Page 632

Food always needed: Project Isaiah

(photo from Jewish Food Bank Report 2013-14)

Project Isaiah is the annual High Holy Day food drive that assists those members of the community who are in need. All donations go directly to the Jewish Food Bank to assist individuals in the community – seniors, families and newcomers.

Sponsored by Jewish Family Service Agency and Jewish Women International-British Columbia, Project Isaiah is inspired by Isaiah 58:7: “… share your bread with the hungry.”

The Jewish Food Bank’s 2013-14 report, released last week, notes that the situation of the Jewish community mirrors that of the larger community, wherein most people living on fixed incomes or earning minimum wage in British Columbia spend 60 percent of their income or higher on housing, leaving 40 percent or less to cover utilities, medication and clothing, as well as food. With the rapidly growing cost of living, and lower economy, more families are having to access food banks for help:

• 12 percent of B.C. residents are unable to meet basic needs and do not have access to adequately nutritious food in sufficient amounts.

• For the past eight years, British Columbia has been ranked as the highest province in Canada for children living in poverty.

• Food bank usage is at an all-time high.

• 7.7 percent of B.C. residents are considered “food insecure” and go without or on reduced food intake.

The Jewish Food Bank supports almost 400 Jewish individuals. Each time clients visit the food bank, they receive approximately two to three days’ worth of food per individual.

All of the households served live at or below the poverty line and 80 percent of all households spend at least 60 percent of their income on rent. All clients are assessed and authorized by a JFSA caseworker. Currently, the food bank helps 55 children and teenagers, 248 adults and 91 senior adults.

Annually, more than 45 volunteers provide operational support to the food bank. The volunteers do the ordering, pick up donated goods, set up, as well as deliver to more than 50 homebound clients. With additional volunteers for its annual food drives, Project Isaiah, and the newly established Project Sustenance in the spring, volunteers contribute close to 3,500 hours of support.

The food bank is fully funded through the generosity of JFSA donors, the fundraising efforts and donors of JWI-BC, gift-in-kind donations of food through various food drive events, such as Project Isaiah and Project Sustenance, and ongoing donations collected by community partners. This past year, it had an operating budget of $149,200, with in-kind donations of food making up a value of $30,000 of the annual budget.

Close to 40 community partners provide ongoing food donations, supplies and space to support the Jewish Food Bank. These partners help lower the cost of operations and play a critical role.

This year’s Project Isaiah is underway, and the food bank is hoping that you will consider sharing your bread with the hungry (now and throughout the year). Take a bag home from a local synagogue or Jewish day school and return it, filled with food. A suggested shopping list includes high-nutrition items such as canned fish (tuna/salmon/sardines), peanut butter (plastic bottles only), canned fruit, canned vegetables, cooking oil (plastic bottles only), whole grain pasta/rice/cereals, legumes (canned or dried), dried fruit (prunes/apricots) and toiletries (includes children’s diapers). Note: check the “best before date” on products, as expired products cannot be accepted.

If you are unable to contribute food, JFSA and JWI-BC gratefully accept monetary donations (and issue a tax receipt).

For more information about Project Isaiah, contact Debbie Rootman at JFSA (604-257-5151, ext. 230) or [email protected], or Sara Ciacci at JWI-BC (604-838-5567).

Filmmakers withdraw from Queer Film Fest over Israeli flag

Over the 11 days of the Vancouver Queer Film Festival, which ended Aug. 25, two directors withdrew their films from the program because the festival included an advertisement from Yad b’Yad, a Vancouver-based group that supports the Jewish LGBTQ community. The advertisement depicted an Israeli flag alongside a pride flag and wished VQFF mazal tov on its 26th anniversary.

Jonathan Lerner, chair of Yad b’Yad. (photo from Jonathan Lerner)

“We formed a few months ago and decided to put ads out in the community to let people know we exist,” said Jonathan Lerner, chair of Yad b’Yad. “Our intention was to celebrate pride and congratulate the film festival on 26 years, and we used the two flags to show our solidarity with the community. The ad was not intended to be political.”

