freelancer – Page 14

Dogs help war veterans live again

When Achiya Klein awoke after surgery, doctors began asking simple questions. Could he see this? Could he see that? “First, take off the bandages,” he told them.

“We already did,” they replied.

Klein was injured during a 2013 military operation near the Gaza border. His team discovered a two-kilometre, reinforced tunnel extending 400 metres into Israel. Klein led an Israel Defence Forces mission into Gaza to investigate further. As he approached an opening above the tunnel, a hidden booby trap detonated, with Klein, at the front of the team, taking the worst of the blast. The explosion caused severe burns, multiple facial fractures and catastrophic damage to his eyes, leaving him permanently blinded. He was evacuated under fire while rockets and gunfire erupted in the area.

Klein, now 34, grew up on a small religious kibbutz in the Judaean mountains. His childhood unfolded during the Second Intifada, surrounded by soldiers and a culture that expected young Israelis to serve. As a teenager, he and his friends competed to see who would make it into the most elite units.

In hospital, Klein initially believed surgery would fix the damage and allow him to return to his command. Realizing he could not see forced him to confront a completely different future.

Instead of dwelling on what might have been, he focused on recovery. Within months, he began rehabilitation through sport – cycling on tandem bikes, swimming, and running with guides. Eventually, he joined Israel’s para-rowing program and went on to compete internationally, representing Israel at the Tokyo Paralympic Games, in 2021.

A turning point in his independence came when he received his first guide dog from the Israel Guide Dog Centre. The dog, Knight, allowed him to navigate campuses, travel independently and rebuild everyday life.

photo - Achiya Klein with his guide dog Joy — Achiya Klein with his guide dog Joy. *(photo by Pat Johnson)*

Today, Klein lives in Toronto with his guide dog Joy. For him, the dog represents far more than mobility – she makes it possible to work, travel and be fully present with his children, like walking them to school.

Klein shared his story with the Independent on a previous visit to Vancouver (jewishindependent.ca/freedom-and-friendship) and he shared it here again recently as part of a cross-Canada tour sponsored by Canadian Friends of the Israel Guide Dog Centre. He and Joy were joined by fellow IDF veteran Nave Rachman, and his dog Jack.

Rachman trained in flight school before serving in an elite combat unit. During a military operation, what should have been routine turned into an ambush. Several soldiers were severely injured and Rachman helped evacuate them under fire.

Physically unharmed, Rachman initially continued with his life, even moving to Hong Kong for work. But the trauma lingered. PTSD (post-traumatic stress disorder) symptoms gradually emerged – depression, anxiety, avoidance and difficulty with relationships. Without visible wounds, he received no immediate treatment and tried to push through alone.

Over time, his condition worsened, straining his marriage and leaving him isolated. After his wife left, Rachman sought professional help and began intensive therapy. His recovery took another turn when he was paired with Jack, a service dog from the Israel Guide Dog Centre.

At first, Rachman doubted he could care for a dog – but Jack soon became essential in his life. The yellow Labrador helps him manage anxiety, navigate crowded environments and detect rising stress before panic sets in.

Rachman and Klein shared their stories with invited guests at the home of Ellen Wiesenthal and Eyal Daniel on Feb. 26. They were joined by Noach Braun, who founded the Israel Guide Dog Centre 40 years ago, and Atarah Derrick, executive director of Canadian Friends of the Israel Guide Dog Centre. While in British Columbia, they also spoke at Congregation Schara Tzedeck and at Vancouver Talmud Torah, as well as at a ski-and-learn event in Whistler. Their tour included presentations in Calgary and Toronto.

Braun said he was motivated by his love of people and dogs in founding the Israel Guide Dog Centre for the Blind, drawing on his experience training dogs in the IDF.

Each year, he said, the centre raises about 150 puppies, many of them Labradors. After two months with their mothers, the dogs spend about a year with volunteer families – often university students – who provide early socialization and care before the animals return to the centre for formal guide-dog training.

Expanding out from service dogs for the visually impaired, the centre also provides animals for emotional support and other needs, with PTSD being an increasingly common condition for which service animals deliver a range of supports.

The rise of PTSD in soldiers and civilians after Oct. 7, 2023, is putting added strain on the Israel Guide Dog Centre, Braun said. Training dogs is an intensive, multi-year undertaking and maintaining quality while increasing quantity requires significant investments of money and human resources.

“It will take time,” Braun said. “We need more money, more people, more dogs, more land, more vehicles.… We need to build it properly.”

Remain vital and outspoken

The stars of Stacey Tenenbaum’s documentary Tough Old Broads, playing at VIFF Centre March 14 and 17: Kathrine Switzer, left, Sharon Farmer, centre, and Siila Watt-Cloutier. (screenshots from film)

If you’re feeling hopeless about the state of the world – or you just want to know more about some incredible people who have spent their lives making the world a better place – head to VIFF Centre March 14 or 17 to see Stacey Tenenbaum’s Tough Old Broads.

