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Tag: history

Hillel BC marks its 75th

Hillel BC marks its 75th

Attendees at UBC Hillel House’s Rosh Hashanah dinner to start the 2022/23 school year. (photo from Hillel BC)

Hillel BC celebrates its 75th year with a celebration March 30 at the University of British Columbia Hillel House.

Hillel BC was founded in 1947, under the name B’nai B’rith Hillel Foundation, in the same spot on UBC’s campus where it still operates from today. This came from an understanding that Jewish students were being excluded from the main student clubs on campus and they needed a place to socialize and be Jewish.

The original space was an old, wooden one-room house that was at the outskirts of campus. Little did they know then that this location would become the heart of the campus as the university expanded.

photo - Established in 1947 on UBC campus (left), Hillel BC’s current building – on the same site as the old one – opened in 2010
Established in 1947 on UBC campus (left), Hillel BC’s current building – on the same site as the old one – opened in 2010. (photo from Jewish Museum and Archives of BC L.00070)

In 2002, B’nai B’rith Hillel Foundation became Vancouver Hillel Foundation, the first Hillel International-affiliated program in Canada, which was followed by establishing space at both Simon Fraser University and University of Victoria. Eight years later, the current building was opened, solidifying Hillel’s space on the UBC campus and beyond. Today, Hillel BC continues to serve at UBC, UVic, SFU, Langara College, Emily Carr University of Art + Design and other post-secondary institutions as needed.

photo - The current Hillel BC building on UBC campus
The current Hillel BC building on UBC campus. (photo by ThosGee via panoramio.com)

In addition to celebrating 75 years on campus, Hillel @ 75 on March 30, 7:30 p.m., will provide an opportunity to thank recent executive directors Rabbi Philip Bregman and Sam Heller. The Jewish Student Association, Israel on Campus Club and AEPi (Jewish fraternity) will offer the community an overview of their activities in dedicated tables, and a short presentation will be given by the board and current staff. Special guests include Deborah Buszard (UBC interim president), Joy Johnson (SFU president), Skip Vichness (Hillel International board chair) and Vancouver Mayor Ken Sim.

“We are very excited to have the community back in our building for this celebration of our 75th anniversary,” said Rob Philipp, executive director of Hillel BC. “Due to COVID, we missed a lot of important events worth noting, specifically the 10th anniversary of our UBC building, and the retirement of Rabbi Philip Bregman and Sam Heller. We want to take the opportunity to celebrate our successes and recognize some of the key people who helped lead us through some difficult times. The evening reception will be at our UBC building, attended by special guests, and it will host the first viewing of our promotional video.”

For more about Hillel BC and to purchase a ticket for the event ($75), visit hillelbc.com. A portion of the ticket price is tax-deductible. 

– Courtesy Hillel BC

Format ImagePosted on March 10, 2023March 9, 2023Author Hillel BCCategories LocalTags anniversary, education, gala, Hillel BC, Hillel House, history, milestone, Philip Bregman, Rob Philipp, Sam Heller, UBC
Moscovitch play about life in Canada pre-legalized birth control

Moscovitch play about life in Canada pre-legalized birth control

(photo by Matt Reznek – Reznek Creative)

Excavation Theatre presents What a Young Wife Ought to Know by Jewish-Canadian playwright Hannah Moscovitch, at Performance Works on Granville Island March 24-April 1.

It’s Ottawa in the 1920s, pre-legalized birth control. Sophie (Bronwyn Henderson), a young working-class girl, falls madly in love with and marries a stable-hand named Jonny (Michael Briganti). After two difficult childbirths, doctors tell Sophie she shouldn’t have any more children, but don’t tell her how to prevent it. When Sophie inevitably becomes pregnant again, she faces a grim dilemma. Inspired by real stories of mothers during the Canadian birth-control movement of the early 20th century, playwright Moscovitch vividly recreates a couple’s struggles with reproduction.

The Excavation Theatre production will be playing in the final weeks of Women’s History Month, exactly 100 years after Canada’s first birth-control advocacy group was formed in Vancouver, and fresh off the landmark announcement that birth control prescriptions will be free in British Columbia starting April 1. For tickets, visit excavationtheatre.com.

– Courtesy Excavation Theatre

Format ImagePosted on March 10, 2023March 9, 2023Author Excavation TheatreCategories Performing ArtsTags birth control, freedom, governance, Hannah Moscovitch, history, politics, theatre
Artfully exploring heritage

Artfully exploring heritage

Lindsey Tyne Johnson (photo from Lindsey Tyne Johnson)

Returning from a Birthright trip to Israel in 2019, artist Lindsey Tyne Johnson was inspired. Learning the aleph-bet, she made a laser-engraved spirit board in Hebrew, but accidentally arranged the letters left to right, as they would be in English, and not right to left, as Hebrew is read. The mistake spurred her not only to create the exhibit Hebrew Spelled Backwards, which is on display at the Kamloops Art Gallery until April 1, but to explore her cultural heritage, from which she had been estranged, and learn more about Judaism.

The other, more sombre, inspiration for the Hebrew spirit board and the exhibit was, Johnson writes in a blog post, a “desire to feel closer to my brother after the events that left him homeless and his eventual passing.”

“Born with the name Liam, my brother changed his name to his chosen Hebrew name, Noah as an adult,” she writes on her website (lindseytynejohnson.com). “My mother had mentioned our Jewish ancestry to us as children, but my brother was the only person to explore it…. I can still remember it as what my mother called ‘one of his many phases’ in his late teenage years. She chalked it up to a phase, but it’s the string I use to tie memories of my brother together.”

