Winnipeg gives ambulance to Israel

Dror Fuchs in Israel with the ambulance donated  by Winnipeg. (photo by Ariel Karabelnicoff)

In May 2013, the first Winnipeg-donated ambulance took to the streets of Israel. The vehicle was largely donated by allocations from Jewish Foundation of Manitoba fundholders responding to an ambulance fundraising drive, with additional money from members of the general community topping off donations. Another campaign for a second Winnipeg-donated ambulance is already on its way.

The Canadian Magen David Adom (CMDA) Winnipeg chapter ambulance-drive telethon was held on Nov. 24, 2013, with lead CMDA Winnipegger organizers Yolanda Papini Pollack and Sheldon Zamik, assisted by members of the CMDA Winnipeg chapter.

Growing up in Israel, Papini Pollack said she had to learn early on that it is never too early to prepare for a crisis.

“It’s rewarding to have a small role in saving the life of someone in need,” she told the Independent. “It scares me to think someone won’t get the medical treatment s/he needs due to a lack of operational ambulances.

“Magen David Adom has always been instrumental in helping save lives of Israeli residents, regardless of their ethnicity or religion. It’s an organization that unites all sectors of Israeli society.”

A filmmaker and educator, Papini Pollack created a short video clip to help convey the message of the fundraising drive and also spearheads the annual telethon.

“It was a great feeling to accomplish our goal last year, but there was also a feeling of fulfilling a duty,” she said. “This is something I had to be involved in, as I have a responsibility to the people of Israel. This is the least I can do.”

CMDA’s Winnipeg chapter wants to send more ambulances to Israel.

“It will be amazing if even one person in Israel would be able to say, ‘My life was saved thanks to an ambulance sent by people of Winnipeg.’”

“Wouldn’t it be great if Winnipeg could send an ambulance to Israel every year?” she asked. “It will be amazing if even one person in Israel would be able to say, ‘My life was saved thanks to an ambulance sent by people of Winnipeg.’

“Last year’s donors were so happy to see that 100 percent of their money was used to buy the ambulance. They were also thrilled to see a concrete photo of what their donation was able to achieve – the actual ambulance serving the people of Israel and being appreciated.”

Papini Pollack has received many messages from people in Winnipeg, expressing their thanks, as well as from people in Israel very appreciative of this lifesaving gift.

“Hearing that all the volunteers want to ride in the new Winnipeg ambulance was one of the most heart-warming things I heard all year,” she said.

The Winnipeg chapter of CMDA will continue raising awareness about the importance of MDA, while raising funds to send the second Winnipeg-sponsored ambulance to Israel.

“Our goals are very attainable,” said Papini Pollack. “We already raised a large portion of the needed money needed, with hope our community will succeed again this year.

“People wanting to get involved are welcomed to join our committee or help in other ways. We always need more volunteers and donations of any amount.”

Ariel Karabelnicoff, executive director of Canadian Associates of Ben-Gurion University of the Negev, Manitoba Region, first heard about the ambulance fundraising drive last September, having crossed paths with Papini Pollack at the Prophecy Conference, an event to which they were both invited to have a booth.

“When I heard the first ambulance was on its way, it felt amazing,” said Karabelnicoff. “I was proud of my colleagues and the people of Winnipeg. And, as I shared with other people news that the ambulance was on its way, they too were proud and impressed.”

Karabelnicoff’s current connection to MDA is through his friend’s son, Dror Fuchs, a 16-year-old who volunteers with MDA (during his free time, on weekends) in Israel.

“I heard from John Plantz, a Christian Zionist who is one of the main organizers of the Prophecy Conference in Winnipeg and who is part of the fundraising campaign for the ambulance, that he is very excited that Winnipeggers successfully sent an ambulance,” said Karabelnicoff.

“Recently, Dror sent me a photo of a brand new ambulance he was volunteering on and he mentioned it came from Winnipeg. You could probably imagine how I felt inside.”

To donate to the Winnipeg chapter ambulance drive or the Vancouver chapter ambulance drive, send a cheque to CMDA head office in Montreal (at CMDA, Suite 3155, 6900 Decarie Blvd., Montreal, QC, H3X 2TB), with mention of where you would like the money to go to, call 1-800-731-2848, or visit cmdai.org. CMDA is a registered charity and all donations will be acknowledged with a tax receipt.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Jewish sea turtle swims again

Hofesh can swim now, thanks to a flipper made of polypropylene that is durable but flexible. (photo by Baz Ratner from Yanic Levy)

When a young green sea turtle with both his left limbs nearly severed washed up on Israel’s Mediterranean shore four years ago, the first thing on the rescuers’ minds was how they could save his life. The rescuers amputated both of the turtle’s limbs, which left him unable to swim or even keep his head above water – he was able only to stay on dry land or navigate in shallow ponds. Things changed when Shlomi Gez, a student from Hadassah Academic College in Jerusalem, happened upon the turtle rescue centre’s website.

Gez had been looking for a final project to complete his studies. “As soon as I saw the place, I was inspired, and I knew I could help solve their most acute problem, which was Hofesh,” he said.

The biggest hurdle for Hofesh – that’s the name given to the rescued sea turtle – was the loss of balance. Losing both limbs on the same side interfered with the stability needed for swimming. “A flipper enables fish to retain their balance, so I decided to adapt the idea to a sea turtle,” Gez told the Independent.

Gez’s designed a specialty flipper made of polypropylene that is durable but flexible. He attached it to Hofesh’s back with a harness – and it worked. As Gez fine-tuned the prototype, the permanent flipper was recently glued to Hofesh’s shell with a special glue designed to grow with the shell as the turtle grows.

“At first, we could only put him in a shallow-water pool because he would have drowned but, now that he has his artificial flipper, he swims completely normally,” said Yaniv Levy, director of the rescue centre.

The centre has rescued more than 500 sea turtles – green turtles, a highly endangered species, and loggerheads – since it was founded 15 years ago, and successfully returned about 70 percent of them to the sea.

Unfortunately, Hofesh cannot be set free – if his flipper ever came loose, he would drown. But as a member of a globally endangered species, Hofesh has been selected for a breeding program. “We hope his offspring will be returned to the sea,” said Levy.

Although Hofesh’s disability is visible, this does not bother his new mate, a blind green sea turtle, named Tsurit. They swim together in their shared tank at the centre. “He nibbles her neck and likes to frolic with her,” said Levy, noting green sea turtles have about the same average life span as humans, but reach sexual maturity only around the age of 30.

In 1930, the green turtle population was at around 30,000. At the time, they were called, “the Edible Sea Turtle,” hunted nearly to extinction. Today, there are fewer than 30 wild green turtles in the area.

In 1930, the green turtle population was at around 30,000. At the time, they were called, “the Edible Sea Turtle,” hunted nearly to extinction. Today, there are fewer than 30 wild green turtles in the area.

The centre runs a breeding program, which currently includes 26 green sea turtles. Its hospital treats the green turtles and the more common, but also endangered, loggerhead species, with some 15 patients in care. Like Tsurit and Hofesh, most have been injured by boats and fishing nets.

“It’s unfortunate that Hofesh will never be free,” said Levy, “but he has a good life here.”

The hope, of course, is that Tsurit and Hofesh’s union will increase the population of rare green sea turtles in the Mediterranean.

Sea turtles lay 300-500 eggs per breeding season. During a female’s lifetime, she can lay around 6,000 eggs.

The survival rate of young sea turtles is estimated as only one in every 100 hatchlings reaching sexual maturity. In the Mediterranean alone, about 1,000 turtles are injured annually.

The Israeli Sea Turtle Rescue Centre is part of the world network focused on treating injured turtles. Its aim is to create a better future for the turtles’ near-extinct populations, to raise public awareness for better life, to achieve a society that better cares for its oceans and seas and to help reestablish an environmental balance. The new dedicated rescue centre inside the existing Alexander River National Park, where the river forms an estuary flowing into the Mediterranean, will be isolated from noise and populated areas.

