misogyny

Making internet safer

On March 30, Minister of Canadian Heritage Pablo Rodriguez and Minister of Justice and Attorney General of Canada David Lametti announced a new expert advisory group on online safety as the next step in developing legislation to address harmful online content.

While online platforms play a central role in the lives of Canadians, bringing many benefits to society, they can also be used as tools to cause real and significant harm to individuals, communities and the country. Harmful content, such as hate speech, sexual exploitation of children and incitement to violence, is published online every day. There are no broad regulatory requirements in Canada that apply to platforms regarding their responsibilities in relation to such content.

The expert advisory group will be mandated to provide advice on a legislative and regulatory framework that best addresses harmful content online. The group is composed of diverse experts and specialists from across Canada: Amarnath Amarasingam, Queen’s University; Bernie Farber, Canada Anti-Hate Network; Chanae Parsons, community activist and youth engagement specialist; David Morin, Université de Sherbrooke; Emily Laidlaw, University of Calgary; Ghayda Hassan, Université du Québec à Montréal; Heidi Tworek, University of British Columbia; Lianna McDonald, Canadian Centre for Child Protection; Pierre Trudel, Université de Montréal; Signa A. Daum Shanks, University of Ottawa; Taylor Owen, McGill University; and Vivek Krishnamurthy, University of Ottawa.

The advisory group will hold nine workshops to discuss various components of a legislative and regulatory framework for online safety. They will also take part in additional stakeholder engagement, including with digital platforms. The work of the advisory group will be open and transparent. The group’s mandate, the supporting materials for each session, and non-attributed summaries of all sessions and discussions, will be published.

“We conducted a consultation last year and released the What We Heard Report earlier this year,” said Rodriguez. “It’s clear that harmful online content is a serious problem, but there is no consensus on how to address it. We’re asking the expert advisory group to go back to the drawing board. We need to address this problem openly and transparently as a society.”

Facts and figures on online violence in Canada include that:

62% of Canadians think there should be more regulation of online hate speech;
58% of women in Canada have been victims of abuse online;
80% of Canadians support requirements to remove racist or hateful content within 24 hours;
one in five Canadians have experienced some form of online hate;
racialized Canadians are almost three times more likely to have experienced harmful behaviour online;
there was a 1,106% increase in online child sexual exploitation reports received by the RCMP National Child Exploitation Crime Centre between 2014 to 2019.

“Too many people and communities are victimized by harmful online content that is often amplified and spread through social media platforms and other online services,” said Lametti. “The Government of Canada believes that Canadians should have protection from harmful online content, while respecting freedom of expression.”

– Courtesy Canadian Heritage

Also on March 30, the Canadian Coalition to Combat Online Hate announced the launch of their new website, combatonlinehate.ca, providing youth, parents, educators and policymakers with strategic tools to be effective in their efforts to identify and combat online hate.

“Canadians are exposed daily to a barrage of hateful and divisive online messages that pollute social media forums with content that is antisemitic, anti-Black, anti-Asian, anti-Indigenous, misogynistic, Islamophobic and homophobic, and that promotes conspiracy theories. These posts, videos and memes are easily discoverable and readily shared, often masked by anonymity or given undue credibility,” said Richard Marceau, vice-president, external affairs and general counsel at the Centre for Israel and Jewish Affairs (CIJA). “We know that online hate can become real-life violence. Hate-motivated murders at Christchurch’s Al Noor Mosque and Linwood Islamic Centre and at Pittsburgh’s Tree of Life Synagogue stand as notable examples. It is incumbent on all of us, before it is too late, to combat online hate with the most effective tools available.”

According to a 2021 survey by the Canadian Race Relations Foundation, 42% of respondents have seen or experienced hateful comments or content inciting violence online, and younger and racialized Canadians are significantly more likely to be confronted with this hate. The same study indicated that 93% of Canadians believe that online hate speech and racism are problems, of which 49% believe they are “very serious” problems. Findings also showed that at least 60% of Canadians believe that the federal government has an obligation to pass regulations preventing hateful and racist rhetoric and behaviour online. Only 17% prefer no government involvement at all.

“We saw COVID exacerbate online hate exponentially, as stress levels and political division rose amid lockdowns. By working together, we can make the communities we are building online – and, by extension, the communities we inhabit offline – safer places for all Canadians,” said Marceau.

The website combatonlinehate.ca is organized by the Canadian Coalition to Combat Online Hate, funded by Canadian Heritage and powered by CIJA.

– Courtesy Centre for Israel and Jewish Affairs

Green party reckonings

During the election campaign, Green leader Annamie Paul was surprisingly candid about her precarious position at the helm of her party. She acknowledged that she spent almost all the campaign in her home riding of Toronto Centre because she might not be welcomed by Green candidates across the country. She suffered a near-defenestration just before the election and the simmering internal strife the Greens barely managed to conceal through the campaign will inevitably boil over now, especially after her own poor results in Toronto Centre.

