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Albert solos reimagined

Livona Ellis rehearses for the Dance Centre performance of Mary-Louise Albert: Solo Dances/Past into Present. (photo by Sylvain Senez)

Mary-Louise Albert: Solo Dances/Past into Present at the Dance Centre Nov. 19-21 features Livona Ellis, Vanessa Goodman and Rebecca Margolick performing works that were created for Mary-Louise Albert. Albert herself returns to the stage, at age 65, after a 19-year hiatus, to perform the first phase of a solo work commissioned from Serge Bennathan.

The three solos being reimagined were created during the last six years of Albert’s 20-year professional dance career (see jewishindependent.ca/generations-combine). They have not been performed since.

“When Mary-Louise first approached me to share her ideas about this project, I was transitioning out of a company,” said Ellis, who is performing Woman Walking (away) by Peter Bingham. “It seemed like the perfect work to describe the state of transition I was about to enter. I was leaving something behind and going towards the unknown. For me, the piece deals with a lot of questions and conversations we have with ourselves; reflecting on memories and being curious about the future.”

Ellis is a dancer with Ballet BC. She is on the faculty at Arts Umbrella and is the programming advisor for BC Movement Arts Society, which was founded and is directed by Albert. The rehearsal process for Woman Walking (away) started with Albert teaching Ellis the solo before COVID hit.

“It was great to have her insight and point of reference,” said Ellis. “I then worked with Peter Bingham where, in particular, he talked a lot about the intent and physical and theatrical sensations. It was very much an open dialogue, my input with Peter was very welcome.”

Recently, Ellis started rehearsing again with Albert. “She is really interested in melding our two interpretations and finding more ways for me to fully embody the solo in my own way,” said Ellis, mentioning her excitement to be sharing “the evening with these other talented and strong women – Vanessa, Rebecca and Mary-Louise – and to experience again performing in front of a live audience.”

Making the dance her own has been something that Goodman also has been working on with Albert, and with choreographer Tedd Robinson, who created oLOS.

“The work is a journey and allows me, as an interpreter, to transport myself into an embodiment that is both full of form and deconstruction. This is a beautiful place to experience the work, which is both deeply intuitive and dichotomous,” said Goodman, who is a choreographer herself, as well as artistic director of Action at a Distance Dance Society. She first worked on the piece more than a year ago, in May 2019, spending time with Albert and Robinson reenvisioning it.

photo - Vanessa Goodman — Vanessa Goodman *(photo by Sylvain Senez)*

“We worked in Sointula, where Mary-Louise lives, visiting what the solo meant to all of us; examining the process physically and mentally of passing along a living archive,” explained Goodman. “Every time an artist embodies a work, it transforms with their system – this work continues to transform with, and for, me each time I inhabit it.

“oLOS has been a tremendous opportunity to be able to learn from both Tedd and Mary-Louise,” she continued. “They both have an incredible amount of information to share. Both of these artists have helped to shape dance on a national level, and it is a gift to be able to experience oLOS now with them.

“Both Tedd and Mary-Louise have been a part of my development for the last 18 years,” she added, “with Tedd teaching me in my last year of high school at CCDT [the School of Canadian Contemporary Dance Theatre, in Toronto] before moving out west and then providing me with great insight into my solo Container in Ottawa in 2015. And, Mary-Louise has supported me in so many ways as a creator over my professional career, allowing me to develop and share work…. These two artists have shared so much with me, and it is an exciting intersection to be able to work on this project all together.”

For Margolick, who is performing Allen Kaeja’s Trace Elements, the intersection is even more personal. The solo was created in 2000, she said, and she remembers watching her mother dance it at the Rothstein Theatre – Margolick was 9 years old at the time.

“Fortunately, Allen and I had our creation period prior to the pandemic,” said Margolick about the piece’s latest iteration. “We rehearsed without Mary-Louise during the remounting/creation process in Toronto. We had another week to finish the piece in Sointula, B.C., with Mary-Louise coming in to watch runs and sharing her thoughts and expertise on the work, past and present. As she is also my mom, she made sure to facilitate the space needed, with great sensitivity, for the work to become personal to me.

“Allen made space for me to experiment and try things out and his process can be summed up in three words – generous, kind and courageous. Every time I run the piece, it feels different emotionally and my reactions to the text vary day to day … it makes the work always feel alive. We say ‘reimagine,’ as we were all interested in how I can bring myself into the solo and give the tools needed to make it my own.”

Margolick is based in Brooklyn. A dancer and choreographer, she was a 2020 New Directions Choreography Lab Fellowship at the Ailey School and is a 2020 artist in residence at the Dance Deck here in Vancouver. As well, she is artistic associate of BC Movement Arts Society.

