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Bahr to host Chutzpah!

Bahr to host Chutzpah!

Iris Bahr pulls double duty at the 2020 Chutzpah! Festival, as host and performer. (photo from Chutzpah!)

Comedien, writer, actor, director, producer and podcaster Iris Bahr will both host this year’s Chutzpah! Festival, Nov. 21-28, and perform her stand-up live Nov. 26.

Known for her eclectic characters, Bahr will call on many of them as she converses with the other festival artists as part of her hosting duties.

“I’ll be conducting these conversations either as myself or as some of my characters, depending on the artist I’m speaking to,” Bahr told the Independent. “My alter egos include Shosh, the salty Israeli who has become popular on Instagram, Rae Lynn Caspar White, my ‘Southern redneck intellectual,’ and Shuli, my Orthodox character who is beyond excited to ‘dive into the arts’ for the first time.”

Many JI readers will know Bahr’s stand-up from having seen her perform at last year’s Chutzpah! The show will be somewhat different this time around.

“My stand-up will involve more crowd work and storytelling versus just straight-on stand-up to camera,” she said. “I have found that to be a more captivating and enjoyable experience for everyone involved when the audience can also engage and experience each other’s presence, it’s the closest we can get to a communal live theatrical experience in these challenging times.”

For more on Bahr, see jewishindependent.ca/bahrs-many-personas. For more about Chutzpah!, visit chutzpah.com and read the next issue of the JI.

Format ImagePosted on October 30, 2020October 30, 2020Author Cynthia RamsayCategories Performing ArtsTags Ben Caplan, Chutzpah! Festival, comedy, coronavirus, COVID-19, dance, Ella Rothschild, Eman El-Husseini, Guy Mintus, Idan Cohen, Iris Bahr, Jess Salomon, Jesse Brown, Jessica Mann Gutteridge, music, Rokhl Kafrissen, Rothstein Theatre, standup, Tamara Micner, theatre
Living and working together

Living and working together

Eman El-Husseini, left, and Jess Salomon with furry family member Esther Honey El-Husseini. (photo by Mike Bryck)

Jess Salomon and Eman El-Husseini, aka the El-Salomons, close out this year’s Chutzpah! Festival on Nov. 28. They will live-stream from Brooklyn, and local comedians will join the event from the Rothstein Theatre.

In performance, the married Jewish-Palestinian lesbian comedy duo leans into the things that make them unique. Their chemistry is not only evident on stage, but even comes out in an email interview, where the pair play off one another like, well, a couple who knows and loves each other well.

JI: You met when you were each performing solo routines and continued in that vein, I think, even after you were married. When and why did you team up professionally as well?

Jess: It didn’t really come from us. We weren’t out in comedy until we got engaged so it was only after that, that we started making jokes about our relationship. Sometimes, we’d follow each other on a show and it became obvious who we were talking about. Like how many Jewish-Muslim-Palestinian Canadian couples that moved to America from Canada are there? Another comedy couple might be able to be on a show together and say my boyfriend did this or my girlfriend did that, and no one would connect that they were referring to one another. So, we built in this reveal and, eventually, people started asking if we were going to share the stage together. We didn’t want to, but it’s a sacrifice we make for the fans!

Eman: The first time we shared the stage was at a gig in an old synagogue turned community centre in L.A. I went on first and introduced Jess for her performance. We bantered, unprepared, on stage for about 10 minutes. We had no idea a reviewer from Tablet was in the audience and, although we individually performed for about 30 minutes separately, that 10 minutes of banter stole the show…. We didn’t think much of it but, a year later, 2018, we were in our hometown of Montreal for the Just for Laughs Festival. The BBC World Service was in town to put on a comedy show. They called us and asked if we’d want to record a set together and we said, ‘absolutely not.’ First of all, they have a huge listenership and we wouldn’t be able to polish an act under such short notice and, second, no one wants or should want to work with their spouse. But, the British have a way to persuade, it must be the accent.

At the same time, because we were back in our hometown, Just for Laughs offered us two shows to do whatever we wanted. We decided to perform individually for 20 minutes and then 20 minutes together. We almost got divorced but the audience loved it! We sold out both nights and added a third. Who would have thought a duo act would be so sought after? We’ve been working together ever since, and we are still married! I think, at this point, if we ever separated, we’d have to be closeted about getting divorced.

JI: From where do you get the strength and confidence to be a stand-up comedian?

Eman: I have no idea why and how I’ve stuck with this career after my first set. I bombed so hard and, until today, continue to bomb at times, but there is truly an addictive element to making someone laugh. Even if it’s a single person in a room. Laughter is so genuine and isn’t easily had. I mean, even in our day-to-day life Jess and I will share with each other how we made a stranger laugh shopping for groceries or walking the dog. It’s so rewarding.

Jess: Making strangers laugh and then talking about it is 100% an Eman thing. Right now, we’re in an argument over a speech therapist I’m convinced she hired just to entertain while she insists she has a speech impediment that must be fixed.

Eman: I feel like my strength and confidence comes from my parents. Although my sister and I have a brother, I managed to be the favourite.

Jess: You do have a masculine energy they might be responding to.

Eman: A big reason I wanted to be a stand-up comic is because of how misrepresented and underrepresented Arabs, Muslims and particularly Palestinians are in the media. More often than not, I am the first Palestinian someone meets in real life. I feel like an ambassador of sorts, dispelling stereotypes about my people. Exposure is such a powerful tool in getting through to people and if you can make them laugh that’s a big bonus. Even if people are immediately turned off by what I represent, they are still curious to hear what I have to say. I remember headlining a show in Niagara Falls once. I had to be on stage for 45 minutes. Twenty minutes in, I realized I haven’t made a single person laugh….

Jess: I love that it took you 20 minutes! That’s confidence.

Eman: They were conservative-leaning so, I called them out, ‘Guys! I know you don’t like what I’m saying but I can tell you like me.’ That eviscerated the room! From that moment forward I knew I could never quit comedy even if I wanted to.

