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Tag: conservation

Sanctuary garden benefits

Sanctuary garden benefits

Gal Raviv, left, and Prof. Tamir Klein in the plant sanctuary at Weizmann Institute of Science in Rehovot, Israel. (photo from Weizmann Institute of Science)

When PhD student Gal Raviv thought of creating a sanctuary garden at the Weizmann Institute of Science, what she had in mind was saving endangered plants. But, after the Oct. 7, 2023, attack on Israel, the garden became for her a refuge of serenity and strength. “There’s something grounding about plants that keep growing no matter what happens around us. If they can do it, so can we,” she said. “They represent what the land of Israel can produce and, in these difficult times, they symbolize our own roots in this land.”

Raviv came up with the idea of the garden after hearing a lecture on plant conservation at a conference that Prof. Tamir Klein, whose Weizmann lab specializes in tree research, had organized at the institute. In late summer of 2023, they set up the garden in Weizmann’s greenhouses, with full backing from Weizmann’s Institute for Environmental Sustainability.

Raviv’s doctoral research, conducted in Prof. David Margulies’s lab, is unrelated to plants and focuses on molecular aspects of cancer therapy. Nonetheless, she volunteered to tend the garden, getting crucial help from the greenhouse staff and relying on their expertise.

“When people hear about endangered species, they usually think of a toad whose swamp has dried up, or other animals or birds. But at the basis of any ecosystem are plants: they are the very foundation of our existence,” Raviv said.

“Plant diversity supports diverse insects that in turn provide food for birds and animals. When plant species go extinct, their loss can disrupt the integrity of an entire ecosystem,” added Klein.

Of some 2,300 wild plants found in Israel, more than 400 are in danger of extinction, according to the Red Book of Israel’s Nature and Parks Authority. Plant species that are unique to Israel are particularly threatened: there are about 55 such species, and 35 of them are endangered. 

“We have a global responsibility to preserve these plants,” Klein said.

The major threat to plants is habitat loss, which in Israel is especially acute along the Mediterranean. Sand dunes and other parts of the coastal plain are home to an unusually large proportion of wild plant species, yet, to the plants’ misfortune, that’s also where humans love to settle. Less than 30% of the pristine coastal sands that used to line the Mediterranean in the early 20th century remained undeveloped by the beginning of the 21st. These sands might disappear altogether if left unprotected.

There are several plant sanctuaries in Israel, but not all have the proper climate to grow coastal plants outdoors, whereas the Weizmann campus, with weather that’s similar to that of the coast, is well suited to this end. Raviv and Klein kept this in mind when preparing a list of plant species for the sanctuary. The final list was compiled in collaboration with the Israel Nature and Parks Authority, which also provided seeds.

Now in its third year, Weizmann’s sanctuary garden holds some 20 endangered plants, a number of which are unique to Israel’s coastal plain; others also grow in neighbouring regions. Most are flowering annuals, but there are also perennials, as well as two species of ancient wheat, genetic relatives of today’s crop varieties. These plants are gradually revealing their preferences and personalities to Raviv and the greenhouse staff, while occasionally serving up challenges and surprises.

For example, since the greenhouses have no bees or other natural pollinators, some of the plants bloomed but produced no seeds. “So, I became the bee,” Raviv said.

To help some species, she made adjacent flowers “kiss,” that is, touch in a way that pollen from one flower could get to the stigma, or ovary system, of another – a process known as self-pollination or cross-pollination, depending on whether the two flowers belong to the same plant or to different ones. She did that, for instance, for Erodium subintegrifolium, known as stork’s bill in Europe and heron’s bill in North America. 

In other species – such as the perennial Salvia eigii, named for the botanist Alexander Eig – the reproductive organs are too deep inside the flower for the kiss method to work. Raviv came up with a creative solution. She collected whisker hairs shed by her three cats and used them to transfer pollen from one flower to the stigma of another.

Luckily for Raviv, however, most plants in the sanctuary garden manage to pollinate by themselves. 