Patty Berne, director of the film Sins Invalid, was the first to withdraw from VQFF, on Aug. 14, stating she was “angered and disappointed” that VQFF accepted the ad. The ad, she said, “attempts to portray the state of Israel as a friend to LGBTQ communities, particularly in the current moment as the people of Palestine are living through hell and dying in staggering numbers daily.”

Can Candan, director and producer of My Child, withdrew his documentary a few days later because, he said in an open letter to VQFF organizers, the festival had not taken a “public and vocal stand against the Israeli government’s unacceptable policies.” He cited an obligation to join the BDS (boycott, divestment and sanctions) campaign “as filmmakers and human rights activists with conscience.”

The filmmakers’ withdrawal from the festival was disappointing, said Drew Dennis, VQFF executive director. “We had many conversations encouraging them to keep their films in the festival, so I was saddened that they withdrew, but we want to respect them for the decision they made for themselves.”

image - Yad b'Yad was at the centre of a controversy at this year’s Vancouver Queer Film Festival for its ad, which included an Israeli flag — Yad b’Yad was at the centre of a controversy at this year’s Vancouver Queer Film Festival for its ad, which included an Israeli flag. *(image from Jonathan Lerner)*

Dennis said neither of the two withdrawn films contained any content relevant to the Middle East and insisted that VQFF had no political stance. “We heard from a number of filmmakers who were voicing concerns about the ad, but the festival is a place where we bring people together and allow a diversity of viewpoints. Our mandate is pretty simple: to bring communities together and provide a platform for safe, open dialogue around those films.”

Mik Turje, another director who raised concerns but did not withdraw his film, also issued a statement, as did Queers Against Israeli Apartheid and the Simon Fraser Public Interest Research Group, a student-run centre. Their statements claimed that ads like Yad b’Yad’s attempt to “pinkwash” Israel’s image by focusing on the state’s gay rights rather than on its treatment of the Palestinians. Turje said although the VQFF has made it clear it has no position on the issue, “I believe that choosing neutrality in a situation of oppression is a form of complicity. The project of pinkwashing dehumanizes Palestinians in our name, it frames Israel as a liberal democracy in our name, and it fuels Islamophobia and racism in our name.”

After concerns about the ad were raised back in July, VQFF decided to donate Yad b’Yad’s $630 in ad revenue to Just Vision, an organization whose stated goal is to use film and multimedia to help foster “peace and an end to the occupation by rendering Palestinian and Israeli nonviolence leaders more visible, valued and effective in their efforts.” Dennis said there’s “concern, compassion for what’s happening in the region right now, but it’s not part of our mandate to look at this, so we chose to make the donation in an effort to contribute in a more productive way.”

That didn’t sit well with Lerner and members of Yad b’Yad. “By treating our ad revenue differently from every other group and ad, they essentially bowed to the pressure, succumbed to the bullies,” he said. “The gay community knows full well what it feels like to be alienated and excluded, but that’s what the VQFF is promoting by treating our ad revenue differently. They’ve made us feel unwelcome because of our religion and our nation of origin.” Lerner said Yad b’Yad was not given a choice about where its ad money would be donated. “I don’t know much about Just Vision, but we don’t support our money being donated. It’s not what we paid for,” he said.

Dennis said the VQFF board would be meeting in the fall to review its policies and practices, and that the controversy over this year’s film festival had raised the fact that “something as complex as this issue is not served by our policy. There wasn’t a large organizational decision around advertisements,” Dennis said. “We focus much more on the films than on the ads, but there’s an opportunity for us to look at that in the fall.”

Lerner told the Independent that VQFF has asked for public input on the issue be sent to [email protected].

Lauren Kramer, an award-winning writer and editor, lives in Richmond, B.C. To read her work online, visit laurenkramer.net.