Another Israeli turtle story involves a groundbreaking medical device used to treat terror victims helping save the life of a Caspian turtle at the Israeli Wildlife Hospital, Ramat Gan Safari. This turtle posed a challenge for veterinarians, as its shell had too big a crack to fix the standard way (with bolts and wire). The veterinarians turned to the head of the plastic surgery unit at Hillel Yaffe Hospital in Hadera, Dr. Morris Topaz, an Israeli doctor who treats terror victims.

Topaz originally created the device to help people who lost areas of skin too far separated to sew together yet too close together to do a skin implant. It brings the two edges of existing skin closer to each other, eliminating the need for skin implants. With the special device, they glued the unique plastic device on both sides of the turtle’s fracture and connected them with a special plastic string that looks a lot like a zip tie.

Seeing his device in action on a turtle, Topaz decided to donate the idea and device to the Israeli Wildlife Hospital for future cases.

More than 2,200 injured wild animals are brought to the Israeli Wildlife Hospital annually. About 60 percent of the animals are treated, rehabilitated and returned to the wild.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Moments shine in Seminar

Brian Cummins, standing, with, left to right, Michael Germant, Christine Wallace, Gina Leon and Brendan Riggs. (photo by Gregory Wills Photography)

Seminar, by American playwright Theresa Rebeck, is a sex comedy with occasional insights into the life of a professional artist. However, the play feels a bit thrown together and uncertain of how seriously it wants to be taken. As a drama, it is pretty weak. As a sex comedy, it is second rate. And, as a meditation on the life of an artist, it is half-baked. Still, it has moments that work.

The recent community theatre collaboration by Island Productions with Frolicking Divas and Bar S Entertainment marked the play’s Vancouver première. The show ran for five performances at PAL Studio Theatre and closed April 20. The cast comprised local film and television actors, including a couple of Jewish community members, Gina Leon and Michael Germant.

Rebeck is a successful television writer with credits like L.A. Law, Third Watch, NYPD Blue and Smash. In 2003, she was nominated (with a co-writer) for a Pulitzer Prize. In addition, she is a noted scholar who holds a doctorate in theatre from Brandeis University. Seminar ran on Broadway for 191 performances before it closed May 6, 2012. Allan Rickman played the lead character, Leonard, a washed-up novelist who teaches young writers. It’s a huge role, a character that dominates the play and all the characters in it.

Martin Cummins played that role in the local production. Four young writers have chosen to pay $5,000 each to study with this literary giant. As the group’s teacher, Leonard is a pontificating jerk and a destructive force. He is also the source of the play’s energy. Cummins’ characterization started with over-the-top bluster and pomposity, a level that gave the character no room to become increasingly arrogant and obnoxious as the play goes on. This weakened his performance and the production.

Four students and Leonard meet weekly in Kate’s apartment for a workshop with the “Great Man.” Kate (played by Leon) is a privileged young woman who lives in a huge apartment on Manhattan’s Upper West Side. She reveals her insecurity by constantly dropping the name of the exclusive college she once attended, as if this establishes her credibility as a short story writer. She’s in love with Martin (Germant), who eventually sleeps with Izzy (Christine Wallace).

Lots of low-comedy bed-hopping occurs in a play that aspires to be about the creation of art. The sex-comedy element may indicate that the playwright was too lazy to develop more sophisticated subplots, or maybe it just shows the playwright’s conviction that stock characters in age-old situations are essential to commercial Broadway success. She is likely right in the latter.

Douglas (Brendan Riggs) is eager to receive approval from his teacher, and Izzy enjoys Leonard’s accolades for what is clearly an inferior work. She succeeds on her looks alone, and ends up in a couple of beds.

And then there is Martin, the best writer in the group and the least secure. He is afraid to show his writing to anyone. When he finally shares his work, Leonard is deeply affected and moved to make the play’s best, and best-performed, speech. He warns Martin of the miserable life that lies before him should he pursue the writing career of which he is clearly capable.

In this speech, Rebeck (through Leonard) offers a cautionary tale about how a talented writer may produce a successful novel or two, but can then expect to see his or her excellent work ignored, suffer envy of less successful writers, and end up teaching creative writing to bored students at some insignificant college. Leonard is clearly describing his own rise and fall, and Cummins rose to the occasion with this speech and we saw Leonard’s bluster combined with personal pain and disappointments. A good moment for Cummins.

For the play’s final scene, Rebeck takes a more romantic view of artists, those individuals who are compelled to create. This final dialogue, between Leonard and Martin, allowed both actors to shine. Germant provided a layered version of Martin. He shifted from an angry victim who demands his money back to an artist in search of a mentor; and Leonard challenges the young writer to work hard. The play ends on a hopeful note.

The actors, for the most part, were too dependent on the script for the establishment of their characters. They should have displayed more anxiety in anticipation of Leonard’s judgment and more distress when he destroys their dreams. The actors needed also to demonstrate why their characters stick with the loathsome Leonard, why they don’t just leave the room and quit his class. Finally, the comedy would have worked better if director Mel Tuck had guided his actors into a faster pace and a greater focus on proper timing. Snappy dialogue needs to snap.

Michael Groberman is a Vancouver freelance writer.

What might the future hold now that the peace talks have failed?

This article was originally published in the Times of Israel the day before negotiations failed and the editing takes this into account. It is reprinted with permission.

As the current peace talks between Israel and the Palestinians have failed, we need to prepare for what comes next.

For some, this preparation involves preparing the public relations case for why “they” are to blame and shoring up our arguments and defence against a partial or broad boycott, divestment and sanction (BDS) campaign. It might also involve the circling of wagons around the “loyalists” and a legislative and communal campaign against the “outliers.” Who can march, when and where, who can speak, when and where, whose support is acceptable, and who is included under our “big tent,” are all going to be the subjects of ever-increasing and acrimonious debate, and some around the world might not take it as self-evident that it is “their” fault.

What happens after we accept that, for possibly the next decade, an agreement will elude us? What happens when our aspirational horizons are contracted and the status quo is all we can look forward to? Do we commence with punitive steps, such as annexing Judea and Samaria, expanding our hold on the land through settlement building and expansion, and a cessation of financial cooperation and support with the Palestinian Authority? Do these actions contribute to a stronger and greater Israel, to Israel’s vision of itself and relationship with world Jewry and the international community?

Like U.S. Secretary of State John Kerry, I, too, fear the consequences of an energized BDS movement. But, more than that, I fear the ghetto mentality and victimhood psychology to which it would give birth. As a people, we are well schooled in living in the midst of animosity and defensive responses are imprinted on our DNA. Instead of leading the Jewish people away from a Holocaust-centred narrative, Israel would be its new locus of operations.

All criticism will immediately be subsumed under the banner of antisemitism and the world will be divided between the stark categories of friend or foe, with the former an ever-shrinking category. Friends will be confined to those who do not merely support us but who agree with us and reaffirm our narrative. Our world will become smaller and our walls higher as we create with our own hands the greatest ghetto in Jewish history.

This is not the Jewish world into which I want to raise my grandchildren. This is not a Jewish world that has any chance of attracting Jews who are searching for the location of their primary identity. This is not an Israel that can lay claim to a leadership position in Jewish life and attract the loyalty of future generations. This is not an Israel that can build new bridges, whether spiritual, moral, economic or political, with the larger world and our Christian and Muslim friends.

The making of peace requires two sides. Whether we did everything in our power and whether the Palestinians did everything in theirs is a factual question and, as such, paradoxically, unresolvable, for we rarely shape our opinions on the basis of facts, and instead shape our perception of the facts on the basis of our opinions.

We need to ensure that the cessation of the current peace negotiations does not at the same time unleash an uncontrollable process and narrative that will create a broader reality alien to who we are and detrimental to who we want to be.

I am concerned with that over which we do have control – our values, principles and identity as a nation and as a people. We need to ensure that the cessation of the current peace negotiations does not at the same time unleash an uncontrollable process and narrative that will create a broader reality alien to who we are and detrimental to who we want to be.