Other challenges now solved include “late bloomers.” Silene modesta, from a genus also known as campion or catchfly – an annual plant that grows in sandy soil on the coast and in the western Negev desert – thrived in the sanctuary garden from the start. However, even though it produced lots of flower buds, these seemed to dry up before getting a chance to bloom. 

A plant conservation expert told Raviv to open one of the dried buds to see if it contained seeds. Indeed, it did, which meant that it had bloomed at some point without being caught in the act. So Raviv went to the garden late at night and, sure enough, found the slender Silene in full bloom. Keeping the bud closed after sunrise is the plant’s strategy for reducing water evaporation during the hot hours, while also protecting its flowers from the strong daytime coastal winds. 

The discovery prompted Raviv to initiate a research project in which she compares Silene modesta with its non-endangered relative, Silene palaestina. The goal is to uncover the biochemical processes that ensure water conservation in the endangered plant.

In fact, a major goal of plant conservation is to preserve valuable properties that might be lost forever should their carriers disappear. Revealing the mechanisms behind such properties might make it possible to transfer them to other plants to, for example, help them grow in arid conditions or otherwise adapt to the adversities of climate change. 

– Courtesy Weizmann Institute of Science

Format ImagePosted on March 13, 2026March 12, 2026Author Weizmann Institute of ScienceCategories IsraelTags conservation, education, endangered plants, Gal Raviv, gardens, preservation, science
Nature-inspired artist

Nature-inspired artist

Two of artist Monica Gewurz’s paintings – “Silver Marsh” (above) and “Dawn II” – are featured in the exhibition of the Nature Trust of British Columbia’s Artist of the Year Award. “Silver Marsh” was inspired by a sunset at Addington Point Marsh, one of NTBC’s properties, which aims to conserve waterfowl and fish habitat, and “Dawn II” by a visit to Vaseux Lake in the Okanagan, an NTBC property that protects habitat for bighorn sheep and other threatened species.

Two of artist Monica Gewurz’s paintings have been selected by a jury to be included in the exhibition of the Nature Trust of British Columbia’s Artist of the Year Award. The joint show of the Federation of Canadian Artists and the Nature Trust opens on Oct. 18 at the Federation Gallery on Granville Island.

Before turning her focus to art in the past several years, Gewurz had worked in both the public and private sectors, in areas from commercial real estate to tourism to aboriginal issues. However, art was an integral part of her upbringing in Peru.

photo - Monica Gewurz
Monica Gewurz (photo from Monica Gewurz)

“For my parents, art was as important as science,” Gewurz told the Independent. “My mother was also an artist, and she exposed me to art at an early age – not just Judaica and Peruvian art but also art from different cultures. We traveled a lot. I always enjoyed visiting museums and art galleries. And I always had my camera with me, always took pictures. Landscapes and close-ups, textures and patterns always fascinated me.”

Upon graduating high school, however, she chose a different path.

“In the early 1970s, I was studying to become a veterinarian in Peru. At that time, South America went through some economic and political unrest,” she said. “Peru had a military government, and antisemitism was on the rise. My university was hit repeatedly with strikes and class closures. Getting an education was becoming difficult and dangerous. That was when I decided to move to Canada. With my parents’ financial support, I came alone to continue my studies at the University of Guelph. My parents immigrated later, in 1985.”

After university, Gewurz worked for the Canadian government, but she couldn’t abandon her art. “My photography, jewelry and painting all started as hobbies. I needed an outlet to balance my hectic and stressful full-time job…. In 2000, I started making tribal and sculptural jewelry. I was successful enough to showcase my pieces in national craft shows and then commercially in some galleries, here in Vancouver and in the U.S.”

She knew that most professional artists had formal art education, so she enrolled at Emily Carr University of Art + Design in 2011. “I could study there part-time while working,” she said. “It would also allow me the opportunity to meet other artists.”

She finished her studies at Emily Carr in 2016. Coincidentally, she couldn’t continue at her government job for much longer. “Due to a life-threatening autoimmune illness, in 2017, I had to retire,” she explained. “That gave me the opportunity to embark on a new career as a professional artist.”

