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Handmade by artists

Handmade by artists

Left to right are artists Robin Adams, Jan Smith and Julie Kemble. (photo by Olga Livshin)

In common perception, the word “manufacture” is associated with industrial production and machinery, but it wasn’t always so. The word’s origins are found in manu factus, Latin for “made by hand,” and the new show at the Zack Gallery, Manufacture: From the Hand, takes visitors back to these roots.

The show presents beautiful handmade jewelry and wall hangings by 33 artists and craftspeople, members of the Vancouver Metal Arts Association (VMAA). Crafts are not a regular sight at the Zack, but gallery director Linda Lando explained, “The Vancouver Metal Arts Association has been welcomed to the Zack Gallery, as they … approach metal in a unique way. They use metal as one would use paint and canvas, so their creations bridge the gap between art and craft.”

The exhibition is eclectic in both imagery and materials, with each piece reflecting its creator’s personality. The entire show emphasizes the participants’ diversity in cultural backgrounds and artistic interests. The only common factor is metal – gold, silver, copper, brass and others – as the basis for their art.

The Independent talked to several of the featured artists. One of them, Julie Kemble, is a recently retired communications teacher from a local university, although she always enjoyed various artistic hobbies. “I started working with metal around year 2000,” she said. “I used to work with fibres. I guess I love body adornment, so it was a natural transition for me from fabrics to jewelry. They both adorn the body.” A Kemble sculpture could be used as a desk decoration or worn as a pendant. In both incarnations, they are charming.

Robin Adams has been a jeweler for more than 20 years. “I owned a jewelry shop before,” said the professional craftsman. “I sold my own jewelry there, but for a shop, you produce several copies of the same pieces. Now, everything I make is one of a kind. I’m an artist.”

Another jeweler in the show, Jana Kucera, currently manages a pub. “Art, making jewelry, is a hobby for me, but I hope it could become more,” she said. “I’ve always been an artist at heart. I graduated from the VCC [Vancouver Community College] Jewelry Art and Design program in 2005 and I enjoy making jewelry. I sell through shows like this one.” Her original copper necklaces are delightfully graceful.

photo - One gallery wall is dedicated to Dana Reed’s series of hanging disks, which combine copper etching, enamel and photography
One gallery wall is dedicated to Dana Reed’s series of hanging disks, which combine copper etching, enamel and photography. (photo by Olga Livshin)

The exhibition showcases not only jewelry but other metal art, as well. One full gallery wall is dedicated to Dana Reed’s series of hanging disks. Each about the size of a hand, the disks combine copper etching, enamel and photography.

Reed has been working with metal for a few years. “My day job is in administration and tech support,” she said, but “I’ve always made stuff; my whole family made beautiful things.” Her brother is a metalworker, too, and although Reed doesn’t have a formal artistic education, she has been taking classes in different artistic media. “I find metal to be pleasing to work with. It stays in place,” she joked before turning serious. “I can achieve precision with metal, while enamel allows more of a free-fashion imagery.”

Among the other wall pieces in the show is a selection of life-sized garden tools, made of Damascene by Karin Jones – a decidedly unexpected item – and a small but picturesque installation called “Changing Values,” made of pennies by Peggy Logan.

Logan has been a professional artist for 30 years. Currently, she is teaching jewelry art at Langara. “I started collecting old pennies when they went out of circulation,” she said. “Before 1993, all pennies were made of copper, and I used them for this piece.” The pennies, strung together and covered with multicolored enamel, glint on the wall, defying the government’s decision to stop producing them.

Another professional artist in the show is Jan Smith, VMAA founder and past president. Her elegant enamel and silver jewelry is represented by galleries in Montreal, San Francisco and Seattle.

“I’ve been an artist for over 20 years,” she said. “It’s not easy to make a living as an artist, especially not here in B.C. I’ve often had to supplement my income by teaching art or working as an art therapist. I’m a member of the International Enamel Association. It’s a small world and we all know and talk to each other. I must tell you that other countries support their artists much better than Canada. Britain, even America, offers better conditions to artists. Their art donations are larger. I’d love to have my art better known here but, so far, collectors in the U.S. know my art better. Even the East Coast is better for artists; I have representation in Montreal but not here. Maybe it is because Vancouver is such a young city.”

Three years ago, Smith founded VMAA to improve the situation. Current VMAA president Louise Perrone told the Independent a little more about the association. “The VMAA was founded by Jan Smith in 2012. Before moving to Salt Spring Island, she lived in Seattle, where there is a thriving metal arts guild. Jan felt Vancouver needed something similar. Unlike Seattle, there are no specific jewelry galleries and no jewelry and metal BFA programs. There is no community of artistic jewelry collectors in Vancouver supporting us either. That is why we started VMAA – to give art jewelry a platform and educate the public, to build a community of jewelry and metal artists.”

Manufacture: From the Hand opened on June 25 and will continue until July 26. To see a selection of the jewelry on display, visit jccgv.com/content/metalart.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].

Format ImagePosted on July 3, 2015July 3, 2015Author Olga LivshinCategories Visual ArtsTags Dana Reed, Jan Smith, Jana Kucera, Linda Lando, Louise Perrone, Peggy Logan, Robin Adams, Vancouver Metal Arts Association, VMAA, Zack Gallery
Montreal can be the model

Montreal can be the model

Montreal Mayor Denis Coderre at the Jan. 11, 2015, rally in Montreal in support of the victims of the Charlie Hebdo shooting. (photo by Gerry Lauzon via commons.wikimedia.org)

A hate crimes department within the city’s police force might be a good idea, Montreal Mayor Denis Coderre said following a meeting with Jewish community leaders from Quebec and France at Montreal’s city hall on June 25.

Coderre and members of his executive committee held a two-hour closed-door session to discuss what role cities can play in combating antisemitism in Montreal and globally. He underlined the frequent link between antisemitism and radicalization and its violent expression.

