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Build it and they will come?

Ramon International Airport in Eilat will begin service on Oct. 28. (photo by Gil Zohar)

With Ramon International Airport beginning service on Oct. 28, officials hope that the state-of-the-art facility will boost tourism to the once-sleepy Red Sea resort of Eilat. But will a gleaming airport bring the crowds?

Perched on the 50-metre-high control tower during a March 19 media tour of the site, airport manager Hanan Moscovitz explained that the facility will replace Eilat’s Yaakov Hozman Airport, named after the founder of Arkia Airlines. While the current airport’s location is convenient for prop planes from Tel Aviv, it causes noise pollution and cuts off the city from its hotel district.

The new airport is named after aviation heroes Ilan and Asaf Ramon. The former was Israel’s first astronaut; he perished in 2003, when the Columbia Space Shuttle exploded while reentering earth’s atmosphere. His son, Asaf, also an Israeli Air Force F-16 fighter pilot, was killed six years later in a jet crash.

The Israel Airport Authority hired 160 construction workers from Moldova to build Ramon Airport. The total cost of the facility will be NIS 1.7 billion (more than $614 million Cdn). That investment will be partly recouped by the sale of the municipal airport’s land for hotels, condominiums and a convention centre.

But why build an international airport for a city of only 60,000 people? “There’s no de-icing,” Moscovitz quipped. Blessed with 330 days of sunshine annually, Eilat makes an ideal winter holiday destination.

photo - Ramon International Airport manager Hanan Moscovitz at a March 19 media tour of the new facility — Ramon International Airport manager Hanan Moscovitz at a March 19 media tour of the new facility. *(photo by Gil Zohar)*

A popular tourist stop in the 1990s, the city foundered after the Second Intifada broke out in 2000. As well, Eilat’s 12,000 hotel rooms couldn’t compete with the 100,000 budget rooms in the nearby Sinai’s luxurious resorts. But foreign visitors to Eilat have been on an upswing in recent years, Moscovitz explained, thanks to the Open Skies agreement with the European Union that was ratified in 2013.

Boosting airplane arrivals to Eilat – which should reach 55 flights weekly this winter – will be nothing less than a revolution, according to Eilat Hotel Association director Shabi Shai. While only 60,000 foreign tourists arrived in 2015, that number more than doubled to 130,000 in 2016, and then rose to 210,000 last year. In 2017, Israel as a whole had a record year for tourism, with 3.6 million visitors.

Some 400,000 people, the majority from Russia, are expected in the 2018/19 winter season, said Shai. In the past, many of those sun worshippers had preferred Egypt. But, on Oct. 31, 2015, a bomb smuggled onboard a charter en route to Saint Petersburg from Sharm El Sheikh exploded over Sinai. All 224 passengers and crew were killed.

The 32,000-square-metre Ramon Airport terminal was designed by Tel Aviv’s Mann Shinar Architects, and Moshe Zur Architects. The building will initially handle up to two million passengers annually, and the airport’s control tower is equipped with an instrument landing system for the rare day the airport is fogged in. A drainage ditch will keep the runway dry, even in a once-in-70-years flash flood.

Because of security concerns, the 3,600-metre-long tarmac will accommodate the largest commercial jumbo jets. During the 2014 Gaza conflict, known as Operation Protective Edge, a rocket fired from a Hamas-controlled coastal enclave toward Tel Aviv landed in Yehud, five kilometres from Ben-Gurion Airport. In response, the U.S. Federal Aviation Administration barred American carriers from landing at Ben-Gurion for nearly 48 hours. When foreign airlines followed suit, the Jewish state was effectively cut off because, with Ben-Gurion shuttered, Israel had no other airport with international capacity. To prevent this situation from happening again, Transportation Minister Israel Katz had Ramon Airport’s runway lengthened and increased the apron parking.

Located alongside the Jordanian border, Ramon Airport has special security needs of its own. The facility’s exposed eastern flank is girded with both a fence and a 30-metre-high, 4.5-kilometre-long electronic barrier. The high-tech hurdle features sensors and detection technology to protect incoming and departing planes from shoulder-launched RPGs (rocket-propelled grenades) and other unnamed threats.

For Tourism Minister Yariv Levin, Ramon Airport will support the continued revitalization of Israel’s southern city. “Incoming tourism to Eilat is breaking all records, and we are witnessing an extraordinary momentum of airlines opening new direct routes into the city,” he said.

Shai, however, acknowledged that tourists don’t go to an airport but a destination. All the carefully prepared tourism plans could unravel if war broke out, he cautioned. But everyone in Israel, including in Eilat, is hoping that doesn’t happen.

Gil Zohar is a journalist based in Jerusalem.

What is it to become Israeli?