The feature-length documentary features Sharon Farmer, the first woman and first person of colour to be director of White House photography; Kathrine Switzer, the first woman to officially run the Boston Marathon; and Siila Watt-Cloutier, the first woman to connect climate change to human rights (garnering a 2007 Nobel Peace Prize nomination for that work).

Watt-Cloutier, who calls Kuujjuaq, Que., home, also lived in Iqaluit, Nunavut, for 15 years or so. She was a pioneer in fighting for environmental protections, starting in earnest in the 1980s, when it was realized that pesticides and other toxic chemicals were poisoning the marine mammals that the Inuit were eating, ending up in the breast milk of Inuit women. At the time, Watt-Cloutier was head of the Inuit Circumpolar Council, which represents Inuit from Alaska, Canada, Greenland and Chukotka, Russia, on international matters. She has been instrumental in several actions that have changed how people think about climate justice.

In the documentary, she talks about negotiating with the United Nations from the perspective of being a mother. She says, “How could Inuit women be carrying this burden of, if I eat my country food, I’m going to poison myself and my children? At each UN talk, I continuously intervened to educate people on the importance of Inuit culture and how the world needs to do things differently.”

More than 40 years later, she continues to speak internationally, educating people about Inuit culture and the environment. In the film, at a conference, she shares one of the lessons she has learned: there will always be tough moments and “it is really about sticking with it and not giving up during those periods of time because those are the moments that you are meant to be at to raise your next level of consciousness, those are the moments that are making you, not breaking you.”

Not giving up is a key message from Farmer, too. The photographer was part of the civil rights movement in the 1970s, capturing images of the protests at Ohio State University; she was a student there at the time. Her career was spent fighting for social justice and documenting key moments in American history with her camera, including when she was at the White House (during the Clinton administration). She continues to do so.

Right after the 2024 election of Donald Trump, Farmer, who lives in Washington, DC, comments on the lack of people at the White House gates.

“If you don’t register displeasure,” she says, “everybody thinks what happens is OK – and I mean around the world, too. I don’t want that tale of woe to be our legacy. Our legacy should be we still have courage, we still don’t like what’s going on and we’re not giving up. I don’t see that happening down here today, and that’s the disappointing part.”

The third subject of Tough Old Broads is Switzer, who, while running the Boston Marathon in 1967, was literally attacked by race official Jock Semple, so outraged was he by her participation. Switzer’s coach, Arnie Briggs, running alongside her, body-checked Semple out of the way and she finished the race. This was the seminal moment in her life of activism, which has included helping bring the women’s marathon event to the Olympics (1984) and founding the nonprofit 261 Fearless, “261” having been her bib number in the 1967 marathon.

Switzer continues advocating for and mentoring women, pushing for equality. She says in the film: “There is so much to do and I still feel responsible…. It hasn’t been finished yet, and it is very simple. If you put the hard work in, if you pay attention, if you ‘work the phones,’ as we used to say, if you show up, is the biggest thing. That is the key point. It’ll happen. I’m not saying you have to be patient, I’m just saying we have to be persistent.”

Watt-Cloutier and Farmer would likely agree.

Tenenbaum, who is a member of the Montreal Jewish community, said in the press release: “I made this film to share the wisdom and experience of older women with a new generation and to inspire all people to remain vital and outspoken as they age.”

At tougholdbroads.com, people can read more about the film, find some data on the status of women’s equality and download a discussion guide. It is hoped that the documentary “will spark a movement of women, both young and old, to embrace their power, speak out and demand attention.”

For tickets to the Vancouver 1 p.m. screenings, go to viff.org.

An urgent play to see

Synthia Yusuf stars in Kat Sandler’s Wildwoman, which runs March 26 to April 4 at Gateway Theatre, a co-production with Alberta Theatre Projects. (photo by David Cooper)

“Wildwoman is a story that celebrates women who refuse to be silenced and reminds us that theatre can be funny, wild, fearless and alive. With such an amazing cast and design team, we are thrilled to bring this sumptuous theatrical production to life on our stage,” said Barbara Tomasic, executive artistic director of Gateway Theatre, where Toronto Jewish community member Kat Sandler’s play can be seen March 26 to April 4. (Sandler also wrote Yaga, which Crave is making into a series.)

Wildwoman reimagines 16th-century French history, specifically the story that helped shape the legend of Beauty and the Beast. It centres on Catherine de Medici, the new wife of King Henry II of France, who is played at Gateway by Synthia Yusuf. Eager to be on the king’s council, Catherine quickly learns that her political aspirations matter far less than her ability to produce an heir. Surrounded by scheming courtiers, a powerful royal mistress and a male-dominant court obsessed with legacy and control, Catherine feels trapped inside this patriarchal world. That is, until she meets Pete, a wildman kept in the dungeon as one of the king’s caged oddities, who awakens her wild side.

“When I first read this play, it was like my body was filled with bees; I felt inspired, furious and delighted,” said Jamie King, director of the local co-production with Alberta Theatre Projects. “The play looks at power, at fertility, at legacy, all unflinching and full of humour. It’s inspiring to find new plays that are able to speak about both our human history and contemporary issues with such insight and still make it feel alive and fun. This is an urgent play that needs to be seen.”

