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Author: Robert Matas

Elaborating on real history

The Middle East is awash in virulent antisemitism, from the battlefield to the classroom. An Anti-Defamation League global survey of anti-Jewish sentiment last year pinpointed the West Bank, Gaza and Iraq as the world’s most antisemitic lands in the world. More than 90% of those who took the survey in those areas expressed anti-Jewish views.

Some Middle East observers link the blind hatred of Jews in the Middle East to the work of Islamic preachers and Arab leaders who perpetuate the ideology of Nazi Germany. They say that antisemitism is the driving force behind the endless cycle of wars and that nothing that Israel does matters. They maintain that Israel’s enemies will fight until the Jewish state is wiped out and all Jews in the Middle East have been killed.

image -Nazis, Islamists and the Making of the Modern Middle East book coverBarry Rubin and Wolfgang G. Schwanitz, in Nazis, Islamists and the Making of the Modern Middle East (Yale University Press), provide ammunition for those who argue that peace is impossible with antisemitic Palestinian and Arab leaders. Rubin, who died before the book was published, was a prolific writer and leading Middle East scholar at the Global Research in International Affairs Centre in Israel. Schwanitz, an accomplished German-American Middle East historian, was a visiting professor at GRIAC at the time of the book’s publication.

In their richly researched book, Rubin and Schwanitz document the ancestry of antisemitism in the Middle East over the past century, connecting some of the contemporary Arab and Palestinian leaders to the vitriolic antisemitism of the Nazi collaborator, the Grand Mufti of Jerusalem Amin al-Husseini.

Backed up by new archival material and previously published research, Rubin and Schwanitz maintain that profound doctrinal hatred for Jews remains the core reason for the Arab-Israel conflict’s enduring and irresolvable nature.

Take a look at Israel’s partners for peace. Heads of state who were once Nazi sympathizers ran regimes that lasted 40 years in Iraq, 50 years in Syria and 60 years in Egypt. An echo of the antisemitism of the 1930s reverberated through speeches of Egypt’s Gamal Abdel Nasser, Iraqi’s Saddam Hussein, Iran’s Ayatollah Ruhollah Khomeini, Libya’s Muammar al-Qaddafi and Saudi Arabia’s Osama bin Laden. A Nazi sympathizer educated Yasser Arafat.

However, Rubin and Schwanitz in this book undermine their own credibility by mixing well-documented historical accounts with sweeping pronouncements that seem to be driven by a narrow ideological bias. At times, they sound more like polemicists than historians. They focus on an extreme interpretation of Islam, painting 1.2 billion Muslims with one brush. They ignore history that does not fit easily into their portrait. And their perspective does little to shed light on the contemporary Middle East, where Muslims fight Muslims.

The most provocative assertion in the book is that the grand mufti was responsible for the Nazi gas chambers and crematoria.

Rubin and Schwanitz portray al-Husseini as the most powerful leader of the Arabs and Muslims around the world in mid-century. At the height of his power, he promised Adolf Hitler that the entire Arab people would rally around the Nazi flag and wage a war of terror against Britain and France if Germany would stop all Jewish immigration to Palestine and guarantee independence to countries in the Middle East.

Rubin and Schwanitz maintain that Hitler decided to kill all the Jews only after al-Husseini insisted that they not be deported to Palestine. None of the European countries would accept Jewish refugees. If Palestine would not accept them, the reasoning goes, Hitler had no choice but to build gas chambers.

But their theory has a few holes in it. Historians have never discovered any Nazi plans to transport all the Jews of Eastern Europe and Russia to Palestine. Britain was already restricting immigration. Hitler’s support for al-Husseini’s demand to stop deportations to Palestine was an empty gesture.

Most historians regard al-Husseini as a minor historical figure. Al-Husseini was part of the Nazi war effort and played a role in the death of thousands of Jews. But he was not as powerful or influential in the

Middle East as he is portrayed here. As Rubin and Schwanitz point out, al-Husseini had no plan for actually staging insurrections in support of Nazi Germany. He recruited only 1,000 soldiers outside of Iraq, although he promised 100,000 for the Nazi cause. It is hard to imagine that the Holocaust would not have happened without al-Husseini’s intervention.

Regardless, Rubin and Schwanitz do a good job of placing al-Husseini in the context of the Middle East’s historic ties to Germany. They begin the tale with Max von Oppenheim, an advisor to Kaiser Wilhelm II in the early 1890s, who urged the German ruler to use Islam to inspire a Muslim revolt in the colonies of Germany’s enemies. At that time, Britain, France and Russia controlled the Middle East, India and North Africa. Zionism was not relevant.

The kaiser made a formal pact in 1898 with the Ottoman Empire’s sultan, Abdul Hamid II. Germany anticipated the alliance would lead to an Islamic jihad throughout Muslim lands, but the righteous call to jihad had little impact. Muslims, Turks and Arabs saw themselves as divided by religion, ethnicity, regional interest and self-interest. They paid little attention in their daily lives to the sultan’s belligerent proclamations.