Gewurz’s paintings are mostly abstracts, reflecting the landscapes of the West Coast. “The force and energy of water and its associated reflective light, the interplay of shadows and colours in a landscape, have always drawn me in as a scientist and an artist,” she said. “The endlessly changing skies and the patinas of precious minerals mesmerize me. I am fascinated with the contrasting nature of life. I paint it all to provide an escape to a dream-like place.”

Fractals in nature and stylized figures frequently populate her paintings. She doesn’t strive for photographic correctness. “Painting in abstract challenges me to represent reality in a veiled, mysterious and intriguing way,” she said. “Abstraction and the use of texture allow me the freedom to change what I see and feel into my own expression. The artistic process is, for me, one of constant discovery and conversation. The painting speaks to me, tells me what it needs, and I respond.”

Although initially she used brushes, she said, “Lately, I transitioned to using mainly a palette knife and other unconventional tools. As a result, my art became more abstracted and complex.”

She bases her paintings on her own photographs and on her memory; she never paints on location. “I paint from the heart and intuitively,” she said. “I don’t paint anything specific in a landscape and that’s what I love about it – the process of being able to use the paint any way I want. I leave out a lot of visual information. That allows the viewers to use their imagination, to see and describe every painting in their own way.”

Gewurz gifts much of her art to charities and friends. “It is exciting for me to witness the connection some of my ethereal-looking paintings elicit in viewers,” she said. “It humbles me, when people I’ve never met immerse themselves in the layers, shades and textures of my paintings and then share with me how they are seduced into a visual, tactile and emotional response. When such a connection is made, I feel that I accomplished my mission. Of course, the cherry on the cake is when somebody buys a painting and becomes a collector and, many times, a friend.”

She shared one such a case. In 2014, an interior designer from Singapore saw one of her mixed media paintings at an exhibit and contacted her for a commission. The painting was two by two feet, said Gewurz, “but she wanted a much larger one, measuring seven by four feet, for her client, a new five-star hotel in Hong Kong. That was a turning point in my career and a huge jump in scale for me. That painting still hangs in their lobby.”

Mixed media seems to be Gewurz’s preferred style. She incorporates in her pieces ancient and modern materials, such as textiles, sand, rust, aluminum foil, copper and silver. She paints in multiple layers to seduce viewers in visual and visceral encounters. But, whatever the materials, her theme remains predominantly nature.

image - “Dawn II” by Monica Gewurz
“Dawn II” by Monica Gewurz

Gewurz’s love of nature led to her involvement with the Nature Trust of British Columbia (NTBC). “I am a donor and volunteer,” she said.

She is also an active member of the Federation of Canadian Artists (FCA).

“One of the main FCA missions is to outreach and raise awareness about conserving the environment and natural spaces,” she said. “Every year, FCA asks their membership to submit a proposal for a show that deals with social and environmental issues. I submitted the idea to have a joint show with NTBC, as they had a common vision, and also to take the opportunity to celebrate their respective anniversaries. Both director boards reviewed and accepted my proposal.”

Of course, she longed to participate in the show as well, since its underlying purpose – the conservation of British Columbia’s endangered habitats – is close to her heart.

“FCA holds several juried shows every year,” said Gewurz. “I regularly submit and often get juried in to showcase in them. This time, I applied as well. I was thrilled and honoured that two of my paintings were admitted. There was a lot of competition.”

Gewurz’s commitment to environmental issues extends beyond her participation in such shows and groups.

“I use upcycled materials in some of my mixed media art,” she explained. “There is beauty in repurposing materials because of their distinctive uniqueness and imperfect textures. Also, the fact of my using them conveys the message to the viewer about the importance of decreasing waste and minimizing our carbon footprint.”

She added, “Art can certainly open people’s eyes to how much our lifestyles imperil the planet. Art could encourage all of us to make positive changes.”

See more on Gewurz’s website, mgdesigns.org.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on October 8, 2021October 6, 2021Author Olga LivshinCategories Visual ArtsTags art, conservation, environment, Federation of Canadian Artists, Monica Gewurz, multimedia, nature, Nature Trust, painting
Saving Israel’s environment

Saving Israel’s environment

Israel’s Hula Valley is a major stopping place for migrating birds. (photo by D.J. Tiomkin)

Jay Shofet, the director of partnerships and development for the Society for the Protection of Nature in Israel (SPNI), presented an overview of the broad range of work his organization does in addressing environmental issues in the Holy Land during a Nov. 19 webinar hosted by the Jewish Community Centre of Victoria with the Canadian SPNI.