U.S. has many other priorities

It turns out Fidel Castro is still alive and making as much sense as ever. In an article in Cuban state media a few days ago, the former president ranted against the United States, Israel and NATO, the latter of which he equated with the Nazi SS. Even stranger, Castro believes that U.S. Senator John McCain and Israel’s intelligence agency the Mossad, created ISIS, the nihilistic terror entity sweeping Iraq and Syria.

Back on planet Earth, more serious commentators are wringing their hands over the state of U.S.-Israel relations. While it may not be exactly the Cuban missile crisis, relations between the United States and Israel are arguably at their lowest ebb ever. Part of this, of course, is a mere clash of personalities between their countries’ respective leaders. That’s old news and everybody by now accepts the fact that Binyamin Netanyahu and Barack Obama are not what constitute “great friends,” whatever that oft-used term means in the context of world leaders.

The Times of Israel is reporting that, during Operation Protective Edge, the United States put together a deal with Turkish and Qatari representatives in Paris that was intended to be a draft agenda for ceasefire talks in Cairo. When Netanyahu saw the document, he rejected it out of hand, seeing it as a putting the interests of Hamas ahead of those of Israel.

The United States, further according to the Times of Israel, was unwilling to put pressure on Qatar, an ally, perversely, of both the United States and Hamas, to “squeeze Hamas politically and financially.”

The United States is said to have come away from the experience shocked at Israel’s undiplomatic response, while Israel walked away distrustful of American intentions, says the Times.

Enmity will only grow with Israel’s latest announcement of more West Bank settlements.

But even that salt in the wound should be eclipsed by news that the blood-soaked regime of Bashar al-Assad has lost control of the part of what is left of the Syrian nation that abuts Israel at the Golan Heights. While no one is quite sure of the exact makeup of Assad’s opposition, it is the black flag of al-Qaeda that is flying over the checkpoint adjacent to Israel’s border with (erstwhile) Syria.

With explosive events also taking place daily in Ukraine, Iraq and so many other places in the world, American leadership sometimes seems to be the only hope for people under threat. Even the Baltic states of Latvia, Lithuania and Estonia are getting nervous as they watch the expansionist fantasies of Russia’s Vladimir Putin.

The American people have given a great deal of their financial and human resources to overseas conflicts in the past decade and it is understandable that they might be hesitant to reengage in the Middle East or to engage in Europe. America is exhausted.

Of course, what is taking place in the world today are precisely the types of things that the United Nations was envisioned to prevent or ameliorate. The tragedy of that organization is that it is now held captive by leaders who are more sympathetic to the objectives of ISIS, Hamas, Hezbollah and Putin than they are to the democratic states of the United States, Israel, Canada and western Europe.

The people and leaders of western Europe are also hesitant to get involved in Middle Eastern affairs, perhaps reasonably, given the potential they might have for trouble far closer to home if the Russian bear is not put back in its cage. Putin might have alleviated some international concern had he indicated that eastern Ukraine was the extent of his territorial ambitions, but he has done nothing of the sort.

For Obama’s part, it often seems as though he wishes Israel and Palestine would just disappear. Certainly, every president before him going back decades has tried and failed to resolve the problem and he is probably fully aware that he is not going to solve it either. With everything else happening in the world, this conflict may seem more like a nuisance than a crisis.

As much as Obama’s disengagement from this issue rankles many people, here’s a different take. For weeks, months, even years, people like us have been calling for the world to devote more of its attention to catastrophes that exponentially exceed the comparatively minor conflict between Israelis and Palestinians. Say what you will about Obama, but that seems to be exactly what he’s doing.

Garay’s 20 years, with 20 dancers, 20 places

Left to right, Michelle Lui, Bevin Poole and Vanessa Goodman. (photo by David Cooper)

Dancers Dancing and SFU Woodward’s present the world première of 20.20.20, in which audiences will not just see, but feel the city come to life onstage. At the Goldcorp Centre for the Arts Sept. 24-27, the show captures the atmosphere of urban Vancouver in all of its complexities from a unique lens.

