Judaism – Page 10

Pride in his Jewish identity

Brian Gleckman in front of his work, “The Judgment of Solomon (Psak Din: Judgment).” Psak din is a ruling given by a beit din, a Jewish court. (photo by Olga Livshin)

Brian Gleckman’s first show at the Zack Gallery, Abstracted Identity, opened on June 18.

The artist has loved art since childhood. “I grew up in Los Angeles,” he said in an interview with the Jewish Independent. “It is a vibrant city for visual arts. There are an endless number of art galleries and museums, and I was always there. And, of course, I always drew and painted.”

After getting his degree in visual art and history from California State University, Gleckman traveled extensively around Europe, before settling in Vancouver more than 30 years ago. But traveling has remained his passion and, during his travels, he invariably focuses on art and art history, museums and galleries.

“When I first visited Europe, I fell in love with Rococo and Baroque,” he said. Baroque and Rococo are both highly ornamental styles, which infused the art and architecture of post-Renaissance Europe.

Later, he drifted towards more contemporary styles, both as an art connoisseur and in his own work. “I suppose I can call my art abstract expressionism,” he said.

“Colour for me is a vehicle that allows me to play with shapes and space,” Gleckman explained. “Spatial relationships and composition of the images are of the utmost importance to me. I’m also concerned with depth and texture. I aim to create visual tension in my paintings. I think art shouldn’t be too easy or too comfortable. I want my viewers to engage, to ask questions. ‘What did he mean by that?’ ‘How does it make me feel?’ My viewers might not arrive at the same inner realization I conceived, but their explorations are more important than my answers. When people interact with my art, they become part of the creation process.”

With his current show, Gleckman seeks to “portray things that lie beyond the tangible – that is, beyond the figurative, beyond the readily recognized narrative. The paintings in this exhibit are expressions of the inspiration I derive from biblical stories, religious thought, as well as rudimentary ideas within kabbalah. Selected from the portfolios of my professional artwork, these paintings are reflections of how I personalize the intangibles of Judaism.… These paintings are abstractions of my Jewish identity, an identity that is the product not so much of formal religious practice but the summative effect of intellectual and emotional sensibilities of my Jewishness.”

Of course, the Jewish Community Centre of Greater Vancouver, which is home to the Sidney and Gertrude Zack Gallery, felt like the perfect venue for such a show, but there was an additional reason why Gleckman wanted to exhibit at the Zack.

“After Oct. 7, I wanted to do something that had meaning,” he said. “I wanted to share my pride in my Jewish identity. At the same time, I wanted to be part of the effort to help Israel, to make my own contribution. But I am an artist. I create art. I thought maybe my art could inspire someone to do something for Israel, to help in some way.”

He approached the gallery with the idea of a show and offered to donate any proceeds from the sales of his paintings.

“I’m going to donate whatever I get to two organizations: ASI-Canada (Association for the Soldiers of Israel), which supports active-duty IDF soldiers, and Magen David Adom, which is Israel’s emergency response service. To promote the sales, I’m also offering 30% discount off my website prices for all my paintings.”

The exhibit comprises 27 paintings from several of Gleckman’s established series. “For this exhibition, I have included paintings that are accompanied by titles … for fuller comprehension,” he said.

“The titles invite viewers to search for and reflect on the nuances of their own understanding of the selected stories, themes and ideas,” the artist explained. “I’m not trying to dictate my own interpretations to viewers. Instead, with the titles, I try to nudge viewers in the right direction. The titles are sort of guidelines for understanding the images, their conceptual representation.”

image - “Yerushalayim (Jerusalem)” by Brian Gleckman. The Hebrew words in the painting are from Psalm 137: “If I forget you, O Jerusalem, may my right hand forget ... if I do not bring up Jerusalem at the beginning of my joy.” — “Yerushalayim (Jerusalem)” by Brian Gleckman. The Hebrew words in the painting are from Psalm 137: “If I forget you, O Jerusalem, may my right hand forget … if I do not bring up Jerusalem at the beginning of my joy.”

Most of the titles are in Hebrew, spelled phonetically in the English alphabet. Some are in English, but they represent Jewish customs and stories. For example, the large painting “Tikkun Olam” is a field of life-affirming blue, while “Shiva” is bleak and dark, a painting of grief and despair, but both will generate different feelings for everyone.

A few other paintings are linked to grief and death, but many sport bright colors, like “Aytz Chaim” – blue and gold and triumphant – which proclaims the artist’s vision of the Tree of Life. The painting, tall and narrow, is framed by golden words.

Another tall and narrow painting, “Tefillah” (a prayer), contains this one word in Hebrew, as well as 10 bright gold stars dancing on the blue background below, representing a minyan, the quorum of 10 men (in Orthodox Judaism) or people needed for Jewish communal prayers.

Another painting with words and colours woven together is “Yerushalayim.” Its golden-brown palette is reminiscent of the ancient city of Jerusalem, its modernity and its millennia of history, including conflict.

Then there are calligraphed Hebrew letters, each magnified manifold on its own black and white canvas. “Their shapes are still recognizable,” said Gleckman, “but I wanted to explore the possibilities, the situation where something we know becomes something else, something to investigate and find a new meaning.” Each of these letter-paintings is like a road, curling capriciously according to the letter’s design, leading the viewers towards the unknown.

Abstracted Identity runs until July 18. To learn more, visit the artist’s website, briangleckman.com.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Community and relationships

Recently, I came across a LinkedIn post. It suggested that people could evaluate their work by asking if it “made money, saved money or saved time.” One of the responses suggested that nurses, for instance, would not fit into this model. Neither would teachers, therapists or social workers, for that matter. While education or therapy do eventually probably save money and time for society, their worth isn’t measured by these markers. As a writer, my work is also worthless in this evaluation, as it doesn’t earn lots of money or save time. But caring/thinking professions are still meaningful. I did a silent revision to the post. I added: Does your work create meaning? Is your work creating value? Meaning and value aren’t always measured in monetary terms.

I didn’t respond to this piece I read online. I don’t know who posted it originally, but priorities are different than mine. It isn’t a bad thing to save money, make money or save time, but I was left wondering – if these are a person’s top priorities, what will they do with the money or time saved? I wonder where “making meaning” comes into this person’s life.

My household is just recovering from our twins’ b’nai mitzvah. Out-of-town relatives and friends were here for several days before and after. I managed many details and events, multiple meals, a tent, chair and table rental, games and more. The synagogue service my children led was very meaningful, and looking out at the congregation was amazing. I felt so supported by family, friends and community.