Tickets start at $37, with a pay-what-you-will option. Go to gatewaytheatre.com or call 604-270-1812.

– Courtesy Gateway Theatre

Pop-up exhibit popular

Jewish Museum and Archives of British Columbia director of programming Elana Wenner and JMABC executive director Eli Klasner at the Feb. 11 launch of the museum’s pop-up exhibit You Can’t Spell Delicious Without Deli. (photo from JMABC)

Omnitsky Kosher Delicatessen has been in business for more than 115 years. A community institution, it is the perfect location for the Jewish Museum and Archives of British Columbia’s pop-up exhibit You Can’t Spell Delicious Without Deli: A Look Behind the Counters of Vancouver’s Historic Jewish Delis.

Patrons can grab something to eat – at the restaurant or to take home – and peruse the photographs and blurbs about five different delis that have made their mark on Vancouver history. There’s a printed guide available, which has more information about the exhibit and the delis featured. There is also merch: T-shirts. One has a bowl of matzah ball soup, one a deli meat sandwich, another an assortment of containers, a cereal bowl and a block of cheese with the words, “I can tolerate a lot of things. Dairy is not one of them.”

The exhibit launched Feb. 11, filling the restaurant, the night hosted by the current owner of Omnitsky, Richard Wood. The deli has seen only three owners in its long history: it was started in Winnipeg by Louis Omnitsky in 1910; bought some seven decades later by Eppy Rappaport, who brought it to Vancouver in the 1990s, running it here until 2023; and Wood.

Omnitsky has been in a few locations in Vancouver, including on Oak Street near 41st, where it took over the space of Kaplan’s Deli, when that community institution closed in 2014.

Kaplan’s was started by Ida and Abrasha Kaplan in the 1960s; Serge Haber ran it from 1981-2000, Marshall Kramer for a dozen-plus years and Howie English for its last year or so.

Kaplan’s is one of the five delis featured in the exhibit, along with Omnitsky, which is now on Fraser Street between 18th and 19th avenues. The others are Oscar’s (1943-1956), Rubin’s (1955-1981) and Max’s, which has been in operation since 1949 on Oak Street at 15th Avenue, with various owners over the years.

More than dates and names, the exhibit shares tidbits about each establishment, like where Ida Kaplan learned how to make her famous cinnamon buns, some of the many celebrities that visited Oscar’s and how Rubin’s was a late-night hotspot, open to as late as 3 a.m. in its heyday.

“Sometimes I find myself browsing through the stories of our past, and certain items or documents just speak to me in a way that screams, ‘Tell my story!’” Elana Wenner, director of programming at the Jewish Museum and Archives, told the Independent about the how the deli exhibit came about.

“In this case, I was visiting Omnitsky’s at their new location on Fraser Street, and I had just recently come across some photos in our archives of the old Kaplan’s Deli on Oak Street…. As I browsed the shelves in the new Omnitsky’s storefront, it occurred to me just how poignant it was to be living through this unique moment in Vancouver’s Jewish history.

“As a Vancouver native and historian of local Jewish culture, the transitions of any local Jewish establishment always trigger a certain chord of interest for me,” she explained. “The major move of Omnitsky’s from Oak Street to Fraser Street was a transitional moment that would surely become a marker in the future telling of Vancouver’s many chapters of Jewish culture and growth.”

Wenner leads the museum’s walking tours of the Strathcona neighbourhood.

“I always conclude [them] with an ‘epilogue’ of where the community moved next, as there was a pretty abrupt collective move from Strathcona over to Fairview in the 1940s, and then a slow progression along Oak Street through to the new millennium,” she said.

The story is, of course, still being written.

“As young families continue to populate the areas east of Fraser, the residential centre of Jewish life in Vancouver is transitioning starkly eastward,” said Wenner. “So, while Omnitsky’s move from Oak to Fraser may have seemed like a shock to many of the old-timers … it makes a lot of sense in the grander scheme, in the way that the community seems to be moving now.”

The 2018 edition of the museum’s journal, The Scribe, had the theme of Jewish restaurants. Most of the original content for the pop-up exhibit came from this publication, said Wenner, “all based on oral history interviews with the restaurateurs themselves.”

The initial concept was to feature all the local Jewish-owned restaurants throughout Vancouver’s 140-year history, but there were simply too many, she said. “So, the project shifted to become focused on just Jewish-owned delis.

“As I put the word out that we were looking for more information, I quickly discovered that there had been many more delis owned by Jewish families in Vancouver than I had ever expected,” she said. “We chose the five featured in the current exhibit based on the extent of information available to us, both from existing archival materials, as well as new information collected from interviews with family members, descendants, and gleaned from secondary sources outside the museum.”

The museum’s archives include oral histories, copies of menus, newspaper articles and even some handwritten notes of sale and purchase lists, said Wenner.

Response to the exhibit has been positive.

“On the one hand, we wish we had complete stories for each and every single deli,” said Wenner, “but it’s actually really satisfying when people pop out of the woodwork and say, ‘But wait! My grandparents owned this place!’ and then they have all this new information for us to delve into about a deli that had previously not even been on our list.”