Akiva Gersh teaching a group in Israel. Gersh is the editor of, and a contributing writer to, the book Becoming Israeli: The Hysterical, Inspiring and Challenging Sides of Making Aliyah. (photo from Akiva Gersh)

If you or someone you know is considering making aliyah, there is a book that offers a glimpse of the experience. Becoming Israeli: The Hysterical, Inspiring and Challenging Sides of Making Aliyah (Rimonim Press) is a compilation of blogs and essays written by 40 olim (immigrants), including the editor, Akiva Gersh.

“The book speaks about the various sides of aliyah, from the hysterical, to the challenging, to the frustrating, to the emotional,” Gersh told the Independent.

Gersh grew up in the New York area. He and his Philadelphia-born wife, Tamar, made aliyah about 13 years ago. As they were going through the process, Gersh wrote about it in a blog. When he realized others were doing the same thing, he was spurred to collect as much information as he could for publication in book form.

“I kept thinking, someone must have done this,” said Gersh. “People had written about their own aliyah experiences, but not a broad compilation of experiences … and that is what I wanted to do, what I wanted to share. I worked on it for about two years – finding the blogs, talking to the bloggers, telling them what I’m doing, and getting permission to use their posts in the book. And, after about two years doing all this compiling and editing, the book was born.”

In Becoming Israeli, said Gersh, there are the insights of (English-speaking) Jews who have made aliyah, as well as those who have been to Israel, but haven’t yet made the move. “In the book,” he said, “you can really sense the things they love about Israel. Above and beyond that, there is the general world … and much of that includes the Christian world who loves coming to Israel.”

The feedback has been good, especially from olim who have read the book and can relate to their fellow travelers. “They went, ‘Wow! Amazing!’” said Gersh. “Every page, they’re like, ‘This is my story!’ They’re laughing, they’re crying.

“I’ve read the book multiple times and I still laugh at the jokes and cry at the same emotional places,” he added. “It’s a really powerful book and I’ve had really positive feedback from olim who say ‘thank you’ and feel it is awesome … [and] exactly what they’ve been going through and experiencing.”

Gersh is a teacher by training and works in a private English-language school in Israel. He also connects with people using music, through a program he started in 2007 called The Holy Land Spirit.

As a musician and teacher, Gersh offers groups – mainly Christians – who visit Israel an evening program of music, prayer and spirituality from a Jewish perspective. “They love it,” he said. “We pray together, dance together, speak together.”

Gersh teaches at Alexander Muss High School, a study-abroad institution near Tel Aviv. There, kids from 45 different countries come to learn for a few weeks or up to a few months at a time, about Jewish history and Israel. They spend half their time in the classroom and half their time traveling around the country.

“So, it’s academic and hands on,” said Gersh. “It’s awesome. I’ve been there about 10 years now. The language of instruction is English and, for those who want to improve their Hebrew, there are opportunities.

“We have young Israelis who are fresh out of the army. And, for those who want the Hebrew experience, they can get it from them and also from being out and about in Israel.

“The kids are inspired, enlightened, pumped up about Israel,” he continued. “We’re not a religious program. We’re not a church denomination. We’re pluralistic. We have Jews on staff, but we don’t push Judaism. We just open up a space for kids to explore connections to Judaism.”

According to Gersh, many of the students are experiencing certain aspects of Judaism for the first time. This is something especially meaningful for him, he said, noting, “I had no connection to Israel growing up at all. I never thought about it, nor talked about it. It just wasn’t a thing in my community. I heard about it a couple times in Hebrew school, but it wasn’t on the radar at all. By the time I was done with high school, going into college, I was really done with anything Jewish…. In college, I began searching for something more cultural, meaningful, spiritual in my life.

“That journey, which was a three-year journey, took me to many different places, meeting different people, reading different books. At the end of the journey,” he said, “it brought me full circle to Judaism. But, I found a new side and a new expression of Judaism that I hadn’t seen before.”

Among the places Gersh traveled after college was West Africa, where he spent two months learning more about the drumming he studied in school.

“After traveling around there,” he said, “I went to Israel for the first time. I was about 22 years old at that point. I traveled around Israel for two months, backpacking and enjoying, taking a class here, a class there, doing a Shabbat and just really getting into it. After those two months, I realized I wanted to really explore my roots and see what Judaism was about. Still, at that point, I did not want to become religious.”

Eventually, Gersh did become religious. He spent some time in a yeshivah, both in Israel and in the United States, before making aliyah with his wife in 2004.

The foreword of Becoming Israeli was written by Yossi Klein Halevi, an Israeli author Gersh looks up to as a Jew, as someone who made aliyah and as a writer.

“We had a book launch at the beginning of the summer and we had a panel of me and a bunch of other bloggers from the book, and he was one of the panelists,” said Gersh. “It was amazing to have his voice and his perspective.”

Becoming Israeli is available on Amazon, and Gersh also has a website, becomingisraeli.com.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Power of human spirit

Disarmed: Unconventional Lessons from the World’s Only One-Armed Special Forces Sharpshooter by Izzy Ezagui (Prometheus Books) is confusing, puerile, uneven, exaggerated, chutzpadik and strident – I loved it. I enjoyed every blessed moment involved in reading this extraordinary Proust-like jumble of words and ideas by an Israeli soldier who lost his left arm in a Hamas mortar shelling a decade ago when he was on duty near Gaza.