Jess: I tried to do a joke about the no smoking sign on the plane and quickly realized there were at least a few comics who had done the same joke. That’s when I realized it’s better when I pull from personal experience. Even if I’m not an ambassador like Eman. I’m not the first Jewish comedian people have seen.

illustrations - The El-Salomons have their own cartoon. (Illustrations by Jesse Brown)
The El-Salomons have their own cartoon. (illustrations by Jesse Brown)

JI: How and when did your new Crave Canada special, Marriage of Convenience, come about?

Jess: After performing in Montreal for Just for Laughs and the BBC in 2018, we kept working on our duo act and growing our audience on Instagram for our comics (@theelsalomons). We sent a tape of what grew into an hour-long show to Just for Laughs and that’s how we got booked for the Crave special.

Eman: We realized people preferred us together than individually, which is insulting considering we had about a decade each of solo experience. It’s understandable, there are so many stand-up comics but rarely any duo acts.

Jess: There’s no one I’d rather lose my individual identity for.

Eman: Aw.

JI: What is the origin of the cartoons?

Eman: Jess came up with the idea. We would get such a huge response on social media when we’d write these back-and-forth status updates about each other.

Jess: Huge is relative.

Eman: People asking when the sitcom was coming out.

Jess: And, knowing that it would take awhile for us to find the time to write a pilot that was pitch-ready and be in a place where we could sell a series, a weekly cartoon on Instagram seemed like a manageable place to start to develop the character version of ourselves and, hopefully, an audience. We also have a close family friend, Jesse Brown, who just happens to be an incredible illustrator that wanted to work on this with us. So that’s how it was born.

Eman: The El-Salomons was the hashtag for our wedding, and Jesse drew us for our invitations … my mother-in-law saw them and said, “He made you look thin.”

Jess: Actually, yes, that is how it was born.

* * *

Chutzpah! starts Nov. 21. For the full lineup and tickets, visit chutzpahfestival.com or call 604-257-5145.

Format ImagePosted on October 30, 2020October 29, 2020Author Cynthia RamsayCategories Performing ArtsTags Ben Caplan, Chutzpah! Festival, comedy, coronavirus, COVID-19, dance, Ella Rothschild, Eman El-Husseini, Guy Mintus, Idan Cohen, Iris Bahr, Jess Salomon, Jesse Brown, Jessica Mann Gutteridge, music, Rokhl Kafrissen, Rothstein Theatre, standup, Tamara Micner, theatre
Reflections of a lone soldier

Reflections of a lone soldier

Joel Chasnoff spoke at a Zoom event presented by Jewish National Fund of Canada on June 1 and he’ll speak at a CHW Montreal Zoom event on June 21. (photo from APB Speakers)

Michael Levin grew up in Philadelphia, joined the Israel Defence Forces as a lone soldier and died in a battle with Hezbollah in southern Lebanon in 2006. At that time, most Israelis weren’t familiar with the concept of a lone soldier – a legal term for a volunteer, usually (but not always) from outside Israel, who enlists to defend the Jewish state.

Levin’s death at 22 came just days after he returned hastily from his leave back home in the United States when he learned of the start of the Second Lebanon War. He flew back to Israel, hitched a ride to his platoon in Lebanon and took up the fight against the Iranian-backed terrorists. He was killed in an intense firefight in the Hezbollah-controlled village of Aita al-Shaab.

His grieving mother, Harriet Levin, was concerned that her son’s funeral would not have a minyan to say Kaddish and so, on arriving in Israel, she asked a few people to come to the military cemetery to ensure a proper Jewish burial. On her way to Mount Herzl, traffic was so congested she feared she would be late for her son’s funeral but, when she did get there, she discovered that the few people she had asked to spread the appeal for a minyan had shared the news widely. Media picked it up and more than 10,000 Israelis showed up to pay their respects.

It was a turning point in the Israeli consciousness, according to Joel Chasnoff.

Chasnoff is a stand-up comedian and writer who shared his own story of leaving his Chicago-area home two decades ago to become a lone soldier. In a Zoom event presented by Jewish National Fund of Canada June 1, Chasnoff, who now lives in Israel, spoke of the changing understanding of lone soldiers – and his reflections on now being the father of soldiers. A decade ago, he chronicled his experiences as an IDF volunteer in the book The 188th Crybaby Brigade: A Skinny Jewish Kid from Chicago Fights Hezbollah.

Today, lone soldiers are a better understood phenomenon in Israel and supports are in place that were not when Chasnoff volunteered in 1997. There is now a network of Lone Soldiers Centres – commonly called Michael Levin Centres – around Israel, to help overseas volunteers adapt and smooth their way to a successful integration, coordinate holiday and Shabbat homestays and deal with the myriad complications that arise for a newcomer to Israel.

image - The 188th Crybaby Brigade book coverChasnoff shared comedic experiences, including the challenge of proving he was indeed a lone soldier without Israeli parents, when government officials insisted that Levin’s father had never left Israel after his first visit in 1976. The stakes were basic – a lone soldier’s salary at the time was $160 a month instead of $80, plus a few privileges. But it required a sheath of documents from the States to prove that his father was indeed an Illinoisan, not an Israeli.

“Never mind that he had raised me in the U.S. and I have a very strong and good relationship with my dad. The Israelis believed that my dad was actually living in Israel the whole time and I was just trying to pretend that I was a lone soldier to get the extra $80 a month,” Chasnoff said.

His decision to join the IDF was sparked by a visit to Israel as a teenager.

“I got off the plane,” he said, “and, you know, you’re 17, your hormones are raging. What’s the first thing you notice being a teenager coming to Israel? How beautiful the Israelis are. The women were all tan and fit, the men were these hunks with muscles and crew cuts. It’s so odd because they have the same roots as we do, right? Except they look like supermodels and we look like Jews. How does that happen? That’s not fair.”

The soldiers he met were just a year older than he was.

“They were 18, and they had machine guns and berets and Ray-Ban sunglasses and forearms like bricks,” said Chasnoff. “And then there was me, slathered in sunscreen, wearing a fanny pack … stuffed with lactose pills.”

