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Author: Cynthia Ramsay

A moving story

A moving story

Left to right are Dávid Szigeti (cello), Erik Gow (who plays Alvin Kelby), Kevin Woo (clarinet), Wendy Bross Stuart (piano, music director) and Chris Adams (who plays Thomas Weaver), in rehearsal for The Story of My Life, which is at the Canadian Music Centre for five remaining performances, Nov. 25 and 30, Dec. 1 and 2, 8 p.m., and Nov. 26, 2 p.m. (photo by Ron Stuart)

Directed by Stephen Aberle, this story of friendship is an intimate and moving portrayal, performed by a talented and hardworking ensemble. I got a sneak peak at the production earlier this week. It had me laughing. I related to both of the characters (their good and more challenging traits/actions) and the actors had great chemistry and intensity. By the end, I was crying. It starts with Thomas trying to write the eulogy of his boyhood friend Alvin, and it takes the audience through some of the stories of their lives. The music is wonderful and the performers are top-notch. See it if you can.

Tickets can be purchased from eventbrite.com.

Format ImagePosted on November 24, 2017November 23, 2017Author Cynthia RamsayCategories Performing ArtsTags musical theatre, Snapshots
Reuniting in Winnipeg

Reuniting in Winnipeg

Among those at the reunion were, left to right, Helen Pinsky (Vancouver), Barbara Moser (Montreal), Chana Thau (Winnipeg), Avrum Rosner (Montreal), Cecil Rosner (Winnipeg) and Zev Cohen (Israel). (photo from the reunion)

Anyone who went to a Jewish day school in Winnipeg in the 1950s and 1960s was invited to a reunion recently – and 220 former students attended.

The Oct. 6-9 reunion was organized by Avrum Rosner, who now lives in Montreal, Zev Cohen, who now lives in Israel, and Eileen Margulius Curtis and Bert Schaffer, who both still live in Winnipeg.

Rosner started posting high school photos on Facebook. A closed Facebook group followed and then Rosner created a page inviting people to share photos from Winnipeg Jewish schools.

“So, some genius – Zev Cohen – asked on the Facebook group, ‘How about a reunion?’ And he then started laying the groundwork,” said Rosner. “It went viral after that.”

Rosner and his wife, Marnie Frain, both attended the reunion.

“There were many different Jewish schools in Winnipeg in the 1950s and ’60s, of diverse languages, attitudes to religion, attitudes to Israel, left and right,” said Rosner. “And, what was a thriving community, with unique cultural and social institutions, that reached its numerical peak around 1960, has been drastically diminished by emigration ever since.”

The main venue of the October reunion was Holiday Inn West Airport, where some of the out-of-towners stayed. But, on the Sunday, Gray Academy of Jewish Education (GAJE) hosted the reunion. The academy is the entity into which nearly all the Jewish schools have amalgamated.

The first reunion event was a dinner on Friday evening that included speeches. There was a discussion on Saturday; a brunch and greetings by GAJE staff and students, as well as a bus tour and dance party, on Sunday. On Monday, there was a farewell brunch with live entertainment, performing Hebrew, Yiddish and klezmer songs and 1960s/70s rock ’n’ roll.

Participants included students, and a small number of former teachers, from Winnipeg’s Talmud Torah, Joseph Wolinsky Collegiate, I.L. Peretz School, Rosh Pina, Herzlia, Ramah, and Sholem Aleichem School.

“For me, the highlights are not hard to identify – renewing half-century-old friendships. For me, and for many, it restored my belief in magic,” said Rosner. “Personally, I think I gained the pure pleasure of reconnection with childhood friends. Also, the confirmation of the importance and ongoing vitality of the social, cultural and ethical values … and principles many of us absorbed – not solely through formal education, but by growing up in a unique-in-many-ways Jewish community in an isolated prairie city. It was what I expected and hoped for, though exponentially better.”

Vancouver reunion attendee Helen Pinsky said, “I watched the whole thing happen on Facebook. And, despite the fact that I’d heard very little from other people who I’d gone to school with, the reunion appealed to me a lot. I made arrangements to see all my cousins in Winnipeg, and booked the trip. I attended with my boyfriend, Yossi Amit, who, at that point, knew none of my Winnipeg relatives and had never been to that city.”

Pinsky and Amit stayed at the reunion’s “official” hotel and, though the schedule for the weekend had looked quite bare, that was a plus for them, as it allowed for personal visits. “In the end, most of my cousins attended the reunion, too,” said Pinsky. “Then, we made plans for spending our free time together. The programs were well-received and gave us all a structure from which to build other plans.”

Pinsky enjoyed many aspects of the weekend, including the talk about the history of Winnipeg Jewry, the music and food at Hops, the band Finjan and reminiscences at brunch. “There were lots of photos, laughter, warmth, memories sharing, good feelings and catching up,” she said.

Helen Nadel also attended the reunion. Nadel met Vancouverite Tevy Goodman in Winnipeg in 1975, and the couple were married at what was then Rosh Pina Synagogue.

“My childhood stories of growing up in North End of Winnipeg have always interested my children,” said Nadel. “I heard about the reunion when I was in Winnipeg in April for a reunion of my high school Grade 12 class [of 1952] who all turn 65 this year. I also knew I’d have a 40th-year medical school reunion this year [Sept. 15-17]. So, I decided that this was the year to make it a trifecta.”

