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Tag: Nina Krieger

VHEC marks anniversaries

VHEC marks anniversaries

Robbie Waisman, left, and Éloge Butera will be the keynote speakers on May 26. (photo from Vancouver Holocaust Education Centre)

At a first-in-a-decade gala dinner this month, the Vancouver Holocaust Education Centre will mark three significant anniversaries.

“It’s more than 40 years since the first Holocaust symposium for high school students at the University of B.C.,” said Nina Krieger, VHEC’s executive director. “It is more than 30 years since survivors of the Holocaust formed the Vancouver Holocaust Centre Society for Remembrance and Education with the vision of creating a permanent legacy in the form of a teaching museum. And it is now just over 20 years since the doors to the Vancouver Holocaust Education Centre opened.”

Krieger said it seemed like an appropriate time to invite the community to celebrate the achievements of the past, learn about the diverse programs in which the centre is currently engaged and also the ambitious plans for the future. The event, titled Looking Back … Moving Forward, takes place May 26, 5:30 p.m., at Congregation Beth Israel.

“As an organization, we are at a turning point,” she said. “What started as a small Holocaust museum on the edge of the continent has grown into an institution that is renowned in its field for innovative, impactful pedagogy, exhibits, programs and collections.”

Thanks to a grant from Citizenship and Immigration Canada and a legacy gift from the estate of Edwina and Paul Heller, she said, the centre is digitizing its artifacts and archival collections, including one of the earliest extensive collections of audiovisual survivor testimonies.

“When Dr. Rob Krell began interviewing survivors on videotape in the 1970s, he was among the first to do so in North America,” Krieger said. “The collection now includes more than 200 testimonies, which have been shared with other archives, including Yale University’s Fortunoff Video Archive for Holocaust Testimonies, and are currently catalogued into a new VHEC system that will support access to these first-person accounts of the Holocaust.

“With these digitization projects, we are going to be able to reach exponentially more scholars, students and members of the general public in Vancouver, in Canada and around the world,” she continued. “The impact we can have on Holocaust studies will be enormously increased. More importantly, thousands more people will be able to access our impressive collections. Furthermore, thanks to a related project in which we are developing complementary pedagogical materials, educators worldwide will be able to access multimedia teaching resources at age-appropriate levels to share this history in impactful ways.”

Krieger said Looking Back … Moving Forward will introduce attendees to the power of firsthand eyewitness testimony. The keynote speakers will be Robbie Waisman, a survivor of the Holocaust, and Éloge Butera, a survivor of the Rwandan genocide. Their stories of survival are examples of the kinds of VHEC programs that reach more than 25,000 B.C. students annually.

The event is also intended as an opportunity for attendees to learn about the breadth of VHEC programming.

“People are often surprised at the diversity of the programs and services we deliver,” Krieger said.

Earlier this month, the 41st annual Symposium on the Holocaust at UBC brought about 1,000 students from across Metro Vancouver to the university for two days of meetings with Holocaust survivors and historians. In addition to this annual event, VHEC now delivers similar “satellite” programs in 10 school districts and sends outreach speakers to schools all year round. Teachers’ conferences, learning resources and hands-on Discovery Kits help teachers educate about the Holocaust at age-appropriate levels. School groups and the general public visit VHEC to experience locally and internationally developed exhibits. Survivors access services including financial, medical and social supports. Scholars and other researchers use Western Canada’s largest collections of Holocaust-related materials. Four annual commemorative events – International Holocaust Remembrance Day, Yom Hashoah, the High Holidays cemetery service and the Kristallnacht Commemorative Lecture – provide opportunities for both mourning and learning.

“We hope that attendees of Looking Back … Moving Forward will come away with a deeper appreciation of the work we are doing,” Krieger said. “And with our deep appreciation that everything we accomplish is due to the support of people who understand the value of what we are doing.”

The event is co-chaired by Mariette Doduck, Shoshana Lewis and Helen Heacock Rivers. Honorary chairs are the four past presidents of the organization: Waisman, Krell, Rita Akselrod and Jody Dales. For tickets, visit vhec.org.

Pat Johnson is communications and development consultant at Vancouver Holocaust Education Centre, as well as a member of the Independent’s editorial board.