When Margolick worked with Kaeja in Toronto on the solo, she said, “We had many in-depth conversations around the subject of the piece, and Allen shared with me his experience around learning and researching his father’s story. Allen’s father was a Holocaust survivor, and creating work around the Holocaust became a way for Allen to process his dad’s experience. What came about from reimagining this solo was this merging of past and present with my movement and Mary-Louise’s movement, and a linking between different generations of the Jewish experience and family.”

photo - Rebecca Margolick — Rebecca Margolick *(photo by Sylvain Senez)*

Since Albert is her mother, Margolick said there is an “inherent natural connection I have to her movement and expression. It’s a beautiful way to explore this connection between us.

“This piece speaks to me on many levels,” Margolick added. “The text is a conversation between a young German man and woman, 22 years ago, referencing Nazi Germany propaganda and the apathetic, yet unfortunately relatable, responses from the young woman about her mother’s experiences during the war. It is eerily relevant to what is happening around the world, as we reckon with the ongoing oppression of systemic racism, colonialism, greed, antisemitism and the rise of fascism and the alt-right. This piece for me is an eerie reminder of how quickly things can change, and how easy it is to fall into apathetic thinking, which dangerously leads to losing one’s empathy.”

Mary-Louise Albert: Solo Dances/Past into Present is part of the Dance Centre’s Global Dance Connections. In addition to the Nov. 19-21 live-stream shows, a recorded performance will be available online Dec. 3-17. For tickets and more information about both offerings, visit thedancecentre.ca.

Nature in Israel talk

On Nov. 19, the Jewish Community Centre of Victoria will host a webinar dedicated to Nature Israel (Society for the Protection of Nature in Israel, SPNI) and the organization’s role in addressing Israel’s environmental challenges.

For more than 60 years, SPNI has been dedicated to protecting and preserving Israel’s natural resources, environment, natural assets and landscape. The work carried out by SPNI now will determine what the land of Israel will look like for generations to come.

The Canadian Society for the Protection of Nature in Israel (CSPNI) is a registered charity with the mission to raise awareness of, and funds for, the work of SPNI to protect and preserve Israel. CSPNI is, therefore, lending support to this program, which will be led by Jay Shofet, director of partnerships and development at SPNI.

A Brief History of Israel’s Environmental Movement: A Snapshot of Today’s Sustainability Challenges and Successes will highlight the programs run by SPNI. As well, Shofet will trace the growth of Israel’s environmental movement, from its early-decades focus on a romantic notion of conservation, through its growth and professionalization stage in the 1990s, to its grassroots focus on sustainability in the last decade. Then, he will give a snapshot of where things stand today: how a new ethos of dense, sustainable cities is slowly developing; how land-use planning affects everything; how the push for renewable energy is fighting against entrenched economic interests and old infrastructure; and how Israel’s world-class biodiversity is threatened by habitat loss and fragmentation – and what SPNI is doing about it.

The webinar begins at 10 a.m. To register, go to jccvictoria.ca/webinars-3.

Reaching younger Jews

Madison Slobin wrote a guide on the Jewish ritual of mikvah because she wants to help people navigate and change our world.

Madison Slobin appeared in the pages of the Jewish Independent a few months ago for two projects she helped create: YVR Yenta and Shivah Delivers. These initiatives take Jewish rituals, such as matchmaking, in the first instance, and how we comfort mourners, in the second, and put a modern twist on them. Her latest project is another such endeavour: the writing and compiling of Rebirthing Ourselves to Rebuild Our World: A Feminist Mikvah Guide.

The guide begins by answering the question, what is a mikvah? “Mikvah is an ancient Jewish cleansing ritual performed in a sacred bath or in a natural body of water,” she writes. “We can participate in a mikvah ceremony to mark moments of transition, to make our souls and bodies feel holy, and to metaphorically rebirth ourselves and start anew.”

The Jewish Independent spoke to her about the project.

JI: What motivated you to write this guide?

MS: I was motivated to write this guide for a couple of reasons. Firstly, I saw a lot of friends and loved ones struggling to go through the transition from summer to fall due to COVID-19. It seemed like everyone’s plans for school, for work and in their lives generally had been altered or put on hold. I wanted to create a ritual space for people to process their grief, feelings of being stuck and lack of transition. To me, mikvah is a Jewish technology, which means it is an ancient tradition that is relevant to our context today and provides us with a useful blueprint for how to navigate our world. Mikvah can help us to create a forced transition in the absence of one, where we ask ourselves questions about where we have come from, where we are going and who we want to be when we get there.

The second reason I wanted to write this guide and title it Rebirthing Ourselves to Rebuild Our World is because we are collectively living in a moment of reckoning, where violent systems are being exposed and revolutionary change feels possible. I don’t want the world to “return to normal” after the pandemic has ended. I want us to create new systems, where our society is organized according to human value and dignity as opposed to being centred around capital. I wanted a forum to ask together: what work do we need to do internally to prepare ourselves to fight for the new world to come?

