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Author: Rebeca Kuropatwa

Aftermath of trauma

Sometimes there are jokes about how we’re all emotionally damaged to some degree. It’s a serious problem for us, because we all lived through wars and terror attacks,” shared Canadian-Israeli Yolanda Papini Pollock of Winnipeg Friends of Israel (WFI) at a lecture co-hosted by WFI on Feb. 9.

The discussion, which focused on the topic The Psychological Impact of War and Terrorism: Coping with and Minimizing Trauma, was held with the local Canadian Associates of Ben-Gurion University of the Negev chapter, the Jewish Post and News and Congregation Temple Shalom, at the synagogue.

photo - Michel Strain
Michel Strain (photo by Rebeca Kuropatwa)

“I’ve worked with refugees for the last decade,” said Michel Strain of the Manitoba Immigrant and Refugee Settlement Sector Association. “All have come from countries affected by war and many have experienced trauma and torture, many living in refugee situations for many years.

“In my role in the employment program I worked in, I was often one of the first people the refugees began to trust. And, during this trusting relationship, I had the privilege of many individuals sharing their stories with me…. Their resiliency was resoundingly evident to me.”

Holocaust survivor Edith Kimelman spoke about dealing with her personal trauma. She was 16 years old when Germany invaded her small community in Poland.

“I stood at a neighbor’s window and watched my father being led away by soldiers, only to find him later in a field – dead and riddled with bullets,” she said. “It was beyond my young comprehension to understand that no one in our non-Jewish community of neighbors would help us bring him home. My childish belief was, once he returns to our house, he would return to life.

photo - Edith Kimelman
Edith Kimelman (photo by Rebeca Kuropatwa)

“To watch from our window, as Jewish neighbors were led behind a stable, shot and quickly buried gives me, to this day, nightmares. To find my mother so severely beaten that it led to her death will haunt me forever. I felt like I was punished, having to remain alive without her.

“When I had my own children, I lived in constant fear that something terrible would happen to them or to my husband, and that I would be unable to help them.”

Kimelman explained how this trauma has affected every aspect of her life, including, of course, her relationships with family and friends. While she fears she will leave her sons with the heavy baggage of her unfortunate experiences, she is confident that her fierce love for life and her survival will carry them through.

The keynote speaker of the event, BGU’s Dr. Solly Dreman, who was born and raised in Winnipeg before moving to Israel 50 years ago, was introduced by Dr. Will Fleisher, a local therapist experienced in working with traumatized youth and adults. Dreman is professor emeritus in BGU’s department of psychology.

Dreman has witnessed the long-lasting effects of terrorism. Decades later, “soldiers are having night terrors, night sweats, family difficulties, are unable to cope.”

He differentiated between war and terrorism, explaining that war is usually preceded by prior events and circumstances, while terrorism occurs suddenly, without warning, causing a different type of trauma. Unlike war, terrorism is not confined to a specific geographic arena or time dimension.

“The threat persists, the fears, uncertainty, the sense of helplessness,” he said. “Such attacks are looming over our heads all the time. You have the unbridled devils lurking in your soul forever. That’s going to serve as the trigger for anxiety, feelings of helplessness and inability to cope.

“People who have lost loved ones may have been witness to the event, and we all know the symptoms of survivor guilt,” he continued. “By escaping unscathed, they experience feelings of guilt that they came out alive. There’s research that shows that people who have been injured in a terrorism event after having lost a family member have less PTSD [post-traumatic stress disorder] than someone who comes out unscathed. Survivor guilt has been a major factor.”

photo - Dr. Solly Dreman
Dr. Solly Dreman (photo by Rebeca Kuropatwa)

Dreman pointed to the media as an aggravator in Israel, saying they continually expose the public to the horrific events, while frequently providing information that is unreliable and unconfirmed. He also said the general public, too, is responsible for watching, reading and listening to these reports more critically.

He spoke about his experiences with two separate terror incidents.

“Our initial therapeutic attempts were designed to deal with interpersonal things, like helping teachers in their contact with the young victim students, helping integrate them into the school system,” said Dreman.

The approach seemed to have worked for the first few years, but when Dreman went back to these families 10 years after the initial contact, he found them struggling with life and their interpersonal relationships.

“It was terrible,” said Dreman. “We failed. By the way, we got published in a very prestigious journal reporting on our failure. The conclusion, for those of you who are dealing with refugees or faced the Holocaust, is that there is a need for interpersonal intervention and getting back to business as usual.”

Dreman suggested that limiting media exposure may be helpful, as the constant repetition of the horror does not allow people to heal. But, on the other hand, he said it is important to not go completely off the grid, as that can cause anxiety to a breaking point that might create more trauma. A balance is needed, he said.

Dreman further advised that it is important to embrace life, that social support is a major factor in healthy adjustment.

“Be up front with your kids, explaining that you will do your best to protect everyone,” he said, “but don’t promise that nothing bad will happen, as that is a promise you may not be able to keep. We should allow kids the opportunity to express their fears, but not to dwell on them, as that will exacerbate the sense of trauma.

“Routine is very important – schoolwork, exercise, empowerment,” he added. “The only way to get that is establishing a routine in the face of incomprehensible uncertainty and trauma. Don’t send the kid to a shrink because, by doing that, you’re telling them you can’t manage things.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Posted on February 26, 2016February 25, 2016Author Rebeca KuropatwaCategories NationalTags Ben-Gurion University, BGU, Edith Kimelman, Michel Strain, Solly Dreman, terrorism, trauma, war, WFI, Winnipeg Friends of Israel

Safety in home births

With only about five percent of Canadians giving birth at home, one might think the practice is dangerous and that is why the number is so low. On the contrary. Studies show that, as long as the mother is at low risk, it is as safe to give birth at home as it is to give birth in a hospital.

Dr. Michael Klein is a family physician, pediatrician, newborn-intensive-care specialist, maternity care researcher and senior scientist emeritus at Vancouver’s Child and Family Research Institute.