The unlikely protagonist of this memorable saga is a Sephardi Jew raised in Florida and Crown Heights (New York), and educated first in the public school system and, afterward, in a Lubavitch yeshivah, before making aliyah. His father and mother, whom he idolizes in this book, were complex parents who decided, while Ezagui was still very young, to become more serious about their Judaism.

This autobiography is among the few books available on the intricacies of the Israeli army’s training procedures for inductees into elite units – which Ezagui experienced not once but twice – and, as such, it provides an introduction to what it really means to become a member of Zahal, the Israel Defence Forces. The rigours of IDF training are equal or superior to American, British and Canadian special forces cadres.

When Ezagui’s tent was destroyed by the mortar blast that hit his unit bivouacked near Gaza, the young soldier did not at first realize what had happened to him, so great was the shock to his nervous system. The graphic description he provides of the wreckage to his left arm is not easy reading because it lies outside our normal anatomical parameters but Ezagui conveys quite adequately the physical and psychic damage he endured. It took hours before the extent of his personal catastrophe was fully known.

Ezagui’s comrades were able, once the dust had cleared, to transport him to an Israeli medical facility, where doctors stabilized the young soldier, along with others who had been injured by enemy fire. One of the most poignant parts of this journal is Ezagui’s attempt to speak to his mother on the telephone to impart the news about the loss of his left arm without provoking hysteria on her part.

Part of the treatment the author received from Israel’s medical cadres were heavy doses of very powerful drugs, including fentanyl, a narcotic, he notes, which is a hundred times more potent than morphine; it was the first drug administered to him when the severity of his injury was recognized. This is a relevant observation because, when Ezagui began to recover his sensibilities, he immediately declared that he intended to return to his combat unit. But he soon realized that he would have to go “cold turkey” before he could even think of rejoining his comrades. This he did by dint of unbelievable discipline in the face of incredible suffering from withdrawal.

During this crisis period in his slow recovery, Ezagui was confronted with the negative responses of army doctors, one of whom bluntly told him that his condition precluded the kind of camaraderie and fraternity among soldiers who depend on their peers to help them. That kind of subtle yet direct rejection ironically made Ezagui more determined in his pursuit of his former status as a soldier-sharpshooter. It did not help that he was continually hounded by his “phantom,” the curious physiological phenomenon when a severed limb asserts its presence despite its absence.

In his narrative, Ezagui gives us all the excruciating details of his retraining in the army – this time, with a limb missing. One of the greatest obstacles he encountered was mounting a wall with a rope anchored to it. In his previous incarnation, he had no problem, but one arm wasn’t enough to execute the onerous task. He finally realized that a contortionist’s skill was required to perform the feat and, through the use of his legs and other body parts, he was able to get over the wall.

Ezagui encountered a similar problem with his rifle. It jammed regularly when he tried to insert the shells into it. He overcame his frustration only when he realized that he had to dig his weapon into the ground, anchor it solidly and, then, with his one arm, load the instrument.

Ezagui passed all his retraining requirements and it was the doctor who had initially rejected his attempt to rejoin his unit who certified his reentry into the army.

Disarmed is a testimony to the resilience of one human being who beat the odds and conquered a disability, and Ezagui has become a symbol of what the human spirit is capable of accomplishing.

Arnold Ages is Distinguished Emeritus Professor at University of Waterloo, in Ontario.

Crocheting as work

The label for an Iota rug and pouf hand-knit by Kefaya, a Bedouin woman. (photo from Iota)

Some of the best projects are born out of a desire for change – at least that was the case with Iota, an Israel-based textile company empowering unemployed women through the art of crochet.

Each one of the company’s rugs, pillows and home accessories is hand-crocheted by Bedouin women from their own homes, providing them with meaningful work and an independent source of income.

Bedouins are an Arab Israeli subgroup, located mainly in the south, with their own distinct culture and social norms. Historically, Bedouins lived a nomadic lifestyle, and many still herd livestock. Women traditionally tend to the house and children, resulting in high unemployment and poverty rates. A 2015 survey showed the employment rate among Bedouin women as 22%, compared to 32% for all Arab women.

Founded by Shula Mozes, an active social entrepreneur for more than 16 years, Iota aims to support the many women, all over the world, who are unable to work outside of the home due to cultural, religious and geographical reasons.

When she started the company in 2014, Mozes chose crochet, a self-taught hobby, as a means to create a business that could empower these women and fuel social change. With the help of creative director Tal Zur, she later discovered that not only is crochet a very versatile technique, but it has its own universal language that can be written and learned, like music notes.

