Learn ABCs, Hanukkah-style

The Canadian Medical Association would probably not approve, but Rachel Teichman’s D is for Donut is a sweet way to teach kids their ABCs. (Pun intended … groan.)

image - D is for Donut by Rachel Teichman, with photos by Rebecca Wright, book cover

For this hardcover (or ebook), Teichman again pairs up with Rebecca Wright, Teichman composing the rhyming text and Wright taking the colourful large-as-life photographs. D is for Donut (2023) and their previous collaboration, B is for Bagel (2022), are both published by the Collective Book Studio, grouped as the ABCD-Eats series, implying, perhaps, that there are more books on the way.

The Collective Book Studio describes itself as “an independent publisher dedicated to creating high-quality, beautifully crafted books that celebrate diverse voices and empower storytelling.” On their website, under Collections, one can find Jewish Voices, which, in this time of increased antisemitism, is even more nice to see. The ABCD-Eats books are included here, as are two cookbooks that the Independent has reviewed and enjoyed: 52 Shabbats: Friday Night Dinners Inspired by a Global Jewish Kitchen by Faith Kramer, and NOSH: Plant-Forward Recipes Celebrating Modern Jewish Cuisine by Micah Siva. Collective also published Tali and the Toucan, which the JI reviewed (positively!) in its Nov. 29 issue.

D is for Donut is more proof that the Collective Book Studio really does produce beautiful, high-quality books. Whether or not one agrees with teaching kids their letters by also introducing them to the wide variety of sugary toppings that can be put onto fried dough, D is for Donut makes for a fun and eye-popping read. It begins with a brief summary, poetically written, of how donuts are made, from “First, flour, yeast and milk are mixed together and left to rise” through the frying then the frosting and sprinkles. “Did you know donut holes come from where the donut’s shape is cut?” asks Teichman. (I did not.)

image - D is for Donut by Rachel Teichman, with photos by Rebecca Wright, includes the letter S, for sufganiyah
D is for Donut by Rachel Teichman, with photos by Rebecca Wright, includes the letter S, for sufganiyah.

The bulk of the book is the letters, and a global range of donut types. For example, “A is for apple fritter with fruit and cinnamon inside”; “L is for loukoumades dipped in honey and piled high”; “S is for sufganiyah filled with jam when they’re made” (happy Hanukkah!); and “Z is for zeppole, they’re a real work of art!” 

“Donuts are delish, frosted and fried! So tell me … which ones have you tried?” asks Teichman.

D is for Donut includes two recipes: one for Raised Donuts, which takes more time and requires some tools people may not own (to be exact, a two-quart pot, cooking thermometer and heat-resistant slotted spoon), and one for Quick Baked Donuts. 

Inspiring with chutzpah

image - Chutzpah Girls book coverMost of us could benefit from a little more chutzpah, as defined by Julie Esther Silverstein and Tami Schlossberg Pruwer, authors of Chutzpah Girls: 100 Tales of Daring Jewish Women (The Toby Press, 2024). 

According to Silverstein and Pruwer, chutzpah is: “ A Jewish superpower: the daring to speak when silenced, to take action when others won’t, to try when they say it’s impossible, to persevere in times of doubt, to be yourself when it’s easier to conform, to stand tall when made to feel small, to believe when it all feels hopeless, to shine your light in the face of darkness.”

With Chutzpah Girls, Silverstein and Pruwer “hope to power up a generation of knowledgeable and confident Jewish kids by zooming in on Jewish women with extraordinary stories across the diverse Jewish experience.”

Chances are that many of the adults reading these stories will also be inspired, learning about several, if not a dozen or more, Jewish women they’d never heard of before: brave and action-oriented women from all over the world, from ancient Israel (1500-587 BCE) to the 21st century.

image - Prophetess Abigail,  from Ancient Israel, whose portrait was created by Rinat Hadar
Prophetess Abigail,  from Ancient Israel, whose portrait was created by Rinat Hadar.