“My brother was the first person I witnessed who explored their Jewish heritage,” Johnson told the Independent. “When he moved to Vancouver in his early 20s, he legally changed his name to his Hebrew name, Noah. He struggled a lot with his mental health, and there were times when I felt like I was losing the brother I grew up with. It was an attempt to feel closer to him that I went on Birthright and had a bat mitzvah. I wanted to remember the part of him that was happy, passionate and excited about life.

“My brother lost his life to fentanyl in 2021. It was devastating and broke my family apart,” said Johnson, who has two other siblings. “Many struggle to understand substance abuse/mental illness’s connection to generational or cyclical trauma. It’s unfair to look down upon those who might suffer from those things. I try my best to advocate for the destigmatization of mental illness where I can, though I’ve had to be careful not to let others’ ideas also negatively affect my mental health.”

While not a large exhibit, Hebrew Spelled Backwards is powerful, thought-provoking in a serious way, but also using humour. For the exhibit’s images, Johnson explains on her website, “The sandy colour palette was chosen as a tribute to the desert, a significant location in Jewish history and culture. I use digital media to blend traditional Jewish motifs with modern techniques, creating a dynamic visual experience.”

Johnson said, “Like many artists, my process is sporadic and requires a particular head space to create something I’m happy with. I often have ideas for pieces while doing mundane daily activities; if I don’t write them down, they’re lost forever. I practise a lot of sequential art, which is usually silly comics about everyday life, but they’re generally never seen by other humans. My style reflects the graphic novels I like to consume. I can’t help but be inspired by artists like Craig Thompson and Marjane Satrapi, both visually and thematically. My dream is to produce a graphic novel one day.”

The Hebrew Spelled Backwards exhibit comprises not only Johnson’s artwork, but her voice. Each picture has a QR code and viewers can hear Johnson give explanations of the Hebrew words and some context for the images, making the exhibit more accessible and inclusive. The illustrations variously include Jewish symbols and/or Hebrew text, supernatural elements, pop art iconography (a Warholesque can of Birthright’s Instant Bat-Mitzvah, for example) and current topics of concern, like rapper Ye’s antisemitic comments, poignantly drawn as a short series of cellphone text messages from a mom to her child that ends with the child asking, “mum, why is ye mad at us?” This is one of the works that, as the exhibit description reads, “examines the complexities of identifying as Jewish and the fear and uncertainty that often come with it.”

“I have a couple of fears about identifying myself as Jewish,” Johnson told the Independent. “Initially, when diving into Jewish culture and Judaism as a religion, I was afraid people might not think I was ‘Jewish enough,’ since only one of my parents has Jewish ancestry. My siblings and I were raised without Jewish traditions or education…. Having a bat mitzvah really helped with that fear, though. I’m also grateful that I’ve never really encountered anyone from the Jewish communities I’ve belonged to that has made me feel that way.

image - “RaeF” by Lindsey Tyne Johnson
“RaeF” by Lindsey Tyne Johnson

“The other part of that fear was that people would think differently of me or assume certain tropes or ideologies about me if I publicly identified myself as Jewish. This is an unfortunate reality I’ve experienced, even if subtly. Most commonly, people think I’m OK with antisemitic jokes or jokes that involve the Holocaust. It’s an exhausting thing to experience.”

Putting together the exhibit has allowed Johnson not only to explore her fears, but also her own biases.

“Creating these pieces required me to reflect on the experiences of people like Batsheva Dueck (aka Cynical Duchess, a modest fashion content creator) or more conservative Jews, who experience more assumptions made about them based on their dress or religious beliefs,” she said. “Since working on this exhibition, I’ve been more sensitive to times when I’ve excused antisemitic values expressed by my peers or acquaintances. When I lived in Brooklyn, I lived with someone who spoke quite negatively about Hasidic communities. This has been an excellent opportunity to witness my biases and encourage others to reflect on their biases or assumptions, too.

“It’s also allowed me to tie other pieces of my identity together,” she continued. “I’ve been able to connect my Irish ancestry with my Jewish ancestry, for example. It has given me a sense of wholeness or completeness and I’ve accepted that I can be many things all at the same time and I’ve accepted that that’s OK. We all contain multitudes.”

Johnson went to Ireland this past summer to visit where her Ashkenazi family moved to in the 19th century, and “to visit the Irish Jewish Museum and Waterford treasures.”

“I was probably in the fourth grade when my mother talked to my siblings and me about it,” said Johnson of first learning about her Jewish heritage. “It was after I had come home and talked about how we were learning about World War II at school. It was surreal to hear my mother, an immigrant from England, talk about a side of our ancestry that had never really been discussed before. I didn’t understand what it meant at the time.”

Johnson herself has lived many places. She was born in Edmonton in 1993, but her family moved to Saskatchewan and then Prince George, B.C., shortly after.

“I spent most of my youth in Prince George but moved to Dawson City, Yukon, as soon as I could save up enough money to attend the Yukon School of Visual Arts,” she said. “Yukon SOVA is a one-year foundational arts program. Still, I decided to stay in the Yukon upon completion and remained in the territory for about five years before I moved to Brooklyn in 2018. I was in Brooklyn for only half a year before moving to Kamloops to be closer to my family, but it made a lasting impression. Going from a territory of 35,000 people to my neighbourhood in Williamsburg with four times that amount was dizzying.”

Johnson said she loves the Kamloops Jewish community. “I joined shortly after moving to Kamloops from Brooklyn and felt incredibly welcomed,” she said. “The [Okanagan Jewish Community Centre] president, Heidi Coleman, is a huge inspiration and comfort to me. It’s pretty relaxed in terms of how often we have gatherings. We don’t have a synagogue or a place to meet, so we usually celebrate holidays at someone’s house. The ‘younger’ (20 to 30 years old) of us have a close bond, and I often have a group of us over for various holidays, too.”