JI: Can you share a bit about your background, as it is relevant to your being able to write the guide and to guide others in the process?

MS: I had never guided a mikvah before this year but I am often engaged in thinking and learning about Jewish rituals, as I feel they keep me grounded and connect me to my history and ancestors. I was a Hebrew school teacher for quite a few years and grew up going to Camp Miriam, which led me down a path of working for Habonim Dror in a number of different capacities over the years. Through coordinating educational activities and building curricula, I saw firsthand the ways that Jewish ritual was a hugely helpful tool for young folks in guiding them to work towards social justice and liberation. Mikvah stood out to me as something that I wanted to learn more about, and the more I learned the different ways mikvah is being reclaimed and repurposed, the more I wanted to be a part of the movement of people doing so.

JI: How long have you practised the ritual? In what circumstances were you introduced to it?

MS: A couple of years ago, while working for Habonim Dror in New York City, my team and I went through a tough time. We were all feeling the weight of leading a Jewish organization through some very complicated situations and, ultimately, were feeling collectively burnt out. We drove to upstate New York and one of our team members led a beautiful mikvah for us. That experience helped me to understand the myriad ways that Jewish ritual can be repurposed to fit our daily needs and struggles. It was my first mikvah and it successfully allowed us to let go of experiences that had been weighing heavily on us.

I always thought mikvah was something that was reserved for Orthodox women and that it was to be strictly used for niddah, weddings or conversion. Experiencing a mikvah that was being led for me outside of these confines really opened my eyes to the ways that mikvah could be used as a modern technology, as opposed to an unchanging tradition.

JI: What are some of the benefits you’ve personally gained from participating in a mikvah? Do you do it regularly?

MS: Throughout the end of summer into fall, in preparation for the Jewish New Year, I was leading mikvah about once a week. I felt strongly that I didn’t want to be paid for this work, as I am one of the few people among my peers who has a steady job and income right now. That being said, I benefited greatly in other ways from leading this ritual for folks. It allowed me to meet amazing people who are also passionate about their Judaism or Jewishly curious folks who wanted to learn more. It allowed me to build community, the kind of Jewish community that I want to exist in Vancouver, centred around young Jews passionate about social justice. It allowed me space to continually ask myself how I want to be reborn and who I want to be, as I facilitated others asking themselves these questions.

I also led a couple special mikva’ot that included Indigenous folks, who brought and shared their own ceremonies and teachings around water and cleansing. I learned a lot from those individuals and am thankful for spaces where we can come together and share traditions and teachings with one another.

Lastly, leading all of these mikva’ot meant that I got to go swimming more often!

JI: There are three kosher (indoor) mikva’ot in Metro Vancouver, I think. It’s easier to see, perhaps, how a religious person would find meaning in the ritual. In what ways do you see the experience being meaningful for less religious women?

MS: Before every mikvah we would sit down and participate in a circle. Together, we would do some learning around mikvah, its ancient uses and how it is being reclaimed today. We would share and reflect together what purpose we wanted the mikvah to serve each one of us personally. We asked ourselves the question: what am I trying to work through that today’s ritual could help me with?

I found that, when the ritual becomes personalized and the individual chooses exactly how they want mikvah to be used, it is more likely to have a positive and lasting effect. Ultimately, mikvah gave people the opportunity to meet and connect with other like-minded people safely, so, if anything, it can just be an opportunity to do some learning, then have fun and go swimming with new friends.

JI: In what ways is your approach feminist, or different from more traditional approaches?

MS: I think the way I approach mikvah (and all Jewish ritual) is that traditions have to change and work for us in our contemporary context. It doesn’t make sense to practise Judaism in exactly the same ways that our ancestors did 2,000 years ago because our reality and our society does not look the same. I want my ancestors to recognize the rituals I am doing, but I also want to make sure that the rituals serve a function for me and the people around me, and that may mean expanding what they look like and who can participate. Jewish people continue to change and evolve, so I want our rituals and practices adapt and reflect that. I want to cultivate a living and ever-changing tradition.

JI: As winter approaches, how do you see your guiding working?

MS: I would be excited to lead a polar mikvah or two but my guess is that most likely folks will want to participate in the ritual when things warm up a little bit come spring.

JI: If there is anything else you’d like to add, please do.

MS: I was super-excited to see the guide being picked up and used across North America. There were people writing to me that I had never met, saying that they used the guide and found the ritual to be extremely meaningful.

I wrote the guide to be general enough so that Jews of any gender/race/sexuality in any location could use it to lead themselves through the ritual. I found the positive responses overwhelming and they helped me to feel connected to Jewry outside of Vancouver, who were going through many of the same hardships we were also experiencing. In writing the guide, I wanted to position myself in community with a wider movement of young Jews, demonstrating how Jewish ritual can be expanded to work for us and provide deep meaning throughout our lives.

