Downtown Eastside

Vital, relevant culture

Tale of the Eastside Lantern’s Shon Wong and Rosa Cheng. (photo by David Cooper)

Among the many artists participating in this year’s Downtown Eastside Heart of the City Festival is Jewish community member Elliot Polsky. The multi-percussionist joins the Son of James Band in Tale of the Eastside Lantern, a workshop presentation of a new hybrid Chinese rock opera.

From Oct. 30 to Nov. 10, the annual Heart of the City offers 12 days of music, stories, theatre, poetry, cultural celebrations, films, dance, readings, forums, workshops, discussions, gallery exhibits, mixed media, art talks, history talks and history walks. More than 100 events are scheduled to take place at more than 40 locations throughout the Downtown Eastside. This year’s theme – “Holding the Light” – has emerged from the need of Downtown Eastside-involved artists and residents to illuminate the vitality and relevance of the Downtown Eastside community and its diverse traditions, knowledge systems, ancestral languages, cultural roots and stories.

Tale of the Eastside Lantern is one of the top festival picks: “In the streets and shops of Vancouver’s Chinatown, Jimmy wrestles with his personal demons and sets out to solve a mystery that is guarded by Chinese opera spirits of the underworld. Jimmy is led by the sounds of rock music and motivated by the oldest feeling in the world … love.” Written and composed by Shon Wong and directed by Andy Toth, the rock opera is produced by Vancouver Cantonese Opera and Son of James Band in partnership with Vancouver Moving Theatre. Performed in English and Cantonese, the workshop presentation takes place Oct. 31, 8 p.m., at CBC Studio 700. Tickets ($15) are available at the door or in advance from eastsidelantern2.eventbrite.ca.

Another top pick is Sis Ne’ Bi -Yïz: Mother Bear Speaks, written and performed by Taninli Wright (Wet’suwet’en) about her Messenger of Hope Walk – she walked 1,600 kilometres across British Columbia to give voice to First Nations children and other marginalized youth. Developed in collaboration with Laura Barron, Jason Clift, Julie McIsaac and Jessica Schacht, the play is produced by Instruments of Change. There are several performances Oct. 30-Nov. 3 at Firehall Arts Centre. For advance tickets ($20/$15), call 604-689-0926 or visit [email protected].

Written and performed by Yvonne Wallace (Lilwat) and directed by Jefferson Guzman, ūtszan (to make things better) follows the journey of a woman to reclaim her language; in the process, she uncovers indigenous knowledge, humour, strength and resilience. The play has three shows at the Firehall Oct. 31-Nov. 2, with tickets ($20/$15) available at the door and in advance.

Of special interest to the Jewish community, whose oral histories form part of Daphne Marlatt and Carole Itter’s Opening Doors: Vancouver’s East End, is the dramatization of that book, which was first published in 1979. Directed by Donna Spencer and co-produced by the Firehall and Vancouver Moving Theatre, Opening Doors has several performances Nov. 6-9 at the Firehall, with tickets $20/$15.

While there are these and other ticketed shows, most of the festival events are free to attend. For example, on Nov. 2, 11 a.m., at CRAB Park, there is a mini-landing of canoes, featuring a welcome ceremony, after which paddlers and guests journey on land to the Police Museum and the exhibition Healing Waters, an exploration of how communities heal through connecting to cultural practice. This landing, in honour of the inaugural Pulling Together canoe journey in 2001, launches a year of story gathering and history sharing in preparation for the 20th anniversary celebration of the Pulling Together Society at next year’s Heart of the City.

In Speaking in Tongues, guests Woody Morrison, David Ng, Grace Eiko Thomson and Dalannah Gail Bowen discuss mother tongues and how their interactions can give birth to hybrid languages such as Japanese Pidgin, which is unique to the West Coast of Canada. This conversation is part of Homing Pidgin, an interactive installation by Haruko Okano, and takes place on Nov. 2, 1 p.m., at Centre A (205-268 Keefer).