When Nadel and her husband decided that he would accompany her, Nadel invited her daughter, Daniella, along, too.

“For me, it was fun to see the older girls who were my cousins’ age, as I was the tag-along with my cousins when I was at Peretz School,” said Nadel. “After pointing out that I was the little pisher who was with Carol and Sandi, recognition was achieved. Reminiscences were exchanged. It was remarkable that, by the end of the weekend, people no longer looked unfamiliar. I remembered them as they were some 50 years ago.

“My daughter loved seeing me with my grade school mates. She loved hearing the stories and began texting her posse about what fun this was, wondering what they might be doing when they are our age. She particularly loved seeing us reminisce when we stopped at the two schools, Peretz and Talmud Torah. I had goose bumps when a few of us spontaneously started singing the Peretz School anthem a cappella in front of the school, although only one in the group – Pam – really remembered all the words.”

Nadel was taken aback by how close Peretz School and Talmud Torah were to one another. She had remembered them as being very far apart – not only ideologically, but in distance.

“All in all,” she said, the reunion was “a chance to re-form and strengthen our bonds and ties to Winnipeg and the wonderful community we all grew up in.”

For Myron Calof, word of the reunion reached him about a year ago, when his wife, Ros-Lynn Sheps, called him at the office to say that she had just checked their voicemail and there was a message from Bert Schafer.

“Although I had not heard that name for over 50 years, I instantly put the name to a face and called Bert,” said Calof. “After confessing that, as a kid, I had routinely stolen crab apples off his parents’ crab apple tree, Bert told me a Winnipeg Jewish schools reunion was in the works and asked if I’d attend. I didn’t hesitate for a second to say that both my wife and I would be there.”

Calof anticipated that the reunion would be a positive experience, but, he said, “It was far better than that. First, although I don’t know when I’ll see them again, I feel reconnected with old friends. Second, the experience made me realize that my classmates and I played a vital role in continuing and strengthening Jewish education – not just in Winnipeg, but in the many North American, Canadian cities where we eventually settled. We carried with us the spirit, value and importance of a Jewish education which, in the raising of our children and through participation in community endeavours, we’ve helped perpetuate.”

Calof noted the similarities between his early Talmud Torah years – less than 10 years after the founding of the state of Israel and the end of the Holocaust – and the threat the world and world Jewry face today with the rise of nationalism, antisemitism, xenophobia and challenges to liberal democracy. “I hope history is not repeating itself, especially where Jews are concerned,” said Calof. “But, if it does, I hope and I truly think, we and the generations of Jewish students who have followed us will be better prepared to oppose and push back our enemies.”

The best part of the weekend for Calof was Monday morning, when so many former students from different years and schools had the opportunity to express their gratitude to teachers, parents and school founders for helping enrich the lives of thousands of students who attended a place of Jewish learning.

Anyone who attended Jewish school in Winnipeg in the 1950s and 1960s can still add their name to the organizers’ contact list by e-mailing wjsreunion.2017@hotmail.com and can join the 800 others in the closed Facebook group facebook.com/groups/winnipegjewishschools.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on November 24, 2017November 23, 2017Author Rebeca KuropatwaCategories NationalTags Helen Nadel, Helen Pinksy, Jewish school, memory, Winnipeg
Women lead way to peace

Women lead way to peace

Yael Deckelbaum is using her musical talents and connections to help Israelis and Palestinians press for peace. (photo from Yael Deckelbaum)

Yael Deckelbaum is using her musical talents and connections to help lead thousands of Israeli and Palestinian women to peacefully press for the end of the fighting between their two peoples via March for Hope.

Deckelbaum’s celebrity status in Israel and around the world – through performances with known local artists and bands such as Shlomo Artzi and Machinah, as well as her career with Habanot Nechama and solo albums – helps draw a crowd. Her involvement in the cause began when she joined forces with Daphni Leef, an Israeli activist for social justice.

“I’d sit with her and tell her she’s a better person than I am,” said Deckelbaum. “She was always talking about how we have to change things in Israel – going around in many places in Israel, meeting people, listening to them and trying to learn … what’s wrong and trying to fix things. I decided to take a caravan, go through Israel, sell CDs, maybe bring a sound system, perform … see people from a different angle. Daphni decided to join me. From this idea, it became 20 people, two caravans … a journey we did for 45 days in 40 different places across Israel.”

They met many Israelis from various cities and villages, and Deckelbaum gained a new perspective. Everywhere they went, she would sing and Leef would speak to the people after every show.

“That’s when I decided I would dedicate myself, using music as an instrument, toward change … not just be an instrument for supporting my existence … but to spread a message and how I believe this world should be. [It] was a big turning point in my path,” Deckelbaum told the Independent.

A year later, one of Deckelbaum’s friends shared an email about Women Wage Peace.

“A lot of times, us musicians, we get invited, we go, sing and leave,” said Deckelbaum. “We feel good about it. But, this time, I felt like I had to meet them. A few days later, I was sitting at a table with women from Women Wage Peace. They told me about this march they were planning – a group of mothers who, in the period of military operation, were experiencing terror at home, fear … mothers sitting at home, knowing their sons are somewhere and not knowing if they’d come home from war.

“One of the founders told me she said to herself that she would never forget this feeling of terror, that she can’t sit anymore and do nothing about it. She urged us to do something radical, extreme, because something had to change. She couldn’t live with the feeling of helplessness anymore.”