“I am a part of a number of ongoing research projects,” said Klein. “We look at old and new technologies and assess them in relation to birth. I’m about normal birth – not complicated birth – keeping birth normal.”

photo - Dr. Michael Klein
Dr. Michael Klein (photo from Dr. Michael Klein)

In 2009, Klein worked on a study that looked at the safety of home births, evaluating three groups of births: home births by a midwife, hospital births by the same midwives, and a matched sample of physician births. The researchers looked at women who were identical in their risk profile and found that, regarding fetus development and the newborn baby, there was no difference in these three groups.

“Home birth seemed to be as safe as hospital birth, whether by the doctor or by the same midwife,” said Klein. “There are now two other studies from Ontario that show the same thing.

“Home birth is integrated within the health-care system in B.C.,” he continued. “Midwives are supported and part of the system, so when the midwife needs help from a hospital backup system, she gets it.

“Of course, what you also see is dramatically more interventions on the physician-hospital side than at home. And you find, interestingly, that the midwives – the same midwives delivering in hospitals – have results in terms of interventions of various sorts that are closer to the doctor’s side than they are to themselves at home.”

Klein attributes this observation to the influence of the hospital itself, a setting that is anxiety-driven. There may also be differences in the population, with women wanting a midwife in a hospital differently motivated from those wanting a midwife in a home setting.

In terms of the methodology of the study, it was very important that, once a woman was beginning her labor at home, no matter if the birth ended up being in a hospital or not, that she was counted in the home birth column or category.

“Roughly, a third of midwifery births will be home births,” said Klein. “That’s because this is what women are requesting. The model is what is called a ‘woman-centred model.’ If a woman wants a home birth and she meets the criteria in terms of her risk profile, then the midwife is obligated to deliver that service in the way she wants.

“I think there’s no question that we should have more home births. You may be unaware, but the minister of health in B.C. has supported that notion – that home births should be … I wouldn’t say promoted, but certainly made available.

“Women need to know what the options are and they need to know if they need help during labor that they will get it. A home birth, to be safe, needs to be within 30 minutes of an operating room. Contrary to what most people believe, things don’t suddenly go wrong. They evolve.”

Something else that can be a limiting factor in increasing home birth numbers is the lack of midwives across Canada.

“The joke is that you have to register with a midwife before conception,” said Klein.

In British Columbia, the midwifery class recently doubled in size. Why not quadruple the class size to keep up with demand? The simple answer is that the system is not currently able to support that, although it is estimated that a home birth costs the system between a third and half as much as a hospital birth.

“I think it’s too complex,” said Klein. “What we are talking about now is a serious planning exercise. That’s not happening. I think it will take time for the system to collapse a little bit more before it happens.

“The other player in all of this, which we haven’t talked about yet, is the doula. That movement is, of course, gaining more and more popularity. In some settings, it’s been so successful that some hospitals are supporting the doulas’ salaries.”

According to Klein, doulas are successful in lowering the caesarean-section rate and other interventions. “When you lower the c-section rate, it has a big impact on the hospital budget, because a person who has a caesarean stays twice as long in the hospital than one who has a vaginal birth,” he said.

Avoiding a c-section means less likelihood of a uterine scar in subsequent pregnancies. “Once a pregnant woman has a uterine scar, the whole reproductive trajectory is changed,” said Klein. “One is more likely to have a whole series of problems, complicated next pregnancies, placental attachment problems, ectopic pregnancies, stillborn births and infertility. With the c-section rate at four percent in home births and up to 30% in hospital births, that many more women will end up with a uterine scar and be at higher risk of complications.”

photo - Dr. Brian Goldman
Dr. Brian Goldman (photo from Dr. Brian Goldman)

Dr. Brian Goldman, an emergency physician at Mount Sinai Hospital in Toronto, and the host of White Coat, Black Art on CBC Radio One, has, for years, had an eye on the growing demand among women in Canada for licensed midwives.

“Midwives are experts in low-risk, uncomplicated births, as are family doctors,” said Goldman. “However, even though low-risk birth is a core part of the training of family physicians, very few of them want to attend low-risk births once out in practice.

“In Canada, we have a situation in which the vast majority of births – high-risk and low-risk alike – are attended by obstetricians. These specialists have tremendous knowledge, skill and experience which, in my opinion, is best put to use managing women who are likely to have a complicated pregnancy and birth. We need more professionals like midwives and family doctors to attend low-risk births.

“Most family doctors run busy practices and find it difficult for practice, family and social reasons to devote a significant amount of time to attending women in labor through the night. To me, midwives represent the likeliest prospect for increasing the pool of professionals qualified and interested in attending low-risk births.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Posted on February 26, 2016February 25, 2016Author Rebeca KuropatwaCategories NationalTags Brian Goldman, Child and Family Research Institute, doula, home birth, Michael Klein, midwife, pregnancy
Art therapy kits to families

Art therapy kits to families

United Hatzalah of Israel and Artists 4 Israel distributed art therapy kits to families in southern Israel and held a program that included visits by graffiti artists who worked with teens to paint neighborhood bomb shelters. (photo from United Hatzalah of Israel)

At the end of last year, 75 families from southern Israel received specialized art therapy kits, thanks to a new project organized by United Hatzalah of Israel’s Team Daniel initiative. In conjunction with Artists 4 Israel, the art therapy kits were distributed Dec. 8-10, along with a program showing parents how to use the kits with their children and visits by graffiti artists who worked with teens to paint neighborhood bomb shelters. Various art therapists also participated in the events.

Last summer, during Operation Protective Edge, a group of Chicagoans was touring the Eshkol region as sirens blared. These community members were so moved by their experience and, after hearing about the death of 4-year-old Daniel Tragerman, decided to raise money to help the region. Some 50 Chicago families established Team Daniel to fund the training, placement and equipment needed for 100 United Hatzalah medics to service southern Israel. The new kits are given directly to the families of these volunteers, who often run out on a moment’s notice to attend to rocket attacks and other local emergencies.

“Because these particular families are committed to saving lives as United Hatzalah medics, it was important to us that we give them a way to cope,” said Brielle Collins, Chicago regional manager for United Hatzalah. “Art is such a powerful tool to give to people who are recovering from war, stress and tragedy.”