With 35,000 member households in Israel and thousands more around the world, SPNI is the largest Israeli group of its kind. It engages in environmental lobbying of the Knesset and hopes to foster a love of nature through its endeavours. SPNI has delivered environmental education in the Israeli school system and is known for promoting the country’s hiking trails.

Shofet began with the history of the environmental movement in Israel and the “traditional Jewish call for wise environmental stewardship of the land.” It was from this concept that SPNI was founded, in 1953, by a group of scientists, teachers and kibbutzniks who were trying to prevent the draining of swamps in the Hula Valley in northern Israel.

Among the highlights of SPNI’s history is an initiative it spearheaded in the 2000s: a cross-border and environmentally friendly cooperation with Jordan and Palestine to use barn owls rather than pesticides to reduce the rodent populations in agricultural lands.

Israel houses what the United Nations refers to as a “global biodiversity hotspot,” Shofet said. “It’s important to note that Israel is a land bridge between three continents and four climatic zones.”

The numbers of bird and animal species in Israel exceed that of the United Kingdom; the country is also home to a wide variety of flora. Species from Europe, North Africa and Asia commingle with those native to Israel and the eastern Mediterranean. And, each year, Israel is a major migration route for hundreds of millions of birds, including pelicans, which makes the country a destination for birders.

Elsewhere, SPNI has been active in stopping what it believes to be the wrong type of afforestation, the introduction of trees in areas to which they are not ideally suited and that infringe on the natural habitat, such as the batha, a unique Mediterranean scrubland, or what Shofet called “the Serengeti of Israel.”

SPNI is in charge of blazing and maintaining the Israel National Trail and other parts of the more than 10,000 kilometres of trail systems in the country. “It’s a rite of passage for young Israelis to hike the Trail,” Shofet said about the INT.

Recently, the organization has focused on maintaining what Shofet described as a “sustainability mindset.”

“Renewable energy, moving away from fossil fuels, is what the environmental movement is about today,” he said. “Climate change is the organizing principle of the movement…. Our bottom line is to find nature-based solutions to mitigate climate change.”

At the top of current environmental issues for Israel is land-use planning, said Shofet. One of the densest populations of the OECD countries, Israel confronts obstacles in the use of its land. In 2015, SPNI lobbied to stop a group of business and political powerhouses, including former United States vice-president Dick Cheney and media tycoon Rupert Murdoch, from fracking in the centre of Israel.

Shofet emphasized that densely packed, sustainable cities like Tel Aviv are at the heart of protecting Israel’s biodiversity. “This is the only way to keep the open spaces open and to keep nature well-protected,” he said.

“Not all of Israel has to look like Tel Aviv, but Israel does have to build its cities in a smarter way and avoid suburban sprawl,” he told the audience. “Suburban sprawl is killing our open spaces and making life less interesting for people. Cities can be the solution to the environment. If the world had the global footprint of New York City, there would be no global warming.”

A niche for SPNI is urban nature. Such spaces are needed in green cities, said Shofet. To demonstrate this, he showed slides of the Jerusalem Bird Observatory near the Knesset, a place where schoolchildren and tourists alike visit and learn about ornithology up close, and Gazelle Valley Park, also in Jerusalem, Israel’s first urban nature reserve.

The final part of Shofet’s talk touched on the work SPNI is doing during the pandemic to try and ban Israel’s currently legal hunting season. As a start, SPNI has succeeded in getting the Ministry of Environmental Protection to call the laughing dove and the quail endangered species.

SPNI is also rehabilitating the nation’s rivers, trying to protect the diverse number of species and habitats found in its sea, promoting the use of solar energy, working to ensure that Israel has clean and accessible beaches, and encouraging the planting of trees in a way that is mindful of the country’s ecosystem.