At one point, Women Wage Peace fasted for 50 days outside the prime minister’s house, demanding a mutual agreement between Israel and Palestine be made.

“They told me they were already connected with Palestinian women who feel the same,” said Deckelbaum. “And then, on Oct. 19, 2016, 1,000 Palestinian women marched with us together in the Dead Sea [area] – the lowest place of the earth. I started to cry, as it touched me in a deep place.

“Many years ago, I had this vision of women marching together … not something I can explain…. Then, I met these women [who] told me about this, and it was coming true. And, it has an energetic meaning that it happened in the lowest place on the earth – women marching to the belly of the earth. So, I cried and offered to give my music to the cause.”

Deckelbaum invited more artists to join and sing, and became the march’s artistic director. She began with songs like “Give Peace a Chance” and “Hallelujah,” and then wrote originals herself. “The melody and the lyrics just came,” she said. “And the ‘Prayer of the Mothers’ was born, directed by Astar Elkayam.”

Deckelbaum was inspired by a message that had been sent to march organizers by Leymah Gbowee. Gbowee is a Liberian woman who led a women’s peace movement, which helped bring an end to the Second Liberian Civil War in 2003, after 13 years of fighting.

“I felt something very real is happening, that I have a chance to do this,” said Deckelbaum. “I put it into the song clip, so you can hear her speaking. And she sang, ‘As the world we live in, peace is possible / Only when women of integrity and faith stand up for the future of their children.’”

This year, Women Wage Peace planned a second march, dubbed, “The Journey to Peace,” which started in the south of Israel near the Gaza border on Sept. 24 and ended in Jerusalem. Other events have followed, and will continue, throughout Israel. The peak of it was on Oct. 6 in Jaffa/Tel Aviv, with a march that Deckelbaum helped organize, “colourful with dancers, musicians, and drummers – happy and hopeful,” she said.

On Oct. 8, there was an event in the desert with Palestinian women. The previous year, 1,000 Palestinian women came. This year, there was twice that number, and the hope is that, each year, it will grow.

“These are the miracles we’re all waiting for – peace between Israel and Palestine, and between and within ourselves and amongst us as people,” said Deckelbaum. “Women Wage Peace isn’t only about making peace with Palestinian women. It’s about making peace between all kinds of women in our society and different places.”

Deckelbaum learned there is a global women’s revolution. She heard of a march in Washington, D.C., in which she participated, and another in Zurich, at which she was invited to sing.

After the video of “Prayer of the Mothers” was released, more marchers all over the world were set into motion. Deckelbaum is now working on a project called Women of the World Unite.

“I believe that women from all over the world are sharing this message, a hope for peace – a message that’s inclusive of all human beings,” she said. “We need women to be more involved in managing the ways of the world – not only by raising children, but also by engaging in the system and how things will work.”

The Jewish Independent spoke over the phone with Deckelbaum when she was in Switzerland doing concerts with an ensemble of religious and secular Jewish, Muslim and Christian women called Prayer of the Mothers Ensemble. It involves 14 women, carrying the message of female empowerment, revolution, evolution and peace.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on November 24, 2017November 23, 2017Author Rebeca KuropatwaCategories WorldTags Israel, Israeli-Palestinian conflict, peace, women, Yael Deckelbaum
Mystery photo … Nov. 24/17

Mystery photo … Nov. 24/17

Group at Hillel House, University of British Columbia, 1988. (photo from JWB fonds, JMABC L.11124)

If you know someone in this photo, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting archives@jewishmuseum.ca or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.

Format ImagePosted on November 24, 2017December 12, 2017Author JI and JMABCCategories Mystery PhotoTags Hillel House, history, JMABC, UBC
כל הזמן ביחד

כל הזמן ביחד

זה לא ברווז עיתונאי אלה סיפור אמיתי: חברות יוצאת דופן בן כלב לברוזה משגעת עיירה שלמה. (צילום: Thorsby Pet Necessities Facebook)

הרומן הלוהט והמדובר ביותר בעיירה קטנה בשם ת’ורסבי שמחוז אלברטה, (במרחק כארבעים קילומטר מהעיר לדוק), שגרים בה בסך הכל כאלף איש, הוא בן כלב לברווז. מי שלא רואה את השניים לא מאמין. ומי שרואה אותם אחד עם השני לא מאמין למראה עיניו.

הכלב בן עשר מסוג רוטווילר בשם ברוס והברווזה האפורה בת השנתיים בשם קשיו הכירו לפני כשנתיים, ולאט לאט התהדק הקשר ביניהם וכיום הם בני זוג של ממש. הם כל הזמן ביחד. הבעלים של הזוג המוזר היא אנדרה נובקובסקי, שיש לה חנות לצרכי חיות מחמד בעיירה. היא מחזיקה בברוס כבר שנים והוא הפך לאורח קבוע בחנות שלה, כך שכל תושבי ת’ורסבי מכירים אותו היטב. בגלל הביקורים הקבועים של הכלב בחנות של בעליו, למד ברוס להכיר מקרוב חיות אחרות והוא מגלה כלפיהן יחס של חיבה וכבוד.