The arts kit was developed by experts from Israel and the United States in the mental health field in collaboration with the nonprofit Artists 4 Israel. It is hoped that the “first aid kit for young minds” will combat the effects of trauma and eliminate the chances of PTSD by up to 80% through self-directed, creative play therapies.

United Hatzalah, a community-based emergency medical response organization, has been distributing the kits in a pilot program throughout Israel since July.

Format ImagePosted on February 26, 2016February 25, 2016Author United Hatzalah of IsraelCategories WorldTags Brielle Collins, Eshkol, Israel, terrorism, therapy, trauma, United Hatzalah
Abrahamic faiths’ traditions

Abrahamic faiths’ traditions

A chuppah in Jerusalem. (photo by Nikki Fenton)

Mazal tov. Mabrouk. Congratulations. No matter one’s religion or language, a wedding is generally a joyous occasion.

While there is no apparent consensus, varying reports say that between 60% and 80% of all marriages in the United States are performed in a religious ceremony. Where do the religious wedding traditions come from? What are the similarities and differences between the marriage traditions of the three Abrahamic religions – Judaism, Christianity and Islam?

The most obvious similarity between Jewish, Christian and Islamic marriages is that, in each case, the tradition requires that the union be between a bride and a groom of the same religion. In other words, according to the letter of the religious law, intermarriage is forbidden.

The Torah, New Testament and Quran indulge in many stories designed to warn men against marrying women who worship foreign gods or are nonbelievers.

Deuteronomy 7:3-4 states, “Do not intermarry with them. Do not give your daughters to their sons or take their daughters for your sons, for they will turn your children away from following me to serve other gods, and the Lord’s anger will burn against you and will quickly destroy you.” For Christians, 2 Corinthians 6:14-17 explains that one should not be “yoked together with unbelievers,” and should “touch not the unclean thing” if one wants to be received by the Lord. In Sura 60:10, Muslims learn, “Do not maintain your marriages with unbelieving women.”

In Israel, where couples can wed only through religious ceremonies administered by the Chief Rabbinate, the intermarriage rate is relatively low. The 2015 Israeli Democracy Index survey found more than one-third of both Jewish (36%) and Arab (38.8%) Israelis support organizations that work to prevent Jewish women from marrying Arab men, even if their activities are radical and/or violent.

In the United States, however, intermarriage is almost the norm. The 2013 Pew Research Centre survey of American Jews found an intermarriage rate of 58%, up from 43% in 1990 and 17% in 1970. Among non-Orthodox Jews, the intermarriage rate is 71%.

How do these intermarried couples plan their weddings? Are the traditions similar enough to make it work?

The modern idea of a secular marriage based on love is rooted in Christianity. But, according to Karen Armstrong’s The Gospel According to Woman, the first detailed account of a Christian wedding in the West dates back to the ninth century and was identical to the old nuptial service of ancient Rome. This is likely because, at its core, Christianity looks down upon marriage.

In the New Testament (Matthew 22:23-30), Christians are taught that in heaven there are no marriages. St. Paul describes marriage as a last resort for those who cannot restrain themselves, saying that being chaste is the ideal.

In contrast, there are deep Jewish and Islamic marriage traditions that begin even before engagement. Arranged marriages – or the use of a shadchan (matchmaker), in Jewish terms – is something that’s not only condoned, but encouraged by both faiths.

Rabbi Etan Mintz, leader of B’nai Israel Synagogue in Baltimore, said matchmaking is experiencing a resurgence. There are now any number of religious- and secular-rooted websites helping couples meet and match. Likewise, there’s a growing phenomenon of executive matchmakers.

In the time of the Talmud, Jewish engagement (erusin) looked very different than it does today, Mintz explained, as engagement and marriage nuptials (nissu’in) were different ceremonies that took place about one year apart. When a man wanted to marry a woman, he would ask her father for permission, and documents of commitment would be signed. During that time, the couple was able to plan their lives, but no direct or immodest contact was allowed.

Today, the erusin and the nissu’in ceremonies generally happen at the same time – under the chuppah (wedding canopy). The ceremonies are divided by the reading of the ketubah (marriage contract).

photo - An Islamic bride’s hand is decorated as part of the henna pre-wedding ritual
An Islamic bride’s hand is decorated as part of the henna pre-wedding ritual. (photo by Ibtisam Mahameed)

This is not too different from how Muslim engagement practices look today, in some circles. Ibtisam Mahameed, a Muslim woman from the village of Faradis in Israel, told JNS.org that, in order for a couple in her town to get engaged, the man and his family must meet with the woman’s family.

“The boy has to come and sit in the parents’ house and say he wants to marry the daughter. The parents have to agree. If they don’t agree, the couple cannot be married,” she explained.

If the parents agree, then the village sheikh will come to the house of the woman’s parents and go over Muslim marriage law – what is owed to the bride and groom, the obligations of the man to the woman, and the ramifications of divorce.

“The rights are fully explained before the wedding,” Mahameed said.

Both Muslims and Jews enjoy rich pre-wedding rituals.

The Jewish bedeken (veiling ceremony) is “so powerful,” said Mintz. Often marking the first time a bride and groom are seeing each other after a week of separation before the wedding, the bedeken is wrought with emotion.

While one understanding of the bedeken is that it relates to the fact that the biblical patriarch Jacob was forced to marry Leah instead of Rachel when the brides were switched by their father Laban – and, by extension, today, the groom symbolically makes sure he is marrying the right bride by checking and then veiling her – Mintz said there are other more spiritual interpretations of ritual.

“Rabbi Shlomo Carlebach asks, ‘If the purpose is to make sure she is the right one, why does he veil the bride at the bedeken? Shouldn’t he be taking the veil off?’ Carlebach says the radiance of the bride is so powerful under the chuppah, so beautiful, that the chatan (groom) veils her. That intensity, that beauty, is just for the two of them in their own personal space,” Mintz said.

