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Author: Rebeca Kuropatwa

Walk Winnipeg’s North End

Walk Winnipeg’s North End

Walk participants explore the Ashkenazi synagogue, the oldest in Winnipeg, on a tour led and organized by Zach Fleisher. (photo from Zach Fleisher)

Not so long ago, Winnipeg’s Jewish community hub was the city’s North End. With Yiddish spoken on the street, Jewish businesses could be found on many corners, as could kosher butchers and synagogues. Since then, however, many Jews and Jewish-owned establishments have moved south or closed down entirely. Some of the North End buildings have been rebuilt or redesigned, while others have been preserved for various reasons. A recent walk – set up via Jane’s Walk – showcased the area’s history and current-day reality.

The early May tour was led by Zach Fleisher, 22. A history buff and University of Winnipeg student, he is chairperson of the Canadian Federation of Students Manitoba. In his spare time, he is involved with other projects, with the main goal of making Winnipeg a better place.

“I’ve always found myself enamored with the work of famous American-Canadian urbanist Jane Jacobs (for whom Jane’s Walks are named),” said Fleisher. “And, I’ve always been interested in how we build and define community. In that spirit, I’m quite interested in the history of Winnipeg and the Jewish population, especially the North End area.” He hopes people who took the tour will see the area differently now that they are aware of its history.

According to its website, “Jane’s Walk is a movement of free, citizen-led walking tours inspired by Jane Jacobs. The walks get people to tell stories about their communities, explore their cities, and connect with neighbors.” The free walks are held annually in more than 100 cities in 22 countries around the world on the first weekend of May each year, including in Vancouver.

Fleisher attended a few Jane’s Walks in Winnipeg last year and has informally given tours of different areas for a friend of his, Nicholas Audette, who suggested he get involved with the movement in a more formal way.

While some people RSVPed for his walk, there was no requirement to do so. “That’s what makes the Jane’s Walk so unique – the lack of commitment and organized structure that culminates in a strong sense of community,” he said.

Fleisher’s May 4 walk attracted more than 70 people. “I think a lot of people know that the North End carries a lot of history, but they are always interested in hearing a bit more about the area and its unique history,” he said.

The tour began from what used to be the old Canadian Pacific Railway station at 181 Higgins Ave. “The CPR station, where thousands of immigrants passed through, is now home to an aboriginal centre, housing a variety of offices,” explained Fleisher. “It was a place of great significance and a proper starting point, as almost every Jewish newcomer to the city would also have begun their story in Winnipeg at that same spot.

“This station was one of two major train stations in Winnipeg, the other being Union Station on Main Street.” The station fell out of use in the 1970s, he said.

Walking through Point Douglas on Austin Street, the tour headed toward Chesed Shel Emes funeral home. Along the way, Fleisher pointed out what was formerly the Sharon Home, which was originally established as a rehab centre, but became a personal care facility; it is today located in the city’s South End, and called the Saul and Claribel Simkin Centre.

Although the North End has not seen a significant Jewish population in two generations, the many buildings and sites that are historically relevant remain, along with a number of other key cultural institutions.

“At its peak, it’s believed that over 15,000 Jews – primarily from the Ukraine, Poland and Russia – called the North End home,” said Fleisher.

Once at Chesed Shel Emes, participants were given a brief history of the facility by Sharon Allentuck, who was representing the chapel because its executive director, Rena Boroditsky, was away. The funeral home was founded in 1930 by volunteers who wanted to ensure that every Jew had access to a proper Jewish burial and, in 1947, the chapel was built, she explained.

The walk then continued along Main Street to Burrows Avenue, to Congregation Ashkenazi. “The Ashkenazi is the oldest synagogue in Winnipeg and has a second floor only for women,” said Fleisher. “According to [its] tradition, non-married Jewish men don’t wear tallit, because the women on the second floor then got to pick their husband.”

Saul Spitz, who organizes the maintenance and care of the building, was on hand to give a talk and lead a tour of the synagogue.

“The North End has a rich tradition that continues today,” said Fleisher. “Along with the times, the type of community has changed. While the Jewish North End may be a memory of years past, it’s important to recognize the heritage of the area.”

photo - Zach Fleisher in front of what used to be the building housing the city’s Hebrew Sick Benefit Association
Zach Fleisher in front of what used to be the building housing the city’s Hebrew Sick Benefit Association (photo from Zach Fleisher)

After passing by the German Club at Flora and Charles streets, which was the home of the Talmud Torah at one time, the walk continued on to one of the few Jewish businesses still around in the North End – Gunn’s Bakery, which opened in 1937.

Fleisher noted that Gunn’s is located next to what was formerly the Hebrew Sick Benefit Hall, now home to a Christian worship group, though the building still retains the initials HSB.

Fleisher said he would love to organize another walk if there’s interest, and “to branch out a bit as well. So many of the folks who made it out had their own additions to the oral history of the walk and were able to contribute as necessary. I aimed to provide a basic framework for the walk and so many people were able to bring their own lived experience to the table.

“The walk was a great experience and it was great to see that I’m not the only one with a passion for the rich diversity of the area,” he continued. “The Jewish component is only one part of the rich diversity of the North End and I’d encourage everyone to read up a bit more on such a dynamic area.”