לפני כשנתיים נובקובסקי ביקשה בצחוק מחברים לקנות לה ברווז ליום ההולדת. אחד מהחברים לקח את האתגר ברצינות והביא לה ברווזה גוזל. להפתעת הכל הברווזה הקטנה רצה מיד לכלב הגדול שקיבל אותה כבת זוג חברה לכל דבר ועניין, למרות שיכל גם לאכול אותה בקלי בקלות. נובקובסקי אומרת כי קשיו נחמדה אליה אך אהבתה הגדולה והחידה היא ברוס. היא מוסיפה: “לפעמים אני קצת נפגעת ומקנאת בברוס, כיוון שקשיו יכולה לצרוח עלי ולאחר מכן ללכת למייד לברוס ולהתכרבל עימו”. כאמור ברוס וקשיו כל הזמן לא עוזבים אחד מן השני. השניים משחקים ביחד, נכנסים יחד למיכל מים, אוכלים ביחד, ישנים ביחד ועוד ועוד. מוזר ומדהים.

נובקובסקי מציינת שכל מה שברוס אוכל מעניין את קשיו וגם היא רוצה לאכול את זה, אפילו אם זה לא בשבילה. היא תיגש אז לברוס ותנסה לקחת את האוכל ממנו ללא פחד ומורא. אם קשיו תרגיש בסכנה אורבת היא תרוץ מייד לברוס ותתכנס מתחתיו בן רגליו, עד שתרגיש בטוחה. הוא שומר עליה מכל משמר. נובקובסקי מסבירה כי למרות הניגודים באישיות של השניים וההבדל בגודל שלהם, הקשר ביניהם רק הולך ומתחזק. היא מוסיפה עוד כי בגלל הקשר ההדוק והיום יומי עם הרוטווילר, לקשיו אין מוסג שהיא ברווז. “אני הצגתי אותה בפני ברווזים אחרים אך הם לא הזיזו לה והיא לא התייחסה אליהם, ואף לא רצתה עימם שום קשר. למרבית האירוניה קשיו מרגישה הרבה יותר נוח בחברת כלבים ומאשר עם ברווזים”.

לשתי החיות יש אופי שונה בתחליט: ברוס הוא רגוע ושלו והרבה יותר נוח. קשיו היא מאוד קולנית וצעקנית והיא תודיע לנובקובסקי מייד מתי היא כועסת או רוצה משהו. אז ללא פחד ובושה היא תמשוך במכנסיים שלה.

הזוג המוזר שהפכו לכוכבי תקשורת סלבריטאים של ממש מושכים מבקרים לא מעטים אל העיירה. אחרי שהם מתפלאים ממה שעינן רואות השאלה הראשונה, שמופנית תמיד לנובקובסקי היא: “האם ברוס לא מנסה לאכול את קשיו? “לא. בכלל לא אני משיבה”. לדבריה אורחים חדשים בעיירה שמבקרים בחנות, כשהם מבחינים בזוג כלב-ברווז, הם יוצאים החוצה וקוראים לשאר בני המשפחה להיכנס מייד פנימה ולראות את המחזה היוצא דופן הזה, ואומרים: “אנו פשוט אוהבים את מה שאנו רואים”.

אחד מהעובדים בחנות של נובקובסקי ג’ייסון דלבו מציין לסיום כי: “אם להיות כן, אין ספק שבעצם הבוס בין השניים היא קשיו. ברוס לא הראה מעולם תוקפנות אליה”.

Format ImagePosted on November 22, 2017Author Roni RachmaniCategories עניין בחדשותTags Alberta, dog, duck, Thorsby, אלברטה, ברווז, כלב, ת'ורסבי
NCJW Canada is honoured

NCJW Canada is honoured

At the Oct. 23 ceremony for the unveiling of a plaque honouring National Council of Jewish Women of Canada’s 120 years of service are, from the left, Sharon Allentuck, Gloria Roden, Debbie Wasserman, Dr. Richard Alway, Councilor James Pasternak and Eva Karpati. (photo from NCJWC)

On Oct. 23, National Council of Jewish Women national president Debbie Wasserman accepted a plaque honouring the work of NCJW. It was from Parks Canada and the Historic Sites and Monuments Board of Canada and it was unveiled at the Toronto offices of NCJW Canada. The recognition came on the council’s 120th anniversary.

“NCJWC in Vancouver has an enviable track record of working with disadvantaged elementary schools, funding programs of nutrition, hygiene, cooking, farm visits and street safety,” NCJWC Vancouver’s Debby Altow told the Independent. “We have received heart-stopping letters of thanks from the kids and their teachers; they inspire us to do even more in our fight to alleviate poverty…. Our Operation Dressup delivers thousands of items of good clothing, plus shopping certificates for teens every year, and our Books for Kids program reaches into daycares, preschools, doctors’ offices and other sites…. We hope to expand these programs into other nearby communities.”

Altow said, “Vancouver section president Catherine Stoller is following in the footsteps of her mom, Sheilah, serving as president of the section for the past three years. Our section has been an integral part of the community for over 90 years, and the Heritage designation, while it rests in Toronto, really applies to every province where council has been active.”

Of the Oct. 23 event, Wasserman said, “The ceremony was very moving. We began by proceeding into the auditorium…. The Canadian flag was dominantly displayed and the plaque was draped. We all sang O Canada. The master of ceremonies then introduced all the dignitaries and all spoke about the importance of NCJWC over its 120-year history. The ceremony’s highlight was when we all came off the stage to unveil the plaque displayed on an easel.”

