TV

A lifelong love of performing

Left to right, the Hot Mammas are Mary Ella Young, Julie Brown, Georgina Arntzen. (photo by Dee Lippingwell)

The Hot Mammas are busy this holiday season – and year round. With three albums to their credit, they perform at venues ranging from jazz clubs to shopping malls. Readers can next see them at Robson Square Skating Rink on Dec. 15, and then at Water Street Café Dec. 18.

One of the holiday songs the group performs is “Mamma Julie’s Hanukkah Song,” so dubbed by Georgina Arntzen and Mary Ella Young because the third member of the Hot Mammas, Julie Brown, wrote it, and “too many songs are called ‘The Hanukkah Song’ or ‘Festival of Lights.’” (A video of it can be found via facebook.com/thehotmammas.)

Brown’s Jewish heritage is Ashkenazi. “My maternal grandfather, who I’m named after (Julius Cohen), was a rabbi,” she told the Independent. “My father always followed our traditions. My mother was a phenomenal cook and it’s because of her I’m able to make latkes, matzo balls, knishes, chicken soup, etc. When she didn’t want me to understand something she and her sisters were talking about over the phone, she’d suddenly switch from English to Yiddish. That’s where and how I picked up some fun expressions, which I use to this day.”

Born and raised in Montreal, Brown said she has been performing music since she could walk.

“My older, late, great brother Martin Overland was the founding member of the Canadian folk group the Raftsmen,” she said. “Your readers may recall the song ‘Something to Sing About,’ which was one of their hits. Martin had perfect pitch and the voice of an angel. He was also a terrific guitarist and accordionist. Eleven years my senior, we would sing together in harmony when I was a very young child. I still recall performing ‘Buttons and Bows’ in front of a roomful of relatives and friends.

“When the opportunity arose as a 10-year-old to actually sing on camera, I jumped at the chance. The Montreal kids show was called Small Fry Frolics and there I was with my cousin Shirley singing the Everly Brothers’ ‘Bye Bye Love’! At 15, I joined a rock band, while singing lead as Carmen in high school.

“The singing/performing didn’t stop at teacher’s college either,” she added. “McGill’s Macdonald College offered a two-year teaching diploma program at the time and, much to my delight, also had yearly talent shows.”

During her teaching days, Brown brought her ukulele to class. “The kids were as crazy about the Beatles as I was and we sang our buttinsky’s off to start the day,” she said.

While at university, Brown performed in stage plays and film. She recalled working on a movie directed by John Huston, which featured Sophia Loren – “and I was fortunate enough to garner a wee speaking role when Ms. Loren walked over to a table of background performers of which I was one, and asked me a question. I wasn’t supposed to answer her as a silent on-camera person but spontaneously blurted out a comment because I didn’t want to be rude. (Out of my peripheral vision, I noticed John Huston smacking his forehead.) And that was how I got my first ACTRA permit! Even after moving out to Vancouver and doing radio full time, I still continued to audition for film, TV and did a lot of voice work. In fact, I was the Telus voice for nearly 15 years – ‘We’re sorry, the number you have dialed is not in order. Please hang up and try your call again. Thank you, from Telus.’ That was me and one of 40 or so prompts I did for them.”

Brown left Montreal after the Front de libération du Québec “raised its ugly head in Quebec” and the Parti Québécois was in power.

“My child came home in tears from school with a notice that all English-speaking children had to be educated in French the following year,” she explained. “French didn’t come easy to my son but it was more than that. We lived in Canada, or so I thought. Stop signs had Nazi slogans scrawled across them. Shop windows in the English and Jewish communities were smashed and vandalized. An elderly Jewish woman who couldn’t speak French and wanted to order flowers for a friend was disgustingly treated over the phone because she was trying to place her order in English. The clerk hung up on her.

“As a teaching friend once said to me, if you say, ‘ich bin a Yid,’ you get it from both sides. I still don’t think the rest of Canada realized just how dangerous and revolting that regime was. Well, I did…. We came out to Vancouver for a visit and, with tears in his eyes, my son asked if we could move. And we did just that in 1978.”