Mahameed described Islam’s “henna” ceremony as powerful and intimate, too. She said the groom’s best friends and relatives gather in his home to mix and paint the henna dye. Then, they mix more of the dye to deliver to the bride. Carrying a uniquely woven basket with a golden plate of henna, the groom and his mother walk hand-in-hand to make the henna delivery to the bride.

Read more at jns.org.

Format ImagePosted on February 26, 2016February 25, 2016Author Maayan Jaffe-Hoffman JNS.ORGCategories WorldTags Abrahamic faith, chuppah, henna, weddings
התפתחות מפתיעה לגבי המופע של אחינועם ניני

התפתחות מפתיעה לגבי המופע של אחינועם ניני

אחינועם ניני (צילום: noasmusic.com)

התפתחות מפתיעה לגבי המופע של אחינועם ניני: שגרירות ישראל בקנדה תעניק חסות לאירוע שמעורר הדים

התפתחות מפתיעה לגבי המופע של הזמרת אחינועם ניני ביום העצמאות בוונקובר. נציגיה הרשמיים של מדינת ישראל החליטו להעניק חסות למופע של ניני שמעורר הדים רבים בחדשות בישראל ובקנדה, וויכוחים אין ספור בין תומכים למתנגדים. שגרירות ישראל בקנדה והקונסוליה הישראלית בטורונטו, יעניקו חסות רשמית לאירוע שיתקיים על ידי הפדרציה היהודית של אזור ונקובר, ב-11 במאי במרכז צ’אן בוונקובר. את ישראל תייצג באירוע סגנית הקונסול הכללי, אירית סטופר. כל זאת ימים ספורים לאחר החלטת השלוחה הקנדית של קק”ל שלא להעניק חסות למופע.

הפדרציה ממשיכה בתוכניותיה לקיום המופע של ניני. גם נסיונותיו של סגן שר הביטחון, הרב אלי בן דהן (מסיעת הבית היהודי), להפעיל לחץ על הפדרציה לבטל את המופע של ניני לא צלחו. הפדרציה הודיעה אתמול כי היא מודה לחברי הקהילה שהביעו את עמדתם לגבי האירוע, החיובית או השלילית כאחד. “חברי הקהילה שלנו מחזיקים בדעות מגוונות כלפי ישראל והקהילה שלנו. אנו מברכים את מגוון הדעות, שהיא אחת מנקודות החוזק של הקהילה שלנו. לכל אחד יש את הפרספקטיבה שלו וכולנו מונעים על ידי אהבתנו לישראל”. יו”ר חבר הנאמנים של הפדרציה היהודית, סטיבן גרבר אומר: “התרגשנו שהשגרירות והקונסוליה פנו אלינו עם ההצעות להיות נותני חסות רשמיים של חגיגת יום העצמאות שלנו. כנציגים רשמיים של מדינת ישראל, אנו רואים בתמיכתן של השגרירות והקונסוליה מסר חזק שיש מקום לגיוון, בתוך ישראל ובתוך הקהילה שלנו. אנו שמחים שסגנית הקונסול הכללי, מתכננת שוב לייצג את מדינת ישראל באירוע שלנו”. למעלה מחמישים גופים קהילתיים יהודים בוונקובר מעניקים את תמיכתם למופע של ניני.

כאמור השלוחה הקנדית של קק”ל נכנעה ללחצים של מספר תורמים וישראלים צעקניים שזועמים על עמדותיה הפוליטיות של ניני. יו”ר השלוחה הקנדית, ג’וש קופר, שלא הזכיר את ניני אמר: “לאור העמדות של האמן שיופיע בחגיגות יום העצמאות השנה, אנו לוקחים הפסקה של שנה מלתת חסות לאירוע. הבדרן שנשכר לאירוע אינו משקף ולא מתאים למנדט ולערכים של שלוחת קרן קיימת בקנדה”. בהנהלת קק”ל בישראל לא אהבו את החלטת השלוחה בקנדה. יו”ר קק”ל דני עטר, אמר כי ההחלטה של השלוחה בקנדה התקבלה שלא על דעת הנהלת הארגון בישראל. הנושא יועלה לדיון בפגישה בין שתי ההנהלות שתתקיים בשבוע הבא בירושלים. צויין כי בניגוד שלוחה של קק”ל בקנדה, השלוחה של האוניברסיטה העברית בוונקובר ממשיכה לעמוד מאחורי הפדרציה בתמיכתה באירוע של הזמרת. ניני קיימה הופעה באטלנטה ארה”ב החודש, והסניף המקומי של שלוחת קרן הקיימת לישראל בארה”ב כן נתן חסותו להופעתה.

מנכ”ל הפדרציה, עזרא שנקן, אומר כי הדיווחים שפורסמו בעיתונות הישראלית שהפדרציה כביכול תומכת בחרם על ישראל אינם נכונים ויש לגנות אותם. שנקן: “על דבר אחד הפדרציה היהודית לא מתווכחת וזה על זכותה של ישראל להתקיים. לכן אפשר לדמיין את הדאגה הרבה שלנו כאשר בטעות קישרו אותנו לחרם על ישראל על ידי חברי קהילה מקומיים, שאינם מסכימים עם החלטתנו להביא את ניני לאירוע של יום העצמאות, כיוון שהעמדות הפוליטיות שלה שונות מהעמדות שלהם. אנו ברורים בהתנגדותנו באופן חד-משמעי לחרם על ישראל”.

ניני הודיעה פרשה מאמ”י לאור ההחלטה להעניק לזמר אריאל זילבר פרס מפעל חיים. לדבריה הפרס הוענק למי שתומך בכהנא, בברוך גולדשטיין וביגאל עמיר. לפני שנתיים סירבה ניני לקבל את פרס אקו”ם כיוון שהוא הוענק גם לזילבר.