As part of the exhibit, the museum asks visitors to share any information they may have on Pheasant Deli, Barer’s Deli, Lindy Fine Foods, Triangle Café, Moishe’s Deli and Leon’s Kosher.

“We wanted to highlight the fact that we do know they existed, but the archives are only as good as the material we receive, and these are stories we haven’t yet collected,” said Wenner, who expects more pop-ups in the museum’s future.

“What makes this exhibit so interesting,” noted Eli Klasner, executive director of the JMABC, “is the collaboration with a business that is such an important part of our local Jewish history. The museum is committed to preserving Jewish history and retelling our stories in unique and interesting ways, including with entertaining pop-up exhibits in a range of locations and venues.”

photo - Two of the T-shirts for sale at the exhibit, which runs to April 1 — Two of the T-shirts for sale at the exhibit, which runs to April 1. (photo by Cynthia Ramsay)

The T-shirts are proving to be a popular aspect of the current exhibit, which runs to April 1.

“In terms of the T-shirts – honestly, people are obsessed,” Wenner said. “There’s been a lot of hype surrounding the deli exhibit in general, but the limited-edition T-shirts being sold alongside the display have garnered a lot of unexpected public attention. We keep receiving requests for more, and plan to release a new line of designs in the coming months to meet the demand.”

Wenner urged readers to check out the new JMABC website, jewishmuseum.ca, where there is information about upcoming programs, including for Jewish Heritage Month in May, as well as many online exhibits.

“Our summer 2026 season of walking tours is coming up soon,” she said, noting that the tours sell out quickly.

The museum offers four different tours throughout Vancouver and Victoria, she said, “each telling the fascinating stories of early Jewish life and community in BC, from 1858 to present day.” They also offer private tours, which can be booked by emailing [email protected].

An invite to join JWest

If you’ve been through the Jewish Community Centre of Greater Vancouver lately, you may have noticed a simple question appearing in the hallways and around the building: “Are you in yet?”

It’s the invitation to join JWest, the re-construction of the JCC and King David High School, but it didn’t start as a marketing slogan. Its origins are more personal.

Some time ago, Shirley Barnett – a longtime JCC visionary and supporter who regularly works out there – made an observation that stuck with me. We were talking about the campaign, and she said, “Wouldn’t it be nice to have something that made it easier to start a conversation about what we are building here? The community centre is full of people who recognize each other from being there regularly. You see the same faces in the gym, in the hallways, or in the change rooms. But, often, you just smile and move on.”

That idea resonated with me. What if the campaign had a line that felt natural for one person to say to another to get them engaged? Something simple and inviting: “Hey, are you involved in the project? Have you thought about contributing?”

From there, we worked with Traction Creative, a small agency that has deep ties in the Jewish community. They came back with a few ideas, including the one I had penned, and when we saw “Are you in yet?” with some sample layouts, we knew that was indeed the one. It’s friendly. It’s direct. And, most importantly, it sounds like something people would actually say.

The creative team had some fun with the idea by tailoring messages to different parts of the building. For example, in the long hallway between the gyms, one sign reads: “Less long hall, more pickleball,” a nod to the multi-use athletic courts planned for the new space. Wherever you see the signs, they all tie back to that same question: “Are you in yet?”

Over the past several years, the JWest project has raised close to $200 million from governments, foundations, and donors from the Jewish community and beyond. At one point, many people believed government funding at a significant level for a project like this would be impossible. Eldad Goldfarb, the executive director of the JCC, doggedly courted them. After years of making our case, both the provincial and federal governments stepped up at the early stages of the project, and it was a moment of elation. This could and would be a reality.

photo - Alvin Wasserman in front of a model of the proposed JWest development — Alvin Wasserman in front of a model of the proposed JWest development. (photo from JWest)

Now the campaign is in its public funding phase, with an invitation extended to the entire community. Yes, major gifts were instrumental in getting us here, but JWest has always been about something bigger than that. It’s about participation. When someone contributes, whether it’s a “good luck multiple of $18” gift or a larger one, they’re signaling, “I’m a part of this.”

This sense of belonging is exactly what the centre has always been about. I often describe it as the living room of the community, a heimish space to come together. On any given day, you might see kids from daycare singing, seniors gathering for coffee and students from KDHS stopping by between classes. The mix of ages, backgrounds and activities is inspiring. It’s like a small, vibrant city inside one building. The JWest project will make that experience even stronger and ensure its continuity.

So, if you see the campaign message and wonder whether to get involved, my answer is simple: you’ll want to be part of this. It’s going to be amazing.

I encourage community members to give at whatever level feels comfortable. Remember, stretching always makes you feel better. What matters is being able to say, years from now, that you helped build something that will serve the community for generations.

So, are you in yet?

Alvin Wasserman is a JWest Foundation and Jewish Community Centre of Greater Vancouver board director, and was a two-time board chair of the JCCGV.