For days afterwards, Jewish community members wished us mazal tov and non-Jewish neighbours and friends continued to congratulate us. My twins got gifts from places we didn’t expect. Both kids were truly flummoxed by the love and generosity showered on them.

I won’t lie: I’m exhausted after this lifecycle experience. I was the main organizer for everything other than services. Everything went smoothly, far better than I’d expected, especially given that our synagogue is under renovation.

When guests suggested a future as an event planner, I said no! I couldn’t wait to get back to my freelance writer/editor day job. Perhaps what I have learned is that, while I’m good at organizing and details, I don’t find meaning in doing those things. For me, it’s only the relationships and community that makes meaning.

A snippet of learning I did this week made that clear. I was studying the Babylonian Talmud tractate of Bava Metzia 109 when I read this story:

“Rav Yosef had a certain planter, a contractor whose job was to plant trees. He died and left behind five sons-in-law. Rav Yosef said: Until now I had to deal with only one person; now there are five. Until now, they did not rely on each other to plant the trees and did not cause me a loss, as the responsibility was their father-in-law’s, but, now that they are five, they will rely on each other to plant the trees and cause me a loss. Rav Yosef decided to discontinue the agreement with them. Rav Yosef said to them: If you take the value of your enhancement that you brought to the field and remove yourselves, all is well, but, if not, I will remove you without giving you the value of the enhancement.”

The rabbis then debate if Rav Yosef’s behaviour as a businessman was acceptable. Their conclusion is that canceling the agreement was acceptable, but sending the sons-in-law off his land without compensation wouldn’t be right. When I read Rav Yosef’s choices here, as a person in business, I saw why he made his choices. Rav Yosef had a business relationship with a contractor. When that ended due to death, he didn’t have the same agreement or support from the five sons-in-law, all of whom might have left the job to someone else. He wanted to pay them for what had been done and cut his losses.

I worried about the contractual commitments I’d made for our family event. Would the tent, tables, chairs, catering, servers, games, six-person bike, fancy vegan popsicle cart all arrive as scheduled? In the end, it all worked out. However, if I’d been faced with an issue like Rav Yosef’s – the death of someone I trusted and a time-sensitive need to get something done – I too might have wanted to pay for the work done so far and cut my losses.

Sometimes, we recognize that, without the original helper, chaos might erupt. Our synagogue caterer provided food for 75 people as take-out for us, but had no servers, due to the building closure and renovations. I worried about what to do. Luckily, through Jewish community connections, I found someone who used to work at the synagogue, and three others who worked at a different Jewish congregation. My brother (former manager of a fine-dining restaurant) stepped in to help. My neighbour volunteered her oven as a backup to warm up food, though we did not need it in the end.

This experience helped me realize that, although we moved to Canada in 2009, we had built community over time. People volunteered to support us and connections with businesspeople made the event happen. A “team” of loving people, both from far away and close by, pulled together to make meaning for us as a family.

Long before I had kids, I loved attending Shabbat services that celebrated a new baby, an upcoming wedding, a birthday or bar or bat mitzvah. Now I see that, as part of the extended community, I too created meaningful connections. The congratulations, singing “Simon Tov U’Mazel Tov,” and warm smiles matter. Being a witness and a celebrating participant are valuable.

For some, our twins’ b’nai mitzvah helped people make money. Months of work as the “organizer/Mom/event planner” saved money. If recent world events, or Rav Yosef’s contractor agreement, have taught anything, it’s that our lives could be short – time matters. It matters that we do straightforward, moral business with others. So many things can go wrong. There is absolutely nothing like a few days of love, support and meaningful interactions with people who care about us. We can also always use more love and community support.

Joanne Seiff has written regularly for the Winnipeg Free Press and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. Check her out on Instagram @yrnspinner or at joanneseiff.blogspot.com.

Community gathering place

Many community events, lessons and celebrations take place in the Jewish Community Centre of Greater Vancouver’s Wosk Auditorium. (photo from JCC)

A sense of family and community, somewhere to be physically active and mentally stimulated, a haven in which to socialize and relax, to have a nosh, a lifeline during the pandemic and a place to be with like-minded people after Oct. 7. The Jewish Community Centre of Greater Vancouver – “the J” – “is a warm and welcoming place for Jews and the community in general,” offered JCC executive director Eldad Goldfarb.

The Jewish Independent spoke with Goldfarb and others recently, to see how the centre has fared since the Hamas terror attacks on Israel, the Israel-Hamas war and the rise in antisemitism around the world, including in Metro Vancouver.

“The level of security has seen a noticeable increase,” said Goldfarb. “The initial shock had an effect on our entire community, which felt insecure and somewhat afraid to venture out and into Jewish community facilities. This fear quickly changed into a desire to congregate, be with fellow Jews in safe spaces, and the JCC is a place where everyone feels safe and welcome.”

He praised the Vancouver Police Department and its role in allowing the community to gather safely.

“The VPD is amazingly supportive of the Jewish community and the JCC,” he said. “They are doing above and beyond within their limited resources to provide both physical as well as emotional safety at this very difficult time for our community. The JCC staff team is very vigilant and pays close attention to anything out of the ordinary.”

Goldfarb has been the J’s executive director for 11 years, and was assistant executive director for the six years prior to that. He said the centre has “expanded its programs and services, providing substantially more scholarships and subsidies to families and individuals.” And he and the JCC board “have been involved in the conceptualization, visioning and creation of JWest, an exciting innovative community project for generations to come.”

“The JCC has been working diligently on expanding our capacity, we have made investments in recruiting top-notch staff, replacing and transforming our technology systems in order to improve customer experience, ease the registration process and create efficiencies in the organization,” said Goldfarb.

“We’re always trying out new programs,” Hila Olyan, senior director of programs, told the JI. “I’m especially excited about programming for new families, which ramps up this coming fall: pre- and post-natal yoga, baby sign and sing, stroller fitness, storytime in the library. We’re also trying out some new children’s programming over the summer. Music, Music for Littles and Music, Music for Babies will be offered on Sundays. I can say from personal experience that my toddler loves the program. He’s been taking it since April.”

photo - The J's many programs include ones to introduce toddlers and their families to the joys of music — The J’s many programs include ones to introduce toddlers and their families to the joys of music. *(photo from JCC)*

While the programming hasn’t changed much in response to Oct. 7, Olyan said “the interest in being part of programs has increased. I think, for many people, myself and my family included, the opportunity to participate in Jewish and non-Jewish programming, but in a safe space surrounded by like-minded people, is more important than we previously realized.