Format ImagePosted on February 24, 2016February 24, 2016Author Roni RachmaniCategories עניין בחדשותTags Achinoam Nini, Ezra Shanken, Federation, JNF, Stephen Gaerber, Yom Ha'atzmaut, אחינועם ניני, יום העצמאות, סטיבן גרבר, עזרא שאקן, פדרציה, קק"ל
Let’s talk about Nini …

Let’s talk about Nini …

Screenshot of Noa’s official website, where she shows that she retains a sense of humor towards the press: “Believe half of what you hear and nothing of what you read! :)”

Internationally known, award-winning Israeli singer and songwriter Achinoam Nini – who has served in the Israel Defence Forces, who has been a goodwill ambassador for Israel and who has been honored for her peace work – has been invited to headline the Vancouver Jewish community’s Yom Ha’atzmaut celebrations this year. Apparently, this is a controversial choice for some in our community.

Nini (widely known as Noa) is clear about her political views and, so far, her critics have come up with the following to explain their upset at her invitation. She hates – a strong word, but it applies in this case from what we’ve read – Israeli Prime Minister Binyamin Netanyahu. She rejected an award from one artists organization and resigned from another because they honored someone she thought was too right-wing. She may have written in a since-deleted Facebook post that she supported B’Tselem, Breaking the Silence and New Israel Fund for their work supporting peace. In 2012, she expressed hope that Palestinian leader Mahmoud Abbas could help bring peace to the region. Also in 2012, she took part in an alternative Remembrance Day event organized by Combatants for Peace, which describes itself as “a group of Palestinians and Israelis who have taken an active part in the cycle of violence in our region: Israeli soldiers serving in the IDF and Palestinians as combatants fighting to free their country, Palestine, from the Israeli occupation.” The ceremony mourned Palestinians and Israelis who had been killed in the conflict.

One of her critics has compiled a curious mix of her posts to supposedly show why she is an inappropriate choice to perform, including: “We believe in two states for two peoples, Israel and Palestine, living side by side, supporting, protecting and nurturing each other…. We believe in three simple steps: recognize each other, apologize to each other and share the little we have.” We, too, believe in two states for two peoples, and in reconciliation.

With plenty of Vancouverites apparently scouring the internet for “evidence” against her, there may be more to come. Nini’s political views are not above criticism. Nobody’s are. But she stands behind her opinions, acts on her beliefs, and is very clear about who she supports – some people might be surprised that B’Tselem and Breaking the Silence are not among those listed on her website as groups she endorses – and who she doesn’t support. Unlike some of her local critics, who are hiding behind the anonymity of social media and don’t put their names and reputations behind their opinions, Nini owns her views. Whether or not you agree with her, that’s worth respect.

Should we be inviting someone with whom we don’t all agree to headline our Yom Ha’atzmaut ceremonies? What about someone who criticizes the Israeli government?

We who love and support Israel understand that holding a large community-wide celebration once a year feels good and offers a sense of solidarity. But what kind of Jewish community is it that doesn’t brook differences in opinion? Such uniformity certainly does not reflect one of Israel’s – and Judaism’s – greatest attributes and secrets to continuity: openness to debate and discussion.

Skipping over what Judaism says about character assassination, the harm that can be done with words, the fact that lashon hara is worse than theft because money can be repaid but the destruction of a person’s reputation can never be completely mended, is there a line that shouldn’t be crossed when making out a Yom Ha’atzmaut invitation list?

As we argued in this space last week, it is our view that boycott, divestment and sanction (BDS) is a movement steeped in racism (though not everyone who supports BDS is an antisemite, of course). Rightly, Canada, the United Kingdom and other democratic countries formally condemn BDS. If we were to draw a red line not to be crossed, support for BDS might qualify as a deciding factor in whether or not to bring an artist to perform at a Yom Ha’atzmaut – or any – event. It also might not.

Despite what the emails in your inbox might say, Nini has explicitly said that she is against BDS. At most, she might associate with groups that might have supporters that also support BDS – groups that are legal in Israel and part of the vital discourse there.

In a democracy, all voices that don’t incite hatred against an identifiable group are to be, if not welcomed, at least tolerated. This includes those who believe that Nini should not sing for Vancouverites on Yom Ha’atzmaut this year. However, the right to speak is not predicated on being right. This applies to Nini as well as her detractors.

Some people are demanding that the invitation for Nini to perform at our Yom Ha’atzmaut celebrations be rescinded. If successful, it won’t matter much to Israel’s future, or to Nini’s. We should not overinflate our self-importance. But such an act – a boycott of Nini – would certainly affect our community’s future. It would be a signal of intolerance, of closed-mindedness and an unwillingness to brook the very presence of a Jew, an Israeli, a veteran of the IDF and a great singer, simply because some disagree with her politics – and, worse, that we rely on innuendo and rumor to make our decisions. How solid a foundation is that upon which to build our community? What lesson would that teach our children? This is what we talk about when we talk about Achinoam Nini.

Format ImagePosted on February 22, 2016February 22, 2016Author The Editorial BoardCategories From the JITags Achinoam Nini, Jewish Federation of Greater Vancouver, Noa, Yom Ha'atzmaut
פרק נוסף בפרשת אחינועם ניני

פרק נוסף בפרשת אחינועם ניני

אחינועם ניני (צילום: Rs-foto via Commons Wikimedia)

פרק נוסף בפרשת אחינועם ניני: קק”ל מתנגדת להחלטת השלוחה בקנדה לביטול החסות להופעה בוונקובר

הקרן הקיימת לישראל מתנגדת להחלטת השלוחה הקנדית של הארגון לבטל את החסות להופעתה של הזמרת, אחינועם ניני, במופע המרכזי של יום העצמאות בוונקובר. יו”ר קק”ל, דני עטר, הבהיר בתקשורת כי ההחלטה לביטול החסות התקבלה על ידי השלוחה של קק”ל בקנדה, ולא על דעת הנהלת הארגון בישראל. עטר ציין כי הוא מתנגד להחלטה ויביע את עמדתו בפגישה בין הנהלת קק”ל לראשי קק”ל קנדה שתתקיים בקרוב בישראל.