Wasserman and NCJWC Toronto president Eva Karpati unveiled the plaque. Ena Cord, immediate past president of the Toronto section, read the inscription in English and Dahlia Rusinek, a past Toronto section president, read it in French. There were many photos taken, and a reception followed.

“Parks Canada contacted us earlier this year to tell us that NCJWC was to be recognized as an organization of national significance to Canada, seeing that we were the first Jewish women’s organization in Canada,” explained Wasserman. “The plaque will be permanently installed at 44 St. George St. in Toronto, the former head office of NCJWC.”

Dignitaries at the ceremony included Eric Nielsen of Parks Canada (master of ceremonies), Dr. Richard Alway of the Historic Sites and Monuments Board of Canada, Toronto City Councilor James Pasternak (York Centre), NCJWC Toronto member and historian Gloria Roden, and Sharon Allentuck, NCJWC immediate past president and Winnipeg section member.

“As a passionate advocate for social justice and equality since 1897, the National Council of Jewish Women of Canada has forged an enduring legacy of community service across Canada,” Nielsen noted in his remarks. “It’s incredible to think that the council was founded right here in Toronto and has been growing steadily for over a century.

“The birth of the council came at a truly interesting time in Canadian history,” he continued. “During the late 19th century, urbanization, industrialization and immigration were causing social disruption in many cities across Canada. It was at this time that a pioneering group of Jewish women united to effect social change. Led by Meldola de Sola, wife of a distinguished Montreal rabbi, women of the Holy Blossom Synagogue in Toronto began meeting in private homes to study Genesis and the teachings of Judaism in preparation for beginning philanthropic activities in their communities.

“At the time of its founding in Toronto, the National Council of Jewish Women of Canada focused on supporting young girls and new immigrants. They provided shelter, training, and other forms of assistance, all while strengthening the Jewish community.”

Nielsen said that, through NCJW, Jewish women across the country “gained a voice in Canadian society and the women’s movement.”

The oldest Jewish women’s organization in Canada, NCJWC has evolved, said Nielsen, “to meet the changing needs of the most vulnerable in society.” And it “continues to work tirelessly to promote social justice, freedom, equality and tolerance at home. Equally concerned with the well-being of people outside of Canada, the council’s members have also collaborated with aid organizations, such as the Red Cross, to contribute to humanitarian efforts abroad.

“Thanks to their efforts, we are creating a rich mosaic portraying the greatest moments of our nation’s history. Future generations will better understand their history through this mosaic and, hopefully, better understand themselves and the values of our country.”

Nielsen congratulated NCJWC. “The council’s invaluable legacy,” he said, “is a source of inspiration for all who work to promote meaningful social change, at home and abroad.”

Noting that NCJWC “began in 1897 with 20 women studying and learning Bible,” Roden said the council “realized there was an urgent need to help immigrants arriving daily in Toronto. And so, by 1909, a place was needed for the growing group to expand their activities. Two rooms on Walton Street in the Ward were rented, but, by 1913, there was a move to new larger headquarters on McCaul Street.

“With the outbreak of the First World War,” she said, “young council members took an active part and McCaul Street was transformed into a Red Cross centre, providing hospital supplies and other necessities for wartime aid. In 1918, with the Spanish flu epidemic, council volunteers carried meals to 800 flu victims from our kosher kitchen and provided home nursing care.

“In 1919, council women became big sisters to children and working girls, and bought Fairview Cottage at Whitby Beach to provide these girls with an oasis for much-needed fresh air and sunshine. By 1937, council continued their involvement with the Jewish Camp Council to included Camp Camperdown near Orillia.”

The offices on St. George were “purchased with a modest down payment,” said Roden. “It was called Community House, with the Jewish community using the much-needed premises for a variety of activities. It operated classes, including cooking, sewing, journalism, language, dance and art. Sports teams were formed … [to help newcomers to Canada], a daycare centre, English classes, and even a legal storefront service was established. A club for handicapped girls was formed to teach sewing and social skills, and there were interpreters to translate for the newly arrived.

“The NCJW has continued with our motto of ‘Faith and Humanity,’ and the voluntary participation as our civic responsibility as citizens of our great country. We continue to study, educate ourselves and participate with pride.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on November 17, 2017November 15, 2017Author Rebeca KuropatwaCategories NationalTags National Council of Jewish Women of Canada, NCJW, tikkun olam, women
Information and chaos

Information and chaos

Wells Hill has its world première Nov. 24-26 at DanceHouse. (photo by David Cooper)

“What does it mean to imagine a world where we are not connected all the time?” This is just one of the many questions choreographer (and Jewish community member) Vanessa Goodman is exploring in Wells Hill, which has its world première Nov. 24-26 at DanceHouse.

Goodman is artistic director of the dance company Action at a Distance. Wells Hill was commissioned by Simon Fraser University’s Woodward’s Cultural Programs (SFUW) and is co-presented by DanceHouse and SFU’s School for the Contemporary Arts. It is a Celebrate Canada 150+ event, but its genesis goes back a few years.

“In early 2014, SFU’s Michael Boucher and I were out for coffee discussing my work,” Goodman told the Independent. “At the time, I was planning what I was going to present at the Chutzpah! Festival in 2015. In our conversation, I shared the anecdote that I grew up in philosopher Marshall McLuhan’s former family home [on Wells Hill Road] in Toronto and that Glenn Gould would sometimes visit. As two towering figures in 20th-century Canada, the idea of being a fly on the wall during their conversations was fun to imagine. Michael helped me recognize the seeds for a piece in this story, and has since supported its creation and production through SFUW.”