“I realized that if I can learn to make things by crocheting small elements and putting them together, maybe we can teach women who don’t have work how to do the same,” Mozes said.

photo - Iota’s studio in Tel Aviv — Iota’s studio in Tel Aviv. (photo from Iota)

Iota now runs a small studio in Tel Aviv, where an all-female team of textile experts dreams up intricate designs. At least once a week, a member of the Iota team travels to Hura, a Bedouin village in southern Israel, to deliver raw materials to the women the company employs. Once complete, the finished products are transported back to Tel Aviv, each piece bearing a label signed by the woman who made it.

Currently, Iota employs three women in Hura, an intentionally small number, Mozes said, in order to maintain a strong commitment to each worker. “We have to respect their culture and empower the women slowly, so that they can work according to what they’re comfortable with,” she said.

Though centred on a 200-year-old technique, Iota’s designs are modern. The yarns used to create each piece are bespoke, developed in-house and produced in a local Tel Aviv factory. Mozes said that, by applying computerized designs, they’re able to create yarns that contain several different colours in the same thread, allowing the carpets to be made with one continuous string of yarn.

While Iota is currently only active in Israel, Mozes said she hopes to collaborate with other communities worldwide, which are experiencing high rates of female unemployment.

In January, Iota exhibited its collection for the third time at Maison & Objet, an international trade fair in Paris known for showcasing innovative design talents. The collection, ranging in price from 200 to 2,000 euros (from $315 to $3,150 Cdn), consists of colourful single-yarn rugs, oversized floor cushions, stools, one-of-a-kind swings and home accessories.

“I hope that, in the future, we will be able to take one of the women with us to an exhibition so she can experience the success of Iota firsthand,” Mozes said. “Without them, none of this would have happened.”

For more information, visit iotaproject.com.

Israel21c is a nonprofit educational foundation with a mission to focus media and public attention on the 21st-century Israel that exists beyond the conflict. For more, or to donate, visit israel21c.org.

The bond between Israelis

This photograph by Ziv Koren is from My Jerusalem: The Eternal City, a collection of reflections on the city by notable Israeli and Diaspora (mainly American) Jews edited by Ilan Greenfield and published by Gefen Publishing House last year.

I read a lovely quotation recently: “I met a hundred people going to Delhi. And every one of them was my brother.” I often feel that way in Israel. In the 40 years I have lived here, I have met saints and sinners, business tycoons and homemakers, and many, many others. But, by the very fact of them pulling up their roots, leaving behind their birthplaces and culture, here they become ordinary people leading extraordinary lives. I once had a friend, sadly passed on, who used to say that he stood on the corner and watched all the poems walk by.

Israel makes demands on us. We don’t just drift along acquiring more and more material possessions – a bigger home, a more luxurious car, a wardrobe of designer clothing. No matter how rich or poor we may be, when our children turn 18, they are expected to serve their country, either in the Israel Defence Forces or national service (Sherut Leumi). Almost everyone I know is a mother, father, grandparent, sister, brother, wife or daughter of a soldier, and there is always the fear for their safety, or of terrorist attacks that can occur anywhere, changing lives forever. And the six-day work week doesn’t leave much time for leisure, or keeping up with friends and family scattered around the country. Yet there is a resilience here. On the whole, we are optimists. It is almost a cliché that, if you live in Israel and don’t believe in miracles, then you are not a realist. We live on miracles and expect them – the Entebbe rescue and the Six Day War victory are just two examples.

Stand on the corner of any Jerusalem street and, in the space of 10 minutes, you can hear several languages. There might be a monk in a long habit; a soldier whose face is etched in weariness; a teenager with earrings and tattoos; tourists with cameras slung around their necks; a housewife trundling a shopping cart; a Charedi Jew with peyot; and everywhere people talking on their mobile phones. A gregarious lot contributing to the rich mosaic of our society. Each one unique.

They may be strangers, but Israelis won’t hesitate to speak to you … on a bus, waiting in a queue, sitting at your doctor’s office. They may ask you where you bought your shoes, where you work, how much you earn, and why haven’t you dressed your child warmly enough. One big family. It’s not just idle curiosity – they are really interested.

This is what’s so endearing about living in Israel. We all express our identity differently, in the way we dress and the words we speak, but, in the end, it’s a similar identity. We are bonded by birth, by choice or by belief and it creates a link – invisible perhaps but, when needed, we will help each other. It’s an unspoken commitment. How lucky we are!

Dvora Waysman is a Jerusalem-based author. She has written 14 books, including The Pomegranate Pendant, which was made into a movie, and her latest novella, Searching for Sarah. She can be contacted at dwaysman@gmail.com or through her blog dvorawaysman.com.

Too much food wasted

Millions more could be fed by the same resources if our diets changed. (photo from wis-wander.weizmann.ac.il)

About a third of the food produced for human consumption is estimated to be lost or wasted globally. But the biggest waste, which is not even included in this estimate, may be through dietary choices that result in the squandering of environmental resources. In a study published in the Proceedings of the National Academy of Sciences of the United States of America, researchers at the Weizmann Institute of Science in Rehovot, Israel, and their colleagues have found a novel way to define and quantify this second type of wastage. The scientists have called it “opportunity food loss,” a term inspired by the “opportunity cost” concept in economics, which refers to the cost of choosing a particular alternative over better options.