Johnson is currently in her third year at Thompson Rivers University, where she is doing a bachelor’s in criminology. “I’m most interested in victimology,” she said. “I think Canada and most of the world fail victims of crime to an astronomical degree. It’s wild to think about how much attention we give criminals without considering how we could better support the survivor or victims of their crimes.”

Artistically, she is planning a piece that more specifically honours her brother Noah. “I want to educate the general public about how the consequences of generational or cyclical trauma can lead to mental health struggles like substance abuse,” she said. “I would like to highlight that it’s not specifically someone’s ‘fault’ for struggling the way they do.”

For more on Johnson, visit lindseytynejohnson.com. Kamloops Art Gallery’s website is kag.bc.ca.

Format ImagePosted on February 24, 2023February 22, 2023Author Cynthia RamsayCategories Visual ArtsTags digital art, family, Hebrew, history, intergenerational trauma, Kamloops Art Gallery, Lindsey Tyne Johnson, social commentary, stigma, substance abuse
Vernon’s Jewish community

Vernon’s Jewish community

The exhibit Shedding Some Light on the Jewish Community in Vernon is at the Museum and Archives of Vernon until the beginning of April. (photo from Alexandra Fox)

If you are passing through the Okanagan between now and the beginning of April, check out the exhibit on Vernon’s Jewish community, which recently went up at the Museum and Archives of Vernon. Last month, I sat down with collections and exhibits intern Alexandra Fox to chat about it.

Between sips of hot chocolate at a local café, we bonded over the fact that we are two queer Jews from the Lower Mainland, who grew up spending winters up on SilverStar Mountain Resort with family, and both find ourselves currently in Vernon. We also share a love of local Jewish community history.

Carmel Tanaka: What inspired you to curate an exhibit about Vernon’s Jewish community?

Alexandra Fox: When I came here, I found that there weren’t a lot of openly Jewish people and most of the non-Jewish community was not aware of the Jewish community. I wanted to shed some light on a community that has often gone under the radar and that’s why I titled the exhibit Shedding Some Light on the Jewish Community in Vernon. It was partly a pun on certain traditions of lighting candles, too.

Basically, I wanted the exhibit topic to be something that meant a lot to me. I come from a multifaith family, with my dad being Jewish and my mom being Protestant. Growing up, Jewish identity had been a confusing thing for me as, technically, I am not Jewish, due to it being matrilineal but it was always the religion I connected with the most. Maybe this is in part due to always being told that I look Jewish. However, you cannot always tell if someone is Jewish, as there is so much diversity in the community. I wanted to curate this exhibit so that I could honour my identity a bit more.

CT: What have been some of the reactions to the exhibit?

AF: The reactions to the exhibit have all been positive so far and I believe it will stay that way. I’ve had a few questions about certain Jewish traditions that are represented by the items in the exhibit but they have all been very respectful. Some of my co-workers have also congratulated me on making an excellent exhibit.

CT: During the research and curation of the exhibit, did anything surprise you? Did you face any challenges?

AF: I was surprised by how small the Jewish community was when it started in the 1970s – it numbered only 20 people – and how small it really still is. The 2021 Census … in the case of Vernon, it shows that most Jewish people identify as Jewish but are not practising. This trend doesn’t surprise me because I think a lot of Jewish people in other communities are the same, but the numbers of Jews (both ethnically and religiously) are so small.

Some of the challenges that I faced while creating the exhibit were during the call-out phase and during the editing phase. Since our museum didn’t have any Jewish objects in the collection, I had to do a call-out to the community…. I felt limited to reaching out to practising Jews rather than those who identify as ethnically Jewish because I didn’t have a lens into the community and was only able to reach out to the Okanagan Jewish Community Centre and Chabad House. Only the Okanagan Jewish Community Centre agreed to loan some objects to the museum for the exhibit.

CT: What resources did you use in compiling the exhibit?

photo - Alexandra Fox, curator of the exhibit Shedding Some Light on the Jewish Community in Vernon
Alexandra Fox, curator of the exhibit Shedding Some Light on the Jewish Community in Vernon. (photo from Alexandra Fox)

AF: The resources I used to compile the exhibit were from Census data analyses, the Okanagan Jewish Community Centre website, the Chabad website, some existing pictures in Vernon’s museum archives, as well as Ronnie Tessler’s research from the Jewish Museum and Archives of B.C., which focused more on Kelowna than on Vernon.

CT: Community archival projects are limited to the availability of resources. If you were able to continue researching Vernon’s Jewish community, what stories would you like to dive further into?

AF: Only after finishing the exhibit did I find out that one of the people who developed SilverStar was Jewish, so if I were to continue researching Vernon’s Jewish community, I would totally dive further into finding out about that family. I would like to know if the SilverStar community even knew about Dr. [Michael] Lattey being Jewish.

Also, if I were able to continue researching Vernon’s Jewish community and developing the exhibit, I would extend the call-out to more community members so that I could expand the range of people represented by the exhibit, such as Vernon’s very own, the Saucy Soprano Melina Schein, who won Food Network’s Wall of Bakers and who I only found out about after the exhibit.

As an intern at the museum, I seemed to be quite limited in who I could extend the call-out to and I wish I had met with you, Carmel, before the coffee meetup because then I could reach more community members, especially those not affiliated with community organizations or synagogues.

I would also like to dive deeper into the 2021 potential sale of Nazi memorabilia by Dodd’s Auction, a local and much beloved auction house. The memory of the Holocaust is very present in Vernon’s Jewish community so when these items were included in the auction, the community – Jewish and non-Jewish – successfully demanded that it be halted, and the items were returned to the consigner. It’s important to me to ensure that these stories and this part of local history are heard.

CT: Your exhibit, the first of its kind in Vernon to my knowledge, is a wonderful “Jewifying” of museum space. Why is it important for the Jewish community to share our stories in rural towns like Vernon?

