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Local office open again

Local office open again

Yael Levin, executive director, Israel Bonds Vancouver. (photo from Israel Bonds)

For more than two years, the local Israel Bonds office was closed, and anyone wishing to contact Bonds had to go through Toronto. But, last July, the local office started to open again, initially for a few hours a week. By September 2017, it was open two days a week. Finally, on Feb. 1 this year, it reopened fully, with Yael Levin in the role of executive director.

Levin will be spearheading an effort not only to raise the profile of Israel Bonds here and find more investors, but she will also form a strategic plan and host a number of events each year for the community.

The reopening was championed by Israel Bonds Canada chief executive officer Raquel Benzacar Savatti, who wanted to ensure that Vancouver’s Jewish community is served.

“I know that smaller communities do feel the loss when organizations close their offices…. Although we kept in touch with our Vancouver clients through our other offices, it’s not the same as having a presence,” said Savatti. “Vancouver is a wonderful community, our third largest, and it’s important that we have an office to serve investors in this savvy financial hub.”

Savatti was hired in December of 2016 and had a number of other priorities to deal with before searching for the appropriate executive director for the Vancouver office. She credits Nadine Katz – who is still working in client services at the local office – with connecting her to Levin.

Levin comes to the job ready to work in English, Hebrew or Spanish. Born in Mexico City, Levin made aliyah in 2002. She lived and worked in Israel for four years and then moved to Vancouver for a couple of years before returning to Israel until 2012, when she came back to Vancouver with her family to stay.

“I love to work in my community,” said Levin when asked what appealed to her about joining Israel Bonds.

Since her return to Vancouver in 2012, Levin has worked for Jewish National Fund and, most recently, for the Centre for Israel and Jewish Affairs, Pacific Region. At CIJA, she worked with members of the non-Jewish community and welcomes the chance to share the investment tool that Israel Bonds has to offer both within and outside of the Jewish community.

Having never defaulted on a loan since its establishment in 1951, Israel Bonds has a notable track record and a better interest rate than other comparable fixed-term investments. One of the highest-profile investors in the world, Warren Buffett, has been a vocal supporter of Israel Bonds. Savatti shared a story of a recent event that Buffett headlined for Bonds. In order to attend the event, investors needed to buy a minimum of $1 million in bonds. In the first three minutes of his address, Buffett challenged those in attendance to buy five more $1 million bonds, which he would match. She said the crowd responded.

While not everyone can invest so much, obviously, Savatti was clear that the mission of Israel Bonds offices throughout Canada, the United States, Mexico, Brazil and Europe is to raise awareness in the Diaspora of needs in Israel. In the early days of the state’s existence, funds were needed for basic infrastructure like roads and schools. Now, the money, which goes directly to Israel’s finance ministry, is used for projects such as high-speed trains and water desalination.

Savatti was quick to point out that, while things are going well with Israel’s economy at the moment, when the chips are down, it’s friends of Israel, both Jewish and non-Jewish, around the world who continue to support and invest in the state of Israel.

Another important job for local Israel Bonds offices like the one in Vancouver is to educate investors. Levin is actively engaged in the planning of two programs scheduled for this fall. One will be a financial literacy seminar for women and the other will be a larger community event with a keynote speaker of note.

Anyone who is interested in becoming involved as a volunteer for Israel Bonds can contact the local office, which is located on the third floor of the Jewish Community Centre of Greater Vancouver, at 604-266-1210. The hours are Monday through Thursday from 9 a.m. to 5 p.m., and Fridays from 9 a.m. to 3 p.m.

Michelle Dodek is a freelance writer living in Vancouver.

Format ImagePosted on July 20, 2018July 19, 2018Author Michelle DodekCategories LocalTags economics, investment, Israel Bonds, Raquel Benzacar Savatti, Vancouver, Yael Levin
Hollow Twin full of meaning

Hollow Twin full of meaning

Emmalee Watts, left, and Rebecca Wosk are Hollow Twin. (photo by Alejandra Samaniego)

“We are constantly writing and working on new material. It’s a never-ending process for us and we love it,” Rebecca Wosk told the Independent about her musical partnership with Emmalee Watts.

“We started working together in 2011,” said Wosk, “a couple months after we met. We formed Chatterton Eve, which was the name of our band, in 2013 before we changed [the name] because no one could pronounce it. We released one EP as Chatterton Eve and three EPs, plus a single, as Hollow Twin.”

As Hollow Twin, the pair has released the EPs Noctuary (2014), Keepers (2015) and The River Saw Everything (2018), as well as the single “Bound By Blood” (2016).

Of the band’s names, Wosk explained, “Hollow is a synonym of ‘valley.’ Both Emmalee and I have deeply embedded roots in the Fraser Valley – we want to honour that wherever we are. Twin is because we feel we were twins in a past life and have been reconnected in this life. Our bond is very strong.

“Chatterton is one of Emmalee’s middle names, Eve is mine. We changed it in 2015 to Hollow Twin.”

The band’s output is more impressive when considering that Wosk and Watts have also been going to school and working.

“We met at Capilano University in 2011,” said Wosk. “We both graduated with diplomas in arts and entertainment management in 2013, and went on to work behind the scenes in the music industry. We also continued our education (we are very in sync) separately, but again, graduated at the same time, both earning diplomas in business this year. I would like to get my undergraduate degree and possibly study law, as well.”

Wosk has had a love for the arts ever since she can remember. “I always wanted to be an actress,” she said, “but I was painfully shy so, whenever I went on auditions, I would completely freeze. I turned to poetry for solace, which turned into song writing. I wrote my first song when I was 11. I still have my lyric journal from back then – they are all terrible!