Opportunity food loss stems from using agricultural land to produce animal-based food instead of nutritionally comparable plant-based alternatives. The researchers report that, in the United States alone, avoiding opportunity food loss – that is, replacing all animal-based items with edible crops for human consumption – would add enough food to feed 350 million additional people, or more than the total U.S. population, with the same land resources.

“Our analysis has shown that favouring a plant-based diet can potentially yield more food than eliminating all the conventionally defined causes of food loss,” said lead author Dr. Alon Shepon, who worked in the lab of Prof. Ron Milo in the plant and environmental sciences department. The Weizmann researchers collaborated with Prof. Gidon Eshel of Bard College and Dr. Elad Noor of ETZ Zürich.

The scientists compared the resources needed to produce five major categories of animal-based food – beef, pork, dairy, poultry and eggs – with the resources required to grow edible crops of similar nutritional value in terms of protein, calories and micronutrients. They found that plant-based replacements could produce two- to 20-fold more protein per acre.

The most dramatic results were obtained for beef. The researchers compared it with a mix of crops – soya, potatoes, cane sugar, peanuts and garlic – that deliver a similar nutritional profile when taken together in the right proportions. The land area that could produce 100 grams of protein from these crops would yield only four grams of edible protein from beef. In other words, using agricultural land for producing beef instead of replacement crops results in an opportunity food loss of 96 grams – that is, a loss of 96% – per unit of land. This means that the potential gain from diverting agricultural land from beef to plant-based foods for human consumption would be enormous.

The estimated losses from failing to replace other animal-based foods with nutritionally similar crops were also huge: 90% for pork, 75% for dairy, 50% for poultry and 40% for eggs – higher than all conventional food losses combined.

“Opportunity food loss must be taken into account if we want to make dietary choices enhancing global food security,” said Milo.

Milo’s research is supported by the Mary and Tom Beck Canadian Centre for Alternative Energy Research, which he heads; the Zuckerman STEM Leadership Program; Dana and Yossie Hollander; and the Larson Charitable Foundation. Milo is the incumbent of the Charles and Louise Gartner Professorial Chair.

For more on the research being conducted at the Weizmann Institute, visit wis-wander.weizmann.ac.il.

Climate change heats up Israel

Israelis and tourists enjoy the beach in Tel Aviv on a hot summer day. (photo by Miriam Alster/FLASH90 via Israel21c)

A new study says that, by 2100, climate changes will extend the summer season in the eastern Mediterranean – an area that covers Israel, Egypt, Jordan, Syria, Lebanon and southern Turkey – by two full months. Winter, the rainy season, will shorten from four to two months.

The study, published in the International Journal of Climatology, was overseen by Prof. Pinhas Alpert and conducted by Assaf Hochman, Tzvi Harpaz and Prof. Hadas Saaroni, all of Tel Aviv University’s School of Geosciences.

“Pending no significant change in current human behaviour in the region, the summer is expected to extend by 25% by the middle of the century (2046-2065) and by 49% until its end (2081-2100),” Hochman said. “The combination of a shorter rainy season and a longer dry season may cause a major water problem in Israel and neighbouring countries.”

Other serious potential consequences include increased risk of brushfires, worsening pollution and altered timing and intensity of seasonal illnesses and health hazards.

“One of the main causes of these changes is the growing concentration of greenhouse gases emitted into the atmosphere as a result of human activity,” said Hochman.

The research team is currently exploring the possibility of establishing a multidisciplinary regional centre for climate adaptation.

עם או בלי נתניהו

קנדה תקלוט כאלפיים פליטים מישראל. (צילום: Wikimedia Commons)

ראש ממשלת ישראל, בנימין נתניהו, הוכיח שוב כי המדיניות שלו היא לא מדיניות באמת, וכי הוא משנה את דעתו על הזמן. וזאת בהתאם לכיוון שאליו נושבת הרוח. כך גם החלטתו האחרונה לשלוח למעלה משישה עשר אלף פליטים- מסתננים מאפריקה (ממדינות ארתיריה וסודן) שביקשו מקלט בישראל, למספר מדינות במערב. בהן לדבריו גרמניה, איטליה וקנדה. ולטענתו לאחר שכביכול הוא הגיע להסכם עם נציבות הפליטים של האו”ם בנוגע למשלוח המסתננים למדינות אלה, למרות שלהן לא היה ידוע על כך. מענין!

לפי ההסכם עם האו”ם 16,250 מבקשי מקלט מישראל יקלטו במדינות המערב. ישום ההסכם יבוצע בשלושה שלבים ויתפרש על פני חמש שנים תמימות. ובמקביל כ-16,250 מהפליטים יקבלו מעמד חוקי בישראל. הם יפוזרו באופן מאוזן ברחבי ישראל. וכן תוקם אף מינהלה מיוחדת שתעסוק בשיקום אזור דרום תל אביב הרעוע (וזאת על חשבון ההשקעה במתקן חולות לכליאת הפליטים שיסגר).

