Raising a network of voices

Ari Ne’eman was diagnosed with Asperger’s syndrome at the age of 12. He did not have an easy childhood, being forced to leave his Solomon Schechter day school and, later, being expelled from Camp Ramah.

He is now head of the Autistic Self-advocacy Network (ASAN), and serves as one of President Barack Obama’s appointees on the National Council on Disability. Earlier this year, he received the Ruderman Family Foundation’s $100,000 Morton E. Ruderman Award, which “recognizes an individual who has made an extraordinary contribution to the inclusion of people with disabilities in the Jewish world and the greater public, and is based on past achievements and the potential for future contributions to the field.”

photo - Ari Ne’eman
Ari Ne’eman (photo from rudermanfoundation.org)

In 2006, Ne’eman co-founded ASAN. “Too often in conversations about autism policy or public discussion, researchers and family members are given precedence over autistic voices,” he told the Independent about the need for the organization. “This is due to a tendency not to recognize that a self-advocate perspective is distinct and different from those of family members, providers or researchers.”

The goal of ASAN is to ensure that those on the autism spectrum are represented in the public discourse and have their own collective voice. “People with disabilities are often perceived as incapable of representing themselves or as being unreliable in being the narrators of our own experience,” he said. “Really, both of those perceptions are very inaccurate and unfortunate.

“Unfortunately, society has certain perceptions about people with disabilities – in particular of autistic people and people with developmental disabilities. This often leads them to seek out the voices of our family members or service providers rather than hearing our own voices.”

According to Ne’eman, many people believe autism is a recent epidemic or a tragedy and, as a result, focus on advocacy related to research around causation and cure. ASAN believes the focus should be on services, supports and rights protection throughout their lifespan.

“Many families have been exploited by groups that seek to sell pseudoscientific cures predicated on the idea that autism is somehow connected to vaccination, which has been very thoroughly discredited,” he said. “From our point of view, there’s a need to really debunk those myths and communicate more accurate information to families.”

Ne’eman said that different autism diagnoses can be given to the same person by different doctors, and that these can also differ depending on when in their life a person is diagnosed. “This is partly because, even though there’s tremendous diversity on the autism spectrum, there aren’t clear dividing lines when it comes to different diagnoses,” he said. “We have this idea that there’s this thing called

‘Asperger’s’ and this separate thing called ‘autism.’ But, in fact, there is no clear dividing line between the two. What we have is a single, very diverse autism spectrum.”

ASAN includes people across the spectrum. For example, they have members who need augmentative communication technology to communicate (cannot speak). “We also have members and leaders, like myself, who do [speak],” said Ne’eman. “We have some who can talk in some contexts, but not in others. Some members have intellectual disabilities or various forms of cognitive or behavioral challenges.”

The network has invested largely in leadership development, and is active in lobbying state governments to change the funding of disability services to a more inclusive model. “We are in the process of expanding our work with respect to bringing people to a more integrated form of service provision, and supporting people out of institutions and group homes,” said Ne’eman.

ASAN advocates for students with disabilities, whose treatment varies greatly between districts and schools.

“As a matter of federal law, students with disabilities have the right to receive a free and appropriate education in a least restrictive environment,” said Ne’eman. “There’s a real need for a stronger emphasis on supporting students with disabilities in the general education classroom.

“In adulthood, people with disabilities also have a right to receive services in the most integrated setting under the Americans with Disabilities Act,” he continued. “In the U.S. today, there are 13 states that have eliminated institutionalization for people with developmental disabilities. I’ve seen significant positive outcomes as a result. When you get down to it, people aren’t more disabled in New Jersey, which has a lot of institutions, than they are in Oregon, which has no institutions.”

ASAN also promotes equal wages for people with disabilities. “Right now, approximately 200,000 people with disabilities in the U.S. are paid less than minimum wage under the Fair Labor Standards Act,” said Ne’eman. “If you look at the provision that allows for subminimum wage, it dates back to the 1930s, when there was one set of assumptions about people with disabilities. Today, 25 years after the Americans with Disabilities Act, we have different assumptions.”