“I grew up going to performing arts camps, acting classes, and I took singing lessons. This was all before I turned 14. At that point, I moved to Chilliwack. I didn’t know I would be a musician, but I’ve found singing and writing have come naturally to me. I always wanted to do something in the arts. Everything has felt very serendipitous.”

Wosk attended Vancouver Talmud Torah, and went to Point Grey and then Chilliwack Senior Secondary for high school.

For her part, “Emmalee is a Royal Conservatory-trained pianist,” said Wosk. “Her primary instrument is the bass, which also includes upright. Emmalee attended Langley Fine Arts School, which really nurtured her musical talents. Her father is a wonderful musician and had her growing up completely surrounded by music.”

Wosk described her and Watts’ songwriting process as “very balanced and collaborative.”

“We send each other ideas constantly over our phones and get together several times a week to practise or work on new material,” she said. “We let the song naturally progress. I’m constantly writing lyrics and coming up with melodies, while Emmalee is playing guitar or piano. We combine our strengths equally.

“We hire session musicians to play drums, bass and keys live. Emmalee plays bass, guitar and keys during our recording sessions.

“We used to be a five-piece band, with three other permanent members, but we found there were a lot of creative differences in play and we needed to be true to the vision of our music. A producer we worked with in 2015 suggested we become a duo and hire players when we need them. It’s made things a lot more efficient.”

While the musical influences listed on Hollow Twin’s website include Fleetwood Mac, Led Zeppelin and Heart, it describes Hollow Twin as “dark folk rock.” A press release says their songs are about “grieving, the dualities of life, and making the most of your time on earth.”

“We’ve gone through a lot in our lives so far, good and bad,” explained Wosk. “We have chosen to embrace the things that have shaped our character, even if it has caused pain or heartache – that usually creates the best inspiration. I lost my stepfather to cancer last year, I have been battling depression and severe anxiety since I was 10 years old. The darkness comes from those places – worries, insecurities, loss, life.

“There is a catharsis in our process. It’s truly like free therapy. It’s very vulnerable, we are really baring our souls with whoever chooses to listen to what we create. We don’t want to make anyone sad or depressed, we want people to feel something. Our music ranges from more upbeat to slower, darker songs, but they all have depth in their meanings. We hope that meaning can reach into our listener’s soul and connect with them, so they know they aren’t alone.”

About the role, if any, that Judaism, Jewish culture or Jewish community plays in her life, Wosk said, “I find comfort in knowing I belong to such a warm and welcoming tribe. For all my life, I have seen the support and love that surrounds our community, seeing everyone come together for events, and always being there for whatever may be needed…. I feel we have an unspoken, yet palpable bond and loyalty to each other as Jewish people.

“I myself am not religious,” she said. “I consider myself spiritual. I come from a line of strong Jewish men and women who valued their culture and contributed to the community. I carry the values they – and what I’ve witnessed from our community at large – have carried: compassion, education, family, openness, honesty and kindness.”

Hollow Twin will be recording demos at the beginning of next month, so they can apply for some funding. “If we can secure our funding,” said Wosk, “we will be recording a full-length album, touring and releasing a music video.” Regardless, the band will be releasing a new track in October of this year.

To see Hollow Twin play live, head to Guilt & Co. the night of July 29. To keep apprised of other show dates and news, visit hollowtwin.com or follow the band on Facebook, Twitter or Instagram. Their music is available online via iTunes/Apple Music, Bandcamp and can be streamed on Spotify and Soundcloud.

Format ImagePosted on July 20, 2018July 18, 2018Author Cynthia RamsayCategories MusicTags Emmalee Watts, folk music, Hollow Twin, Rebecca Wosk
Two solid TUTS productions

Two solid TUTS productions

Andrew Cownden and Paige Fraser in Theatre Under the Stars’ production of 42nd Street. (photo by Lindsay Elliott Photography)

The gasp of surprise and awe came from the row behind. “The glass slippers,” whispered the gown-clad girl, maybe 7 or 8 years old, when Cinderella received her infamous footwear from Fairy Godmother in Theatre Under the Stars’ production of Rodgers & Hammerstein’s Cinderella on opening night.

Directed by Sarah Rodgers, this social justice-infused version of the tale (with book by Douglas Carter Beane) seemed to resonate with the younger audience members, even though it was understated. The pace was on the slower side, the music beautiful but not that memorable and the costumes by Christina Sinosich were a mixed bag of styles but all earthy in tone, with no flash or brilliant pops of colour. Cinderella sported a pale blue and white dress in her harsh life with her stepmom and two mean stepsisters (though one turns out to be pretty nice) and a mainly white ball gown, with some silver and blue accents. Prince Topher’s outfits were basically brown or black, with the exception of white formal wear, though they also had some fancy detail work.

The cast performed admirably, especially Mallory James as the heroine, Ella. Tré Cotten seemed a little less sure in his role as Topher, but was suitably dashing and princely, wanting more than a beautiful woman for his wife and wanting to be more than just a ruling figurehead. The revolutionary Jean-Michel, played by Daniel Curalli, and the not-so-evil stepsister Gabrielle, played by Vanessa Merenda, add interesting elements to the play for those who’ve only seen the less substantive (story- and character-wise) romantic version. And the ensemble, in which Jewish community member Lyrie Murad sees her TUTS debut, does a fine job.

Alternating with Cinderella on the Malkin Bowl stage is 42nd Street, which, despite its Depression-era story, costumes and set, is an uplifting, energetic and fun production.