Unlike forces in many North American cities, the Service de Police de Montréal (SPVM) does not have a unit dedicated to investigating crimes suspected to be motivated by hatred of identifiable groups. Coderre said he will meet the SPVM to pursue the possibility.

“We have good people [in the police] who are doing a good job now, but we have to look into whether we can do things a better way and learn from best practices [elsewhere],” he said.

That was the most concrete suggestion coming out of the meeting.

The mayor’s main message after the meeting was that “we have to call a spade a spade.… Antisemitism exists, here and around the world. We have to denounce it, we have to talk about it, we have to understand that clearly something is going on and we must be there to fight it.”

The meeting was the fulfilment of a promise that Coderre had made to leaders of the French Jewish community when he visited Paris in February, shortly after the murderous terrorist attacks at the Charlie Hebdo magazine office and Hyper-Cacher kosher grocery store.

Present at the meeting, from France, were Serge Dahan, president of B’nai B’rith France, and Yonathan Arfi, vice-president of the Conseil Représentatif des Institutions Juives de France, as well as leaders of Federation CJA, the Centre for Israel and Jewish Affairs (CIJA), the Communauté Sépharade Unifiée du Québec and B’nai Brith Canada.

Julien Bauer, a Université du Québec à Montréal political science professor, and Mount Royal MP and human rights activist Irwin Cotler participated as experts on antisemitism.

Coderre hopes that Montreal and Paris can cooperate especially closely on strategies to combat antisemitism and make their cities safer.

Coderre called antisemitism “the oldest and most persistent” form of racism and warned against a tendency to “trivialize” it. He also recognized that anti-Zionism often cloaks contemporary antisemitism.

The meeting was also a followup to the June 10-11 Montreal Summit on Living Together, a gathering of 23 mayors from around the world convened by Coderre to examine how municipalities can prevent radicalism and ensure security, starting by promoting respect for diversity and harmony among the different cultural groups in their citizenry.

The City of Montreal, also in the wake of the Paris attacks, announced plans for a new centre aimed at preventing violent radicalism. So far, it consists of a telephone hotline to report information on suspected radical activity. Coderre said that the centre can play a role in preventing antisemitism. He wants to form partnerships with the schools, civil society and others in this endeavor.

Coderre said he plans to make the discussion on antisemitism an annual event, and believes that Montreal can serve as a model of how to combat racism and radicalism, while achieving “a balance between openness and vigilance.”

“The more we talk about it, the more it will have a positive effect,” he said.

CIJA Quebec vice-president Luciano Del Negro applauded Coderre’s commitment in taking on the “challenge” of combating antisemitism.

He especially appreciated that the mayor recognizes the distinctiveness of antisemitism among forms of racism, and that antisemitism is not only a phenomenon of the extreme right, but also the far left.

Similarly, Cotler applauded Coderre’s “exemplary leadership” and recognition that “municipalities not only have a role, but a responsibility, to combat antisemitism.”

– For more national Jewish news, visit cjnews.com.

Format ImagePosted on July 3, 2015July 3, 2015Author Janice Arnold CJNCategories NationalTags antisemitism, Charlie Hebdo, CIJA, Denis Coderre, Luciano Del Negro, Montreal, radicalism, terrorism
No errors in Comedy

No errors in Comedy

Josh Epstein, left, and Andrew Cownden in Bard on the Beach’s production of The Comedy of Errors. (photo by David Blue)

It’s summer in Vancouver and with it comes sun, surf and Shakespeare – that is, Bard on the Beach under the iconic red and white tents at Vanier Park. Celebrating its 26th season, the festival serves up an interesting mix this year: A Comedy of Errors, Love’s Labor’s Lost and King Lear, from the pen of the Bard himself, and a contemporary piece, Shakespeare’s Rebel, by local author Chris Humphreys.

Opening night of Comedy of Errors on June 13 saw the always dapper artistic director Christopher Gaze welcoming the crowd under the big tent of the BMO Stage and, for the first time in the history of the festival, acknowledging that the land upon which the tents are pitched for their annual sojourn is ancestral, traditional and unceded aboriginal territory. Deborah Baker of the Squamish Nation gave greetings and performed a traditional drum song.

Comedy of Errors is one of Shakespeare’s earliest works, the shortest in his repertoire, and it contains the zaniest of his plots. It is the tale of two sets of identical twins, one aristocratic, the other, their boy servants, with the pairs separated in the aftermath of a shipwreck. The family patriarch, Egeon, has spent years looking for his lost progeny and servants. His search takes him to the town of Ephesus, where he is captured and sentenced to death (no one is supposed to come to Ephesus without permission) but receives a last-minute reprieve to look for his sons and to find money to pay the fine.

It just so happens that one of the sons and his servant ended up in Ephesus while the other two ended up in Syracuse. Both sons are named Antipholus and both their servants, Dromio – all of this sets the stage for a frenzied journey through mistaken identities, hilarious hi-jinks and the ultimate sibling reunification when the Syracuse pair show up in Ephesus.

But what a journey. Think Edward Scissorhands meets Little Shop of Horrors meets Metropolis, and you have director Scott Bellis’ (who does double duty as Egeon) fantastical steampunk version of this production. What is steampunk? A mix of sci-fi electronics and gadgets set against a pseudo-Victorian era background as stylized by authors like Jules Verne, H.G. Wells and Mary Shelley.

The production is a bit over the top with its madcap bits and bobs – a hand-eating Venus fly trap, a communal lobotomy by a mad scientist, a creature trying to escape from a boiling soup pot, a Michael Jackson-like moonwalk, a bubble-shooting gun and a flatulation moment – and its frenetic pace. It is mostly fluffy fun although if you are looking for some meaning, there are three love stories intertwined with the humor. Shakespeare purists will probably cringe in their seats. But the opening night crowd was eating it up and this unique approach should bring in younger audiences and make the Bard’s words more accessible to a wider demographic. This reviewer loved it!