AF: “Jewifying” the museum space, as with creating space for any other groups that have been historically left out of museum space, is a very important thing. I think it is especially important in museums located in rural towns because these are the places that are most likely to have fewer interactions with any minority groups…. In many rural towns, the Jewish people (or any other minority group) feel like they have to hide that part of themselves and I think it is very important to show them, and the rest of the community, that you don’t have to hide your identity.

CT: Is there anything else that you’d like to add?

AF: I’d like to add that this is the first exhibit I have curated and, although limited by time and other factors, I poured my heart into this exhibit, which had a personal connection to me. When embarking on this exhibit, as mentioned earlier, I wanted to do something that was personal to me. It was either something about Jewishness or queerness and I decided to choose the former. My sister is in Israel right now, volunteering on a kibbutz, and I felt that curating this exhibit would be my way of honouring my identity.

***

For more information on the exhibit, visit vernonmuseum.ca/vernon-museum/vernons-jewish-community.

Carmel Tanaka is the founder and executive director of JQT Vancouver, and curator of the B.C. Jewish Queer and Trans Oral History Project (jqtvancouver.ca/jqt-oral-history-bc) and the Jewpanese Oral History Project (@JewpaneseProject on Instagram). She has family ties to Vernon, and it was a Japanese-Canadian friend who tipped her about Fox’s exhibit.

Format ImagePosted on February 24, 2023February 22, 2023Author Carmel TanakaCategories LocalTags Alexandra Fox, history, museums, Okanagan, Vernon

Opportunity for healing

This article was originally presented as a d’var Torah called “Healing our relationship, as Jewish Canadians, with Ukraine and Ukrainians.” It was delivered at Or Shalom Synagogue on Shabbat, 14th of Tevet, 5783; Jan. 7, 2023. It is intended as a beginning of a conversation about how we, as Canadian Jews, can heal our relationship with Ukrainians and Ukraine.

When many of us Canadian Jews think about Jewish experience on Ukrainian territory, we think of antisemitic violence. We think of pogroms, of rape, of plunder. And, ultimately, of either escape or death. For those of us with personal ancestral history in the territory of Ukraine, this pairing of the land with violence is particularly acute. One Or Shalom member told me, with raw emotion, about his father’s experiences at the hands of brutal Ukrainian guards in various Nazi concentration camps. My Uncle Leo referred to Easter as pogrom season in the town of Yavorov, the town presently in western Ukraine, called Yavariv in Ukrainian, where he lived until the age of 11. He spoke to me of his childhood as a past from which he had, thankfully, escaped.

It is not uncommon for individuals to seek escape from a painful childhood past. However, we are learning from contemporary trauma theory that, as much as we may want to leave the past behind us, it lives on within us. Ukraine lives on in the deep psychic life of many of us and in the psychic life of the Canadian Jewish community with its extensive roots on Ukrainian territory.

As we are all aware, the Ukrainian people are heroically resisting a brutal assault by Russian forces. As well as eliciting fear, horror and outrage, this situation presents us with an invitation to move beyond our feelings of separation from our history on Ukrainian soil and from the Ukrainian people. The war provides us with the opportunity to claim our own legacy and place in the new, complex, multiethnic, multiracial, democratic Ukraine, with all its triumphs, challenges and contradictions. This is an opportunity for healing.

I want to share some of what I have learned that has helped me on this healing path.

If we look at the historic record of Jewish life on Ukrainian territory, we see that Jewish-Ukrainian coexistence was deep, complex and multi-dimensional. Demographically, Ukrainian territory was one of the main centres of Jewish life for more than 400 years. On the eve of the Holocaust, there were more than two-and-a-half million Jews in that area.

There were periods of horrific violence and crippling antisemitism against Jews on Ukrainian territory, as well as periods of ongoing systematic prejudice. These realities must not be overlooked or minimized. But we also see many examples of interconnection between Ukrainian Jews and ethnic Ukrainians. We see many examples of shared music with similar melodies and even bilingual songs; of similar folk stories; and of similar folk remedies and folk healing practices, with Jewish Ukrainian and ethnic Ukrainian folk healers sharing their remedies with each other and tending to both populations.

And there is considerable similarity in those quintessential Jewish activities – food preparation and consumption. This past summer, I made pickles with my Ukrainian-Canadian friend Beverly Dobrinsky, using an old family recipe of hers. The next day, I discovered the exact same recipe, grain of salt per grain of salt, in my own disordered family recipe collection.

Looking at literary translation, one of my passions, we find many examples of the translation of works between Yiddish and Ukrainian and between Ukrainian and Yiddish. In the late 1920s, Ukrainian writer Yuriy Budiak wrote two bird-themed children’s books that have been described as delightful and playful. Shortly thereafter, the books were published in Yiddish translation and enjoyed by Yiddish-speaking Jewish children. These books were recently published by Naydus Press in the United States in a trilingual edition – Ukrainian, Yiddish and English – to raise funds for the Ukrainian war effort.

During the 1930s, both Yiddish and Ukrainian writers experienced repression by the Stalinist Soviet government and experienced difficulty publishing their own writing. In response, they began translating one another’s work and the work of Soviet-sanctioned writers from one another’s cultures. The esteemed Yiddish poet Dovid Hofshteyn translated the work of Taras Shevchenko, known as “the national bard of Ukraine.” The Yiddish writer Leib Kvitko taught Yiddish to the Ukrainian writer Pavlo Tychyna, who went on to translate a number of Yiddish writers into Ukrainian.

As Prof. David Fishman from the Jewish Theological Centre in New York points out, all these similarities and interconnections‚“only happen with close contact.”