We now awaken to a world where policy is not the barter of negotiations nor the payment offered for compromises from the other side. We awaken to a world where we have to negotiate once more with ourselves and discover what we really want and what we need to do to get there. Settlement expansion is no longer a Palestinian problem but an Israeli one; educating youth towards violence is no longer an Israeli concern but a Palestinian one.

The demands of the other have ceased to serve as the wall behind which we hide ourselves from our own values and interests. We discover that all the punitive threats of harm that we levied at each other during the negotiations, if in fact implemented, harm “us” at least to the same degree.

Together with the mobilization of our forces for the sake of public relations, we need a mobilization of our best talent and leadership to determine and implement our national policies. We need to lead and not be led.

While a unilateral withdrawal along the lines of Gaza is not prudent, a unilateral implementation of policies that serve our moral and political interests is not only prudent but critical.

Such unilateral policies, I believe, must first fortify our Jewish commitment to the equality of all humankind, to the treatment of others as we would want to be treated ourselves and to the disdain we feel in the role of occupying another people. As an expression of these commitments, we must first clarify the borders we believe are defensible and which at the same time will allow for a viable Palestinian state.

This must be followed by a cessation of all settlement expansion, let alone building beyond these lines. At the same time, this cessation must be accompanied by a gradual dismantling of those settlements that are outside our self-proclaimed borders: first, through stopping economic incentives; second, through the provision of economic incentives to move; and third, through the construction of viable housing alternatives to accommodate the inhabitants of these settlements. All this will undoubtedly take time, but now, in the days after, what we have in abundance is time.

Just as we built a massive infrastructure to support the safety of the Israeli citizens who live there, we must now invest heavily in roads, bridges and tunnels that will allow unencumbered and free passage, to the best of our ability, for Palestinian inhabitants.

As the role of occupier is prolonged, we must be ever more conscious of the effects that it has both on those who are occupied and on those who are occupying. We must engage in an ever more rigorous analysis of our military footprint in Judea and Samaria and minimize our interference in the everyday lives of the Palestinian people to pressing security concerns alone. Just as we built a massive infrastructure to support the safety of the Israeli citizens who live there, we must now invest heavily in roads, bridges and tunnels that will allow unencumbered and free passage, to the best of our ability, for Palestinian inhabitants.

As the occupier, we must realize that the cancer is not merely affecting a small group of radical settlers but us all. We must double and triple our educational programs geared toward increasing commitment and sensitivity to the equality of human beings and to their inalienable rights. We must fight any and all exhibitions of discrimination and national racism. If we are not at the present time capable of applying our values to the Palestinian people in Judea and Samaria, we can double and triple our efforts in implementing them toward our fellow Israeli Arab Palestinian citizens.

Finally, we must relearn the old Diaspora art of living with unfulfilled dreams. The success of Israel has lured us into believing that if we will it, it will become a reality. As a result, we articulate our aspirations but have difficulty holding on to them in the midst of our imperfect reality. If aspirations for peace, justice and compassion are going to continue to define Jewish identity, we must learn to talk about them, write and sing about them, dream about them, despite the pain and disappointment that accompany our inability to as yet fulfil them.

This is part of the Torah of Israel for what happens in the days after negotiations fail, a Torah that challenges us to implement our ideals to the best of our ability and which obligates us to hold on to them, regardless of the reality within which we find ourselves. This is a Torah that empowers us as a free people to shape the world in which we live, instead of merely being its victims. This is a Torah that can prepare us for all the days after.

Rabbi Dr. Donniel Hartman is president of the Shalom Hartman Institute (hartman.org.il) in Jerusalem and director of the Engaging Israel Project. He is the author of The Boundaries of Judaism.

Peace talks fail – again

While the announcement of a Fatah-Hamas unity pact on April 23 may seem to have come out of the blue, the resulting collapse of the U.S.-led peace talks was not as surprising.

The negotiations never really gained steam and, just over a month ago, they started their nosedive. Israel announced it would not release another group of prisoners by March 29 unless the Palestinian Authority agreed to extend talks beyond their April 29 deadline (which they did not). On April 1, Israel issued tenders for homes in the east Jerusalem neighborhood of Gilo and, the next day, the Palestine Liberation Organization central council applied for membership in 15 United Nations agencies/treaties. While settlement construction freezes were not a peace-talk commitment, the prisoner releases and abstention from international recognition attempts were concessions that each side offered before the talks began last July.

The day before the unity announcement, PA President Mahmoud Abbas had threatened to hand the West Bank over to Israel if peace talks failed. After the announcement, he said that a unity government under his charge would recognize Israel, accept previous Israeli-Palestinian agreements and have Fatah in control of any weaponry/soldiers. Yet, on April 26, he demanded in return that Israel freeze settlement construction, free prisoners and begin border discussions.

On April 27, more developments. Abbas acknowledged the tragedy of the Holocaust and expressed sympathy for the families of the victims, while Hamas said that, actually, it would never accept Israel as a Jewish state. Also that Sunday, the PLO council decided to pursue membership in another 60-plus UN agencies/treaties. As well, the council refused to recognize Israel’s Jewish nature and demanded “a complete end to the occupation … the illegitimacy of settlements … and a refusal of land swaps,” when Abbas had indicated amenability to “limited land swaps.”

Israel’s cabinet made the decision on April 24 to suspend talks, not willing to deal with any government that included Hamas, a terrorist organization. However, there were dissenting opinions: Justice Minister Tzipi Livni (Hatnua), Finance Minister Yair Lapid (Yesh Atid) and Opposition leader Isaac Herzog (Labor) wanted to leave the door to negotiations open, even in the case of a unity government, if it adhered to the three conditions stipulated by the Quartet (the UN, United States, European Union and Russia): recognizing Israel, accepting previous agreements and renouncing terrorism. That said, Naftali Bennet’s Jewish Home party doesn’t recognize the Palestinians’ right to a state and Prime Minister Binyamin Netanyahu’s Likud is deeply divided on the matter.

On Sunday, Netanyahu dismissed Abbas’ Holocaust comments as “damage control,” and said that Israel will look for alternative paths to peace, that he’s “not going to accept a stalemate.” On Tuesday, the Israeli government decided to use the tax funds it collects on behalf of the PA to pay debts owed to it by the PA, and was considering additional sanctions. To that date, Netanyahu had resisted calls from within Israel to unilaterally draw its own borders.

As the United States/U.S. Secretary of State John Kerry went from blaming Israel for reneging on the prisoner release, to blaming both sides for the troubles, to understanding why Israel wouldn’t want to deal with an organization that doesn’t believe in its right to exist in the first place, to viewing the end of talks as an expected “holding period where parties need to figure out what is next,” to using apartheid to describe a possible future Israel, their leadership of the negotiations floundered. Amid this flurry of activity, the EU issued a statement Sunday supporting Palestinian reconciliation as long as a unity government upheld nonviolence, was committed to a two-state solution and accepted Israel’s “legitimate right to exist.” On Monday, the Arab League blamed Israel for the failed talks.

In broad strokes, that’s where things stood at press time. What then are some of the concerns going forward? Analysts have pointed to many, including:

• Hamas may be agreeing to resign from power when the unity government is formed because they hope to win Palestinian public opinion and, eventually, the elections to rule over both Gaza and the West Bank.

• With peace talks off the table, Hamas won’t have to change its stance towards Israel if it forms a coalition with the PA.

• Without the talks, there may be increased violence in/from the West Bank and increased international efforts to boycott Israeli goods and institutions.

• The PA could collapse if the United States withdraws financial aid because of the reconciliation with Hamas, leaving Israel responsible for West Bank residents and the moral issues that entails, as well as more international criticism and the threat of a state in which Arabs will eventually outnumber Jews.

So, as Israel turns 66, it looks like a challenging year lies ahead. We can think of more than one wish to make as the candles are blown out.

Creativity at the crossroads for Idan Raichel

Idan Raichel performs for one night only at the Vogue Theatre on May 12. (photo by Eldad Rafaeli)

Vancouver audiences are in for a treat next month when Israeli musician and uber-producer Idan Raichel together with the ensemble of international musicians that comprise the Idan Raichel Project perform for one night only at the Vogue Theatre on May 12.

