was singled out as an art failure in front of the whole class!

photo - Jessica Ruth Freedman was to participate next month in the Art Vancouver fair, which has been postponed
Jessica Ruth Freedman was to participate next month in the Art Vancouver fair, which has been postponed. (photo from Jessica Ruth Freedman)

“Fast forward a few years, a career as a contemporary dancer, yoga teacher and accountant, [then] I returned to my love of painting,” said Freedman, who has a bachelor of arts, with a major in dance and a minor in fine arts, from Simon Fraser University. “At this time, I had moved to Victoria to chase the warmer weather and, after a few holidays in nearby Hawaii, I was hooked on representing the juxtaposition of botanicals versus the urban in my artwork.”

Freedman is one of the artists participating in Art Vancouver, which has been postponed from its scheduled dates, April 16-19, because of COVID-19.

“These days, the traditional way of selling art through a gallery is changing,” she said. “Many galleries are shutting their doors due to increasing rents and a growing online marketplace. Art fairs give individual artists an opportunity to connect directly with new collectors. I also love the communal spirit of the artists working and showing together. There is a lot of sharing of process and information that goes on at these types of events. Since I live on the West Coast, Art Vancouver is the best art fair to participate in, and Vancouverites are a knowledgeable art bunch.”

She said she likes to create fresh work for each art fair. “I consider carefully the city, people, environment and sizes of artwork,” she said. “At this Art Vancouver, I will be debuting some non-traditional materials in my paintings, all while keeping the abstract botanical theme. My aim is to always create work that uplifts and inspires, and I attempt to do this through colour, theme and design.”

Freedman works in acrylic, ink and mixed media. She has exhibited internationally and her work is in private and public collections around the world. On her website, she notes, “My journey through life can only be described as an artistic DIY.” She says she “was always the child who wanted to be left alone to explore and discover” and yet that it is her “path in life to share my art to celebrate connection, serenity and humour and to share this journey together.”

“Many artists will agree that one needs to look inward to find the source of creation,” Freedman explained of her need for both solitude and community. “Even realist painters rely on an internal compass based on technique and free expression. As a Jewish person, I honour the spirit of creation within me, and I also pay tribute to the concept of tikkun olam, the repair of the world. I feel fortunate to explore the creative side of myself for a living, but I also feel it’s necessary to do good work in the world. This might mean volunteering for Jewish events, donating my paintings to charity auctions, or just being a positive person with a solution-focused outlook.”

For Jewish community members who come to see her work at Art Vancouver, the dates for which will be released in the near future, Freedman said, “Surprisingly, a fair amount of Hebrew – my first language – appears in my paintings. If readers come visit my booth, I’ll look forward to pointing it out!”

Though she paints the natural world, Freedman noted a certain irony – she is not very good at caring for actual plants. “I am lucky that I can send my husband out to purchase plants – I paint them and he cares for them,” she said. “I am mostly fascinated by the riot of colour, of chaos, that Hashem has let loose in the natural world. The process of growth and decay, while natural, is obviously hard on us humans but is a natural part of life. I am also very interested in urban design that incorporates the natural world in ways that increase sustainability, beauty, communication and wonder.”

For more information on Freedman, visit jessicaruthfreedman.com. For more on Art Vancouver, go to artvancouver.net.

Family history informs his art

Much of artist Seth Book’s work has been influenced by his maternal grandfather, who was a Holocaust survivor, including “A Series I Don’t Want to Continue” – “One work to symbolize each character tattooed on his arm, and each million Jewish people that were massacred,” explained Book. (photo from Seth Book)

“My art began as solely for the enjoyment of creating work that was esthetically pleasing, but it has since changed to serve a didactic purpose and to provide awareness to social issues and histories that are important to me and my family,” Seth Book told the Independent. “A significant part of my work is to keep the legacy of my grandfather, survivors, and Jewish history alive.”

Book is a member of the third generation. “My mother’s father was a Holocaust survivor, originally from Romania. He went through a few camps, Auschwitz being one of them. Since seventh grade, I have completed a significant amount of research on his story, directly with him while he was alive, as well as after his passing, and, like many other survivors, he had an unbelievable journey,” explained Book, whose work will be on display at Art Vancouver April 16-19, in the unlikely event that the spread of COVID-19 is under control by then and the fair is allowed to take place.