Moving into the present, by focusing solely or predominantly on past violence and persecution, we fail to take into account the cataclysmic changes Ukraine has undergone, notably since the breakup of the Soviet Union and the country’s emergence in 1991 as an independent nation with a sizable contemporary Jewish population. David Klion estimated, in Jewish Currents, that the Jewish population of Ukraine at the time of the Russian invasion in February of 2022 was more than 100,000 people.

Since independence, Ukrainians have been redefining what it means to be Ukrainian, moving from an ethnic category of belonging based on ethnic and religious identity to a civic category based on citizenship. This is an important issue for all Ukrainians, but particularly for the many individuals, including Jews, who are not ethnically Ukrainian.

Last April, I had the enormous privilege of hearing a Zoom talk organized by the Vancouver Holocaust Education Centre and given by Dr. Magda Havryshko, a Ukrainian academic. Havryshko spoke of two different national narratives in Ukraine, an ethnocentric narrative focusing on the country as the homeland of the Ukrainian people, and a multiethnic narrative “that priorizes examining Ukraine’s difficult history in relation to Jews.” Havryshko shared information about several inspiring initiatives undertaken in Ukraine in relation to its Jewish population. I will outline three of these initiatives here: during the celebration of Ukrainian independence in 2021, Holocaust history and memory was central; the history of the Holocaust on Ukrainian territory is now taught in all schools beginning at the elementary level; and, lastly, President Volodymir Zelensky and his government have set out a definition of antisemitism, introducing legal punishments for antisemitic acts.

Prof. Amelia Glaser, who studies and teaches comparative literature and translation, has spoken about a desire among contemporary Ukrainian writers to “look very closely at past moments of history and of ethnic violence as Ukrainian tragedies‚” rather than solely as Jewish tragedies. The book-length poem “Babyn Yar in Voices‚” by Marianna Kiyanovska, a non-Jewish Ukrainian, about the 1941 slaughter of Jews in a ravine outside Kyiv, was recently published in English translation by Oksana Maksymshuk. Further, several works by Ukrainian Yiddish writers have been recently translated into Ukrainian, including the fabulous avant-garde Yiddish poetry of Debora Vogel and Sholem Aleichem’s Tevye, which many of you know as Fiddler on the Roof. By the way, Sholem Aleichem lived most of his adult life in Kyiv, a city that he loved.

Without in any way discounting the violence and antisemitism against Jews on Ukrainian territory, I hope I have provided a little forshpayz, an appetizer, about areas of cooperation and interconnection between Ukrainian Jews and ethnic Ukrainians. I have focused on translation and literature, two of my passions, but I encourage you to look for examples of interconnection in the areas of your own interest.

When I think about healing my relationship with Ukraine, it helps me to think about the complexity of my own identity and experience. I am the granddaughter of Jewish immigrants who fled poverty and persecution in different parts of the former Russian Empire, including Ukrainian territory, at the beginning of the 20th century. My maternal grandparents settled in Montreal; my paternal grandparents, in New York. It is telling that I do not know the specific history of the Indigenous nations in the areas in which my grandparents settled but I think I can assume that the lands had been forcibly taken from the Indigenous inhabitants. Two generations later, I continue to live on unceded (that is – stolen) territory, that of the Squamish (Sḵwx̱wú7mesh), Tsleil-Waututh (səlilwətaɬ), Musqueam (xʷməθkʷəy̓əm) and Kwikwetlem (kʷikʷəƛ̓əm) First Nations.

Canadian society is involved in a collective process of teshuvah, of redefining the relationship between us settlers and the Indigenous peoples on this land. Like all settlers, as Canadian Jews, we are challenged to take responsibility for our active involvement or silent complicity in the ongoing Canadian genocidal project against our country’s Indigenous inhabitants. Can we see our commonality with Ukrainians as we both address our brutal oppression of “the other”? Are we, as Canadian Jews, willing to embrace the complexity of our lived experience, to look both at our privilege, especially when it is experienced at the expense of others, as well as at our own painful experience of victimization? Can we hold both at once with integrity?

I finish by sharing the wisdom spoken by an Indigenous man, whose name I unfortunately did not get, at Grandview Park at this past year’s Orange Shirt Day. “When you take a step to heal, you also heal the ancestors. You heal the ones behind and the ones ahead.”

I welcome ongoing dialogue on the issues raised in this talk. Thank you for your kind and open attention.

Helen Mintz’s translation of Vilna My Vilna: Stories by Abraham Karpinowitz (Syracuse University Press, 2016) garnered three literary awards, and her translation of Janusz Korczak: Teacher and Child Advocate by Zalmen Wassertzug is under consideration by the University of Poznan Press. Mintz’s translations have appeared in In Geveb, Jewishfiction.net and Pakn Treger, and her writings about translation in Words without Borders and BC Studies. Her website is helenmintz.net.

Posted on February 10, 2023February 9, 2023Author Helen MintzCategories Op-EdTags healing, history, Holocaust, Ukraine
Local Houdini connection

Local Houdini connection

Among the documents in the Houdiniana Collection at the New York Public Library for the Performing Arts is a thank you letter from Harry Houdini’s brother to Dr. Daniel E. Cohn, who was Houdini’s doctor at the time of the escape artist’s death in Detroit on Oct. 31, 1926. (image from New York Public Library for the Performing Arts, Houdiniana Collection)

Did you know there’s a Harry Houdini connection to Vancouver’s Jewish community? My late husband was Theodore (Ted) Cohn, emeritus professor of political science at Simon Fraser University. Ted’s father, Dr. Daniel E. Cohn, was Houdini’s doctor at the time of the escape artist’s death in Detroit on Oct. 31, 1926 (Halloween).

After Ted’s mother, Ethel Schatz, died in 2012, we acquired papers related to Cohn’s care for Houdini. Cohn was just 25 years old, starting his medical practice. He was the substitute doctor for the Statler Hotel at the time of Houdini’s Detroit tour.