The next Jane’s Walk weekend is scheduled for May 6-8, 2016. To find out about walks in the various cities or to organize one of your own, visit janeswalk.org for more information.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on June 26, 2015June 25, 2015Author Rebeca KuropatwaCategories NationalTags Chesed Shel Emes, Gunn’s Bakery, Jane Jacobs, Jane’s Walk, Jewish history, Winnipeg, Zach Fleisher
Help Ringelblum doc

Help Ringelblum doc

Emanuel Ringelblum (left), Rachel Auerbach (third from the left) and other Jewish intellectuals in Poland, 1938. (photo from whowillwriteourhistory.com)

Many Vancouverites will remember the 2008 traveling exhibit hosted by the Vancouver Holocaust Education Centre called Scream the Truth at the World: Emanuel Ringelblum and the Hidden Archive of the Warsaw Ghetto. It provided an overview of Warsaw historian Ringelblum and a secret group, Oyneg Shabbes (Joy of Sabbath), who during the Holocaust worked to document and preserve material relating to their experiences. The artifacts they buried in milk cans and metal boxes – some 30,000 items – were found in the rubble of the Warsaw Ghetto in 1946.

Now, Katahdin Productions is raising funds to make a feature documentary about Ringelblum and the Oyneg Shabbes archive. The film, Who Will Write Our History, is based on the book of the same name by historian Samuel Kassow.

Writers, artists, scholars, journalists, poets and diarists, more than 60 diverse people, handpicked by Ringelblum, collected and recorded as much as possible about every aspect of life in the ghetto – poems, paintings, photographs, underground newspapers, essays on hunger, smuggling, the Jewish police, clandestine schools and literary evenings and more. Their common goal was to ensure that the truth would survive even if they did not, as was the case with Ringelblum.

Only three members of Oyneg Shabbes survived the war. Among them was Rachel Auerbach, a prolific writer who would spend the rest of her life memorializing Ringelblum and Oyneg Shabbes. It is Auerbach’s writing and point of view that will provide the narration and narrative structure of the film. She will be voiced in the film by Academy Award-nominated actress Joan Allan.

In 1946, before Auerbach left Poland for Israel, she and the other two Oyneg Shabbes survivors led rescuers to the location of the first cache of the ghetto archive. The rescuers unearthed 10 metal boxes that had been buried on the eve of the Warsaw Ghetto Uprising. A second cache of two milk cans was discovered when Polish construction workers were building new apartment buildings on the site of the former ghetto. The third cache was never found and is believed to be buried under what is now the Chinese embassy in Warsaw.

Directed and produced by Roberta Grossman with Nancy Spielberg as executive producer, Who Will Write Our History (whowillwriteourhistory.com) will make the story accessible to millions of people around the world. Katahdin Productions’ documentaries include Blessed is the Match: The Life and Death of Hannah Senesh, which won the audience award at 13 film festivals, was broadcast on PBS, nominated for a Primetime Emmy and shortlisted for an Academy Award; Hava Nagila (The Movie), which was the opening or closing night film at more than half of the 80 film festivals where it screened, and was released theatrically; and Above and Beyond, about Jewish-American pilots who volunteered to fly for Israel in its War of Independence, which earned 20 audience awards and critical acclaim. (For an article on the latter, visit jewishindependent.ca/spielberg-opens-film-festival.)

The goal of the Indiegogo fundraising campaign is to raise $100,000 to fund 10 days of shooting in Warsaw in fall 2015. On average, each day of shooting costs $10,000. Some days are much less expensive; for example, shooting exteriors of streets in Warsaw involves only a small crew. Other days are quite involved. For example, shooting recreations of key events in the story with props, costumes, actors, lighting, sets, stages, etc., requires a crew of 20+ people and costs as much as $20,000 per day. If the $100,000 goal is not reached, it will mean fewer filming days in the fall; if it is exceeded, there will be more, as needed to complete production.

For more information, including a video about Who Will Write Our History, visit indiegogo.com/projects/who-will-write-our-history-production#/story. There is about a week and a half left to contribute to the campaign.

Format ImagePosted on June 26, 2015June 25, 2015Author Katahdin Productions with JICategories TV & FilmTags Emanuel Ringelblum, Holocaust, Katahdin, Nancy Spielberg, Oyneg Shabbes, Rachel Auerbach, Roberta Grossman
Hebrew in Tri-Cities

Hebrew in Tri-Cities

A photo from Aleph in the Tri-Cities’ Facebook page about their Hebrew classes.

Three years ago, a group of parents, all members of the Facebook group Aleph in the Tri-Cities, decided to create their own Hebrew Sunday school. It took more than a year of preparations before everything fell in place, but last September, the Tri-Cities Hebrew School began serving 14 elementary schoolchildren from Burnaby, Richmond and Coquitlam. They recently completed their first year.