During the First World War, von Oppenheim ran Germany’s covert war in the Middle East, reinvigorating the policy of Islamic jihad. Germany pushed Sultan Mehmed V to trigger a pan-Islamic revolt, as well as attack Russia’s Black Sea ports, and established activist groups in Arab communities dedicated to spread jihad in Russia-ruled Caucasus and in Arab-populated lands. However, once again, the pan-Islamic revolts never materialized. Tribal leaders took the money from Germany and did nothing.

By the late 1930s, the dynamics had reversed. Al-Husseini sought out the support of Nazi Germany. Hitler was initially cool to an alliance, believing the dark-skinned people of the Middle East were inferior to his blond-haired, blue-eyed Aryan nation, but he soon realized the Nazis and Muslims confronted common enemies – Britain, France and the Jews.

A strident antisemite who had been fighting Zionism since 1914, al-Husseini claimed the mantle of leader of transnational Islamism after Turkey, in 1924, abolished the Islamic Caliphate. He solidified his position within the Arab and Muslim communities through violence and murder.

Under his leadership, militancy became mainstream and moderation was regarded as treason. He turned Palestine into the defining issue of the Middle East. Anyone who did not support him or his views was a Zionist and imperial stooge. In the 1930s, he attracted attention for making passionate nationalist speeches in Jerusalem while crowds chanted “Death to Zionism,” rioted and killed Jews. His work clearly set the stage for Arab and Muslim leaders who followed his lead.

Meanwhile, in Germany between the wars, militant Islamists, backed by the disciples of von Oppenheim, solidified their control over mosques in Berlin and elsewhere, espousing an ideology that Rubin and Schwanitz say can be heard today from the pulpits. They cultivated relations with the leadership of Egypt’s Muslim Brotherhood, Iraq’s Ba’ath Party and radical factions in Syria and Palestine. By the time the Nazis looked to the Middle East, they found a ready-made network of radical antisemitic Islamists from Morocco to India, led by al-Husseini, with similar ideology, worldviews and interests. But the Islamic jihad failed once again to materialize.

Nazi ideology collapsed in 1945. However, a radical Arab nationalism, accompanied by a form of al-Husseini Islamism steeped in hatred of the Jews, flourished after the war. Little has changed despite the passage of decades, events and generations. Rubin and Schwanitz say al-Husseini’s legacy can been seen in the words and actions of Hamas, Hezbollah, Iran, Muslim Brotherhood and al-Qaeda. For them, as for the Nazis and al-Husseini, Jews are the villains of all history, the eternal enemy without whose extinction a proper world would be impossible.

Rubin and Schwanitz say the Arabic-speaking world’s historical connection with Nazi Germany was not solely responsible for the terrorism, conflict with Israel and anti-Jewish hatreds. However, they say, the historical relationships, along with the ideas and motives prompting it, help explain what has happened over the past 70 years. The forces that forged the partnership between al-Husseini and Hitler returned to help shape the course of Middle East history ever since. And it was not just the Nazi doctrine. In many cases, the individuals responsible for the Middle East’s post-1945 course had direct links to the Nazi era, they say.

“Comprehending this fact is the starting point for understanding modern Middle East history, its turbulence, tragedies and its many differences from other parts of the world,” Rubin and Schwanitz say.

Yes, they make a fascinating case for a starting point in trying to make sense of relations between Germany and the Middle East. But in this book they do not examine the record of contemporary Arab and Muslim leaders in much detail. They leave out other influences and other leading players that contributed to the making of the Middle East. Also, Rubin and Schwanitz seem to ignore that the antisemitism of the radical Islamists preceded their embrace of Nazism.

Rubin and Schwanitz have illuminated one diabolical aspect of a complex state of affairs – but much more remains to be said for a full understanding of the modern Middle East.

Robert Matas, a Vancouver-based writer, is a former journalist with the Globe and Mail. This review was originally published on the Isaac Waldman Jewish Public Library website and is reprinted here with permission. To reserve this book or any other, call 604-257-5181 or email [email protected]. To view the catalogue, visit jccgv.com and click on Isaac Waldman library.

Posted on October 30, 2015October 28, 2015Author Robert MatasCategories BooksTags Amin al-Husseini, antisemitism, Barry Rubin, Holocaust, jihad, Middle East, Nazi, Wolfgang G. Schwanitz
Witty, compassionate

Witty, compassionate

The Farewell Party screens Nov. 10 in the Vancouver Jewish Film Festival. (photo from VJFF)

One could compile a very long list of movies whose enjoyment is enhanced by watching them with someone you love. The Farewell Party is the rare film that should be seen with someone you trust with your life.