The 100 are listed alphabetically by first name, rather than chronologically, which gives a timelessness to the feats of each woman. Whether one is a prophetess in ancient Israel, a philanthropist in the early modern era, a trade unionist in the emancipation era, a human rights activist in the 20th century or an intelligence and cybersecurity official in 2024 is mostly irrelevant to the courage one can show.

There is a timeline at the beginning of the book that outlines the eight time periods into which each of the 100 Chutzpah “girls” is placed. Near the end of the book is a map, showing their global and historic presence: Argentina, Bahrain, Ethiopia, Germany, Kurdistan, Mesopotamia, Persia, Russia, Ukraine, the United States, Yemen, and others.

There are three Canadians who made it into Chutzpah Girls: Judy Feld Carr, Lori Palatnik and Rosalie Silberman Abella. And they illustrate how people who are just like us can do impressive things and step up when need be.

Carr was a musicologist, she had a young family. Then, she read an article about Syrian Jews who, after Israel won the Six Day War against its Arab neighbours, were suffering. “Although she was far away, she wanted to help,” write Silverstein and Pruwer. “She reached a rabbi in Syria’s capital city of Damascus by telegram and began sending boxes of needed supplies, including religious books.”

Even after the sudden death of her husband left Carr a single mother, she continued to help, recruiting volunteers from her synagogue. “Using religious terms as coded messages, they started a secret communication system with the Syrian Jewish community. Judy’s home turned into the hub of an underground escape network to help the Syrian Jews flee to safety…. She negotiated ransoms, planned elaborate escapes, and even smuggled people across heavily guarded borders.”

Carr helped save more than 3,000 Jews.

Palatnik is founding director of Momentum, a global organization that connects women to Jewish values and to Israel, and encourages them to take action to promote unity that embraces difference.

“One day, Lori was asked if she’d donate her kidney to a stranger,” write Silverstein and Pruwer. “Hesitant at first, she drew on her sense of achrayut, the responsibility we have for one another. ‘For someone I don’t know?’ she wondered hesitantly. ‘But someone knows her. This is someone’s wife, mother, daughter, friend. Why would I pass up this mitzvah just because I don’t know her?’” (Years earlier, Palatnik had been willing to donate a kidney to a friend, but hadn’t been a match.)

Abella (née Silberman) was the daughter of Holocaust survivors. Born in a displaced persons camp in Germany, she was 4 years old when the family “immigrated to Canada with little more than hope for a better future.” She became “the first Jewish female judge in Canada and the youngest in the country’s history,” never trying to hide that she was Jewish to succeed, write Silverstein and Pruwer.

“In her career, Rosalie worked tirelessly to eliminate the disadvantages faced by people with disabilities, women, people of colour, and the native aboriginal community. After 25 years as a champion of human rights and equality, Justice Rosie became the first Jewish woman to sit on the Supreme Court of Canada.”

Written in a concise, clear manner, there is a lot to learn about some amazing people in Chutzpah Girls. Every entry comprises the name of the woman, her era, when she was born and in what country, her job or title, a writeup about one of her chutzpah aspects, and a quote from the woman that reflects what she did or general words of wisdom. 

image - Jewish defenders Zivia Lubetkin, who helped command the Warsaw Ghetto Uprising, and her granddaughter, Roni Zuckerman, an Israeli fighter pilot, as envisioned by Shiri Algor
Jewish defenders Zivia Lubetkin, who helped command the Warsaw Ghetto Uprising, and her granddaughter, Roni Zuckerman, an Israeli fighter pilot, as envisioned by Shiri Algor.

Alongside the text for each woman is a beautiful, colourful, expressive portrait created by one of the dozen-plus illustrators and graphic artists that Silverstein and Pruwer enlisted for this book. The styles are so varied, but all are bold and capture the essence of the woman portrayed.

The last story and portrait in the book are left blank for the young (or old) reader to add their tale of chutzpah and a drawing of themselves.