“We’ve also tried to be thoughtful as we plan and host our community events like the recent Festival of Israeli Culture. We are thinking about how we can honour the challenging times we are living in, but also celebrate the beautiful culture we all know and love.”

She pointed to significant participation in events such as seniors luncheons, the J’s annual Purim Party and other activities.

“The people of our community want to be around other community members and I think it’s a great thing,” said Olyan. “The atmosphere has shifted a few times. We’ve moved from shock and devastation to strength and resilience. I think it’s a real testament to the spirit of our community.”

“The JCC has and will always be a safe place for me and my family and the entire community,” said Michael Averbach, who has been going to the J since he was a kid himself. “Oct. 7 didn’t change my frequency of visits or how I feel about being at the JCC, nor should it for any current member, but my message to those considering joining – there’s no greater feeling of family than being at the J. It’s the only place where we can truly interact with all sectors of our community, from the non-observant, to the Reform, to the Orthodox and everyone in between. Furthermore, the JCC was built on the foundation where everyone is welcome, regardless of religion or race.”

In addition to being a J member, Averbach has chaired the centre’s main fundraising event, the RBC JCC Sports Dinner, for many years. Attesting to his family’s generations of involvement with the JCC, the welcome desk everyone passes on their way into the centre is called the Betty and Louis Averbach Membership Desk, named after Averbach’s grandparents. And the next generation is also involved.

“We’ve had our kids in day camp and swimming lessons over the years and, personally, I enjoy boxing sessions with Alexei to keep me sharp and on my toes and to complement my regular fitness routine,” said Averbach. “I also try and get to the J in the later evenings up three to four times a week to enjoy the sauna and steam in the men’s spa.”

photo - Working out at the J — Working out at the J. (photo from JCC)

When asked what keeps him coming back to the centre all these years, Averbach said, “The warm feeling and sense of community walking through the doors.”

This is an aspect that also appeals to J member Cathy Paperny and her family, who joined the JCC in 2006 when their children began the 2-year-old program.

“I appreciate being surrounded by a Jewish community,” she said. “I have a good relationship with Eldad and we often have good talks about various topics, including the war in the Middle East. During these challenging times, it’s especially important to be surrounded by like-minded people. I feel I have that at the JCC.”

The social aspect is one of Olyan’s favourite parts of her job.

“I like the combination of interacting with members, program participants and administration. I like thinking about how we can make our programming stronger and then having the opportunity to put plans into action and see the results. Every single day I meet and talk with interesting people who are all here at the J for their own unique reason – a workout, childcare drop-off, gymnastics, music lessons, a holiday or festival.”

For Paperny, that reason was the program for 2-year-olds. She said the J was the only place that offered it. “I liked that my children were attending with other Jewish children, some of whom became lifelong friends. It was close to VTT [Vancouver Talmud Torah] for afterschool programs and convenient for me when I was working at the Holocaust Centre,” she said.

Paperny worked at the Vancouver Holocaust Education Centre, which is on the lower level of the centre, until 2019, for about four years as the symposia coordinator and as a docent for more than 10 years.

In addition to the 2-year-old program, Paperny said, “Yaelle went to ballet classes when she was young and did Israeli dancing through Talmud Torah and then performed at the Festival Ha’Rikud events at the JCC until Grade 7. Both of my children attended Camp Shalom for a couple of years. One of my children did the leadership-in-training program at Camp Shalom. They also attended other sports camps, like soccer.

“I did personal training there for years and attended some of the fitness classes, including circuit training,” she continued. “Now, I swim, do private pilates with Camila, attend yoga twice a week and attend many fitness classes.”

She also attends Jewish Book Festival events and, often, Israeli dancing on Wednesday nights.

These types of activities are exactly what the JCC mission entails.

“For our Jewish community, we continue to be committed to our mission to provide programs to enhance positive identification with Jewish life and Israel,” said Goldfarb. “This can be seen in our children’s camps, early childhood education programs (daycare and out-of-school care) and with our Israeli dance classes – to name a few.”

Nava Creative Kosher Cuisine is also on site. A popular spot to have a coffee or lunch, it is hard not to run into fellow community members when you’re there: members of the J, people visiting the latest exhibit at the Zack Gallery or going up to the Waldman Library, staff from the various Jewish organizations housed in the centre, participants in different programs, parents picking up their kids, students from King David High School, which is located across the street from the centre, and others.

“The JCC, while not without its challenges, is a place of growth and potential,” said Averbach. “I am aware of the high staff turnover and the need for building upgrades and, together, we are actively working on raising the necessary funds to address these issues. If there’s one key area for improvement, it is staff training for those with special needs and neurodiversity. By properly implementing this training, we can ensure that all our children feel comfortable and welcome.”

And it seems that the J is committed to continually improving. For example, staff review its programming often.

“Every participant in a registered program receives an email link to a quick survey,” said Olyan. “We also look at our mission statement and consider how we can continue and better meet our mission and the needs of our community. Are we offering social, educational, recreational and cultural programs for every demographic? Finally, we consider what are the emerging trends and interests within and outside the Jewish community and is the JCC the right place for [such programs]. We really try to listen to our members and find out if there are particular programs they would like to see.”

As for her feedback, Paperny said, “During COVID, the J was a lifeline for me when virtual programs were available, and then when it opened up to in-person programs. My physical health is so integral to my emotional, mental and spiritual health. The J has always been there for me.”

Windows into the shul

The Beth Israel Mural Project goes beyond the synagogue’s parkade, with a website that features each artwork, as well as information about the holiday depicted, and more. (screenshot)

Windows into the synagogue, windows into Judaism. The Beth Israel Mural Project features 13 works of art, each based on a Jewish holiday. Adorning the shul’s parkade, they welcome visitors.

“During COVID, Sy Brown started the Good Times Club at the BI. The goal was to bring in new programming into the shul for the over-50 crowd,” explained project manager Reisa Schwartzman. “We have had blood drives, book clubs and walking clubs. I came up with the idea to do a mural in the garage.

