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Tag: David Broza

Broza releases Tefila

Broza releases Tefila

David Broza has a new album out, and more. (photo from davidbroza.net)

This past spring, Israeli singer-songwriter David Broza, with the support of Temple Emanu-El in New York City, released Tefila, a collection of traditional prayers with new musical compositions by Broza and orchestral arrangements by his musical collaborator, Omer Avital.

Tefila (prayer in Hebrew) incorporates various forms: pop and jazz, gospel, folk and classical. While adhering to the intentions of the prayers themselves, the compositions attempt to recreate and re-imagine the experience of the typical Shabbat service, making it, as the album notes suggest, “contemplative, but also ecstatic and wholly engaging.”

The album’s release coincided with a monthly Kabbalat Shabbat celebration, Friday Night Hub, at Temple Emanu-El, a Reform synagogue located in Manhattan. Both the music and the event are geared to young professional Jewish adults between the ages of 21 and 39.

In a recent interview with the Independent, Broza explained how the album came about.

“I got a call from the program director of Temple Emanu-El, Gady Levy. He asked me if I would consider writing new music to the prayers of Kabbalat Shabbat,” said Broza. “I must admit that I was somewhat reluctant as I am not very familiar with the prayers, although I know them from my father. However, after a few months of quarantine, I opened the file with the prayers and started composing the melodies. It was as if the moment had arrived and what just a few months back I thought I would never be able to accomplish, here I was composing and writing a prayer a day for 14 days. Magical.”

With this project, Broza said he ventured into the journey of Kabbalat Shabbat, the receiving of Shabbat, and he fell in love “with the Hebrew scriptures that were written so many generations ago.”

“Now,” he said, “I have given them a new interpretation from someone who was born and raised in Israel. These prayers were written long before Israel existed, and long before the culture of the Hebrew language became a common language, my mother tongue. My voice and melodies blended the words and delivered the new version of these formidable and emblematic sacred verses.”

As for how the musicians came together for the album, Broza said, “I was very lucky to meet Omer, who is an incredibly talented jazz musician, on a New York City sidewalk – literally, by chance. He knew who I was, as he is Israeli, and I love his music. So, I asked him immediately to join me on the challenge of orchestrating the 14 pieces I had just composed. This was my first obstacle and Omer agreed to take it on himself.”

The pair started meeting at Avital’s studio in Brooklyn. In the process, Avital brought in musicians he performs with – all Israeli jazz musicians living in the area.

“It was so inspiring. We would play the songs, prayers, and I got to hear them interpreted in a very lively and profound way. The whole process took about a year before we were ready to record,” Broza said.

image - Tefila album coverThe album features 22 musicians, including string and horn sections, piano, percussion, as well as Broza on guitar and Avital on bass. Also appearing on the album is the 25-piece Moran Choir from Israel, which is conducted by Naomi Faran and with whom Broza has worked many times in his decades-long carrier. While in New York, Broza recruited gospel singers, too, as he wanted to add that fusion to the recording.

At the time Broza spoke with the Independent, he and his fellow musicians had performed the prayers from Tefila twice in front of a live audience at Temple Emanu-El.

“We have had about a thousand people attend each time. It’s been amazing. The rabbi of the synagogue, Joshua Davidson, leads the prayer and comes on stage to tell some stories and other comments in a very tasteful way so it is all a very profound experience,” Broza said.

An internationally recognized musician, Broza’s oeuvre includes songs in Hebrew, Spanish and English, with the influence of Spanish flamenco, American folk, rock and roll, and verse.

Social justice and peace advocacy are mainstays of his work, and his 1977 song “Yihye Tov” is considered an Israeli peace anthem. He has released more than 40 albums, many of which are multi-platinum.

Broza spoke highly of past visits to Vancouver and would welcome the chance to perform here again.

The album was released on Broza Records and distributed digitally by MNRK Music Group.

On Sept. 21, Broza Records will release a cover of “So Long, Marianne,” the first track in a three-song collection entitled David Broza Sings Leonard Cohen. Cover versions of Cohen’s “Famous Blue Raincoat” and “Dance Me to the End of Love” will be released on Oct. 21 and Nov. 21, respectively.

For more information, visit davidbroza.net.

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on September 2, 2022September 1, 2022Author Sam MargolisCategories MusicTags David Broza, Judaism, Leonard Cohen, prayers, Shabbat, Tefila, Temple Emanu-El
Friendships via music

Friendships via music

The YMCA Jerusalem Youth Chorus prior to their 10-day tour of Japan in August 2014. (photo from Micah Hendler)

There are many creative ways to bring about a peaceful dialogue between Israelis and Palestinians. In one particular case, an American Jew by the name of Micah Hendler combined choral singing and dialogue to help bring Palestinian and Israeli teens to a place of trust in Jerusalem.