In creating Wells Hill, Action at a Distance collaborated with a team including composers Loscil (Scott Morgan) and Gabriel Saloman, lighting designer James Proudfoot and projection artists Ben Didier and Milton Lim. The promotional material notes that, in the work, seven dancers “splice together themes of technology and communication.”

“In Understanding Media, McLuhan stated that different media invite different degrees of participation on the part of the person who consumes it,” explained Goodman. “For me, this draws parallels to consuming dance and is one of the themes I explore in the piece. McLuhan divided media consumption into two categories: hot and cool. Hot media consumption requires the viewer to intensify the use of one single sense and is called ‘high definition.’

“McLuhan contrasted this with cool media consumption, which he claimed requires more effort on the part of the viewer to determine meaning due to the minimal presentation of detail. In these cases, a high degree of effort is necessary to fill in the blanks in areas where the information is obscured. It demands much more conscious participation by the person to extract value and meaning. This type of consumption is referred to as ‘low definition.’ When applied to dance, the audience would be required to be more active here, which includes their perceptions of abstract patterning and simultaneous comprehension of all the working parts.

“In this work,” she said, “I apply hot and cool media consumption to crafting the material and finding authenticity within the embodiment of the performers. While I still believe that the audience needs an entry point into the work to become invested, I am interested in defining the hot and cool medium consumption in my staging, demanding the viewer work through their high and low definition comprehension. I am interested in the interplay between hot and cool as a continuum: where they are measured on a scale and also on dichotomous terms.”

Wells Hill isn’t about raising or answering any specific questions, she said, “as much as it is about observing and interpreting some of McLuhan and Gould’s fascinating ideas. In making this work, I kept coming back to the Douglas Coupland quote, ‘I miss my pre-internet brain.’ What does it mean to imagine a world where we are not connected all the time? In some ways, it’s comforting to be plugged into this collective human mass. On the other hand, there is an anxiety linked to this relationship and violence associated with this ceaseless bombardment of data. As McLuhan predicted, technology has become an extension of our nervous system. This is why I feel dance is such an incredible medium to explore these ideas: at its core, human movement is neuromuscular connectivity. I have developed movements with my collaborators that are derived from tasks from our physical reactions to technology: from our Pavlovian responses to messages and social media notifications to the deeper impact on our attention spans while we’re connected. I want to capitalize on both the order that we receive information in and the chaos it can create.”

In response to a question about what McLuhan and Gould each offer by way of the content or structure of Wells Hill, Goodman said that the sound score “is heavily influenced by the history of the house.”

She said, “Eric McLuhan, Marshall’s eldest son, told me that Gould would often come to the home for visits, where he would discuss media, performance and art with his father. Gabriel Saloman and Scott Morgan, both incredible composers that I have been collaborating with over the past few years, have each composed pieces of the music for Wells Hill. They have incorporated audio samples of both McLuhan and Gould speaking about their theories. This adds an interesting entry point to the ideas that inspired Wells Hill. The house has a rich past that has been documented through the written form but has never been explored performatively. I am drawing from this story for the staging of this work, which creates an environment and historical context for the non-linear story arc.”

Wells Hill is at Fei and Milton Wong Experimental Theatre, SFU Goldcorp Centre for the Arts, on Nov. 24-25, 8 p.m., and Nov. 26, 2 p.m. In conjunction with the show, there are a few community events. Speaking of Dance Conversations on Nov. 21, 7 p.m., at SFU Goldcorp Centre for the Arts (free), is a community roundtable conversation around McLuhan and the Global Village, led by moderator Richard Cavell, founder of UBC’s Bachelor in Media Studies program and author of McLuhan in Space: A Cultural Geography, and guest speakers. There are also pre-show chats Nov. 24-25, at 7:15 p.m., at the centre, and a post-show social on Nov. 24. Tickets and more information can be found at dancehouse.ca or by calling 604-801-6225.

Format ImagePosted on November 17, 2017November 15, 2017Author Cynthia RamsayCategories Performing ArtsTags Canada 150, contemporary, DanceHouse, Glen Gould, Marshall McLuhan, SFU, Vanessa Goodman

Confront racism

On Remembrance Day, pro-Nazi posters were discovered at War Memorial Gym on the University of British Columbia campus. The posters depicted Nazi soldiers with the words “Lest we forget / The true heroes of WWII.”

This incident followed the discovery earlier in the week of antisemitic drawings on a chalkboard in the forestry faculty. Rabbi Philip Bregman, executive director of Hillel BC, sent an email to the community thanking the Forestry Undergraduate Society for making a clear statement of solidarity. While this is the good news, he wrote, there is also bad news. Students are reporting that the latest incidents are a “tip of the iceberg” of similar expressions and depictions that go unreported.

Earlier this month, white supremacist and antisemitic posters also appeared at the University of Victoria. “(((Those))) who hate us / Will not replace us,” read a poster. The use of triple parentheses is a method used online to identify Jews. The fear of white people being “replaced” by non-white people is a recurring theme in the white supremacist movement.