But the book isn’t the end of it. Readers are encouraged to let Silverstein and Pruwer know who you’d like people to know more about – “a favourite figure from the Torah, a changemaker in your local community, or a leading lady in your own family. It’s even possible our next Chutzpah Girl is you!” 

To send your suggestion(s), email info@chutzpahgirls.com. To learn more about the writers and the artists, visit chutzpahgirls.com. 

Knowing how precious life is

Lillian Boraks-Nemetz speaks at the Nov. 24 launch of her latest book, Hidden Vision: Poems of Transformation, which she wrote under the name Jagna Boraks. (photo by Rhonda Dent)

Lillian Boraks-Nemetz launched her latest book, Hidden Vision: Poems of Transformation, written under the name Jagna Boraks, at the Sidney and Gertrude Zack Gallery Nov. 24. Co-presented by the Vancouver Holocaust Education Centre and the JCC Jewish Book Festival, the event featured Boraks-Nemetz sharing some of her poems – on themes of identity, resilience and remembrance – with musical accompaniment by Wendy Bross Stuart.

Divided into six sections, the poems in Hidden Vision travel from the Holocaust to after the pandemic, from a nadir of human experience to a zenith of hope and gratitude. 

image - Hidden Vision book coverIn her introduction, composed shortly after the Oct. 7 Hamas attacks, Boraks writes, “Destruction is the opposite of creation. To survive in this world, in any crisis or situation, we need to strengthen ourselves and each other – spiritually. We begin by respecting ourselves and others.

“Understanding that each human life matters, and that each culture and creed are all a part of the world’s flowing river. There is greater strength in this belief than hatred and intolerance.”

The book begins in the spring of 2020, when the world was in the throes of COVID-19 and all that it brought – isolation, fright, shifts in personal and professional behaviour, and, of course, widespread sickness. In the poem “My Street,” written on March 29, 2020, Boraks confronts these issues:

“I will not wait like the brides / I will unlock my door and step outside / where the air feels fresh and crisp / breathing deeply I will begin my walk / towards life.”

Further on, she looks towards her literary influences, one of whom is Adam Mickiewicz, regarded by many as the national poet of Poland, but who also had an impact on the literature of neighbouring countries. In “The Autumn Muse,” inspired by Mickiewicz, Boraks asks: “has anyone ever written an ode / to old age – when the bird of youth / becomes time’s vulture / lurking in mid-air / its malevolent claws seeking to destroy?”

Within the later sets of poems, there is a poignant tribute to Alex Buckman, who, like Boraks-Nemetz, had been an ardent campaigner for Holocaust education in British Columbia. Buckman passed away in Warsaw in 2023 while on a March of the Living trip, where he served as a mentor to young students. In a tribute titled “In Memoriam for a Friend,” Boraks writes: “you chanted your life’s song / like the thorn bird / which sings till his heart might break / you chanted your fear of the dark / as you sang to the children / to appease their fear / as you sang to the students / to teach them lessons / of those barbaric times / when human life was cheap.…”

Despite countless social ills, personal struggles and humankind’s propensity for cruelty, Boraks ends the compilation on an upbeat note. For example, her poem “Hope” reads: “but father time in tune with God / will move the frozen earth into the sun / there – flooded by the light / a new earth will bear fruit / a new man woman and child / will behold the magic of a spring day.”

photo - The launch of Hidden Vision at the Zack Gallery drew a standing-room-only crowd
The launch of Hidden Vision at the Zack Gallery drew a standing-room-only crowd. (photo by Rhonda Dent)

Born in Warsaw, Boraks-Nemetz is a child survivor of the Holocaust. She lived in and escaped the Warsaw Ghetto, then hid in Polish villages under a false identity. Her family came to Canada in 1949.

Boraks-Nemetz graduated from St. Margaret’s School in Victoria, going on to study at the University of British Columbia, where she earned a bachelor of arts, then a master’s in comparative literature. Upon earning a certificate in ESL from George Brown College, she taught English, before eventually teaching creative writing at UBC’s Writing Centre, from 1980 until 2015.

