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"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

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Tag: broadcasting

A lifelong love of performing

A lifelong love of performing

Left to right, the Hot Mammas are Mary Ella Young, Julie Brown, Georgina Arntzen. (photo by Dee Lippingwell)

The Hot Mammas are busy this holiday season – and year round. With three albums to their credit, they perform at venues ranging from jazz clubs to shopping malls. Readers can next see them at Robson Square Skating Rink on Dec. 15, and then at Water Street Café Dec. 18.

One of the holiday songs the group performs is “Mamma Julie’s Hanukkah Song,” so dubbed by Georgina Arntzen and Mary Ella Young because the third member of the Hot Mammas, Julie Brown, wrote it, and “too many songs are called ‘The Hanukkah Song’ or ‘Festival of Lights.’” (A video of it can be found via facebook.com/thehotmammas.)

Brown’s Jewish heritage is Ashkenazi. “My maternal grandfather, who I’m named after (Julius Cohen), was a rabbi,” she told the Independent. “My father always followed our traditions. My mother was a phenomenal cook and it’s because of her I’m able to make latkes, matzo balls, knishes, chicken soup, etc. When she didn’t want me to understand something she and her sisters were talking about over the phone, she’d suddenly switch from English to Yiddish. That’s where and how I picked up some fun expressions, which I use to this day.”

Born and raised in Montreal, Brown said she has been performing music since she could walk.

“My older, late, great brother Martin Overland was the founding member of the Canadian folk group the Raftsmen,” she said. “Your readers may recall the song ‘Something to Sing About,’ which was one of their hits. Martin had perfect pitch and the voice of an angel. He was also a terrific guitarist and accordionist. Eleven years my senior, we would sing together in harmony when I was a very young child. I still recall performing ‘Buttons and Bows’ in front of a roomful of relatives and friends.

“When the opportunity arose as a 10-year-old to actually sing on camera, I jumped at the chance. The Montreal kids show was called Small Fry Frolics and there I was with my cousin Shirley singing the Everly Brothers’ ‘Bye Bye Love’! At 15, I joined a rock band, while singing lead as Carmen in high school.

“The singing/performing didn’t stop at teacher’s college either,” she added. “McGill’s Macdonald College offered a two-year teaching diploma program at the time and, much to my delight, also had yearly talent shows.”

During her teaching days, Brown brought her ukulele to class. “The kids were as crazy about the Beatles as I was and we sang our buttinsky’s off to start the day,” she said.

While at university, Brown performed in stage plays and film. She recalled working on a movie directed by John Huston, which featured Sophia Loren – “and I was fortunate enough to garner a wee speaking role when Ms. Loren walked over to a table of background performers of which I was one, and asked me a question. I wasn’t supposed to answer her as a silent on-camera person but spontaneously blurted out a comment because I didn’t want to be rude. (Out of my peripheral vision, I noticed John Huston smacking his forehead.) And that was how I got my first ACTRA permit! Even after moving out to Vancouver and doing radio full time, I still continued to audition for film, TV and did a lot of voice work. In fact, I was the Telus voice for nearly 15 years – ‘We’re sorry, the number you have dialed is not in order. Please hang up and try your call again. Thank you, from Telus.’ That was me and one of 40 or so prompts I did for them.”

Brown left Montreal after the Front de libération du Québec “raised its ugly head in Quebec” and the Parti Québécois was in power.

“My child came home in tears from school with a notice that all English-speaking children had to be educated in French the following year,” she explained. “French didn’t come easy to my son but it was more than that. We lived in Canada, or so I thought. Stop signs had Nazi slogans scrawled across them. Shop windows in the English and Jewish communities were smashed and vandalized. An elderly Jewish woman who couldn’t speak French and wanted to order flowers for a friend was disgustingly treated over the phone because she was trying to place her order in English. The clerk hung up on her.

“As a teaching friend once said to me, if you say, ‘ich bin a Yid,’ you get it from both sides. I still don’t think the rest of Canada realized just how dangerous and revolting that regime was. Well, I did…. We came out to Vancouver for a visit and, with tears in his eyes, my son asked if we could move. And we did just that in 1978.”

Within a week, Brown got a job as a news broadcaster at CFMI, the sister station to CKNW.

“Not long after that, the program director allowed me to develop an interview show as well. I had been doing interviews at the Montreal radio station, along with news, so this was a huge relief to me. I love people and am a naturally curious person, so interviewing was, and still is, a good fit.  My radio career blossomed here in Vancouver. Eventually, I co-wrote, co-produced and co-hosted Vancouver at Noon on KISS-FM for 11 years.”