Prior to his Detroit performance, on Oct. 22, Houdini had been punched unexpectedly in Montreal by a McGill student, J. Gordon Whitehead. Whitehead was testing Houdini’s ability to withstand abdominal blows. Without advance notice, however, Houdini was unable to prepare his muscles, and his appendix was ruptured. Nevertheless, he and his wife Bess traveled to Detroit, where he performed at the Garrick Theatre on Oct. 24. He collapsed after the show.

Houdini reluctantly went to Grace Hospital after being examined by Dr. Cohn. His surgeon, Dr. Charles S. Kennedy, operated and discovered the now-gangrenous appendix. With no cure in sight, Houdini remained hospitalized. Specialists were consulted, to no avail.

image - Among the documents in the Houdiniana Collection are Dr. Daniel E. Cohn’s notes on his examination of Harry Houdini
Among the documents in the Houdiniana Collection are Dr. Daniel E. Cohn’s notes on his examination of Harry Houdini (page 1 shown here). (image from New York Public Library for the Performing Arts, Houdiniana Collection)

Cohn was able to spend time at Houdini’s bedside, getting to know him and even bringing him “Farmer’s Chop Suey,” a sour cream-raw vegetable dish Houdini requested. The two ate this Jewish specialty together.

A thank you letter to Cohn from Houdini’s brother, Theodore Hardeen, and other original documents are now in the Houdiniana Collection at the New York Public Library for the Performing Arts. These include Dr. Cohn’s notes related to Houdini’s medical care and death, and insurance and legal letters related to Cohn’s payment. I wanted these valuable items to have a better home than our personal archival-quality folders, and approached the specialty library, where these papers will be available to researchers.

image -  One of the legal documents related to Harry Houdini and Dr. Daniel E. Cohn
One of the legal documents related to Harry Houdini and Dr. Daniel E. Cohn. (image from New York Public Library for the Performing Arts, Houdiniana Collection)

Houdini’s father, Rabbi Mayer Samuel Weiss, moved to Appleton, Wisc., in 1878, to be the first rabbi at Zion Congregation. Houdini, known then as Erich Weiss, was 4 years old. Houdini is buried in Machpelah Cemetery, Queens, N.Y.

Format ImagePosted on January 13, 2023January 11, 2023Author Shirley CohnCategories LocalTags history, Houdini, Houdiniana, New York Public Library, Ted Cohn

A first step to solutions?

Among other things, Hanukkah is about bringing light into the darkness. There is plenty of darkness in the world and a vast range of concerns calling for radiance.

Mainstream media seem to have taken the cue that Hanukkah is the moment to discuss the alarming and rising phenomenon of antisemitism. Time magazine declares: “Amid antisemitism, Hanukkah celebrations carry new weight.” USA Today explained a new tradition: “On Hanukkah, the ninth candle reflects how anyone can fight antisemitism by sharing truth.” Here in Canada, both Prime Minister Justin Trudeau and Opposition Leader Pierre Poilievre highlighted antisemitism in their annual Hanukkah messages. Expect to see similar expressions of concern in a few days, as the end-of-2022 reflections on the good and bad of the year just passed and hopes for the fresh new year fill pages and airtime during the slow news days of the winter holidays.

We are not complaining. This issue needs thorough and ongoing coverage. It just seems, somehow, that writing and talking about what is often called the world’s oldest bigotry lacks new insights. Many agree that this is a problem. Few, though, have solutions beyond platitudes. 

Finding innovative ways to think and talk about “the world’s oldest” anything is, by definition, a challenge. Some of the greatest scholars in the world have studied the problem, vast networks of activist organizations and Jewish communal agencies devote themselves to defeating it, and still it grows. If we had the definitive explanation or the silver bullet to solve it, you would not be reading it here – we would be sharing our wisdom from the dais of the Nobel Prize ceremony and as the lead story on the world’s media. Undaunted, a few thoughts:

The very phrase “antisemitism” may be problematic. The term was invented in the late 1800s by a proud antisemite to describe his orientation. But while there is a great deal of conscious and visible antisemitism in the world today that rightly raises alarms, there has always been an equally, perhaps more, worrying phenomenon in the form of unconscious bias about Jews that permeates many societies and individuals. This is more insidious and, therefore, more difficult to challenge. 

It is worth noting that antisemitism is often most prevalent where no or few Jews exist, making it easier to project onto a largely imaginary enemy the fears and hatreds carried by the individual or the society. Similarly, we see a projection of Jewishness onto any unpopular phenomenon, an example being the “Great Replacement” theory, a paranoid fantasy in which whatever the perpetrator despises (in this case immigration) is cast as a problem with Jewish roots.

Both of these phenomena touch on what we suspect is the nut of antisemitism: it is a problem that affects Jews but it is not a problem of Jews. That is, if Jews did not exist, the antisemites would have to invent them – which is, in essence, precisely what they have done with the caricatured “Jew” that is demonized by antisemites. 

This understanding, of course, does nothing to resolve the problem. And, again, a problem known as “the world’s oldest hatred” is not going to be solved in one generation with one easy antidote. It is encouraging, though, to see the range of responses to the problem, from more in-depth coverage in mainstream media to the statements of top leaders in Canada, as well as in the United States, where a major presidential effort against antisemitism is being led by Doug Emhoff, the second gentleman of the United States, who recently led a roundtable of leading thinkers, and in a host of other undertakings worldwide.

As is said in a different context, the first step to recovery is admitting you have a problem. As a society, we have a consensus that antisemitism is a growing problem. As we approach 2023, we hope those thoughts will turn to even more action in confronting this confounding blight. 