The educational program was designed by Limor Friedman, a former IBA (Israel Broadcasting Authority) foreign correspondent. “We wanted to provide language and culture to our children, not only prepare them for a bar mitzvah. Our program was designed for children to learn about Israel through songs, books, reading and writing. The children were introduced to Israeli poets and authors that expanded the experience beyond the regular aleph-bet. We celebrated the Jewish holidays with emphasis on Israeli tradition, not just the Jewish perspective. One of my favorite classes was for the children to learn the map of Israel and to recognize which city or town their parents came from – it was a great way to discover their own roots and learn about their own personal background.”

The three-hour weekly class was led by Noa Marnin Gilad, who was a teacher in Israel, with the help of 19-year-old Ram Alexaiev; story time was led by Dovrat Vitis. Yossi “Joe” Dagan was the administrator, whose vision helped establish this new venture.

“Our Facebook group went through major changes over the last year,” explained Dagan over the phone. “We are now officially a registered not-for-profit organization with a mission statement to provide Jewish experience to the growing Jewish population of the Vancouver suburbs. It’s a challenge to build a budget based on donations but we love what we do and our community members love what we do, so it keeps us motivated for the future.”

Friedman’s proudest moment of the school year came over the Passover dinner table. “Seeing my daughter singing all of the Passover songs brought tears to my eyes. Our guests were amazed, too. That is the greatest benefit of group learning. Some parents think it’s better to teach Hebrew in the privacy of their own home, but then the child feels alone and he is insecure about the whole experience. In a group, children feel that they are not alone, that this is not something that only their own parents care about. The power of the group turns it into a positive lesson and it becomes important for them to do well, not just for us, but for themselves as well, and that is priceless.”

Aleph in the Tri-Cities’ Hebrew school will resume in late August before the High Holidays. For more information, email [email protected].

Shahar Ben Halevi is a writer and filmmaker living in Vancouver.

Format ImagePosted on June 26, 2015June 25, 2015Author Shahar Ben HaleviCategories LocalTags Aleph in the Tri-Cities, Dovrat Vitis, Hebrew classes, Noa Marnin Gilad, Ram Alexaiev, Yossi Dagan
Mystery photo … June 30/15

Mystery photo … June 30/15

Children with bicycles, possibly at a Beth Israel parade, Vancouver, 1970. (JWB fonds; JMABC L.09774)

If you know someone in the photo above or any of those below, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected].

photo - Group of men on an outdoor patio, Vancouver, Aug. 30, 1979. Morris Wosk is standing, fifth from the left, and Joe Cohen is seated in the centre
Group of men on an outdoor patio, Vancouver, Aug. 30, 1979. Morris Wosk is standing, fifth from the left, and Joe Cohen is seated in the centre. (JWB fonds; JMABC L.14739)
photo - Women holding the banner “Welcome, Women’s Mission, United Israel Appeal of Canada,” Vancouver, March 26, 1975
Women holding the banner “Welcome, Women’s Mission, United Israel Appeal of Canada,” Vancouver, March 26, 1975. (JWB fonds; JMABC L.15296)
photo - Men alongside a Canadian Pacific aircraft with Karl Silberman, special representative for projects, Keren Hayesod, 1968
Men alongside a Canadian Pacific aircraft with Karl Silberman, special representative for projects, Keren Hayesod, 1968. (JWB fonds; JMABC L.15161)
photo - ORT fashion show: Dianne Faber (extreme right), Leta Jones (third from the right), Vancouver, May 30, 1985
ORT fashion show: Dianne Faber (extreme right), Leta Jones (third from the right), Vancouver, May 30, 1985. (JWB fonds; JMABC L.14068)
photo - Centenary presentation at Schara Tzedeck, Vancouver, circa 1955. Jack Diamond is second from the left
Centenary presentation at Schara Tzedeck, Vancouver, circa 1955. Jack Diamond is second from the left. (JWB fonds; JMABC L.14275)
photo - Women at poolside table, Vancouver, 1980
Women at poolside table, Vancouver, 1980. (JWB fonds; JMABC L.14058)
photo - “Good old days” revived at B’nai B’rith picnic, 1972
“Good old days” revived at B’nai B’rith picnic, 1972. (JWB fonds; JMABC L.09560)
Format ImagePosted on June 26, 2015June 25, 2015Author JI and JMABCCategories Mystery PhotoTags B'nai B'rith, Beth Israel, JMABC, Keren Hayesod, ORT, Schara Tzedeck, UIA, United Israel Appeal
Radio host visits Israel

Radio host visits Israel

U.S. radio host Dr. Joy Browne discusses the post-traumatic physical and psychological challenges of terrorism at OneFamily. (photo from OneFamily)

American syndicated radio host and clinical psychologist Dr. Joy Browne had a meeting with victims of terrorism at the headquarters of OneFamily during her first-ever visit to Israel earlier this month.

Hosted by Chantal Belzberg, chief executive officer of OneFamily, Browne met with former residents of the United States, Canada and the United Kingdom who were dealing with physical and emotional wounds in the aftermath of terror attacks across Israel over the past few years. She interviewed Cheryl Mandel, Kay Wilson, Steve Bloomberg and Rebecca Fuhrman, as well as some of OneFamily’s psychologists and therapists for a future segment on her program.

“After experiencing the aftermath of 9/11, we all share a common echo and I am impressed with the resilience of the people here who have worked or who are working to transcend fear and are getting on with their lives,” said Browne.