Israeli filmmakers Tal Granit and Sharon Maymon set their funny, sensitive and ultimately moving tale among a small coterie of longtime friends heroically maintaining their independence and dignity in a Jerusalem retirement home. The suffering of a terminally ill member of their circle forces them to consider the merit, and confront the risks, of friend-assisted suicide.

There’s some pithy dialogue about the difference between helping a buddy and committing murder, but The Farewell Party isn’t interested in advancing a position on euthanasia or even grappling with the ethics or morality of one’s right to die. The film’s concern is for the spouse tasked with the agonizing responsibility of carrying out the decision of a suffering husband or wife.

Lest this sound like a must-avoid movie of the week, Granit and Maymon filter the proceedings through the deliciously absurdist mix of baleful fatalism and real-world pragmatism that is Jewish humor.

Through its first half, The Farewell Party smoothly glides from deadpan comedy to black comedy to bittersweet comedy. The chuckles taper off en route to a perfectly conceived anti-climax, a poignant coda to the lifelong love affair to whose last chapters we’ve been privy.

The Farewell Party screens Nov. 10, 6:45 p.m., in the Vancouver Jewish Film Festival (vjff.org). Wonderfully played by a cadre of veteran comic actors, it’s the film for anyone who’s ever grumbled that nobody makes movies for older audiences anymore.

After a marvelously droll opening scene in which Yehezkel (Ze-ev Revah) plays God to persuade a beloved friend to choose life and continue her treatment, the retired inventor is reluctantly corralled into helping ease the anguish of an expiring pal.

“They’re keeping him alive as though dying was a crime,” says the man’s wife, Yana (Aliza Rozen).

One of the movie’s refreshingly tart assumptions is that the elderly can’t afford the luxury of self-deception. Well, with one huge exception, that is: Yehezkel refuses to acknowledge that his wife’s steadily worsening memory lapses will necessitate moving her to an assisted-living facility in the not-distant future.

Notwithstanding the recurring presence of Yehezkel and Levana’s adult daughter and grandchild, this is a film about a stratum of society – older people – that is essentially invisible to everyone but its distinguished (and roguish) members. Out of necessity, they are compelled to create their own community.

There are moments in The Farewell Party, consequently, that edge toward a comedy about codgers executing a heist, or a drama examining the portentous final stages of long-term relationship. But Granit and Maymon maintain such a solid grasp on their film’s tone and esthetic that it never tips too far in either direction. The austere palette of cool blues and greys, combined with the near-absence of music, eliminates any whiff of sentimentality or, for that matter, situation comedy. What comes through in every frame of The Farewell Party is compassion for the human condition. If you think about it, movies can’t offer anything more compelling – or rewarding – than that.

Michael Fox is a writer and film critic living in San Francisco.

Format ImagePosted on October 30, 2015October 28, 2015Author Michael FoxCategories TV & FilmTags assisted suicide, Farewell Party, Sharon Maymon, Tal Granit, Vancouver Jewish Film Festival, VJFF
Not defined by illness

Not defined by illness

A scene from Semicolon: The Adventures of Ostomy Girl. (photo from Vancouver Jewish Film Festival)

The photo of Dana Marshall-Bernstein being hugged by her mother, Cari Marshall, captures the love at the heart of Semicolon: The Adventures of Ostomy Girl.

When the documentary was filmed, Dana was 25. She had been dealing with severe Crohn’s disease since she was 4 years old. With less than four inches of intestine left after numerous surgeries, she receives all her nutrition intravenously. At age 16, she had her first ostomy – surgery to make an opening in the body so that body waste can be discharged. Poop jokes flourish in the family, one of the many ways in which they cope, and the brief Ostomy Girl cartoon that is included in the film shows the sheer strength of will this young woman possesses.

Over the months of filming, Dana – who lives with her parents in Las Vegas – is in and out of Cleveland Clinic in Ohio, where she is treated by some seemingly amazing doctors, skill- and personality-wise, such as Dr. Feza Remzi. Her health gets worse and she finally makes the decision she understandably has resisted for so long – to be put on the transplant list for a small intestine.

At times, Dana seems younger than her years, so vulnerable; at other moments, her literal life-and-death concerns add years. Somehow, with the help of her parents – especially her mother, but also her father, Ed – Dana has led a relatively full life, as normally as possible. Somehow, she still has her sense of humor. Somehow, she has the courage and the energy to try and help others, through awareness and fundraising events for Cleveland Clinic and the Crohn’s and Colitis Foundation of America.

Semicolon screens at the Vancouver Jewish Film Festival (vjff.org) on Nov. 10, 3:30 p.m.