Boraks-Nemetz’s previous volumes of poetry are Out of the Dark, Garden of Steel and Ghost Children. She has also penned three award-winning young adult novels: The Old Brown Suitcase, Sunflower Diary and The Lenski File. The Old Brown Suitcase was placed on the recommended reading list for BC schools.

In 2017, Boraks-Nemetz published Mouth of Truth, a novel exploring a family’s past and the trauma of the Holocaust. She has also translated the works of Polish poets Andrzej Busza (Astrologer in the Underground) and Waclaw Iwaniuk (Dark Times).

To order Hidden Vision, contact the Vancouver Holocaust Education Centre at info@vhec.org and 604-264-0499. 

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

A voice that’s missed

Four years have passed since the loss of Rabbi Lord Jonathan Sacks (1948-2020), and more than one year since the outbreak of the Iron Swords conflict. In these turbulent times, we can only imagine the wisdom that Sacks – who was a global religious leader, philosopher, award-winning author and respected moral voice – might have shared, the guidance he would have offered. His voice is profoundly missed, especially now, when his words could have offered clarity and hope. This longing to “hear” his perspective propelled me on a journey.

image - To Be a Jew book coverTo Be a Jew is a booklet that was born from a deep desire to find meaning in the current historic moment. Distributed freely across the globe, with more than a quarter of a million copies printed in Hebrew and English – and soon to be available in additional languages – it shares the timeless lessons of Rabbi Sacks with all who seek them. Below is a small selection of his enduring wisdom. For the full booklet, available as a free download, visit sivanrahavmeir.com/to-be-a-Jew. 

Growth from crisis

Every tragedy in Jewish history was followed by a new wave of creativity. The destruction of the First Temple led to the renewal of the Torah in the life of the nation, exemplified by the work of Ezra and Nehemiah. The destruction of the Second Temple led to the great works of the oral tradition, Midrash, Mishnah and the two Talmuds. The massacres of Jewish communities in northern Europe during the First Crusade led to the emergence of Hassidei Ashkenaz, the German-Jewish pietists. 

The medieval encounter with Christianity led to a renewal of Bible commentary. The meeting with Islam inspired a renaissance of Jewish philosophy. The Spanish Expulsion was followed by the mystical revival in Safed in the 16th century. The greatest catastrophe of all led to the greatest rebirth: a mere three years after standing eyeball to eyeball with the angel of death at Auschwitz, Bergen-Belsen and Treblinka, the Jewish people responded by their greatest collective affirmation of life in 2,000 years, with the proclamation of the state of Israel.… Jews [do not] give way to defeat or despair. They are the people of hope.

The Chinese ideogram for “crisis” also means “opportunity.” Perhaps that is why Chinese civilization has survived for so long. Hebrew, however, is more hopeful still. The word for crisis, mashber, also means a “childbirth chair.” The Jewish reflex is to see difficult times as birth pangs. Something new is being born.

(Sacks, Future Tense, pp. 54-55)

Response to terrorism

The first prime minister of Israel, David Ben-Gurion, said, “In Israel, to be a realist you have to believe in miracles.” For Jews, faith is as necessary as life itself. Without it, the Jewish people would simply not have survived. 

In 2001, after the Oslo peace process had broken down and the suicide bombings had begun, I told the then-Israeli ambassador: “In the past, Israel’s enemies have tried to put it in a military crisis and failed. Then they tried to put it in a political crisis and failed. Now they are about to put it in a spiritual crisis, and they may succeed.” 

That, ultimately, is what 21st-century terror is about, and Israel has been its most consistent target. The suicide bombings brought war from the battlefront to the buses of Haifa, the shops of Tel Aviv and the restaurants of Jerusalem. There were times when Jewish parents sent their children on the school bus not knowing whether they would see them alive again. The missiles of Hezbollah and Hamas placed two-thirds of Israel – the north and south – within their range. As I write, there are 7-year-old children in Sderot who have only known safety in a bomb shelter. The delegitimization of Israel among some media, academic and NGO circles has left its people feeling abandoned and alone. The aim is to intimidate and create despair, and it needs immense resources of faith and courage not to be affected. That is the spiritual crisis.