Successful campaign

Anat Gogo, executive director of Tikva Housing. This year’s campaign was the most successful to date. (photo from Tikva Housing)

Tikva Housing Society’s annual fundraising campaign has concluded with its most successful result to date, raising more than $75,000 to support innovative, affordable housing solutions. The campaign brought together donors, volunteers and community supporters who share a common belief: that everyone deserves a stable place to call home.

“Our community showed tremendous generosity and engagement throughout this campaign,” said Anat Gogo, executive director of Tikva Housing. “Every gift helps us continue providing safe homes and strengthening community connection. We are deeply grateful to everyone who chose to stand with us.”

This year’s total represents a new milestone for the organization and reflects Tikva’s growing impact on community members across Metro Vancouver. Over the past year alone, Tikva expanded its housing portfolio by 45 units through the landmark acquisition of the Ronald S. Roadburg Residences in Richmond, the city with the second-largest Jewish population in the Lower Mainland.

“With ongoing support, we hope to continue to grow,” said Gogo. “Our goal is to build on this momentum and create more affordable housing solutions across the region.”

Support from donors and partner organizations has helped people like Olexandr, who fled the war in Ukraine with his family in search of safety and stability. After first relocating to Israel, his family once again faced the uncertainty created by conflict and ultimately decided to rebuild their lives in Canada.

In May 2025, Olexandr arrived in Vancouver ahead of his family to begin the immigration process and establish a new home. One of the biggest challenges he encountered was finding affordable housing.

With limited resources, he could only afford shared accommodations and was forced to move between three apartments in less than six months. Eventually, with the help of Jewish Family Services of Greater Vancouver, Olexandr connected with Tikva Housing and was offered a home large enough to reunite his entire family.

“This apartment with Tikva Housing means safety and freedom for me, and a comfortable life with my family,” he said. “I’ve met many people from Israel and Ukraine in this building. We speak about our lives, our housing and our Jewish connection. It feels like a big family, and we help each other.”

Donor support has also helped expand the reach of Tikva’s Rent Relief Program, which provides short-term subsidies to individuals and families living in market housing who are experiencing a temporary financial crisis.

When Elisheva moved to Vancouver from Israel with her family, they were initially able to support themselves using the limited savings they had brought with them. However, the high cost of housing for a family of five quickly drained those funds, leaving them uncertain about how long they could remain in their home.

“We started becoming very stressed about our situation and about being able to pay our rent,” she said. “Tikva Housing came just in time and saved us.”

Through the Rent Relief Program, Elisheva’s family was able to remain in their apartment while they worked to stabilize their finances.

“We have a roof above our heads and we don’t need to move from place to place,” she said. “My three young girls already moved from one continent to another. They had so many changes. Having stability means everything for our family.”

The annual fundraising campaign plays a vital role in supporting Tikva Housing’s work throughout the year. Donations help maintain existing homes, support residents through cultural and educational programming, and ensure the organization can continue responding to housing needs across the community.

The campaign’s success also reflects the dedication of volunteers, board and committee members, and community advocates who helped share Tikva’s mission and encourage participation. From spreading campaign updates to inviting friends and family to contribute, their efforts helped make this record result possible.

While the campaign has officially wrapped up, the need for affordable housing remains significant. As of February 2026, 499 applicants were registered on the Metro Vancouver Jewish Housing Registry, including 125 families with children and 173 seniors seeking stable housing.

“This campaign shows what is possible when our community comes together with compassion and a shared commitment to helping others,” said Gogo. “With continued support, we can ensure that more individuals and families have access to the safety, dignity and stability that come with a place to call home.”

For more information or to donate, visit tikvahousing.org.

– Courtesy Tikva Housing

Next-gen orthotic wins

Henry Chodos, a Grade 6 student from Vancouver Talmud Torah, won ADI’s sixth annual Make the Change Challenge and received the $1,000 grand prize. (photo from ADI)

In its sixth year, ADI’s Make the Change Challenge STEM accessible design contest drew more than 379 entries from students across North America – and Vancouver Talmud Torah sixth grader Henry Chodos won the contest’s $1,000 grand prize.

Chodos’s award-winning vision is a lightweight and slim-fitting orthopedic brace that automatically adjusts to provide users with rigidity and flexibility as needed.

Having struggled for years with chronic inflammatory demyelinating polyneuropathy (CIDP), a rare autoimmune disorder that causes muscular weakness and sensory loss in the limbs, Chodos set out to help himself and others by designing NeuroStride, an orthotic with built-in micro sensors that would intuitively correct gait irregularities and allow users to make adjustments via an easy-to-use app, with no medical professional required.

The Make the Change Challenge is run by ADI (adi-israel.org), Israel’s network of specialized rehabilitative care for those touched by and living with disability, to mark Jewish Disability Awareness, Acceptance and Inclusion Month. The contest promotes “selfless STEM” (science, technology, engineering and mathematics) and encourages students to hack the modern world to help people with disabilities overcome the challenges that hinder their independence and inclusion.