Within a week, Brown got a job as a news broadcaster at CFMI, the sister station to CKNW.

“Not long after that, the program director allowed me to develop an interview show as well. I had been doing interviews at the Montreal radio station, along with news, so this was a huge relief to me. I love people and am a naturally curious person, so interviewing was, and still is, a good fit. My radio career blossomed here in Vancouver. Eventually, I co-wrote, co-produced and co-hosted Vancouver at Noon on KISS-FM for 11 years.”

In her more than two decades as a broadcaster, Brown interviewed hundreds of people, including Bob Hope, Paul Newman, Shirley MacLaine, Johnny Depp, Leonard Cohen, Eartha Kitt, Sarah McLachlan, Neil Diamond, Buffy Sainte-Marie, François Truffaut, Jackie Collins, Jim Byrnes, Rick Hansen and Dee Lippingwell.

For Brown, singing in choirs has always fed her soul, and it was in one of those choirs she met Arntzen and in another that they met Young. The Hot Mammas have been together now for 11 years.

“They are both family to me – my sisters,” said Brown. “All three of us love performing because we give to our audiences and they give back. Something magical and marvelous happens, no matter where we are or how many or how few people are in that audience. Synergy. Energy. Love. Music heals. It is the ‘universal language.’

“We sing songs we love. That’s how we choose our repertoire. Jazz, pop, rock ’n’ roll, folk, show tunes, you name it. We don’t just cover groups. We also write originals. In fact, one of our tunes is called ‘The Hot Mammas’ Song,’ and it’s quite amusing – all about being mothers who love their kids but have ‘traded in their aprons for a microphone.’”

For more, visit thehotmammas.com.

Israeli series Nehama on Topic

The character of Guy Nehama, played by Reshef Levi, dreams of becoming a standup comic. (photo from Topic)

It took me a couple of episodes, but then I was hooked. Initially, most of the characters on the award-winning Israeli show Nehama – in particular the lead, Guy Nehama, played by Reshef Levi – are completely unappealing, even annoying. While they more or less stay that way, they do start to show shades of competence and compassion, and begin to use humour to salve as often as to stab. But, most importantly, their intrigues, become, well, intriguing, and more plentiful.

The series starts dramatically, to say the least. Guy’s wife careens off the road, the car rolls (if I’m remembering correctly – so much has happened since then). She manages to get out of the vehicle but doesn’t make it far, though she does manage to make a short phone call. Since it’s the starting point of everything and the main plot, it’s not too much of a spoiler to share that she dies, leaving Guy with their five children, ranging in age from baby to high schooler.

A tech guru working for a beast of a man, Guy – as he repeats often – is the household’s sole breadwinner. Before his wife’s death, he had little or no time for parenting. After she dies, he has no choice but to change his attitude and his approach. It’s difficult, though, not just because of his own self-absorption, but because of the people around him and their pressures and secrets.

Overarching all this is Guy’s dream of becoming a standup comic. He had been the more talented half of a comedy duo and the fact that his partner went on to become famous, while he became his family’s breadwinner in a “real” job, frustrates Guy to no end. In the first couple of episodes, where we don’t see Guy perform, it is hard to believe that this whiny, lacklustre man who constantly dictates ridiculous stories into a recorder could be funny, but turns out he is, which, combined with him trying to do right by his kids, makes him an underdog to root for, as he discovers his wife had lied to him on more than one account – and others, including his children, continue to lie to him.

There are 10 episodes in the first season of Nehama. The acting is superb, the comedy is dark; the hour-long shows go quickly. Topic, a streaming service launched last year by First Look Media, can be accessed on topic.com, AppleTV, Android, Roku, Amazon Prime and elsewhere.

In spirit of Jewish law

The other night, I sat on the couch with my husband in an attempt at togetherness. We watched an episode of Madam Secretary. It was our second attempt. On the first try, worn out, I was about to fall asleep when my spouse suggested that we save it for another time so I could go to bed. It was, he pointed out, supposed to be fun. Sticking to the initial “date time” wasn’t working. Thank goodness for the PVR.