Mandel, a native of Toronto, who made aliyah nearly 25 years ago, lost a son, Daniel, who was killed during an Israel Defence Forces anti-terrorism mission in Nablus (Shechem) in 2003. Mandel, in tears, told Browne, “Our entire family, including myself, lives life to the fullest and I am an optimistic person by nature, but one never is prepared for the shock that comes with the death of a son, whom I never thought twice about sending to the army.”

Browne’s trip to Israel was sponsored by the Office of the Prime Minister and America’s Voices in Israel.

Format ImagePosted on June 26, 2015June 25, 2015Author OneFamilyCategories WorldTags Cheryl Mandel, Israel, Joy Browne, terrorism
מוכרחים להיות שמח

מוכרחים להיות שמח

שון אקור (ted.com/talks, צולם מאי 2011 בTEDxBloomington)

מוכרחים להיות שמח: סדנאות ללמד עובדים לשמוח תופסות תאוצה בקנדה והמעסיקים שמחים

הטרנד להפוך את העובדים לשמחים ופוזיטיביים תופס תאוצה משמעותית בקנדה. מרבית הסדנאות ללמד עובדים וסתם מתעניינים אחרים איך להיות שמחים, מלאות עד אפס מקום ורשימת ההמתנה ארוכה מאוד. מעסיקים רבים מתחילים להבין סוף סוף שעובדים שמחים זה נכס אמיתי למקומות העבודה שלהם. חלק מהמעסיקים אף מפעיל סדנאות מקצועיות במקום העבודה לרכישת כלים, ללמוד להיות שמחים. מעסיקים אחרים שולחים את עובדיהם לסדנאות חוץ. והתוצאות מוכחות באופן חד משמעי: אצל עובדים שמחים התפוקה והמכירות עולים משמעותית.

הפסיכוג האמריקני שון אקור, שמעביר קורסים ללמוד איך להיות שמחים, אומר שלהיות שמח זו בחירה של כל אחד ואחד מאיתנו. אפשר להפוך אדם פסימי לאדם אופטימיסט, על ידי תרגול של שתי דקות ביום בלבד במשך שלושה שבועות. תוך כחודש המוח שלנו יהפוך את את השמחה להרגל קבוע בחיים שלנו.

לדברי אקור שבעים וחמישה אחוז מהעובדים המצליחים הם בני אדם פוזיטיביים, שמחים ובעלי תמיכה חברתית חזקה. הם רואים במתח פשוט אתגר ולא שום איום. כשבודקים מדוע אנשים שמחים או שאינם שמחים, רק עשרה אחוזים תלויים בגורמים חיצוניים, ולעומת זאת תשעים אחוז תלויים באיך שמוחם של בני האדם מתפקד.

אקור מוסיף: “אנו גדלנו בתרבות שמעריצה אנשים שעובדים קשה מאוד, כי אז בוודאי הם יצליחו ולכן יהיו שמחים. אך המציאות מוכיחה שזו טעות יסודית. לאחר שאלו שעבדו קשה השיגו מטרה אחת, הם כבר לא מרוצים מהמצב ומציבים לעצמם מטרה נוספת וכך שוב ושוב. המוח שלנו עובד בדיוק הפוך. כשאדם שמח הוא הרבה יותר יעיל, אנרגטי, קריאטיבי ואף מתברר שהאינטליגנציה שלו גבוהה יותר. המחקרים מוכחים בוודאות שמוח של אדם פוזיטיבי מעלה את תפוקתו של עובדים למשל בשלושים ואחד אחוז, וכן את מכירותיהם של אנשי המכירות בשלושים ושבעה אחוז. ואצל רופאים שמחים גם יש משמעות רבה כיוון, שמהירות ההבחנה שלהם עולה בתשעה עשר אחוז”.

 הבעלים ישלם: עדיין לא נמצא רוכב אופנוע שנהג במרץ בתוך מרכז קניות בסרי ונעלם

המשטרה הפדרלית עדיין מחפשת את רוכב האופנוע שנהג בפרעות ובמהירות, במרכז קניות הומה ‘גילפורד’ בעיר סרי ונעלם. האירוע החמור אירע במרץ וכאמור עדיין לא ברורה זהותו של רוכב האופנוע. השוטרים מצאו את האופנוע הנטוש שלו אך אין להם קצה חוט מי הנהג, מלבד העובדה שהוא בן כ-40.

ממש כמו בסרטים נועזים הרוכב ברח משוטרים לאחר שנהג במהירות גבוהה מאוד וביצע עבירות תנועה חמורות. בין היתר הוא נכנס עם האופנוע למרכז הקניות ‘גילפורד’. הוא ירד עם האופנוע במדרגות הנעות כשאחריו רצים שוטרים ושומרים, אל מול עיניים משתאות של מי שנכחו במקום, שחשבו שאולי מדובר בצילום סרט אקשן. לאחר מכן הרוכב האמיץ יצא בדלת הראשית כהשלקוחות נסים על נפשם. ומשם הוא המשיך בטיסה לכביש הראשי, עלה על גשרי להולכי רגל וחזר אל הכביש. כל אותו זמן ניידות רדפו אחריו, כשבשמיים חג הליקופטר משטרתי. בשלב מסויים הרוכב נטש את האופנוע ונעלם. צוות החקירה השתמש בסרטון שתיעד את המרדף לצורכי לימוד, ובטעות הוא הודלף ליוטיוב, והפך ללהיט מבוקש ברשת.