“His presence in my early life has been extremely impactful on the way I live and see the world,” said Book of his grandfather, “and this is what has influenced my art. I truly believe that, in school, work and life in general, I have gotten my tenacity, conscientiousness and resilience from my zaide. As I learned more about his life and what he fought so hard to build for my family, he became a strong source of motivation and drive to succeed in my life. I still uncover bits and pieces about his life after the Holocaust.”

While his art for the past few years has been primarily concerned with his grandfather, the Holocaust, survivors in general, and present-day antisemitism, Book said the past year has been “transformational.”

“My connection to my grandfather allowed me to begin my work at this starting point relative to my own history,” he said, “but it has since expanded to include broader focuses, such as the current generation living on the legacies of survivors, as well as generational trauma and current events affecting the global Jewish community.”

Book, who works at a branding agency doing graphic design and writing copy for clients, is set to finish his bachelor of fine arts degree at the University of British Columbia. His coursework has allowed him to learn about and use many different mediums, he said, “including drawing, digital media, photography, painting and metalwork.”

Born in Vancouver, Book has lived in the Dunbar area his entire life. He attended Vancouver Talmud Torah from preschool to Grade 7, and then went to St. George’s School for his secondary education. He continued his involvement in the Jewish community via Temple Sholom, he said, “where I participated in the confirmation class in 10th grade and then taught at the Sunday school in 11th and 12th grade. I was also lucky enough to travel to Israel with my family on the Temple Sholom trip after my bar mitzvah.”

He was well-versed in diverse media long before his university years.

“Growing up, I was always interested in creativity: building structures, doing crafts, colouring, and especially playing with LEGO,” he said. “I recall being hilariously picky with colours and colouring inside the lines when drawing with other kids as early as preschool; I always find it funny to this day how much it bothered me as a toddler to see other toddlers using odd colour combinations or messy drawing.

“This interest in art was then supplemented by Colette Leisen’s art class all throughout VTT – it was probably my favourite in elementary school. This carried on into various art classes in high school, including drawing, animation, graphic design, ceramics and painting.”

photo - Seth Book
Seth Book (photo from Seth Book)

Book said it is hard to define his artistic style because he has always been interested in finding new mediums and approaches. But he has less need for such definition since he began university. Since then, he said, “I have been able to let go of that and continue exploring what interests me rather than being labeled as a ‘painter’ or a ‘photographer.’ I always find that different mediums have such an incredibly unique ability to succeed in accomplishing a piece better than others. In other words, certain mediums are more effective than others in conveying certain ideas or concepts for varying projects. That being said, I try to use the best option I can for each work, trying not to limit myself in expertise. I can always try and learn! I did not work with metal until late 2019, and have already created two works using it, and I am very satisfied with how they turned out.”

Book, who has a background in business management in addition to his art training, said he first heard about Art Vancouver through a summer internship program he took part in a couple years ago, and has kept in close contact with the team there since. “I have loved working with the organizers and enjoyed attending the event every year,” he said. “I quite like the efforts they make to advance the art scene in my hometown and can’t wait to be a part of it as an artist this time.”

Hopefully, he will get that chance, but, even if Art Vancouver is canceled or postponed because of COVID-19, Book is an emerging artist whose works will available at other venues at other times.

He was able to tell the Independent about two pieces he was planning on bringing to the art fair. While he had not firmly decided on all the pieces yet, he said, “I selected the works from my portfolio which I have found to be the most striking, the works that I have received most compliments about, as well as the works which I feel represent my wide practice the best when shown together.”

One of those creations is called “A Series I Don’t Want to Continue,” which comprises six digitally rendered vinyl decals adhered to six two-foot-by-three-foot melamine sheets.

“A series opens an idea and simultaneously closes it,” reads the work’s description. “The values in between the first and last work tell a story or convey some sort of meaning through the relationships formed with the works in between.”

It continues, “A series of works in any media all relate to one another through consecutive nature. Labeling a group of entities as part of a series can bind them together, locking them out from further creation or reproduction. This is where the concept of my work integrates itself reflexively within the format of a series work. Through this work, I explore the contained value of past events, and particularly the Holocaust, in relation to my grandfather’s story.

“When he passed away, the evaluation of his extreme tenacity and hard work to establish our family and provide futures for generations to come was recognized more than ever. ‘Never again,’ the words that often cross our mind, could not be stronger upon recounting the horrors he endured. Never again, but also never forget. These events happened. They must be taught and preserved, but they are contained, and must never grow…. One work to symbolize each character tattooed on his arm, and each million Jewish people that were massacred. There will not be a seventh work in this series.”