One of the eye-opening things Chasnoff discovered about the Israeli army, he said, is how democratic it was.

“I would even say insanely democratic,” he said, noting that soldiers argued about orders and fought with their superiors. “People ask me what’s it like in the Israeli army. I think the best way to describe it is, imagine a bunch of Israelis running an army. That is the Israeli army.”

This is why one of his platoon-mates was a darling among commanders: he didn’t speak Hebrew. The young man was raised in an evangelical Christian home in Oklahoma, but, at a certain age, learned that his mother had converted from Judaism. One thing led to another and he volunteered for the IDF.

“So, they made him a tank gunner,” Chasnoff said, “because, to be a tank gunner, you basically need to know six words – stop, go, left, right, forward, back. Tim was one of the best soldiers in our platoon because he didn’t have the Hebrew to argue back. When the commander would give orders, the guys would argue. Tim, by not having Hebrew, just did what he was told. And was an excellent soldier for that reason and one of our commander’s favourites.”

Unfortunately, a lack of Hebrew can be deadly in moments of military conflict. Chasnoff said some casualties in conflicts in Gaza may have resulted from linguistic challenges and he believes the military is doing a better job ensuring fluency in such situations.

While lone soldiers is a term associated with overseas volunteers, Chasnoff said that about half of the 6,000 lone soldiers are Israelis, mostly Charedim whose volunteer service or other factors estrange them from their families.

While lone soldiers were not so much in the Israeli consciousness a few decades ago, they are now a welcome oddity.

“I think, when you get a lone soldier in your platoon, people are very excited about it,” Chasnoff said. “Everyone wants to bring him or her home to show the family the sort of strange character who came all the way from New York City or Sydney, Australia, or whatever. People are really interested in what motivates them to serve, so they are invited. It’s very, very different than the old days.”

Addressing the broader differences between Israelis and Diaspora Jews, Chasnoff riffed like the comic he is.

“We grow up with this myth that Israelis are, you know, just like us. They are Jews and we are Jews and we’re one big happy family. And then you get to Israel and you realize the Israelis are nothing like the American Jew. They speak their minds. They shout. They argue,” he said. “You’ll never be with an Israeli and wonder to yourself, ‘I wonder what she really thinks about me right now.’ I’m married to an Israeli for 21 years and I can honestly say that once in those 21 years has my Israeli wife apologized to me because, in the Middle East, apologies make you look weak and nobody wants to look weak. We had one huge fight where she actually apologized and it wasn’t even a real apology, it was an Israeli apology: she came up to me a few days later and said, ‘Yoeli, motek, I am sorry you’re such an idiot.’”

He also has plenty of material about growing up Jewish in America.

“My mom was actually one of these Jewish mothers who – let’s be honest – they have a special ability to worry about every situation,” he said. “You give them any scenario, they will figure out the potential thing that could hurt you in that scenario.”

For their annual family visit to Texas to see his paternal grandparents, Chasnoff’s mother would book the family on two separate flights so that, if a plane went down, the entire family wouldn’t be lost.

“That’s a typical Jewish upbringing,” he said.

When his zaidie gave him a jersey with the number of his favourite player and his own name, Joel, on the back, Chasnoff’s mother refused to let him wear it outside the house because a stranger would know his name.

“And, because he knew my name, I would think he knew me, so I would go with him,” he said. “You know why? Because I’m an idiot. That’s why there are no Jewish athletes. Not that we’re bad at sports, our mothers won’t let us wear the jersey.”

Readers will have another chance to hear Chasnoff speak this month. CHW Montreal is hosting a Zoom BBQ with the comedian on Father’s Day, June 21, at noon, Pacific time. Visit facebook.com/chwmontreal and click on Events for details. Funds raised benefit hospital workers at the Shamir Medical Centre and Hadassah Hospital in Israel.

Format ImagePosted on June 12, 2020June 11, 2020Author Pat JohnsonCategories IsraelTags army, comedy, IDF, Israel, Jewish life, Jewish National Fund, JNF, memoir
The comics rise again on Feb. 20

The comics rise again on Feb. 20

Kyle Berger, left, and Scotty Aceman, co-producers of Rise of the Comics. (photo from Rise of the Comics)

The outer limits of the laugh-o-meter will be tested on Feb. 20 at the Jewish Community Centre of Greater Vancouver’s Rothstein Theatre, when a group of Canada’s top funny people step on stage for A Night of Shticks & Giggles, presented by local comedy producer Rise of the Comics. This will be the third Shticks and Giggles show to raise money for the JCC Maccabi Games.

Headlining the event is Julie Kim, a two-time Canadian Comedy Award nominee for stand-up, who has performed at comedy festivals around the continent and appeared on CBC’s The Debaters and Laugh Out Loud. Her YouTube videos have amassed millions of views and, in 2018, she released her debut comedy album, Outside Voice.

Among other topics, Kim’s routine delves into modern parenting and various cultural issues, sometimes involving life seen from an Asian perspective. Yuk Yuk’s comedy club co-founder Mark Breslin called her “smart, funny, with enough self-awareness to deconstruct her life in a very sophisticated way.”

Other acts in the show, which Rise of the Comics describes as its “best line-up to date,” include Robert Peng, who bills himself as “an unemployed engineer who turned to stand-up comedy out of desperation”; New Zealander Sophia Johnson, “the one who keyed your car but probably shouldn’t have told you that”; Sean McDonnell, who Canadian comedy star Norm MacDonald has praised as “a fantastic talent”; and Brett Nikolic, a maven on Mountain Dew-flavoured weed.

Rise of the Comics is the brainchild of Vancouver stand-up comedian Scotty Aceman, who will also be on stage at Shticks & Giggles. Starting off as a weekly 30-minute program on Shaw Cable with the same name in 2015, the show has highlighted the work of many stand-up comedians who got their start on the local scene, such as Dino Archie and Ivan Decker, who has appeared on Late Night with Conan O’Brien.

Aceman, a University of British Columbia and B.C. Institute of Technology graduate, switched to comedy five years ago, after a 20-year stint in a sales job with Rogers in the corporate wireless phone department.