בינתיים החליטו לפני מספר ימים במשטרה הפדרלית לקנוס את בעלי האופנוע ב-13,500 אלף דולר. מבחינת המשטרה הוא אחראי לאופנוע גם אם לא נהג בו. במשטרה ספרו 58 עברות תנועה מצד הרוכב האלמוני והאחריות כאמור נופלת על הבעלים של כלי הרכב.

Format ImagePosted on June 24, 2015June 24, 2015Author Roni RachmaniCategories עניין בחדשותTags brains, Guildford Mall, happiness, motorcycle, Shawn Achor, Surrey, workplace, אופנוע, במרכז קניות גילפורד, סרי
Rescuing the Rafiach

Rescuing the Rafiach

A screenshot from Gad Aisen’s documentary, which has its Canadian première at the Rothstein Theatre June 28.

After the Holocaust and the Second World War, the British government that controlled Mandate Palestine severely limited Jewish immigration, continuing the restrictive policies from before the war. But the Jewish underground in pre-state Israel was operating a steady movement of illegal transports bringing Jews – mostly Holocaust survivors – from Europe to the Yishuv.

In November 1946, the ship code named Rafiach set off from Yugoslavia with 785 passengers. Twelve days into the voyage, a storm forced the ship to seek refuge in a bay on the tiny Greek island of Syrna but it ran aground and, within an hour, sank. The vast majority of passengers survived, crawling from the water onto the island, which is little more than a craggy rock, or jumping from the ship before it was fully immersed. It is not known exactly how many passengers drowned.

Among those who survived and eventually made it to Palestine were Lili and Solomon Polonsky z”l. Their daughter, Tzipi Mann, lives in Vancouver. She knew that her parents and some of their friends had been on the ship, but she had never delved into details. By the time her curiosity was piqued, her parents had passed away. But her quest to uncover the story of the Rafiach and its passengers has led to a documentary film that will screen here in its Canadian première on June 28.

Code Name: Rafiach is directed by Israeli filmmaker and television personality Gad Aisen, but he credits Mann as being the driving force behind the project.

Aisen is the creator of a TV show on Israel’s Channel 10 called Making Waves, about nautical topics. He served seven years in the Israeli navy before obtaining an MFA in cinema from Tel Aviv University. He had never heard of the Rafiach before he was approached by a student of Mevo’ot Yam Nautical School, who thought it would make a good topic for Aisen’s TV show.

Code Name: Rafiach is a story about Holocaust survivors finding a place in the world and also about the Jewish underground risking their lives to smuggle Jews into Mandate Palestine. There are many narratives of this sort, Aisen acknowledged, but the Rafiach’s tragedy and the rescue make this one especially poignant.

Because it is not possible to produce a story of nearly 800 people, the filmmaker decided to focus on a few individuals. One is Shlomo Reichman. Known to the circle of people around the film as “Shlomo the baby,” Reichman, now a grandfather, was thrown to safety from the ship.

“This man’s story was particularly touching because he was a newborn,” Mann said in a telephone interview. “He was three weeks old and he was tossed onto the rocks, but he wasn’t sure who tossed him. Was it his father, or was it someone else? For Shlomo, this has been sort of the core of his existence – who tossed me onto the rocks?”

The fact that the passengers were Holocaust survivors magnifies the impact of the incident, Mann said.

“If you can imagine Holocaust survivors having to deal with this,” she said. “There were so many personal, emotional issues attached to everything.”

In interviews, Mann and Aisen learned that adults who first made it to shore from the listing ship lay on the rocks to create a softer landing for those coming after.

For Mann, the Rafiach became a sort of obsession.

“In 2010, just one morning I thought, I need to find out more about this,” she said. “My intention was originally to try to write a book and I thought the only way I can do this is by being in Israel.”

She made arrangements to head for Jerusalem and enlisted the help of her cousin, Sara Karpanos, who lives there. They put an ad in an Israeli newspaper and the response was so overwhelming the pair had to rent a hotel space for a reunion of 200 Rafiach survivors and, in some cases, their children and grandchildren.

Unbeknownst to the two women, Aisen was already on the story. After being turned on to the history of the ship, Aisen had connected with an instructor at Israel’s naval high school who had led his students on a dive and recovered a couple of artifacts from the hulk of the Rafiach.

From what had seemed like lost history, Mann saw the story of the Rafiach begin to reveal itself. “A complete mystery was unraveling in front of me,” she said.

For Aisen, the story of the Rafiach “captured my heart, and I feel particularly connected to this story from many aspects, as a sailor, an Israeli and Jewish.”

To tell the history of the Rafiach in a documentary, he decided to use animation, which allowed him to be more creative than merely showing interviews with survivors.

“It enabled me to present the film in the present tense and not as a memory from the past,” he said. “It took me about six years to create the film, five journeys abroad, months in the archives, 300 hours of footage and a year’s work of three animators. But one of the more challenging things was to get to the wreck of the Rafiach and to dive and film inside.”