לאחר הודעתו כי הגיע להסכם ותוך שעות ספורות ביטל נתניהו בעצמו את החלטתו הקודמת, והחליט שלא לשלוח פליטים מישראל למדינות המערב. ומדוע? זאת לאור זעם במפלגות הימין בישראל שהביעו התנגדות נחרצת כי בעקבות החלטת נתניהו להעברת למעלה משישה עשר אלף הפליטים למערב, יקלטו במדינה השאר – כשמונה עשר אלף פליטים-מסתננים.

בקנדה החליטו שלא להמתין להחלטותיו התמוהות של ראש ממשלת ישראל וכיאה למדינה הקולטת כל הזמן הגירה ממדינות מצוקה, הוחלט לקלוט כאלפיים פליטים-מסתננים מישראל. וזאת במהלך עצמאי ללא בקשה של ממשלת ישראל, שהחליטה לפני מספר חודשים לגרש את הפליטים האפריקנים מישראל בחזרה לאפריקה. הארש ז’אסוול, עוזר מיוחד לשר ההגירה, הפליטים והאזרחות של הממשלה הקנדית, אחמד חוסיין, מסר את ההודעה הבאה בנושא: “הממשלה שלנו כבר הוכיחה שהיא מובילה עולמית לקבל בברכה פליטים שנמלטים ממלחמות ורדיפות. ישוב פליטים אלה הוא חלק בהמסורת ההומנטרית הגאה של קנדה. אנו מוכחים שוב כי יש לנו אחריות משותפת לסייע לאלה שנעקרו, שהם נרדפים ומרביתם זקוקים להגנה ועזרה. אנו עוקבים מקרוב אחרי המתרחש בישראל, ונמצאים בקשר ישיר עם ממשלת ישראל. הגענו להסדר עם הרשויות בישראל להשעות את גירושם ומעצרם של פליטים שהגישו בקשה לעבור לקנדה, בעזרת נותני חסויות פרטיות מקנדה – עד לשיושלם הטיפול בעניינם. אנו ממשיכים ביחד עם נותני החסויות הפרטיות שיתכן ובקשותיהם מושפעות ממה שקורה בישראל. נציגות של משרד ההגירה, הפליטים והאזרחות הקנדי בתל אביב, יספק מכתבים למבקשים בקרב הפליטים להגר לקנדה, במסגרת החסויות הפרטיות, כדי לאשר שבקשותיהם נמצאות בהליך של אישור על ידנו. הם יוכלו להציג את המכתבים האלה בפני הרשויות בישראל. נכון לשלושים ואחד בדצמבר אשתקד אנו מטפלים בקרוב לכאלפיים בקשות של פליטים אפריקנים לעבור מישראל לקנדה, כאמור במסגרת נותני חסויות פרטיות מקנדה. וללא קשר במקביל, אנו ממשיכים בהתאם להכרזת ממשלת קנדה, בקליטת כארבעת אלפים פליטים מאריתריה, עד לסוף הנה הנוכחית”.

לדברי סוכנות האו”ם לפליטים השוכנת באוטווה, יש הסכם שקנדה תקלוט השנה לא פחות מכעשרת אלפים פליטים. באופן כללי יתכן שחלקם של פליטים אלה יגיעו אפילו מישראל.

במרכז לענייני ישראל והיהודים בקנדה הזדרזו לברך את שר ההגירה, הפליטים והאזרחות הקנדי, אחמד חוסיין, על הסכמתו כביכול לקלוט פליטים מישראל. במרכז אמרו והוסיפו עוד כי: “ישובם מחדש של מבקשי מקלט מישראל, הוא אתגר בינלאומי המצריך פתרון בינלאומי. ואכן קנדה נטלה על עצמה תפקיד מוביל בנשיאה באחריות הבינלאומית לישובם מחדש”.

Yom Ha’atzmaut love, spirit

Shlomi Shaban will be joined by Ninet Tayeb (right) at Metro Vancouver’s celebration of Yom Ha’atzmaut on April 18 at the Chan Centre. (photo from Jewish Federation)

Two award-winning veteran musicians, not to mention good and longtime friends, will be headlining our community’s Yom Ha’atzmaut celebration on April 18 at the Chan Centre for the Performing Arts. Tel Aviv’s Shlomi Shaban will be joined by Los Angeles-based Ninet Tayeb.

“I have performed once outside the country on Yom Ha’atzmaut,” Shaban told the Independent. “It was Israel’s 60th anniversary. It was in Stockholm, Sweden. A lot of musicians and myself traveled over there, like Beri Sacharov, Eran Tzur and many others. We had a great show over there. But, beside that, I can’t remember performing outside Israel on Yom Ha’atzmaut, mostly I’m here in Israel, performing across the country or just being with my family, it depends.