Ne’man said that the Ruderman Award “was particularly an honor because of the importance of the foundation’s work in the Jewish community.”

He said, “Growing up, like many Jews with disabilities, I experienced challenges in being accepted in Jewish communal life. Many people with disabilities have to leave Jewish day school and other Jewish communal settings because of an unwillingness to provide accommodations.”

Ne’eman put a significant amount from the award toward a new disability rights-related project that he is not yet prepared to discuss, noting, “Hopefully in the coming year it will become visible.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Glimpse into Schiffer’s work

Jennifer Levine, Fred Schiffer’s daughter, speaks at the opening of the exhibit of her father’s work. (photo by Cynthia Ramsay)

On April 16, with the help of volunteers from King David High School and others, the Jewish Museum and Archives of British Columbia welcomed more than 250 visitors to the opening night of Fred Schiffer Lives in Photos. At the Make Gallery until May 31, the exhibit is part of the Capture Photography Festival.

Michael Schwartz, coordinator of programs and development at the JMABC and curator of the exhibit, gave the crowd a brief overview of what the JMABC does, and how the Schiffer photos fit into the museum’s holdings.

Of the 300,000 photographs housed by the JMABC, said Schwartz, “The Schiffer collection comprises over 10,000 photos. The JMABC has been working on this collection – organizing it, processing it – since it was donated by Schiffer’s family in 2001. To date, we’ve digitized 2,000 photographs, which are available to researchers online. The 45 photos that you see in this exhibit are selected from those 2,000, and an additional six photos are on display at the atrium of the Langara library through May 4th in a satellite exhibit.”

Schwartz explained that Schiffer fled Vienna, seeking refuge in England, where he stayed for 10 years before heading to Argentina, where he also lived for 10 years. “He arrived here in Vancouver in 1958 with his wife Olive and their two young children, Jennifer and Roger.”

The Schiffers operated a small studio under the Hudson’s Bay Co. building, on Seymour Street. “Schiffer was respected by his peers, not only for his skill but for being a kind and generous man, a true mensch, as we say,” said Schwartz. “He was president of the local photographic association, wrote frequently for the association newsletter and shared his knowledge of the trade with his colleagues.” He was one of the people who “led the charge to develop a professional photography program at Langara.”

After thanking the partners and funders of the exhibit, as well as his colleagues, Schwartz introduced Jennifer Levine, Schiffer’s daughter, who attended the opening from Toronto.

While her father was the person behind the photographs, she said, “he had two quite remarkable women who loved him and worked with him”: her mother, “who was the person you would always meet in the studio and who was also the organizer and the bookkeeper,” and her aunt, Irene, “who was not only a master retoucher but, also, I think she did some of the printing … together they discussed how things should be, and collaborated to make the prints happen.”

The family came to Vancouver from Buenos Aires, which had a “very lively photographic culture and my father was part of a group of photographers who met together, collaborated, discussed their work … they were sophisticated, they had annual photo shows in art galleries,” said Levine. When he came here, he thought he could interest the Vancouver Art Gallery in his work. “The response was, ‘Oh no, that’s photography, that’s not art.’ And it’s interesting that Vancouver has become such … an international centre for exciting work in photography, but let me tell you that, in the ’50s and ’60s, that was not happening.”

For her father, she said, “coming to Vancouver, which he chose to do, I think, largely for his children … because he had a sense of what was happening in Argentina, meant that the exploratory and experimental nature of his work would have to be held in because people in Vancouver were not interested…. I see how he had to shape his work for the marketplace and I know he did it for us and I honor him for that…. Artists have to make compromises sometimes for the people they love, and my dad did. I’m really proud of him as a photographer but I’m proud of him as a dad, too.”