The IRP’s unique sound – a blend of African, Middle Eastern, Indian and Latin American rhythms and instruments, is familiar to Vancouver audiences. Their three previous tour stops here – also presented by the Chutzpah! Festival – were sold out well in advance. This time, in addition to old favorites, audiences will be treated to some songs from Raichel’s latest and most successful album to date, A Quarter to Six, released in late 2013 to enthusiastic reviews from music critics and fans, sky-rocketing to double-platinum status within two months of its release.

The album’s title, taken from a work by Israeli dramatist Yossi Banai, refers to the twilight hour, a time of transition from day to night. “This is a very special time in Israel, the change of the day … you can think about what has happened up until now, also what could happen,” explained Raichel, who spoke with the Jewish Independent from his home in Tel Aviv. “The hour of the day that is like the crossroads in life…. After 10 years with the Project, I feel we have reached this time … of change, a transition, both musically and personally.

“A Quarter to Six [is] a kind of closure,” mused the artist. “It speaks about the crossroads we have in life. I don’t know if it’s age, or different perspectives, but we all have it about life … it doesn’t have to be a matter of age, you can feel this crossroads when you are 15 or 50.”

More than a collection of songs, the album is what Raichel terms “a complete piece of art,” as it includes a booklet of small paintings that he has been working on for the past two years. This album “is a big musical journey – inside my life spiritually and outside, touring and collaborating with [musicians] from Germany, Portugal, Columbia. The thing that touches me the most is that people see each song fits … [it’s] part of a story and they are listening from start to finish, writing comments about the booklet.” The songs are “not just singles,” he continued. “Every song is a script in a movie, every scene is singing about the situation that he or she is in. At concerts, I see kids and their parents, grandparents with kids coming, it’s reaching a wide audience…. The first time this is a full album that goes deeply into the theme of crossroads in life.”

While the format of this album differs from previous recordings, what hasn’t changed is Raichel’s unique sound, created in part by the collaboration with international musicians. A Quarter to Six brings together an eclectic mix of voices, languages and musical disciplines with guest artists that include German counter tenor Andreas Scholl, Colombia’s Marta Gómez, Portuguese fado star Ana Moura, Arab-Israeli singer/songwriter Mira Awad, Malian singer and guitarist Vieux Farka Touré, and a selection of some of Israel’s top up-and-coming singers and musicians. Raichel wrote all the melodies and lyrics but collaborated with each artist, allowing them to interpret and adapt their song to their own personal style.

This latest record is a very personal album – mirroring the very real crossroads that Raichel faces at this stage of his life and career. The 36-year-old recently settled down with his steady girlfriend, became a father and – in a move that elicited some very strong reactions from fans across the world – cut off his trademark dreadlocks. Raichel agreed that in retrospect the album foreshadowed his own transition into adulthood.

image - A Quarter to Six cover
A Quarter to Six was released in late 2013 to enthusiastic reviews from music critics and fans, sky-rocketing to double-platinum status within two months of its release.

“Is it personal? When I wrote the album, I still had my dreadlocks, I was on and off in my relationship with my lady but somewhere inside I knew it was time to make decisions, to change things. I knew … I have to shave my dreadlocks after 14 years, I knew we were on and off but I knew I wanted her to be the mother of my kids.… Later on, it was natural. One month after the album was released, we knew that we were pregnant, things were happening.”

Having a child has opened Raichel up to a whole new world. Having a baby “gives me such a perspective about life…. I just enjoy this miracle, see how she develops and discovers new things every day…. It opens my appetite for more young creatures, maybe another nine or so. I wish!” But Raichel and his Austrian girlfriend, Damaris, are not planning on adding to their brood just yet. Their baby girl, Philipa Helena Damaris Raichel, remains with her mom in Israel while Raichel is on the road. “Damaris and the baby won’t tour with me…. I think it’s good to separate things. On the road, everyone has stuff to do. I don’t want them to feel forced to have to wake up early or, you know, to see the concerts every night.”

IRP’s blend of international musicians and sounds has put it at the forefront of the world music scene. In addition to that, Raichel calls the Project’s music “the soundtrack of Israel,” adding that the group plays the role of cultural ambassador for Israel. “The definition of world-music artist can change from one time to another, but world-music artists bring the soundtrack of where they come from. For example, Bob Marley is the voice of Jamaica; Edith Piaf, the voice of France; or like Miriam Makeba is the voice of South Africa. We feel honored when people describe our music as the soundtrack of Israel. If people don’t know anything about our country but can remember our music … especially people from conflict regions, then they see the other side of our culture.“

The past year has been a banner one for Raichel, who performed privately for Barack Obama during his state visit to Israel, appeared with French superstar Patrick Bruel and was awarded ACUM’s Composer of the Year 2013. To top it off, the popular Israeli entertainment magazine Pnai Plus named Raichel “Man of the Year.” Far from finding this flattering, the title made the unexpectedly humble musician feel uncomfortable. “Well, I was speechless then, and I’m speechless now,” he said. “In such a crazy country like ours, with so much happening every day, even every half day … how weird it [is] to get this recognition. I think a better Man of the Year would be … there is the story of one of the army commanders, he lost his two hands in an explosion and, a few months after that, he came back to the army to lead [his soldiers] again.” He added, “Just the struggle, even if it wasn’t an army, even if it was a soccer team … I don’t know, to see the power of good will, how strong you can be facing such trauma, how you can not give up to depression or pain or disappointment, that was an inspiration, I guess.”

Raichel said there is “a lot of good music coming from the Israeli music scene” nowadays. “It’s becoming more and more open to sounds from all over. Back in the day, you would hear less of the Yemenite roots, Middle Eastern influences,” it was “mostly Ashkenazi music.” And while he enthused about Israel’s modern musicians, mentioning DJ Avishai Cohen and Yemen Blues in particular, he still enjoys the music of Arik Einstein and Shoshana Damari. “Now, there are so many more radio stations, for more artists. Today, you hear music that more reflects the sound of the Israeli melting pot.”

Chutzpah! Festival artistic managing director Mary-Louise Albert said audiences are in for a whole new experience at the May 12 concert. “I have brought Idan back because it builds his audience here in Vancouver and I’m committed to supporting many artists beyond just presenting them one time. Artists develop and grow, so audiences get to experience this growth also when an artist performs multiple times.” With its 10-member ensemble (the largest of IRP’s Chutzpah! engagements), Albert said the Vogue Theatre is the perfect showcase for this high-energy, “plugged-in” event. “Vancouver audiences have not experienced this show before,” she said.

Opening for IRP is Vancouver’s Babe Gurr, who will showcase songs from her current album, SideDish, a unique blend of world music and her own roots style that has earned Gurr glowing reviews and a strong following.

Nicole Nozick is a Vancouver-based freelance writer and communications specialist.

There are many reasons to visit Summerhill Pyramid Winery

Left to right, Ari Cipes, Rabbi Shmuly Hecht and Ezra Cipes have joined forces to help make Summerhill Pyramid Winery’s Tiferet, the only kosher uncooked wine in Canada. (photo from summerhill.bc.ca)

The rolling hills and verdant valleys of British Columbia’s Okanagan region are home to more than 200 wineries, many of which are internationally renowned and award-winning. In fact, a number of Canada’s most prestigious wineries call this region home – Mission Hill, Cedar Creek, Sumac Ridge, to name a few – with one singled out as “B.C.’s most visited winery” by Tourism Kelowna.

There are several possible reasons for Summerhill Pyramid Winery’s popularity. It could be the incongruous sight of the enormous, dazzling white pyramid towering over the central terrace (more on that later). Perhaps it’s because of the estate’s Peace Park or the quality of its 100 percent organic vineyard. Then there’s the winery’s most recent offering, Tiferet (Hebrew for beauty/glory), a new, top-of-the-line kosher wine whose very name reflects the exceptional landscape from which it was created.