Posted on December 23, 2022December 21, 2022Author The Editorial BoardCategories From the JITags antisemitism, Hanukkah, history, politics
Ukraine’s complex past

Ukraine’s complex past

Elissa Bemporad (photo from Elissa Bemporad)

During a Dec. 4 Zoom lecture organized by Kolot Mayim Reform Temple in Victoria, historian Elissa Bemporad offered a nuanced look at the Jewish experience in Ukraine, as well as perspective on the Russian invasion of Ukraine

“It was a history marked significantly more by coexistence between Jews and non-Jews than it was by violence,” said Bemporad, a professor at Queens College and CUNY Graduate Centre in New York City. “I am saying this not only in response to the genocidal war that Russia has launched in Ukraine, justifying it by manipulating the past and demonizing Ukrainians as quintessentially violent. We should resist the view of the Jewish experience in the region, as tragic as it might have been, as if it was doomed from the very beginning and enveloped in perpetual violence.”

The current war, she underscored, has brought about the worst refugee crisis in Europe since the Second World War, with cities destroyed and civilian populations terrorized. “The aim of this war seems to be putting an end to Ukrainian sovereignty and identity,” she said. “As a historian, one of the most painful moments was reading about how the Russian occupiers were seizing and destroying books. As Jewish historians, we know all too well what happens when a society destroys books.”

Showing images of the destruction of Jewish buildings in Ukraine, such as a synagogue in Mariupol and the Hillel building in Kharkhiv, Bemporad spoke to the irony of one of Russia’s stated goals of the conflict: to rid the country of Nazis. Most of the Jews in these bombed-out cities have left, she said, and there is uncertainty as to whether they will return; many have either fled to Israel or settled in the West.

Bemporad discussed the pre-Second World War period, when 1.5 million Jews lived in what is today Ukraine, the largest community being in Kyiv, where 226,000 Jews resided, or one-third of the city’s population. Addressing the anti-Jewish violence in the region, she spoke about – among other uprisings, dating back to the 17th century – the Russian Civil War (1918-21) and the resulting atrocities committed against the Jewish population by both military units and the civilian population. Many of the pogroms took place in Ukraine and tens of thousands of Jews were killed.

“Jews were thought of as interlopers in the national body and imagined as forces connected to Bolshevism that would tear apart the nation’s fabric,” Bemporad said. “The fact that Trotsky was the leader of the Red Army did not play in favour of the Jews.”

But Bemporad highlighted a history of coexistence as well, stories in which some Ukrainians heroically stepped in to save the life of Jews, notably the writer Rakhel Feygenberg, who, along with her infant son, was hidden by non-Jews during a 1919 pogrom.

About the post-First World War era, she noted the ambivalent attitude the Soviet state had toward antisemitism. “While the state condemned antisemitism on paper, it was often eager to ignore antisemitism or to weaponize it in its best interest,” she said. “With regard to the pogroms, the Soviets shifted between acknowledging and downplaying the anti-Jewish violence. They were ambiguous in their treatment of the Jews, and they were the ambiguous in their treatment of the perpetrators, creating a state-controlled memory. However, when the discussion of the pogroms was perceived as at odds with the regime’s interests and priorities of building socialism based on the brotherhood of peoples, then the memory of anti-Jewish violence was silenced and the Soviets preferred not to investigate and punish the perpetrators.”

In other examples, she said the Soviets would use antisemitism among Ukrainians as a means to demonstrate they were prone to nationalism. And both Ukraine and Russia have provided recent examples of reviving the memories of and glorifying national heroes who were responsible for carrying out pogroms.

In a final slide, Bemporad displayed the results of a Pew Research Centre survey on antisemitism in Europe. Despite Russia’s attempts to portray Ukraine as a hotbed of antisemitism, more Russians had an unfavourable opinion of Jews than Ukrainians. And, in Bemporad’s view, Ukraine, despite its corruption, has become the most democratic of the post-Soviet states, excluding the Baltic countries. Further, as has often been mentioned in referring to the present situation of Jews in Ukraine, the country elected a Jewish president, Volodymyr Zelensky, with more than 73% of the vote.

“Siding with Ukraine today does not entail dismissing or forgetting the dark pages of anti-Jewish violence in the region,” Bemporad said. “It is rather a reminder that we can start turning those pages and writing new ones in the book of the Jews of Ukraine.”

Bemporad, a two-time winner of the National Jewish Book Award, is the author of Becoming Soviet Jews: The Bolshevik Experiment in Minsk and Legacy of Blood: Jews, Pogroms and Ritual Murder in the Lands of the Soviets. She is the co-editor of two volumes: Women and Genocide: Survivors, Victims, Perpetrators and Pogroms: A Documentary History.

The next speaker in Kolot Mayim’s Building Bridges series will be Sari Shernofsky, a retired community chaplain from the Calgary Jewish community, on Stories from the Narrow Bridge: Meeting People in Their Time of Need. She will speak on Jan. 8, 11 a.m. Visit kolotmayimreformtemple.com.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on December 23, 2022December 22, 2022Author Sam MargolisCategories LocalTags antisemitism, atheism, Elissa Bemporad, history, Kolot Mayim, religion, Russia, Ukraine, war
Building sense of community

Building sense of community

This past summer at Camp Hatikvah, the 13-year-old campers were asked to re-create a camp photo from the 1960s. (photo from Camp Hatikvah)

If any Camp Hatikvah alumni stepped onto the property for the first time since the early 2000s, they would be in awe. With the exception of the chadar (dining hall), every single building on site has been rebuilt over the years thanks to the generosity of the community. The facilities are safe, modern and thoughtfully planned to ensure the best program possible can be delivered to the close to 700 participants Hatikvah hosts each summer. 

However, even more impressive than what has changed at Camp Hatikvah over the years, is what hasn’t.