Celebrate helping & helpers

The Ninth Night of Hanukkah begins, appropriately enough, on the first night of the holiday…. Dad has brought pizza for dinner and Max and Rachel and their parents eat it among unopened and partially opened boxes in their new apartment. (image from book)

Change is a constant in our lives and things don’t always go as planned. Learning how to deal with the unexpected and to be able to ask for help and to be appreciative of it are all valuable lessons. And when such concepts can be literally illustrated and told in story form, they tend to stick better.

The Ninth Night of Hanukkah, written by Erica S. Perl and illustrated by Shahar Kober, is about home and helping, and takes its inspiration from the ninth candle on the chanukiyah, the shamash (Hebrew) or shammes (Yiddish), the helper candle. At the darkest time of the year, family, friends and community are the main lights that get us through and, especially amid the pandemic, a reminder of the love and support we have around us is particularly important.

The Ninth Night of Hanukkah begins, appropriately enough, on the first night of the holiday. But something is different. Dad has brought pizza for dinner and Max and Rachel and their parents eat it among unopened and partially opened boxes in their new apartment. Their cat looks on. “No menorah? No latkes?” the kids wonder. Mom assures them that, tomorrow, they’ll find the Chanukah supplies amid all their things.

On the second night, Max and Rachel make a menorah with some wood, nuts and bolts, paint and glue. Not only is their real menorah still missing but the candles can’t be found either, so the kids – with Mom’s permission – go off to borrow some candles from a neighbour, and Mrs. Mendez in 2C happily obliges.

Each night, the family makes do with the help of a different neighbour. Each night is nice, “but it didn’t feel quite like Hanukkah.”

Spoiler alert … eventually, the box with the family’s holiday stuff arrives – but too late. The delivery comes on Day 9. But Max and Rachel are not so easily deterred. They concoct a plan to celebrate the holiday and their neighbours. “And, best of all, it felt exactly like Hanukkah.”

Perl’s text has a rhythm. The repetition each night of how “it didn’t feel quite like Hanukkah” accents how hard it is to accept new situations. Yet the fact that the family makes each night special, shows that, despite what we might be thinking or feeling, we can act in ways that still celebrate life and all for which we are grateful.

The illustrations by Kober are colourful, with a retro feel, and have a lot of energy. Creative use of white space helps direct the action. And the two-page spreads have an expansive feel to them, like the reader is right there in the apartment with Max, Rachel and their family and new friends.

The book ends with a nice note from Perl about Chanukah and her family’s tradition, followed by a list of nine ideas of how to make your own “Shamash Night.”

A PJ Library book, which is also available from most any bookseller, The Ninth Night of Hanukkah lights all the right candles and would make a great holiday gift.

Help for BGU students

Left to right, Senator Linda Frum, actor Mayim Bialik and BGU president Danny Chamovitz participated in the virtual Big Bang event, hosted by Canadian Associates of Ben-Gurion University of the Negev on Sept. 9. (photo by David Berson)

On Sept. 9, the Canadian Associates of Ben-Gurion University of the Negev hosted its first national virtual gathering. The Big Bang Event to “save the class of COVID-19” was an urgent move to support the university’s 20,000 students.

With many students having lost their jobs in the sudden economic slowdown, they are unable to fund their tuition or even their basic needs. Rather than forfeiting a generation of leaders to financial hardship, BGU launched a student assistance program in July, with the goal of raising $6 million for 6,000 individuals.

While it is Israel’s newest university, BGU is a leader in academic research and technological development. With three campuses, it is credited as a trailblazer in both the humanities and the sciences – nanotechnology, robotics, cybersecurity, Israel studies, Jewish thought, neuroscience, medicine, business and management – addressing some of the world’s biggest problems, such as drought and hunger. The university’s reach is local as well as international, serving the immediate community in the Negev, including both the immigrant and indigenous Bedouin populations.

BGU was founded in 1969, following the vision of David Ben-Gurion, Israel’s first prime minister. Ben-Gurion sought to establish a university which would act as a “source of moral inspiration and courage, rousing people to a sense of mission: noble, creative and fruitful.” He believed that the Negev Desert would be critical to the future of the new country – the desert covers 60% of the country, and Ben-Gurion saw it becoming an economic, academic, scientific and cultural hub.

The Big Bang Event featured guest speaker Mayim Bialik, well-known for her roles in the 1990s show Blossom and, more recently, in her award-winning role as Amy Farrah Fowler in Big Bang Theory. In addition to acting, Bialik earned a doctorate in neuroscience from the University of California, Los Angeles, in 2007; her dissertation examined the role of oxytocin and vasopressin in obsessive-compulsive disorder in adolescents with Prader-Willi syndrome. A mother of two, Bialik is also an accomplished writer and musician.