“Leaving the cellphone business after 20 years was a tough call,” he said. “But you have to chase your dreams. People would ask me, ‘What about my dignity and respect?’ I’d say dignity and respect went out the window the minute I had a Thursday morning bar mitzvah!”

In 2019, Aceman brought in Kyle Berger as co-producer of Rise of the Comics. Berger, sports coordinator at the JCCGV, will be the master of ceremonies for the Feb. 20 Shticks & Giggles.

Before joining the crew, Berger, in his role as JCC Maccabi Games delegation head, had hired Rise of the Comics for a fundraiser. He credits Aceman for allowing him to get his stand-up feet wet, with a debut performance at the Charqui Grill in Kitsilano in 2018.

“Stand-up was one of those things on my bucket list to do by the time I turned 40,” Berger told the Independent. “Scotty (and my then-girlfriend, now fiancée) were both big helpers in getting me up there on stage for a five-minute routine. My fiancée had had enough of me saying I was going to do it.”

Berger said, “Scotty’s reputation within the local comic community is a great asset. Nowadays, Rise of the Comics does all sorts of things, including parties in people’s living rooms. And, last year, we were hired by the Chutzpah! Festival to put on a show.”

Rise of the Comics currently works with a roster of more than 50 stand-up performers of all styles and experiences, and tailors its shows to any situation. They have created performances at such diverse venues as Hy’s Steak House, the Jericho Arts Centre and Ronald McDonald House, among others. Their gigs can cover everything from clean to dirty, social commentary to observational, but always, they say, with an emphasis on the funny.

Berger promises that he and fellow Shticks & Giggles comedians are likely to make mention, in one way or another, that their show is backed by the foundation created by Dr. Neil Pollock, a leading Vancouver male sexual health and circumcision expert, and his wife Michelle.

The show starts at 7:30 p.m. Tickets are $20 and can be purchased at m.bpt.me/event/4499277. For more information about Rise of the Comics, visit riseofthecomics.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on February 7, 2020February 6, 2020Author Sam MargolisCategories Performing ArtsTags comedy, JCC, JCC Maccabi Games, Kyle Berger, Pollock, Rise of the Comics, Scotty Aceman, Shticks & Giggles, stand-up
Loves making people laugh

Loves making people laugh

Esther Povitsky performs at the Biltmore Cabaret on Feb. 22 as part of JFL NorthWest. (photo from JFL NorthWest)

Chicago-born comedian, actor and writer Esther Povitsky is one of several Jewish community members performing in the Just for Laughs NorthWest comedy festival, which takes place around Metro Vancouver Feb. 13-25. Her credits include being co-creator and star of the show Alone Together, a recurring role on Crazy Ex-Girlfriend, parts on programs such as Brooklyn 99 and Parks and Recreation, stand-up on The Late Late Show and Comedy Central, as well as host of the podcast Glowing Up. The Jewish Independent spoke with her in advance of her Feb. 22 show at the Biltmore Cabaret.

JI: When did you first start doing stand-up and what motivated you to do it?

EP: I love comedy. I love watching it, I love laughing and making people laugh. I also liked the idea of being able to do something creative where I only relied on myself.

JI: Before you started stand-up, what were you working toward education- or career-wise?

EP: I thought I was going to be a professional dancer, and majored in dance in college.

JI: What is it about performing that you most enjoy, in stand-up and in acting?

EP: Having an excuse to drink too much coffee.

JI: When did you move to Los Angeles, and was it for a specific job or more opportunity for work in general?

EP: I did not have any specific jobs lined up! I moved here to pursue stand-up and worked as a babysitter, worked at a gym, a juice bar, and other random gigs.

JI: You describe your stand-up as just being you. Being Jewish on your dad’s side, where/how/does Judaism, Jewish culture or community fit into that, or your comedy series?

EP: I feel that I was raised very culturally Jewish and it’s a big part of my personality and who I am.

JI: In an interview you talk positively about the immediacy of seeing what works and what doesn’t onstage. How do you handle the highs and lows of comedy?

EP: I try to keep busy, stay active, spend quality time with friends and family, do puzzles, watch TV. I try to really focus on doing as many “normal” things as possible.

Povitsky’s Vancouver show is 19+. For tickets and the JFL NorthWest lineup, visit jflnorthwest.com.

Format ImagePosted on February 7, 2020February 6, 2020Author Cynthia RamsayCategories Performing ArtsTags comedy, Esther Povitsky, JFL NorthWest, stand-up
JFL NorthWest returns

JFL NorthWest returns

Jessica Kirson and Big Jay Oakerson are part of the Just for Laughs NorthWest comedy festival lineup in Vancouver Feb. 13-25. (photos from JFL NorthWest)

The Just for Laughs NorthWest comedy festival takes place around Metro Vancouver Feb. 13-25. Among the performers are several members of the Jewish community, including Andy Kindler, Jessica Kirson, Big Jay Oakerson and Esther Povitsky. The Jewish Independent recently spoke with Kirson and Oakerson.

Kirson is an award-winning comedian. She has appeared on several talk and TV shows, and has her own podcast, Relatively Sane. She was a consultant, producer, writer and actor in the Robert De Niro film The Comedian and will play herself on the HBO series Crashing with Pete Holmes. As part of JFL NorthWest, she will be at the Biltmore Cabaret on Feb. 17, 9 p.m.

JI: Since the JI spoke with you in 2016 ahead of your Chutzpah! show (jewishindependent.ca/gonna-be-a-fun-night), a lot has happened in your world. Could you share some of your professional highlights over the last few years?

JK: So much has happened. I have done a ton of television and movie appearances. I’m loving traveling all over the world doing stand-up. I am executive producing a movie for FX, a documentary about female comedians; it will première this summer. I had a special come out on Comedy Central called Talking to Myself, in addition to a bunch of other projects.

JI: You’ve been in the podcast world for a long time now. What do you particularly like about the medium?

JK: I started Relatively Sane because I wanted to create a podcast that wasn’t just funny and silly. I wanted it to get real also. I wanted to talk about anxiety, depression, etc. I love it. It’s one of my favorite creative mediums now.