“At first, the idea was to do one large mural. The challenge was that there are parking signs that could not be removed so it motivated us to think out of the box a bit. The smaller framed murals allowed it to have the effect of being windows into the shul.

photo - Ramona Josephson was the lead artist on one of the two murals portraying Shabbat — Ramona Josephson was the lead artist on one of the two murals portraying Shabbat. *(photo from Beth Israel Mural Project)*

“The next steps were to call out to the congregation to see who would like to participate. At this time, all meetings were held on Zoom due to COVID. Once the committee had the members, we then went out to the congregation – we wanted the entire membership to feel included, to see what they wanted to see in the garage. The overwhelming feedback was the holidays.”

Volunteers were assigned a holiday and the committee helped with each image. “This is when the real work began,” said Schwartzman. “But, up to this point between COVID and summer holidays, it was two years.

“With Peter Sarganis, an amazing artist himself but also an art teacher, he guided us on the steps required to take our wonderful images through the multiple steps to get each image on the boards. Once the boards were ready to go, we met each Sunday afternoon for painting for several months. There were committed painters who would come in during the week to work as well. This was a labour of love! The energy in the room when we were painting was fabulous. Focused artists and painters working together to bring these works to fruition.”

Sarganis answered the callout to members because, he said, “As an artist, I thought it would be a creative way to combine my love of Judaism, the Beth Israel Synagogue, collaboration and painting.”

Sarganis became the project’s art director and a lead artist and designer of one of the two Shabbat works.

“I love Shabbat. From Friday evening family dinners; to Shabbat morning services; to the candles, wine, challah and artifacts used – I can simply say I love it,” Sarganis said of his choice of holiday to portray. “The Shabbat panel I designed and painted is an abstracted representation of our family’s candle holders, Kiddush cup and challah cover.”

About the project, he said, “We had a wide range of expertise, from those who don’t paint at all to those who paint a lot. The common thread that kept us going and made this a beautiful group to be a part of was everyone’s passion for the project.

“As a professional artist and someone who has taught at a fine arts school for the past 29 years, it seemed the role of me becoming art director happened organically, it was not something that was there at the start of the project,” he added. “This included helping the designers of the panels with their designs, bringing in tools and equipment to help facilitate the transferring of the designs onto the large panels, advising the groups of painters on the painting process and/or techniques, figuring out (with Reisa) the placement of the panels in the parkade.”

“I really believe that we can beautify the most simple areas to make them more impactful,” said Schwartzman. “Having these windows in the garage makes the experience of going to the BI start right from parking your car. But we didn’t stop there. Krystine McInnes came up with the idea that we should add QR codes to each image so that people could open their phones and learn more about each holiday, the customs and history. We hope we can use these to fight antisemitism as well, or just to help educate. We decided to paint on boards rather than the wall itself so, if needed, we could have them traveling.

“One thing different about our art is that none of the pieces are signed. This was with the commitment that the works were collective, designed and inspired by several artists and painted by the community we built. It is a community effort for our shul.”

While the lead artists aren’t indicated on the murals in the garage, they are credited on the project’s website, bethisraelartproject.com: Beryl Israel (Purim and Tu b’Shevat), Sheila Romalis (Hanukkah), Ramona Josephson (Rosh Hashanah, Sukkot and Shabbat), Debby Koffman (Simchat Torah), Janice Masur (Shavuot), Luca Carati (Yom Hashoah and Yom Yerushalayim), Nassa Selwyn (Pesach and Yom Kippur) and Adele Lewin (Simchat Torah). In addition to the QR code integration, McInnes designed the project website, which features information on the holidays, their history and customs from several sources, including work done by Jean Gerber and Jonathan Berkowitz and a dozen or so websites.

The paint was donated by Benjamin Moore Paint and the boards and framing by Burton Mouldings, said Esther Moses, Beth Israel executive director. Ralph (z’l) and Elaine Schwartzman donated to help make the project possible, she said.

“My parents believe in supporting our community and have always been supporters of several Jewish agencies here and abroad,” explained Schwartzman. “Once they heard about what I wanted to do, my mom called the shul and made a donation to make sure we could complete the project. Supporting the shul, the arts, community and engagement for people are all reasons they stepped forward.”

image - Beryl Israel was the lead artist on the Tu b’Shevat mural — Beryl Israel was the lead artist on the Tu b’Shevat mural. *(photo from Beth Israel Mural Project)*

“I am so proud of Beth Israel and our members who worked on the murals. They are strikingly beautiful,” said Rabbi Jonathan Infeld, the synagogue’s senior spiritual leader. “They bring light to our congregation and are a great educational tool. They brought people together for an important common cause. The murals are another way that we help bring Jews closer to God, Torah and Israel at Beth Israel.”

While he helped, for example, with the Hebrew on one of the works, Infeld admitted, “I am involved in many different aspects and programs of the synagogue, this is one that I did not play a large role in though. Yes, I helped with some of the Jewish content. But anyone who knows my artistic abilities knows why I left this project to others to accomplish.”

The project – which took a total of three years from conception to installation – “was a great way to add colour to our parkade in a meaningful and Jewish way,” said the rabbi. “The murals are educational and exceptionally beautiful. But, most importantly, they created community amongst people of all ages.”

Overall, it has been a huge success, he said. “People love seeing [the murals] when they enter the parkade. They love looking at them and learning from them. I know that the participants loved making them.”

“This project was really a labour of love by all who participated,” agreed Schwartzman. “Peter was incredibly supportive with his knowledge and guidance. There were so many amazing artists that we all learned from each other, helped each other and celebrated together. We really hope that these images bring the shul much enjoyment and support them in any of their programming when possible.”

“This project took a lot of time and work – and was worth every moment,” said Sarganis. “I met some wonderful people, and got to know people I already knew even better. A beautiful community project.”

So many choices to be made

The late afternoon, right after school or summer camp, is go time for many parents. These are the moments where my twins have every kind of need, from taking off their outside gear and emptying lunch bags to signing permission forms, getting help on projects, and more. It is a period of chaos, usually with a desperate need for snacks as well as dinner preparation, all rolled up. There are days when things are calm, sure, but there are other times when I savour my last moments of quiet at 3:25 because from 3:35 until 6:30 or so, after dinner, I am a whirlwind doing Marathon Mom work.

Our public junior high this year presented us with Mega Options activities for the last few days of school. While the various options were hyped to students in advance, only whispers of this made it home. So, on an average Monday afternoon in June, my kids told me to be sure to open the special Mega email fast, as all the best activities would fill up. At 4:30 on the button, my inbox told me about the many Mega Options I would need to hurry to fill out to meet my twins’ expectations.