Celebrating 20 years of working in Vancouver, choreographer Judith Garay looks at 20 intersections in the city to set 20 dancers in motion – inspired by interactions of architecture, pigeons, overpasses, green spaces, mountain views, skateboards and especially the people, old and young. Contrast and contradiction drive the work to be physically exhilarating and thoughtful, prosaic and emotionally charged.

The artists – including Jewish community member Vanessa Goodman – have dug their heels into the world of Vancouver, and brought their experiences and observations back to the studio, where it has been a process of using pedestrian research and full-body articulation to create beauty in otherwise overlooked aspects of city life. The synergy of their work is expressed organically in the process, as the dancers have felt charged by the city itself. They expect a similar visceral reaction for audiences.

As the team continues to organically replicate the city life to stage, they have been surprised in how the process is revealing Vancouver. Contrasts keep resurfacing, like urban and green, rich and poor, young and old and the infamous weather that changes a sky of grey clouds to one of blinding sun. These balances reflect the ever-evolving city from day to day, and naturally beg for a creative portrayal that is full of movement and life.

With music by Stefan Smulovitz, lighting by John Carter and costumes by Margaret Jenkins, 20.20.20 steers away from a traditional tour of Vancouver, instead providing multiple ways to emotionally experience the city. Performances at the Goldcorp Centre, 149 West Hastings St., are at 8 p.m. Tickets are available online at sfuwoodwards.ca or dancersdancing.com.

Milton Berle inspired today’s comedians

Maury Wills, Milton Berle, Jimmy Piersall and Willie Mays in a salute to baseball on the television program The Hollywood Palace in 1967. (photo from ABC Television via Wikimedia Commons)

Today’s comedy superstars, especially those whose careers are driven by television, may very well owe their success to pioneering Jewish entertainer Milton Berle.

Born Mendel Berlinger in Manhattan in 1908, Berle became America’s first small-screen star. Aptly nicknamed “Mr. Television,” he influenced and helped promote the work of hundreds of younger comics.

A 1943 publicity photo of Milton Berle. (photo from EBay via Wikimedia Commons)

“Milton Berle was deceptively successful and very Jewish,” said Lawrence Epstein, author of The Haunted Smile: The Story of Jewish Comedians in America, published in 2002, the year Berle died. “His success came about because early television sets were mostly sold in wealthier urban areas, with Jews and gentile urbanites accustomed to and appreciative of Jewish humor. So, Berle’s quick talking, his high-speed jokes, his dressing in outlandish costumes and his sprinkling of Yiddishisms all played well. Ironically, it was Berle’s success with those urban audiences that propelled the sales of televisions around the nation.”

Epstein explained that once televisions reached the rural areas of America, viewers “took a look at [Berle] and said he spoke so fast they couldn’t understand him, and that he wasn’t funny, and [they asked], ‘What was that foreign language?’”

He said, “That is why Berle’s television career was meteoric. It burned brightly but briefly.”

Berle’s close friend Lou Zigman, a Los Angeles-based labor lawyer and Brooklyn native, disagrees with Epstein’s use of the word “meteoric,” arguing that Berle never burned out like a meteor does. Berle kept performing, assisting other comics, giving to charities and spreading Jewish culture until his death, and he was even performing card tricks as a hospital patient at age 90, according to Zigman.

“I asked Milton how come all the gentiles knew Yiddish humor,” Zigman said in an interview. “He answered that the great majority of comedians and writers in those early years were Jewish. That’s why it spread, and our culture spread, all over the country.”

At age 5, Berle won an amateur talent contest and appeared as a child actor in silent films. He became a vaudevillian at age 12 in a revival of the musical comedy Florodora in Atlantic City, N.J., and was hired by producer Jack White in 1933 to star in Poppin’ the Cork, a musical comedy concerning the repealing of Prohibition. From 1934-36, Berle was heard frequently on The Rudy Vallee Hour radio show and attracted publicity as a regular on The Gillette Original Community Sing, a Sunday night comedy-variety radio program broadcast on CBS. Then came the Milton Berle Show, a variety format he would revive for his television debut.