In a way, Aisen said, making the film let him vicariously live the life of an underground commander of an immigrant ship.

The Vancouver Jewish Film Centre presents Code Name: Rafiach on June 28, 7 p.m., at the Rothstein Theatre. Tickets are $10 and available at vjff.org.

Pat Johnson is a Vancouver writer and principal in PRsuasiveMedia.com.

Format ImagePosted on June 19, 2015June 17, 2015Author Pat JohnsonCategories TV & FilmTags Gad Aisen, Holocaust, Rafiach, Tzipi Mann, Vancouver Jewish Film Centre, VJFC
Choreographers on the edge

Choreographers on the edge

Tara Cheyenne Performance’s how to be, part of Dancing on the Edge. (photo by Wendy D Photography)

This year’s Dancing on the Edge festival, which runs July 2-11, once again features the talents of many Jewish community members. The Jewish Independent asked several of them to describe the work they are presenting in the festival and to explain what makes it “edgy.” Their responses appear in the order in which their work appears in the festival.

photo - Vanessa Goodman
Vanessa Goodman (photo by Jeff Pelletier)

Container, choreographed and performed by Vanessa Goodman, with original sound composition by Loscil, is a new work “that explores heritage, culture and resilience.” (Part of Edge 1, July 3 and 4, 9 p.m., at Firehall Arts Centre.)

“What makes the work ‘edgy’? Well, I am not 100% sure that I would categorize the work as edgy,” said Goodman. “However, I would say that the physicality/embodiment shifts between different extreme states, taking the witness/audience on a journey of my experience within the work.”

Re:Play: a duet choreographed by Naomi Brand and performed by Hilary Maxwell and Walter Kubanek. (Part of Edge Up, July 5 and 6, 8 p.m., at Firehall Arts Centre.)

“The piece is a playful exploration of the space between two bodies in dialogue,” said Brand. “It looks at what we choose to display and disclose and what gets hidden and smoothed over in conversation. The element of play is a theme that drives the duet as the dancers show and tell, watch and listen, repeat, respond and react to one another. The piece is set to a sound score that brings the process to light, with dancer Walter Kubanek practising Chopin’s Nocturne Op. 9 No. 1 on piano, and sound clips of the dancers in rehearsal. Playing on the edge between cooperation and competition, the dancers engage in a dynamic negotiation of space.”

photo - Hilary Maxwell and Walter Kubanek in Re:Play
Hilary Maxwell and Walter Kubanek in Re:Play. (photo by Chris Randle)

Feasting on Famine: choreographed by Shay Kuebler, Radical System Art. (Part of Edge 5, July 9 and 11, 7 p.m., at Firehall Arts Centre.)

“This performance looks into the extremes of bodybuilding culture and how it references capitalism and the corporatization of the human body – growth edges out all other aspects of self. One man’s physically charged journey into the depths of extreme health and fitness will leave the audience on the edge of their seat.

“The work combines theatre, dance, and martial arts to construct an edgy and modern look at the extremes of society,” said Kuebler.

Duck Dances “promises to be a whimsical exploration of curious imagery, woven together with the color red to reveal a charming tableau of events within the framework of Dusk Dances,” reads the description on Dancing on the Edge’s website. (July 9, 10 and 11, 7 p.m., at Portside Park.)

“I am creating a piece in collaboration with Jennifer Mascall and Susan MacKenzie for Dusk Dances. We’re calling it Duck Dances,” Amber Funk Barton told the Independent. “For me, this work is ‘edgy’ because I have never created a site-specific work and our intention is that our performers will also be all ages and abilities. Using Crab Park as a studio instead of a studio is not only inspiring but challenging me to work outside of my comfort zones and creativity.

how to be is “the latest ensemble creation to emerge from the strange mind of Tara Cheyenne Friedenberg (Tara Cheyenne Performance). The piece examines how we think we should ‘be,’ how we think others should be and how impossible and futile it all is. Using ideas found in malignant social media, cultural restrictions, and the ceaseless voices in our heads, how to be traces five characters as they navigate how to be.” (Part of Edge 6, July 10, 7 p.m., and July 11, 9 p.m., at Firehall Arts Centre.)

“I consider this piece ‘edgy’ because it plays with text, audience relationship, what is ‘appropriate’ in life and in performance,” said Friedenberg. “This is not a typical dance piece, but it is a piece only highly trained dancers could do. I expect to tiptoe very near the edge of extremely uncomfortable and deliciously funny.”

For the festival’s full schedule, visit dancingontheedge.org.

Format ImagePosted on June 19, 2015June 17, 2015Author Cynthia RamsayCategories Performing ArtsTags Amber Funk Barton, Dancing on the Edge, DOTE, Firehall Arts Centre, Naomi Brand, Radical System Art, Shay Kuebler, Tara Cheyenne, Vanessa Goodman

Truth and reconciliation

Earlier this month, the Truth and Reconciliation Commission released the summary of its compendious report on the history and legacy of the Indian residential schools system. As the testimony of more than 6,750 witnesses to the commission demonstrated, that dark history, which lasted more than a century, has had catastrophic impacts on individuals and communities across the country.