– With the video file of Wendy Fouks

A rockin’ Yom Ha’atzmaut

Israeli musician Micha Biton headlined the community’s Yom Ha’atzmaut celebration. (photo by Rhonda Dent)

It was just shy of a sellout crowd on April 22 at the Chan Centre for the Performing Arts, as Israeli rock pioneer Micha Biton headlined the community’s main celebration of Yom Ha’atzmaut.

photo - Richmond Jewish Day School Choir
Richmond Jewish Day School Choir (photo by Rhonda Dent)

As it does every year, the evening began with the conclusion of Yom Hazikaron, led by Geoffrey Druker. In the singing of the national anthems, Vancouver Talmud Torah Choir was joined by Partnership2gether twin school Alei Givah Choir in Kfar Giladi (by video) for O Canada, while Richmond Jewish Day School Choir and Partnership2gether twin school Hameginim Choir in Kiryat Shmona (by video) sang Hatikvah.

Diane Switzer, board chair, Jewish Federation of Greater Vancouver, which led the celebration supported by some 50 community partner organizations and countless sponsors and volunteers, spoke briefly. She provided an overview of how the funds raised here for our partnership region in Israel – Eztabah Hagalil (the Galilee Panhandle) – are spent.

“Our Gesher Chai (Living Bridge) program aims to deepen connections with Israel on a person-to-person basis,” she said. “It builds lasting ties between our two communities, and is a cornerstone of Jewish Federation’s work.

photo - JCC Or Chadash dancers
JCC Or Chadash dancers (photo by Rhonda Dent)

“Through Gesher Chai, we help local day school students build enduring relationships with their peers at their sister schools in Israel. We fund exchanges between local educators and their Israeli counterparts so they can develop a shared curriculum. And we help connect the JCC Or Chadash dancers you’ll see tonight with the Hora Goel dancers from our partnership region. The impact of these programs, which promote Jewish identity and unity for elementary and high school students, can be felt around the world and here at home.

“Etzbah Hagalil is geographically, economically and politically removed from the centre of Israel,” she continued. “It is surrounded on three sides by Syria and Lebanon, and often bears the brunt of attacks when tensions flare. High unemployment and limited opportunities for education and advancement are ongoing concerns, and the area is home to many at-risk youth. Jewish Federation’s strategic investment in this region is aimed at breaking the cycle of poverty, improving living standards and developing the region’s long-term economic prospects.”

Warming up the crowd before Biton’s performance was the Or Chadash dancers. The evening also included greetings by video from Premier Christy Clark, as well as from mayors Benny Ben Muvchar (Mevo’ot Hermon), Giora Saltz (Galil Elyon), Rabbi Nisim Malka (Kiryat Shmona), Ilan Or (Yesod Hama’ala) and Herzel Boker (Metula).

For more photos from the event, click here.

Still hoping for equality

 

At Israel’s Yom Ha’atzmaut celebration marking the 67th anniversary of the state of Israel, one of the 14 individuals selected for the honor of lighting torches kicking off the celebration was Lucy Aharish, a television newscaster and actor who happens to be an Arab citizen of Israel.

Of course, “happens to be” is an obfuscation given the charged nature of life in Israel and its region. The fact that she is an Arab citizen of Israel is not at all an insignificant fact. That, certainly, was the opinion of critics from across the political spectrum when it was announced that she would be among those centre-stage at the annual Independence Day ceremony at Mount Herzl Cemetery.

Her participation in the ceremony was politicized by both left and right – by the right for reasons that can hardly be described as anything but racist and by the left for reasons that seem based on the assumption that any Arab who participates in an official Israeli ceremony is a collaborator with some sort of Zionist … whatever.

Hopefully, the critics were schooled by Aharish’s magnificent, emotional words at the ceremony. Holding back tears, Aharish said that she was lighting the torch “for all human beings, wherever they may be, who have not lost hope for peace, and for the children, full of innocence, who live on this earth…. For those who were but are no more, who fell victim to baseless hatred by those who have forgotten that we were all born in the image of one God. For Sephardim and Ashkenazim, religious and secular, Arabs and Jews, sons of this motherland that reminds us that we have no other place. For us as Israel, for the honor of mankind, and for the glory of the state of Israel.”