The acting is solid from the ensemble cast, many of whom do double and even triple duty in various roles: Ben Elliott as one Antipholus, Jay Hindle as the other, Jeff Gladstone as the mad Dr. Pinch, Andrew McNee as the grunting cook Nell, Daniel Doheny as the chambermaid, Lilli Beaudoin as the foxy courtesan, Jewish community member Josh Epstein as the smuggler, Andrew Cownden as the goldsmith, Sereana Malani as the Ephesean Antipholus’ overbearing wife, Lindsey Angell as her nerdy sister and Anna Galvin as the abbess, who makes her first appearance on stage in stilts. But it is the pint-sized Dromios, played by Dawn Petten and Luisa Jojic, who give the standout performances of the production. In their aviator hats and goggles, they really do look like identical twins. Petten, in particular, takes her role and runs with it with impeccable comedic timing and one of the best “ad lib” lines in the play, “Call before you dig.”

What really makes this production sublime are the visuals. The set is fantastic, a wall of steam-powered widgets, sprockets and gears dominated by a one-handed clock with a mind of its own, all kept in working order by shadowy, silent engineers constantly tweaking the machinery with wrenches and hammers. The play begins with one of the engineers pushing a big red button and, all of a sudden, the empty stage becomes a mélange of color and activity as the cast appears through a smoky haze, some through the many trapdoors in the floor, some out of the bowels of the machines, some appearing to drop out of the sky – all courtesy of community member Tara Cheyenne Friedenberg’s terrific choreography.

This dreamlike mechanical dance sets the tone for the whole evening. Mara Gottler has outdone herself with the costumes – lots of leather, lace-up boots, corsets, garters, black lace and accessories like aviator goggles, gas masks and leather bat wings. Gerald King’s lighting and Malcolm Dow’s sound design are the icing on this macabre cake.

Just as the action starts with a push of a button so does it end, with the shutting down of the machinery after the final revelations. This is one production that you can just sit back and enjoy, pure and simple fun.

Comedy runs to Sept. 26. For the full Bard schedule and tickets for any of this season’s offerings, visit bardonthebeach.org or call the box office at 604-739-0559.

Tova Kornfeld is a Vancouver freelance writer and lawyer.

Format ImagePosted on July 3, 2015July 3, 2015Author Tova KornfeldCategories Performing ArtsTags Bard on the Beach, Comedy of Errors, Josh Epstein, Shakespeare
The same old stories

The same old stories

Aubrey Joy Maddock as John the Baptist, left, Andrew Cohen as Judas and Jennifer Copping as Jesus in Arts Club Theatre’s Godspell. (photo by David Cooper)

Before I attended Godspell, I was not familiar with the story or with the parables of the Gospel of Matthew, from which much of the content is taken. I did, however, know what a parable was, I knew that the play has been extraordinarily successful and I recognized the name of at least one song – “Day by Day” – so I assumed I had nothing to worry about.

I was wrong. By the end, I still didn’t get why this play has been so popular.

Godspell is essentially a series of vignettes that draw analogies between Matthew’s words and day-to-day life. It includes lessons such as, “Judge not, lest ye be judged,” “He that is without sin among you, …” the Prodigal Son, etc. Jesus relates these didactic stories to a group consisting of nine people that include a police officer, a waitress, an architect and a vamp. Judas and John the Baptist round out the cast of 12.

In each presentation of Godspell, the setting of the play, the costumes and some of the characters change. Updated scripts allow for the inclusion of cultural or geographic references that are familiar to the audience.

In the Arts Club production, the cast meet in a train station and the play unfolds as a game show where contestants participate based on the color of the shoes they’ve been given. Gospel analogies are acted out using modern story lines, including characters from Star Wars or rap songs.

To me, the play came across as a bunch of children’s shows that had been stitched together. I felt like I was back in elementary school, only instead of Smokey the Bear talking about forest fires, it’s Jesus and he wants you to avoid being stoned to death.

I found some of the skits infantile. In one case, the cast sing and talk like goats; in another scene, an audience member is pulled up to participate on stage resulting in some bad improv. And don’t get me started on the slapstick.

Godspell was an instant hit. It went from being a college student performance at Carnegie Mellon University to an experimental theatre production in Greenwich Village to being re-scored and opening off Broadway in 1971. John-Michael Tebelak originally wrote the play for his master’s thesis, having become enamored with the Gospels. Stephen Schwartz, a Carnegie Mellon alumnus was brought in to score. The award-winning Schwartz has become famous for his work in Wicked, as well as Enchanted and The Prince of Egypt. Tebelak was actually named most promising director of 1971 by the New York Drama Desk, but passed away at age 35 of a heart attack.

The show ran for five years off Broadway with an astounding 2,100 performances. The 2015 run in Vancouver is its sixth revival.

It had a particularly famous yearlong run in Toronto in 1972 with a cast that included Victor Garber, Gilda Radner (in her stage debut), Martin Short, Paul Shaffer, Eugene Levy, Andrea Martin and Dave Thomas. When I read about this production, I thought what an amazing show it must have been – staged at the Royal Alexandra Theatre, with that magnitude of talent. Maybe a show about the Bible needs a venue of biblical proportions, along with fire-and-brimstone effects that stun the audience with shock and awe. Perhaps the performance at the Arts Club was just too small.

Either way, despite my lack of interest in this particular telling of the parables, I have to tip my hat to the high calibre of quadruple-threat talent (singing, acting, dancing and, in many cases, playing an instrument) on stage. Andrew Cohen in particular stands out in his supporting role of Judas.

Godspell runs at the Arts Club Granville Island stage until Aug. 1 (artsclub.com).

Baila Lazarus is a freelance writer and media trainer in Vancouver. Her consulting work can be seen at phase2coaching.com.