Hendler, originally from Bethesda, Md., has been singing for as long as he can remember.

“For me, singing is a very powerful way of connecting to other people and creating communities, a sense of common identities, all the things that make people feel close to one another,” he said.

photo - YMCA Jerusalem Youth Chorus founder and conductor Micah Hendler
YMCA Jerusalem Youth Chorus founder and conductor Micah Hendler. (photo from Micah Hendler)

In his high school years, Hendler participated in Seeds of Peace, a program for teens from conflict regions around the world. For the first time, he had the opportunity to hear the stories of both Palestinians and Israelis.

“It made me realize the power of talking to others who are different, the power of showing people there are other ways to see things, more complete ways to see things,” he said of Seeds of Peace. “That’s what really got me interested in the Israeli-Palestinian conflict. In many ways, this was in contrast to the education I’d received.”

Over the years that followed, as Hendler continued his involvement with Seeds of Peace, he thought about ways in which he could create a new community, and decided on a singing group.

“I thought that would be really cool,” said Hendler, now in his 30s. “I could empower people and show them that they could sing and be part of something like this. For me, I thought … this is a way I can do things I really love to do in the context of needing ways for people to come together.”

When Hendler was ready to kick things off, he had just graduated from Yale. “I thought, if I’m ever going to do this, now’s the time.”

With degrees in music and international studies, and a host of other experience, both in music and in conflict transformation, Hendler moved to Jerusalem. He spent the first couple of months having coffee with anyone and everyone. He also spent a lot of time at high schools, sharing information about the choir, the YMCA Jerusalem Youth Chorus. Eighty youth auditioned, with the majority coming from East Jerusalem.

“There were so few extracurricular options in East Jerusalem at all, let alone singing options,” said Hendler. “For kids that liked to sing, I was one of the very few possibilities around.”

Hendler accepted 30 kids (ages 14-18), an even split of Israelis and Palestinians.

A friend connected Hendler with Israeli singer/songwriter David Broza, who was working on the album East Jerusalem/West Jerusalem at the time. Broza invited the chorus to be part of it. “It’s pretty amazing – that was three months into the choir, and we were recording with David Broza in the studio,” said Hendler.

The YMCA Jerusalem Youth Chorus program begins and ends with singing, with dialogue embedded in the middle. It does not take long for the kids to mingle. “They were in a completely unstructured context, already hanging out across linguistic and national lines,” said Hendler. “A lot of girls were singing pop songs on the piano and the guys were doing their thing, and different people were talking.”

The cost for the program is covered by the Jerusalem Foundation and private donors in and outside of Israel; the kids pay a symbolic fee to attend, as long as they are able.

Hendler’s main focus now is on ensuring that the kids feel part of a group, which is a moving target as the chorus grows. Currently, there are 44 kids divided into three dialogue groups, but Hendler is looking at other options. “There’s a limit of how big the choir could be in terms of what is manageable,” he said. “But, it would be possible to have multiple ensembles at different levels.”

When selecting kids for the chorus, Hendler looked for kids who wanted to meet new people and experience new things. As well, potential members needed both to be able to express any opinions they may have, as well as listen to those of others. “We also, of course, wanted people suited for singing,” he added.

Rehearsals are 3.5 hours and take place once a week. From as early as the second rehearsal, he said, “it was amazing that the kids were so open to one another. Obviously, with the linguistic and social challenges, the group had gone through a lot, but fundamentally there’s this openness and a joy that’s pretty inspiring.”

The dialogue is run by professional facilitators, “but I still have a good sense of what goes on,” said Hendler. “And, it’s actually really beyond inspiring, the way they listen to each other and create a space. The kids are real with each other, sharing their fears and hopes … but what’s really been amazing is that even outside the choir, the kids have started to speak up in their communities.”

Israeli high schooler Avital said of the program, “You get to know the other side, you get to be together, to see what it’s like being with kids different than you.” Shifra, another Israeli participant, said, “[Before] I only knew Israelis, I had never met any Arabs before I came here. I didn’t know what I was going to see … I wasn’t sure what I expected, but what I realized was that we’re all the same.”

Palestinian high schooler Alaa commented, “I learned from the sessions how not to stay silent, to express myself.” And Ameer, another Palestinian participant, said, “The choir is beautiful and we enjoy it, because we are Arabs and Jews, together at the same time.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

 

 

Format ImagePosted on January 30, 2015January 29, 2015Author Rebeca KuropatwaCategories IsraelTags David Broza, dialogue, Israeli-Palestinian conflict, Micah Hendler, music, YMCA Jerusalem Youth Chorus
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