The show we watched was full of allusions to knitting and design, which are parts of my freelance work. I cringed inwardly, preparing for derogatory comments about “women’s work.” To my surprise, the textile theme was respectful. A man with PTSD takes up knitting as part of his therapy – it helps him focus his mind. A first-year university student struggles with a design assignment – she comes away with a couture dress, but not before we hear the sounds of her sewing machine at work in the background. Best yet, when her sister begins to panic at modeling the dress, the student gives her a pep talk, saying, “Pull yourself together, be strong. Do this, I need you.” What started as a frivolous thing – “help me out at this fashion show” – became more. It became a chance to succeed academically, and to use inner strength to prevail over a trying situation. The episode showed strong women and struggling men seeking to be their best selves.

All this came to mind later, in the context of a Talmud class. I signed up for a Jewish Theological Seminary online course. With the wonders of technology, I can hear lectures by Rabbi Dr. Judith Hauptman, who is a gifted teacher and intellect. Her course has an interesting premise – looking at situations when “law meets life.”

She began with basic information, and got started studying talmudic text. Whenever I study Talmud (or any older text), I have to remember the inherent inequalities. Women were seen as subservient, with less agency than we think is appropriate today. Through careful reading, we saw lists of tasks wives are obligated to perform for their husbands (Bavli Ketubot 61a) and a discussion about how one might “wash” – sprinkle water on – a floor on Shabbat (Bavli Shabbat 95a). (This last reference was not cleaning so much as providing a form of air conditioning and reducing dust on an extremely hot Shabbat in Babylonia.)

Hauptman showed us how women’s interpretations allowed them both to obey the spirit of Jewish law, and to accomplish what needed to be done. In more than one place in these readings, the rabbis (all male) allude to the fact that women were smart and had power or agency. Even if the language of the Talmud relegates women to being “property of a man’s house,” the women in these stories shine through as being shrewd and savvy.

We think sometimes that our lives are infinitely more complicated, sophisticated and detailed than those in the nostalgic past. Yet, these talmudic texts reminded me that, more than 1,500 years ago, smart people focused on the details that make our households and lives function. We may have a way to record entertainment now (and a TV!) or access to machine-produced clothing, but our fundamental concerns are similar. How are we to balance the spirit of our commitments with the laws’ requirements? What is the intention of our roles? How do men and women balance and subvert traditional roles in order to cope? How do our household tasks make life comfortable and/or meaningful?

The first text we studied refers to tasks that wives perform for their husbands: grinding grain, baking bread, doing the laundry, cooking, nursing his babies, making his bed, and working with wool. When she has wealth and servants, she can avoid some of these household obligations. As we studied this text together, I was knitting a wool sweater I’d promised to finish for one of my kids. I thought the webcam was trained up, only on my face. No, as it turned out – a friend, also taking the class, in New York, said she could see my knitting.

That’s OK. In the end, the more things change, the more they stay the same. Regardless of your level of observance, we still wrestle with these issues. Women often interpret Jewish law and tradition when it comes to household details. If one doesn’t have enough servants or financial resources, or even enjoys knitting and finds it focuses the mind, one might still be working with wool.

A recent study indicated that, in Reform Jewish congregations, rabbis who are women are paid less than their male counterparts. Women have fewer positions “at the top” as senior or sole congregational rabbis. We continue, even in the most progressive Jewish movements, to struggle with pay equity and gender roles.

The Talmud is an essential part of Jewish oral law, but it’s also literature, with narratives that shed light on daily life. A current TV show portrays a woman as U.S. Secretary of State, and shows that interaction with fibre arts is still an important, useful and viable thing to devote time to creating, no matter your gender.

In both the show’s legal negotiations and this talmudic text, we’re taught that, sometimes, the spirit of the law, the intention, is more important than the letter of the law. Through all the big decisions, it’s sometimes the small household details that make people’s lives rich. I’ll keep knitting handmade sweaters for my kids – and studying Talmud. Even in these times, there’s a place for both.

Joanne Seiff writes regularly for CBC Manitoba and various Jewish publications. She is the author of three books, including From the Outside In: Jewish Post Columns 2015-2016, a collection of essays available for digital download or as a paperback from Amazon. See more about her at joanneseiff.blogspot.com.