There has been some controversy over the commission’s use of the term “cultural genocide” to describe the process by which the schools intended to eradicate the vestiges of First Nations culture from the children. However, as the summary document notes, “the central goals of Canada’s aboriginal policy were to eliminate aboriginal governments; ignore aboriginal rights; terminate the treaties; and, through a process of assimilation, cause aboriginal peoples to cease to exist as distinct legal, social, cultural, religious and racial entities in Canada.”

There were 3,201 registered deaths of children in residential schools, but estimates are that nearly twice that many died – a proportion, the commission notes, that about equals the fatality rates of Canadian soldiers in the Second World War. Only half of registered deaths cited a cause, most commonly tuberculosis. Pneumonia, influenza, fire and suicide were also too-common causes of death among the children.

Over more than 100 years, an estimated 150,000 children were confined to the constellation of 139 schools, most of which were run by churches acting on behalf of the federal government. There are about 80,000 living survivors.

Traditional clothes were removed and discarded, native languages generally forbidden. Physical, sexual and psychological abuse permeated the schools, as witnesses recounted harrowing experiences at the hands of white authority figures.

Even the ostensible purpose of the schools – education – was usually sublimated to forced labor, in which children were used to run the facilities that incarcerated them.

In 2008, Prime Minister Stephen Harper apologized for the Canadian government’s role in residential schools, but the commission explicitly urges the country to move from “apology to action.”

There are 94 recommendations in the TRC’s report, including that the government should acknowledge that the state of aboriginal health today is a result of previous government policies. On education, the report urges legislation on aboriginal education that would protect languages and cultures and close the education gap experienced by First Nations peoples. It calls for a public inquiry into missing and murdered aboriginal women and girls. It asks for a national council for reconciliation to report on reconciliation progress and an annual State of Aboriginal Peoples report to be delivered by the prime minister. A statutory holiday should be created, the report says, to honor survivors, their families and communities, and memorials, community events and museums should be funded.

“We have described for you a mountain. We have shown you a path to the top. We call upon you to do the climbing,” Judge Murray Sinclair, the commission chair, said in releasing the report.

The commission’s recommendations are a call to action not only for the government but for Canadian citizens. We must ensure that we as individuals and collectively as Canadians take seriously the commission’s findings and that our governments act in ways that respect this history and ameliorate its impacts as much as possible.

Six Jewish organizations – Ve’ahavta, the Centre for Israel and Jewish Affairs, the Canadian Council for Reform Judaism, Reform Rabbis of Greater Toronto, the Canadian Rabbinic Caucus and the Toronto Board of Rabbis – issued a statement of solidarity and action acknowledging the residential schools experience and its contemporary consequences.

As Jewish Canadians, we have devoted ourselves to remembering and educating about our own history and it is heartening to see our communal organizations acknowledging and standing up for the experiences of other communities. We, too, can join in the reconciliation process in many ways, beginning with the very small act of signing the solidarity pact, which can be found at statementofsolidarity.com.

The pact’s call to action includes a commitment “to meaningful public education in the Jewish community and beyond, and outreach to indigenous communities to guide us to help improve the quality of life of indigenous peoples.” At press time, its events/initiatives section asked visitors to “stay posted,” but it is up to all of us to make sure that we act in solidarity, not merely voice it.

All Canadians have an interest in making sure our government and society is held accountable for our past and that we do everything possible to ensure a better future for aboriginal Canadians. Because of our own history, Jewish Canadians have perhaps a special role in seeing this process through.

Posted on June 19, 2015June 17, 2015Author The Editorial BoardCategories From the JITags First Nations, Inuit, Métis, Murray Sinclair, reconciliation, solidarity pact, TRC
Hang out, learn or engage

Hang out, learn or engage

Hillel BC’s home on the University of British Columbia campus, the Diamond Foundation Centre for Jewish Campus Life. (photo by ThosGee via panoramio.com)

It’s been a tumultuous year on the University of British Columbia campus for Hillel BC, one filled with victories, but also with some disappointments. The Jewish Independent interviewed Hillel BC’s executive director, Rabbi Philip Bregman, on the challenges his organization has faced to date and on what is yet to come.

JI: What has the past year been like at Hillel?

PB: We’re seeing a resurgence of antisemitism the likes of which have not been seen for many years, and we’re seeing it right across the board of the 550 Hillels across North America. It has come primarily as a result of the boycott, divestment and sanctions movement against Israel. While incidents in the past would come and go, this one is a much more organized attack against Jews and Israelis on campus. And it’s not about boycotting products. The BDS movement is about three Ds: the demonization of Israel, the delegitimization of Israel, and the double standard that’s used with regard to Israel and the rest of the world. In this regard, the BDS movement has been fairly successful. On campuses in particular it’s created a real angst, a real discomfort for Jews, for Israelis. That’s its purpose.

JI: Can you talk about the recent referendum on campus, wherein the SPHR (Students for Palestinian Human Rights) asked students to vote on whether or not they supported their student union in instituting BDS on campus?