A Hebrew Birthright

The Israeli-American Council (IAC) has partnered with the Taglit Birthright Israel program to launch a special Hebrew track called IAC Shelanu. The new program offers a 10-day trip to Israel designed specifically for Israeli American young adults, ages 18-26. IAC Shelanu, in partnership with Taglit Birthright Israel and Israel Experience, will be conducted in Hebrew, aiming to engage this group of young leaders and create future Jewish-Israeli community influencers. Registration opens Sept. 9 for the December 2014 program.

According to a recent study commissioned by IAC and conducted by Israeli polling company Midgam, about 17 percent of second-generation Israeli Americans are married to non-Jews and Hebrew fluency drops from 53 percent to 19 percent for those living in the United States more than 10 years.

IAC Shelanu aims to provide an Israel experience that will help these young Israeli Americans and other Hebrew speakers connect on a deeper level with their Jewish-Israeli identity and expand their knowledge of and acquaintance with the state of Israel, its history and culture.

IAC Shelanu provides a unique experience for its participants, including a recruitment process by IAC that focuses on identifying, selecting and encouraging potential leaders. IAC Shelanu will then follow up with participants upon their return to ensure an enduring impact on their lives and further involvement in pro-Israel advocacy. Participants will be encouraged to participate in an IAC Shelanu alumni program, which will develop their connections to one another and to Israel while fortifying them with the network and skills needed to be ambassadors for Israel.

Based in Los Angeles with offices nationwide, IAC serves an estimated 750,000 Israelis in the United States today with a large variety of programs and events for all ages, and supports a wide range of other community nonprofit organizations. For more information about IAC, visit israeliamerican.org. For more information about IAC Shelanu, visit freejourneytoisrael.org/iacbirthrightisrael.

– Courtesy of Israeli-American Council

Discovery of copper awl at Tel Tsaf a game changer

A copper awl from the fifth millennium BCE that was discovered at the site in Tel Tsaf. (photo by Yosef Garfinkel via Ashernet)

Excavations at Tel Tsaf in the Jordan Valley, near the Jordan River, revealed in a woman’s grave a small copper awl. Generally speaking, this would not have been regarded as special except, in this instance, the grave where the awl was found dates from 5200 BCE.

This find, announced by archeologists from the Zinman Institute of Archeology of Haifa University on Aug. 24, pushes back the time that metal technology was thought to have been introduced into the region by at least 500 years. The awl is probably the oldest metal object ever found in the Middle East.

The find also adds another dimension to the Tel Tsaf community itself. Discovered in 1950, it was not until about 10 years ago that it was established from excavations directed by Prof. Yosef Garfinkle that Tel Tsaf dated to about 5200 to 4700 BCE, the Middle Chalcolithic period.

It was clear that Tel Tsaf was a centre of regional commerce. There were silos that could store up to 30 tons of grain in each individual silo, and excavations, including burial sites, had revealed painted pottery, bullae (seals), basalt and obsidian beads, seashells, but no copper – until now.

The discovery of the copper awl would point to a population with advanced technology, and the fact that a copper implement was discovered at the site has a significant bearing on understanding the history of the period, both in Tel Tsaf and the rest of the Middle East.

Rebuilding Gaza: Will PA and EU become more involved?

With the ceasefire between Israel and Hamas, Palestinians in the Gaza Strip are asking when and how reconstruction of the battered coastal enclave will begin. United Nations workers in Gaza say that 55,000 refugees are still taking shelter in 41 UN schools, raising questions about how the school year will begin in two weeks, already delayed from its scheduled opening in August.

Palestinian Authority (PA) Prime Minister Rami Hamdallah told representatives of several international organizations that the PA will repair homes that have been partially destroyed and will rent homes, as well as secure temporary homes and even tents, for displaced people. It was the first sign that the PA will take a more active role in Gaza, which has been controlled by Hamas since 2007. In the spring, Hamas and Fatah announced a unity government, but it has not met or functioned since the fighting began soon after the announcement.