Aharish, the only Arab lighting a torch in the ceremony, shifted into Arabic, Israel’s other official language, saying: “For our honor as human beings, this is our country and there is no other.”

A different yet parallel development occurred at the same time, when the annual Israel Prize for poetry and literature was bestowed on Erez Biton.

The Israel Prize is widely considered the country’s highest civilian honor and the jury that selected Biton described his five collections of poetry as “an exemplary, brave, sensitive and deep grappling with the wide range of personal and collective experiences, revolving around the pain of immigration, the travails of rooting oneself in Israel, and the establishment of eastern identity as an inseparable part of the full Israeli profile.”

Biton happens to be the first Sephardi Jew to receive the award in this crucial cultural category. Again, “happens to be” is a phrase that diminishes the cultural and historical realities that make this achievement one that transcends the individual and stands in for the history of neglect felt by this significant minority in Israeli society.

These two stories, each pleasant in their way yet tinged with the deep and diverse troubles of Israeli society, carry innumerable lessons for not only Israel but countries around the world.

There are people in every country who, because of the groups to which they belong, have experienced discrimination, decreased opportunities and, well, far worse. Yet within these groups are individuals who have nevertheless achieved accomplishments that suggest there is room for a better future, one that accepts diversity, that encourages creative grappling with a society’s complexities and that respects those who are unafraid to assert their rights.

Here’s hoping that this year, and in future years, a more diverse and equal world means that “happens to be” becomes the norm, not the exception.

A long wait for redemption

 

We were fortunate to be guests at two warm and spirited seders this year. As designated song-leader, I tried to ensure that the singing was fulsome and sufficiently rowdy to rescue late-night flagging energy levels. One heartfelt moment was singing Ani Ma’amin. Based on Maimonides’ 13 Principles of Faith, the song declares, “I believe, with complete faith, in the coming of the Messiah.” It’s a song familiar to attendees of Jewish summer camp and Holocaust remembrance ceremonies. It’s beautiful and haunting and, with its concise lyrics, contagious for group sing-alongs.

There was an Israeli-Canadian couple at the seder and so, after singing about the Messiah’s hoped-for arrival, I grabbed the opportunity to insert another song from my favorite genre: Israeli ’70s and ’80s pop music. Shalom Hanoch’s 1985 hit, “Waiting for the Messiah,” launched onto the Israeli music scene an iconoclastic cry of frustration: “The Messiah isn’t coming – and neither is he phoning.” The few at the seder who knew it sang and air-banded for a bit before turning solemn as we wound down the seder with Hatikvah.

In Ani Ma’amin there is the belief that the world will one day improve, if only we are patient. Hanoch’s song, by contrast, is an attempt at hard-edged realism.

In 1985, Israel was gripped by hyperinflation. “The stock market crashed,” he sang. “People jumped from the roof; the Messiah also jumped, and they announced that he was killed….” Serious political ills were also ramping up, with the Lebanon War fresh in the memory of an increasingly restless nation. And, with the intifada breaking out two years later, more would follow.

Even in the absence of belief, messianiam is an ever-present notion in Jewish culture. In the 17th century, there was Shabbetai Tzvi, known as the false Messiah; later, there was the rejection of modern Zionism among the ultra-Orthodox who believed – and still do – that the experiment in Jewish sovereignty should wait for the Messiah’s arrival. Then there is the belief of some within the Chabad movement that the Rebbe, Rabbi Menachem Mendel Schneerson may himself have been the Messiah. For my part, given that I speak only Hebrew to my kids, I’m stuck with phrases that I normally wouldn’t use in English – and which don’t always reflect my worldview – phrases like “what are you waiting for – the Messiah to come?” when my then toddlers would rest in a snowbank between their JCC preschool and the parking lot.