The role of Broadway producer Julian Marsh seems to have been written for Andrew Cownden, and Paige Fraser – making a very strong TUTS debut – is perfect as Broadway ingénue Peggy Sawyer. While the entire cast and ensemble is great, Colin Humphrey as choreographer/dance leader Andy Lee is fantastic, cigarette hanging out of his mouth for much of the show, even when putting the chorus through its paces. And, ironically, Janet Gigliotti as fading star Dorothy Brock is probably the brightest light of this show.

The direction by Robert McQueen, the choreography by Shelley Stewart Hunt, the musical direction (and acting) of Christopher King, the set by Brian Ball, the costumes by Sinosich, etc., etc., all come together neatly in this production.

For tickets to both Cinderella and 42nd Street, visit tuts.ca.

Format ImagePosted on July 20, 2018July 25, 2018Author Cynthia RamsayCategories Performing ArtsTags 42nd Street, Cinderella, Lyrie Murad, Malkin Bowl, musical theatre, TUTS
Liked Beauty, not Wall

Liked Beauty, not Wall

Lili Tepperman is one of five kids featured in Beauty. (photo from NFB)

It’s fine to be who you are,” says Bex Mosch, who turned 9 years old last year, when Beauty was released. Since the age of 3, Bex – formerly Rebecca – says he has known that he is a boy. He and the other “gender-creative” kids interviewed in Christina Willings’ 23-minute documentary have been forced by circumstances to become more mature than most kids their age. And they have more nuanced views on what it means to be human than many adults.

Beauty has its local première during the Vancouver Queer Film Festival’s first short film program, called The Coast is Genderqueer, which takes place Aug. 17. In addition to Bex, Fox Kou Asano, Milo Santini-Kammer, Montreal Jewish community member Lili Tepperman and Tru Wilson are interviewed. Interwoven with the interviews, footage of the kids being kids and meeting their families briefly, parts of Beauty are animated. These illustrations depict some of the kids’ favourite interests and tie together some of their common experiences. None of the parents is interviewed.

“In a way, the concept of this film came to me in the early ’80s,” says Willings in an interview on the NFB media site. “I was thinking a lot about the deconstruction of gender at that time, as were many others. We examined it from every angle, but what’s new now is that it’s children who are leading the conversation, who are saying, ‘Hey! Something’s wrong here!’ Some compassionate, and I would say enlightened, parents are hearing them. The new conversation isn’t ideologically driven, it’s experiential, and there’s a profound purity about that. It’s a breakthrough that I have felt very moved and honoured to witness and, by 2012, I realized this shift was going to be the subject of my next film.”

All of the five interviewees have had to face serious challenges, from being laughed at to being bullied. And, of course, they have had to talk with their parents about how they see themselves, versus how their parents initially viewed them.

“Sometimes, it’s easy to think it would be less stressful just to fit in,” says Lili in the film, “but then I’m not really being myself, and I find that’s an important part of living life because, if everybody’s trying to be like everybody else … it doesn’t make any sense to me.”

Beauty screens Aug. 17, 5 p.m., at SFU’s Goldcorp Centre for the Arts. For tickets, visit queerfilmfestival.ca/film/the-coast-is-genderqueer.

* * *

image - David Hare’s Wall purports to have complexity it doesn’t
David Hare’s Wall purports to have complexity it doesn’t. (image from NFB)

Another NFB film being screened in Vancouver next month is Wall, which is based on British playwright David Hare’s 2009 monologue on the security fence/wall between Israel and the Palestinian territories. Wall is not the first extended exploration of the Israeli-Palestinian conflict for Sir David, who was knighted in 1998. Written in 1997, his Via Dolorosa monologue premièred in London in 1998.

The film Wall has been a long time in coming. According to the NFB media site, in 2010, NFB executive producer and producer David Christensen “had a three-hour drive ahead of him when he chanced upon a podcast of Wall.”

“‘Listening to David Hare’s take on this wall Israel had put up gripped me visually,’ recalls Christensen.

“Riveted by Hare’s reframing of the issue and struck by how he could visualize the piece as an animated film, Christensen immediately called his producing partner Bonnie Thompson, who had the same reaction he did upon listening to Hare’s piece.

“‘For many of us, the issues around the Middle East, Israel and Palestine are complex and polarizing,’ says Thompson. ‘We thought making an animated film was a way to better understand this wall.’”

Canadian filmmaker Cam Christiansen is the animator who brought the concept to life visually, using 3-D motion-capture footage and other “cutting-edge animation tools.”

Wall has been the official selection of six film festivals to date, so it has captured critics’ imaginations. However, most Jewish community members will find it hard to watch, as Hare pays lip-service to the complexity of the situation but never veers very far away from blaming Israel for pretty much everything. When he says, “words become flags. They announce which side you’re on,” anyone with a basic knowledge of the Israeli-Palestinian conflict only has to look at the title of this work to know on which sides he falls. But then he goes on for 80 minutes about it.

There are a few instances when Hare seems about to offer the Israeli side, or at least condemn Hamas, but then he retreats. When he is told about a Hamas torture tactic, he is at first repulsed but then suggests it’s a metaphor for how Palestinians must feel at the hands of Israel. When he sees a poster of Saddam Hussein in a Ramallah café, he wonders about the appropriateness of such a man as a hero but then concludes it’s OK because Israel put up the wall, after all. And, then there’s his exchange with a Palestinian who says that Britain is to blame for all the problems: “Of course it’s your fault. The British were running Palestine in the 1940s. When they ran away and left everything to the Israelis, they didn’t care what happened to everyone else. There was a life here – a Christian life, a Muslim life, a Jewish life – and that life was destroyed.”

