Laura Reynolds and David Volpov in The Wars, which opens Nov. 7. (photo by Javier R. Sotres)
Timothy Findley’s award-winning novel The Wars, adapted by Dennis Garnhum for the stage, comes to University of British Columbia’s Frederic Wood Theatre Nov. 7-23. Directed by Lois Anderson, it will be performed by UBC Theatre and Film’s graduate class of 2020, among whom is Jewish community member David Volpov.
Volpov takes on the leading role of Robert Ross, who is described as “a tender-hearted idealist who shares a strong bond with his wheelchair-bound sister” and “trades his comfortable Canadian life for the harsh world of trench warfare in World War I.”
“What I find challenging about playing Robert is imagining the play as a series of events, with each event slowly transforming him into a new person,” Volpov told the Independent. “At first, he’s a shy city boy who comes from a wealthy family. Over the course of the play, he becomes a confident lieutenant, who’s gained a lot more life experience. It’s not until he escapes his domestic life and goes to war that he truly discovers who he is. He discovers more about his sexuality, his morality around war and his will to live.
“As well as being a war story, the play is also a coming-of-age story. Finding those moments of change has been a rewarding experience because Robert is such a complicated character to crack. Even though he’s so young, he has so much trauma and weight that he carries with him to France. It feels like a big step for Robert every time he grows or learns something, or pushes past his comfort levels.”
Volpov is in his final year of the bachelor of fine arts acting program at UBC. As a writer, his plays include The Minimum-Wage Dame and Ten Years Later. His acting credits include Promethean Theatre Company’s productions of Of Mice and Men and Saint Joan.
“I love working with Promethean because we’re a small group of friends who are passionate about theatre,” he said. “We come together and discuss what stories we want to tell, what stories we think are important to tell. Then we go ahead and tell them. There’s nothing high-brow about it.”
Volpov’s appreciation for storytelling comes in part from his parents.
“My parents were Jewish immigrants from the former Soviet Union – my mom from Latvia and my dad from Belarus. Having grown up persecuted for being Jewish, they found it important to pass on their life stories to me, and that I understood what it meant to be Jewish,” he explained.
Growing up in Richmond as a secular Jew, he said, “It wasn’t until I was a teenager and spent one summer at Camp Tel Yehudah in Upstate New York that I felt connected to my heritage. The camp was oriented on teen leadership, so each camper chose a global issue which they were passionate about, researched it and created an activism action plan.
“The issue I chose to dive into was gun safety,” he said. “My group and I created a policy plan that we got the chance to take to Washington, D.C. We met with senators’ aides and representatives of the NRA [National Rifle Association] and the Brady Campaign. It was very important to be able to speak with people on both sides of the issue and still be able to have a healthy discussion. The experience impacted me a lot because it was the first time that I felt like I had a voice about something I was passionate about, something that felt so personal to me. That’s one thing that really helped in my acting from then on. Before that, I knew how to read and play someone else’s script, but that was when I learned how to make someone else’s text feel like it was my own.”
Considering the text of The Wars, Volpov said that one of the reasons Findley wrote about the First World War “is because that was the war that changed everything. It marked the first use of chemical weapons in war and the first time that the senselessness of war was widely reported. World War I marked a point where the world shifted to a much more cynical outlook, where the chaos of the world was realized.
“Presently,” he said, “we’re living in a similarly cynical time, in a new age of increasing isolationism – of Brexit and [Donald] Trump, and the climate crisis, too. The message that the play applies to the First World War can also apply to today: even when we’ve lowered our faith in our leaders and in humanity, we can always hold onto hope and lean on meaningful connections to others to get by.”
He added that “these connections take precedence over mere survival. The play is so life-affirming because it’s all about finding hope and joy even during the hardest times.”
For tickets to The Wars, call 604-822-2678 or email [email protected]