Format ImagePosted on July 3, 2015July 3, 2015Author Baila LazarusCategories Performing ArtsTags Andrew Cohen, Arts Club, Godspell
Parents’ silence hurts

Parents’ silence hurts

Hundreds of thousands came out to watch Toronto’s Pride Parade on June 28 despite the inclement weather. (photo by Najin Lin via facebook.com/pridetoronto)

Years ago, at a particularly low point, Chaim Silver (not his real name) was so desperate to be straight that he ingested a white powder that a naturopath had sent to him by mail, claiming it had “cured” a lesbian of her same-sex desires.

“I actually took it,” Silver laughed over the phone. “It was before anthrax, before 9/11.”

Silver is Modern Orthodox and came out to his parents when he was in his late 20s. While they’ve never explicitly rejected him, he said their approach has always been, “We can fix this.”

Over the years, they’ve oscillated between encouraging Silver to marry a woman and presuming he’ll accept a life of celibacy. “They’ve said to me, ‘You’ll just make your life about your siblings’ kids,’” said Silver, who is now in his 40s.

They’ve also suggested he try reparative therapy, a controversial practice that aims to make a homosexual person heterosexual. But, more than anything, Silver’s sexual identity is something about which his parents, plus many people at the Orthodox synagogue he attends in Toronto – most of whom, Silver believes, know about his sexuality – say nothing.

He once went away on a trip with a non-Jewish boyfriend, he noted, and nobody in his family acknowledged it.

“At synagogue, if I’m single, celibate and alone … I don’t think anyone actually cares … they’ll give me aliyot. But if I’m going to have a partner and want a life that’s celebrated, I don’t think that can happen in orthodoxy.”

On the whole, Silver said he’s grown pessimistic about the notion – touted by activists such as Rabbi Steven Greenberg, dubbed the only openly gay Orthodox rabbi in North America – that Orthodox Judaism can make space for homosexual people. “The two seem incongruous to me. [Being gay is] this innate thing that’s felt to be prohibited,” Silver said. “Not everything can be fixed in life. As you get older, you realize that some things just suck.”

Silver’s cynicism and his parents’ denial are arguably more acute because of Orthodox Judaism’s strict adherence to Torah, but anecdotal evidence shows that many Jewish parents from more liberal denominations are also uncomfortable having an LGBTQ kid and default to silence on the matter.

Justine Apple, executive director of Kulanu Toronto, a Jewish LGBTQ social and cultural group, said Jewish parents, ranging from secular to Modern Orthodox, have reached out to her, seeking counsel about their children’s sexual orientation. “People who are Orthodox tend to have a harder time dealing with this but, at the end of the day, it’s an individual process,” she said. “There are still so many parents in the community who know their kids are gay but are very secretive about it.”

Apple said when she herself first came out, her family, who have since made huge strides, didn’t want to hear about her personal life, making her feel “invisible.”

Many parents won’t ask their LGBTQ children about their romantic lives due to internalized homophobia and ignorance about what it means to be gay, she said. “A lot of parents equate being gay with what happens in the bedroom. But queer Jews, like any Jews, connect to their loved ones on multiple levels – emotional, spiritual, intellectual.”

Parents should recognize that being gay isn’t a choice and doesn’t negate that “we still have Jewish values, we’re still connected to family, community,” Apple said. “It’s important for parents to give kids support, make them feel part of family gatherings and ask them what’s happening in their personal lives.”

Apple said she reached out to several LGBTQ Jewish colleagues and friends to see if their parents would speak to the CJN about their experiences of their children coming out, but all of the parents declined. “It seems to be a sensitive topic for parents, more so than for their children,” she noted.

Maya Benaim (not her real name) came out a decade ago to her parents, who belong to a Conservative synagogue. She joked that she wishes they had taken some kind of course. “They didn’t understand it, and I wasn’t the person who could explain. It was too personal for me,” she said.

Over the years, her parents have rarely inquired about her partners and haven’t known how to act when one of her relationships ended. “I learned not to mention stuff.… I’d be going through tremendous pain from a breakup and would have to hide it from them,” she said.

Benaim, 30, said she’d be happy for her parents to seek external support – “anything that would contribute to understanding and de-stigmatizing and improve our relationship” – but she’s adamant that the onus not be on her to “hold their hands” through the process. “I’m already in pain enough from them not understanding,” she said. “I’d really appreciate if the community stepped in for that sort of thing. I think that’s what being an ally is about – doing that work so the people who are the victims of misunderstanding or hate don’t have to.”

Toronto social worker Elsia La Caria works with adolescents and young adults. She said for someone who’s come out, negative reactions from parents typically aggravate existing issues. “The person is often already struggling with feelings of not being accepted, so when the people closest to them don’t provide the right support, this can exacerbate their feelings of loneliness, sadness and feeling excluded,” she said.

Regarding parents’ silence about a child’s sexuality, she said, “this can reinforce the idea that they’re different in a bad way, that they don’t belong anywhere.”

Rabbi Michael Dolgin is senior rabbi of Toronto’s Reform Temple Sinai Congregation, where he and associate Rabbi Daniel Mikelberg officiate at same-sex weddings.

Canada’s legalization of same-sex marriage has helped affirm that “same-sex life is consistent with a focus on family, continuity and other Jewish values that I think, in the past … people assumed [LGBTQ people] were breaking with,” Dolgin said.

While parents of LGBTQ kids occasionally seek his guidance, Dolgin said young people nowadays generally seem more comfortable “being out,” and the North American Federation of Temple Youth, the youth group affiliated with the Reform movement, is widely considered a safe space for LGBTQ youth to participate without “the stress of having to choose between being Jewish and being homosexual.” The best response to a child who has come out is to love them, to listen and to work toward “an open, understanding relationship in which they can express their feelings,” he added.

Apple stressed that parents have a responsibility to educate themselves about what it means to be gay and Jewish. Kulanu’s doors are open to those seeking a safe space to discuss this, she said, but support is offered on more of an informal basis and she may refer families to Jewish Family and Child Service, and non-Jewish organizations such as PFLAG Canada and the 519, a Toronto agency that “respond[s] to the evolving needs of the LGBTQ community, from counseling services and queer parenting resources to coming out groups, trans programming and seniors support.”