This ridiculous statement – and so many others – is not only left unchallenged by Hare or any of the filmmakers, but gets nods or words of understanding. With Israeli novelist David Grossman as the predominant voice defending or explaining Israel’s motivations and actions in Wall, most Jewish movie-goers will know before seeing it just how limited are the views expressed in this film, no matter what complexity it proclaims to convey.

Wall screens four times between Aug. 17 and 21 at Vancity Theatre. For tickets, visit viff.org.

Format ImagePosted on July 20, 2018July 18, 2018Author Cynthia RamsayCategories TV & FilmTags animation, David Hare, documentaries, film, gender, Israeli-Palestinian conflict, NFB, politics

BBYO to West Coast

The Jewish Community Centre of Greater Vancouver has partnered with BBYO to provide expanded opportunities for teens around the Lower Mainland. The partnership will enhance the connections of Greater Vancouver Jewish teens and link the local community to BBYO hubs across Canada – in Montreal, Toronto and Winnipeg – and in more than 30 countries around the world.

The JCC-BBYO connections were forged earlier this year at the JCC Festival Ha’Rikud closing party hosted by BBYO. With more than 80 teens from Vancouver, Miami and Israel, the JCC set the stage for fun and teen involvement. Since the party, a group of teens from Vancouver, White Rock and Richmond formed a leadership team and the JCC is looking for a professional to support them.

In partnership with BBYO, the JCC is currently seeking to fill the role of BBYO city director and JCC teen coordinator. The role will focus on programs that foster engagement and create meaningful connections among high school teens in the community. The professional will liaise with Jewish and secular community organizations working with youth, and will build BBYO chapters throughout the Greater Vancouver area.

“Each year, I get to see teens around the Jewish community grow and connect,” said Shirly Berelowitz, director of children, youth and camps at the JCC. “The JCC teen department looks forward to expanding these opportunities in our new partnership with BBYO. Our goal is to become a hub for Jewish teens to connect with each other in Vancouver and around the world. I couldn’t be more excited for the JCC to take on this role!”

This year, the JCC celebrates 90 years in Vancouver as BBYO celebrates 90 years in Canada – it is only fitting that the organizations celebrate together.

For more information on the coordinator position, contact Berelowitz at 604-257-5111 or [email protected].

Posted on July 20, 2018July 18, 2018Author JCCGVCategories LocalTags BBYO, employment, JCC, youth
Peretz Centre alumni reunite

Peretz Centre alumni reunite

From generation to generation: A Peretz Centre reunion attendee pauses to send a text while walking through an exhibit of archival photos. (photo from Peretz Centre)

On June 20, Vancouver’s Peretz Centre for Secular Jewish Culture held its first-ever reunion of alumni.

The enthusiastic crowd at the reunion, which took place in the Ben Chud Auditorium of the institute’s home on Ash Street, included those who had attended at each of the centre’s locations over the years. When it was founded in 1945, the Peretz Centre offered preschool and after-school classes in Yiddish and Yiddishkeit in the basement of the old Jewish Community Centre at Oak and 11th Avenue, but soon the members purchased a house on Broadway near Alder (now the site of a liquor store and a high-rise). It operated there for 15 years, and it had more than 100 students when it moved to its current location.

The Peretz Centre is dedicated to non-political, secular Jewish and progressive education. Speaking at an open mic, alumni, many now seniors, shared stories dating back to the early days. They recalled a warm sense of community and an education that lived up to the centre’s progressive ideals, including the principle of tikkun olam, the duty to work with others to heal the world. The reunion also provided an opportunity for many to thank the activists who established the centre and for years have dedicated themselves to sustaining it. Some of those first-generation leaders were able to attend the reunion, including Seemah and Harold Berson, Galya Chud, Arlene Jackson and Claire Osipov. Some alumni traveled from out of town to attend, from Winnipeg, Calgary and Denver.

Among the attendees were graduates from the Peretz’s secular B’nai Mitzvah Program, which continues to be one of the centre’s most important offerings. The program approaches Jewish identity through a range of topics, including genealogy and family history, Jewish history and culture, ethics, traditions, Yiddish and Hebrew language studies and more. Avrom Osipov, a Peretznik who in the mid-1960s was the first to complete a Peretz bar mitzvah, spoke at the open mic about the controversy the program caused at the time. The idea of a secular bar or bat mitzvah was new and challenging, he said, even attracting some attention from the local news media.

Reunion attendees enjoyed a display of archival photos from the old days, and Peretz graduates provided much of the entertainment, including emcee and magician Steven Kaplan (aka “the Maestro of Magic”), saxophonist Saul Berson and singers Lisa Osipov-Milton and Sheryl Rae. Pianists Nick Apivor and Wendy Bross Stuart accompanied. The reunion wrapped up with a rousing singing of the old Peretz Shule Hymn, the chorus of which is, “Yud Lamed Peretz a likhtiker kval / tsint unzer hartz on fun dor tsu dor / di tsukunft fun folk balaykht un bashtralt / es vinkt shoyn di nayer kayor” (“This school, our shule, may it blossom and grow / It was built with great effort and love / To teach all the youth who are placed in our care / About ethics and justice for all.”

Paul Headrick is a Vancouver novelist and short story writer. He attended classes at the Peretz Centre in the early 1960s.

Format ImagePosted on July 20, 2018July 18, 2018Author Paul HeadrickCategories LocalTags history, Peretz Centre, reunion, secular Judaism
Community honours and reunions

Community honours and reunions

Honourary degree recipient Robert Waisman, centre, is congratulated by University of Victoria chancellor Shelagh Rogers as UVic president Jamie Cassels, right, applauds. (photo from UVic Photo Services)

The Vancouver Holocaust Education Centre extends a mazal tov to board director and longtime volunteer Robert (Robbie) Waisman, who received the degree of honourary doctor of laws from the University of Victoria on June 13.