ניני קיימה הופעה באטלנטה שג’ורג’יה ארה”ב ב-14 בחודש. הסניף המקומי של שלוחת קק”ל בארה”ב נתן חסותו להופעתה ביחד עם שותפה המוסיקאלי גיל דור (משמש גם המנהל המוסיקאלי). האירוע נערך כדי לתמוך במכון הערבה ללימודי הסביבה שממוקם בקיבוץ קטורה שבערבה ו-20 שנה מלאו לפעילותו.

לעומת סניף קק”ל באטלנטה כאמור השלוחה הקנדית של קק”ל השתפנה ונבהלה מהביקורת על השתתפות ניני באירוע יום העצמאות בוונקובר. קק”ל קנדה נתנה חסות קבועה לאירועי יום העצמאות של הפדרציה היהודית של מטרו ונקובר. בצעד חסר תקדים היא החליטה להסיר את חסותה מהאירוע השנה שיתקיים ב-11 במאי. בהודעה לקונית של מנכ”ל שלוחת קק”ל בקנדה, ג’וש קופר, שלא טרח להזכיר את שמה של ניני נאמר: “לאור העמדות של האמן שיופיע בחגיגות יום העצמאות השנה, אנו לוקחים הפסקה של שנה מלתת חסות לאירוע. הבדרן שנשכר לאירוע אינו משקף ולא מתאים למנדט ולערכים של שלוחת קרן קיימת בקנדה”.

לאור ההשמצות בתקשורת והכעס על הופעת ניני הגיעה באטלנטה כתב מייקל ג’יקובס, העורך אטלנטה ג’ואיש טיימס: “אפשר לחשוב שניני שרה את ההימנון של החמאס במקום את התקווה. שהיא תומכת בחרם על ישראל ורוצה ששטחה של פלסטין יהיה מהים עד הנהר”.

ומה התגובות באתרי האינטרנט לקראת הופעת ניני בוונקובר מצד ישראלים, שברובם אנונימיים: “לא זמרת ולא בן אדם”, “מגעילה ומטומטמת להחריד ופסיכית”, “מעניין לי את הבוהן המשמאלית מה המכוערת הזאת חושבת”, “כל הכבוד למחרימים את האישה הנבזית הזאת. היא לא שנויה במחלוקת, היא נמצאת בצד האויב באופן גלוי ומוצהר”, ”מזמינים ערבייה לציון יום הנכבה, אחינועם ניני היא המייצגת הטובה ביותר של הנכבה הערבית”, “ניני צריכה להופיע אך ורק לפני מוסלמים שואפי שלום”, “אולי היא בכלל ערביה? מישהו חשב על זה?”, “שתופיע בסוריה”.

אמזון החליטה לטוס: תחכור עשרים מטוסים להובלת מטענים

אמזון עומדת להיכנס לתחום פעילות חדש של הובלת מטענים באוויר. ענקית המסחר האלקטרוני האמריקנית לא עוצרת לרגע ומשיכה להשתלט על ענף הובלות המטענים בכל צורה אפשרית. לחברה נמאס לקבל תלונות רבות וקבועות מלקוחות כועסים על איחור בהגעת החבילות לידיהם. לכן היא החליטה לקחת את תחום הובלת המטענים באוויר לידיה ולהטיסם בעצמה, ולא באמצעות גוף שלישי. בכך אמזון עומדת להתחרות ראש מול ראש במובילות שילוח מטענים באוויר הקלאסיות החברות הענק האמריקניות כמו יו.פי.אס ופדקס.

אמזון עומדת לחכור בשלב ראשון עשרים מטוסי קרגו מסוג בואינג 767 כולל צוות הטייסים. החברה מנהלת מגעים עם מספר חברות אמריקניות להחכרת מטוסים בהן אטלס אייר וורלדוויד, קאליטה אייר ואייר טרנספורט סרוויסז גרופ. כראה שהעיסקה תיסגר בקרוב כך שהמטוסים יכנסו לפעילות בתוך תקופה קצרה.

כפי שפרסמנו כבר אמזון מבצעת כבר מספר חודשים ארוכים ניסויים במערב קנדה (בגבול עם מדינת וושינגטון ששם נמצא מטה החברה) להעברת מטענים על ידי מזל”טים. אזור הניסויים נשאר חסוי כדי למנוע מהמתחרות לדלות מידע.

Format ImagePosted on February 22, 2016February 22, 2016Author Roni RachmaniCategories עניין בחדשותTags Achinoam Nini, aircraft cargo, Amazon, JNF, Noa, אחינועם ניני, אמזון, מטוסים להובלת, קק"ל
Leaving some things hidden

Leaving some things hidden

Olga Campbell and Larry Green’s shared exhibit at the Zack, Hidden, is on until March 6. (photo by Olga Livshin)

In the new exhibit at Zack Gallery, Hidden, the pieces are united not only by theme but also by media. Both artists featured, Olga Campbell and Larry Green, mostly use photography, which they then play with in Photoshop. The computer-generated effects contribute to the graceful and faintly mystical feel of the images. Hazy silhouettes hide behind the splashes of paint. Eyes peek through the veil of the unknown. Mysterious places and partial faces open the gates of subconscious and let us witness the artists’ creative cores, their emotions.

The images are distinct, echoing each artist’s personality, but the common approach makes their double show almost seem inevitable. And the meshing of their artistic visions spills into life beyond the gallery. Both chose careers in the helping professions, for example. Campbell was a social worker until she retired. Green is a psychotherapist and a professor of psychology. But they didn’t really know each other before the idea of a mutual exhibit took root.

Campbell explained how it happened: “Last year, I participated in Culture Crawl. Linda Lando, the Zack Gallery director, came to see my pieces. She asked me if I wanted to have a show at the Zack Gallery.”

Green added: “I was with Linda that day – we are partners. I remembered Olga’s art from other shows…. I like what she does. Someone suggested we have a show together. That’s how this collaboration started, but, even before that, we were vaguely aware of each other. We saw and admired each other’s art at group shows. We knew many of the same people: friends, neighbors, co-workers.”