“Right now, our goal is primarily to run events for the LGBTQ community and its allies,” said Apple.

Resources geared to Jewish families in this situation are only available in Canada “in pockets,” and are less abundant than in the United States, she acknowledged.

There’s a need in the community for more “open forums [for parents] to share their fears and concerns,” Apple said, adding that she sees future opportunities for Kulanu to develop a network to help parents who are struggling.

Indeed, Silver’s sense of hopelessness is tied, at least in part, to location. Toronto’s Jewish community is quite religiously conservative, unlike New York’s, where a Friday-night minyan of Orthodox LGBTQ Jews launched last year, he said.

Dating has been tough as it is – a secular Jewish partner couldn’t understand why Silver wanted to belong to a world that didn’t accept him, while a non-Jewish boyfriend wouldn’t give up Christmas – without the added problem that many in his position have left the Orthodox community or remain in hiding. “Many of us have simply disappeared,” he said, “so it’s not an issue the Orthodox community feels they have to face.”

Rabbi Noah Cheses, assistant rabbi at Shaarei Shomayim Congregation, one of Toronto’s largest Modern Orthodox shuls, said that supporting young people and their parents as the former share their sexual orientation with family and friends is an issue he cares deeply about. “But I try to take a line that distinguishes between supporting and endorsing. It’s a fine line. I can support an individual with the struggles he or she has, but I’m reluctant to endorse a lifestyle or culture that runs in opposition to a verse in the Torah, though I understand that being gay is not a choice,” he said.

Having recently moved to Toronto from Connecticut, he said he knows of several groups and online networks that support LGBTQ Orthodox people and their families there, but he isn’t aware of similar organizations in the Toronto area.

“On many different social and gender-related issues, my sense is Toronto has been not as advanced as many modern Orthodox communities in the States,” he said.

– For more national Jewish news, visit cjnews.com.

Format ImagePosted on July 3, 2015July 3, 2015Author Jodie Shupac CJNCategories NationalTags Elsia La Caria, Justine Apple, Kulanu Toronto, LGBTQ, Michael Dolgin, Noah Cheses, Shaarei Shomayim, Steven Greenberg, Temple Sinai, Toronto Pride
This week’s cartoon … July 3/15

This week’s cartoon … July 3/15

For more cartoons, visit thedailysnooze.com.

Format ImagePosted on July 3, 2015July 3, 2015Author Jacob SamuelCategories The Daily SnoozeTags dating, GoPro, thedailysnooze.com
מיועד לעשירים בלבד

מיועד לעשירים בלבד

תה ‘פו-אר’ נדיר מסין מוצע למכירה בשש מאות אלף דולר. (צילום מסך: theprovince.com)

תה שנראה עם עוגה ועוגה שהיא בעצם תה: תה ‘פו-אר’ נדיר מסין מוצע למכירה בשש מאות אלף דולר

מיועד לעשירים בלבד: לאחרונה מוצע למכירה באזור ונקובר תה ‘פו-אר’ נדיר במחיר שיא של שש מאות אלף דולר. מדובר בתה שחור מותסס שיוצר במחוז יונאן בסין לפני מאה וחמש שנים ב-1910. התה היוחדי ארוז בחבילה עגולה ודחוסה היטב היטב, שדומה ממש לעוגה ומשקלה שלוש מאות וחמישים גרם. בעולם יש כיום לפי הערכה רק ארבעים ותשע ‘עוגות תה’ מאותה שנה (1910) וכולן אגב נמצאות באי הונג קונג. זאת למעט עוגת תה אחת שהובאה במיוחד לוונקובר, בעיקר כיוון שסינים עשירים רבים מתגוררים כאן. בדומה לחפצי אמנות לאספנים, ‘עוגות התה’ הנדירות נשמרות בכספות מיוחדות עם טמפרטורה ולחות מבוקרים. לדברי מומחים התה נחשב למדהים בטעמו. אך ברגע שמחליטים לפרק את העוגה לצורך שימוש בתה, ערכה הכספי בקרב האספנים יורד משמעותית.

‘עוגות התא’ נרכשות בדרך כלל בסין לציון אירועים חשובים ביותר כמו חתונות ולידה של תינוקות. לפי המסורת הסינית קיסרים ונזירים היו נוהגים לשתות את ‘הפו-אר’ והתנהלו אף מלחמות להשיגו, בגלל תכונות המרפא היחודיות שלו.

תה ‘הפו-אר’ עובר תהליך חליטה מורכב וארוך, והייבוש בחדרים עם לחות גבוהה ואף רוח כולל גם תהליכי יישון (בדומה ליין), שנמשך לפעמים אפילו חמישים שנים. ככל שהתה מתיישן יותר עך איכותו וערכו הכספי עולים, בדומה ליין אדם איכותי וויסקי איכותי.

 אהבה בלתי אפשרית ממרחקים: קנדי מוונקובר טס עד לסין לחפש בחורה שהכיר דרך האינטרנט

סיפור אהבה מהסרטים שלא נראה שיוכל להחזיק מעמד במציאות. קנדי בן שישים מוונקובר שהכיר צעירה סינית דרך אחד מאתרי היכרויות באינטרנט, מאמין שהוא יצליח למצוא אותה בעיר שבה היא גרה. אשרי המאמין אם יש כאלה בכלל. אך יש למלון בעייה אחת לא פשוטה ואפילו גדולה: הסינית שלו אמורה לגור בעיר הנמל שנג’ן, שגרים בה לא פחות מעשרה מיליון איש.