Format ImagePosted on May 13, 2016May 11, 2016Author Pat JohnsonCategories LocalTags genocide, Holocaust, Nina Krieger, Rwanda, VHEC
Exhibit’s familiar face

Exhibit’s familiar face

This photo is among the images in The Face of the Ghetto: Pictures Taken by Jewish Photographers in the Litzmannstadt Ghetto, 1940-1944, produced by the Topography of Terror Foundation, Berlin. The bride on the right is Bronia Sonnenschein; beside her is her groom Erich Strauss. The second bride is Mary Schifflinger with husband Ignatz Yelin. Blessing the couples is Chaim Rumkowski, head of Lodz Ghetto’s Jewish council. Only Sonnenschein survived the Holocaust. She passed away in Vancouver in 2011. (photo from Yad Vashem Photo Archive)

The Face of the Ghetto: Pictures Taken by Jewish Photographers in the Litzmannstadt Ghetto, 1940-1944, opened last week at the Vancouver Holocaust Education Centre. Produced by the Topography of Terror Foundation in Berlin, among the traveling exhibit’s photographs was a surprise – a photo with a local connection.

“Unidentified in the photo caption but recognized by our education director [Adara Goldberg] during her research about this exhibit, Bronia Sonnenschein is depicted in the photo to my left,” said VHEC executive director Nina Krieger in her remarks at the opening on May 14, directing attendees’ attention to an image “showing a double wedding ceremony presided over by Chaim Rumkowski, the head of the Council of Elders in the Lodz Ghetto. Bronia was the sole survivor of those shown in this photograph. A multilingual secretary in Rumkowski’s office and a survivor of Auschwitz, Bronia passed away in 2011 but is fondly remembered by so many of us.

“Bronia, who stood maybe ‘this’ tall,” continued Krieger, indicating a measure of about shoulder height, “was a giant in terms of her dignity, her resilience, and her dedication to sharing her eyewitness testimony with tens of thousands students as a VHEC outreach speaker.”

About the Topography of Terror Foundation, Krieger explained that it “is mandated to transmit the history of National Socialism and its crimes, and to encourage people to actively confront this history and its aftermath. A distinctive indoor and outdoor museum, the Topography of Terror is located on the very grounds previously occupied by the primary institutions of Nazi persecution and terror: the SS, the Gestapo secret police and the Reich Main Security Office ran their central operations from the site.”

Krieger provided context for the exhibit. “Following the German invasion of Poland in 1939, the Nazis imposed a ghetto in the city of Lodz, which they renamed Litzmannstadt. From 1940 to 1944, more than 180,000 Jews and 5,000 Roma and Sinti lived in the ghetto’s cramped quarters, with many working in factories that supported the war effort.

“Ghetto residents were not allowed to own cameras, yet Lodz is the most documented of all the ghettos in Nazi-occupied Europe. Some of these images were taken by perpetrators, often trivializing the terrible conditions in the ghetto and attempting to justify the exploitation of Jewish forced laborers. Others – and the focus of this exhibit – were taken by a handful of Jewish photographers, commissioned by the local Jewish council. While instructed to document the productivity of the war industry for the Nazis, the photographers also captured – at great personal risk – intimate moments of family, childhood and community.”

The Face of the Ghetto exhibit is here as a result of VHEC’s partnership with the German Consulate General in Vancouver and the sponsorship of the German government. Consul General Herman Sitz was at the opening and said a few words, as did Sonnenschein’s son, Dan. Drawn from a collection of 12,000 images held by the Lodz State Archives, one of the intimate moments captured is the one in which his mother appears.

“Last Friday was the historic 70th anniversary of Victory in Europe Day,” said Sonnenschein, addressing those assembled. “May 8th was personally very meaningful for my mother, as it was the date in 1945 on which she was liberated from the Nazi horror. For her, the bitterly harsh years had begun on March 13, 1938, when Germany annexed a largely welcoming Austria, immediately setting off intense persecution of the Jewish population.

“My mother, with her sister and parents, were among the longest-held prisoners in the Lodz Ghetto, from its formation in spring 1940 until its so-called liquidation in August 1944. Unlike many deported there from other places, they had fled Vienna after the notorious Kristallnacht, and were living under great stress in Lodz when the family was forced from their new home into the ghetto. They were later joined by a beloved aunt of my mother who was deported from Vienna. Her cherished elderly grandmother was deported elsewhere and murdered soon after.

“My mother, with her German-language and office skills, worked as a secretary in the ghetto’s Jewish administration,” he explained. “The photo in this exhibit shows her being married to Erich Strauss, who had been deported from Prague with his mother. The other bride in this double ceremony was Mary Schifflinger, my mother’s fellow office worker and good friend, whose groom’s name was Ignatz Yelin. Shown in the photo blessing the couples is Chaim Rumkowski, appointed head of the Jewish council by the ghetto’s masters in the German administration.