In her more than two decades as a broadcaster, Brown interviewed hundreds of people, including Bob Hope, Paul Newman, Shirley MacLaine, Johnny Depp, Leonard Cohen, Eartha Kitt, Sarah McLachlan, Neil Diamond, Buffy Sainte-Marie, François Truffaut, Jackie Collins, Jim Byrnes, Rick Hansen and Dee Lippingwell.

For Brown, singing in choirs has always fed her soul, and it was in one of those choirs she met Arntzen and in another that they met Young. The Hot Mammas have been together now for 11 years.

“They are both family to me – my sisters,” said Brown. “All three of us love performing because we give to our audiences and they give back. Something magical and marvelous happens, no matter where we are or how many or how few people are in that audience. Synergy. Energy. Love. Music heals. It is the ‘universal language.’

“We sing songs we love. That’s how we choose our repertoire. Jazz, pop, rock ’n’ roll, folk, show tunes, you name it. We don’t just cover groups. We also write originals. In fact, one of our tunes is called ‘The Hot Mammas’ Song,’ and it’s quite amusing – all about being mothers who love their kids but have ‘traded in their aprons for a microphone.’”

For more, visit thehotmammas.com.

Format ImagePosted on December 10, 2021December 8, 2021Author Cynthia RamsayCategories MusicTags broadcasting, film, Hot Mammas, Julie Brown, singing, trio, TV
Tikkun olam as focus

Tikkun olam as focus

Leah Stern in Haiti, where she was helping orphaned and abandoned children. (photo from Leah Stern)

While London-based journalist and content producer Leah Stern was unable to be the guest speaker at this year’s Choices, the annual campaign event of Jewish Federation of Greater Vancouver’s women’s philanthropy, the Jewish Independent had the opportunity to chat with her over the phone prior to her scheduled talk. Hopefully, she will have the chance to come to Vancouver on another occasion, as she is a fascinating and accomplished person.

Born and raised in Miami, Stern made aliya after graduating university. In her career to date, she has been the face of the evening news on the Israel Broadcast Authority and a correspondent for CNN, she has liaised with the Vatican on behalf of the Israeli government and worked with nonprofits in South America. She is currently communications director in London, England, for OurCrowd, a high-tech, crowdfunding platform created by venture capitalist John Medved, for which she travels to Israel every couple of months. This is only a partial resumé.

JI: You made aliya in 2002. What led to that?

LS: Growing up in Miami Beach, everyone was very materialistic, focused on clothes, cars, houses, etc., and I wanted to run away from it all. My brother went to Israel to serve in an elite military group during the Second Intifada and my mother and I decided to follow him there. She went first, I came after.

JI: How did you get into journalism?

LS: That started with a program I saw in Miami on CNN with coverage of Scuds falling in Sderot and I saw a woman running in fear along the street. Suddenly, I thought, I need to be there in the thick of it all. When I finally went, I was only 21. At first, when I arrived, I could not find a job, so I folded laundry, made pizza and worked as a housekeeper.

JI: What happened next?

LS: I decided to volunteer for the Magen David Adom (MDA). That consisted of a week indoctrination course and then riding in the back of an ambulance to callouts. My first call was to a bus bombing in Jerusalem on May 18, 2003. I remember riding in the back of the ambulance, going at 100 miles an hour, running through red lights and then we came upon the shell of the bus. My first memory is seeing the bodies of college students my age, all sitting exactly as they were in that last moment before the explosion, one was reading a book, one was eating a sandwich. That picture still resonates with me today.

JI: Did that experience have an impact on your career?

LS: I did the MDA job for about three months. I was so affected by it I decided to … blog about it. I sent articles back to Miami. I wanted to give a different view than the jaded coverage by CNN and Fox. I thought I could make an impact on people by reporting the truth of what was happening through my eyes, and not through the eyes of the foreign press that did not understand the contextual background to the story.

JI: You also worked for the Jerusalem Post?

LS: Yes. I applied and got an internship as the funeral reporter. I did that for awhile but I wanted to go to the next level. So, I applied to IBA, the Israel Broadcast Authority, the only government-run, English-speaking channel in Israel, to be a news anchor. I bombed the audition. I said, “Baby Netanyahu” instead of “Bibi Netanyahu.” I thought I would never get the job. But the bureau chief called me that night and said, “You were absolutely terrible but there is something about you. Come in tomorrow for another screen test.” So, I studied the names of all of the people in the Knesset and practised in front of the mirror, and I got the job.