Format ImagePosted on October 30, 2015October 28, 2015Author Cynthia RamsayCategories TV & FilmTags chronic illness, Cleveland Clinic, ostomy, Vancouver Jewish Film Festival, VJFF
Filmmaker as subject

Filmmaker as subject

Henrik Gawkowski, as seen in Shoah, directed by Claude Lanzmann. (photo from Les Films Aleph/Why Not Productions)

The French intellectual who created what many view as the definitive documentary of the Holocaust is himself the subject of a documentary, called Claude Lanzmann: Spectres of the Shoah.

Commentators in the film are unanimous that Shoah, Lanzmann’s nine-and-a-half-hour study of the Holocaust, is a masterpiece. They also agree that Lanzmann is himself a piece of work.

A former friend calls him a megalomaniac. Another commentator says he is “a very challenging individual.” Through interviews with Lanzmann, the viewer gets a sense of what they are talking about.

Over a 12-year odyssey of interviewing and filmmaking, what Lanzmann set out to create was a film, in his words, “not about the Shoah, but a film that would be the Shoah.”

His first challenge was how he would approach a topic so enormous and distressing.

“What is my theme?” he asks during interviews for the documentary. “The heart of the Shoah, what is it?”

On this he concludes: “Shoah is not a film about survival. And, as it is not a movie about survivors … the survivors are not in Shoah, Shoah is a film about death.”

He recounts an incident that left him hospitalized for a month after a former SS officer’s wife discovered a hidden camera in his bag and Lanzmann and his female assistant were chased, beaten and bloodied by thugs associated with the war criminal. In another instance, Lanzmann relates how he almost drowned while swimming off the coast of Israel. He recalls that he had no gratitude to the individual who saved him and speculates that perhaps he had intended suicide because he knew he could not finish the film in the two years he had been given, with the instruction to keep it under two hours.

As Lanzmann goes on at length about his artistic struggles and the terrible toll the project took on his spirit, a viewer’s empathy may fade. Considering the subject matter of Shoah, lamentations on the difficulties of making a film – however monumental – come across as startlingly self-absorbed. Given the advance billing of Lanzmann’s character with which the documentary begins, the film comes full circle, providing a character sketch of a difficult individual who has done a remarkable thing.

Claude Lanzmann: Spectres of the Shoah double bills with What Our Fathers Did: A Nazi Legacy at the Vancouver Jewish Film Festival (vjff.org) on Nov. 11, 3:30 p.m.

Format ImagePosted on October 30, 2015October 28, 2015Author Pat JohnsonCategories TV & FilmTags Claude Lanzmann, Holocaust, Vancouver Jewish Film Festival, VJFF
Shuls, past to present

Shuls, past to present

Left to right: Nico Slobinsky of Centre for Israel and Jewish Affairs, Pacific Region; His Excellency Balint Odor; Ezra Shanken of Jewish Federation of Greater Vancouver; and Andre Molnar, Hungarian honorary consul. (photo from Beth Israel)

On Oct. 15, Congregation Beth Israel hosted an exhibition of Eastern European synagogues, sponsored by the Hungarian government. In his welcoming address at the opening, His Excellency Balint Odor, Hungarian ambassador, explained that Hungary is currently heading up the International Holocaust Remembrance Alliance (IHRA).

“IHRA is very relevant today in fighting spiraling antisemitism across Europe and around the world,” he said. “The mandate of IHRA is to combat all forms of racism, hate incitement and antisemitism, as well as promoting Holocaust education. This year, IHRA has focused a great deal of effort on illustrating the depth of Jewish culture in the region, in particular the synagogue.”

photo - The synagogue in Baja, Hungary
The synagogue in Baja, Hungary. (photo from exhibit catalogue by Rudolf Klein)

The traveling exhibit showcases renovated synagogues throughout East-Central Europe, from 1782-1944, some of which are still in use. Unlike in Germany and Austria, where the majority of synagogues were destroyed, many survived in Eastern Europe. From the 1970s onward, local municipalities restored and renovated synagogues. This work escalated following the fall of the Berlin Wall and the influx of foreign financial support.

The panels show a variety of different styles, ranging from cottage shuls to “palatial” synagogues. The richness and diversity of these places of worship are reminders of how vibrant Jewish life was in Europe prior to the Shoah.

The role of the presidency of IHRA offers Hungary the opportunity to confront its history and look back at the role the Hungarian state played in the genocide. Close to half a million Hungarian Jews perished during the Holocaust. Most of these people died in 1944 following the occupation of Hungary. At that time, every third victim in Auschwitz was a Hungarian Jew. Today, the Hungarian Jewish community is the largest in East-Central Europe. Most Hungarian Jews live in the capital, Budapest, which has some 20 working synagogues.

As Rabbi David Bluman said in his welcome of the ambassador: “The synagogues we see in this exhibit are not just the past, they are also the present for those who worship in them, and will be the future for European Jewry. This is very relevant for us here in our beautiful new synagogue – our present, our future.“

The exhibit was at Beth Israel from Oct. 15-20.