JI: What is the difference, if any, performance or prep-wise between working on a radio show versus a podcast?

JK: It’s very similar. I don’t do a ton of prep work with my guests. I love finding things out while I’m talking to them. It’s more real that way.

JI: Can you tell me a bit about your Comedy Central special, how it came about and what it has meant to you career-wise?

JK: I had felt like I deserved a comedy special years ago. It was the one thing I felt I deserved that I didn’t get. I got a call from Bill Burr. He told me he wanted to produce my special. He shocked me. I feel very grateful to him. When comics do things like that for other performers, it’s amazing. We should all do it for each other.

JI: Similarly, The Comedian and Robert DeNiro. How did that happen?

JK: DeNiro saw me performing at the Comedy Cellar in New York City. He was looking for comics to be in his movie. We met up that week, we connected and I became his right-hand person. I ended up being in the movie and getting a producer credit. The hardest part was showing up every day, giving my opinion and not caring what the producers and director thought. It was very intimidating but I had him by my side so it worked out.

JI: Is getting your own television show still something you’d like to achieve?

JK: Yes, I would love to have a talk show.

* * *

Oakerson has appeared on many television shows. He has recorded two specials, one for Comedy Central in 2016 and one for Netflix in 2018, as well as three albums. He was the host and creator of What’s Your F#$king Deal?! and currently co-hosts the podcasts The Legions of Skanks, The SDR Show and The Bonfire with Big Jay Oakerson and Dan Soder. For the JFL NorthWest festival, he will perform at the Biltmore Cabaret Feb. 19-20, 9:30 p.m.

JI: When did you first start doing stand-up and what motivated you to do it?

BJO: I started doing comedy in 1999 at the urging of a friend who caught up with me after high school and expressed her disappointment in me never trying it before.

JI: In what ways has your stand-up style changed since you first started?

BJO: First of all, my level of nerves is significantly down. I think I’ve evolved it into a very comfortable style of storytelling and interaction versus joke writing/telling than I started with.

JI: Did you grow up in a household where you were encouraged to form and express your own opinions?

BJO: I don’t recall anyone in my household being highly opinionated about anything.

JI: Were you a witty or mouthy child?

BJO: 30% mouthy, 70% witty.

JI: What role, if any, does being Jewish, Judaism, Jewish culture or community have in your life and/or your career?

BJO: I thought I’d get a bump in this business because I’m Jewish, and nothing. I guess I’m not that kind of Jewish.

JI: What is it about pushing the boundaries that you most enjoy, and to what purpose do you do it?

BJO: “Edgy comedy” was generally the comedy I was drawn to growing up, so it’s just sort of how my humour developed. If I can make you question things or think about a different perspective on something, great, but, ultimately, I’m just trying to make people laugh.

JI: Are there any red lines you won’t cross?

BJO: Not if I think I can make the subject more funny than offensive.

JI: What do you enjoy most about doing podcasts?

BJO: Freedom.

Both Oakerson’s and Kirson’s shows are 19+. For tickets and the full JFL NorthWest lineup, visit jflnorthwest.com.

In next week’s JI: an interview with Esther Povitsky.

Format ImagePosted on January 31, 2020January 28, 2020Author Cynthia RamsayCategories Performing ArtsTags Big Jay Oakerson, comedy, Jessica Kirson, JFL NorthWest
Jacob Samuel records album

Jacob Samuel records album

Jacob Samuel is at Yuk Yuk’s Vancouver Dec. 27-28 to record his debut stand-up comedy album. (photo from Jacob Samuel)

Jacob Samuel’s headlining performances at Yuk Yuk’s Vancouver Dec. 27 and 28 are special – Samuel is recording his debut stand-up comedy album live.

“I have complete freedom content-wise, and I am trying to record an album that has 45 minutes of the best jokes possible,” Samuel told the Independent. “I’ll mainly be recording jokes from the act I’ve honed over the last five to six years in venues throughout Canada. Part of my act has jokes about being Jewish and Judaism that I’m very proud of because they challenge stereotypes people may have about Jewish people as opposed to confirming them.”

The last couple of years have been productive for Samuel.

In 2017, he was part of the television taping at the Winnipeg Comedy Festival and he made his first appearance on CBC’s The Debaters. Since then, he has appeared two more times at the Winnipeg Comedy Festival and has returned to The Debaters, as well.

In 2018, he made his debut at the Just for Laughs Festival in Montreal and he was featured on JFL Northwest’s Best of the West Compilation album last year. In total, he has now taped five sets for Canadian TV and has performed even more times on CBC Radio.

“This summer,” said Samuel, “I got booked to go to the Just for Laughs Festival in Montreal for the second time, back-to-back. I went to perform on the Hasan Minhaj Gala. The galas are taped for TV in the 3,000-person theatre at Place des Arts.

“Getting on a JFL gala is the most coveted spot in Canadian comedy because those are the biggest shows at the festival. Every year, only a dozen or so Canadian comics get that opportunity.

“JFL Montreal, by the way, is the biggest comedy festival in the world – the entire comedy industry is there. So, when I was there, I was able to connect with 800 Pound Gorilla, an American Record label (based in Nashville) for comedy, and I told them I was doing a gala and wanted to record an album soon and, luckily, they were interested in signing me.”

Success entails doing harder gigs and carries the pressure to produce material at a faster pace, said Samuel, but he seems to be keeping things in perspective.

“I’m in my early 30s now, so the main thing in my life is that I enjoy getting home and going to bed earlier more than I use to. I don’t stay up late hanging out and drinking with other comics as much after shows. Not that I was ever a big partier, but it’s just nice to admit you like being in pajamas now.

“I also met my girlfriend/partner through comedy and we’ve been living together for a year-and-a-half now. So, I do a lot of writing by bouncing ideas back and forth with her. I have many more jokes now about being in a long-term relationship. My partner is not Jewish and did not know many Jewish people growing up, so it’s been interesting observing what she thinks about Jewish culture. I took her to her first Passover seder last year. On the way there, she asked me what it would be like and I said, ‘It’s hard to describe but tonight will be the most excited you’ll ever be to eat a hard-boiled egg.’”

