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Tag: playwrighting

Victoria Fringe has started

Victoria Fringe has started

Director Francis G. Matheu, right, with actors Nolan Fidyk and Dan Landry rehearsing Alan Segal’s Shade Apparel. (photo by Sarah Nicole Faucher)

This year’s Victoria Fringe Festival, billed as “12 days of madcap fun this summer,” started on Aug. 20 and runs to Aug. 31. Included in the lineup are pieces by two local Jewish community members, Alan Segal and David Heyman.

Segal describes his play, Shade Apparel, as “comedy, drama and absurdity.” It features Danver, a playwright rooted in daily routine, who tries to find answers to questions he never knew he had. And, Segal told the Independent, “He is not prepared for the answers. Shade Apparel is a play about wanting to know more and not knowing where to find anything.”

In Segal’s words, our society is “heavily psychologized,” in that everything is given a psychological or emotional origin story, he said.  “But, if we breathe, we absorb culture, ideas, ideals and assumptions.

“Most of the time, we have a slight awareness of the precise origin of these. Their origin tale, however, is found in the social cauldron of daily life. This, too, is our apparel. We are clothed in more than material fabric,” he said.

From an early age, Segal has had an interest in how people become, well, anything; for example, how are allegiance, assurance, belonging, anger, dissent, happiness, or its opposite, created?

Segal’s first Victoria Fringe experience was not as a playwright but as a supporter of the arts who was captivated by the aura and array of creativity he observed. Last year, he founded Imbroglio Theatre, which will put on Shade Apparel.

“Beyond headlines and supposed fame, people venture into many realms of expression. I loved it from the start, and I expect many will be enlivened by what is approaching in Victoria at the end of August,” he said.

The creative team for the Fringe show comprises Dan Landry, Nolan Fidyk and Kendra Bidwell (cast), Alan Segal (writer), Francis G. Matheu (director), Elaine Montgomery (stage manager), Luke Weston and Andrea Gregg (lighting design), Phil Letourneau (music and sound design), Sarah Nicole Faucher (costume design) and Doug Wills (poster and program).

“Shade Apparel is the second play I have written – a project I never intended to write and had no inkling of, until it leaped into my mind as a single scene,” said Segal.

His first play, Frey’s Anguish, premiered in March 2024 at Paul Phillips Hall in Victoria.

photo - David Heyman’s Ducks co-stars, right to left, Gloria Snider, Lorene Cammiade, Ryan Kniel and Danielle Greschner
David Heyman’s Ducks co-stars, right to left, Gloria Snider, Lorene Cammiade, Ryan Kniel and Danielle Greschner. (photo from David Heyman)

Heyman’s play, Ducks, takes place in the aftermath of an incident in which 1,600 ducks flew into an oilsands tailings pond in northern Alberta and died – a true event that caused international criticism of the provincial government. Years later, the oil company that owned and operated the pond was fined and the government promised tighter restrictions; however, the damage to Alberta’s reputation was significant.

The fictionalized theatrical story centres on a government communications director who has 20 minutes to retrieve an embarrassing, career-ending invitation erroneously sent out in his name before the media or public find out about it.

“I was communications manager for the premier of Alberta at the time [of the real-life incident] and, although I was not involved in managing the issue …  I was able to observe the crisis-management efforts from up close,” Heyman said.

“The characters and events in the play are entirely made up but are informed by my inside knowledge of how communications offices work, and how the media deal with such situations,” he said. “Before joining the Alberta Premier’s Office, I was a political reporter at the Calgary Herald for many years. Many people who work in governments in Alberta and BC have told me that the play feels authentic, which was my goal.”

When Ducks premiered at the Victoria One-Act Play Festival in 2023, it won the prize for outstanding original script. When it was performed at the 2024 Edmonton Fringe Festival, five of eight shows sold out and the play received stellar reviews. The play has also been performed at the Nanaimo Fringe Festival and in Tofino.

Heading into the Victoria Fringe, Heyman said, “We’ve got a top-notch cast, a great director and a great stage manager this year. The rehearsals are going very well and I’m confident it will be a hit.”

Heyman is the show’s producer and, joining him in mounting the Fringe show are Ryan Kniel, Lorene Cammiade, Gloria Snider and Danielle Greschner (cast), Francis G. Matheu (director), Andrea Gregg (stage manager) and Sarah Heyman (associate producer).

David Heyman has written an as-yet-unperformed sequel, Rhymes with Ducks, that he hopes to put on at next year’s festival. “The sequel is designed also to be a second (and final) act, and perhaps one day both will be performed as a single show,” he said.

For the Fringe, Shade Apparel is at Victoria Conservatory of Music’s Wood Hall, while Ducks is at James Bay United Church. Both plays are 45 minutes long. For tickets and more information, visit victoriafringe.com. 