Summerhill Pyramid Winery was founded by native New Yorker Stephen Cipes, who moved to the Okanagan with his young family in 1986 and felt an immediate spiritual connection with the land. The developer-turned-vintner purchased Summerhill Vineyards, replanted the existing table grapes with winemaking European grapes and set to work. Located on Kelowna’s Lakeshore Wine Route, the mid-size winery has been producing organic, award-winning wines ever since, making a name for itself in European capitals.

Now, three of Cipes’ four sons are involved in managing the family business. Chief executive officer Ezra Cipes spoke with the Jewish Independent from his office, which overlooks the magnificent, blue waters of Lake Okanagan.

The immediate question at hand was why the winery had decided to produce a kosher wine, especially an extremely limited edition one (1,200 bottles) with a hefty price tag ($100 per bottle). Cipes explained that he was inspired by his friendship with Okanagan Chabad Rabbi Shmuly Hecht and a desire “to share the beauty of natural, uncooked wine with Hecht and all Sabbath observant Jews.”

photo - Left to right, Stephen Cipes, Ari Cipes, Rabbi Levy Teitlebaum and Rabbi Shumly Hecht taste the 2012 crop of grapes
Left to right, Stephen Cipes, Ari Cipes, Rabbi Levy Teitlebaum and Rabbi Shumly Hecht taste the 2012 crop of grapes. (photo from summerhill.bc.ca)

Cipes and Hecht formed a deep bond while “studying texts together and drinking mevushal [cooked] wine together,” Cipes explained. “None of [the cooked kosher wines] can compare with living, uncooked wine, and I realized that Rabbi Hecht did not know the pleasure of living wine. There was none available to share with him, so we decided to make it ourselves, and we set out to make it as beautiful as possible. We used the best grapes of the vintage, bought the best barrels from France and now, a year and a half later, I am pleased to say that the wine we made exceeded my expectations.”

Kosher winemaking is somewhat complicated. Governed by the same kashrut laws pertaining to food (prepared under supervision of a rabbi, containing only kosher ingredients, using rabbinically certified equipment), kosher wine is further divided into two categories: uncooked and cooked. Although both are considered equal with respect to kashrut, their production and final result couldn’t be more different.

To qualify as kosher uncooked wine, the wine’s entire production – from “vine to wine” in vintner vernacular – must be handled exclusively by Sabbath-observing Jewish males. And that includes pouring. Understandably, it is well-nigh impossible for commercial producers to comply with these conditions and most opt to make the cooked category of kosher wine, if they produce such wine at all. Kosher cooked winemaking allows non-Jews of both genders to handle production and serving, however, the other regulations are no less strict. For a wine to qualify as kosher cooked, it must be heated to 1850F, which, well, cooks it. And therein lies the rub.

Exposure to such high temperatures significantly compromises the wine’s flavor and texture and, while most producers now use flash-pasteurization techniques to minimize the damage, there is simply no way around it. “Wine is a living thing…. By cooking the wine, we are destroying the wine,” Cipes’ explained matter-of-factly. The dilemma facing kosher wine vintners is best summed up as having to choose between quality and quantity, taking into account the obvious economics that accompany those choices.

photo - Rabbi Levy Teitlebaum and Rabbi Shmuly Hecht manage the grape-crushing process
Rabbi Levy Teitlebaum and Rabbi Shmuly Hecht manage the grape-crushing process. The wine’s entire production – from “vine to wine” in vintner vernacular – must be handled exclusively by Sabbath-observing Jewish males. (photo from summerhill.bc.ca)

Which brings us back to Tiferet, whose kosher uncooked status partly explains its steep price. Cipes acknowledged the challenge of producing uncooked wine and described Tiferet’s creation as “a labor of love.”

photo - Pressing of the wine post fermentation.
Pressing of the wine post fermentation. (photo from summerhill.bc.ca)

“The complication is that only the hands of Sabbath-observant Jews could touch the wine, equipment or any unsealed vessel containing the wine,” he said. “We had to make the wine away from our regular wine cellar, and without the trained hands of our regular team. But otherwise, it was the most simple and natural process: crush the grapes, allow the fermentation to happen … press the juice from the skins … age in barrels, blend the barrels … allow the solids to settle … rack the wine … and seal it in a bottle. Rabbi Shmuly or myself was there every single day except for Shabbos, checking the temperature of the room or performing some task. For such a simple process, the quality of the wine comes from the quality of the fruit, the careful handling, and creating the correct conditions for the fermentation and maturation.”

Tiferet was made with a relatively new “meritage” blend (merit/heritage), a delicate balance of Bordeaux-inspired grape varieties – merlot (60 percent), cabernet sauvignon (20 percent) and cabernet franc (20 percent) – cultivated in the semi-arid conditions of an Osoyoos organic vineyard and then brought to Summerhill to be turned into something that sounds much more than a run-of-the-mill premium wine.

“Making [Tiferet] with the rabbis changed its way,” Cipes said, trying his best to explain his sense that something else was at work during the creation of Tiferet. “In a way, the wine made itself, there was some magic that happened there. It’s hard to put my finger on it … a certain element of magic happened naturally that wouldn’t have happened otherwise … it was the work of the elements, and of natural forces beyond our control. We can only take credit for partnering with these forces to create this incredible wine.”

photo - Tiferet bottle
Only 1,200 bottles of Tiferet were made.

The description of Tiferet on Summerhill’s website diverts sharply from adjectives usually associated with wine flavor and aromas. Forgoing the more mundane “‘fruity” or “crisp,” Summerhill goes out on a metaphorical limb declaring, “Tiferet has the aroma of baby’s breath and the flavor of mother’s milk.” (If you’re wondering, as did I, the reference is not to genus Gypsophila, most commonly found in English country gardens!)

On the telephone, Cipes struggled to articulate the sensory sensations evoked by this wine. “It has a sweet milkiness … an unusual flavor, a sweet dairy note that doesn’t linger for long … it’s almost an effervescence. The texture is … full- bodied, soft and kind of silky in your mouth, elegant, fresh, fruity. There’s an added complexity to the wine,” before returning to the rather odd-sounding, “It’s like baby’s breath.” Tiferet wine, Cipes concluded, is for a drinker who “want[s] to have an experience of beauty.” With my request for a sample politely but firmly declined, and a price tag sadly out of reach, I’ll just have to take his word for it.

But, wait. What about the promise for more about that huge, looming pyramid, rivaling only the great pyramids of Egypt for alignment and precision? And the new-age-sounding Peace Garden? You’ll have to visit the winery in person to learn more – and, while you’re there, could you bring me back a bottle of that magic?

Nicole Nozick is a Vancouver-based freelance writer and communications specialist.

(Tiferet, $100 per 750-millilitre bottle, is available only through the winery: summerhill.bc.ca/product/2012-tiferet.)

Bitstrips creator Jacob “BA” Blackstock explains his app’s massive popularity

Bitstrips creator Jacob “BA” Blackstock. (photo from Bitstrips)

One of the most popular apps ruling the Internet today is Bitstrips, digital comic strips made from computer bits. The app achieved virtual global fame in no small part due to it creator, Jewish cartoonist – now Bitstrips chief executive officer and creative director – Jacob “BA” Blackstock.

A Canadian venture, Bitstrips allows users to create avatars of themselves and others to produce a comic based on various customizable scenarios. New ones are provided nearly every day. The users can make adjustments to their facial expressions or gestures, choose who to include in the scene and add dialogue or thought bubbles to create a cartoon to encapsulate a moment, a holiday sentiment or a mood. And for those who are cartoon fans, Bitstrips has proven a popular vehicle from which to demonstrate one’s wit and talent – or lack thereof.

Born and raised in Toronto where Bitstrips was founded in 2007 and where its headquarters remains, BA – Blackstock’s nickname since childhood – has enjoyed a lifelong passion for comics.

“I’ve been drawing and creating comics since I was a little kid. Our team has been friends for decades and a love of comics has always been central to our friendship. We’ve always enjoyed making comics for each other, whether in the classroom in high school or later on in life,” said Blackstock in an interview.