But what really struck me that night at the seder as we sang Hanoch’s lyrics was a two-fold question. First, which stance better fulfils the Judaic imperative of tikkun olam: the traditional belief in messianic redemption, or the belief that it is all up to us? And second, how can we agree on what of the many problems in the world are deserving of fixing in the first place?

Clearly, the world is in disrepair. Just within the last few weeks, for example, two infants died in unregulated South Tel Aviv day cares serving African refugees; Islamic militants of the al-Shabab Somali group slaughtered 148 Christian students at a university in Garissa, Kenya; bloodshed continues in Syria and Yemen; antisemitic attacks are on the rise, especially in France; and, in Canada, according to Make Poverty History, one in 10 children here lives below the poverty line.

Certainly, none of us in our lifetime will solve all the world’s ills, and with humanity’s imperfections, including our own mental and emotional flaws, our lust for power and the natural drive for accumulation amid scarcity, it’s hard to believe that widespread suffering will ever be overcome. Some believe that messianic yearnings lead to passivity; others that it spurs us to action.

But perhaps the biggest conundrum is how to agree on which of the world’s ills we should actually care about. For some, the criterion is whether the problem is local; for others it is the perception of how the solution will implicate their own well-being; for others it hinges on whether they think the problem is actually the fault of the sufferer. Whether or not one believes in the possibility of messianic redemption, or whether one believes that it is up to us mortals to repair the world, we would do well to start with something that is hard to contest: the importance of compassion for suffering wherever it is found.

Mira Sucharov is an associate professor of political science at Carleton University. She blogs at Haaretz and the Jewish Daily Forward. This article was originally published in the Ottawa Jewish Bulletin.

Film on fate of Polish town

Filmmaker Haya Newman’s father Ozer Fuks grew up in Wolbrom, Poland. He escaped the town in 1939. (photo from wolbrom.pl)

The town of Wolbrom, Poland, had a population of around 10,000 in 1939; about half of the residents were Jewish. Because it was very close to the German border, it was occupied on the day the Second World War began with the invasion of Poland on Sept. 1, 1939.

Haya Newman, a Vancouver teacher of Yiddish and now a filmmaker, has spent the past several years investigating what happened to the Jews of Wolbrom. On April 14, the evening before the community gathered to mark Yom Hashoah, Newman premièred her documentary Wolbrom: My Father’s Hometown in Poland before a packed audience at Temple Sholom.

Newman’s father, Ozer Fuks, came from the town, and trouble began well before the invasion of the Nazis. When Ozer was 4 years old, his father was murdered in front of his leather goods shop. In 1939, Fuks was in the Polish army and he managed to escape the Nazis through the Soviet Union.

photo - Filmmaker Haya Newman’s father Ozer Fuks grew up in Wolbrom, Poland. He escaped the town in 1939
Filmmaker Haya Newman’s father, Ozer Fuks. (photo from Haya Newman)

The project of assembling information on her father’s hometown began from almost nothing, given that her late father kept his past during the Holocaust secret.

In her attempts to gather information, Newman visited the few remaining members of her father’s family in Israel. When that branch of the family opted to leave Europe for Mandate Palestine, Newman said, the remaining family told them they were crazy, heading to a barren desert. They are the only members of her father’s family that survived.

Newman’s documentary, which was filmed by her husband, Tim Newman, follows her first to Israel and then to Wolbrom, in search of the missing pieces.

The outline of the story of Wolbrom’s Jewish residents is similar to that of Jews in thousands of other Polish villages, towns and cities.

The Jewish residents were rounded up by the Nazis and their collaborators. Some were shot on the spot while the rest were forced on a six-day march that circled back to the same town. The able-bodied who survived were forced into slave labor.