“These five people were all transported, in the usual dreadful way, to Auschwitz, where Rumkowski was killed. Soon after, the others were sent to a less well known but no less brutal concentration camp called Stutthof. There, Mary and her husband were killed, Erich Strauss and his mother were killed, my mother’s father and aunt were killed. As my mother once said, it was a killing field.

“Other photos of my mother in the ghetto may be seen on the internet, along with such photos of my Aunt Paula, who also married in the ghetto, to Stan Lenga,” continued Sonnenschein. “Unlike my mother’s first husband, my Uncle Stan survived and the couple was reunited after the war, being a part of my close family in Vancouver along with my maternal grandmother, Emily Schwebel. The local Jewish Family Service Agency gives an annual Paula Lenga Award in my aunt’s memory for exemplary volunteer service.

“My mother was also an exemplary volunteer, in her case, in Holocaust education. She began this late-life career, first under the auspices of the Canadian Jewish Congress and then with this centre, for over two decades compellingly conveying the suffering imposed on her and so many others for, as she put it, the crime of being Jewish. She often quoted Elie Wiesel’s saying: ‘Not every German was a Nazi but every Jew was a victim.’

“Although we no longer can experience her vibrant presence,” concluded Sonnenschein, “we are fortunate to have many recordings of my mother, as well as a book, to help her testimony live on.” Included in those recordings, he said, is one of her talking about the photo in The Face of the Ghetto exhibit, and related matters. The photos he mentioned of his mother and aunt can be found at google.com/culturalinstitute, searching for “Bronia Sonnenschein” and “Paula Lenga.”

In conjunction with the exhibit, the VHEC has developed a school program and teaching resource to engage students. “Visiting school groups will explore topics such as resistance to dehumanization; the unique experiences of children; and the complex role of Jewish leadership under Nazi occupation,” said Krieger, noting that several of the volunteer docents were at the opening. “Volunteers are central to our work,” she said, “and it’s my honor to acknowledge and to thank our docents for everything that they do.”

Krieger also thanked the VHEC staff – present were Goldberg, designer Illene Yu, archivist Elizabeth Shaffer, collections assistant Katie Powell and administrator Lauren Vukobrat – and the installation crew, Wayne Gilmartin and Adam Stenhouse, as well as the consul general.

The Face of the Ghetto is on display at the VHEC until Oct. 16.

– With thanks to Nina Krieger and Dan Sonnenschein for providing electronic copies of their remarks.

Format ImagePosted on May 22, 2015May 21, 2015Author Cynthia RamsayCategories LocalTags Bronia Sonnenschein, Dan Sonnenschein, Lodz, Nina Krieger, Topography of Terror Foundation, Vancouver Holocaust Education Centre, VHEC, Yad Vashem
Carl Lutz exhibit opens at VHEC

Carl Lutz exhibit opens at VHEC

Swiss Consul General Urs Strausak at the opening reception of the Carl Lutz and the Legendary Glass House exhibit, which features panel displays as well as various artifacts. (photo by Cynthia Ramsay)

He was the first Swiss national to be awarded the Righteous Among the Nations by Yad Vashem and he is credited with using his diplomatic privileges to save tens of thousands of Jewish lives during the Holocaust. However, an exhibit dedicated to him had eluded Vancouver – until now.

Last week, Carl Lutz and the Legendary Glass House in Budapest opened at the Vancouver Holocaust Education Centre (VHEC). A partnership between VHEC, the Swiss consulate in Vancouver and local Jewish families, the opening reception on Oct. 23 drew a full house, with a wide range of ages represented, from Holocaust survivors to young children, who attended with their parents. Several volunteer docents were on hand to walk the public through the displays and take questions.

photo - An example of the artifacts on display at the exhibit
An example of the artifacts on display at the exhibit. (photo by Cynthia Ramsay)

Panels display various topics, including Jewish life in Hungary before the Second World War, the rise of Nazism and the Glass House, where thousands of Jews found refuge, as well as personal stories from the era. The exhibit, sent by the Carl Lutz Foundation in Budapest, is enriched by a companion exhibit that includes testimony and artifacts from local Hungarian Holocaust survivors, showcasing important themes relevant to Lutz’s environment and life.

Nina Krieger, VHEC executive director, said the exhibit demonstrates the complexity of moral decision making in a turbulent time.

“Alongside narratives of moral courage and rescue, we must recognize, of course, that these were the rare exceptions,” she said.

She went on to discuss the artifacts, which bring a direct connection between the era and a visiting audience.