After the dates of the exhibit were set, the artists met to decide on the theme. “Larry came up with the Hidden, and I thought it was wonderful,” said Campbell. “There is so much in the world that is hidden. People hide things from others and from themselves, adopting layers of masks and veils. When we put obstacles in the way of seeing the world, we hide not only the shadows, but also the light. When we acknowledge the shadows, then we are able to see the light. Most of the really profound and rewarding things in life are hidden beneath the layers of mystery.”

In Campbell’s pieces, the layers are frequently photographs superimposed upon each other in Photoshop, plus special effects and the occasional addition of multimedia. She admitted that she doesn’t do much pure painting although she studied it.

“I always liked doing art,” she said. “In 1986, I took several art classes and then I thought, what to do with it? So I enrolled in Emily Carr. Afterwards, I worked as a social worker part-time and on my art part-time, until I retired. Art is not a hobby for me. I have to do it.”

Green’s path was a bit different. “I did a lot of art until I was about 25. Then I dropped it for 20 years before starting again, first with pottery and then with other stuff. When I worked with clay, sometimes my hands knew better than my brain what I wanted to say. I made a sculpture and now, years later, I look at it and think: Oh, that’s what I meant. Of course! My brain has caught up with my hands.”

The intuitive application of their skills underlines both artists’ creative courage. They are not afraid to experiment.

“I play around with Photoshop,” said Campbell. “I don’t know it very well. I try different things and I often get something I like by accident. Later, I can’t always reproduce the effect, so I never repeat myself.”

Green concurred. “I like Photoshop,” he said. “I learn it as I go. My ideas pull me through the learning process…. Using Photoshop, I can realize my vision much faster than with paint and canvas, but it is all trial and error. I keep worrying at the piece until something comes along. Or not. If it comes, I go for it. If it doesn’t, I don’t. Some pieces take years to come together. For example, years ago, I saw a single pink running shoe in a park and snapped a photo of it but I didn’t do anything about it. Then, recently, in a different place, I saw a single pink glove, and photographed it. I brought them together in Photoshop, and now they are not lonely.”

Many of Green’s pieces at the Zack are foggy landscapes. “I’ve always been fascinated by fog,” he said. “A foggy landscape has a particular dreamlike quality to it. Shapes are indistinct and, therefore, invite the viewer in, in an attempt to give the scene some definition. Alternately, the viewer can rest in the soft tranquility of the scene rather than be overwhelmed by details…. People who come to me for therapy are often afraid of the fog, especially inside themselves, but they’re also interested in it, in what it might reveal. Everything I do, in both art and psychology, is basically the same: trying to reveal the underlying reality, the hidden connections behind the apparent.”

“The same for me,” Campbell agreed. “Although not everything should be revealed. Some parts of the whole are better hidden, while the essence should be revealed.”

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on February 19, 2016February 18, 2016Author Olga LivshinCategories Visual ArtsTags Larry Green, Olga Campbell, Zack Gallery
Don’t let the fear overwhelm

Don’t let the fear overwhelm

Itai Erdal brings A Very Narrow Bridge to Chutzpah! March 5-13. (photo by Emily Cooper)

There’s the family into which you were born, and the families you create yourself. Itai Erdal has built a life in which he is surrounded by family, both on and off stage. He often shares vulnerable aspects of himself and his family in his work, and he is one of the more collaborative playwrights out there.

While A Very Narrow Bridge, which runs March 5-13 at this year’s Chutzpah! Festival, is about Erdal’s “relationship with his sisters, Judaism and the state of Israel,” it is written by Erdal, Anita Rochon (artistic director of the Chop theatre company) and Maiko Yamamoto (artistic director of Theatre Replacement), is directed by Rochon and Yamamoto, and co-stars Erdal, Anton Lipovetsky, Patti Allan and Tom Pickett. The original score is written and performed by Talia Erdal.

“It is a dream come true for me to work with my sister,” Erdal told the Independent. “She is a brilliant musician and I’ve always admired her talent and her spirit. Talia is much younger than me … and we’ve been very close from the day she was born. In the past few years, she has become religious and, since I am not religious at all, I was worried that it would pull us apart. This fear of mine is indeed addressed in this show, which makes her being here and participating in the show even more special.”

The play’s description is minimal: Erdal “relives a trial in order to obtain a get – a divorce document in Jewish religious law – where everything he knows is at stake.” Its title comes from a teaching of the founder of the Breslov Chassidic movement, Rabbi Nachman of Breslov (1772-1810): “All the world is a very narrow bridge, and the most important thing is not to be overwhelmed by fear.”

That certainly seems to be Erdal’s approach to creativity. A Very Narrow Bridge is not the first work in which he puts a part of his life on a public stage.

“I’ve always been a very candid and open person,” he said. “I am an extrovert and I enjoy telling stories and being the life of the party. Having said that, in all my shows I talk about very personal things and sometimes about things that are hard to reveal or even to admit to myself. But I’ve learned that when something is hard to talk about, it often makes for good dramatic material, and I really trust my collaborators, who are all brilliant and steer me in the right direction.”

And they have. How to Disappear Completely, which was also a collaborative writing effort, is a one-man show that deals with the last months of Erdal’s mother’s life before she passed away from lung cancer. First produced by Chop Theatre for Chutzpah! 2011, it has since been mounted in many other cities, and continues to tour. It was nominated for Jessie and Dora awards, which both honor excellence in theatre.

Rochon was one of the writers of How to Disappear Completely, and its producer. Erdal, who is also an award-winning lighting and set designer, has worked with Yamamoto before, as well.

“One of the things I like the most about theatre is the collaborative nature of the process, and knowing each other well and understanding each other’s strengths and weaknesses makes it that much more rewarding,” he said. “The three of us have done many shows together, in different capacities. I have lit five shows for Maiko’s company, Theatre Replacement, some of which she acted in, some of them she directed and all of them she produced…. All this familiarity makes for a very symbiotic process and a totally democratic room, where no one is precious about anything and the best idea always wins.”

Erdal is the artistic director of Elbow Theatre, which is presenting A Very Narrow Bridge. He explained how the collaboration with his fellow artistic directors on this work came about.