Waisman was one of the “Boys of Buchenwald” before he was liberated from the concentration camp, eventually emigrating to a new life in Canada, where he built a successful career and now dedicates himself to Holocaust education. He is a community leader, a philanthropist, a founder and past president of the VHEC, and an extremely effective educator who promotes social justice and human rights for all by sharing his experience as a child survivor.

Audiences impacted by Waisman’s VHEC outreach activities include thousands of British Columbian students each year, as well as students and community groups throughout Canada and the United States. He has served as a mentor to survivors of the Rwandan genocide who were wanting to share their eyewitness accounts. Also notable, Waisman was inducted by the Truth and Reconciliation Commission as an Honourary Witness in 2011, and has spoken alongside First Nations leaders and survivors of residential schools about reconciliation and healing.

***

photo - Left to right: Ilan Pilo, JNF, Pacific Region, shaliach; David Goldman, JNF-PR president; Ilene-Jo Bellas JNF-PR past president; Bonnie Belzberg, JNF Canada national vice-president; Wendy Eidinger Spatzner, JNFC national president; and Lance Davis, JNFC chief executive officer
Left to right: Ilan Pilo, JNF, Pacific Region, shaliach; David Goldman, JNF-PR president; Ilene-Jo Bellas JNF-PR past president; Bonnie Belzberg, JNF Canada national vice-president; Wendy Eidinger Spatzner, JNFC national president; and Lance Davis, JNFC chief executive officer. (photo by Robert Albanese)

Dedicated teacher, outstanding volunteer, loving daughter, sister and wife, Jewish National Fund of Canada Bernard M. Bloomfield Medal for meritorious service recipient Ilene-Jo Bellas can be called a “Woman for All Seasons.”

A retired high school teacher, Bellas taught English and theatre arts for 32 years in the Delta School District. She directed more than 100 popular plays and musicals at Delta Secondary School in Ladner. Many of her students have graduated to become successful actors, writers, directors and educators, and they keep in touch with their first teacher/director. She was president of the Association of B.C. Drama Educators, and was instrumental in procuring funding for and in the designing of Genesis Theatre, a fully professional theatre in Ladner.

Bellas was born and raised in Vancouver. She attended Sir Winston Churchill High School and Schara Tzedeck Synagogue Religious School. She developed her strong community commitment through youth activities in Young Judaea, Camp Hatikvah, Camp Biluim and working as a camp counselor. In university, she was involved in the Student Zionist Organization and held leadership roles in Hillel. She became a charter member and eventually president of Atid chapter of Hadassah-WIZO Vancouver; she also served as the Vancouver council vice-president.

Since her retirement in 2003, Bellas has used her many talents and skills to serve her community: three years as secretary of the Jewish Seniors Alliance, four years on the board of the Louis Brier Home and Hospital and president of the ladies’ executive of the Richmond Country Club. She also directed musical shows at Vancouver Talmud Torah, produced souvenir books, chaired and worked on dinner committees for Congregation Schara Tzedeck, Vancouver Talmud Torah, Israel Bonds and the JNF. In 2013, Bellas and her husband Joel, z’l, were awarded the Betzalel Award at Schara Tzedeck Synagogue. Most recently, she chaired a very successful fundraising gala for RAPS (Regional Animal Protection Society).

Bellas served as president of JNF Pacific Region from 2012 to 2015. She remains active to this day, continuing as a board member, chairing and co-chairing Negev Dinner committees and producing the souvenir books. Bellas is on the national board of JNF and states that she is very proud to be part of such a proactive organization for the benefit of the state of Israel.

Bellas attributes much of the success of her stellar volunteer career to the loving support and encouragement she received from her beloved husband Joel, z’l.

***

photo - The June 28 event honouring Dr. Saul Isserow raised more than $3 million for two initiatives
The June 28 event honouring Dr. Saul Isserow raised more than $3 million for two initiatives. (photo from CFHU)

Hebrew University of Jerusalem is known for innovation. With nine Nobel Prize and Fields Medal winners among its alumni and being ranked 12th in the world for biotechnology patent filings, there is an abundance of creativity and ingenuity emanating from the university. It should come as no surprise then that the Canadian Friends of Hebrew University (CFHU) co-convened a fundraising event honouring cardiologist Dr. Saul Isserow on June 28. Hosted by CFHU and VGH & UBC Hospital Foundation in the Landmark Aviation Hangar at YVR, the casual-chic event – which sold out just weeks after it was announced – hosted a capacity crowd of 500-plus people.

The huge walls of the hangar were draped and a lighting and sound system had been installed along with a cabana that was a full-service bar. There were five food stations, including one serving South African specialties. One wall of the hangar was open to the runway and a private jet was on display to top off the evening’s decor.

Among other things, Isserow is director of the Vancouver General Hospital Centre for Cardiovascular Health, director of cardiology services at University of British Columbia Hospital and medical director of Sports Cardiology B.C.

“It’s not in my nature to be fêted in this way,” said Isserow in his address, stressing that the evening was intended to be a fun night to celebrate the achievements of the cardiac team with whom he works, as well as his heartfelt support and love for the state of Israel.

There were more than three million reasons for celebration by the end of the night – to be exact, $3,046,350 was raised to support two initiatives. The money will be divided between CFHU’s Inspired by Einstein student scholarship program and, locally, Isserow’s Sports Cardiology B.C. program at UBC Hospital. Barbara Grantham, chief executive officer of the VGH & UBC Hospital Foundation expressed her gratitude to Isserow for agreeing to be honoured at this event. She said Isserow is a humble man who works tirelessly for his patients and credits his team for his successes.