There were so many choices: Métis sash-weaving and historic cemetery trips, Inuit printmaking and Indigenous storytelling, Euro-style soccer tournaments, Pickleball, phone photography, kinesiology and nutrition lab field trips to a university, and more. There were bike treks, orienteering, the list went on. The selection was huge. Not every outing had a description or information. Some choices came with big fees. Others were free.

It was a huge rush to decide. We watched some activities fill up even as we tried to sign up – and, with twins, we had to sign up twice. In the end, my more social kid called one of his close friends. On the other end of the phone line, I heard his mom, a teacher I am friendly with, coaching him through. It was a great solace to know I was not alone in sorting through this!

Within moments, both my twins were signed up, with their friend, for one day of board games, outside games, and baking bannock and eating together. The other day was reserved for going to Assiniboine Park, Winnipeg’s version of New York City’s Central Park, and always a fan favourite. I emailed the other mom afterwards. “Sheesh!” she replied. “That was stressful – lol.” It was. She was completely right. The Mega Options format left me strung out and worried. Did we make the right choices? What does “A day at Assiniboine Park” mean? There was no description. What do we parents need to provide? Lunch? Money? Rides?

After the decisions were made and the activities secured, I was relieved. The fun warm weather choices our boys made were free, easy and uncomplicated. Sure, it wasn’t going to be a big learning experience, but the decisions were made. We no longer had to dwell on the choices themselves.

After stepping back, I realized that these late afternoon blitzes are so hard because they can be unpredictable and disorderly. There are multiple tasks thrown at parents at once, when we’re not necessarily at our best energy-wise. Both flexibility and preparedness are necessary. There’s no telling if today I’ll have to be a math whiz, an event planner, or a custodian, cleaning up after a kid is sick in the hallway. (Hey, it happens.)

The skills required to manage the late afternoon rush aren’t just relevant to kids. As adults, and as Jewish people, we are often offered “Mega Options” when it comes to making choices. We don’t have one specific menu item at restaurants, nor do we have a single kind of Jewish ritual, religious life or home observance. We face tons of choices every day. Further, while the pandemic narrowed some options, the post-pandemic world has vastly increased them. When our usual routines are disrupted, we’re forced to evaluate what we’ve done all along. Is streaming a religious service easiest? Are we healthy enough to attend in person? What is the COVID protocol (or non-protocol) these days, even as the virus still circulates? Sometimes, we crave situations where the decisions are just made for us, even as we know it would be better to make up our own minds instead.

This was our world before Oct. 7. Afterwards, the choices became even larger. Now, questions of safety and freedom from harassment also come into play. We choose whether to wear anything identifiably Jewish when out on the street. We question if we’ll feel safe attending this Jewish venue. Is attending this graduation/parade/campus/event going to force us to deal with protesters or hate speech? Then there’s: Are we still safe, wherever we live? Should we be considering a move to someplace safer? Is there somewhere safer?

We could pretend that all these choices are a part of the modern age, but we know from Torah study, the many debates of the Talmud and Jewish history that the act of making choices is an essential part of what it means to be Jewish. From the first, we were shown hard choices and real consequences: from Leviticus 10’s Nadav and Abihu, who chose to sacrifice “strange fire” and were struck down for it (a bad choice, apparently), to Deuteronomy 30:19, which summarizes a long list of choices we can make, concluding, “I have put before you life and death, blessing and curse. Choose life….”

The Mega Options presented to celebrate the end of school is nothing when compared to big decisions in life. One could just shrug it off as no big deal – but life is a series of little choices, one after another, that can affect everything. Survivors of major disasters often explain how they “just missed” the accident because they felt sick, woke up late or forgot to make their lunch. Historically, Jewish refugees described how they left at a moment’s notice, with only a suitcase, or just the clothes on their backs.

We don’t always know which choices are the big ones, or the good ones. Some of the best choices result in happy, long-lasting results, like meeting one’s life partner, discovering a passion or skill, or experiencing an amazing natural event like a meteor shower or the Northern Lights. Here’s to hoping our choices are easy and small ones, and that these options lead to all positive things. Here’s to celebrations, miracles and good deeds this summer – may we all have more “mega” pleasant choices ahead.

Expectations for behaviour

Our neighbourhood has narrow sidewalks lined by hedges. When my dog and I take our daily walks, we step to the side at a driveway or front walk so that another pedestrian can pass. My dog sits patiently, sometimes even when I don’t prompt her. Over the years, through the lives of several dogs, we (the dogs and I) have received compliments because of how well behaved the dogs are. I say thank you. The next question is, “How did you do it? I can’t get my dog to do that!” My response is always the same. We’ve been taking these walks every day for years. We practise! Usually, the passerby shakes their head, as if I am just not letting on my secret – but I have. Consistency is everything in reinforcing behaviour.

In the Babylonian Talmud, Tractate Bava Metzia 60a, the rabbis discuss sales practices. While Rabbi Yehudah disagrees, the rabbis conclude that a shopkeeper is allowed to offer children toasted grains and nuts for free. By doing so, he accustoms the children to see him for their shopping, rather than going to other shopkeepers. Also, the rabbis suggest, it is OK to offer things for sale at a “below market” price, that is, on sale, in order to attract customers. These are, in effect, ancient – and approved – business marketing guidelines that reinforce desired behaviours. In this text, there are also suggestions for what is not acceptable and why.

Festive holiday meals sometimes give us time to think about what’s acceptable in our homes, too. One invites friends and family over, or goes to other homes, and that’s when you can see all sorts of different families, with different guidelines about what’s acceptable. I find myself observing all this with interest. This is one way we learn about other ways of doing things. It’s also a chance to reevaluate how we run our homes. What could we do better? What isn’t acceptable in one home may be fair game in another.

As an adult, I observe all this but my children, just like those attracted by toasted nuts in Bava Metzia, react fast when they see things that are tempting or considered “out of bounds.” For instance, my kids love additional opportunities to eat treats. However, kids also notice when things go awry.

More than once, we’ve had a young holiday guest have a colossal meltdown. We all know that kids can lose it, especially during atypical situations, in others’ houses, later in the evening, etc. However, my kids feel strongly about times when the kid (or family) shows disrespect to us. After all, it’s our house. Having a child fall apart due to exhaustion or overstimulation happens. Having a kid yell at us is different, and my kids are rightfully upset when another child snaps or is rude when I express concern or want to keep them from getting hurt. My family pointed out that I, as a grown-up, am responsible for everybody’s safety in my house – of course, I have to say something when a situation looks dangerous.