In 1941, about 8,000 Jews from the surrounding area were forced into the ghetto in Wolbrom. Eventually, some were transported to concentration camps. But most of them met a grisly fate closer to home.

A memorial was erected in 1988, apparently by residents of Wolbrom themselves, remembering the 4,500 Jews killed and buried in mass graves outside the town.

“This must be carved in Polish memory as it is carved in stone,” the memorial reads in Polish.

Walking to the site, Newman ran into locals who shared some of the stories that had come down from the older villagers.

Three holes were dug in a clearing, they said, and planks were placed across them. The Jews were ordered to undress and as they individually walked across the planks, they were shot and fell into the ravines. When the dirt was pushed over the bodies, one local recounted, the earth cracked from the movement of those still alive.

A story survives of a boy who did not. A youngster managed to escape through the forest as the murdering was going on. Police chased after him, calling out to local boys who were tending cows to catch him, which they did. An officer stood on the boy’s hands and shot him point blank.

Wolbom’s synagogue was turned into a pile of rubble during the war. The Jewish school is now an agricultural supply store – with Nazi graffiti covering the doors. While Newman said she was largely greeted with warmth during her visit, which took place in 2005, she sensed some defensiveness among Poles.

“The fact of the matter is that 90 percent of Polish Jews were killed and a lot had to do with the Polish population,” she said, adding that hundreds of Jews who had been in hiding and survived were killed after the war by Poles. There are 327 documented cases of killings, either individual murders or in pogroms in the immediate aftermath of the war, but estimates are that as many as 2,000 Polish Jews who survived the Holocaust were murdered after liberation.

The reactions from some of the locals caught on video are intriguing.

“There is nothing to look for,” said one man, “You can’t turn back time.”

Another told her, “Take it easy, it’s all in the past.”

Newman visited the home where her grandmother had lived and the woman who resided there at the time was somewhat nonchalant about the property’s provenance.

“When we bought the house, it was empty,” she said.

Other residents spoke of the horror and upset felt by non-Jewish people at the fate of their Jewish neighbors. One woman said her mother picked up Yiddish playing with the Jewish kids in town before the war. Others provided helpful information to direct Newman to the relevant sites of the former Jewish community.

Overall, the people of Wolbrom were open and very willing to speak with her, she said. “It seemed like they were waiting for me there.”

It has been 10 years since the trip that formed the backbone of the film and Newman noted that it is not only the survivors who are passing away, but the eyewitnesses who can add to the fullness of what happened during that period.

“Within five, 10 years, they are not going to be there anymore,” she said.

Rabbi Dan Moskovitz spoke after the screening and referenced the just-ended Pesach holiday to emphasize the need to tell the stories of the more recent past. Just as the Hagaddah marks the narrative of the Exodus, he said, today’s generation should be recording the narratives of this era.

“We need to tell our stories so our children can tell them the way we tell the Hagaddah,” he said. “Go home, write down and tell your story.”

Newman’s next projects include a documentary about Yiddish on the West Coast, a film about her mother’s hometown in Poland and another about Vancouver singer Claire Klein Osipov.

Pat Johnson is a Vancouver writer and principal in PRsuasiveMedia.com.

Analyzing talmudic sages

Vancouver colleagues and friends, Rabbi Binyomin Bitton, left, and Rabbi Eliezer Lipman (Lipa) Dubrawsky, spent many hours discussing scholarly Torah subjects, and the 300-page Hebrew volume by Bitton titled Rabbi Eliezer Hagadol was released in time for the second anniversary of Dubrawsky’s passing. (photo by Noam Dehan)

Rabbi Binyomin Bitton shared a unique bond with the late Rabbi Eliezer Lipman (Lipa) Dubrawsky, who was educational director of Chabad-Lubavitch of British Columbia in Vancouver. In addition to being personal friends, they spent many long hours discussing scholarly Torah subjects across the board.