ג’ק מלון המקומי הכיר כאמור באתר ההיכרויות צעירה נאה למראה בשם רילי. במשך קרוב לשנה הם התכתבו והתכתבו ושלחו אחד לשני כמעט כארבע מאות אימיילים. כאשר מלון התחיל לדבר עם רילי על כך שהגיע הזמן לקיים פגישה ממשית ביניהם ולא רק להמשיך בקשר הוירטואלי, לדבריו היא קיבלה פתאם “רגליים קרות” וניתקה את קשר עמו. מלון המאוהב המאוכזב עד מאוד וכמעט נואש, החליט שהגיע הזמן לעשות מעשה של ממש. הוא פשוט עלה על מטוס וטס מוונקובר לשנג’ן הרחוקה, בניסיון בלתי אפשרי ממש למצוא את אהובתו מהאינטרנט.

מלון הפך את עצמו למדיה נעה. הוא מסתובב בשבועות האחרונים ברחובות השוקקים והעמוסים לעייפה של שנג’ן כאשר שלט גדול מוצמד לגופו, ועליו מודבקים תמונתה היפה של רילי ומספר פרטים מעטים שיש לו עליה. ומעל התמונה מופיע בגדול הסלוגן “אהובך הקנדי מחפש אותך”. הקנדי המוזר למדי עוצר עוברים ושבים ברחוב שמביטים בפליאה על השלט שעליו. הם שואלים שאלות ומנסים לשמור מרחק, וגם הוא שואל מצדו שאלות ומחפש מידע עליה. בשלב זה מלון לא השיג שום דבר על אהובתו היקרה, למעט עובדה אחת מאוד מצערת שנתגלתה לו, ולאולי מרמזת על עתיד הקשר ביניהם. כשהגיע מלון לכתובת בה הייתה אמורה להיות ממוקמת חברת הבגדים בבעלותה של רילי, הוא מצא שהעסק הזה שכביכול היה שלה נסגר כבר לפני שנים רבות.

Format ImagePosted on July 2, 2015July 2, 2015Author Roni RachmaniCategories עניין בחדשותTags 1910, Chinese, online dating, Pu'erh, Pu-erh, tea cake, Yunnan, היכרויות באינטרנט, יונאן, סין, עוגות התה, פו-אר

Human rights at fore

One would be hard-pressed to find anyone involved in human rights around the world who has not heard of David Matas.

A Winnipeg-based lawyer, Matas has helped countless victims of human rights violations, and written or co-written numerous books on various atrocities in an endeavor to shed light on them and educate the general public about them. In his latest publication, he aims to explain why he has chosen the work that he has, in the hope of motivating others to get involved in human rights advocacy and create change. Why Did You Do That? The Autobiography of a Human Rights Advocate (Seraphim Editions, June 2015) is his first autobiography.

photo - David Matas
David Matas (photo from David Matas)

Matas was moved to pursue a career in refugee, immigration and international human rights law for a number of reasons.

“I started doing it because different people asked me to do it, including people at the law firm,” he explained in an interview. “It’s also something I’m interested in, because I’m interested in politics and human rights. So, I’d say, it was a coincidence of an opportunity to do the work and an interest in it that got me into it.”

Matas had refugees from around the world coming through his doors every day, seeking help. “My immediate effort was to try to get them protection, but the ultimate solution to their problems was the ending of the human rights violations that caused them to flee,” he said. “I felt trying to help them in some sort of systemic way, that I should be directed to that as well.”

Around this time, Matas also ran as a candidate in the federal election for the Liberal party (in 1979, 1980 and 1984) and B’nai Brith Canada approached him, requesting that he chair the local BBC League for Human Rights, largely because of the profile he had developed through his candidacies.

“But, again,” said Matas, “it’s something that, once I got into it, struck a chord of response in me. I got interested in it, involved much more, given the opportunity, because of the resonance it had with me.”

Also around that time, Kenneth Narvey – someone Matas knew from university – was scheduled for a speaking engagement in Manitoba on war-crime issues. Unsure if he would be able to make it, Narvey asked Matas if he would be willing to substitute for him, which Matas agreed to do. As it happened, Narvey ended up being able to attend the lecture, which gave him the opportunity to hear Matas speak and, Matas said, “He [Narvey] really liked it.

“At this time, Irwin Cotler had just become president of the Canadian Jewish Congress [CJC]. Irwin had appointed a chair for a war-crimes committee, as he wanted to do something about the issue himself, and the chair had resigned.”

Narvey lobbied Cotler to have Matas appointed as chair, and Cotler did just that. “So, I got involved in that issue, too, again sort of by coincidence or circumstance,” said Matas.

Another chance encounter was with Harry Schachter, a friend of Matas’ who was involved with Amnesty International, which had been holding meetings throughout the country. Through Schachter, Matas became involved with Amnesty International, which fit well with everything else he was doing.

“The combination of these events, more or less all at the same time, is what really got me into human rights in a very systemic and wholehearted way,” said Matas.

The Holocaust also influenced Matas’ life path. “I, personally, wasn’t affected by the Holocaust, my family wasn’t,” he said. “But, it just struck me. I thought, from an early age, that if the Axis rather than the Allied powers had won World War Two, I nor any other Jewish person would be alive today.”

He explained, “Generally, what I’ve been trying to do is learn the lessons of the Holocaust and act on them, which I saw as protecting refugees, bringing war criminals to justice, combating hate speech and protesting human rights violations around the world wherever one may find them. So, I’ve been trying to act on those four fronts simultaneously throughout my career.”

book cover - Why Did You Do That? The Autobiography of a Human Rights Advocate by David MatasIn his previous books, Matas has focused on specific atrocities or topics related to human rights – from hate speech, to trying to bring Nazi war criminals to justice, to humans rights violations, to refugees, to organ harvesting, and other topics. His autobiography was launched on June 9 at McNally Robinson Booksellers in Winnipeg.

“I go through the various issues I’ve been involved in and explain why I’ve been involved with them, issue by issue,” said Matas about Why Did You Do That? “There’s a chapter on refugees, so I explain what I did in terms of trying to help refugees. And then the rest is why people should help refugees, why everybody should do it. That’s the way it’s structured, chapter by chapter.”

For Matas, this book is a way for him to answer the most frequent question he is asked, “Why are you doing this?”