Quirky, vivacious and searingly intelligent in her remarks, watching her speak at the Big Bang Event brought to mind the Yiddish proverb, “The heart is small and it embraces the whole wide world.” Bialik spoke from the heart, telling the audience about her own family story and the genesis of her Jewish identity. She spoke about her heritage, how she raised her children and how she carries her Jewish identity into her professional life in a fireside chat-style with Canadian Senator Linda Frum.

Also speaking at the event was BGU president Danny Chamovitz, who addressed the audience from his home in Israel at what would have been 2:30 a.m. his time. Chamovitz was in isolation, having recently returned from Europe, and, following the event, he did indeed test positive for coronavirus, but has since made a full recovery.

Chamovitz described his office’s emergency response to the pandemic. Members of the university community were invited to submit proposals and, as a result, more than 70 initiatives are in progress, including the development of tests for COVID-19 that drastically reduce turnaround times.

“Across the country, more than 380 households purchased tickets and more than 800 people watched the program,” said David Berson, CABGU regional executive director, in a recent email interview. “We have raised over $1.3 million with 50% of that being raised locally. In our region, 83 households purchased tickets and more than 200 people watched the program.”

In addition to raising money, he said, “The event was a great success motivating many new people to support CABGU. It has set the bar, the gold standard, for how to properly execute a national virtual event. Regarding the campaign itself, the rate of unemployment in Israel is 50% for the under-34 age bracket. By the opening of the academic year on Oct. 18, more than 5,000 students had applied for support from this student assistance fund. Where we had been fearful that enrolment would drop because of the financial impact of the pandemic, it turns out that enrolment for undergrad studies increased by 32%. The funds raised have been vital in creating accessibility for so many students hit hard by this unprecedented situation.”

While the Big Bang audience was scattered from coast to coast, a warm ambience was created locally, with hand-delivered baskets of sweet and savoury delicacies: quiches and bourekas, as well as exquisitely decorated handmade chocolates, from Café FortyOne; and BGU wine tumblers and a bottle of red wine.

The local business sponsor was Instafund and Instafund’s Adam Korbin, who was the Metro Vancouver chair of the event, thanked Bialik at the end of the program.

“We were very fortunate to have dozens of local sponsors for the event,” said Berson. “Details of the sponsors can be found on our website, bengurion.ca.”

Regional board chair Si Brown “was thrilled with the generous response from and participation of our local community,” Berson added. “Since reestablishing CABGU in Metro Vancouver seven years ago, it has been gratifying for me to watch how our community has slowly and surely begun to embrace this young and dynamic Israeli university in the Negev.”

Legacy seniors knit gift

The finished scarves, each individually packaged, and including a warm message. (photo from Legacy Senior Living)

Last month, residents of Legacy Senior Living (the Leo Wertman Residence) gave a gift of warmth to residents of New Beginnings, a temporary housing complex for Indigenous individuals. On Oct. 7, nearly 100 hand-knitted scarves, each with an uplifting message – such as “Warm Wishes,” “Smile” and “Enjoy!” – were delivered from the independent living retirement home in Vancouver’s Oakridge area to the housing complex, which is located at Heather and 33rd.

A scarf in progress at Legacy Senior Living (the Leo Wertman Residence) — A scarf in progress. *(photo from Legacy Senior Living)*

The idea for the project came almost a year ago. It was organized in January, and jumpstarted by a $200 grant from the Vancouver Foundation to fund the purchase of wool. Between 10 and 20 residents regularly participated; some teaching others how to knit, others brushing up on their knitting skills. They worked together while socializing, coming together weekly for a knit-and-chat session.

“When my mother lived at Legacy, I used to knit with her for therapeutic purposes,” said Annette Wertman, who organized the effort. “Then, I thought, maybe knitting would be a good activity for the residents of Legacy Senior Living. We had a meeting of those interested – and the idea took off! We applied for a grant and were so pleased to receive one from the Vancouver Foundation. While the COVID lockdown altered the way we gathered to knit together, we followed the health protocols and still managed to knit 98 scarves! And it’s perfect that we finished this in October, a more appropriate time to donate these scarves.”

photo - The delivery of scarves, just in time for winter, to New Beginnings — The delivery of scarves, just in time for winter, to New Beginnings. *(photo from Legacy Senior Living)*

Not only was it a more appropriate time weather-wise, but the donation took place around Thanksgiving. The Legacy knitters were grateful to be able to make “a small but warm contribution to the community.”

“Our residence, built in memory of Leo Wertman, is a vision of inclusion, diversity and philanthropy within the Jewish community, and of our broader local community,” said Wertman, a cousin of the residence’s namesake. “We all felt very good about our project and have already begun the next project – toques and blankets!”