Samuel recalled his early days in comedy.

“When I did my first open mic, I just wanted to see if I could physically do it,” he said. “I did not intend to become a comedian but, somehow, I got hooked and kept going. I’m starting to close in on 10 years and it’s weird to think about because, in some ways, comedy still feels like such a new thing. Having said that, when I look at very old videos, I cringe. I keep a hard copy of some of my earliest jokes in a drawer just to remind myself how far I’ve come (those jokes were very bad).”

When asked how his comedic content, delivery or style has changed since he began, Samuel said, “In short, it’s gotten a lot better. Part of learning how to do comedy is trying a lot of different types of jokes and seeing what works for you. So, now, I have a much better idea of what my ‘style’ is. Also, after countless professional club gigs, five TV tapings and several radio appearances, I’m a much stronger performer than I used to be. I’m able to do more complicated bits of material and I can now take ideas that used to be too abstract or subtle and make them work. I now have way fewer jokes about being single and way more jokes about things like carrot cake and moths.”

In addition to stand-up, Samuel is also a talented cartoonist, even having his work published in The New Yorker. While this aspect of his creative life has been put on the backburner for the last few years, he said, “I’m still cartooning but I’d like to put more time into it after this album.”

Other than that, he said he doesn’t have any other major projects planned at the moment.

“I’d like to do a second album in a few years, when I have more material. In the meantime,” he said, “I’ll keep trying to return to Canadian festivals and TV and radio. My partner and I would also like to do more sketch writing. Maybe I’ll submit to write for Canadian TV.”

Tickets for the live album recording shows Dec. 27 (8 and 10:30 p.m.) and Dec. 28 (7 and 9 p.m.) are on sale at yukyuks.com/vancouver.

Format ImagePosted on December 20, 2019December 18, 2019Author Cynthia RamsayCategories TV & FilmTags comedy, Jacob Samuel, Just for Laughs, television, Yuk Yuk's
Help Macbeth escape play?

Help Macbeth escape play?

Brigitte May plays many characters in The Tragic Comedy of Macbeth, which runs Dec. 5-15 at the Jericho Arts Centre. (photo from Literary Larceny Artistic Collective)

“I love the spontaneity of it all. Improv is so magical because it can and will go anywhere,” actor Brigitte May told the Independent. “The agreement that improvisers have to commit to whatever has been established in the scene is such an amazing thing because, if done well, the scene can bear an undeniable truth in complete absurdity.”

May is part of the cast of The Tragic Comedy of Macbeth, which opens Dec. 5 at the Jericho Arts Centre. The production uses comedy, improvisation and the words of William Shakespeare to reveal more of the real Macbeth. It has its origins in a show envisaged by David C. Jones and created with the students of Langara College’s Studio 58 in 2014.

“As a professional improviser and actor, I have loved playing with existing stories and finding a way to make them more inventive and funny,” said Jones. “I was one of the original creators of a hit show that was remounted by several theatre companies (including the Arts Club) across Canada entitled A Twisted Christmas Carol. I also created an award-wining street theatre show called A Twisted Cyrano de Bergerac and toured England with a show called Twisted Anne of Green Gables.

“A decade later, I was approached by Kathryn Shaw, the artistic director at Studio 58, the professional theatre training program, to create a theatrical performance piece with the fourth-term students. We decided to do a partially scripted and partially improvised Macbeth. The premise of that one was very different and it was only one hour. It was narrated by the Porter, Hecate and Lady Lennox and they got the suggestions to change the show, and the focus was more of fixing ‘plot holes’ and problems with the original text. Although Shakespeare is brilliant, he does have some hiccups in some of his scripts.”

The Tragic Comedy of Macbeth is being staged by the Literary Larceny Artistic Collective.

“We are a group of professional actors and improvisers who came together specially to make this new expanded version of the show,” said Jones of the collective. “Now under the direction of Shakespearean actor Bernard Cuffling and veteran professional improviser Gary Jones, we have created this new slightly darker version.

“The real Macbeth (Mac Bethad Mac Findlaích) was actually a ruler of Scotland from 1040 to 1057 and was not at all like the man portrayed in Shakespeare’s play,” explained Jones. “He is trapped in the play in our production and he is trying to get free so he doesn’t have to suffer the beheading for the six billionth time. The witches in the play have agreed that, if he can derail the play and survive to the end, then his spirit can be set free. So, it is up to the audience to help him change the play to survive, or not.”

May plays many characters in The Tragic Comedy of Macbeth, but, she said, “the witch Hecate is the most prominent. Hecate is the queen of the witches, the mistress of charms, a very powerful expert of the dark arts, but she gets cut out of most versions of the play. In TCOM, Hecate seeks revenge for constantly being omitted and attempts to foil Macbeth’s plan.”

In improv, how much of the plot and action are laid out ahead of time depends on the show, said May. “In TCOM,” she said, “we have a fairly concrete structure. We are able to manipulate and play with it a little through audience suggestion, but David C. Jones and Brent Hirose (the writers of the play) worked hard to create a fascinating twist on a classic tale.

“Practising improv sounds like a joke, but it’s actually super-important!” she added. “Making sure your brain is warmed up to take whatever is being thrown at it, building trust with your castmates, and practising and learning the format that you’re performing are integral to the success of any improv show.”

In addition to being an improviser and actor – she has performed with Affair of Honour and Blind Tiger theatre companies and is a cast member of Instant Theatre’s Fistful of Kicks improv comedy show – May is a staff writer for the satirical news website, the Beaverton, and works in retail. She graduated from Queen’s University in Kingston, Ont., with a bachelor of arts (honours) in English with a film minor, but was born here.

“I am a first-generation Vancouverite,” she said. “My father and mother moved here from Ottawa and Manila, respectively, got married and raised my brothers and me on the west side of Vancouver.”

Intentionally or unintentionally, those brothers helped direct her to the stage.