Shofet’s concluding remarks offered a hopeful note to the current global environmental situation and Israel’s role in it, pointing out that the entrepreneurial spirit of the start-up nation is well-suited to tackling the challenges of adapting to the green economy.

For more information, visit natureisrael.org.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on December 4, 2020December 2, 2020Author Sam MargolisCategories LocalTags Canadian SPNI, conservation, environment, Israel, Jay Shofet, JCC Victoria, lobbying, nature, preservation, SPNI

Nature in Israel talk

On Nov. 19, the Jewish Community Centre of Victoria will host a webinar dedicated to Nature Israel (Society for the Protection of Nature in Israel, SPNI) and the organization’s role in addressing Israel’s environmental challenges.

For more than 60 years, SPNI has been dedicated to protecting and preserving Israel’s natural resources, environment, natural assets and landscape. The work carried out by SPNI now will determine what the land of Israel will look like for generations to come.

photo - Jay Shofet
Jay Shofet

The Canadian Society for the Protection of Nature in Israel (CSPNI) is a registered charity with the mission to raise awareness of, and funds for, the work of SPNI to protect and preserve Israel. CSPNI is, therefore, lending support to this program, which will be led by Jay Shofet, director of partnerships and development at SPNI.

A Brief History of Israel’s Environmental Movement: A Snapshot of Today’s Sustainability Challenges and Successes will highlight the programs run by SPNI. As well, Shofet will trace the growth of Israel’s environmental movement, from its early-decades focus on a romantic notion of conservation, through its growth and professionalization stage in the 1990s, to its grassroots focus on sustainability in the last decade. Then, he will give a snapshot of where things stand today: how a new ethos of dense, sustainable cities is slowly developing; how land-use planning affects everything; how the push for renewable energy is fighting against entrenched economic interests and old infrastructure; and how Israel’s world-class biodiversity is threatened by habitat loss and fragmentation – and what SPNI is doing about it.

The webinar begins at 10 a.m. To register, go to jccvictoria.ca/webinars-3.

Posted on November 13, 2020November 11, 2020Author JCC of VictoriaCategories LocalTags conservation, education, environment, history, Israel, Jay Shofet, JCC Victoria, SPNI
Tower of David conservation project underway

Tower of David conservation project underway

(photo from Tower of David Museum)

The Tower of David Museum has started one of the largest conservation projects in Israel, with work underway for a $40 million renewal plan led by the Clore Israel Foundation together with the support of the City of Jerusalem, the Ministry of Jerusalem and Heritage, and the Israel Ministry of Tourism. The Israel Antiquities Authority is supervising the archeological excavations and conservation of the project, which will double the current area of the museum to 20,000 square metres (more than 215,000 square feet). There will be a new sunken-entrance visitor centre, café, additional public bathrooms, as well as seven new galleries, additional exhibition spaces and two elevators, making the ancient citadel accessible to all. An educational complex of offices, classrooms and an auditorium will be constructed and a promenade added, which will be lined with archeological findings from the site.

Throughout the next two years, the museum will remain open (within the guidelines of the Ministry of Health), with temporary exhibitions, guided tours and cultural activities. A capital campaign has been initiated to complete the renewal project. At the same time, the museum continues to raise working capital to ensure that, even during the project and through the pandemic, the story of Jerusalem continues to be told. Last year, more than 500,000 people visited the museum, generating income for 80% of its budget, but the pandemic shutdown cut its income to zero, forcing the furlough of 85% of the working staff. Despite this, a small team is still creating live and virtual programming. In addition to fundraising, the museum has petitioned the government of Israel, including the Ministry of Culture, for support.

 

Format ImagePosted on October 30, 2020October 29, 2020Author Tower of David MuseumCategories IsraelTags conservation, history, Israel, Tower of David Museum
Israeli start-up’s Beehome

Israeli start-up’s Beehome

Beewise wants to replace traditional, wooden hives with high-tech, autonomous ones. (photo from Beewise)

What do cucumbers, avocados and coffee all have in common? Aside from being absolute necessities (yes, avocados, too), they’re all crops pollinated by bees. And, if things keep heading in the current direction, we’re screwed.