A shidduch like none other

Brad Chenkis shows off a couple Sonovia masks. (photo from Tikva Housing)

It all began when Boris Chenkis, owner of After Five Fashions, was watching Israel Daily TV (ILTV) and saw an interview with Liat Goldhammer, the chief technology officer of an Israeli startup called Sonovia. She was talking about a new fabric-finishing technology for textile manufacturing developed at Bar-Ilan University, explaining that the technology could repel and kill bacteria located on clothing. Because it was in early January, a few weeks before COVID-19 became a worldwide pandemic, Chenkis just listened with interest.

On ILTV March 18, Dr. Jason Migdal, a microbiology researcher in Israel, discussed how the Sonovia technology mechanically impregnates metal nanoparticles into masks that destroy microorganisms in fabric. This was verified by two independent labs. It was also durable and washable. Now Chenkis was very interested.

With COVID becoming widespread, Sonovia had positively impacted Israeli doctors and health professionals by providing them with the technologically advanced masks. On May 12, Chenkis saw another interview about the Sonovia mask technology on ILTV – and an opportunity to get involved.

During his teenage years, Chenkis lived in Israel, studying and working at Kibbutz Rosh Hanikra. With this connection to Israel that never left his heart, he wanted to support an Israeli startup and so he purchased some masks to keep his family, friends and community safe. Soon after, he received an email from Sonovia, offering him an opportunity to help distribute the masks in Canada. Chenkis said yes. The masks were shipped from Ramat Gan to Vancouver and, within days, he was delivering hundreds to friends and family.

One of those who received the Sonovia mask was Yosef Wosk. Being both pleased and impressed with the technology, Wosk, like Chenkis, saw an opportunity to help not only the community here but also Israel. Wosk wondered how the masks could be made available locally to community members who might not be able to afford them, as they cost $65 each.

Wosk spoke with Shelley Karrel, chair of Tikva Housing, who contacted Tanja Demajo, chief executive officer of Jewish Family Services Vancouver. The need for the masks was confirmed and the shidduch almost complete.

Working with Chenkis’s son, Brad Chenkis, and with Wosk’s help, Tikva has acquired and will distribute 500 masks to residents of Tikva Housing, as well as clients of Jewish Family Services. It’s a win, win and win – tikkun olam, tzedakah and chesed.

For more information about the Sonovia masks, contact Brad Chenkis directly at [email protected].

Women in labour force

Pamela Jeffery, founder of the Prosperity Project. (screenshot)

Pamela Jeffery, the driving force behind the Prosperity Project, led an Oct. 7 webinar entitled When Women Succeed, We all Prosper – Don’t Let COVID-19 Hold Us Back, which was part of a National Council of Jewish Women of Canada series on women and justice.

Launched on May 21 of this year, the Prosperity Project hopes to ensure that gains made by women in the workplace and elsewhere are not set back permanently by the pandemic. In July, a Royal Bank of Canada report showed that women’s participation in the labour force had decreased to its lowest level in 30 years. Women, according to RBC, have been disproportionately affected by the overall decline in work hours since March, and this has been exacerbated by the household and childcare responsibilities for which women take on a greater share than men, particularly when children are not learning in school.

“We all know that the women’s movement is unfinished,” said Jeffery. “This is why our leadership is necessary – no matter what our age or our gender. It is up to all of us to ensure that men and women have equal opportunity, which is at the heart of the Prosperity Project.”

She stressed, “There is a clear focus on making sure that the progress made over the last 60 years on gender equality is not rolled back. That is why the Prosperity Project exists.”

Jeffery spoke of three essential themes to advancing the movement: resourcefulness, relationships and risk. “Each of us has the power to bring an idea forward. We can take a calculated risk and draw on our resourcefulness and relationships to make things happen,” she said.

The Prosperity Project has several initiatives it hopes will safeguard the progress by women in the past few decades and propel it further. Among them is a “matching initiative” for nonprofit organizations whose mission is geared towards helping women with training, employment pathways, crisis counseling and mental and physical health. The initiative introduces women and men in the private sector with specific skill sets to the staff and existing boards of these nonprofits for extended volunteer assignments.

Jeffery pointed out the importance of role models and mentors for women. “A good mentor pushes someone outside of their comfort zone. Women are less likely to have mentors than men, which can explain our different career trajectories,” she said.

The Prosperity Project also plans to research and share practical solutions that will provide insights to employers and policy-makers on how to improve gender equality. Furthermore, it will enable women to learn from one another, to increase their employment income and well-being.

Jeffery cited a 2017 study by McKinsey & Co., reporting the overall societal benefits of advancing women’s equality. By addressing this issue, McKinsey found that Canada could “add $150 billion in incremental GDP in 2026 or see a 0.6% increase of annual GDP growth.”

The Prosperity Project also plans to create a modern-day Rosie the Riveter campaign, inspired by the iconic image used in advertising materials to encourage women to do factory work during the Second World War. The modern-day objective is to increase the labour force participation rate of women and, at the same time, encourage partners to share household responsibilities equally and motivate employers to bolster advancement opportunities and achieve gender parity at all levels of an enterprise.