Instead of developing prototypes, entrants were asked to prepare compelling presentations that clearly explain how their solutions would solve the persistent accessibility issues they chose to tackle. In his contest submission, Chodos, who wears braces 24 hours a day, noted that the orthotics currently available are very uncomfortable, take a long time to mold to one’s body, don’t allow for growth and are prohibitively expensive. What’s more, they spotlight his condition and keep him from doing the things he loves.

poster - Henry Chodos’s NeuroStride took ADI’s top prize — Henry Chodos’s NeuroStride took ADI’s top prize. (image from ADI)

“When my CIPD flares up, I can’t ride or play basketball with my friends, and I can never sit on the ground in class or during assemblies, because I can’t stand back up in my braces,” he explained. “I don’t like feeling different, and I wanted to create an orthotic that would provide me and others living with CIPD, cerebral palsy, muscular dystrophy, spina bifida and other conditions with the support we need, just without all of the unwanted strain and attention.”

Upon reading Chodos’s presentation, the contest’s judges – which included members of ADI’s professional staff, innovation journalists and specialists in the field of accessible design – were overwhelmed by the young inventor’s maturity, creativity and attention to detail, and inspired by his desire to draw from his own experiences to change the world.

“To be honest, Henry’s presentation left us speechless. We work so hard promoting our ADI Bechinuch disability inclusion programming and helping students develop an empathetic worldview, but Henry flipped the script and became our teacher. His life experience has molded a passionate and compassionate educator and innovator, and he put on a masterclass in perseverance, perspective and vision throughout this competition,” said ADI’s North American director of advancement . “We are thrilled that we were able to provide Henry with a stage upon which to shine, and we truly believe that his brilliant design has the potential to become a reality and make the world a kinder and more accessible place.”

Nearly 50 Jewish schools across North America – including many affiliated with JNF-USA – used the ADI Bechinuch programming last year, employing the in-class activities and disability simulations, virtual tours and STEM contest to encourage the next generation of Jewish leaders to see the world through the eyes of others.

As February ended, ADI’s panel of experts met with the contest’s top five finalists, their parents and their teachers via Zoom to discuss the entries in greater detail. Following some discussion, the proceedings concluded with Chodos being crowned the contest winner and presented with the $1,000 grand prize, a gift from the Avraham and Esther Klein Young Entrepreneurs Fund.

The “Final 5” also included entries from students at the Ramaz School in New York, NY; Brauser Maimonides Academy in Fort Lauderdale, Fla.; Hochberg Lower School (Posnack East) in Hallandale, Fla.; and the Bornblum Community School in Memphis, Tenn.

To learn more about ADI and to donate, visit adi-israel.org.

– Courtesy ADI Negev-Nahalat Eran

Tapping into their creativity

Sidi Schaffer (standing) has been leading an art class at the Weinberg Residence since last October. (photo by Vanessa Trester)

Sidi Schaffer, a well-known Vancouver artist and art teacher, moved to the Weinberg Residence last August. “My husband passed away in June, and I didn’t want to be alone in our big house,” she told the Independent. “Here, I’m not alone.”

No matter where she lives, Schaffer is an artist at heart, and her art always finds an outlet. In this case, it is a class for Weinberg residents.

“I approached Vanessa [Trester, manager of the Weinberg Residence], and suggested I start an art class,” Schaffer said. “I’ve been an art teacher for decades. I have so much to share with my students.”

Trester agreed with the suggestion and Schaffer’s sessions started last October.

“The official name of the class is Fun Exploring Art with Sidi Schaffer,” said Trester. “Besides the opportunity to learn about art and artists, the students can tap into their creativity with Sidi’s direction. The class provides the residents with joy, lifts their spirits, and brings connectivity through their shared stories.”

Participation in the Monday classes fluctuates between eight and 12 people. “Not everyone can come all the time,” said Schaffer. “The residents here are not young. Someone has a headache or a doctor’s appointment, or their family is visiting. But people come when they can. We put on classical music in the background. I bring some art supplies – I have a lot of brushes and paper and paints – plus what Vanessa bought, and we have fun. As long as my students are happy, I’m happy.”

Her class makes many attendees happy. One of them, Helen Sankoff, told the Independent: “I don’t have any prior experience creating art, but I used to knit, do needlepoint and make jewelry as a hobby. Now, I attend Sidi’s class because she is a wonderful artist and teacher. She introduces us to many different artists and ways of painting, and I find her art class very relaxing. We have classical music playing in the background, and it’s my favourite time of the week.”

As an experienced teacher, Schaffer doesn’t set impossible goals for herself or her students. “I’m not trying to teach them deep painting techniques,” she said. “They don’t have to create masterpieces. I’m trying to show them how to express themselves through artistic means. Creating art is not a focus in this class, it is a side benefit. The focus is to enjoy it.”

She enjoys it too and uses famous artists and art history as inspiration. Her artistic education is extensive: first in her native Romania, then in Israel and, finally, in Canada. She has lived, studied and worked in all three countries.

Schaffer shares her love for various art movements with her students.

“We started with Van Gogh. I brought Van Gogh’s reproductions to the class, and some sunflowers,” she said. “First, I told them about Van Gogh, his life and his art. Then, I set up the sunflowers and the students painted them.”