A short video tribute to Isserow and his journey from South Africa to Canada revealed that he and his wife, Lindsay, began their lives in Canada in Nipawin, Sask. His journey from rural Saskatchewan to the upper echelon of Vancouver’s cardiology community is a testament to his talent and perseverance.

In addition to Grantham and Isserow, CFHU national board chair Monette Malewski gave brief remarks, which were followed by a performance by the Emily Chambers band while dinner was served. The crowd was treated to a short African drumming performance prior to a brief address by Ambassador Ido Aharoni, who spoke about the strong connection between the principles of Hebrew University founding member Albert Einstein and Hebrew U’s function as a launch pad for creative innovation in all areas. After Isserow addressed the group, the evening was rounded off with a DJ and dancing.

***

photo - Sunshine Coach
(photos from RJDS)

photo - Sunshine Coach inscriptionFor the past few years, Richmond Jewish Day School’s Student Council committee has been collecting donations to support different charities throughout the Lower Mainland. As part of their ongoing fundraising, the school was able to donate $1,150 to the Variety Club Sunshine Coach program and the school’s name was recently inscribed on the side of a 15-passenger Sunshine Coach, which will be used by Richmond Society for Community Living. The vehicle will transport youth with diverse abilities to various programs throughout the city.

***

photo - From left to right, Rabbi Shawn Zell, Maury Miloff, Sam Petuchowski, Tessa Hoffman, Esti Friedman and Allan Pollack stand in front of their class photo, taken with David Ben-Gurion
From left to right, Rabbi Shawn Zell, Maury Miloff, Sam Petuchowski, Tessa Hoffman, Esti Friedman and Allan Pollack stand in front of their class photo, taken with David Ben-Gurion. (photo by Noam Ziv)
photo - Aliza and Joe Ziv, who now live in Israel, speak with Vancouver dentist Dr. Brian Goldenberg. Aliza Ziv was Goldenberg’s Grade 1 teacher at Vancouver Talmud Torah
Aliza and Joe Ziv, who now live in Israel, speak with Vancouver dentist Dr. Brian Goldenberg. Aliza Ziv was Goldenberg’s Grade 1 teacher at Vancouver Talmud Torah. (photo by Noam Ziv)

Last month, several Canadians – or former Canadians – attended the 50th anniversary of Hadassim Children and Youth Village in Israel. Reunion organizer Rabbi Shawn Zell and the other attendees were among the first young Diaspora Jews to spend a year in Israel on a sponsored program – in their case, one organized by Canadian Hadassah-WIZO.

 

Format ImagePosted on July 20, 2018July 18, 2018Author Community members/organizationsCategories LocalTags CFHU, CHW, fundraising, Hadassim, Holocaust Centre, Ilene-Jo Bellas, JNF, philanthropy, reunion, RJDS, Robbie Waisman, Saul Isserow, survivor, UVic, Variety BC, VHEC

Rabbis call on Trudeau

Five local rabbis – Rabbi Lindsey bat Joseph, Rabbi Shmuel Birnham, Rabbi Laura Duhan Kaplan, Rabbi David Mivasair and Rabbi Dan Moskovitz – are among the 33 signatories to a public statement issued July 11 calling upon the Trudeau government to suspend Canada’s Safe Third Country Agreement with the United States. The 33 rabbis from across the country represent a diversity of Canadian Jewry.

The statement calls for the agreement to be suspended “until such time that Canadians can be confident that the United States is in fact a country to which refugee claimants can be returned safely.

“Our own Jewish people’s history instructs us of the necessity to find safe refuge in times of turmoil and lethal threat.

“Our people’s spiritual legacy teaches us that we must not stand idly by the blood of our sisters and brothers, regardless of where they are from.

“The Trump administration’s decision to separate children from their families seeking refuge along the U.S.-Mexican border and its neglect of a plan to reunite them seems to us to amply demonstrate that the U.S. is not a safe country to which refugees should be returned.”

The statement notes that the “agreement requires the Canadian government to review continually the human rights record of the U.S. There were calls to end the agreement in January 2017, when the Trump administration implemented its travel and immigration ban. At this time, it is clear beyond any reasonable doubt that Canada must review and re-evaluate the U.S. qualification as a safe third country.

“Nearly 2,000 children entering the U.S. for the purposes of claiming asylum between April and May have been separated from their families and are being held at detention centres. No one knows the effects of this trauma on these youth, but the human rights abuses are grotesque. According to ACLU, HRW, Amnesty International and media reports, minors are being held in metal cages, given foil blankets and, in many cases, without any visual stimuli in the format of books or toys. In some cases, parents are told their children will be taken for a bath but are not returned. Teenagers in cages are required to care for the younger children, including diaper changes. At one detention centre, staff are not allowed to console, lift or even touch the children, no matter how much agony or fear the child may express. Some children being held are still breastfeeding.”

The Canadian rabbis, “cognizant of our people’s own history as desperate refugees and our tradition of seeking justice … urge the Trudeau government to acknowledge that the United States is not a safe third country and to suspend the Safe Third Country Agreement until the U.S. meets its requirements.”

Posted on July 20, 2018July 18, 2018Author Rabbi David MivasairCategories WorldTags Canada, immigration, refugees, Trudeau, United States

Talmudic advice on life, work

If you listen to lifestyle advice, finding one’s work-life balance has never been harder. Indeed, work obsesses many of us 24/7. We’re always struggling to find time for family, household and leisure activities. Like every generation, we think we’ve invented a new problem.

It only takes a little while studying Jewish texts to respond to this with a “Don’t be ridiculous!” Yes, our technology makes our work lives faster and more omnipresent, but, in Jewish tradition, we’ve been discussing and debating how to balance these issues for thousands of years.