Bitstrips’ executive team is comprised of Blackstock, David Kennedy (vice-president, technology), Shahan Panth (vice-president, marketing) and Dorian Baldwin (lead interactive developer), who were all co-founders.

image - Bitstrips' executive team as Bitstrips avatars. BA Blackstock is second from left.
Bitstrips’ executive team as Bitstrips avatars. BA Blackstock is second from left. (image from Bitstrips)

Bitstrips essentially came about while Blackstock was developing a quicker way to make his own comics. He “realized that this technology could be used to make comics accessible to everyone – and enable them to have the fun of social comic creating and sharing that my friends and I had already been experiencing for years.”

While the company started up in 2007, bitstrips.com was formally launched in March 2008 at SXSW (South by Southwest), which sponsors festivals and conferences for film, interactive media and music in Austin, Tex. However, though its Facebook app had been around since December 2012, Bitstrips’ popularity took off almost overnight when Bitstrips iOS mobile app launched for the iPhone in October 2013.

The sudden fame exceeded Blackstock’s expectations. “We launched in stealth mode with no PR or marketing with the sole purpose of testing out the app and letting it grow organically. We never expected the explosion in users once the mobile app launched so we definitely weren’t initially prepared.”

After the iPhone release, use of Bitstrips grew almost exponentially. “Within two months of the apps launch,” Blackstock said, “we saw over 30 million avatars created through the app (iOS & Android). It quickly became the #1 free app in over 40 countries,” including the United States, “and the #1 entertainment app in over 90 countries. Many of the world’s biggest cities, including New York, Chicago, London, Hong Kong and Mexico City, now have hundreds of thousands of citizens with Bitstrips avatars.”

Today, Bitstrips are visible everywhere and are shared via email, SMS and on all the major social media channels. Additionally, Bitstrips for Schools, which hit the education market in fall 2009 to teach children with the aid of comics, is another division that continues to thrive.

Even before it became popular, Bitstrips had already attracted the attention of investors with a $3 million infusion by Horizon Ventures, a global investment firm headquartered in Hong Kong. “They discovered us last summer, before we’d finished the mobile app, as Bitstrips were already popping up all over Facebook,” said Blackstock.

This infusion of capital has enabled the Canadian-based company to expand. “We will use this round of funding to add to the engineering team, hire more artists, enhance the product and, of course, increase the number of servers to help us handle the dramatic growth in users we have been experiencing,” he explained.

But what attracts so many social media users to Bitstrips?

“Everyone needs to express themselves, however they can – and comics are an incredibly powerful way to communicate. Bitstrips is giving people a genuinely new way to communicate, one that is more visual and relevant than simple text, photos and emoticons,” said Blackstock.

“It’s a visual language that everyone understands. But, even more importantly, it’s you – your Bitstrips look like you, and reflect your personality. And not only is it a new form of self-expression, it’s a new way to interact with your friends. Combine all those things and you have something that people all over the world will enjoy.”

Dialogue is still only available in English, though other languages are in the company’s future.

“The amazing thing about Bitstrips is that people in many different countries and different cultures have been adapting the same comics, adding their own text, to make their own personal creations,” noted Blackstock. “It’s been the #1 entertainment app in 100 countries.”

Inevitably, with such popularity also comes a measure of disdain.

Blackstock acknowledged this development. “While Bitstrips is extremely popular, which is great, some enthusiastic users were oversharing on their Facebook feeds and some people who don’t love Bitstrips were getting quite upset. In terms of a solution, Facebook sharing can be turned off. Also, we rolled out an update that makes in-app sharing the default with Facebook sharing an option users need to select.”

The scenarios for Bitstrips cartoons come primarily from the creative minds of a team of four, including Blackstock, co-founder Panth, T.J. Garcia and James Spencer. The rest of the company team is also invited to contribute ideas on a regular basis.

These days, said Blackstock, the company is “entirely focused on making Bitstrips a seamless and awesome experience.” From a business perspective, he added, “We have lots of ideas for monetization down the road, potentially including in-app purchases – but whatever we do to monetize, we will make sure it is done in a way that enhances the user experience and remains true to our brand.”

image - The Bitstrips team, as avatars, in its Toronto office
The Bitstrips team, as avatars, in its Toronto office. (image from Bitstrips)

Blackstock is confident that the future of Bitstrips remains bright. “We’ve only scratched the surface when it comes to Bitstrips’ popularity,” he said.

Asked about his own background and attraction to the comic medium, Blackstock said it began “through mass consumption of comics.” He realized early on that he enjoyed making comics himself.

“I’ve been making comics, animation and games since I was a kid. Before creating Bitstrips, I spent 10 years developing another epic cartoon project called Griddleville, which I partially funded by running animation workshops in schools.”

Blackstock himself spent considerable time in school drawing instead of studying. Following high school he studied film at York University in Toronto only to drop out, he explained, “when I became too busy with other projects that were much more exciting than what was happening in my classes.”

Jews have played an influential role in the history of the cartoon genre and some of those involved had a profound influence on Blackstock. His primary inspirations were “the amazing old cartoons by the Fleischer Brothers,” Max and Dave Fleischer whose New York-based Fleischer Studios produced theatrical shorts and feature films until the animation company was acquired by Paramount Pictures. Other significant influences were Mad Magazine’s founder, William Gaines, and Stan Lee’s Marvel Comics. One of Blackstock’s favorite modern cartoonists is Daniel Clowes, known for graphic novels such as Ghost World.

But the work of a cartoonist is neither easy nor fast, which Blackstock fully realized while working on Griddleville, a cartoon from his own imagination.

“To create it,” Blackstock related, “I locked myself in a small room and taught myself classical animation along with all kinds of software. In the end, it took three years to produce 11 minutes of animation. The resulting impatience was a contributing factor to the creation of Bitstrips.”

The burgeoning popularity of social media was also a strong influence. “The concept of Bitstrips from the beginning was to connect comics to social media – that comics could one day be one of the main forms of social media, just like photos or videos.”

Those who follow Bitstrips daily, weekly or close to holidays might notice themes. While Blackstock is Jewish, he doesn’t limit Bitstrips to any one audience.

“Bitstrips are enjoyed by all cultures across the world – we try to make them as universal as possible, so that anyone anywhere can find a comic to express themselves through.”

Yet Blackstock gives a nod to members of his tribe. “We do have some scenes in the app based on Jewish holidays, which I think are pretty funny.”

Arthur Wolak is a freelance writer based in Vancouver. A version of this article was originally published in the Times of Israel.

Survivor Judith Weiszmann was saved by Raoul Wallenberg

Judith Weiszmann holds an audience of students spellbound at Merivale High School in Ottawa in October 2013. (photo by Jeremy Page)

No matter the audience, Judith Weiszmann has three key messages when she speaks about the Holocaust: always remember the good that one person can do in the world, pay attention to the pockets of antisemitism springing up in some parts of Europe and North America, and remember that living in peace with your neighbors is much better than the alternative.

Judith and her husband Erwin, z”l, both structural engineers who emigrated to Canada after the Hungarian Revolution, were frequent speakers about the Holocaust for schools and service clubs in Winnipeg, where Judith still lives and continues to be an outreach speaker. The families of both Judith and Erwin were saved by Raoul Wallenberg, the Swedish businessman-turned-diplomat who came to Hungary towards the end of the war and managed to issue thousands of Schutzpasses (a document identifying the bearer as a Swedish citizen rather than as a Jew) to Hungarian Jews who were on the brink of being deported to concentration camps.

image - The Schutzpass of Judith Weiszmann (née Kopstein), which was featured in a stamp issued by Sweden and also one issued by Canada
The Schutzpass of Judith Weiszmann (née Kopstein), which was featured in a stamp issued by Sweden and also one issued by Canada. (image from Judith Weiszmann)

In 2011, the Swedish government issued a stamp commemorating the 100th birthday of Wallenberg. It featured a picture of Wallenberg in the foreground and an image of a Schutzpass in the background, complete with a picture of the 14-year-old bearer of the pass, Judith Kopstein, who later became Judith Weiszmann. Serendipitously, Judith had presented a copy of her Schutzpass to Wallenberg’s half-sister Nina 10 years previously when Nina attended the unveiling of a statue in her brother’s honor in Toronto. Upon returning to Sweden, unbeknown to Judith, Nina framed her Schutzpass and hung it in her home. Years later, the Swedish Postal Services made use of the image and Canada also issued a stamp using the same Schutzpass, never imagining that the young girl pictured in it was still alive. When Canada Post learned that Judith, then 83, was very much alive, and tremendously honored to appear on a Canadian stamp with Wallenberg, they held a special ceremony for her in Toronto to mark the connections.