“On display are materials that reflect a vibrant prewar Jewish life in Hungary – a cherished prayer brook and photographs of everyday life – as well as evidence of antisemitism and persecution,” she said.

“An 18th-century silver chanukiyah buried by Dr. Joseph and Anna Lövi in the basement of a neighbor’s home on the eve of their deportation to Auschwitz survived; its owners did not. The chanukiyah was retrieved in July 1945 and given to one of their daughters, Judith Lövi Maté. Judith and her infant son Gabor had found refuge in the Glass House, representing a local family intimately connected to Carl Lutz.”

Swiss Consul General Urs Strausak, whose participation helped make the exhibit possible, emphasized the need for education about the Holocaust in his country and around the world.

“The study of the Holocaust shows the danger of being silent in face of evil, and education is a tool to make sure atrocity will never happen again,” he said in his speech at the exhibit opening. He explained the place of Holocaust education in Swiss education, saying, “The topic of [the] Holocaust is taught within the context of history teaching and civic education. Some aspects of the Holocaust are also addressed in social science, religious studies and literature.” Switzerland joined the International Holocaust Remembrance Alliance, an intergovernmental organization dedicated to promoting Holocaust education and research, in 2004.

Asked about his connection to the exhibit, Strausak, who is a personal friend of Lutz’s daughter and current curator of the Carl Lutz Foundation, said it was an important event to reach out to the Jewish community and beyond and help support further communal education. Teaching has to start early, he said, and it is important to emphasize figures such as Lutz since he was more than simply a person who saved Jews. “He was a mensch and people need to have the courage to speak out [regarding evil],” he said.

Carl Lutz and the Legendary Glass House in Budapest will be at VHEC until Feb. 15, and is open to the public by donation. More information on the exhibit and becoming involved with VHEC can be found at vhec.org.

Gil Lavie is a freelance correspondent, with articles published in the Jerusalem Post, Shalom Toronto and Tazpit News Agency. He has a master’s of global affairs from the Munk School of Global Affairs at the University of Toronto.

Format ImagePosted on October 31, 2014October 29, 2014Author Gil LavieCategories LocalTags Carl Lutz Foundation, Glass House, Nina Krieger, Swiss consul, Urs Strausak, Vancouver Holocaust Education Centre, VHEC
Anne Frank exhibit at VHEC till July 31

Anne Frank exhibit at VHEC till July 31

The Frank family on the Merwedeplein, May 1941.  (photo from AFF BASEL, CH / AFS AMSTERDAM, NL)

Since her diary was first published in 1947, Anne Frank’s story has reached many millions of readers. Her precocious wisdom, her courage and her unswerving faith in the goodness of humanity are humbling. Many young readers encounter Anne’s work at school, as an introduction to their study of the Holocaust. Readers find a focus for their curiosity, grief and raw outrage in the fate of Anne and her family. But how do we ensure that this history truly is for “today”? And how do we help them make sense of a troubled world that has descended into horrifying chaos? These harsh lessons are currently being explored through Anne Frank – A History for Today, currently housed at the Vancouver Holocaust Education Centre.

According to Nina Krieger, VHEC’s executive director, this exhibit has seen “unprecedented numbers” of visitors – of all ages and ethnic backgrounds – at the centre’s Sunday openings. There are visitors during the week, of course, as well as school groups who tour the exhibit under the guidance of the centre’s docents. In addition to the training docents receive from VHEC education director Adara Goldberg, this exhibit has been guided by the exhibit’s Amsterdam staff, who traveled to Vancouver to offer their support.

On May 29, the JI accompanied Grade 6 and 7 students from King’s School in Langley as they toured the exhibit with docent Lise Kirchner. Described by their teacher Peter Langbroek as “cogent, clear and informative,” Kirchner moved swiftly between the display boards. Pausing frequently to ask questions, she encouraged the students at every step, reinforcing and building on their answers. What are these children wearing? asked Kirchner, referring to an image of Hitler Youth in uniform. Why did the children have to join this organization? One student replied astutely, “Because they are the next generation.”

The class group also included school parents, who were clearly invested in the day’s lessons. The presence of parents is extremely important, Langbroek explained, because students often need to talk through their reactions later on, not just in class or during the ride home. “It helps to have a facilitator at the dinner table,” he said. This was evident in the comments heard around the display cases, as mothers discussed their own questions. “Would you put your own family at risk?” one mom asked.