These incidents are local iterations of a larger and obviously deeply troubling phenomenon occurring worldwide. In part a response to the movement of refugees from Syria and elsewhere in the Middle East and North Africa, far-right groups in Europe have grown significantly in recent years. This is evident in the horrifying rally of an estimated 60,000 neo-Nazis, hyper-nationalists and racists in Warsaw, Poland, last weekend. And it is underscored by the neutrality or even affirming noises from those in positions of power at the sight of ralliers carrying signs urging “Clean blood,” “Pray for an Islamic holocaust” and “Jews out of Poland.”

Poland’s governing Law and Justice Party has informal connections with some of the extremist groups that organized Saturday’s rally. Poland’s foreign ministry, on the one hand, condemned the xenophobic, antisemitic and racist messaging, but, on the other hand, called the event “a great celebration of Poles.” The country’s interior minister called the rallying extremists “a beautiful sight.”

This sort of equivocation from leaders is perhaps as worrying, or more so, than the rallying mobs themselves. While the past year has seen numerous European far-right parties fail to live up to expectations in elections, their strength is nevertheless very concerning.

On the subject of elections … off-year elections in the United States last week delivered a strong rebuke to the U.S. president. Although polls indicate that 36% of American voters would vote for him again, no president in the history of polling has been this unpopular this early in his mandate. This is, perhaps, a sign that most Americans are turning against the divisiveness and xenophobia that this president advances.

Encouraging as that may be, possibly (wishfully) portending his defeat in 2020, the damage he is doing to the civil fabric of the country is incalculable. It is saddening to see the president of the United States overtly promote racism against Mexicans and people from Muslim-majority countries, threatening one group with a wall and the other with a travel ban that has been repeatedly deemed unconstitutional by the courts. Among his supporters are openly racist and white supremacist activists.

All of this is to say that the world is experiencing a time of extremism. Rather than throw up our hands in despair, this is a time to rededicate ourselves to the values that motivate us, the values for which Canadian and other Allied soldiers fought.

The posters at B.C. universities should be enough to sweep away any complacency we may have about our shores being free from this sort of racist ideology. This is a good thing. Canadians have a right to be proud of our comparatively decent record of multicultural harmony, but smugness is a blinder that can allow us to ignore very real undercurrents. We must be vigilant in calling out evil ideology when we see it at home and abroad.

Posted on November 17, 2017November 15, 2017Author The Editorial BoardCategories From the JITags anti-racism, antisemitism, British Columbia, racism, UBC, UVic

The Holocaust in literature

This academic year marks the second session of Writing Lives, a two-semester project at Langara College, coordinated by instructor Dr. Rachel Mines. Writing Lives is a partnership between Langara, the Vancouver Holocaust Education Centre and the Azrieli Foundation. This fall, students are learning about the Holocaust by studying literary and historical texts. In January, students will begin interviewing local Holocaust survivors and will write their memoirs on the basis of the interviews. Students are keeping journals of their personal reflections on their experiences as Writing Lives participants. Many students used their most recent journal entry to reflect on the value of literature in transmitting Holocaust memory. Here are a few excerpts.

The role of literature in preserving history is controversial but important. Understandably, there are people who are reluctant or even vehemently opposed to recording the Holocaust through the lens of art, concerned that the act of rewriting events in a fictional context may undermine the significance of the tragedy. Others may worry that historical inaccuracies are inevitable in these artistic works, thus doing a disservice to the victims and betraying their memories.

I would argue otherwise: that literature and historical facts can and should build upon one another, used to educate and not obscure. For me, reading our history textbook this semester has not always been easy, but reading the short story A Ghetto Dog by Isaiah Spiegel took the experience to a different level. Such is the power of narrative. As Menachem Kaiser wrote in his article “The Holocaust’s uneasy relationship with literature” (The Atlantic, Dec. 28, 2010), “literature affects us in ways that even the most brutal history cannot.” Literature makes the event close, immediate and personal. It’s hard for me to imagine being a Jew in Second World War Europe, but personal accounts and narratives come close to letting us immerse ourselves in the tragedy.

– Athina Leung

In his article “The Holocaust’s uneasy relationship with literature,” Kaiser argues that Holocaust literature is an important part of history. It can provide the emotional connection that reading facts cannot. It is a window to understand what people felt without having to experience the ordeal that the characters or author went through. Literature has the power to move the human heart. Facts are important, but they do not give the reader the ability to connect with history in ways that a more emotional and personal experience can provide.

– Tina Macaspac

I found the assigned reading, “The Holocaust’s uneasy relationship with literature,” to be incredibly relevant and thought-provoking. This article discusses the various difficulties associated with Holocaust literature, including the opinion by some historians that the only valid way to recount the Holocaust is through historical facts and memoirs. I agree that acquiring factual knowledge about the Holocaust is integral, and that reading historical documents is essential. However, I find myself disagreeing with the perspective that Holocaust literature is distasteful or discrediting to the Holocaust. Rather, literature provides an alternative, more emotional perspective that one cannot acquire from reading a fact-based history textbook. This week, for example, we read the short story A Ghetto Dog, which narrates the tale of the Jewish widow Anna and her dog Nicky. While I was aware of the facts (in this case, Jews being rounded up by Nazi troops) from a historical perspective, the story emphasized the feelings of helplessness and exhaustion that Holocaust victims and survivors felt. It touched a part of me in a way that facts and statistics could not.

– Emma Proctor

In A Ghetto Dog, the widow Anna and her dog Nicky are persecuted under the Nazi regime and forced to move into a ghetto. It is very clear from the beginning that Nicky is extremely important to Anna, and that he is her last remaining tie, not only to her deceased husband, but to her home.