From Van Gogh, she proceeded to Paul Cézanne. “He painted landscapes and still life, and I brought apples to the class to paint,” said Schaffer.

One class was an introduction to Claude Monet and his waterlilies. “I had some photos, and some of the students saw those paintings when they visited Paris years ago,” she shared.

After French impressionists, Schaffer decided it was time for Canadian art, particularly the Group of Seven. But, she started with Ted Harrison and his Northern Lights, bringing in his books. She had her students imitate his style.

“I want us to have a field trip to the Vancouver Art Gallery, to see Emily Carr’s paintings. It will probably happen as soon as we have some volunteers available,” she said.

In the meantime, Schaffer has switched to Australian aboriginal art, where every image is comprised of dots. “It is amazing what can be done in this technique,” she said. “It is very suitable to my students, an easy technique, as each one of them is over 80 years old. Some suffer from arthritis and have trouble holding a brush.”

One participant’s paintings “are similar to each other, no matter which artist I tell them about,” said Schaffer, but they enjoy the class, “and that is the most important outcome.”

Schaffer’s classes are eclectic, covering a variety of styles, materials and methods. In one class, she concentrated on First Nations artist Daphne Odjig. Another time, she talked about avant-garde artist Georgia O’Keeffe. She has focused on the importance of perspective in painting.

“I want to have a class about painting body and face. I want to buy some clay for a sculpture class and we’ll have a mask-painting class for Purim,” she said before the holiday. “I push my students not to be realistic – to express their inner world, not copy the street outside. Art should be playful.”

One of her favourite techniques is collage that uses dry flowers and leaves. “They are so beautiful, so transparent, like visual poetry,” said Schaffer, who has albums of material. “I’ve always wanted to preserve their beauty, have done it since childhood. The designs on each leaf are unique. Some of them remind me of a place or a time.”

Schaffer has “no end of ideas for new classes.”

“Other artists – Chagall, Picasso – and other techniques,” she said. “I want to get some old magazines and art books to cut for collages. Perhaps the Waldman Library has some for sale. We’ll have fun in that class.”

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

The holidays à la JACS

Rabbi Joshua Corber leads JACS’s Purim gathering at Omnitsky Kosher on March 1. (photo from JACS)

JACS’s holiday programming initiative kicked off with Purim at JACS, held at Omnitsky Kosher March 1. While Jewish Addiction Community Services’ focus is on families and individuals, the initiative, which is sponsored by the Betty Averbach Foundation, shifts the emphasis toward community reach. By using major Jewish holidays as entry points, it aims to reduce stigma, build awareness and create meaningful pathways for individuals who would not otherwise engage with addiction-support services. Jewish ritual, learning, recovery-aligned reflection and opportunities for social connection are offered in an inclusive setting.

“Our goal is to change Jewish holidays from potentially isolating or triggering experiences into powerful sources of dignity, belonging and spiritual empowerment,” said Rabbi Joshua Corber, director of JACS.

An alcohol-free event – which is especially important on Purim, notorious for excessive drinking – Purim at JACS combined a traditional meal with a deep dive into the Megillat Esther. The purpose was to discover the recovery wisdom encoded in the story of Purim. Corber led the event and focused on a commentary on Esther known as the Mechir Yayin.

Penned by the Rema, Rabbi Mosher Isserles (Krakow, 1530-1572), the Mechir Yayin offers a unique interpretation of the story as an allegory for “the days of one’s life from youth until old age.” It focuses on the human struggle with one’s emotions and their material cravings, which evolve into the pursuit of morality and wisdom. This narrative tracks well with the trajectory of recovery, not only from substance abuse, but from many behavioural and emotional disorders as well.

“The Rema is known mainly for his important halakhic commentary on Shulchan Arukh. In the Torah world, he’s a pretty big deal. So, the fact he quietly wrote such a profound commentary on Esther is wild,” Corber said. “You will never see the Megillah the same way after learning it…. Addiction is a spiritual disease, and these events cement my theory that the spiritual lessons of Judaism and the spiritual messages of recovery are one and the same.”

Many who attended Purim at JACS reported being profoundly impacted by the Rema’s message; others felt relief at having found a supportive space for themselves within the Jewish community. To connect with JACS, go to jacsvancouver.com or call 604-416-4164.

– Courtesy JACS

Garden City of Tel Aviv

Liebling Haus’s exhibit Life, Plant, City: 100 Years of Geddes’ Plan for Tel Aviv’s Garden City, which documents how Sir Patrick Geddes’ vision continues to shape the city’s urban fabric, includes multidisciplinary works by dozens of artists (photo by Yael Schmidt / Liebling Haus)

On April 11, 1909, 60 families gathered on the beach north of Jaffa to draw lots for the parcelization of the sand dunes they had purchased north of the ancient port. This moment in Israel’s history has been much mythologized, but one thing is clear – those garden suburb pioneers were clueless about urban planning. They turned their backs on the site’s most notable feature – its iconic Mediterranean beach.