The Prosperity Project has thus far brought on board 62 diverse female leaders from across the country, such as Enterprise Canada chief executive officer Barbara Fox, Sleep Country co-founder Christine Magee and former B.C. premier Christy Clark.

Jeffery’s own biography is one of enterprise, determination and success. An MBA graduate from Western University, in Ontario, she is the founder of the Women’s Executive Network and Canadian Board Diversity Council. She has served on the board of numerous organizations and has been a frequent contributor to the Globe and Mail and National Post.

“I am optimistic about the situation we find ourselves in, in 2020. I remind myself of how far we have come,” she said. “Back in 2003, six percent of FP500 board seats were held by women. Now, it is over 25%. I am confident we are going to be able to work together to make sure that COVID-19 does not bring us back.”

The webinar was serendipitously scheduled for an hour before the American vice-presidential debate between Kamala Harris and Mike Pence.

“We are doing quite a lot, but there is so much more to be done,” Jeffery concluded.

For more information, visit canadianprosperityproject.ca.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Making a will during COVID

For hundreds of years, the basic rules for making a valid will have been the same: the person making the will has to sign it in the company of witnesses, and the witnesses have to sign, too. How can that requirement stand when we’re supposed to stay apart? Is it OK to sign and witness a will with everyone two metres apart from one another and wearing masks and even gloves?

Signing with COVID-19 precautions like distancing and wearing safety gear is legally valid, but not always practical. You’re passing around a paper document, and possibly sharing a pen. As we move into the winter months, it becomes less likely that you’ll all gather outside to sign. Signing indoors, despite social distancing and personal protection equipment, is still considered a greater risk than staying home.

Many of us have become far more familiar with videoconferencing technologies this year than we ever expected to be. How many of us had a Zoom seder or a Skype Rosh Hashanah dinner? Why can’t we update a centuries-old practice for the 21st century, especially given the COVID-19 crisis? We can.

The British Columbia government, as part of the emergency measures brought in this year, made changes to the rules for executing wills to accommodate pandemic precautions, and has also made those changes permanent. The Wills, Estates and Succession Act, which governs how we make wills, was amended to include two new sections on something called “electronic presence.”

The basic rules are still the same – the will has to be signed by the person making the will and by two witnesses, all witnessing one another more or less simultaneously, but they can sign separate paper copies – to be put together and treated as one original document – as long as they are in each others’ “electronic presence.” In other words, it should be the “witnessing a will” version of that Zoom seder.

Like everything with a will, there are technical details and you should always get professional guidance, but it is reassuring that you can remain safe, while attending to your critical planning needs.

Jeremy Costin is a business and estates lawyer practising in Vancouver. He sits on the board of directors and the governance committee of the Vancouver Holocaust Education Centre, and is a frequent guest instructor at the Law Society of British Columbia.

(Disclaimer: This article should not be construed as legal advice. Only your lawyer can give you proper advice specific to your needs.)

We must plan for our death

While our ultimate death is a certainty, when and how we will die is unknowable. And though death is inevitable, it remains a taboo subject for most. None of us knows what the future will bring. It is better to be prepared, so that if you become unable to make medical care decisions, your designated family members and healthcare providers, if you have talked to them, will have the knowledge and confidence to make those decisions for you.

As long as you are capable of understanding and communicating effectively with your doctor, nurse or other healthcare provider, you will be asked to make your own healthcare treatment decisions. But a serious accident or illness can result in you being incapable of making your own healthcare decisions at the time care is needed. This is why thinking about your preferences and talking to your future decision-makers now is so important. Making an advance care plan is a choice that will help alleviate some of the stress your family and friends could face if they are required to make important decisions for you, including who, exactly, you want your doctor to approach to learn about your wishes.

Advance care planning begins by thinking about your beliefs, values and wishes regarding future healthcare treatment and talking about them with selected family members or friends, as well as your doctor. When people you trust know what is important to you, it will be easier for them to make treatment decisions on your behalf.

Healthcare providers will always offer medically appropriate healthcare based on clinical assessment. They will want to ensure that any symptoms like pain, dizziness, nausea, bleeding or infection are understood and addressed. As long as you can understand and communicate, your healthcare provider will explain the medically appropriate care best for you, including any risks, benefits or alternatives. They will also ask if you have any questions and if you wish to accept or refuse the proposed healthcare treatment.

Some of the hardest decisions deal with the use of life support and life-prolonging medical interventions. These can include a ventilator to help with breathing, tube feeding, kidney dialysis, or CPR to restart the heart and lungs. If you were to have a life-threatening illness or injury, would you want to accept or refuse CPR? All, some, or no life support or life-prolonging medical interventions? A trial period of life support and life-prolonging medical interventions, allowing a natural death to occur if your condition is not improving?