“I’ve never been to Canada before, so, naturally, I’m very, very excited,” he said. “I’ve heard a lot of really great things about Vancouver and I’m really looking forward to just hang there, travel around and explore the place, although we’re going to be there for too short [a time] I’m afraid, two days, but I hope to catch as much as I can.

“I remember my friends Jane Bordeaux performing there last year,” he added, “and they came back really excited about the crowd and the place.”

Shaban was born in Tel Aviv and has lived there his whole life, except for a few years, when he was in London, England, to study classical piano. “I’m in love with Tel Aviv,” he said.

Like Tel Aviv, music has always been a part of Shaban’s life.

“I started learning how to play the piano when I was 6 years old,” he said. “I started privately, like a lot of kids. Then I went to a conservatory, and studied there for 10 years. And then, in London … I received an artist’s diploma from the Royal College of Music. I’m very proud of that, though I haven’t looked at that diploma since I got it.

“I always wrote little songs, since I was 10, I think, and always considered that as kind of a hobby, or kind of an intermission – I was practising a lot of piano, five hours a day, six hours a day, and more and more, and I always saw that as kind of a comic relief from practising…. When I was 21, I started thinking, maybe I went the wrong direction, so to speak, and the little hobby that I considered to be a comic relief, might be my main interest, and tried to publish my songs. I was very lucky, I was signed by a major label, here in Israel, of course, and faded away from the classical world, and never went back.”

Shaban now has four albums under his belt, and has won several awards for his work.

“In terms of career highlights,” he said, “I would mention two. As I said, I left the classical world but, five years ago, or six years ago, I was approached by the Israel Philharmonic. They celebrated their 75th year, and they asked me to do a concert of my music, my songs, with the orchestra.

“It was a great closure for me because, when I was 17, I played with the orchestra as a classical pianist with Maestro Zubin Mehta. I was a kid, so, naturally, very excited and very nervous, and now I came back through the main door with my own songs. It was another exciting and, again, nerve-wracking in a way, event for me. I had to practise piano again because I played my own songs and a little classical music we mixed throughout the songs. That was definitely a highlight.

“Nowadays, I’m touring with Chava Alberstein,” he continued. “She’s Israel’s, let’s say, Edith Piaf. I don’t know. She’s Chava Alberstein – she has more than 60 albums. I recorded a song with her four years ago, and asked her to consider touring with me and being her pianist – just me and her, she sings and I play…. We planned to do four or five shows, and now the tour has evolved and it’s sold out, and we are adding more and more shows. I sing only one song during the show, the song that I wrote for her…. It’s a great, great pleasure for me and I learn so much and enjoy so much doing it. So, that’s another big highlight for me.”

Shaban has been inspired by many musicians.

“I’ve covered many artists, Israelis and non-Israelis,” he said. “Mostly, I tend to cover storytelling songs, people like Bob Dylan, Leonard Cohen … I’m going to play a few songs by him in the show.

“I was trained as a classical musician and, when I left it and began hearing popular music, in a weird way, my heart went to very simple music, very text-based music, people, as I say, Dylan and Leonard Cohen, Tom Waits, Lou Reed, all that gang. And, during the years, they have remained my main love and inspiration, but I have listened to a lot of other music – new music, old music, jazz. I love jazz pianists and composers, people like [Thelonious] Monk … Miles Davis, and many, many others. I’m not interested in a specific genre, just getting as much inspiration as I can from different genres. But, as I said, my main interest always was the lyrics, funnily enough, and the story that the song conveys, and that hasn’t changed.”

In terms of his creative evolution, however, Shaban has been focusing more on the music. He described his early composing as “very functional,” something he used mainly to help the story to come across. “Nowadays,” he said, “I’m writing more rich music. I think, in that way, I’m heading backwards to the classical time and thriving on inspiration from all kinds of music, and not just folk music or rock music.”

photo - Ninet Tayeb — Ninet Tayeb *(photo from Jewish Federation)*

Shaban is excited to be performing in Vancouver with Tayeb, who he described as “one of the best singers I have ever heard.” He added, “She’s a great friend of mine, so that’s another bonus, meeting her in Canada – she’s in L.A. now and I rarely see her, so I’m looking forward to that, and meeting you all.”

For her part, Tayeb has recorded five albums and, like Shaban, has been recognized numerous times for her work. Also like Shaban, music has been a lifelong passion.

“Music has been my life ever since I was a little girl,” she told the Independent. “I started writing my own music at the age of 23. To be able to express myself through music is the most amazing gift I could have.”

Tayeb said, “My style is a mixture between Israel, L.A., Berlin and New York, kind of a Middle Eastern rock ’n’ roll with a slight hint of electronic. Music keeps evolving all the time and so do I – thank God! – and, for me, the most important thing is to keep moving forward and keep my mind open.”

It was this drive to continually enrich her knowledge and creative spirit that took her to Los Angeles, she said. She moved there from Tel Aviv.