When I started thinking about this, I remembered how many detailed tips are available to us by studying Midrash and Talmud. There are discussions about how much sleep we need. Depending on their profession, there are views about how many times a week men are obligated to be intimate with their wives. There is advice on how to raise your (Jewish) children and how to take care of your livestock.

By the way, in case you raise livestock (for work or fun) or have pets, you should always feed them first, before you eat. Is that irrelevant? Not in my household, where we conscientiously feed our dogs first every morning and evening, before breakfast and dinner. (It cuts down on begging at the table, too.)

A few weeks ago, a new start-up that works on networking and advice for people in university alumni communities asked me to participate in a career path interview. It was done entirely online. I was happy to do it, because it struck me as a useful exercise. New university graduates might be able to learn from older peers, and gain useful information and connections. I responded to the questions without hesitation.

Although I listed plenty of professional qualifications, I focused on how important it was to be flexible, evolving and intellectually curious as your life changes. In my experience, things like getting married, having health issues or kids, or moving affect your career path enormously. I figured this was not news to anyone, but that it was advice worth offering to 20-somethings or career changers.

To my surprise, someone at the start-up contacted me and asked if they could feature me in a “career journeys” email. At first, I thought, “Sure, why not?” I even wondered if it might bring in more writing or editing jobs. Then I read their draft.

Their draft email sandwiched my photo and quote in between two male professionals, a medical physician/specialist and a virtual reality DJ. The quote they chose for me highlighted that moving for my husband’s academic career forced me reinvent myself to find paying work and to stay competitive.

I was the only woman featured, and the only professional whose married status was mentioned first. I felt angry. Why were my peers’ work credentials front and centre but, for me, it was about marital status and career sacrifice for a partner?

I asked them to cut me from their interview or significantly revise what they posted. I pointed out why. They responded quickly, apologized, and let me revise the text so that it featured what I brought, as a professional, to the conversation rather than my gender or family status. In the end, my quote read: “You do not need to know ‘what you want to be when you grow up’ when you are 18 or 21. We need to be flexible, evolving and intellectually curious.”

So far, at least, I have heard nothing as a result of the e-newsletter’s publication but, at least, I’m not embarrassed by it.

Twenty years ago, this past June, our wedding program featured a quote from Bava Metsia 59a. It came from what Rav Papa said to Abaye: “If your wife is short, bend down and listen to your wife, and whisper in her ear.” If you’ve ever met me (and my partner) in person, you know that I am certainly short … and the key to keeping a healthy balance is in these discussions, too. If we want to maintain good work lives and, more importantly, healthy, happy overall lives, we need to listen to one another, and value what we each bring to the table.

Sometimes, it’s hard work to maintain a marriage, raise kids, or even feed the dogs promptly before we eat. The technology aspect of the work-life balance makes us think that it’s all new, but something was always the newest thing in every generation. Rather, look at it another way. We aren’t alone. Network backwards. We’re lucky to be bolstered by thousands of years of good Jewish advice. Just like our ancestors, we’re free to sift through it and take what works best for us.

Joanne Seiff writes regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. See more about her at joanneseiff.blogspot.com.

Posted on July 20, 2018July 18, 2018Author Joanne SeiffCategories Op-EdTags Judaism, lifestyle, philosophy, Talmud
Grouchy Historian’s lessons

Grouchy Historian’s lessons

The gruff yet endearing Jewish character actor Ed Asner is instantly recognizable to many people for his portrayal of the equally gruff yet amiable Lou Grant in the classic 1970s television sitcom The Mary Tyler Moore Show and its spinoff drama Lou Grant. Fewer people realize that the Emmy Award-winning actor is also a well-known political activist, whose views became more prominent in the 1980s during his two terms as president of the Screen Actors Guild. Asner, now 88 and far from retirement – he just performed here in April in a one-man stage play – has written The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs (Simon & Schuster, 2017) with Ed Weinberger, longtime screenwriter for The Mary Tyler Moore Show.

In this compelling read, Asner attempts – in his own words – to “reclaim the [U.S.] Constitution” from far-right conservative pundits. Making no secret of his ideological perspective, Asner argues, “The constitution is the cornerstone of the Republican party’s agenda, along with small government, less regulation and making sure the rich pay less taxes than the rest of us.” Yet, he maintains, the constitution was written to form a robust central government – giving sweeping powers to Congress (not the states) – secured by an equally strong executive branch. He further asserts, “Nothing in the constitution suggests, let alone enforces, the concepts of limited government, limited taxes and limited regulations.” Far from hating taxation, the framers of the constitution, writes Asner, desperately needed taxes because “[t]hey had a war to pay off.”

Asner notes that John Adams had wanted the presidential role to have even more powers by not requiring the “advice and consent” of the Senate to make federal and cabinet appointments, “a clear signal that Adams, like [Alexander] Hamilton, believed in a strong central government headed by an executive with vigorous powers.”

About the constitution’s founders and framers, Asner says they were “petty, flawed, inconsistent and all too human,” but, he concedes, they were highly educated “eloquent orators and brilliant writers,” who, “[u]nlike the current right-wing doomsayers and fearmongers, they were all, truly, apostles of optimism.”