“Our site has certainly improved a lot over time and the new facilities have led to exciting program 

opportunities for our campers but, with great pride, our program remains deeply steeped in the same traditions that existed when the camp was founded some 75 years ago,” shared executive director Liza Rozen-Delman.

Rozen-Delman went on to say that, while  alumni from any previous era who visited the camp may not recognize the buildings, they would feel immediately at home.

“Everything would be familiar to them. The mifkad (flag raising/lowering) ceremony is performed verbatim to how it was done in the ’40s. We still start every meal by singing ‘Anachnu od lo achalnu shum davar …’ followed by the blessings. The Kochot campers still try to sneak past shmira (night watch) after bedtime and final banquet is still the most special night of the summer,” she said with a smile.

It’s hard not to smile with her, as you can see the passion for Jewish camping all over her face as she speaks about the generations of children who have been impacted by Hatikvah. 

“It’s a place like no other,” Rozen-Delman said. “It is where thousands of kids had the chance to experience a fully Jewish environment for the first time in their lives. It’s beautiful and I am grateful to be able to be a part of it.”

Joanna Wasel, board president, couldn’t agree more. She said Jewish camp is one of the most impactful ways to help children form a strong and proud Jewish identity. It works, she said, “specifically because the learning at camp is informal. It doesn’t come from lectures but from immersive Jewish experiences that are shared amongst a community of peers. It’s powerful and effective. Quite frankly, it’s brilliant.”

photo - One of the photos from the 1960s that Camp Hatikvah 13-year-olds re-created last summer
One of the photos from the 1960s that Camp Hatikvah 13-year-olds re-created last summer. (photo from Camp Hatikvah)

During these complicated times, when youth are experiencing mental health issues at an unprecedented rate, Hatikvah’s focus on tradition is also helping campers go back to a simpler time. “We are a technology-free zone,” noted Rozen-Delman, who went on to say that camp offers children a much-needed respite from social media. “Being unplugged is freeing,” she said. “It’s one of the greatest gifts we can give the children of today.”

Rozen-Delman spoke about the joy she feels when kids engage in the type of back-to-basics fun that the camp environment can provide. She recalled a program the 13-year-old campers did this past summer, where they were given an historical camp photo from the early 1960s and asked to re-create it.

“It’s not always easy to get a 13-year-old excited about a program, so I was unsure what the reaction would be,” she said. “But these kids reveled in the opportunity to do something creative and different. They went to their cabins, got dressed up and had the most amazing time giggling with each other as they performed their task. It was so pure. And I loved the photos they took, as it connected them with the past and reminded them that they are a part of a community of people who have been touched by this special camp.”

– Courtesy Camp Hatikvah

Posted on December 23, 2022December 22, 2022Author Camp HatikvahCategories LocalTags continuity, history, Jewish camp, Joanna Wasel, Liza Rozen-Delman, summer

Love through good and bad

Gloria Levi’s recently published creative memoir The Hotelkeeper’s Daughter is a tribute to her family. And not just the family from whom she comes – the people who inhabit the main part of this story – but also the family she has made herself, the family members in the book with whom she shares her memories and those outside of it, who will read the story.

image - The Hotelkeeper’s Daughter book coverThe memoir is “creative” because memory, almost by definition, is unreliable, and, with this book, the 90-plus-year-old Levi is going back to her childhood. The character Gilda, her avatar of sorts, is trying to make sense of her past:

“They are all gone … Jerry, Macey, Sadie … and Ida and Leo … Bubbie … I, Gilda, at the age of 90, am the only one left of my family of origin. I am the Omega generation, the last letter of the Greek alphabet. I remember so vividly the sweetness of family togetherness, extended family visits, our tight-knit community. How I loved them and felt loved by them: their vitality, their enduring values, their struggles, losses and successes, their remarkable resilience. They are a deep part of me. They are the heroes of a bygone era.”

Speaking to her son and great-grandson, Gilda takes us to Powell Street, in Brooklyn, N.Y., 1938. She is 7 years old. She vividly describes her community, the neighbourhood of Brownsville. Her parents, grandmother and three siblings live downstairs in a duplex shared with her uncle and aunt and their family, who live upstairs. Money is sparse.

“During their usual pinochle card game one Saturday evening in March,” writes Levi, “my father turned to his cousin, Big Eliezer, and said, ‘Eli, I really need to make a change. I don’t want to go on like this. I know I can do better than my chicken store. What do you think, if you, Sammy and I were to rent a summer hotel? My brother Benny runs a hotel with partners. He’s doing just fine. You know, with your catering experience, Eli, and the younger energy and determination of Sammy and me, I think we could make a go of it. What do you think?’ Sammy nodded in agreement. Uncle Shimon closed his hand of cards and stared.”

And the rest, as they say, is history – and the meat of this memoir. Life isn’t easy as the daughter of hotelkeepers. Gilda had been happy on Powell Street, had many friends and her favourite activities. She was very close to her grandmother, who didn’t initially go with the family, and her parents were absorbed in the business. Gilda was lonely and often felt invisible. She has a challenging relationship with her mother, Ida.

Through Gilda’s story, we see how families like hers – an Eastern European Jewish family who immigrated to the United States – struggled and succeeded in their new homeland, through the Great Depression and the Second World War. We also see how Gilda grows into herself and begins to find her own way. The memoir ends in 1948, as Gilda starts university.

As 90-year-old Gilda looks back at this foundational decade of her life, relating her story to her son Daniel and great-grandson Lenny, she ultimately reflects not only on what has passed, but what is yet to come.

“To the Lennys of today and the Idas of yesterday, I want to affirm their vision, their energy, and their inspiring dedication to build a fairer, more just and loving society.”

Posted on December 9, 2022December 8, 2022Author Cynthia RamsayCategories BooksTags family, Gloria Levi, history, Hotelkeeper's Daughter, memoir

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