On Yom Ha’atzmaut, said Tayeb, “The show will be me singing with Shlomi and Shlomi will sing alone, as well. One thing I can promise you – the show will be full of love and true spirit.”

For tickets ($18) to the April 18, 7:30 p.m., concert at the Chan Centre, visit jewishvancouver.com.

Unique coming of age

Richard Newman and Gina Chiarelli in Bar Mitzvah Boy, at Pacific Theatre until April 14. (photo by Damon Calderwood)

The number 13 means different things to different people. To a baker, it’s that extra pastry that he adds to a dozen; to the superstitious, it’s considered bad luck to the extent that some buildings do not have a 13th floor. To a Jewish boy, it means his right of passage into manhood, a journey fraught with both angst and joy.

But what if you missed that momentous occasion, for whatever reason, and now, as a grandfather, as your grandson’s bar mitzvah approaches, you have an urgent need to have a bar mitzvah ceremony? This premise forms the basis of local playwright Mark Leiren-Young’s Bar Mitzvah Boy, a two-hander being staged at the intimate Pacific Theatre in Vancouver until April 14. It won the American Jewish Play Project’s prize for best new Jewish play last year, with successful staged readings in New York, Boston and Charlotte, N.C.

Joey Brandt (Richard Newman) is a successful Vancouver divorce lawyer who wants to study privately with Rabbi Michael (Gina Chiarelli) in order to have his bar mitzvah before his grandson’s big day. He is surprised to learn that she is female, and even more surprised when she refuses him as a student, suggesting that he join Cantor Rubin’s bar mitzvah class instead. Joey is obviously a man used to getting his way and, not surprisingly, his stint in Rubin’s class turns into a fiasco, as Joey disrupts the class and takes all the boys out for Hawaiian pizza (you know, the kind that has ham on it). The rabbi eventually relents, in light of both Joey’s advocacy skills and a big donation to the synagogue’s renovation fund.

The chemistry between the two actors is palpable. The audience is led through a witty pas de deux, and both teacher and student experience personal metamorphoses through their weekly interactions. Joey – who has not been to shul for 52 years – learns to put on tefillin, as well as studying the liturgy and history of his people, in a crash course in Judaism. Meanwhile, the somewhat bohemian rabbi (she jogs and smokes marijuana – for “medicinal purposes” only) works through her own demons, which include an almost-12-year-old daughter with cancer and a husband who cannot cope with the illness. In an engaging twist, the professional roles reverse as the players grapple with the existential question of whether G-d is a metaphor or a real entity on which to base our faith.

Newman, who says that he is “Jewish on both sides” is stellar in his role as Joey (and his Hebrew is not too bad, either) but it is Chiarelli who steals the show with her sublime portrayal of a working mom having to deal with a sick child and an unsupportive husband. Kudos to Chiarelli, who is not Jewish, but who has mastered the dialogue and rituals of the script.

The set design is sparse but effective. One side is a backlit bimah with a lectern and a dove-shaped eternal flame hanging above. The other side does double duty as the rabbi’s study (replete with a library that includes Kosher Sex by Rabbi Shmuley Boteach and the Kama Sutra) and Joey’s office. The costumes are simple and the music – klezmer, what else.

Leiren-Young peppers the play with local references that will resonate with some of the community audience – names like Cantor Rubin, Rabbi Solomon, Schara Tzedeck, the astronomical prices of the real estate – some contemporary quips about the Broadway musical hit Hamilton and singer Kenny Rogers, and a multitude of Jewish clichés. He is the master of witty repartee, as anyone will know who has seen his play Shylock, which was, most recently, at Bard on the Beach last year.

“I had a truly crazy bar mitzvah at the Beth Israel,” said Leiren-Young when asked in an email interview by the JI about his own bar mitzvah experience. “There was a snowstorm and my mom’s car was hit en route to the shul for Friday night services. After that, standing at the bimah

and singing was easy! I drew a lot of inspiration for this play from real experiences – a mix of my own and stories from friends – but I just realized I left out the snowstorm. Maybe that’ll go in the movie.”

As to whether or not you have to be Jewish to get the play, he said, “No more than you have to be Catholic to ‘get’ Doubt or Mass Appeal or Sister Mary Ignatius (three ‘Catholic’ plays I love). But there are definitely moments that will hit harder for a Jewish audience and, I suspect, there will be jokes only Jewish audience members will laugh at.”

It is somewhat ironic that the world première of this play is being held in the basement of an Anglican Church, but that is part of its cachet.

The audience take-away from any play is deeply personal but, as Joey says in his bar mitzvah speech at the end of this journey into his faith: today, I am a man here to honour my family and ancestors, to celebrate being a Jew and becoming a member of a community with all the rights and responsibilities that go along with that membership. And, to that, we say, amen.

For tickets, visit pacifictheatre.org or call the box office at 604-731-5518.

Tova Kornfeld is a Vancouver freelance writer and lawyer.