The other piece that Book wanted to bring for sure to Art Vancouver is called “Untitled Crowd (The Stars, The Blues, The Ashes).” The 22-inch-by-30-inch ink-on-paper work is also related to the Holocaust. The description reads, in part, that the Nazis’ attention to detail was “dual-edged.”

“On one hand,” it notes, “they kept extremely particular and accurate data records of the prisoners murdered. Ironically, on the other hand, the attention to human detail was nonexistent. When Jewish people were funneled through various camps, they were stripped of their belongings and identities. They were nothing but a number.”

In “Untitled Crowd,” Book writes, “I attempt to discuss this specific lack of attention and elimination of one’s person. Each work is a recreation of real people who either survived or perished during the Holocaust. In order to illustrate the lack of respect and attention given to these unfortunately abused people, I spent a specifically short time on depicting them in the piece. Each face was dedicated about six minutes, to correspond with the six million lives lost. The faces are all overlapping with one another to represent not only the crowds of people who were murdered and their brutal living conditions, but also the morphing of individuals into a mess of numbers and bodies rather than human beings.”

The piece’s three parts carry added symbolism. “The first work is done with shades of mustard yellow to signify the yellow stars Jewish people were forced to use as identification, and the shades are more distinct in overlapping to show not all identity had yet been lost,” writes Book. “The second work is completed with shades of blues to represent the blue-striped pyjamas prisoners wore, and the difference in tone decreases to create a more homogenized look as they lost identity. The final work uses the greyscale to convey the ashes of those perished, and the gaining age of survivors around the world.”

For more on Book, visit his website, sethbook.ca. For more on Art Vancouver, see artvancouver.net.

Talking helps reduce stigma

Left to right: Peggy Allen, Shelley Karrel, Shelley Rivkin, Jordan Bowman and Howard Harowitz. (photo from JACS Vancouver)

The capacity for transformation and healing was front and centre at the event Optimism and Hope: Erasing Stigma of Mental Illness, Addiction and Homelessness.

Co-sponsored by Jewish Family Services (JFS), Tikva Housing and Jewish Addiction Community Services (JACS) Vancouver, the panel discussion on Feb. 26 was held at Temple Sholom. It featured Shelley Rivkin of the Jewish Federation of Greater Vancouver, Abbotsford entrepreneur and volunteer Peggy Allen, and Jordan Bowman of Last Door treatment and recovery centre in New Westminster.

Temple Sholom’s Rabbi Dan Moskovitz welcomed those gathered by talking about the Aleinu prayer, which, he said, asks us “to go out into the world and do what we’re praying for. And so, if I can make a request of all of us, myself included, it’s to go out from this room and to do and to share what we’ve learned and what we’ve heard tonight with our families and with our broader circle. That’s our shlichut, that’s our sacred mission, beyond just coming here today to get what we need for ourselves.”

JACS Vancouver board chair Howard Harowitz briefly described the missions of each of the event sponsors before introducing the night’s speakers, beginning with Rivkin, who shared the stories of a few community members who have been impacted by the risk of homelessness. She prefaced her remarks by saying homelessness is not limited to people living on the street or who live in shelters. Rather, the growing concern in our community is “relative homelessness, the lack of suitable, consistent and predictable housing,” she said.

She also noted that “it is not a natural equation that addiction, mental health and homelessness are faced by all people” in need. “Each person has to be approached individually and uniquely,” she said, then listed six sources of support in our community: JFS, Tikva Housing, Yaffa Housing, JACS, the Kehila Society of Richmond and the community’s synagogues.

Originally from Regina, Sask., Allen has lived in Abbotsford for a long time. She lives in an area where homeless people have gathered since the Salvation Army moved into the neighbourhood in 2004. A wife and the mother of two children, the situation was very difficult initially. She shared stories of her young granddaughter witnessing people having sex and shooting up, and of being chased out of her home by a crack addict.

“I was quite a happy person and then the homeless moved in and I changed forever,” she said. “I got angrier and angrier and angrier and I ended up making, in 15 years, I made 463 calls to the police. And they came every time and did nothing, because what are they going to do?”

Allen said she became very depressed. Then, she was invited to a meeting at city hall about the homeless. She challenged attendees to come and see the extent of the problem for themselves, and two women from Fraser Health took her up on it. Over coffee, Allen shared with them her concerns and, despite her self-described antagonism to them, they invited her to speak at a meeting of the Drug War Survivors, a peer-based user group that participates in the development of harm-reduction policies, among other things.