Format ImagePosted on October 30, 2015October 28, 2015Author Congregation Beth IsraelCategories LocalTags Balint Odor, David Bluman, Eastern Europe, history, Holocaust, Hungary, synagogues
Nominate a young light

Nominate a young light

Yosef Nider, centre, receives the inaugural Lamplighter Award last year. (photo from Centre for Judaism)

Do you, or does someone you know, qualify for the Centre for Judaism Young Lamplighter Award? Has anyone you know between the ages of 5 and 18 made a unique effort to illuminate their world by performing extra special deeds of goodness and kindness?

Last Chanukah, on Dec. 21, Yosef Nider, 7, received the Centre for Judaism Young Lamplighter Award at the annual public menorah lighting in the Semiahmoo Shopping Centre. White Rock Mayor Wayne Baldwin, Surrey Mayor Linda Hepner and Rabbi Falik and Rebbetzin Simie Schtroks, co-directors of the Centre for Judaism of the Fraser Valley, presented Yosef with an engraved trophy, as well as a cash prize.

“Chanukah celebrates the victory of light over darkness and goodness over evil. This is a most appropriate opportunity to motivate and inspire young people … with a little light, they can dispel all sorts of darkness,” said Simie Schtroks.

“We were delighted to bestow this honor upon young Yosef because he turned the painful experience of dealing with his grandfather’s terminal cancer into an opportunity to do good for others. With his parents’ support, he organized an event – highlighted by his own violin performance – A Concert for a Cure, which raised $10,000 for cancer research,” she added.

Jeff Nider, Yosef’s father, described the experience. “We were blown away by the events of the evening, and it was such an honor for my wife and I to be the parents of a child who won the Lamplighter Award,” he said. “Yosef started out simply wanting to do something to help his grandfather, but what he eventually accomplished resulted in such a ripple effect. We truly are amazed and feel both humbled and proud of Yosef.”

When Yosef heard that he would be passing the light forward to the next recipient, he said, “I felt really happy to get this award. I hope that other kids will also do something good for the world after hearing about this award. The award is on my dresser in my room. I also got to buy a really cool Lego set.”

The deadline to submit a nominee for this year’s Lamplighter Award is Nov. 22, 2015. Include with the nomination at least one letter of recommendation written by a rabbi, teacher, principal, mentor, doctor or other verifiable source. Send all the material and direct any questions to Simie Schtroks, [email protected].

The award ceremony takes place on Dec. 13, 5:30 p.m., at the Semiahmoo Mall menorah lighting. Everyone is welcome.

Format ImagePosted on October 30, 2015October 28, 2015Author Centre for JudaismCategories LocalTags Lamplighter Award, Simie Schtroks, tikkun olam, Yosef Nider
Mystery photo … Oct. 30/15

Mystery photo … Oct. 30/15

Group of B’nai B’rith men, circa 1960. (photo from JWB fonds, JMABC L.12156)

If you know someone in this photo, please help the JI fill the gaps of its predecessor’s (the Jewish Western Bulletin’s) collection at the Jewish Museum and Archives of B.C. by contacting [email protected] or 604-257-5199. To find out who has been identified in the photos, visit jewishmuseum.ca/blog.

Format ImagePosted on October 30, 2015December 16, 2015Author JI and JMABCCategories Mystery PhotoTags B'nai B'rith, JMABC
הקמפיין החיובי ניצח

הקמפיין החיובי ניצח

ג’סטין טרודו נחבר לראש הממשלה. (צילום: hindustantimes.com)

לתפקיד ראש ממשלת קנדה החדש והעשרים ושלושה במספר, נבחר ג’סטין טרודו, מהמפלגה הליברלית, במקומו של סטיבן הרפר מהמפלגה השמרנית. טרודו יקים ממשלת רוב לאחר שזכה בכארבעים אחוז מהקולות שיקנו לו 184 מושבים (לעומת 36 מושבים בבחירות הקודמות), בפרלמנט שכולל 338 מושבים. הרפר (56) ששימש ראש הממשלה במשך כתשע וחצי שנים, ונחשב למנהיג המקורב ביותר לראש ממשלת ישראל, בנימין נתניהו, קיווה שיצליח שוב להרכיב ממשלה חדשה ונכשל בגדול. הוא קיבל כשלושים ושניים אחוז מהקולות, שיקנו לו 99 מושבים (לעומת 159). הרפר הודיע שלא ישמש ראש האופוזיציה, אך ימשיך לייצג את אזורו בקלגרי. לדעת הפרשנים הוא יפרוש מהר מאוד מהפוליטיקה ויחפש עבודה בתחום העסקי. אין ספק שמרבית תושבי קנדה (שבעים ואחד אחוז לפי הסקרים) רצו בחילופי שלטון, תוך שהם מאסו במדיניות הנגטיבית של הרפר.