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on August 22, 2025August 21, 2025Author Sam MargolisCategories Performing ArtsTags Alan Segal, David Heyman, identity, playwrighting, politics, social commentary, Victoria Fringe Festival
A Shylock written for Rubinek 

A Shylock written for Rubinek 

Saul Rubinek in Mark Leiren-Young’s Playing Shylock, which is playing in Toronto. Leiren-Young wrote the work with Rubinek in mind. (photo by Dahlia Katz)

Victoria playwright Mark Leiren-Young spent October in Toronto, where his Playing Shylock is appearing at Berkeley Street Theatre through Nov. 24. The one-man show, which stars Saul Rubinek, is based on the Jewish character in Shakespeare’s The Merchant of Venice.

“I’ve been attending rehearsals, run-throughs and previews as a playwright,” Leiren-Young told the Independent from Toronto before the play’s world premiere. “That means I’m around to work on the script with the actor and director. Since it’s a new script, that means I’m adjusting it to reflect ideas that come up in rehearsals, working with the costumes, the designs and the space. Really, anything that needs doing to get the script as tight and right for the actor and the production as it can be – making sure ideas are clear, jokes land and that Saul is having as much fun as possible.”

photo - Mark Leiren-Young
Mark Leiren-Young (photo by Jeffrey Bosdet)

Leiren-Young’s play Shylock first appeared on stage at Bard on the Beach in 1996. Playing Shylock, he said, is an all-new play with the same core premise: a production of The Merchant of Venice has been canceled in mid-run due to a controversy over the production.

“This is a bespoke piece that started during the COVID lockdown and I built it around Saul’s life experiences after studying his voice, his personal history, his greatest roles, his mannerisms,” Leiren-Young said. “This was written to sound like Saul and feel like Saul and not like a character or story created by me.”

In fact, when actor John Huston, who starred in multiple productions of Shylock, touring five provinces, asked Leiren-Young what was recognizable from that first play, the playwright responded, “The lines that Shakespeare wrote.”

“Beyond keeping some of Shylock’s best lines from Merchant of Venice, this is an all-new play because we’re in an all-new world,” said Leiren-Young. “And it’s a new world in so many ways. Think about how controversies played out before social media. Think about how the issues in theatre and society have changed, and the issues the Jewish community is facing.”

According to Leiren-Young, the original draft of Playing Shylock was completed a couple of years ago. Yet, he tries to update his plays to reflect current circumstances.

“This script always included a cancelation letter inspired by an actual cancelation announcement,” said Leiren-Young. “The original draft for Playing Shylock was inspired by a letter announcing the cancelation of a screening of the controversial opera The Death of Klinghoffer about a decade ago.”

The letter now, he said, is largely inspired by the decision of the Belfry Theatre in Victoria to cancel its January production of The Runner after protesters demonstrated and vandalized its property because they objected to a play about an Israeli volunteer with the Orthodox group ZAKA.

“Not just because it’s more current, it’s Canadian and more relevant to the times,” he said, “but because that letter appeared to be used as the template for canceling another play at a theatre across the street from the Belfry.”

Rubinek, a distinguished stage veteran, is widely known to film and television audiences. To name but a few of his credits: Wall Street, Barney’s Version, Frasier. This past June, the Globe and Mail placed Rubinek in the 25th spot on its list of the greatest Canadian actors of all time.

“I believe that if the people who made that list see this show, they’ll want to bump up his ranking by a fair bit. Watching Saul deliver Shakespeare’s lines is amazing. Watching Saul deliver my lines is a dream,” Leiren-Young said. “He’s 76 and he’s better on lines than any other actor I have ever worked with.”

Of the play, Rubinek said Leiren-Young “leaps into the historic controversy about the character of Shylock with gleeful relish and biting humour and then has the chutzpah to create a poignant study of why theatre should matter.”

The actor added, “To collaborate with on a new play – and I’ve done a lot of them – Mark is an actor’s dream: tirelessly inventive, generous, creatively stubborn in all the right places and, best of all, funny.”

This weekend, on Nov. 10, 2 p.m., at Victoria’s Congregation Emanu-El, Leiren-Young will give a talk about Playing Shylock, his original play Shylock, the character of Shylock, the impact and history of The Merchant of Venice and “anything else the audience that day wants to talk about.”

The author of numerous books, Leiren-Young is the only writer to win the Leacock Medal for Humour (Never Shoot a Stampede Queen) and the Science Writers and Communicators Award for Canada’s best science book (The Killer Whale Who Changed the World).

Leiren-Young’s Sharks Forever is a non-fiction book for middle-school readers and features an introduction by environmental activist Paul Watson. His next book, Octopus Oceans, is being released in early 2025. He is currently working on a new book for young readers focusing on how to protect the oceans and the animals who live there.

To follow Leiren-Young online, visit his website, leiren-young.com, and his Substack page, substack.com/@skaanapod?. 

Sam Margolis has written for the Globe and Mail, the National Post, UPI and MSNBC.

Format ImagePosted on November 8, 2024November 7, 2024Author Sam MargolisCategories Performing ArtsTags antisemitism, Mark Leiren-Young, Playing Shylock, playwrighting, Saul Rubinek, Shakespeare, Shylock, theatre
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