Meanwhile, Irreparable Harm? is by Sinister Sisters Ensemble – activists and theatre folk, young and old, First Nations and settlers, many of whom were arrested in the protests against the twinning of the Trans Mountain Pipeline. It uses videos, transcripts of the court proceedings and statements that were read in the courtroom to shine a light on the justice system. It is at Carnegie Theatre on Nov. 8, 3 p.m.

For full festival details, visit heartofthecityfestival.com.

Songs of justice and of hope

Geoff Berner will help open this year’s Downtown Eastside Heart of the City Festival on Oct. 24. (photo by Genevieve Buechner)

Recently back from Ontario, where he joined Orkestar Kriminal for a few shows, singer-songwriter and accordionist Geoff Berner will help launch the 15th annual Downtown Eastside Heart of the City Festival on Oct. 24.

Berner will be part of Songs of Justice, Songs of Hope, an evening of activist songs, led by musician, composer and conductor Earle Peach and featuring Solidarity Notes Labour Choir, among others. Berner will perform a solo set, but, he told the Independent, “I’m open to some collaboration with the choir, if that’s something they’d like to do.”

Berner has worked with Peach before.

“We’ve both lived in Vancouver for decades. We’ve both been active in left-wing politics and stuff in Vancouver for a long time,” said Berner. “I’ve played events with the Solidarity Notes Choir over the years. We have a lot of ideas in common.”

Heart of the City comprises more than 100 events at 40-plus locations around the Downtown Eastside over 12 days. Presented by Vancouver Moving Theatre with Carnegie Community Centre, the Association of United Ukrainian Canadians and many community partners, this year’s theme is “Seeds of Justice, Seeds of Hope,” celebrating the community’s “history of advocacy for human rights and social justice.” The website notes there will be “music, stories, songs, poetry, cultural celebrations, films, theatre, dance, spoken word, workshops, discussions, gallery exhibitions, mixed media, art talks, history talks and history walks.”

About his decision to participate in festivals like Heart of the City, Berner said, “You can feel it when an event or a music venue is not about money, but about building community and getting strength from music and culture. This is one of those.”

Berner has had a busy year. In September 2017, he released a new album, Canadiana Grotesquica, and his second novel, The Fiddler is a Good Woman, came out in October 2017. In addition to performances throughout British Columbia and elsewhere in Canada, a European tour took him to many cities over several months. This coming November, he’s headed to Seattle and Los Angeles, with other dates no doubt in the planning.

In the latest news post on his website (Sept. 14), Berner welcomes everyone back to the September routine, “whether it’s a New Year for you, or not.”

While he makes “resolutions all the time, not only at Rosh Hashanah,” Berner said, “My routine is that I write songs, make an album about once every two years, and then tour around North America and Europe trying to spread the album as far and wide as I can. Then I do it all again. It’s a good job.”

True to form, Berner will head into the studio in January to get a new album ready for October 2019. It will be produced by Josh Dolgin, aka Socalled, with whom Berner has worked since 2010.

“He is a valuable editor and idea generator,” said Berner of Dolgin. “He knows more about the recording studio, more about musical arrangement and more about Jewish music, especially klezmer music, than I do. So that all comes in pretty handy. And if he tells me, ‘no, you shouldn’t do that,’ he’s almost always right.”

People curious about what the album might sound like should mark their calendars for the Heart of the City opening. “There will be some brand new material from me at this festival,” Berner told the Independent. “See you at the show, I hope!”

The free Oct. 24 launch event takes place at Carnegie Theatre, 401 Main St., at 7 p.m.

Also participating in the festival is Vetta Chamber Music, with Seasons of the Sea, which melds contemporary classical music by local composer Jeffrey Ryan with a narrative written by Rosemary Georgeson. The original work, performed by Vetta Chamber Music and Georgeson, “describes the seasons on and by the sea, and is inspired by the 13 moon season of the Coast Salish peoples who used the tides and seasons of the sea as their calendar.” The show takes place Oct. 28, 3 p.m., at Dr. Sun Yat-Sen Classical Chinese Garden, 578 Carrall St., and is admission by donation to the garden.