המפלגה הדמוקרטית החדשה נחלה מפלה קשה וזכתה לכעשים אחוז בלבד מהקולות, שיקנו לה 44 מושבים (לעומת 95). מפלגת הבלדנים של קוויבק קיבלה כחמישה אחוזים מהקולות, ועלתה ל-10 מושבים (לעומת 3), ואילו מפלגת הירוקים קיבלה כשלושה אחוזים מהקולות, עם מושב אחד (לעומת שניים).

הרפר ניהל מדיניות חוץ ניצית תוך שהוא מגן על ישראל בכל מצב, דבר שפגע ביוקרתה של קנדה בעולם, וביכולתה לשמש מתווכת בין ישראל לפלסטינים. טרודו צפוי לנקוט במדיניות יותר מאוזנת במזרח התיכון. לפני הבחירות הוא אמר: “הסכם הגרעין עם איראן הוא צעד בכיוון הנכון. עם זאת איראן רחוקה עדיין מלהצטרף לקהילה הבינלאומית לאור תמיכתה בטרור. האפשרות היחידה להשיג שלום במזרח התיכון היא באמצעות פתרון שתי המדינות, תוך שמירה על בטיחונה של ישראל”. טרודו ציין כי הקמפיין להחרמת ישראל הוא סוג חדש של אנטישמיות. על מדיניות הרפר הוא אמר: “העובדה שהרפר בחר להפוך את התמיכה בישראל לוויכוח פנימי, היא דבר לא טוב לא לקנדה ולא לקהילה היהודית בקנדה”.

טרודו (43) הוא ראש הממשלה הראשון בקנדה שגם אביו (פייר אליוט טרודו) היה ראש הממשלה. הוא נבחר למועמד לתפקיד לפני שלוש שנים, ומאז פתח בקמפיין בחירות חיובי וארוך, שכלל מפגשים עם מאות אזרחים בכל רחבי קנדה. עם זכייתו בבחירות הוא אמר: “הקנדים הראו שהם רוצים שינוי אמיתי ופוליטיקה חיובית. הם מאמינים שיכול להיות טוב יותר. אנו מייצגים את כל הקנדים על כל הגוונים שבהם, וניישם את מה שלמדנו בשיחות עם הציבור. לאור זאת בנינו את הפלטפורמה הזו, התנועה הזו. אתם רוצים ממשלה שתבטח בכם ואנו רוצים שאתם תבטחו בנו. זו תהיה ממשלה פתוחה שפעילותה שקופה, ותכבד את המוסדות השונים במדינה. אנו חוזרים להיות מה שקנדה הייתה בעבר”.

טרודו מתכוון ליצור גרעון תקציבי של כעשרה מיליארד דולר במשך השלוש השנים הקרובות, כדי שהממשלה תוכל לבצע השקעות גדולות מאוד בתשתית, לעזור למעמד הביניים ולחלשים, וליצור הרבה מאוד מקומות עבודה חדשים. ראש הממשלה החדש הבטיח להביא לקנדה עשרים וחמישה אלף פליטים מהמזרח התיכון עד לסוף השנה. וכן להפוך את עישון המריחואנה לחוקי. הוא גם מתכוון לטפל משמעותית בנושא התחממות כדור הארץ.

הרפר נכשל עם הקמפיין ההפחדה שלו שכלל הוצאת עשרים וחמישה מיליון דולר על מודעות וסרטונים נגטיבים נגד טרודו, אותו תיאר חסר ניסיון ולא מוכן לתפקיד. מרבית הציבור לא אהב את השלטון הכוחני והמרוכז של הרפר, שלא שמר על זכויות האזרח ואיכות הסביבה, ולא דאג לפליטים.

Format ImagePosted on October 28, 2015October 28, 2015Author Roni RachmaniCategories עניין בחדשותTags elections, Israel, Justin Trudeau, Stephen Harper, בחירות, ג'סטין טרודו, ישראל, סטיבן הרפר
Liberals sweep into power

Liberals sweep into power

Justin Trudeau schmoozes after a speech to the Richmond Chamber of Commerce in July. (photo from Justin Trudeau’s Office)

As Justin Trudeau’s Liberal party swept to a majority victory Monday night, it was British Columbia that finally made a difference. Without the 17 seats the Liberals took here, Trudeau would have won, but with a minority mandate – albeit a big one.

The Liberals swamped Vancouver and its suburbs, winning some seats that few, if any, observers anticipated they were even competitive in, particularly in the eastern suburbs. The North Shore was a Liberal sweep. In Vancouver South, the Conservatives lost their only foothold in the city as incumbent Wai Young lost to Liberal Harjit Sajjan.

Liberals Joyce Murray (Vancouver Quadra) and Hedy Fry (Vancouver Centre), the only two Liberals elected from British Columbia in 2011, trounced their respective opponents. Murray more than doubled the votes of her nearest competitor, a Conservative, and Fry almost tripled the vote of the second-place New Democrat.