Earlier this year, our household was unsettled not only due to an extended outburst, but because no one apologized for it. Some parents apparently think that we, as holiday meal hosts, should tolerate and absorb a tantrum. For days afterwards, I fielded my kids’ comments as I stung with frustration. We spend many hours cleaning, setting the table and making multi-course celebratory meals. We take great care. Why go to all this effort for guests who don’t model basic respect for their kids in another person’s home?

By comparison, another set of family friends stayed over during a holiday. They were having breakfast in our kitchen with my kids when I came into the room. Their teenager had raspberries topping each finger (something I don’t allow my kids to do) but also, hadn’t washed their fruit. I rushed to wash the fruit, while the teenager said she was “immune” to whatever was on it. Her mom immediately jumped in. This mom insisted the teenager thank me for washing the fruit and correcting the possibly unsafe situation.

In this interaction, my kids saw the parent modeling an expected behaviour. They looked relieved. Those daily dog walks, often with kids, offer plenty of time to reflect on what we see. My twins, at the cusp of teenagerhood, now have firm ideas of how boundaries work, what respect and kindness mean, even in difficult situations. They know when parents correct things or when things go off the rails.

Watching the student encampments unfold at universities has been a chance to review those boundaries. When is it OK to protest? Why? It’s important to learn how one’s behaviours affect others and how they have lifelong ramifications. We’re seeing these issues play out in real time.

In our house, we’ve discovered new growth. Reinforcing consistent upright, respectful and kind interactions is annoying sometimes. Saying “careful!” every day because I worry about someone’s safety can be a drag. Yet, just like the dog sitting at the street corner, my household has reinforced certain behaviours. We say thank you when someone works hard to take care of us. We worry about others’ safety. We apologize when things go wrong.

Recognizing how we should behave with others is a crucial part of living in a functional community. Watching the university encampments from afar and their conflicting messages of hate towards the Jewish community and Israel makes me worry about how we will proceed in the future. The media coverage of these protests makes me question what the protesters’ parents modeled. What are these parents thinking now? The chants by some of the students make me wonder if their version of community considers Jews or Israelis eligible for membership.

I’m heartened to see when my hard work pays off as a parent, holiday meal host or dog owner. Yet, I’m worried about what it means when our boundaries or expectations aren’t respected, too. Being yelled at in my own home at a holiday meal wasn’t a good harbinger of the future. Our tradition sets some expectations for behaviour in the marketplace and at home. Even as we interpret these traditions differently, how we consistently model behaviour will determine our children’s and our society’s future. Consistently reminding one another of how to behave as responsible community members may result in a better, safer future for all of us.

Camp celebrates a lifetime at 70

Lisa and Andrew Altow with their family on visitors day at Camp Solomon Schechter in 2013. (photo from the Altow family)

On May 5, Camp Solomon Schechter will honour four long-time relationships that were built at the camp. Part of its 70th-anniversary celebrations, there will be three separate events in three different cities – Portland, Seattle and Vancouver – on the same day. Those being honoured include Vancouverites Lisa and Andrew Altow, and Yvonne Rosenberg.

“One of the most special things about camp is the lifelong friendships that it creates and the geographic area that it spans,” Zach Duitch, executive director of Camp Solomon Schechter, told the Independent. “We say camp friends are forever friends and we know that having Jewish friendships throughout your life is one of the most significant and important relationships we have. This is what builds Jewish community.”

Of this year’s honourees, he said, “We have a friendship that has spanned three generations and two countries, from Portland to BC, Yvonne and Sharon [Stern] – they went to camp together, their children went to camp together, their grandchildren go to camp together. We have two relationships that are marriages from camp, the Korches [Melissa and Matt] and the Altows. And we have a beautiful friendship of four friends from four different communities who have stayed friends throughout their lifetime”: Eva Corets, Rochelle Huppin, Wendy Rosen and Karen Twain.

photo - Sharon Stern, left, and Yvonne Rosenberg met in the early 1960s at Camp Solomon Schechter and have been friends ever since — Sharon Stern, left, and Yvonne Rosenberg met in the early 1960s at Camp Solomon Schechter and have been friends ever since. *(photo from CSS)*

In previous years, Camp Solomon Schechter has awarded the Migdal Or Award to individuals who have provided a “spark of light that guides the way for others to follow.” The inspiration for the award and its first recipients, in 2020, were camp founders Rabbi Joshua and Goldie Stampfer (z”l). While an award won’t be given out this year, the 70th anniversary Schechter Spark will reflect the Stampfers’ “legacy, virtue and commitment to Jewish life and camping.”

Camp Solomon Schechter started in 1954, near Echo Lake, in Washington. The first year, 25 campers attended a one-week session; the next year, 40 campers attended a two-week session.

The camp moved to Whidbey Island in 1958 but outgrew that space within 10 years. With the help again of Seattle Rabbi Joseph Wagner, one of the camp’s founders, as well as Harry Sherman and Rabbi Zev Solomon from Vancouver, BC, a camp property in the Olympia area was found, and it was for sale.

“Rabbi Stampfer immediately called the number and spoke with the owner, Helen Shank,” reads the Our History page of the CSS website. “And, for $300,000, the 200-acre property could be owned by Camp Solomon Schechter. Each of the rabbis from the major cities (Portland, Seattle and Vancouver) committed to raising $100,000 from their communities, and they were able to accomplish the goal in time for summer 1969.”

CSS is still located at the site near Olympia, with some 600 campers and more than 100 staff attending annually, in addition to the Stampfer Retreat Centre and OSPREY Camp (an outdoor education program).

Seventy years is a special anniversary in Judaism.

“The number 70 is considered a lifetime, so much so that 13 years into the second lifetime, at the age of 83, many Jews will have a second bar or bat mitzvah,” explained Duitch. “Where does that number come from? A midrashic tale tells us that there was an old man planting a carob tree by the side of the road when a traveler walked by. The traveler asked the man, ‘Why are you planting that tree? It will never bear fruit in your lifetime.’ The man responded, ‘I’m doing it for the next generation.’ And so, the legend goes, it takes a carob tree 70 years from seed to fruit and that’s where we get that idea of a lifetime. So, this year, at Schechter Spark, we are celebrating our first lifetime and raising funds for our next lifetime.”