Reluctantly, she agreed. Expecting an audience of maybe 10 drug addicts, “there were 110 of them,” she said. “I look around and I open my mouth and I just let it all out. I don’t know what happened, it was a miracle, really. I talked about my father and I talked about him beating my mother so desperately,” waking Allen’s sister, who was told to return to bed by their mother, and did. “That’s what we were raised with,” said Allen. “I had never spoken about it, and I just let it all out,” including how she was kicked out of a school in her teens for selling drugs.

After her remarks, audience members lined up, but she didn’t know why, so she started to leave. “As I’m walking out, the first guy comes up and hugs me. They were all standing there to hug me,” she said, holding back tears.

One of the men recognized Allen from secondary school. He shared with her that he was raised with such anger that he went down the path of drugs, whereas she – who his family warned him about as a teen, since she sold drugs – did not. He said to Allen, “I see now that I, too, can change my life.”

This interaction, she said, changed her life. “I went home, and I was walking up the driveway to get the mail and this crazy lady that lived on the street and was a huge drug addict and was nasty and did not like me, she came running up my driveway swearing and yelling at me with this other guy. I was so emotional, I went running at her, I don’t know what I was going to do, and I stopped. I changed my mind. I turned around and I went home. And my life changed. Everything on our street is still happening and nothing has changed much there, except me.”

Allen started giving to the homeless. She joined the city’s Business Engagement Ambassador Project, which works to build relationships between Abbotsford residents, business owners, homeless and others to strengthen the sense of community. “What I do is I speak all over the place and raise money to help them help themselves,” she said of those who are homeless.

The project is a year-and-half old and she described it as a success. One aspect in particular that is working, she said, is that the program pays homeless people to clean up area businesses and parks.

The last speaker, Bowman, now 22 years old, has been clean for just over four years. He is a youth program support worker at Last Door, the centre at which he was set on the path of recovery.

Bowman said he had a good upbringing, went to Jewish summer camp and day schools, was into sports, has lots of friends and has a great family. Having lost his mother to cancer when he was 10, he said, “That was obviously tough, but by no means do I point my finger at that and say, ‘that’s when I started using drugs.’”

He described his life as normal, living with his dad and brother. There were no indications, he said, that he would become an addict. Addiction does not discriminate, he said, and people need to know that. His family, he said, were completely surprised to find out about his drug use and were “unversed in the topic of addiction.” Luckily, he had a cousin who works as a drug and alcohol counselor and “she saved the day” when it came to him seeking help.

At age 14, Bowman started to experiment with marijuana. He couldn’t say exactly why he started using harder drugs, but perhaps he had just gotten in with the wrong crowd. He described the process as progressive. “It went from using once in awhile to using every day, to doing whatever it takes,” he said.

“I’m not going to get too much into the things I did to get to get high every day but it definitely involved a lot of stealing from the people very close to me. It didn’t matter if you would love me, if you would hate me, if you were older, if you were younger, if I had the chance, I would try and rip you off if I was with you, and that was the reality of my life.”

From age 16 to 18, he was using opiates every day, while still going to school, while still trying to cover up that he was an addict. “I wanted help, but I didn’t,” he said. “I wanted help because I knew in my mind that I could be a better person than I’m being right now but, in the other part of my mind, I was scared and I wanted to keep getting high.”

The breaking point came when he stole a significant amount of money from his brother. From that day, when his brother reacted with love rather than anger – Dec. 22, 2015 – the efforts at recovery began, with the help of his father, brother, cousin and others. There were a few false starts, a couple of detox and treatment centres, before he landed at Last Door in mid-January 2016. He has not used drugs since.

Waiting times and the cost of treatment were among the topics discussed in the question-and-answer period. Giuseppe Ganci, director of community development for Last Door Recovery Society, was in the audience. He explained some of the different levels of care, ranging from assisted living residences, for which there are minimal guidelines, to treatment centres, which will have psychiatrists and other professionals on site. The definitions of the levels differ between regions in the province, he said, making the system hard for people to understand and, therefore, access.

“The problem is,” he said, “you always hear there are not enough beds in British Columbia. That’s actually a myth. There are so many beds. Last Door runs probably at 80% capacity every day [and has] for years. We have about 100 beds and only 35 of them are funded [by government]; the rest, there’s no funding for them, so it’s a shortage of funding for treatment, it’s not a shortage of beds.” This means that people who can afford it are able to get treatment within 24 hours, rather than join the queue of six to eight weeks or longer, he said.