Bees are extremely important. About one-third of all plants and plant products consumed by humans are dependent on bee pollination. Unfortunately, the combination of modern demand and natural stresses such as climate change, pests and illness mean that the global bee population is dying at a dizzying rate, endangering our diets and well-being.

To combat this, efforts are being made to rehabilitate the bee population. In Israel, these endeavours are given a very Start-Up Nation twist, complete with computer vision, artificial intelligence and precision robotics, which are all part of the world’s first autonomous beehive, developed by Israeli start-up Beewise. Called Beehome, it’s a device that can house up to 40 bee colonies – that’s two million bees – and take care of their health and upkeep through an app on the beekeeper’s phone or tablet.

“It’s what’s called a disruptive innovation,” said Beewise chief executive officer Saar Safra. “We’re coming to replace all the beehives in the world.”

photo - Beewise chief executive officer Saar Safra
Beewise chief executive officer Saar Safra. (photo from Beewise)

The idea for an autonomous beehive came from Safra’s business partner, Eliyah Radzyner. A beekeeper by profession, Radzyner was aghast at the fact that beekeeping methods have not progressed for ages. He was convinced that a computer, machine or robot could do a much better job, and joined forces with Safra, a serial entrepreneur.

At present, most beehives around the world look like they did some 150 years ago – plain wooden constructions whose upkeep requires beekeepers to dress in full hazmat mode and light a smoker before opening them up, taking care of pests, supplying the bees with food and water and harvesting the honey. All this extensive manual labour means that commercial beekeepers, who take care of most of the bees in the world, only get to each hive about once every few weeks. Lots of bees are lost in between rounds to illness, pests and other problems.

“If you manage to identify the problem at the outset and take care of it in a specific manner, then, first off, it will be a lot less invasive; second, you’ll resolve the problem before it becomes a concern; and, third, you’ll save the bee,” Safra explained.

“We built a beehive that knows how to do these things,” he said, listing its three main components: artificial intelligence, computer vision and precision robotics.

The first, he said, is in charge of recognizing and identifying problems at the very outset. A real-time response is then carried out using computer vision to detect and monitor the situation, with precision robotics executing the required solution. The only things in the autonomous hive that require a human hand are filling the water and food and collecting the honey, which is harvested by machine.

photo - In Beewise's hives, even the honey is harvested by machine
In Beewise’s hives, even the honey is harvested by machine. (photo from Beewise)

While there are other companies trying to take care of bees amid the crisis, no one else has built an autonomous beehive. Currently in beta stage, Beehome is now being used by some commercial beekeepers.

“At first, there’s skepticism, because it’s so left-field,” Safra noted. “The moment we show people the device and that it works, there’s unbelievable excitement.

“There are beekeepers who are second, third or fourth generation. The beekeeper sees how his business is disappearing before his eyes, on his watch,” he added. “Then you suddenly show him this technology, this solution, and he sees that it works. Imagine what a relief that is.

“The idea that we’re saving bees using technology is an amazing thing,” Safra said. “When you take AI and apply it to traditional industries that haven’t been touched in 150 years, the yield is incredible.”

The funding for Beewise came from venture capital funds, as well as from European and Israeli grants. And doing business in Israel has been wonderful, said Safra, who returned to the country some two years ago after 15 years in the United States.

“The ecosystem in Israel is amazing. It’s simply optimized for start-ups,” he said. “There’s also a crazy infrastructure in terms of services and everyone knows how to work in startup mode.”

Beewise aims to be the new standard, Safra said. “There are 90 million beehives around the world. They’re all wooden beehives that don’t work anymore.

“We’re doing well by doing good,” he concluded. “Every hive that I create and which functions and succeeds – the result is more bees alive.”

For more information, visit beewise.ag.

Israel21c is a nonprofit educational foundation with a mission to focus media and public attention on the 21st-century Israel that exists beyond the conflict. For more, or to donate, visit israel21c.org.

 

Format ImagePosted on April 24, 2020April 24, 2020Author Naama Barak ISRAEL21CCategories IsraelTags Beewise, conservation, environment, Saar Safra, start-ups, technology
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