“We are looking forward to being at the event with many of our good friends and all our kids,” Andrew Altow told the Independent. He and Lisa attended CSS in the mid-to-late-1970s. “I was a camper,” he said. “Lisa was a camper and, later, a counselor.”

After their first year at CSS, Andrew said there were a couple of reasons for wanting to return for another summer. “First, all our Jewish friends from all the cities – Vancouver, Seattle, Portland, Spokane – that went every year. Second, the ruach [spirit], the amazing sense of Judaism and fun together.”

Looking back now some 50 years later, Andrew said, “CSS played a massive role for us. Because of our CSS lifelong camp friendships, we met in our 20s at a party in Bellevue [Washington] and fell in love and got married a few years later – Lisa was from Bellevue and I was from Vancouver. Because of CSS, we maintained a meaningful connection with camp and eventually each of our four kids attended CSS and have made their own lifelong friends.”

Andrew and Lisa have each, at one time or another, served on the CSS board or a board committee.

“CSS has been a Jewish string that has connected us to our Judaism and to Israel in a positive and meaningful way, for which we are extremely grateful,” said Andrew. “Mostly, it’s been the amazing people involved with CSS, whether they be staff or volunteers, each one amazing in their passion for CSS and their genuine love for this magical camp, its mission, its values.”

It was “incredibly important” that their kids also go to Camp Solomon Schechter, said Andrew. “Each child – Josh, Lynne, Joey and Ari – got something different out of camp but their experience reinforced their Judaism and their connection to Israel.

“One summer, it was very special to have all four kids and my nephew from Toronto to attend in the same summer session – five Altows at one session. We were so proud to see how close they all were and continue to be. We believe CSS was an incredible positive influence on all of them.”

Humbled to be one of the Schechter Spark 24 honourees, Andrew said, “In a world today full of hate, full of antisemitism, full of turmoil worldwide, CSS is an oasis of safety for Judaism to shine through our children and teach them the beautiful tenets of Judaism so our children, and future children, can continue to repair the world as our faith illustrates.”

To read about the other Schechter Spark 2024 honourees and to RSVP for the (free) local May 5 event at Tap & Barrel in Olympic Village, go to campschechter.org/spark-24. Vancouver co-chairs are Elana Bick and Sheldon Franken, and the special guest will be camp director Manda Graziel.

Thanks to CSS’s 2024 Matchmakers, any new donation to the camp will be matched dollar-for-dollar, up to $218,000. Visit campschechter.com to donate.

Community milestones … Rabbi Carey Brown

photo - Rabbi Carey Brown of Temple Sholom — Rabbi Carey Brown of Temple Sholom *(photo from templesholom.ca)*

Rabbi Carey Brown of Temple Sholom will be part of the next cohort of Shalom Hartman Institute’s Rabbinic Leadership Initiative (RLI).

The intensive three-year fellowship program immerses North American rabbis of all denominations in the highest levels of Jewish learning, equipping them to meet contemporary challenges with ever-increasing intellectual and moral sophistication. It is one of the few structured frameworks for ongoing rabbinic study, enrichment and intellectual leadership training. In addition to rigorous study, the program fosters a deep sense of community for diverse rabbis in an environment of open dialogue, collaboration, peer-learning and personal support. The next cohort begins next month.

Cultural constellations

Lindsey Tyne Johnson has a new show at the Zack Gallery: The Irish Mazzaroth & Hebrew Spelled Backwards. It comprises two separate parts.

Hebrew Spelled Backwards debuted at the Kamloops Art Gallery in 2023. It is a series of illustrations in which the artist explores her Jewish heritage.

“When the show finished in Kamloops, the Zack Gallery director contacted me,” Johnson told the Independent. “But the show had only seven pieces, and the Zack Gallery is large. It needed more art.”

At about the same time, Johnson decided to delve deeper into her ethnic roots. “My mother’s family were Irish Jews,” she said. “Not a usual combination. I went to Ireland in February 2024 to find out more.”

She was fascinated by what she discovered. “Jews appeared in Ireland in the 1500s,” she shared. “Later, antisemitism forced many of them to leave, but they came back again. Then, there was a wave of Jews who came to Ireland and Northern Ireland from Russia in the beginning of the 20th century – they were escaping pogroms. Someone tricked them, sold them tickets to New York, but delivered them to Ireland instead and kicked them off the ship there. Some persisted in traveling to America, but others settled in Ireland. And then, there were the Jewish children escaping the Holocaust in Europe, Ireland took them in.”

When Johnson visited the Irish Jewish Museum in Dublin, she found a number of her ancestors. “Their names were all written up in the Book of Irish Jewry there,” she explained. “The museum staff asked me if I wanted my name to be added to the new edition of the book. Of course, I said yes.”

The second part of the show, Irish Mazzaroth, started taking shape in her mind while she was in Ireland. The 12 black and white illustrations on the gallery walls reflect Johnson’s take on the zodiac’s traditional imagery. Mazzaroth means constellations in Hebrew.

Both Jewish and Irish lore have a long record of zodiac interpretations, from Greco-Roman mythology to the Zodiac Wheel, the centrepiece of the sixth-century mosaic at Beit Alpha in Israel.

image - “Virgo” by Lindsey Tyne Johnson, part of Johnson’s solo exhibit at the Zack Gallery until May 9 — “Virgo” by Lindsey Tyne Johnson, part of Johnson’s solo exhibit at the Zack Gallery until May 9.

Johnson, a young Canadian artist, has succeeded in meshing seamlessly Celtic symbolism and Jewish mysticism into a series of computer illustrations that are uniquely hers.

“I started the first one in January. I finished the last one just before the show,” she said. “Each one is a well-known astrological sign, and each involves some aspects of both Jewish and Irish culture.”

Every illustration is a whimsical little story, a playful tale that connects all earth cultures to one another. The images are clean and austere, uncluttered by unnecessary details. The twin girls in Gemini smile at the viewer. In front of them are Shabbat candles and a challah. Behind them, a leafy tree rises in the Irish countryside. Their quiet joy is unmistakable.

On the other hand, the lone girl in Scorpio is solemnly considering the riches of ancient books in the famous Old Library in Trinity College in Dublin. She seems breathless with excitement at the abundance of choices in front of her, her braid curling up defiantly like a scorpion’s tail. The Jewish thirst for knowledge is given form in the context of the historical Irish library.

In another famous location in Dublin, the Temple Bar pub, Johnson features, in Virgo, an Irish Jewish woman playing a fiddle, merging lively Jewish klezmer and Celtic tunes.

image - “Leo” by Lindsey Tyne Johnson — “Leo” by Lindsey Tyne Johnson.