In time for the second anniversary of Dubrawsky’s untimely passing at the age of 56, Bitton, co-director of Chabad of Downtown, released a book of in-depth research and analysis on the opinions and mindsets of two talmudic sages, Rabbi Eliezer ben Hyrcanus and Rabbi Yehoshua ben Chananya, based on the unique approach and teachings of the Lubavitcher Rebbe, Rabbi Menachem M. Schneerson.

“The idea first came to me shortly after Rabbi Dubrawsky’s passing,” explained Bitton. “His first name was Eliezer, and his father’s name was Yehoshua. I felt it would be a fitting memorial for two men who dedicated so much of their lives to Torah to explain the positions of two sages whose names they bear.”

While he was not initially sure if he would have enough material for a book, Bitton’s research yielded a robust, 300-page Hebrew volume titled Rabbi Eliezer Hagadol (The Great Rabbi Eliezer), an honorific often used for the talmudic sage, which Bitton said aptly described his great friend and mentor, as well.

image - Rabbi Binyomin Bitton’s new book is dedicated to Rabbi Lipa Dubrawsky, book cover
Rabbi Binyomin Bitton’s new book is dedicated to Rabbi Lipa Dubrawsky.

Following a pattern championed by the Rebbe, the author identifies the prototypical approaches of the two first-century sages, and then goes on to apply those same underpinnings to seemingly unrelated arguments of theirs dotting the talmudic landscape.

“The Rebbe had a unique way of learning, of leshitasayhu” – the notion that the rulings of talmudic sages on disparate subjects are related to one another, explained Bitton, “and this forms the basis of the book. The widely accepted approach to leshitasayhu is that the ruling on one particular subject evolves from another one.

“By the Rebbe, it works on a different, deeper plane. In his view, many opinions evolve from a quintessential point in which the two sages essentially disagree and, from there, their opinion evolves in numerous subjects, which, at first glance, may not be related at all. Accordingly, the Rebbe further explains how the approach of each sage evolves and/or is connected to their Hebrew name, soul, place of residence, responsibilities, position and more. This, too, was incorporated in the book with regards to Rabbi Eliezer and Rabbi Yehoshua.”

In 45 chapters, Bitton masterfully weaves common threads through the full gamut of human experience, demonstrating how the sages approached dozens of subjects that can be traced to the same fundamental axioms.

The book was released just in time for 27 Nissan, the second anniversary of the rabbi’s sudden passing in 2013. Thus, the book’s second part deals with the two sacrifices that frame the time of year: the Omer barley offering that was brought to the Temple in Jerusalem on the second day of Passover, and the two loaves brought seven weeks later on Shavuot.

Expounding upon a discourse of the Rebbe, Bitton applies the Rebbe’s principles to a number of different aspects of the two offerings – even explaining how they reflect through the kabbalistic lens of Chabad Chassidic tradition.

“Rabbi Dubrawsky dedicated his life to learning Torah and teaching Torah every single day,” said Bitton, “and I truly feel that through sharing Torah with others, we can perpetuate his special life.”

This article is reprinted with permission from chabad.org. To sponsor other works and/or buy Bitton’s, visit chabadcitycentre.com/book.

A moving Shoah memorial

Dozens of Vancouverites who survived the Holocaust were joined by their children, grandchildren and hundreds of others in a solemn, powerful commemoration for Yom Hashoah, Holocaust Remembrance Day.

The catastrophic impact of the Holocaust on individuals, families, communities and the world was made evident through words and music, as stories of survival and loss, and their impacts on the living, were interspersed with Yiddish songs that recalled the civilization destroyed by the Nazis.

The annual event took place at the Jewish Community Centre of Greater Vancouver on April 15, the eve of Yom Hashoah.

A procession of Holocaust survivors passed through the hushed auditorium, taking their places at the front of the hall and placing candles on a table before Chazzan Yaacov Orzech led the Kol Simcha Singers in a poignant El Male Rachamim, the prayer for the souls of the departed. Chaim Kornfeld led the room in the Kaddish.