Since the issuing of the Wallenberg stamps, Judith has received a wide-ranging number of speaking requests – requests she is only too glad to oblige. In her words, they provide her with an opportunity to “bear witness” to the selflessness of Wallenberg and remind her audiences that forces of evil can take root again if we are not vigilant.

In Ottawa, in October 2013, Judith held an audience of students spellbound in the ethnically diverse Merivale High School during both her morning and afternoon presentations. According to teacher Irv Osterer, whose efforts resulted in Judith’s visit, “by the afternoon, word had gone around the school about how important it was for everyone to hear this woman speak. By the afternoon presentation, the kids were almost hanging from the rafters of the auditorium.”

photo - Judith Weiszmann and teacher Irv Osterer, third and fourth from the left, with students from Merivale High School's Jewish Culture Club at the Ottawa's Raoul Wallenberg Park
Judith Weiszmann and teacher Irv Osterer, third and fourth from the left, with students from Merivale High School’s Jewish Culture Club at the Ottawa’s Raoul Wallenberg Park. (photo by Jeremy Page)

Drawing parallels between the fact that she was the age of many of the high school students when she lived through the Holocaust, she inspired the students with messages about the difference one person can make in the world, how hating your neighbor is not a way forward, and about how a better world will come from all of us living side by side in peace. At the conclusion of her remarks, a young woman in a hijab bounded to the front of the theatre to give Judith a spontaneous embrace.

From Ottawa, Judith continued to Toronto, where she spoke to a joint session of B’nai Brith Canada and the Law Society of Upper Canada and to a conference hosted by Canada, the 2013 chair of the International Holocaust Remembrance Alliance (IHRA), an international body that deals with Holocaust and related educational matters and liaises with several governments, Holocaust researchers and educators.

As a result of the Toronto speaking engagements, in February 2014, Judith had the opportunity to realize a lifelong dream, which was to travel to Wallenberg’s homeland, Sweden. On this occasion, she was the guest of the Canadian government and was asked to speak once more to another conference of the IHRA in which the leadership of the alliance rotated from Canada to England.

The stories she told of how the war affected Hungarian Jews and how Wallenberg’s interventions saved thousands of Jews from the gas chambers no doubt resonated as deeply with the Swedish audience as they did with those in Canada. One of Judith’s most remarkable memories is about the last time anyone in the West actually saw Wallenberg.

Judith’s father, Andor Kopstein, was a senior administrative support to Wallenberg. German was the language in which they communicated. On the final day Wallenberg was seen, they were in Budapest together, as Wallenberg was to travel to Debrecen, a Hungarian city that had already been liberated. In conjunction with the Swedish Red Cross, Wallenberg’s intentions were to purchase food in Debrecen for the general population in Budapest, all of whom had had little access to food. It was widely known that Wallenberg had a considerable amount of gold on his person – funds provided by his own government and the governments of several Allied countries – with which he planned to pay for the food. Wallenberg was about to get into the middle car of a three-car convoy, with Russian military officers in the lead and last cars. Just before the convoy pulled away, Wallenberg said to Judith’s father, in German, “I am not sure if these are my bodyguards or my captors.” Wallenberg was never seen again. A young Judith had watched the exchange, hiding behind an entrance door to her apartment building, and her father repeated Wallenberg’s words to her when the convoy departed.

photo - Canada's Dr. Mario Silva hands the gavel over to the United Kingdom's Sir Andrew Burns
Canada’s Dr. Mario Silva hands the gavel of the International Holocaust Remembrance Alliance (IHRA) over to the United Kingdom’s Sir Andrew Burns. (photo by Nicole Roberts, British embassy, Berlin)

At the conclusion of the IHRA conference, Judith met with several Hungarian men and women who had moved to Sweden immediately after the war. At the end of the war, Sweden offered the opportunity for Jewish orphans to be brought to its shores. All those who came at that time have remained in Sweden and made their lives there. Other Hungarians came to Sweden after the Hungarian Revolution in 1956.

Judith gave one further presentation on her trip: to teachers involved in an educational institution that the Swedish government formed some years ago after hearing about resurgences of antisemitism in Norway and elsewhere in Europe.

The fate of Wallenberg has never been known for certain but was undoubtedly a topic of conversation when Judith had the chance once more to meet his half-sister Nina. Stopping for tea with Nina and several of Nina’s nieces, and with her own daughter Ann, who accompanied her on the trip, Judith told one interviewer that she and Nina were “united in a love for her brother Raoul.”

From Sweden, Judith traveled to Budapest to visit with relatives and speak at the Jewish Club, a sort of unofficial arm of the IHRA. The club receives some modest financial help from the alliance for its efforts to fight antisemitism. Its main activity is to present lectures and other educational presentations to teachers, students and, occasionally, the general public about the Holocaust and antisemitism. As Judith explained to me, “During the communist regime, there was no education about WWII. Today’s reality is that there is whole generation of teachers who have grown up with no background whatsoever on what happened during the war, Hungary’s role in it and the consequences of antisemitism. They cannot teach what they do not themselves know about.”

Judith’s presentation drew about 70 people, 60 of whom were students at the senior high school or university level. Organizers told her that about 55 of the students present were non-Jews, which Judith saw as an expression of interest and open-mindedness, and she remarked that the students asked intelligent questions. Many attendees admitted that they were hearing for the first time about Hungary’s role in the war and about the treatment of Jews and other minorities during that time. At the conclusion of her talk, one non-Jewish young man stood to say that he knew that there were fewer survivors each year and that “we young people have to take over and talk about it.”

Since returning home from Sweden and Hungary, Judith continues to share her messages with groups of students and others in Winnipeg. Now, she also wants to talk about new concerns she has about the rise of antisemitic incidences in Hungary. In her view, after the landslide victory of Hungary’s right-wing party in the country’s national elections on April 6, “things do not look very promising for Hungarian Jews.” She is irritated with plans (proposed by the previous government) to erect a monument suggesting that Hungary was occupied during the Second World War and that any fault lies with the German Nazis. A very feisty Judith Weiszmann is here to say otherwise – however, she is also here to remind us how much good one person can do in the world and that we all have options to work at peaceful coexistence.

Karen Ginsberg, an Ottawa-based writer, considers herself blessed to count Judith as a friend.

Mourning turns to joy

Passover is a traditional time for families to sit down together and celebrate a holiday of freedom and deliverance. It’s a time to catch up and share meaningful moments. For one family torn apart by the Second World War, this Passover held a special significance as they caught up on nearly 70 years of history.

For 65 years, Holocaust survivor Rabbi Gershon Chanowitz said Kaddish for his sister, Asna Mera, who he believed had been murdered by the Nazis in 1942. And, for more than half a century, Asna Mera thought that all of her siblings had perished in the Holocaust, leaving her a lone survivor. But thanks to an incredible turn of events, the children of these survivors have learned of each other’s existence and have been reunited. With a shot-in-the-dark Google search and an implausible email, the long-lost Chanowitz cousins began unearthing a mystery spanning six decades and three continents.

A mysterious email

“About a week ago, my son, Moishe, the Chabad emissary [to St. Maarten], received an email through his Chabad website from someone in Israel searching for any news of his relatives,” said Rabbi Ben Zion Chanowitz, a Chabad emissary in Monticello, N.Y., and the son of Gershon Chanowitz – who passed away this past summer at the age of 91.