In line with the policy of Holocaust education centres worldwide, VHEC recommends their exhibits for children of 10 and up. According to Krieger, “Grade 5 is standard practice for Yad Vashem and the U.S. Holocaust Memorial Centre; our community bases its offerings on best pedagogical practice and current research.”

photo - The movable bookcase entrance to the secret annex
The movable bookcase entrance to the secret annex. (photo from Photos Anne Frank House, 2010. Copyright Anne Frank House, photographer Cris Toala Olivares)

When asked about his reasons for bringing his students to the exhibition, Langbroek explained that this is his 27th year in the classroom, and his reasons for doing so were spiritual – his is a Christian school – and personal, as well as professional.

“There are so many life lessons taught in this history,” he said. “By informing youth of this history and showing how bullying is a small-scale version of state-sponsored brutality, we can help train them in God’s righteousness.”

Raised by Dutch parents, Langbroek’s mother saw Jews being arrested and taken away in trucks; two of his uncles took Jews into their homes. An avid reader of Chaim Potok’s work, Langbroek has long been fascinated by “the pockmarked history of pogroms, exiles and forced conversions that took place in the Christian era.” He said he struggles with the atrocities committed in the name of a savior who set himself “the highest moral standard.” He added, “To me, it would only be natural for a Christian to risk his life to hide Jews.”

As well as the photographs and information on the boards, the exhibition room at the VHEC includes a 3-D model of the building and annex where the Franks were hidden. The students were clearly interested in the model and there was much crowding around, leaning in and craning of necks. Here, Kirchner honed in on the Franks’ living conditions, supported by a few trusted friends with shared food rations and occasional treats, like magazines. How do you occupy yourself when you are stuck inside for two years? she asked the students to consider. What about during the Allied bombing raids? Everyone else was hiding underground, in shelters, while Anne was in an attic at the top of a tall building. She couldn’t go down and risk being caught, noted Kirchner, but there were bombs landing all around them.

The exhibition also includes five glass cases housing original artifacts, saved by local Holocaust survivors. These items are particularly valuable, said Krieger. “A document is an eyewitness to the time.”

In a recent article for VHEC’s newsletter, Zachor, Kirchner talks about these donations from local survivors. She says that they help students to develop a personal relationship with Holocaust history. For example, in one case, students are able to see the yellow star worn by Inge Manes before she was hidden in a convent and confirmed as a Catholic. In another case, there is a medal showing that her rescuer was honored by Yad Vashem for bravery. The personal connections formed during these visits are an education that lasts a lifetime. Krieger refers to this as an “ongoing resonance.”

The King’s School students clearly appreciated the artifacts. They were given copies of an identity document belonging to Regina Bulvik. Asked to interpret the information it carried, they learned that she was the sole survivor of the Holocaust in her family, and had traveled to Canada alone, with no papers. At that time, she was still a teenager and was required to have a Jewish sponsor family here before being allowed to immigrate. The students pored over this document, scrutinizing it carefully as they responded to Kirchner’s questions.

photo - nne’s room. After the Frank family took up residence in the secret annex, Anne pasted all sorts of magazine clippings and postcards on the walls of her room
Anne’s room. After the Frank family took up residence in the secret annex, Anne pasted all sorts of magazine clippings and postcards on the walls of her room. (photo from Photos Anne Frank House, 2010. Copyright Anne Frank House, photographer Cris Toala Olivares)

On returning to school, the students’ comments about the exhibit were telling. They spoke about justice, love and kindness. They showed gratitude for their freedoms and their desire to live well with God.

Vanessa contemplated the inner life of the Franks, who “probably felt guilty because their Jewish friends and family were sent to concentration camps while they were hiding and getting help.”

Added Hannah, “I would always wonder, Are my Jewish friends in a labor camp right now or even dead? And what would it be like if I was not a Jew and just a regular German?”

Caleb imagined being in the annex, being afraid to “step on a creaky floor board.” Megan said she’d miss “feeling the sunlight on my back.”

For these students, the exhibition is about prejudice and intolerance. It’s about standing up for – rather than judging or bullying – those we perceive to be different than ourselves. It’s about suffering through harsh lessons and still making dignified, compassionate choices.

Anne Frank – A History for Today is at the Vancouver Holocaust Education Centre, 50-950 West 41st Ave., until July 31, Mon-Thurs, 9 a.m.-5 p.m., and Fri, 9 a.m.-4 p.m.

Shula Klinger is a freelance writer living in North Vancouver.

Format ImagePosted on June 13, 2014June 13, 2014Author Shula KlingerCategories LocalTags Adara Goldberg, Anne Frank, Holocaust, King's School, Nina Krieger, Peter Langbroek, Vancouver Holocaust Education Centre

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