In Leo, the backdrop is grimmer. It depicts the Crumlin Road Gaol, hinting at the political strife in Ireland, while the man in front reminds us of the story of Daniel and the lions. “One of my distant relatives worked as a prison guard there,” Johnson said.

The frames of every illustration are identical: a rounded rectangle of Celtic knots, tied together at the top by a Magen David, which also emphasizes the affinity of two cultures.

The Irish Mazzaroth & Hebrew Spelled Backwards is on display at the Zack Gallery until May 9. To read more about Johnson and Hebrew Spelled Backwards, go to jewishindependent.ca/artfully-exploring-heritage.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Many invaluable contributions

Harley Rothstein has just released a three-CD compilation of Jewish music and secular folk songs. (photo from harleyrothstein.ca)

A little over a year ago, my friend and musical colleague Harley Rothstein – cantor, songwriter, folk singer – shared with me his freshly minted three-CD compilation of both Jewish music and secular folk songs. The recordings, several years in the making, are Modim: Songs of Spirit and Gratitude; Songs of Love and Humanity: Folk Songs of Fifty Years, Volume I; and Songs of Love and Humanity: Folk Songs of Fifty Years, Volume II.

Before getting into more “nuts and bolts,” let me say something well understood by all hardworking creatives: the life of an artist is, in a very real sense, an act of service to the community in which they live. This contribution to the community is what stands the test of time, and Harley Rothstein is undoubtedly one such indefatigable contributor, an artist who has dedicated himself to serving the community in which he lives, and sharing his work unselfishly. The compilation under discussion here is only the most recent of the many invaluable gifts of music Harley has given us over the years.

As many readers may know, Harley is a scion of the philanthropic Rothstein family; indeed, his parents are the benefactors of the Norman and Annette Rothstein Theatre. So, he comes by “service to the community” quite honestly.

Harley Rothstein has been singing since the age of 6, and he learned to play the guitar at age 18. Since then, he has played and performed folk songs in many locales – from Vancouver’s Bunkhouse coffeehouse in 1965 to the Princeton Traditional Music Festival from 2016 to 2019, and numerous other venues and occasions in between. He was inspired by a trip to New York’s Greenwich Village coffeehouses in 1965 and to the Berkeley Folk Festival in 1966.

Harley also played in rock bands in the late 1960s, taught elementary music and university-level music education from 1975 to the early 1990s, and sang for 10 years in the 150-voice Vancouver Bach Choir. He studied Jewish liturgical music with several cantorial teachers and has led congregations in synagogue services for 40 years. Harley has led many sing-alongs at political and social gatherings.

Harley’s musical contributions to local Jewish life have included years of performing, teaching and mentoring others who wish to lead services. He regularly conducts services at Or Shalom and Beth Israel, and has recorded a seven-CD set of instructional recordings, which are on the Beth Israel website.

Now to the music at hand. On Modim: Songs of Spirit and Gratitude, Harley’s meticulous work makes accessible a raft of songs for the Jewish community, for prayer and for simple enjoyment. There is a variety of offerings – a klezmer song, two songs in Ladino, and two Israeli folk songs from the 1950s. The majority of the songs are prayers from the siddur, set to music composed by pioneer songwriters such as Shlomo Carlebach and Debbie Friedman, as well as contemporary songwriters including Hanna Tiferet Siegel, Myrna Rabinowitz, David Shneyer, Jeff Klepper and Dan Freedlander, plus five of Harley’s own compositions. Harley notes: “I focus on these because all of these writers have inspired a whole new repertoire of contemporary Jewish spiritual music.”

Indeed, the music of the synagogue has been transformed by contemporary songwriters, like Harley, who, over the past generation or so have introduced the melodic and harmonic sensibilities of North American folk song into congregational song. Harley’s compositions reflect this line of creative work, and are part of a revival, for many, of a Judaism that is closer to the people, enabling all attendees to participate in services in a meaningful way. This folk music thread serves as a common sinew running through the entire three-album project.

The Songs of Love and Humanity: Folk Songs of Fifty Years recordings are a unique compilation of folk music that, I hope and expect, will help a younger generation become aware of the significant thoughts and hopes of their forebears. This in itself, apart from being an authentic and loving look back upon the artist’s personal musical history, makes the project irreplaceable. I salute Harley for his singular dedication.

The two CDs of folk songs are comprised of numerous pieces, 32 in all, which cover a truly large sweep of folk music history. Being Harley’s contemporary, I recognized many of these songs, but there were some that I was not aware of, or only dimly so, such as those that make up the track “Union Medley,” for example, and the rare gem “Toy Gun,” a 1960s antiwar song. There are classics by Woody Guthrie (“Blowing Down the Road”; “Hard Travelin’”), Bob Dylan (“Don’t Think Twice It’s All Right”; “I Shall Be Released”) and Pete Seeger (“God’s Counting On Me God’s Counting On You”). And other heroes of folk music are well represented – Tom Paxton, Ian Tyson, Gordon Lightfoot and Stan Rogers, among others. It’s a heady mix of work and labour songs, spirituals, political songs from the 1960s and Canadian songs. Harley says, “the unifying theme was that each song has been important to me in my career of over 50 years. This is why I refer to the recordings as a ‘legacy project.’”

Regarding the production elements, I really loved the focus on voice as foreground, unfettered by excessive tech. The songs are thus presented as primary and the accompaniment is just that, in support. It is also evident that these songs have been loved by the artist for many years, and one can hear this in his renditions. On Modim: Songs of Spirit and Gratitude, check out Harley’s own settings of “Yosheiv B’seiter” (“Dwelling in the Shelter of the Most High”), “Luley He’emanti” (“Mine is the Faith”) and the titular piece “Modim” (“We Give Thanks to You”). On Songs of Love and Humanity, I was delighted by his renditions of “Pack Up Your Sorrows,” “Follow the Drinking Gourd” and “Blowing Down the Road,” among many others. Throughout the recordings, Harley’s lyric baritone voice is always a pleasure to listen to.

Included with each CD is an informative booklet, with texts and backgrounders for all the songs. To find out more about the recordings, how to purchase them digitally or in hard copy, visit harleyrothstein.ca.

Moshe Denburg is a Vancouver-based composer, bandleader of the Jewish music ensemble Tzimmes, and the founder of the Vancouver Inter-Cultural Orchestra (VICO).