The new riding of Vancouver Granville, slicing through the centre of the city north to south, is a microcosm of what appears to have happened locally and nationally. Several organizations had formed to encourage Canadians who opposed Harper’s Conservatives to vote strategically for the candidate most likely in their riding to defeat the Conservative. In Granville, Leadnow, probably the most prominent of the anti-Harper organizations, urged voters in the riding to back New Democrat Mira Oreck. This drew a backlash from Liberals, who said their candidate was either tied or ahead of the New Democrat in the available public opinion polls and the Vancouver Sun noted the friendship between Oreck and the head of Leadnow. In the end, so-called “change voters” seem to have looked at the national polling trends – which, by the end of the campaign, showed the Liberals slightly ahead of the Conservatives and NDP support dissipating – and turned red. In the end, Liberal Jody Wilson-Raybould took nearly 44% of the vote, with Oreck and Tory candidate Erinn Broshko effectively tied at 26%, Oreck edging out the Tory by 38 votes for second place; Green candidate Michael Barkusky took about three percent. Oreck and Barkusky are members of the Jewish community.

There were no clearly evident trends in ridings across the country with concentrations of Jewish voters. In the Montreal riding of Mount Royal, held until the election by retiring Liberal Irwin Cotler, Anthony Housefather, the Liberal candidate and mayor of the suburb of Cote-Saint-Luc, beat Conservative Robert Libman by a comfortable margin. Both Housefather and Libman are Jewish.

In Thornhill, the Toronto-area riding with the country’s largest concentration of Jewish voters, Conservative incumbent Peter Kent trounced Liberal Nancy Coldham. In Eglinton-Lawrence, incumbent Conservative finance minister Joe Oliver, the most senior Jewish official in Ottawa, lost by a significant margin to Liberal Marco Mendicino. In York Centre, another Toronto riding with large numbers of Jewish voters, Tory Mark Adler was narrowly defeated by Liberal Michael Levitt. Adler is known nationally mostly for his foibles, such as calling out to advisers of Prime Minister Stephen Harper at the Western Wall in Jerusalem to be included in a photo opportunity and, several weeks ago, for seeming to exploit his family’s history in the Holocaust for political gain.

In 2011, post-election surveys indicated that Jewish voters supported the Conservative party by large margins. Though such indicators are not yet available for this week’s election, it appears that Jewish voters are far from being a monolithic bloc.

Format ImagePosted on October 23, 2015October 22, 2015Author Pat JohnsonCategories NationalTags Conservatives, elections, Jewish vote, Justin Trudeau, Liberals, NDP
Showcasing life’s complexity

Showcasing life’s complexity

In The Singing Abortionist, Dr. Henry Morgentaler comes across as an enigmatic figure. (photo from Vancouver Jewish Film Festival)

This year’s Vancouver Jewish Film Festival will entertain, inform and challenge viewers, from its opening event – YidLife Crisis, a film all in Yiddish (with English subtitles), and its Yiddish-speaking stars/writers Jamie Elman and Eli Batalion as guests – to its final screening, the French film Once in a Lifetime, based on the true story of an inner-city high school in Paris. This week, the Jewish Independent gives you a glimpse into the festival, which runs Nov. 5-12 at Fifth Avenue Cinemas.

A difficult national hero

There are few surnames in Canada that can evoke such visceral and opposite reactions as Morgentaler. Henry Morgentaler is the name most associated with abortion – with providing abortion services to women, with fighting abortion laws, and for eventually leading a case to the Supreme Court of Canada that resulted in the permanent overturning of Canada’s abortion statute.

To allies, he is a hero. To enemies, he is “Hitler,” as countless people scream at him in footage in the documentary The Singing Abortionist. (He was known to hum or sing a few lines while performing abortions, including one he performed on CTV’s W5 program, which ran the procedure in its five-minute entirety.) Yet even to allies – including his children – he is, as one biographer described him, a “difficult hero.”

In interviews before his death in 2013, Morgentaler acknowledged that everything he did in life was with the aim of earning the love of women. This guided him in becoming the foremost advocate in the country for women’s reproductive choice, but it also led to his reputation as a “womanizer.”

Morgentaler was a relatively unknown doctor when he felt morally bound to begin offering abortions, a crime that carried a potential life sentence for the doctor and two years in prison for the patient. Across 20 years of legal battles, including a stint in prison, Morgentaler led the legal and PR battle for choice, which culminated in his case before the Supreme Court of Canada that, in 1985, struck down Canada’s abortion law.

In this one-hour film, Morgentaler comes across as an enigmatic figure. He admits to megalomania, albeit with a guffaw. His children speak about their own conflicted relationships with him. His lawyer says Morgentaler was an easy target for anti-abortion forces to caricature as a “strange-looking, hook-nosed Jew.” Morgentaler is both introspective about his motivations but clearly suppresses, according to those around him, his experiences as a Holocaust survivor.