“As a kid, I was always performing. I am the youngest in my family and have three older brothers, so I was always vying for attention and trying to prove myself,” she explained. “I wasn’t too much of a troublemaker (I feel like my brothers had that covered), but I would frequently get into fights if I were told I couldn’t do something because I was a girl. Still, my parents were supportive of my creative pursuits, they signed me up for dance lessons (at the JCC), music lessons and acting camps. I didn’t really start writing comedy till late in high school and into college, but I had been on my school’s improv team, which heavily influenced my love for comedy.”

As for the roles played by Judaism, Jewish culture or Jewish community in her life, May said, “The Jewish community has always been a part of my life. I have been a member of the Jewish Community Centre of Greater Vancouver ever since I was born. I remember swimming in the pool with my bubbie, and watching my dad and zaidie play racquetball. Now that I think about it, a lot of my childhood was spent running around the halls of the JCC.

“It was also where I was first introduced to performing. I had my first ballet lessons there – there’s actually a photo of me in the lobby of the JCC in my first-ever dance recital … we did The Little Mermaid! – then did a couple years in Gotta Sing! Gotta Dance! in my teens. I was even a counselor at Camp Shalom for a couple of years. The JCC was where I first was introduced to the arts, so I owe a lot to the community.

“In regards to Judaism and Jewish culture,” she said, “I find myself being drawn to it. Being half-Jewish and half-Chinese comes with a lot of ambiguity, so, when I was younger, I used to grasp at anything that gave me any notion of identity and history. My grandfather was a drummer and artist by trade, so, while my siblings and I might not have been the most educated in the religious aspect of Judaism, we were exposed to a lot of the cultural aspects. We would watch old Saturday Night Lives with Adam Sander, Mel Brooks movies, old(ish?) SNL with Andy Samberg, and were constantly being told jokes by our uncles. I think growing up having those comedians as my role models greatly influenced and shaped who I am today.”

The Tragic Comedy of Macbeth previews Dec. 4. Opening Dec. 5, it runs Wednesday through Saturday, 7:30 p.m., with 2 p.m. shows on Sundays, until Dec. 15. For tickets, visit tickets.theatrewire.com.

Format ImagePosted on November 22, 2019November 19, 2019Author Cynthia RamsayCategories Performing ArtsTags Brigitte May, comedy, David C. Jones, improv, Jericho Arts Centre, Macbeth, Shakespeare
Bahr’s many personas

Bahr’s many personas

Writer and comedian Iris Bahr performs at the Rothstein Theatre on Nov. 12 and 13, as part of the Chutzpah! Festival. (photo by Gail Hadini)

Award-winning writer, actor, director and producer Iris Bahr delves into serious issues using humour – and by being someone other than herself. She will bring some of her many characters to the Rothstein Theatre stage Nov. 12 and 13 as part of the Chutzpah! Festival.

Bahr hosts the weekly podcast X-RAE, as alter ego Rae Lynn Caspar White. In her one-woman show DAI (enough), she portrays 11 different characters in a Tel Aviv coffee shop. In her comedy series Svetlana, which ran for a couple of seasons, she starred as the Russian prostitute and political consultant. These are but a few examples of the personas she has created.

“I think I was about 6 years old,” Bahr told the Independent about when she did her first impression. “My family went on a trip to Italy and I began to imitate the tour guide, who kept going on and on in a heavy Italian accent about ‘marble from Carrera’ and so, for years after that, I would always be asked to ‘perform my Italian woman’ when my parents had company over.”

Using the example of the character of Rae Lynn, Bahr explained how an alter ego allows for a better conversation.

“I host my X-RAE podcast in character because I find it puts people at ease and they open up about topics they wouldn’t otherwise,” she said. “Rae Lynn flips from highbrow to lowbrow in a heartbeat and talks openly and outrageously about parenting, marriage and various R-rated topics. During my interview with Lawrence O’Donnell, for example, we veered from Marxism to Penn Gillette’s sex parties in a single breath.”

A magna cum laude graduate of Brown University, in Providence, R.I., Bahr studied neuropsychology, and has done brain research, as well as cancer research.

“I think I gravitated towards neuroscience because the inner workings of the brain fascinate me and I’m equal parts cerebral and highly emotional, and so that translates into all my work,” she explained. “I have a splintered identity, but not in a 50-50 kind of way – I actually feel 100% American and 100% Israeli at all times and that feeling of connection yet constant alienation lends itself to me inhabiting different characters and being able to truly commit to different viewpoints.”

Bahr was born and raised in the Bronx but moved to Israel as a teenager, staying there through military service; she still has family there. Her latest satire, The Olive Tree, about the Israeli-Palestinian conflict, recently had a soldout reading in New York and is set to open in spring of next year. DAI came to the stage in 2006 and audiences have included the United Nations, in 2007.

“I was invited to perform the show for over 100 ambassadors and delegates and the experience was unforgettable,” she said. “They were highly attentive and laughed at all the right moments, which I was not sure was going to happen. I felt like a diplomat for a day.”

Bahr said she wrote DAI “to communicate the intricacy and complexity of life in Israel, the inner conflicts prevalent in Israeli society, and how they are affected by living under constant threat of suicide bombings/sudden death, which, as any Israeli will tell you, instil not a feeling of helplessness but a vibrancy and love for life. On the flip side, is how that very fact is perceived by visiting outsiders and Palestinians affected by the conflict. The characters we meet in the café – from all walks of life, ideological spectrums and backgrounds – have no idea their lives will be ending abruptly [by a suicide bomber] and so their monologues range from outrageously humourous, vengeful, disillusioned and more.”

She first performed DAI at Baruch College in New York City, “as part of a festival sponsored by the Culture Project,” she said. “I had no idea it would get picked up immediately for a commercial run, and so that was a phenomenal development.