A report by Shelter Cluster, which is co-chaired by the United Nations Relief and Works Authority (UNRWA) and the Red Cross, found that 17,000 homes were destroyed or severely damaged in the seven weeks of fighting. An additional 5,000 homes still need repair from previous rounds of fighting while, even before the latest conflict started, there was a deficit of 75,000 homes. According to Shelter Cluster, at the rate of 100 trucks with building materials crossing the border into Gaza, it would take 20 years to rebuild the densely populated strip.

DNA’s not only factor

Epigenetics: environmental effects influence how genes are turned on or off. (photo by Yuval Robichek via wis-wander.weizmann.ac.il)

Blood stem cells have the potential to turn into any type of blood cell, whether it be the oxygen-carrying red blood cells or the many types of white blood cells of the immune system that help fight infection. How exactly is the fate of these stem cells regulated? Preliminary findings from research conducted by scientists from the Weizmann Institute and the Hebrew University are starting to reshape the conventional understanding of the way blood stem-cell fate decisions are controlled, thanks to a new technique for epigenetic analysis they have developed.

Understanding epigenetic mechanisms (environmental influences other than genetics) of cell fate could lead to the deciphering of the molecular mechanisms of many diseases, including immunological disorders, anemia, leukemia, and many more. It also lends strong support to findings that environmental factors and lifestyle play a more prominent role in shaping our destiny.

The process of differentiation – in which a stem cell becomes a specialized mature blood cell – is controlled by a cascade of events in which specific genes are turned “on” and “off” in a highly regulated and accurate order. The instructions for this process are contained within the DNA itself in short, regulatory sequences. These regulatory regions are normally in a “closed” state masked by special proteins called histones to ensure against unwarranted activation. Therefore, to access and “activate” the instructions, this DNA mask needs to be “opened” by epigenetic modifications of the histones so it can be read by the necessary machinery.

In a paper published in Science, Dr. Ido Amit and David Lara-Astiaso of the Weizmann Institute’s immunology department, together with Prof. Nir Friedman and Assaf Weiner of Hebrew University, charted for the first time histone dynamics during blood development. From the new technique for epigenetic profiling they developed, in which just a handful of cells – as few as 500 – can be sampled and analyzed accurately, they have identified the exact DNA sequences, as well as the various regulatory proteins, that are involved in regulating the process of blood stem-cell fate.

Their research also yielded unexpected results: as many as 50 percent of these regulatory sequences are established and opened during intermediate stages of cell development. This means that epigenetics is active at stages in which it had been thought that cell destiny was already set. “This changes our whole understanding of the process of blood stem-cell fate decisions,” said Lara-Astiaso, “suggesting that the process is more dynamic and flexible than previously thought.”

Although this research was conducted on mouse blood stem cells, the scientists believe that the mechanism may hold true for other types of cells. “This research creates a lot of excitement in the field, as it sets the groundwork to study these regulatory elements in humans,” said Weiner. Discovering the exact regulatory DNA sequence controlling stem-cell fate, as well as understanding its mechanism, holds promise for the future development of diagnostic tools, personalized medicine, potential therapeutic and nutritional interventions, and perhaps even regenerative medicine, in which committed cells could be reprogrammed to their full stem-cell potential.

For more Weizmann Institute news releases, visit wis-wander.weizmann.ac.il.

– Courtesy of Weizmann Institute

Taking pianos to the streets

Sean Pacey dabbles at the keys in Burnaby, near the Shadbolt Centre for the Arts. (photo from Sean Pacey)

Keeping a business afloat for more than four decades is accomplishment enough, but to keep it in the family is especially noteworthy. “My grandfather and his oldest son started the shop in the 1970s,” said Sean Pacey, the current owner of Pacey’s Pianos on Broadway. “In the 1980s, my father took over. When I was 18, my father gave me the keys and walked away.”