PB: Again, it wasn’t about boycotting products. They didn’t even let the students know what products needed to be boycotted. It was just a blanket statement that was absolutely absurd. When SPHR did mention a couple of products, it became obvious that it was absurd that any of those would go forward. For example, SPHR said they were going to boycott Caterpillar, because its machinery has destroyed Palestinian homes. I pointed out to them that the new Student Union Building at UBC was excavated with Caterpillar machinery. Should that then be boycotted? They didn’t answer. The second product they said they wanted to boycott was Motorola Solutions. I pointed out that this company is responsible for the operating systems of all Androids, and asked, “Are you telling the student body and AMS [Alma Mater Society, the student union] that no one on campus can use anything but iPhones?” The third product was Sabra Hummus. I told them that, in 2000, the Strauss Dipping Co., which owned Sabra Hummus, sold 50% of its shares to Pepsi Cola, and that over 60% of the vending machines in the Student Union Building are Pepsi products. Again, they didn’t answer.

Initially, before it was circulated, we appealed the referendum on the grounds that it was creating toxicity on campus. The AMS ombudsperson agreed with us that it was a terrible resolution, but the AMS board didn’t even comment on her report, which was tremendously disappointing. So, the referendum went out to the student body, and there was a lot of intimidation with regard to signing it. Later, the AMS found a number of signatures on the ballots were illegal….

At the end of the day, the SPHR fell short of the quorum they needed to pass the referendum. They needed 4,100 signatures, which represents eight percent of the eligible voters at UBC. They got about 3,500 votes. However the anti-BDS movement got 2,700 votes, which was more than double the number of votes in the rest of Canada, voting against BDS.

This BDS movement that we’ve had to deal with this past year was all-consuming. I have a magnificent staff and some magnificent student leaders who really were in the trenches day in and day out. I was in constant contact with the UBC administration about this, letting them know that the BDS movement is not an issue of free speech but one of hate speech.

JI: What kind of relationship does Hillel UBC have with Muslims on campus?

PB: When I first introduced myself to the representative from SPHR and suggested we start a dialogue, she told me, “We have a no dialogue policy with you people. If we talk to you, we will be condoning your murderous and genocidal ways.” We have been successful in reaching out to other Muslim groups on campus, however, including the Muslim Students Association and the Pakistani Students Association. We’ve had all sorts of collaborative programs, some light and some heavy. The idea is dialogue, not agreement.

JI: How are Jewish students at UBC responding to the BDS movement?

PB: At Hillels across North America, probably no more than five percent of the Jewish students on any campus really get into this fight. But we have a Jewish student population of about 1,200 and half of those voted against the BDS referendum.

JI: Going forward, who are you most likely to reach out to on campus?

PB: In fighting this resolution, we quickly realized where we should spend our limited time, energy and manpower: with graduate students, science students, law and medicine. Most of the statements in favor of BDS were coming from students in liberal arts backgrounds, and we were not going to win their hearts and minds. We were looking for people who would look at this referendum critically and understand what it was really about – the demonization and elimination of the state of Israel.

In general, the greatest group of students on campuses today tends to be those that are apathetic. I believe in a vote there would absolutely be more people opposed to us than supporting us. But I think that because we were out tabling every day, sharing and distributing information, we got some of those people who thought of voting yes, but voted no. And most of it was respectful dialogue.

JI: What kind of place is Hillel at UBC today?

PB: Hillel is a big tent, a place where individuals come in and just hang out. Some want to learn and engage in other types of conversation, and there’s a vast array of opportunity no matter where you are on the spectrum of Jewish life. It’s also a place of fantastic food, so people come for our Wednesday hot lunches, known to be the best meal on campus. You don’t have to be engaged in any type of politics to be involved at Hillel, although last year that was very much a part of what we were doing. Hillel is also the place of dialogue with other groups, such as the UBC chaplaincy, which holds meetings in our facility every second week for ministers, priests, rabbis, imams and Buddhists. And we encourage other clubs to come and program with us.

JI: What are your fears going into the next academic year?

PB: My fear is that this issue will continue to come back. Birthright is only getting a fraction of the younger Jewish generation in their 20s and 30s to Israel. In various reports that have come out, when they’ve asked Jewish university students if it mattered to them if Israel did not exist, 50% said no, it did not matter. This group is buying into what they see about Israel in the media and what they hear on campuses from fellow students and professors.

So, I wonder, what’s the responsibility we have as parents, teachers, mentors to a younger generation? To allow something like BDS to run its course when you know it’s not in the best interest of student life, because it’s under the rubric of “free speech”? Where is the limit, the line? This is not about trying to shut down criticism of the state of Israel.

Still, I’m hopeful. Our tent at Hillel is big, we have phenomenal student leadership and we’re there to hear all sorts of opinions as long as they don’t endanger individuals on one side, or call for the eradication of the state of Israel. There’s a huge area in between. Our task is to continue to attempt to raise Jewishly proud, courageous, knowledgeable mensches.

Lauren Kramer, an award-winning writer and editor, lives in Richmond, B.C. To read her work online, visit laurenkramer.net.

Format ImagePosted on June 19, 2015June 17, 2015Author Lauren KramerCategories LocalTags antisemitism, BDS, boycott, Hillel BC, Philip Bregman, UBC, University of British Columbia

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