“A lot has changed since I first wrote DAI, in terms of how the conflict is manifesting itself on both sides, and yet the situation has sadly stayed the same. Thankfully, suicide bombings seem to be a thing of the past, but my dear childhood friend and father of four was stabbed to death only last year while out shopping, the Palestinian plight has not improved and the political climate is worse than ever. Nevertheless, the characters in DAI have sustained their relevancy; my German character talks about rising antisemitism in modern-day Germany, for example; my Israeli former military man talks of his son who doesn’t want to serve in the military; and the snooty ex-pat woman who lives in New York City, well, those types of women only seem to multiply by the minute.”

She stressed, “The play is not a polemic – it is a collection of social observations that speak from many different viewpoints. The piece aims to entertain, offer a visceral theatrical experience and, hopefully, also illuminate and enlighten. Thankfully, it has been warmly received amongst extremely ‘pro-Israel’ audiences and also ‘pro-Palestinian’-leaning crowds both in Europe and here in America. Of course, certain right-wingers think it’s too leftist and left-wingers think it’s too right, which is all I could really hope for as a piece about humanity.”

For tickets to see Bahr perform at Chutzpah!, and for more festival offerings, visit chutzpahfestival.com.

Format ImagePosted on November 8, 2019November 6, 2019Author Cynthia RamsayCategories Performing ArtsTags Chutzpah!, comedy, DAI, Israel, Rothstein Theatre, United States, X-RAE
Chutzpah! hosts Bernhard

Chutzpah! hosts Bernhard

Sandra Bernhard is at the Vogue on Halloween night, as part of the Chutzpah! Festival. (photo by Brian Ziegler)

“When I was a little kid, I had three older brothers and I got a lot of attention for being cute and funny, and I’ve always had an ability to comment on situations as they unfolded in front of me,” said veteran performer Sandra Bernhard in a phone interview with the Jewish Independent. “I think that’s what kept it going all these years – I find it entirely hilarious when you’re in the middle of something and you’re able to pull it apart and bring the most humour out of it, or the most outrage, and that’s always been the most interesting part of what I do.”

Bernhard is bringing her critically acclaimed show Quick Sand to the Vogue Theatre on Oct. 31 as part of the Chutzpah! Festival, which runs Oct. 24-Nov. 24. The comedian, actor, author and radio host is known for her outspokenness. She said it’s second nature for her to say what’s on her mind. “By being funny and being a character, which I’ve always been,” she said, “that gave me the access to say things that other people wouldn’t say necessarily, or that wouldn’t be heard.”

Bernhard’s daily radio show, Sandyland, which is on SiriusXM’s Radio Andy channel (created by Andy Cohen), earned her a Gracie Award, an honour given by the Alliance for Women in Media to “recognize exemplary programming created by women, for women and about women in all facets of media and entertainment.” Bernhard also stars as Nurse Judy in the award-winning, boundary-pushing show Pose on FX Networks, about “the legends, icons and ferocious house mothers of New York’s underground ball culture, a movement that first gained notice in the 1980s.”

Bernhard has countless film and television credits, has created and performed several one-woman shows, recorded a few albums and performed with or opened for many artists. She also has written three books.

While she knew from a young age that she wanted to be a performer, it wasn’t until her late teens that the goal started to become a reality.

“I moved to L.A. in the mid-’70s, when I was 18, 19,” she said. “I became a manicurist in Beverly Hills, so I had a day gig, but I didn’t really know how I was going to jump into the waters, because I also wanted to be a singer. I really wanted to be an entertainer, the whole package.

“And then I met up with a group of friends and they thought I was hysterical and then there was this woman I met who, I did her nails and she was a cabaret singer and she would go to the open mic nights and she said, ‘You’re really funny. I know you want to sing, but put your material together and I’ll take you to these open mic nights.’ She took me to one and then I met my friend Paul Mooney and my friend Lotus Weinstock the first night I got up and they took me under their wings. And that’s how I started – I literally fell into it, because I was a natural, and then I started doing the hard work, which was getting up night after night after night to do my act, and I honed my act and the material and then, eventually, I got good at it.”

One of the reasons she remains popular and her material fresh is because she keeps working at it, “finding different ways into it. For me,” she said, “the most important thing is being as authentic as I can, year to year, day to day, because you do change, you evolve as a person, you want to peel the layers of the onion away and get deeper into your core as an artist, as a performer, and I think that’s what continues to inspire you and make you a better performer.”

Describing her style as “edgy, funny, strong, no nonsense, but funny nonsense,” she said, “I don’t feel like I have to really temper anything because you shed your skin as you go along, and certain things just don’t work anymore.”

Born in Flint, Mich., and raised in Scottsdale, Ariz., Bernhard was bat mitzvahed, but, she said, “My father, I don’t think he related to being Jewish much at all, except maybe culturally, and my grandparents – my grandfather went to shul every day but I think that was a little bit later in life. When he came over here from Russia, everybody was busy trying to make a living. And, of course, people ended up in some small towns here and there, and you didn’t always have time for your religion and your traditions.”

Nonetheless, Bernhard said, “I find a certain amount of meditative escape just going to Shabbat and hearing the music and the songs I grew up with, and I like the community. Whether it’s the High Holidays or staying for kiddush and eating a bowl of cholent, there’s something very visceral about it. It connects me with who I was as a kid and my grandparents…. There’s all that emotion, it’s vivid and visceral and it’s just a nice place to calm down and go into and have a little bit of a break from the day to day.”

Saying that she’s “thrilled to be coming back to Vancouver,” Bernhard said the Oct. 31 performance will be “a fun night.” Accompanied by the Sandyland Squad Band, she will combine music, comedy and social commentary in Quick Sand, which, she said, offers “endless amounts of room” for her to go off script.

“I’m always prepared to jump off if something happens or inspires me or the thought process, my mind, and that’s the way it’s always been for me,” she said. “But I also have very set pieces that you want to be able to fall back on and have that continuity to the show, so that you’re not standing up there just talking about a bunch of silliness. I want people to walk away having been entertained.”

For tickets to Bernhard and other Chutzpah! shows, visit chutzpahfestival.com.

Format ImagePosted on October 4, 2019October 2, 2019Author Cynthia RamsayCategories Performing ArtsTags Chutzpah!, comedy, Sandra Bernhard, social commentary

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