“I would say the 20th century was a century of genocide,” said Matas. “It wasn’t just the Holocaust. There was one genocide after another. My hope is we will be better, but I don’t think that it comes from hope. It comes from action. So, I’m trying to mobilize people to make things better, so we don’t repeat in the 21st century the vast array of tragedies we saw.”

In Matas’ view, people tend to focus on the problems immediately in front of them.

“People will get really worked up if their neighbor doesn’t mow their lawn, but they get less worked up if people in China are getting killed for their organs,” he explained. “I think there’s a real problem with distance, culture, language and geography, which really makes it difficult to mobilize concern for human rights violations – which is what the Jewish community faced with the Holocaust.”

Why Did You Do That? The Autobiography of a Human Rights Advocate can be purchased online from Seraphim Editions, Amazon and various other booksellers online and in bookstores.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on June 26, 2015June 25, 2015Author Rebeca KuropatwaCategories BooksTags David Matas, human rights, immigration, refugees
A millennia-old relationship

A millennia-old relationship

Visitors at the opening of the traveling exhibition at the Schwartz/Reisman Centre in Toronto last month. (photo by Helena Yakovlev-Golani)

The exhibit A Journey Through the Ukrainian-Jewish Encounter: From Antiquity to 1914 opened last month in Toronto. It has since been held in Winnipeg (until June 27), will return to Toronto in July and then head to other cities.

The exhibit is being put on by the Ukrainian Jewish Encounter (UJE), which its website describes “as a collaborative project involving Ukrainians of Jewish and Christian heritages and others, in Ukraine and Israel, as well as in the diasporas. Its work engages scholars, civic leaders, artists, governments and the broader public in an effort to promote stronger and deeper relations between the two peoples.”

Prior to the exhibit’s opening in Winnipeg at the Oseredok Ukrainian Cultural Centre, one of its curators, Alti Rodal, an historian, writer, former professor of Jewish history, and former official and advisor to the Canadian government, spoke with the Jewish Independent.

Rodal was born in Chernivtsi (Czernowitz), Ukraine, and received her early schooling in Israel. Later, she was educated at McGill, Oxford and Hebrew universities in the fields of history and literature.

“UJE was established in 2008 by two people from Canada and the United States, both Jewish and non-Jewish Ukrainian background,” said Rodal. “It’s now a multinational organization with representatives in Ukraine, Israel, the U.S. and Canada.”

UJE’s purpose is to promote greater comprehension of the Ukrainian-Jewish relationship over the centuries, including an understanding of the co-experience of the two peoples and their interactions over the centuries, with a view to the future.

The organization has held many roundtables of scholars from Israel, Ukraine, Canada, the United States and much of Europe, each aimed at understanding a different period in history.

“To have a truthful account of the past, we’ve had a scholarly dimension unfold over the last few years in which we’ve brought together roundtable discussions among scholars of various backgrounds,” explained Rodal. “We’ve identified chunks of the history that need to be explored together and each of these roundtables addressed a different period.” The historical periods explored to date stop at the First World War.

“The exercise is one that leads to a shared historical narrative,” said Rodal. “With this we mean a single text on which the participants largely agree. If there are aspects they don’t agree on, it is stated in the single text, indicating what kind of research would be needed to advance knowledge on these issues.

“By looking to the past, we hope to obtain personal acknowledgement of what happened and to address stereotypes that both Jews and Ukrainians, at the popular level, have about each other. Some of these stereotypes are in the history books, so our aim is to produce more credible accounts and address stereotypes.”

UJE hopes that, with the help of other researchers, some of the information being taught in Ukrainian schools will be amended.

Three years ago, they entered into an agreement with the Government of Canada to do four main projects on the topic, including two publications, developing the content of their website, and the traveling exhibit, the research for which began seven years ago.

The exhibit’s first stop was in Toronto at the Schwartz/Reisman Centre and when it returns to that city, it will be to downtown’s St. Vladimir Institute, the Ukrainian cultural centre.

“These are community exhibits rather than museum exhibits, so we have them at the community centres and try to engage people from the community to participate,” said Rodal, noting that the exhibit will also go to Edmonton and Montreal.

“We’ve been approached by the Jewish community and the Ukrainian community in Ottawa and there’s been interest also from Vancouver,” she said. “We don’t have a commitment to do it, but we’ll consider it…. So, Vancouver and Ottawa are under consideration.”

The exhibit consists of text, images and video. “The first venue in Toronto consisted of 36 panels placed on moveable walls, and four videos that we created ourselves,” said Rodal. “I’m not telling you about the topics, just the physical [aspects] and the number of ethnographic maps.”

photo - One of the images displayed in the exhibit is this one of Jewish children playing in Kremenets, Ukraine, circa 1913. The photograph was taken during the ethnographic expedition led by S. Ansky in the Jewish Pale of Settlement in 1912-14
One of the images displayed in the exhibit is this one of Jewish children playing in Kremenets, Ukraine, circa 1913. The photograph was taken during the ethnographic expedition led by S. Ansky in the Jewish Pale of Settlement in 1912-14. (photo from YIVO Institute for Jewish Research (New York City) Photograph Collection)

The panels go through history, from antiquity to the First World War chronologically, but there is a segment that deals with the Chassidic movement on Ukrainian lands, one on Hebrew-Yiddish printing, and another on literature and how Jews are depicted in Ukrainian writing and how Ukrainians are depicted in Jewish writing.

The videos also deal with diverse topics. One is marketplaces and taverns, where Ukrainians and Jews encounter each other, and there is a video on Jewish artisans on Ukrainian lands. Another is on ethnographic photographs, largely taken between the 1880s and 1914 on S. Ansky’s expeditions.

“Ansky was an ethnographer who led expeditions around these times, visiting many communities accompanied by a musicologist/photographer, his own nephew,” explained Rodal. “They took pictures and collected folksongs and folklore and objects, which then they put in the museum in St. Petersburg.