An excerpt from the email (grammatically edited) read:

“Shalom. I don’t speak English well…. I am from Vitebsk, Belarus. My name is Sashe Bumginz. My mother’s surname was Chanowitz from the shtetl of Glubokoe in the Vitebsk region. In the war, all of my family perished. I am interested in all information on Chanowitz from Glubokoe.”

“I was skeptical at first,” admitted Chanowitz. “We know all of our relatives, after all.” But then a follow up email “shook everything I knew.” Bumginz sent another email detailing his family history with names, places and dates that matched up exactly with Chanowitz’s. He explained how his mother, who passed away in 2007, survived the war and raised a family. As far as he knew, no other close family survived, but he was always searching for any information he could find on his family history.

Suddenly, the largely American-based Chanowitz family was electrified. Could their father’s sister have survived the war? Could they have cousins they hadn’t known existed?

Bumginz grew up in Soviet Russia and eventually moved to Israel in the early ’90s, where he is currently living in Herzilyah with his wife and two children. When he first arrived in Israel he contacted the Holocaust centre and museum Yad Vashem, as well as other resources over the years, attempting to seek out any information they might have on his mother’s family, but every search reached a dead end.

In March 2014, on Purim, Bumginz was invited by a Chabad co-worker to a farbrengen, a Chassidic gathering to celebrate the holiday. At the farbrengen, Bumginz opened up about his history and mentioned that his family, Chanowitz, has been Chabad for generations. He asked around if anyone knew the name, and one participant mentioned that there were Chabad emissaries with that name and suggested that Bumginz use Google to find them. A short search led to the Chanowitz family of St. Maarten, and the email above was received and then forwarded to Ben Zion Chanowitz.

An email exchange ensued.

“Many of us are excited and emotional about this special family news,” said Rebbetzin Simie Schtrocks, Gershon’s daughter. Schtrocks resides in South Surrey, serving as co-director of the Centre for Judaism, Chabad’s branch serving the Lower Fraser Valley.

“It is mind blowing that after 65 years plus we should now find out that Asna Mera actually did survive, had two children and lived in Vitebsk of all places. How tragic it is that she was unaware that the Lubavitch world had continued to flourish and that she had brothers 6,000 miles away who would have been thrilled to help her.”

As the family digests this news, they are slowly discovering stories explaining the years of misinformation, and uncovering many painful details along the way.

Gershon’s story

In the early 1920s, Gershon Chanowitz was born in the town of Glubokoe, in what was then Poland, a border city that has belonged to Lithuania, Poland, Russia and Belarus in the previous 100 years. He was one of 10 children in a dynastic Chabad Chassidic family. His father, Ben Zion, was a shochet (ritual slaughterer), a follower of the previous Lubavitcher rebbe, and an important figure in the small town of 5,000 Jews.

Gershon was sent at a young age to learn in a yeshivah in Otwock, Poland, and he was there in 1941 after the war broke out. At the advice of the previous Lubavitcher rebbe, he escaped north to Warsaw and then Vilna. He found out about Chiune Sugihara, the Japanese ambassador to Kovno, who was signing visas that saved some 2,000 Jewish lives. He obtained visas for three of his siblings, and snuck back to Glubokoe to beg his father to allow him to add his youngest brother, Yisroel, to a forged family passport, allowing him to leave as well. Ben Zion, his wife and the other children stayed behind. Gershon procured visa #1785 for himself, #1836 for his oldest sister Fruma, #1841 for his brother Shmuel Avraham and #2027 for young Yisroel. It was just in time too – the last issued visa was #2039.

The four siblings traveled to Kobe, Japan, and then Shanghai, China, where they resided until they could obtain visas to the United States. During that time, Shmuel Avraham died of an illness in Shanghai. When the war was over, they corresponded with different services seeking any information about their remaining family and discovered that their parents and siblings had been killed. A fifth brother, Chaim, escaped the war, and moved to the newly founded state of Israel and then to America. Eventually, the other three siblings made it to the United States and started rebuilding their lives, establishing the large families that exist today.

When the surviving siblings in the West sought out information on exactly what had happened to their family, they learned that, one day, when the Nazis arrived in town seeking to fill a “death quota,” they went about town killing people. The remaining Chanowitz family barricaded themselves in their house. At one point, they heard desperate banging on the door and 16-year-old Asna Mera, anguished at the thought that it might be a Jew seeking refuge, and despite her family’s protest, answered the door. The German soldier standing there grabbed her and took her away to be killed. The rest of the family was killed a year later in another mass murder.

Gershon and his surviving siblings, Chaim, Yisroel and Fruma, marked their parents’ and siblings’ passing every year, and said Kaddish for them throughout their lives.

Asna Mera’s story

The day that Asna Mera opened the door to the Nazi, she was taken to a soccer field with about 800-900 other Jews. They were then boarded onto trucks to be taken to be executed. On the way, a German commander picked her, and 14 other young beautiful girls, to be taken to a German army base to be among the soldiers. At one point, Asna Mera was with a soldier who had a large knife on his belt. She grabbed the knife and stabbed him to death, running away into the woods.

In the woods, she eventually met up with her 12-year-old brother, Tzvi Hersh, who had also escaped. The two siblings were freezing in the brutal winter and starving. They remembered that their well-respected father had a non-Jewish farmer friend in a nearby town to whom he once gave a large down coat and an expensive ring. They decided to go ask the farmer, who their father had always trusted, for the coat so they could survive. Scared to go together, Tzvi Hersh went first and knocked on the door. The farmer opened the door and grabbed the young boy, tied him up and gave him to the police in exchange for a 10-kilogram bag of flour. Tzvi Hersh was hanged that day.

Asna Mera miraculously survived the war, thinking she was a lone survivor. In her attempts to find her siblings, she traced them to Vilna but then their trails disappeared. She never found out what happened to them. At age 39, she married and moved to Vitebsk, which at that point was a part of Soviet Russia. She had two sons, one Simeon/Ben Zion, named after her father, and another, Sashe/Sholom Ber. Despite communism’s harsh shadow, she raised them as religious Jews.

After the fall of the Iron Curtain, Sashe moved to Israel. Asna Mera once visited in the early 2000s, and went to Yad Vashem herself, where she again tried to seek out more information to no avail.

After the war, Asna Mera discovered the heartbreaking news that the day after she killed the German soldier, the Nazis returned to Glubokoe and killed 150 people in retaliation. She suffered under the shadow of this horrific event all her life.

“She had very little happiness in life,” said Sashe. “She went through so much during the war.” And, when her oldest son Ben Zion was brutally killed while serving in the Russian army (he was thrown off a train by his comrades), she was devastated anew. “She was always quiet and withdrawn and broken.”

“We all wish she at least had happiness,” said Schtroks upon learning the news. “And she still did from her surviving son, passing down the family tradition and maintaining a legacy. We are just sad that although my father and his siblings tried so hard to find missing relatives, they did not find her in time to help her and ameliorate her situation.”

A family reunited

Despite the painful history that they learned along the way, the Chanowitz and Bumginz family are overjoyed at the discovery of one another, and eagerly looked forward to an emotional meeting in person after the Passover holiday. Benson, the son of Yisroel Chanowitz, was the first one of the family to meet Sashe during the intermediate days of Passover last week.

Rabbi Ben Zion Chanowitz recalled a story of his father during his yeshivah years in Poland right before the war, when he had the unique opportunity to observe the Passover seder of the previous Lubavitcher rebbe.

“A Chassid at the table asked the rebbe how we can be celebrating the holiday of freedom while we are still in exile – suffering under the threat of communist Russia and Nazi Germany. The rebbe sagely replied that ‘The redemption in Egypt showed us that you can leave, even if you are in the deepest exile.’”

This year, as Jewish families all over the world gathered to retell the miracles of old, they had a biblical obligation to feel “like they themselves left Egypt.” As they relived their family history, both the darkest moments and the miraculous survival, the Chanowitz and Bumginz families celebrated the miracle of redemption like never before.

– This article was originally published on lubavitch.com and is reprinted with permission.