Most Heart of the City Festival events are free or by donation. For more information, visit heartofthecityfestival.com.

More accountability required – Portland Hotel Society

Last week, one of the largest and most influential social service agencies in Vancouver’s Downtown Eastside became a centre of turmoil. The government moved in and fired much of the leadership of PHS (Portland Hotel Society) Community Services Society after an audit – in which the agency provided tepid cooperation – found the agency to have squandered vast sums on travel and luxuries for staff.

A routine audit by B.C. Housing late last year raised enough red flags to bring in an independent auditor. In 2013, the society received $18.7 million from the provincial government and $2.27 million from the federal government. Overall, PHS is a $28 million a year operation, which runs hundreds of provincially owned housing units in the city’s poorest area, intended to provide stable housing for individuals who had been left to the rapacious slumlords who once ruled the area.

In addition to the constellation of renovated hotels in the area, the society operates Insite, Vancouver’s (in)famous safe injection site, where people with addictions can find a safe place and sanitary equipment to use, and help in the event of an overdose. Insite is also an entry point for people to access primary care medical treatment and a range of treatment, housing and community supports.

According to the organization, during its 23 years of operating in the Downtown Eastside, deaths by drug overdose have fallen dramatically, as have HIV infection rates, while life expectance has increased by 10 years. These are extraordinary outcomes and one of the saddest results of this scandal is that the important work of this organization has been tarnished by the actions of its leadership.

The four top managers – who oversaw more than 300 staff – and all eight members of the organization’s board of directors left their positions last week. The four managers were earning between $120,000 and $160,000 a year, and received an additional 30 to 40 percent in remuneration for vacation pay and statutory holiday pay. This is not necessarily out of line – what rankles most are the expenses the audit uncovered, and which the senior staff felt no need to justify, including providing receipts to the auditors.

Mark Townsend, who, with his wife Liz Evans, was co-executive director of PHS, reportedly racked up high meal and travel expenditures. The auditors, KPMG, in a more-than-100-page report, noted: “The PHS declined to provide the associated credit card receipts … PHS also reiterated, among other things, their view that provision of these receipts was unnecessary to complete a proper review of these charges. We respectfully disagree.”

KPMG cited dozens of suspicious expenses, including a trip to New York City by Townsend and Evans, who stayed at the Plaza Hotel, accumulating a $9,266 bill. The purpose of trip, according to KPMG, was entirely summed up as: “Activities related to other PHS social initiatives.”

Another PHS senior staffer enjoyed a $5,832 Danube River cruise. Over three years, staff restaurant bills averaged $1,927 per month, to a total of about $69,000. An expense that resonated immediately was a trip to Disneyland for (now-former) PHS manager Dan Small, his (now-estranged) wife Jenny Kwan and their children. Kwan is the member of the B.C. legislature for the riding that encompasses the Downtown Eastside and, despite the potential for conflict of interest or misallocation, Kwan said in a teary news conference on the weekend that she had no idea that the Disneyland, and another, vacation were at least partly funded by PHS.

These incidents are doubly troubling, not just because the misallocations of funds have hurt the people they were intended to help, but because they have the potential to harm these individuals further by reinforcing the perception that money put into the Downtown Eastside is going down a hole without commensurate results. In fact, PHS has done and will continue to provide vital services that improve life for many of our city’s most disadvantaged. Our hope is that this sad situation will result in improved oversight and more scrupulous management not only of this important organization, but of all the agencies serving this area – and, frankly, all nonprofits, especially those receiving government funding.

We should also remind ourselves that these events do not grant us the right to wash our hands of events in that troubled neighborhood. The concept of anei ircha kodmin means it is a primary obligation of our tzedakah to do what we can to ameliorate suffering of the poorest in our local community. May this incident and the probable further investigations serve to rebuild our confidence in how public and private funds are spent in the Downtown Eastside so that these agencies will continue to make the changes needed for the people there.