But Morgentaler’s career – particularly his lifelong devotion to the fight for abortion rights – is a direct result of his suffering under Nazism. He was a forced laborer in the Lodz Ghetto before it was liquidated and its residents sent to Auschwitz. The film follows Morgentaler on his only return to the place where he lost his mother, and where he and his brother survived. The experience, he tells the filmmaker, taught him that, “Just the fact that something is law does not necessarily mean it is good or justified or it’s rational.”

– PJ

Monumental reconstruction

Before the Holocaust, Poland had about 200 wooden synagogues, a richness of liturgical architecture that one expert said “rivals the greatest wooden architecture anytime in history, anywhere in the world.” All were lost.

That American expert, Rick Brown, began a project to painstakingly reconstruct from photographic and other records a prime example of that lost history. Working, first, with his students at the Massachusetts College of Art, the project eventually expanded to include more than 300 people, mostly students, from 46 universities and 11 countries.

photo - Raising the Roof tells the story of how a team of hundreds recreated the painted roof and ceiling of Gwozdziec Synagogue in Poland
Raising the Roof tells the story of how a team of hundreds recreated the painted roof and ceiling of Gwozdziec Synagogue in Poland. (photo from VJFF)

The undertaking was monumental. Using only the tools that were available at the time, and working on site over successive summers in Poland and Ukraine, the team recreated the intricately constructed and painted roof and ceiling of Gwozdziec Synagogue. (Gwozdziec is actually in Ukraine, but was part of the greater Polish territory during the heyday of synagogue architecture and its synagogue is both one of the most dramatic and one with the most information available to aid the team in recreating it.)

Brown and his group didn’t know what they would do with the to-scale project when it was completed, but fate intervened. The POLIN Museum of the History of Polish Jews had been designed to accommodate exactly such a replica. After years of tree-felling, lathing, metalworking, complex joinery and scrupulous research on building techniques and paint colors, the roof and ceiling were raised into place at the Warsaw museum.

Raising the Roof, the film that tells the story of the project, is fascinating on multiple fronts. It involves many people with divergent motivations, including Jews, non-Jews, Americans, Poles, artists and even volunteers with no particular skill beyond enthusiasm. There are poignant reflections on the meaning of the original architecture, its loss and regeneration. Underpinning the entire project is the memory of the lost civilization of Polish Jewry, from which 70% of today’s Jews have ancestry, and whose architecture and culture can be reclaimed, but whose existence cannot.

– PJ

Being high and low in Haifa

If you can hand yourself over to filmmaker Elad Keidan and immerse yourself in the sights of Yaron Scharf and especially the sounds created by Aviv Aldema, Afterthought is a worthwhile journey.

photo - Uri Klauzner as Moshe, left, in Afterthought, Elad Keidan’s first feature
Uri Klauzner as Moshe, left, in Afterthought, Elad Keidan’s first feature. (photo from VJFF)

The Israeli film’s Hebrew title, Hayored Lema’ala, “down up,” basically sums up what happens on the outward level. Moshe, whose name and story we don’t find out till almost the very end, goes off in search of his wife’s lost earring, which leads to other discoveries about his wife and their relationship. As he starts his exploration up the stairs to the top of Mount Carmel in Haifa, Uri begins his descent to the port, where, we eventually find out, he is planning on catching a freighter abroad, both to finish writing a book and to avoid army reserve duty, as well as to run away from mistakes he has made. The two men pass the same sights, sounds and people at different points in the day, and they encounter each other, stopping for a brief chat – Moshe was Uri’s third-grade teacher, it turns out.

The English title for the film comes from a conversation Moshe overhears in a coffee shop. A man tells his friend about how he wishes that, after a talk with his mother, for example, he could call his mom and leave a message with everything that he actually wanted to say, or meant to say.

Afterthought is Keidan’s first feature, and it is a solid debut despite the slow pace. Viewers are ultimately rewarded by the internal ups and downs of the main characters, the men’s reflections on life, friends and family, and the people they meet along the way. Aldema’s radio snippets, machine and human noises, music selections and other sound effects are a character in and of themselves, and are worth the price of admission alone. These, together with Scharf’s cinematography – which is not flashy, but subtly effective – and the acting of Itay Tiran as Uri and Uri Klauzner as Moshe make for a movie that will not only have you thinking of it afterwards, but of your own life, the choices you have made, and the people you hold dear.

– CR

For the film schedule, tickets and information on all the festival’s offerings, visit vjff.org.

Format ImagePosted on October 23, 2015October 22, 2015Author Pat Johnson and Cynthia RamsayCategories TV & FilmTags Afterthought, Gwozdziec, Holocaust, Morgentaler, Vancouver Jewish Film Festival, VJFF

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