“When the Soviets came, it was put in the warehouse and stayed in the warehouse in the 1990s, when the St. Petersburg Historical Centre made these photographs accessible. So, a selection of these photographs of Jewish life from the 1890s to 1914, and also a collection of similar ethnographic photographs of Ukrainian life in various regions, is one of the videos.”

The videos are comprised of photographs with effects accompanied by appropriate music, including a recording made more than 100 years ago on wax cylinders.

UJE’s first objective was to explain that the presence of Jews on Ukrainian land dates back to antiquity. “It didn’t just appear in the 18th century or even the 16th century, but was there in the very first centuries or even earlier, as merchants in colonies co-founded with Greeks,” said Rodal.

“There was also lots of significant cross-cultural interaction between the Jews and the Slavic peoples in the language, folklore, music and cuisine … so that what one thinks is Jewish cuisine, you delve a little and you see the Ukrainians are eating the same things with different names.

“The vast majority of Jews lived in areas where the vast majority of Ukrainians lived. They had more interactions with Ukrainians than with other Slavic peoples…. People who’ve come to North America from what they say [is] Russia, they mean czarist Russia, these places that are coming from Galicia … and the Ukrainian lands that were part of the czarist empire … are now Ukraine.

“Another important message, which is an offshoot of the other, is that the stories of these peoples are intertwined, that we have the motto that the history of one is incomplete without the history of the other. That is the goal – to treat this historical experience in all its complexity – including the periods of crisis and violence.

“We state very clearly that not addressed in this exhibition are the horrible events of the 20th century. And we may do more about this in a different format rather than a visual exhibition. We are certainly doing it in the form of the shared narrative exercise.”

For more information about UJE, visit ukrainianjewishencounter.org.

Rebeca Kuropatwa is a Winnipeg freelance writer.

 

Format ImagePosted on June 26, 2015June 25, 2015Author Rebeca KuropatwaCategories Arts & CultureTags Alti Rodal, UJE, Ukrainian Jewish Experience
Looking for Cape Breton Jews

Looking for Cape Breton Jews

The former Congregation Sons of Israel in Glace Bay. In 1902, the structure was the first purpose-built synagogue in Nova Scotia. It permanently closed in July 2010. To the left of it is what was the Talmud Torah community centre, also now closed. This was the location of the Hebrew school and functions like bar mitzvahs and wedding dinners. (photo by Abebenjoe via commons.wikimedia.org)

PhD candidate Ely Rosenblum is looking for former Cape Breton Jews to interview as part of a research project called Diversity Cape Breton.

The 26-year-old University of Cambridge student is assisting Cape Breton University professor Marcia Ostashewski with a research project that investigates ethnocultural communities, including the Jewish community.

Rosenblum explained that, while his PhD focuses on cultural musicology, he has a background in folklore and ethnographic study. He met Ostashewski, the Nova Scotia university’s Canada Research Chair in Communities and Cultures, and became involved in her research project about three years ago when he worked for a nonprofit organization she was directing, called Friends of the Ukrainian Village Society.

“When I met Marcia and started working with her on a different project and she discovered that my family is from Cape Breton, she got very excited and we started working on this project together,” Rosenblum said. “I have family members who are from Cape Breton. My dad is from Cape Breton, and the entire Rosenblum side of the family is from Glace Bay, N.S.”

Rosenblum said he has been meeting with members of the Jewish community from Cape Breton and collecting oral histories on and off for the past three years.

“I’m collecting oral histories and … talking about their experiences and their family histories, how they arrived in Canada in the first place, why they moved to Nova Scotia, their experiences on Cape Breton Island, both as a Jewish community and how they interacted with other communities, and celebrating some of the multiculturalism on Cape Breton Island that people don’t really know about.”

Last year, Ostashewski and Rosenblum held an event at York University about Jewish life in Cape Breton and in small towns in Canada, and put archival photos on display.

photo - The former Congregation Sons of Israel in Glace Bay in 1932
The former Congregation Sons of Israel in Glace Bay in 1932. (photo from Beaton Institute, Cape Breton University)

“We had a roundtable panel discussion … [about] what immigration patterns look like and what it has meant for these Jewish communities,” he said. “So many of them, especially from Cape Breton, so many people have moved to Toronto, Montreal, Ottawa – bigger cities where their kids have moved. It’s certainly a pattern, but it’s an indicator of the kinds of lives that Jewish parents wanted for their kids.”

He said that, today, there isn’t much of a Jewish community in Cape Breton. According to the Atlantic Jewish Council, Cape Breton’s Jewish community peaked in 1941, when it boasted a population of 939 Jews.

“The few who live there, they have trouble making a minyan … it’s incredibly challenging. Sometimes, people go from city to city so they can have a minyan, but there really aren’t more than 10 Jews on the island still. I believe there is one Jewish child, but that can’t be entirely verified,” he said.

Rosenblum said that, for him, this research project is “deeply personal. It’s a part of my family history, but I also think, for Jewish communities to have a strong sense of what kind of national identity they have, how they fit into the idea of Canada as a multicultural country, as a place where you’re free to be whoever you are, [is important],” he said. “I think the stronger the sense of where our parents came from and the kinds of experiences they had in these small towns, the better we can mobilize communities in these larger cities.”

Rosenblum said he hopes to find more Jewish Cape Breton natives who are willing to share their stories, photos and video or audio recordings, so that they can be archived.

“The most important part for me, the most exciting part, is seeing these amazing collections that families have, these incredible photos and memories that I’m hoping they can preserve.”

Diversity Cape Breton, a web portal launched this month, is available to anyone who wants to learn more about the history of the Jewish community and other communities in Cape Breton. Visit diversitycapebreton.ca.

For more national Jewish news, visit cjnews.com.

Format ImagePosted on June 26, 2015June 25, 2015Author Sheri Shefa CJNCategories NationalTags Cape Breton, Ely Rosenblum, Marcia Ostashewski

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