The young Pacey was well qualified for the job. “My mom has a small manufacturing business, and I helped her since I was 11,” he recalled. “I’d come home from school and answer the phones. At 13, I started working at tradeshows, representing her company all over the world. We traveled to Germany, China, Taiwan, Japan, Korea, Hong Kong and many cities in North America.”

Later, already the owner of the piano shop, Pacey got his diploma in business and marketing from the University of British Columbia.

It’s been a little over a dozen years since he accepted the keys to Pacey’s Pianos. In that time, he has expanded the company, and it offers more services and events than it did in his grandfather’s and father’s days, including charitable enterprises. One of these charities is Support Piano, the Vancouver version of Street Piano.

The Street Piano movement started in 2008 in England and has spread worldwide. More than a thousand pianos have been installed outdoors in 45 cities across the globe. Anyone who wants can play them. Some impromptu players are professional musicians, others are children learning to play or adults who learned in the past but, for various reasons, abandoned their music. The freely available pianos entice many hidden musicians out of the woodwork.

Vancouver picked up the initiative last year, when City Studio installed three instruments in public spaces during the summer. This year, the number has increased manifold: City Studio installed 10 pianos, and Pacey partnered with the studio, donating 12 more pianos for the project. However, he wasn’t satisfied with simply leaving a piano on a street corner. He wanted communities to unite around the instruments, to claim ownership of their urban landscape and its music.

“We engaged in similar projects since 2009 but not on such a scale,” he said. “For this project, we decided to match each piano we installed with a certain group we wanted to showcase. Every opening was a musical event. The involved group painted the piano, and there was a concert by a professional musician.… For me, it is a strictly nonprofit venture; it is about doing something beautiful.”

Pacey’s sponsorship groups came from all over Metro Vancouver and included neighborhood kids from a summer camp, seniors with mental disabilities and terminally ill children. “We picked iconic locations that meant something to us,” he explained. “I had a dream to have my instruments everywhere – in a public park, on a lake shore, on a mountain, under the Skytrain, at a music festival.”

He made his dream come true. The pianos with his shop’s mark are standing on Grouse Mountain and under the Skytrain station in Surrey. They offer their black and white keys to anyone who wants to play in Richmond and East Vancouver, Burnaby and Squamish. One of his pianos allows pianists to entertain visitors beside the Jewish Community Centre of Greater Vancouver.

“I drive through the spots of our pianos and, everywhere, people are playing. It’s amazing,” he said.

To inspire more participants, Pacey organized a video competition. “People play our pianos, film themselves and upload their videos on our website. We’re going to select a winner and award him or her $400 plus an opportunity to play with the Lions Gate Sinfonia.”

For Pacey, the project is a collaboration between the city, the people and the music world, and his pianos are conduits of connection. He drew performers for the opening and closing ceremonies for each instrument from the wide pool of professional piano players. Some of them are his personal friends, others he met through his shop or his several musical charities.

Philanthropy plays an important role in Pacey’s life. He wants to give to the community, so he contributes much to various nonprofits – and not just money or his pianos but his time and energy, too. He sits on the boards of several local organizations, including Lions Gate Sinfonia Orchestra.

His “baby” charity is the Piano Teachers Federation, which he founded in 2009. “I wanted to make it easier for piano teachers and students to find each other, to find the right fit,” he explained.

The database of the federation is extensive and covers many areas of the city. He personally interviewed every teacher member before adding him or her to the database. Some of them played during the opening ceremonies of Support Pianos, and other members will play at the closings.

“Our Facebook page for Support Pianos already has over 1,500 likes,” he said. “And it’s only been since the beginning of July.”

The pianos are going to grace their public locations until the end of September. “We’ll have a closing ceremony for each one,” he said, “before we collect them. If any of the instruments are in good condition, we might reuse them next summer.”

To learn more – and to upload a video submission – check out supportpiano.com.

Olga Livshin is a Vancouver freelance writer. She can be reached at [email protected].