(Sacks, Future Tense, pp. 18-19)

Where is man?

When I first stood at Auschwitz-Birkenau, the question that haunted me was not, “Where was God?” God was in the command, “You shall not murder.” God was in the words, “You shall not oppress the stranger.” God was saying to humanity, “Your brother’s blood is crying to Me from the ground.” God did not stop the first humans eating forbidden fruit. He did not stop Cain committing murder. He did not stop the Egyptians enslaving the Israelites. God does not save us from ourselves. That, according to the Talmud, is why creating man was such a risk that the angels advised against it. The question that haunts me after the Holocaust, as it does today in this new age of chaos, is “Where is man?” 

(Sacks, Judaism’s Life-Changing Ideas, p. 7)

Everything has purpose

Life is meaningful. We are not mere accidents of matter, generated by a universe that came into being for no reason and will one day, for no reason, cease to be. We are here because a loving God brought the universe, and life, and us, into existence – a God who knows our fears, hears our prayers, believes in us more than we believe in ourselves, who forgives us when we fail, lifts us when we fall and gives us the strength to overcome despair. The historian Paul Johnson once wrote: “No people has ever insisted more firmly than the Jews that history has a purpose and humanity a destiny.” 

(Sacks, Ceremony & Celebration, p. 22)

Everyone has a mission

God enters our lives as a call from the future. It is as if we hear him beckoning to us from the far horizon of time, urging us to take a journey and undertake a task that, in ways we cannot fully understand, we were created for. That is the meaning of the word vocation, literally “a calling,” a mission, a task to which we are summoned.

We are not here by accident. We are here because God wanted us to be, and because there is a task we were meant to fulfil. Discovering what that is, is not easy, and often takes many years and false starts.

(Sacks, Studies in Spirituality, p. 24) 

Sivan Rahav-Meir is a primetime news anchor who lives in Jerusalem. She has a weekly podcast on Tablet, called Sivan Says, and has published several books in English. Her “Daily Thought” on social media has hundreds of thousands of followers and is translated into 17 languages.

Jewish Mexican food excites

Paletas can be made in many flavours. Sabor Judío includes a recipe that uses Manischewitz wine. (photo by Ilan Rabchinskey)

The minute I saw the cover, I wanted to try some of the recipes in Sabor Judío: The Jewish Mexican Cookbook by Ilan Stavans and Margaret E. Boyle. Not only did I learn how to make some very tasty food, but I learned a bit about the Jewish community in Mexico and its history.

image - Sabor Judío cookbook coverPublished by the University of North Carolina Press, with hunger-inducing colour photographs by Ilan Rabchinskey, and written by two Jewish Mexican scholars (now living in the United States), Sabor Judío was a cultural experience for me, never having been to Mexico before and only ever having made a basic burrito at home. Of course, I’ve eaten at many Mexican restaurants over the years, but Sabor Judío features recipes you won’t necessarily find in a restaurant here in Vancouver, or even in Canada, though local Jewish community members with Mexican roots might make some of these dishes at home.

There were two very important inspirations for Sabor Judío.

One was Stavans’ grandmother, Bobe Miriam, whose recipe book, written in a mix of Yiddish and Spanish, was started in the 1920s, after she immigrated to Mexico from Poland. It evolved over decades, as she figured out what worked and what didn’t, and as ingredients changed. The notebook “wasn’t just about cooking; it was also a time capsule that chronicled, through dishes, the Jewish family’s process of assimilation into Mexico and the way La Comunidad, as the Jewish Mexican community is known, showcases its personality to the world.”

The other was Boyle’s great-grandmother, Baba Malka, also a Polish immigrant to Mexico: “While Baba Malka was still actively cooking, her children, grandchildren and great-grandchildren took turns observing and documenting her work in the kitchen in Mexico City, filling the notebook’s pages with notes and adaptations in Spanish, Hebrew and English as the family generations expanded across Mexico and into the United States.”