Hymie Fox, a member of the second generation, told the audience that his parents, Jack and Freda Fuks (Fox), struggled to keep their experiences from their children, but the Holocaust permeated the family’s life in unanticipated ways.

“During the day, my mother could control her thoughts, her words, her stories,” Fox said. But at night, he would be awakened by his mother’s screams.

He wanted to ask about the trauma that caused the night terrors, he said, but his mother had devoted herself so completely to sheltering these memories from her children that to inquire would suggest that all her efforts to protect her children were for naught.

Fox’s father came from an extended family of more than 70 and was one of 11 children. Just Jack and one brother survived.

Though unspoken, his family’s Holocaust experience was especially present at holidays, when the small family of four would celebrate alone.

“Death was a part of our everyday life,” he said. “Yet, there was nobody to die.”

Kornfeld was the survivor speaker for the evening. He recalled his childhood in a village on the Czechoslovakian-Hungarian border, his early schooling and the strict adherence to Judaism with which he was raised, one that forbade the touching of an egg laid on the Sabbath until after sundown.

In March 1944, when the Nazis occupied the town, they rounded up the intelligentsia, Kornfeld assumes because it would be easier to control the masses if the heads of the community were removed.

A ghetto was established for the surrounding areas and, inevitably, Kornfeld was loaded onto a train car destined for Auschwitz.

An older inmate pointed out Josef Mengele and warned the young Kornfeld to tell the evil doctor that he was 18 years old and a farmer. A week later, Kornfeld was transported in a railcar destined for Mauthausen that was so packed people could only stand.

Mauthausen-Gusen concentration camp was a huge constellation of slave labor facilities, intended for the most “incorrigible political enemies of the Reich.” There, Kornfeld was put to work digging caves in a mountain where the Nazis constructed munitions and equipment, unassailable by Allied bombing.

At one point, he developed an abscess on his leg and was unable to walk. He was taken to the infirmary, which was an extremely dangerous situation in a dystopia where only those capable of work survived. One day, all patients capable of walking were ordered to leave the infirmary and a Polish man carried Kornfeld on his back, fearful of his fate should he remain in the infirmary. A German soldier ordered the man to put Kornfeld down. The officer put his hand toward his holster.

“I pleaded with the officer,” he said. “I begged for my life.”

He reminded the Nazi how effective he was as a worker and his life was spared. He was liberated from Mauthausen on May 5, 1945.

After a time on a kibbutz in Israel, Kornfeld came to Canada and learned of an opportunity as a Hebrew school principal in Saskatoon that allowed him to work evenings and study at university in the daytime. He became a lawyer, married and has four children.

Claire Klein Osipov sang and interpreted Yiddish songs that, while often melancholy in themselves, had added resonance as evidence of the people, culture and language that were almost completely extinguished in the Shoah. She was accompanied on piano by Wendy Bross Stuart who, with Ron Stuart, artistically produced the event. The Yom Hashoah Singers – a group of Jewish young people including members of the third generation – delivered a message of both mourning and hope with such songs as “Chai” and “The Partisan Song,” the defiant anthem of Jewish resistance that is an annual tradition on this day. Lisa Osipov Milton also sang, and Andrew Brown, associate principal viola with the Vancouver Symphony Orchestra, performed excerpts from Milton Barnes’ Lamentations of Jeremiah and Ernest Bloch’s Meditation.

Corinne Zimmerman, a vice-president of the Vancouver Holocaust Education Centre, which presented the event with support from the Jewish Federation of Greater Vancouver, the Jewish Community Centre and the Province of British Columbia, also spoke.

Moira Stilwell, member of the B.C. Legislature for Vancouver-Langara, said the day is a time to “learn, mourn and pledge, ‘Never again.’

“Yom Hashoah is not only about learning from history, but about passing those lessons on to the next generations,” she said.

Pat Johnson is a Vancouver writer and principal in PRsuasiveMedia.com.