The Nazis took livestock and any useful animals away from the Jewish people in order to make a profit. The livestock had value, which is why they were kept alive. People’s dogs, however, were not valuable to the Nazis, and that is one reason the dogs were killed.

Another reason was psychological. To the Nazis, it was important to wound people emotionally in order to conquer them. In the story, there were Jewish children dragging their dogs on ropes and leashes, bringing their pets, beloved family members, to be put to death. Dogs were part of a support system and, as with Anna, were reminders of home. To kill these dogs was to kill hope of return. The deaths of dogs were a stern reminder that just as easily as they could kill animals, Nazis could kill humans.

– Yukiko Takahashi-Lai

Posted on November 17, 2017November 15, 2017Author Writing Lives studentsCategories Op-EdTags Azrieli Foundation, Holocaust, Isaiah Spiegel, Langara College, literature, Menachem Kaiser, VHEC, Writing Lives
More racist activities

More racist activities

(photo from Anti-Racist Action UVic/Facebook)

On Nov. 9, the anniversary of Kristallnacht, a swastika and “Heil Hitler” were found written on a hallway blackboard in the University of British Columbia Forest Sciences Centre. The antisemitic graffiti was first reported to Hillel BC, who then contacted security.

This was one of several racist incidents that have occurred on B.C. campuses and across Canada in recent months, including pro-Nazi posters found at UBC on Remembrance Day. On Halloween night and in the days following, posters reading, “It’s okay to be white,” appeared on several Canadian university campuses, apparently based on instructions from a post which Vice Canada traced to the anonymous online forum 4Chan, a hub for the alt-right.

During the same week, antisemitic posters found at the University of Victoria read, “Those who hate us will not replace us. Defend Canadian heritage. Fight back against anti-white hatred. A message from the alt-right.” The word “those” was placed in triple parenthesis, a way of identifying Jews. When the posters were taken down, moderators of Anti-racist Action UVic Facebook page and others reportedly received a backlash of hateful messages online.

The election of Donald Trump one year ago this month is widely perceived as a triumph for the tangle of white supremacists, antisemites, misogynists, racists and ethno-nationalists who have come to be called the “alt-right.” In Kill All Normies, a book about the genesis of the group, journalist Angela Nagle describes an online world where cynicism, irony and absurd in-joke humour have combined with racism and misogyny to produce a “taboo-breaking anti-PC style” that has come to characterize the alt-right. Since then, the movement has tapped into latent racism and xenophobia, bolstered by the rise of people like Richard Spencer and Milo Yiannopoulos.

Not everyone is happy with the use of the term “alt-right.” Given their white supremacist beliefs, “alt-right” is somewhat innocuous. The Associated Press avoids the term because its editors think it downplays the movement’s racist goals.

Long before the 2016 election, the alt-right was gathering strength and allies. Trump granted the racists among his supporters visibility, lowering the social costs of bigotry and inspiring these supporters with a hope that their vision of “white identitarianism” could come to rule America once again. This has emboldened them and brought them out of the shadows.

In the days following the election of Trump, Canada saw a spate of vandalism, hate speech and pamphleteering directed against Jews and other minorities. As in the United States, this did not come to Canada overnight. In 2015, the CBC temporarily closed all online comments on stories featuring First Nations people because of the “staggering number of hateful and vitriolic comments” posted. In August 2016, the premier of Saskatchewan was forced to issue a plea for an end to hate speech following the second-degree murder of an aboriginal man on a farm. As a result, his own Facebook page was flooded with racist messages.

The posters at UVic were discovered by an anti-racist group on campus organized by Tyson Strandlund, who said the increasing activities of the alt-right in the public sphere are what led to his group’s creation in September. Strandlund said there has been heightened concern on campus since last summer, when an art installation meant to inspire conversations about resistance to racism was instead extensively defaced with racist slurs and had to be dismantled. He mentioned a meeting that was to take place in the Student Union Building on Nov. 15, for students and others to discuss anti-racist strategies.

David Blades, president of the Jewish Federation of Victoria and Vancouver Island, said they are “keeping close tabs” on the alt-right movement. “We have a good sense of who these people are,” he told the Independent. “What’s increasing is their public activity, not their numbers, which have remained pretty stable for years.

“Nevertheless,” he warned, “we have to be vigilant because they are also recruiting. There is no question that there is latent racism in Canadian society and it can be tapped into. My concern is that this was not isolated to the University of Victoria, this also happened at the University of Alberta and elsewhere. It was a coordinated national event. That’s my concern as Federation president. This is a shift in the overall organization of this group.”

Blades said he is “really happy with the response of UVic” and that there are plans in the works for “five days of activism against racism.”

“In some ways,” he said, “these incidents have been more effective at inspiring the opposite of what they intended: an increase in anti-racist activism.”

Matthew Gindin is a freelance journalist, writer and lecturer. He writes regularly for the Forward and All That Is Interesting, and has been published in Religion Dispatches, Situate Magazine, Tikkun and elsewhere. He can be found on Medium and Twitter.

Format ImagePosted on November 17, 2017November 15, 2017Author Matthew GindinCategories LocalTags anti-racism, British Columbia, David Blades, Federation, racism, Trump, Tyson Strandlund, UBC, UVic

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