Paul faced horrific online racism and antisemitism during and after her campaign for the party leadership. We trust that she will share more of her experiences without reservation now that her tenure is almost certainly at an end. Rarely has so talented and qualified an individual offered themselves for public office – and even more infrequently has any political figure been so ill-treated by their own party.

Canadians, but especially Green party regulars, must examine what happened. Paul and other members of the party owe it to Canadians to examine the entrails of this affair and determine what roles racism, misogyny and antisemitism played in the matter. If there are Green activists who have legitimate grievances against Paul, they should be transparent and demonstrate that their extraordinary treatment of their leader was based on policy or strategic differences and not on her innate identities.

To do or not to do (the Bard)

Bard on the Beach’s Done/Undone, written by Kate Besworth, co-stars Harveen Sandhu and Charlie Gallant. (photo from bardonthebeach.org)

Throughout COVID, Vancouver’s Bard on the Beach has been unable to mount its popular summer festival at Vanier Park. However, it is easing its way back into the hearts and minds of Shakespeare fans with its innovative film production Done/Undone, written by Kate Besworth and starring Bard veterans Charlie Gallant and Harveen Sandhu, who take on multiple and diverse roles. The creative team includes community member Mishelle Cuttler as sound designer.

The film raises many probing questions. Is time up for Shakespeare’s works in the #metoo, woke, cancel culture era? Is there room today for plays written 400 years ago that can be interpreted as misogynist (The Taming of the Shrew), racist (Othello) or antisemitic (The Merchant of Venice)? Are the Bard’s works not just the reflections of a white, privileged male, written for colonial audiences to glorify British mores and culture? Or was English writer Ben Johnson, who died in 1637, right when he said Shakespeare was “not a man of his age, but a man for all times?” Should any form of Bardolatry continue or should Shakespeare and his folios be laid to rest as we move forward with contemporary artists telling contemporary stories?

To answer these questions, the film, set against the backdrop of a working theatre, uses snappy vignettes to showcase the pros and cons of the debate with interesting and perhaps unexpected results.

It opens as the two actors arrive at the theatre to prepare for a production of Hamlet, and the question first arises. Sandhu appears as Shakespeare to state that the purpose of writing is to “hold a mirror to humanity,” as she lists off the myriad subjects that the Bard explored – the sea, star-crossed lovers, a donkey in the arms of a fairy queen, an exiled warrior, an emperor of Rome, a triumphant king, how choices matter, and how governments fail us.

We then are spectators to a battle of wits between dueling professors, explaining and emoting from their respective lecterns. Gallant emphatically argues that Shakespeare is a product of a white, patriarchal society, using words as a tool of cultural imperialism written, originally, for white men to perform (women were not allowed to act in Shakespeare’s times, so male actors would take on the female roles) and that there is no place today for his work. Sandhu counters that Shakespeare’s texts still evoke emotions that resonate within the contemporary world – his topics of love, hate, greed and lust are timeless and embedded in the human character, she argues. She sees Shakespeare as remarkably progressive, with many of his characters in gender-fluid roles and with his portrayals of strong women – Rosalind, Cleopatra and Lady Macbeth, to name a few. His works can provide teaching moments, says Sandhu, giving the examples of Taming of the Shrew to show the harm that misogyny causes, King Lear, the scourge of elder abuse, and Othello and Merchant as vehicles to elicit tolerance and empathy in society.

Other vignettes in the film include a Bard board member – a neurosurgeon – who, during an opening night audience address, poignantly recounts the solace he found in the dark spaces of the theatre during a production of King Lear after the loss of a patient. He says that darkness was the escape from the reality of his grief.

Another scenario depicted is a couple taking in a performance of Romeo and Juliet, where the woman is clearly more into it than her male partner, who finds the Shakespearean language highbrow and difficult to understand.

Then there are the gothic, spectre-like creatures who denounce the Bard’s portrayal of women and Blacks in a macabre pas de deux; a talkback session after a Measure for Measure performance, where the female actor embarks on a scathing indictment of colour-blind casting; and the finale, in French, as the two actors attend an inventive Shakespeare festival in Montreal.

Shakespeare’s influence is global. At any given time, somewhere on the planet, one of his plays is being produced, either in its original form or as an adaptation. Do we judge him with our contemporary lens or should we remember the times in which he wrote and appreciate his genius? Done/Undone is a thoughtful and intelligent production that seamlessly blends the worlds of cinema and theatre, and considers some difficult questions. It leaves you to draw your own conclusions.

Done/Undone, with a run time of 76 minutes, is available for streaming online until Sept. 30. Tickets can be purchased at bardonthebeach.org or from the box office at 604-739-0559.

Tova Kornfeld is a Vancouver freelance writer and lawyer.