Asner spends several chapters discussing God and the constitution – notably God’s absence from the preamble, as well as the Presidential Oath of Office – and speculates why the framers took their approach. He points out George Washington was a Grand Master Mason on whose Bible he took his oath of office, noting, “Masonic Bibles do not acknowledge the divinity of Jesus Christ.” As for Benjamin Franklin, Asner says, “you can quote endlessly about Franklin’s faith in Christian ethics, but none about his faith in Jesus the Christ.” Regarding Adams, Asner mentions that, as a member of the New England branch of the Unitarian Church, Adams and fellow “Unitarians did not believe in the divinity of Jesus Christ, the infallibility of the Bible, the Holy Trinity or Original Sin.” In other words, Asner takes a swipe at the Christian right who claim Christian origins for the American constitution. Asner points out that the entire career of James Madison Jr., as “a politician, lawmaker, intellectual – was devoted to the separation of church and state.” Yet Asner defends First Amendment rights for freedom of religion.

Not only does Asner explore in great detail the actual writing of the constitution and the financial backgrounds of all 55 delegates to the Constitutional Convention, but he does so in the gruff and thorough style of newsman Lou Grant. About these delegates – whom he claims conservative legal theory holds were “infallible patriots” who behaved “solely to establish national unity, economic development and the civil liberties of all citizens” – Asner concludes, “One thing is for certain: they are not the saints living in the imagination of the right wing, acting out God’s will.”

Asner notes that more than 40 delegates held government bonds, more than 15 were slave owners, and several were land and debt speculators. Most participated in more than one category, like Washington, who was not only “a slave owner [but] a money lender, a land speculator and the largest holder of government IOUs in the country.” Asner points out that small farmers, shopkeepers, labourers, Revolutionary War veterans and slaves, among others, were not at the convention. Hence, he paints a picture of a small group of “capitalist elites” with personal interests – two notable exceptions being Madison and Hamilton – who framed the constitution. In reaching his conclusions, Asner draws on the ideas of American historian Charles A. Beard’s admittedly controversial early 20th-century economic views of the document.

Asner shows his creativity in a humorous way, like in his “Open Letter to Senator Ted Cruz, Written in the Style of 1787,” where he states, “I am prompted to write this upon discovery of a foreword you penned to The U.S. Constitution for Dummies.” He proceeds to carefully address, in language of the day, five of Cruz’s assertions, after which he closes with “Whilst This Flame Exists Within Me, I Remain Your Most Staunch Adversary.”

Not many could pull this off as well as Asner. Same goes for his scathing review of the controversial personal and constitutional views of Dr. Ben Carson, neurosurgeon and secretary of housing and urban development. And Asner goes further in his criticism of such contemporary conservative social critics as Ann Coulter.

Asner critiques the origins of the Bill of Rights using language of the era in the inventive form of a series of letters from Madison to heighten the drama of the time. After all, as Asner correctly notes, “It is the Bill of Rights – guaranteeing our freedoms of speech, conscience, religion, and the press – that is the centrepiece of America’s exceptionalism.” However, he also argues its practical limitations over the centuries through a careful description of a series of legal cases.

Asner even shares his own set of constitutional amendments, both humorous and real, including his desire for a guaranteed minimum income, which he is careful to note was not just a liberal idea but was also advocated by conservative economist Milton Friedman and nearly implemented by Richard Nixon in the 1960s. Yet, for a self-declared “old-time lefty,” Asner surprises the reader with his qualified defence of the Second Amendment. He devotes an entire chapter to it.

Asner says he is “not against guns and the good people who own them.” He even admits to owning a Glock 15 – obtained for reasons of self-defence after receiving a death threat in 1979 – and a Beretta Px4, because he “liked its look and the heft of it” in his hand. However, he convincingly argues that American “gun culture” has led to too many deaths. He concedes, “It’s a bloody trail that leads right back to the Second Amendment,” specifically, “the right wing’s interpretation of it: an unfettered licence for every American to own, carry, collect, trade and eventually shoot a gun.” He maintains that this item in the Bill of Rights was not the clearest constitutional amendment ever written because, when it states the need for “a well-regulated militia,” that does not automatically imply a concurrent “personal right” for the individual citizen “to keep and bear arms.”

Asner takes this view from a close examination of the wording used by the framers of the constitution. “The only two subjects in the Second Amendment,” notes Asner, “are collective nouns: ‘state militia’ and ‘people.’” Asner asks, “where, then, can anyone find an individual right to own a weapon except as part of a ‘well-regulated militia’”? He maintains that, historically, Madison’s intent was to limit the Second Amendment “only to state militias” and that the United States was, in fact, “founded on gun control,” with a balance between gun ownership and the desire for public safety. He goes on to outline a very persuasive argument to support his case while emphasizing that “today, despite the evidence, the gun lobby has the chutzpah to claim that the Second Amendment belongs to them and them alone.” According to Asner, the issue boils down to whether the Second Amendment represents a fundamental or absolute right that cannot be limited nor regulated – Asner maintains the former view.

Ultimately, Asner feels it’s time to return to the kind of America its founders envisioned, including a “government that rules by reason, tempered with compassion and advanced by science,” that guarantees free speech and respects liberties for all while protecting its most vulnerable citizens.

Whether left, right or centrist, readers will learn much from Asner, who comprehensively studied the topic and arrived at a serious analysis along with amusing takes. Since his voice is heard throughout the book, it’s easy to imagine this tome being transformed into a one-man stage play some day. But no one could do it as well as Asner. As for why an award-winning actor like him would write about the U.S. Constitution, Asner states without equivocation, “Well, why not me? After all, I have played some of the smartest people ever seen on television.” Newsman Lou Grant would be the first to agree.

Arthur Wolak, PhD, is a freelance writer based in Vancouver and a member of the board of governors of Gratz College. He is author of The Development of Managerial Culture and Religion and Contemporary Management, available in hardcover and ebook formats from all online retailers.

Format ImagePosted on July 20, 2018July 18, 2018Author Arthur WolakCategories BooksTags Ed Asner, politics, United States

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