After a couple more questions, Harowitz wrapped up the event. Addiction is not a choice, he stressed, citing JACS speaker Steve Whiteside. “It’s not a weakness of character, it’s not anything other than any other kind of disease that people have,” he said, challenging the audience “to keep the conversation going.”

Celebrate spring with music

Wendy Bross Stuart leads singers Lisa Milton, Kat Palmer and David Urist in the JSA program With a Song in My Heart, which takes place March 29 at the Peretz Centre. (photo from Wendy Bross Stuart)

This year’s Jewish Seniors Alliance of Greater Vancouver Spring Forum features a concert with music director and pianist Wendy Bross Stuart and singers Lisa Milton, Kat Palmer and David Urist. The program, called With a Song in My Heart, takes place March 29 at the Peretz Centre for Secular Jewish Culture.

“We are planning a program of Jewish-related songs all pertaining to our love of music,” Bross Stuart told the Independent. “‘With a Song in My Heart’ is a famous song by Rodgers and Hart (Jewish writers) from the 1929 musical Spring is Here. Very true that, by March 29, spring will indeed be here!

“We will include that song in our program as an ensemble piece,” she said. “We will have duets – in Yiddish – ‘Her Nor Du, Sheyn Meydele’ and ‘Vu Ahin Zol Ikh Geyn’; and many solos from Jewish-themed musicals, for example Rags, Milk and Honey, The Rothschilds and a song that was deleted from Fiddler on the Roof!”

Bross Stuart has contributed to more than a dozen seasons of Theatre Under the Stars, as conductor, music director and pianist, and has been music director and pianist for many other theatre companies, including the Arts Club, the Electric Company, Famous Artists, Touchstone Theatre, Presentation House and Snapshots Collective. She has composed numerous choral arrangements and recorded four CDs of Jewish music with soprano Claire Klein Osipov.

Of the ensemble that will join her on March 29, Bross Stuart said, “These three singers are very accomplished. They must have an opportunity to sing what inspires them, but which also fits into the theme of the program.”

She noted that Milton is Klein Osipov’s younger daughter. “She spent many years observing her mother’s performances and rehearsals. She knows all the arrangements I created for Claire – perfectly. When I accompany Lisa, it’s magic,” said Bross Stuart. “I see and hear Claire! What a delight!”

In addition to being an award-winning musician, Bross Stuart is an ethnomusicologist. She has written two books – Gambling Music of the Coast Salish Indians and, with John Enrico, Northern Haida Songs. She and her husband, Ron Stuart, collaborate in the making of documentary films shot in South Africa.

“Ron and I just returned from two-and-a-half months in Cape Town, where we started working on our eighth documentary there,” said Bross Stuart. “This one is called Gugulethu Warriors – Making Things Right! It’s a documentary based on the grassroots efforts of township residents to cope with the social issues of crime, safety, unemployment and community cohesion.”

The Stuarts established Cultural Odyssey Films, notes the website culturalodysseyfilms.com, “to provide a platform for the production and distribution of documentary films about contemporary cultural groups and individuals committed to social change.”

The Stuarts also formed WRS Productions, which has numerous producing credits, including the Vancouver Holocaust Education Centre’s annual community commemoration of Yom Hashoah, Holocaust Remembrance Day. Bross Stuart said that, while preparing for the JSA Spring Forum, she, Milton, Palmer and Urist are also working on the Yom Hashoah commemoration.

“After that,” she said, “I jump into rehearsals for Theatre Under the Stars’ upcoming production of Disney’s Beauty and the Beast and Perry Ehrlich’s Gotta Sing! Gotta Dance! – year 26!

Bross Stuart is a co-founder of the Gotta Sing! Gotta Dance! musical theatre program, which is held at the Jewish Community Centre of Greater Vancouver every summer. The deadline for youth to apply to this year’s sessions is April 1.

Not one to rest on her laurels, Bross Stuart recently adapted an indie pop song. “I just completed a new choral arrangement,” she said. “Of one of my daughter Jessica’s new songs. A first for me!” (The original “Simple Little Song” can be heard at jessicastuartmusic.com.)

As to why she is making the time to perform at the JSA forum, Bross Stuart said, “The JSA is run by a group of very talented, diligent, kind and caring individuals. They provide a wonderful service to the community, where we share with one another. It is my pleasure to contribute to this.”

With a Song in My Heart starts at 2 p.m. on March 29. Refreshments will be served and underground parking is available at the Peretz Centre – cars must enter the alley from 49th Avenue, as 45th is closed to traffic. The nominal cost of the event is $5. For more information and to register, call 604-732-1555 or email [email protected].