The recipes in Sabor Judío are “dishes collected from grandmothers and other beloved home cooks, professional chefs and bakers, and a variety of historical sources,” writes cookbook author Leah Koenig in the preface. Even she came across ingredients she had never used before. “I learned the hard way that nopales (cactus paddles) should always be handled wearing gloves, lest the prickly spines leave your hands stinging for the rest of the day.”

The recipe for Cactus Tomato Salad does include a note about the proper handling of cactus leaves. But, not sure of where I could buy cactus here, I inadvertently saved myself the trouble of removing the spines, boiling the cactus and cutting it into 1/4-inch pieces by buying a jar of cactus that was already prepared in that way. This substantially eased the process of making this salad, which was very good, though I’m sure fresh cactus would have made it even better.

I chose what to make from Sabor Judío by looking at what the cookbook authors recommended as a festive Hanukkah meal, which includes the Cactus Tomato Salad. I had already singled out the Falafel Taquitos because I liked the idea of mixing Mexican and Middle Eastern flavours. In the end, there was a bit of a disconnect for me between the taste of the falafel centre and that of the corn tortilla shell. In eating leftovers the next day, I greatly enhanced the enjoyment of this dish by adding some fresh-cut tomatoes and cucumber.

I also had already eyed Agua de Horchata because of the first sentence in its description, which says that the rice-milk drink – which is believed to have 11th-century North African origins – “accompanies a good Mexican Jewish meal.” I was very pleased with how it turned out. I will definitely make it again.

The Latkes con Mole were as labour-intensive (grating potatoes and onion) and delicious as other latkes I’ve had, and I would happily swap out my usual apple sauce every so often for mole and crumbled queso fresco, even though it takes a lot of time to make mole.

I tried a second fried item, it being for Hanukkah and all, and the Sor Juana’s Ricotta Buñuelos were so good, if that’s a thing. The anise really made them pop, and I ate way too many.

Lastly, knowing how much I like paletas, I couldn’t resist making the frozen treats using Manischewitz. The wine most definitely tastes better frozen, after being steeped in cinnamon, cloves and orange.

There are other Hanukkah – Janucá – meals, as well as suggested menus for other Jewish holidays. In total, there are about 100 recipes in Sabor Judío, including desserts. One thing you’ll learn from this cookbook is that the Canadian and Mexican concepts of breakfast, lunch and dinner differ somewhat. You’ll learn some Spanish, some history and more. You’ll be introduced to some new-to-you ingredients and ways to combine those ingredients.

As Stavans and Boyle wish readers at the end of their book’s introduction, perfectly capturing the fusions taking place throughout it: “¡Buen provecho! Mit a gutn apetit! Kome kon gana!” Enjoy your meal(s).

FALAFEL TAQUITOS
(serves 6; prep takes 30 minutes plus overnight soaking and a 30-minute chilling time; 20 minutes to bake)

for the taquitos:
1/2 lb dried chickpeas, soaked overnight in water, then rinsed and drained
1/2 medium yellow onion, roughly chopped
2 tbsp fresh parsley, roughly chopped
2 tbsp cilantro, roughly chopped
2 medium garlic cloves, roughly chopped
1 tsp kosher salt, plus more as needed
1 tsp ground cumin
1/2 tsp ground coriander
1/8 tsp cayenne
vegetable oil, for brushing
12 (6-inch) corn tortillas

for the tahini sauce:
1/2 cup well-stirred tahini
1/4 cup fresh lemon juice
1/4 cup cold water

1. Add the chickpeas to a food processor bowl along with the onion, parsley, cilantro, garlic, salt, cumin, coriander and cayenne. Pulse, scraping down the sides of the bowl as needed until a textured paste forms. Taste and add more salt, if needed. Transfer to a bowl and refrigerate the mixture for 30 minutes.