JI: What happened at IBA and where did you go from there?

LS: I started off as a newsreader but eventually my boss let me go out in the field. I went out as a one-woman band. I went and bought a video camera and all the equipment. I would mic myself up and take my camera out on a tripod and do the interview, write the text and send it to my editor in three-minute news package format while sitting in the front seat of my Peugeot. These were some of the most incredible days of my life, being in the thick of things.

photo - Leah Stern on a CNN mentorship program with Wolf Blitzer at the Republican National Convention in Florida
Leah Stern on a CNN mentorship program with Wolf Blitzer at the Republican National Convention in Florida. (photo from Leah Stern)

It was during this time that I came to realize that there were so many stories that were not being covered, i.e. co-existence, Israeli doctors working with injured Palestinians, stories that I felt would change the world’s perception of what was happening in Israel. So, I started to tell them and sent some to CNN and they must have liked them because I got invited to Atlanta and met with Ted Turner, who offered me a job as a correspondent. Wolf Blitzer sort of took me under his wing.

JI: What were some of the stories you covered for IBA and CNN?

LS: I was sent all over, to Ethiopia to cover the migration of the Ethiopian Jews to Israel … to the Vatican to cover the funeral of Pope John Paul II in 2005. I went to Baghdad and Kabul and all over the Arab world.

JI: Were you concerned about any danger in covering some of these assignments?

LS: No. I was a CNN producer, an American journalist on an American passport and did not at any time feel in danger. I was running on pure adrenalin, and was determined to tell the story for people who did not have a voice.

JI: You accompanied the Israel Defence Forces during the disengagement from Gaza in 2005. What was that experience like?

LS: For me, this was the first time that I found myself reporting on a big story alongside the major players of the world media…. I had just interviewed Ariel Sharon and was forming my own opinion on this. I was conflicted, lots of questions were running through my mind, like, was the government right? What were these people entitled to? [Stern ended up making a documentary about the experience, called Disengagement (2006).]

JI: Were you treated any differently for being a woman reporter?

LS: War reporting is a man’s world. Here I was a young, blond, American, female journalist with not great Hebrew, with an English accent, with very seasoned male war reporters, trying to be one of the guys. I had to earn the respect. It was not easy. It took time.

JI: How did people react to you in the various areas you visited?

LS: Good reporters get people to open up to them and to trust them. You have to ask the tough questions, be relatable, get people to be real. I let people know I would tell their story … like they told it to me.

JI: Has your attitude towards covering the news changed over the years?

LS: I always remember the quote from Abba Eban, “To be a realist in Israel, you have to believe in miracles.” My time in Israel was one miracle after another. When I did my first stand up in front of the camera during the Second Lebanon War, a rocket landed near me and I was not afraid. I felt as if the camera would protect me and I was so dedicated to telling the story that I did not think of any danger. But one of my colleagues, Steve Sotloff, was beheaded by ISIS, and that was a wake-up call for me. I would not go back to some of those countries now even though I have been offered opportunities to report in Iran and Syria.

JI: In addition to reporting, you did a three-year diplomatic stint at the Vatican as a liaison for the Israeli government. What was that like?

LS: I studied Italian because I had to read 20 newspapers a morning and brief the Israeli ambassador on what Italians were saying about Israelis. Twice a week, I also got to sit in on meeting with Pope Benedict XVI and his cardinals…. I learned what it meant to be an Israeli diplomat in the Vatican. It was very interesting but it was also the first time I had to be careful about being open about my Israeli and Jewish status.

JI: What does your future hold?

LS: I am writing a book, but I am not sure what to focus on. I think writing a memoir is a bit egotistical at the age of 35. I have been roaming the world for 15 years, I am ready to put down some roots and I am getting married again next year.

JI: Do you have any advice for women considering career options like yours?

LS: I believe in tikkun olam, to make the world a better place. I think the best advice I can give is to be strong and to follow your dreams. Remember that small things make a difference. Don’t be afraid to try. Put yourself out there. Make an impact.

Tova Kornfeld is a Vancouver freelance writer and lawyer.

Format ImagePosted on December 4, 2015December 3, 2015Author Tova KornfeldCategories WorldTags broadcasting, CNN, IBA, Israel, Jewish Federation of Greater Vancouver, JFGV, Leah Stern, OurCrowd
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