The village that the founders initially named Ahuzat Bayit (Homestead), now called Tel Aviv, grew haphazardly, house by house, with an interruption during the First World War, when the Ottoman Turks expelled the newly established town’s Jews. In 1921, following the arrival of the British during the war and the replacement of their military rule with a civil administration, the growing suburb was granted township status separate from the neighbouring Arab-majority city of Jaffa.

It became clear that the township’s slapdash growth needed to be regulated. Into this planning chaos stepped Sir Patrick Geddes (1854-1932), a Scottish-born polymath who was at once a biologist, sociologist, landscape theorist and pioneering urban planner. The 62-page plan for Tel Aviv that he drew up a century ago remains among the most important documents in the history of the city. Liebling Haus – an architectural and cultural centre located in downtown Tel Aviv – recently opened the exhibit Life, Plant, City: 100 Years of Geddes’ Plan for Tel Aviv’s Garden City. It documents how Geddes’ vision continues to shape the city’s urban fabric, featuring not only archival materials but multidisciplinary works by dozens of artists and other contemporary interpretations of Geddes’ ideas and reflections on the city’s future.

photo - Sir Patrick Geddes (1854-1932) was a Scottish-born polymath who was a biologist, sociologist, landscape theorist and pioneering urban planner — Sir Patrick Geddes (1854-1932) was a Scottish-born polymath who was a biologist, sociologist, landscape theorist and pioneering urban planner. (photo from shbt.org.uk/knowledge)

In 1925, Geddes – who earned a reputation for his urban planning in 18 cities in British India – was invited by Tel Aviv’s mukhtar, Meir Dizengoff, to prepare the first master plan to guide the town’s growth. (Tel Aviv achieved city status in 1934.)

Geddes believed that cities were living organisms, shaped by the interplay of nature, society and culture. This holistic approach – unusual for its time – made him particularly attractive to Zionist leaders, who envisioned Tel Aviv as both a future-facing modern metropolis and a cultural project rooted in Jewish history.

His plan was deeply influenced by the Garden City movement, but Geddes adapted it to the climate and social context of the Levant. It emphasized shaded streets to mitigate the Mediterranean heat, wide boulevards that encouraged airflow and social life, and parks and squares as communal anchors. Human-scale residential blocks were arranged around shared green spaces and courtyards.

Geddes’ plan expanded Tel Aviv north from its early neighbourhoods to the Yarkon River. It was delineated by the Mediterranean Sea to the west and what is now Ibn Gabirol Street to the east. Into this flat and featureless space, Geddes laid out a skein of streets with a clear hierarchy. Main north-south and east-west arteries allowed for speedy movement across the city. Secondary streets were narrower and designed for local circulation. Small residential lanes fostered neighbourhood intimacy. The goal was to create a walkable city that balanced efficiency with livability.

photo - On display at Liebling Haus: One of the artworks inspired by Sir Patrick Geddes’ century-old plan for Tel Aviv — On display at Liebling Haus: One of the artworks inspired by Sir Patrick Geddes’ century-old plan for Tel Aviv. (photo by Yael Schmidt / Liebling Haus)

The plan also contained what later scholars have identified as anarchist or cooperative elements. It emphasized worker-led housing blocs and resisted speculative land practices. These ideas resonated with the social and economic conditions of Tel Aviv in the 1920s and 1930s, when workers wanted architecture that reflected their egalitarian values.

Although Geddes’ plan was not executed in its entirety, its core principles shaped the development of the White City, which was recognized as a UNESCO World Heritage Site in 2003. By the 1930s, Tel Aviv had some 4,000 white Bauhaus-style buildings constructed within the distinctive blocks, boulevards and public gardens Geddes laid out.

Bauhaus was a school of arts, crafts and architecture that operated in Germany from 1919 to 1933. The rise of the Nazi party led to the shuttering of the academy. Some 60,000 Jews left Nazi Germany and Austria for Mandatory Palestine, including architects who didn’t study at the Bauhaus school but were greatly influenced by its style. There, they created a revolutionary, streamlined architectural style that suited the modernist ethos of Zionism.

Tel Aviv’s amalgam of Bauhaus (also called International Style) buildings arose from an accident of historical coincidence: first came Geddes’ town plan; then the wave of mass aliyah triggered by the Nazis’ ascent to power in 1933, which triggered an urgent demand for housing; and, thirdly, the International Style’s lack of expensive decorative features made the cost of construction relatively low. No decorative tiles or ornamental plasterwork meant cheaper construction that could be executed by less-specialized craftsmen.

For the Yekke newcomers, many of whom had to leave significant assets behind, cheaper housing that didn’t sacrifice style was a major draw. The streamlined design with porthole windows, curved walls and balconies was a snub to the values of Central Europe, which the newcomers had barely escaped.

Liebling Haus, built in 1936, is an example of this architectural era. While not designed by Geddes, it manifests the urban environment his plan envisioned. The house’s clean lines, functional design and integration with the surrounding streetscape reflect the synergy between Geddes’ urbanism and the architectural modernism that followed. The Life, Plant, City exhibit runs to May 31.

Gil Zohar is a journalist and tour guide based in Jerusalem.