2. Heat the oven to 400˚F and brush a 9-by-13-inch baking dish with about 1 tablespoon of oil. Lay one tortilla on a flat surface and place a scant 1/4 cup of the filling along one edge, nudging it into a line. Roll up the tortilla tightly and place it seam-side down in the prepared backing dish. Repeat the process with the remaining tortillas and filling.

3. Brush the tops of the tortillas with more oil and bake until crispy and golden, 15-20 minutes. Meanwhile, whisk together the tahini, lemon juice and water. Serve the taquitos hot, drizzled with tahini sauce.

AGUA DE HORCHATA
(serves 8-10; prep takes 10 minutes, plus overnight soaking and a 4-hour chilling time)

2 cups long-grain white rice, rinsed well and drained
1 cinnamon stick
6 cups room-temperature water, divided, plus more as needed
3/4 cup granulated sugar
2 cups whole milk
2 tsp vanilla extract
ice, for serving (optional)

1. Place the rice and cinnamon stick in a large glass bowl and add 4 cups of the water. Cover the bowl and let the mixture soak overnight at room temperature (at least 8 hours).

2. Pour the soaked rice mixture into a high-powered blender along with the sugar and blend until smooth. (You can tear the cinnamon stick into smaller pieces to facilitate its blending.) Pour the mixture through a fine mesh sieve into a large wide-mouth pitcher, stirring and pressing the mixture with a spoon, if needed, to help the liquid pass through the sieve. (Discard any remaining solids.)

3. Whisk in the milk, the remaining 2 cups of water, and vanilla. Cover the pitcher and chill the horchata in the refrigerator until cold, at least 4 hours. (The mixture will continue to thicken as it chills.)

4. Just before serving, stir the horchata well and pour into glasses (over ice, if desired). If the horchata gets too thick, you can thin it with a little more water.

SOR JUANA’S RICOTTA BUÑUELOS
(makes 10-15 fritters; prep takes 40 minutes, plus 1-hour resting time; 30 minutes to cook)

1 cup ricotta cheese
6 egg yolks
1/4 cup granulated sugar, plus more for serving
2 1/2 tsp ground anise
3 cups all-purpose flour, plus more for rolling
1 1/2 tsp baking powder
vegetable oil, for frying
jam, for serving

1. Combine the ricotta, egg yolks, sugar and ground anise in the bowl of a stand mixer and beat on low until combined. Whisk together the flour and baking powder in a medium-sized bowl.

2. Add the flour mixture to the ricotta mixture in stages, beating on low and scraping down the sides of the bowl as necessary, until a thick and sticky dough forms. Cover the mixing bowl and let rest at room temperature for 1 hour. 

3. On a large, floured work surface using a floured rolling pin, roll out the dough to a 1/8-inch thickness. Use a sharp knife and a plate or bowl with a 4-to-5-inch diameter to cut out circles. Gather the scraps and repeat the rolling and cutting process, if desired.

4. Heat 1/4 inch of oil in a medium frying pan set over medium heat until it reaches 350˚F on a digital thermometer, and line a large baking sheet with paper towels. Working with one circle of dough at a time, slip it into the hot oil and fry, turning once, until puffed and golden, 30 to 60 seconds per side.

5. Transfer the fritters to the paper towels to drain and cool slightly. Serve warm, sprinkled with more sugar or dolloped with jam.

PALETAS MANISCHEWITZ
(makes 6; prep takes 40 minutes; freeze 5 hours)

1 (750-ml) bottle Manischewitz sweet red wine
3 wide strips orange peel
4 whole cloves
1 cinnamon stick
2 cups water
thinly sliced limes and tangerines (optional)

1. Add the wine, orange peel, cloves and cinnamon stick to a medium saucepan set over medium-high heat. Bring the mixture to a boil, then lower the heat to medium and cook, stirring occasionally, until the liquid reduces to 1 cup, 30-35 minutes. Remove from the heat and let cool, then strain out and discard the spices and orange peel.

2. Stir the water into the strained wine syrup, then divide the mixture evenly among 6 paleta or flat popsicle molds. If desired, add a slice of lime or tangerine into each mold. Freeze until solid, at least 5 hours.