“I always wanted to do a show about my sisters and my complicated relationship with Judaism and the state of Israel, and I always wanted to work with my dear friend Maiko, so I approached her and pitched her this project about three years ago and we’ve been working on this project ever since.

“Initially, we thought that Maiko would be on stage with me, so we approached Anita, who is in my mind the most exciting director in Vancouver. When we started writing this play, the focus shifted from my sisters to a show about immigration and Judaism, we added the three rabbis and Maiko’s role has changed from performer to writer and director.

“Creating a show from scratch is very hard and you never know which direction it will take,” he added, “so it’s important to stay open and do whatever serves the play. The various directions this process took have led us to create an exciting piece of theatre that we are all proud of.”

Would A Very Narrow Bridge exist if Erdal had never left Israel?

“Since this play is about emigrating from Israel, I am sure I couldn’t have written it if I still lived there,” he said. “Even though I am very happy in Canada, immigration is a very hard thing to do and this show is about the lingering doubt in the back of every immigrant’s mind: Did I do the right thing? Would I have been happier had I stayed home?

“When I grew up in Israel, everybody around me was Jewish, so I never felt particularly Jewish. I knew that there were people in the world who weren’t Jews, but I had never met them. Since moving to Canada, I feel a lot more Jewish because I am defined as a Jew by my surroundings. It’s a bit like family: you take it for granted when it’s there and you start appreciating it when it’s gone. Moving to Canada made me appreciate my heritage and my family, and this show is about both.”

A Very Narrow Bridge runs March 5-10, 12-13, 7 p.m., in the Dayson Board Room of the Jewish Community Centre of Greater Vancouver. For tickets ($29/$25/$21), call 604-257-5145 or visit chutzpahfestival.com.

Format ImagePosted on February 19, 2016February 18, 2016Author Cynthia RamsayCategories Performing ArtsTags Chutzpah!, Israel, Itai Erdal, Judaism, Narrow Bridge
World is at your fingertips

World is at your fingertips

At the latest Empowerment session, co-hosted by Jewish Seniors Alliance and JCC Seniors on Jan. 27, Philip Morris offers advice on avoiding fraud, scams and identity theft. (photo by Binny Goldman)

It was interesting to me – a person who still enjoys using one of the “original computers,” namely, the pencil – that I was about to attend a workshop entitled Technology: Give us the Tools to Finish the Job.

On Jan. 27, about 100 people gathered in the Jewish Community Centre of Greater Vancouver’s Wosk Auditorium to hear three experts in the field of technology at a workshop hosted by Jewish Seniors Alliance in partnership with the JCC seniors department. It was the second session of the current season’s JSA Snider Empowerment series.

JCC seniors program coordinator Leah Deslauriers welcomed the audience and outlined the afternoon’s activities, while Gyda Chud welcomed everyone on behalf of JSA. Chud explained how she was introduced to JSA via the Peretz Centre for Secular Jewish Culture four years ago and that JSA is always looking for new partners in its aim to make its workshops easily available and accessible to all who may be interested. Chud added that she hoped the Technology session would help build her own confidence when it came to computers and other aspects of the tech world.

Noting that living is learning, the first speaker, Stan Goldman, demonstrated the simplicity of mobile technology. Once one learns how to use the iPad, the knowledge can be applied to the iPhone, which uses the same system, and one may watch free movies, read free ebooks and newspapers, and get email by accessing the right app. To illustrate, Goldman and Deslauriers used voice commands to ask for directions, dictate an email and do advanced math. Goldman offered a seemingly endless list of things that can be done with this technology, including Skyping with family and friends in other countries, enjoying music, playing games, etc. – all by using apps, many of which are free. The world is, indeed, at your fingertips.

Philip Morris, an expert on fraud, scams and identity theft, spoke next. He said that, once we have let the world in, so to speak, we must be cautious when using our devices – protecting them with passwords, and keeping private our personal information (social insurance numbers, birth certificates, passports, etc.) and not easily accessible to hackers. Morris advised shredding all discarded documents and, when buying a new cellphone, making sure all of the personal information has been deleted from the old phone, as hackers can retrieve data from seemingly wiped phones. It is important to be alert in public places, to keep wallets and purses out of easy reach and to ensure that you have received your own credit card from the server in a restaurant. He also suggested taking a photograph of passports and credit cards in case of theft.

New words have been coined, such as “smishing,” the ability to obtain information from people’s texts. Morris recommended changing passwords annually and, when writing cheques in payment for credit cards, to reference only the last four numbers of the card. To report a theft or loss, Morris gave two numbers to call to check your credit profile: 1-800-465-7166 (Equifax) or 1-800-663-9980 (TransUnion Canada). For instances of fraud, he said to call the Canadian Anti-fraud Centre, 1-888-495-8501.

Mark White, “the gizmo guru,” gave advice on the latest fun gadgets, including some lesser-known ones, and where to get them. As far as finding directions, however, he warned people to keep paper maps on hand in case the technology fails to connect. White added that he reads the Vancouver Sun’s online version, and that the library offers many newspapers online to members. In order to keep Skype conversations private, he suggested using earphones if Skyping in a public place.

Isaac Waldman Jewish Public Library librarian Rossana Caritey explained that the Waldman has an extensive collection of ebooks, which can be read on any device – ebook readers, laptops, for example. If someone brings in their device, a librarian or volunteer can show them how to download books. Waldman librarian Helen Pinsky handed out further information to attendees.

Chud thanked the speakers, noting that each of them had exhibited in their talks the mission and ideals of JSA – that of advocating for, inspiring, educating others to be the best they can be.

The audience retired to enjoy light refreshments. Long lines formed at the workstations set up in the auditorium, clearly showing the keen interest in the session. The workshop may have eased many fears, allowing timid souls to venture through the now-open doors leading to new technological possibilities.

Binny Goldman is a member of the Jewish Seniors Alliance of Greater Vancouver board.

 

Format ImagePosted on February 19, 2016February 18, 2016Author Binny GoldmanCategories LocalTags ebooks, Empowerment, iPad, iPhone, Jewish Seniors Alliance, smishing, technology, Waldman Library

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