Your advance care plan should at a minimum include these three things:

Having conversations with selected family members, friends, your family doctor and, if applicable, your spiritual leader, about your beliefs, your values and your wishes.
Writing down your beliefs, values and wishes for future healthcare treatment.
Writing down the contact information for the people who qualify to be on your temporary substitute decision-maker list (see below), or, if you prefer, the contact information for the representative you have chosen and named in an enhanced representation agreement, which is the one that allows you to name a person to make personal-care decisions and some healthcare decisions, including decisions to accept or refuse life support or life-prolonging medical interventions for you. (If you choose to have a representative agreement, I recommend you seek legal advice).

Bear in mind that your health and personal circumstances will change over time. As long as you are capable, you may change or cancel your advance care plan at any time and for any reason. Be sure to notify your doctor and your family members/friends of all changes you make.

Palliative care

When thinking about what to cover in your advance care plan, you might want to expressly include your wish to receive palliative care if you are suffering from a serious illness or condition. Palliative care is specialized medical care that focuses on providing patients with relief from the symptoms, pain and stress of a serious illness, whatever the diagnosis. The goal of palliative care is not to prolong life, nor to shorten it. The goal is to improve quality of life for both the patient and the family, and can be provided in a variety of locations, including the patient’s home, in a hospice, in a residential care facility or in a hospital.

Palliative care is provided by a team of doctors, nurses and other specialists who work with a patient’s other doctors to provide an extra layer of support. While often associated with end-of-life situations, palliative care is appropriate at any age and at any stage in a serious illness and can be provided alongside other appropriate treatments.

Many people choose to stay at home right to the end of their lives while receiving in-home palliative care from specialized healthcare providers. But if you are in the last few months of your life and feel that you are no longer able to manage at home, a hospice may be a good option for you. Hospices are meant to feel more like a home than a hospital. They are designed and furnished to provide a peaceful, homelike environment for you and your family while you receive end-of-life palliative care.

For more information on the delivery of palliative care in each of these settings, search the B.C. Health Ministry website or contact your local health authority.

Medical assistance in dying

Medical assistance in dying (MAiD) was made legal in Canada in 2016. It provides eligible patients who are experiencing intolerable suffering due to a grievous and incurable medical condition the option to end their life with the assistance of a doctor or nurse practitioner.

If your beliefs and values allow you to consider MAiD in the face of intolerable suffering, you should start by speaking with your doctor or your local health authority. For a variety of reasons, not all doctors will provide MAiD, and no one is required by law to do so. For some, MAiD may conflict with their personal beliefs or professional ethics. However, a patient can expect to be provided with information on how to access this service. Healthcare providers must not discriminate against patients with beliefs or values different from their own, and must provide an effective transfer of care to another healthcare professional who does offer MAiD.

To be eligible for MAiD, a patient must meet all of the following criteria:

be registered under B.C. Medical Services Plan
be at least 18 years old and capable of making healthcare decisions
have made a voluntary request for medical assistance in dying that was not made under any external pressure. This request must be in writing and signed and dated in front of two independent witnesses
have given informed consent after having been informed of the other means that are available to relieve their suffering, including palliative care, and
on assessment by two independent doctors or nurse practitioners, are determined to have a grievous and incurable medical condition, which means they have a serious and incurable illness, disease or disability; they are in an advanced state of decline that cannot be reversed; the illness, disease, disability or state of decline causes enduring physical or psychological suffering that is intolerable and cannot be relieved under conditions that the patient considers acceptable; their natural death becomes reasonably foreseeable. (On Feb. 24, 2020, the Liberal government of Canada introduced a bill to further amend the Criminal Code to, among other things related to MAiD, allow eligible persons to pursue a medically assisted death whether their natural death is reasonably foreseeable or not.)

A patient who has requested MAiD must be given the opportunity to withdraw their request throughout the process, including immediately before the medical assistance is administered, and this withdrawal need not be in writing or in any other particular form. Just an indication of a change of mind will do. And be aware that only patients who are themselves capable of giving consent can request MAiD. A request by a substitute decision-maker or by way of an advance directive is not valid.

Start the discussion

There is much more information available on end-of-life options than touched on in this article, and many matters not covered herein, but there is enough here to allow you to begin a conversation with those in your life who you want to make decisions for you when you cannot.

This is a lot to cover in one conversation. You can have as many conversations as you need – just get started before unwelcome circumstances make it too late. You will be doing yourself and your loved ones a big favour.

Tony DuMoulin is a founder of the law firm of DuMoulin Boskovich, where he practised commercial and real estate law for 40 years. He has a long history of involvement in Jewish organizations and municipal projects. DuMoulin is on the executive board of Jewish Seniors Alliance, in whose magazine, Senior Line, this article originally appeared in July 2020, Vol. 27(2).