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"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

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Tag: Daniel Libeskind

Architect of bestselling book

Architect of bestselling book

Daniel Libeskind designed the Jewish Museum in Berlin. (photo ©Hufton+Crow)

A gifted musician turned world-renowned architect, Daniel Libeskind can now add bestselling author to his list of accomplishments, with his unique book Edge of Order (Clarkson Potter, 2018), written with Tim McKeough.

Libeskind was born in Poland to Holocaust survivor parents. He spent his first 11 years in a communist, totalitarian state.

“I was born in a homeless shelter right after the war, and we were then lucky to be able to leave the first time the Iron Curtain opened,” Libeskind told the Independent. “We were able to go to my first paradise, which was Israel. Israel was only 8 years old at that time. It was amazing to go from black-and-white to full colour and the beauty of liberty.”

Of Libeskind’s father’s large family, his only surviving sister, who survived Auschwitz, was living in New York. So, after only two-and-a half years in Israel, the Libeskinds made their way to the United States.

But, before leaving Israel, Libeskind was an accordion virtuoso, at only 13 years old. Winning a competition with Itzhak Perlman, he had the opportunity to play for Isaac Stern. After hearing him, Stern suggested that Libeskind transition into playing piano, but Libeskind found the adjustment too difficult.

“Maybe that’s why I became an architect,” he said. “If I hadn’t played the accordion, I would have never been an architect, I would have become a famous pianist. I have to say that Isaac Stern, who I knew subsequently, told me I was the only person that they ever gave this [honour] to that didn’t become famous in music.”

In the United States, Libeskind’s family settled in the Bronx. When it came time for him to choose a career path, he didn’t know what to do, as he excelled in math, science and art.

“I really wasn’t sure because, in my life, I had never met an architect, an engineer, a doctor…. I had little idea of so-called professions that existed in a world somewhere beyond the Bronx,” he said. “I discovered that architecture combined all my interests – painting, drawing, mathematics, science … all the things I loved to do.”

Libeskind tried working for some well-known architects, but felt uninspired. So, for many years, he worked as a professor of architecture at various universities around the world and then as head of a school of architecture.

image - Edge of Order book cover“I really invented a path of architecture through my drawings,” he said. “My drawings were not figurative drawings of imaginary buildings. I drew the internal structure of architecture, what architecture is when you don’t have a client. I drew these drawings almost like musical scores.

“For many years, I did that and I was considered, like some others, as a paper architect … somebody who’s just on paper. But, then I won the competition for what later became the Jewish Museum in Berlin…. It was not originally called the Jewish Museum, it was called the Berlin Museum with a Jewish department, but I negated that, as I never believed Jews should be a department….”

It took more than 10 years to build the Jewish Museum in Berlin. It was scheduled to open the fall of 2001, but then 9-11 happened, so the opening was delayed.

Libeskind felt the need to go to New York. When construction on the World Trade Centre site was being considered, Libeskind was asked to be a judge of the entries. He could not make it to the judging on time, so instead entered his own design idea. He won the competition and became the master planner of the project.

In writing Edge of Order, Libeskind wanted to share his creative process and how he approaches architecture.

“I believe every member of the public is capable … of not only appreciating design and architecture but of participating in it, hands-on,” he said. “I always say, ‘Every human being can pick up a brush and start painting. Anybody can sit down and write a poem. Anybody can take their iPhone and make a film. Anybody can sit down and write a melody. But, when it comes to architecture, they think it’s a world of the impossible.”

photo - Daniel Libeskind’s book, Edge of Order, which he wrote with Tim McKeough, is a bestseller
Daniel Libeskind’s book, Edge of Order, which he wrote with Tim McKeough, is a bestseller. (photo by Stefan Ruiz)

In Edge of Order, Libeskind shows how architecture is just another artistic field that anyone can do, explaining how buildings are not made by some abstract hieroglyphic methodology, but are part of culture, just like music and geometry. The book encourages people to participate and engage with architecture directly where they live.

“Most people think … everything is irreversible, that you’re born with it and that’s that. People don’t realize that they can change,” said Libeskind. “They can make the world a better place, a more meaningful place.

“Architecture is such an important aspect of the world,” he continued. “We take it for granted, but it’s what the world looks like to us, the window we have to the world.”

Libeskind wrote Edge of Order with the hope of inspiring people to think about how they can do things, instead of feeling like they don’t have the credentials or know-how to design their dreams. He thinks that everyone is an architect and he wants to help people realize that they, too, can build.

“My ideal reader could be a young person who doesn’t know what they want to do, or it can be an older person who had always wished to be an architect,” said Libeskind. “My point is that everybody can be, and that everybody already knows so much more about architecture than about anything else … because we all live somewhere … even if you’re homeless.”

He said his idea is about freedom – “freedom to build, to really direct the world to a better way.”

In Edge of Order, Libeskind also talks about the importance of embracing democracy and that we need to be vigilant against forces that would impoverish the human potential.

“When I see what is happening in the world … of course, we see the evils around us and we have to fight against them … and have the sense that the world is a better place than we see on television or on the news,” he said.

Currently, Libeskind is working on dozens of museums around the world, spanning all the continents.

“I’m such a lucky architect on every continent,” he said, adding, “I’m a very fortunate person.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

Format ImagePosted on March 8, 2019March 6, 2019Author Rebeca KuropatwaCategories BooksTags architecture, Daniel Libeskind, design, memoir
Netherlands builds memorial

Netherlands builds memorial

A bird’s-eye view of the Holocaust Memorial of Names to be built in Amsterdam. (photo from holocaustnamenmonument.nl)

More than 70 years after the Second World War, a memorial in Amsterdam will be erected with the names of all the Dutch Holocaust victims. This will finally provide the Netherlands with a tangible memorial where the 102,000 Jewish victims and 220 Sinti and Roma victims can be commemorated individually and collectively.

Up to now, no memorial in the Netherlands has listed each individual Holocaust victim by name. For surviving relatives, a place to commemorate family members is invaluable. In addition, a memorial listing the more than 102,000 names serves as a reminder to current and future generations of the dangers of racism and discrimination.

Between 1933 and 1945, the Nazis murdered an estimated six million Jews and hundreds of thousands of Sinti and Roma. Of the 140,000 Jews who lived in the Netherlands in 1940, 102,000 did not survive the war.

Not all Jews were murdered in the gas chambers of the extermination camps Auschwitz-Birkenau, Treblinka, Belzec, Majdanek, Chelmno and Sobibor. Many were murdered in mass executions or died as a result of sickness, hunger, exhaustion or slave labour. The Dutch Holocaust Memorial of Names commemorates all these victims.

Designed by Polish-Jewish architect Daniel Libeskind, whose studio is headquartered in New York City, the Dutch Holocaust Memorial of Names will be located in the heart of the Jewish Quarter of Amsterdam. The memorial consists of the four Hebrew letters that make up the word zachor, to remember. When visitors enter the memorial, they find themselves in a labyrinth of passageways flanked by two-metre-tall brick walls that convey the message, “In memory of.” Inscribed on each of the 102,000 bricks is a name, date of birth and age of death, in such a way that the name of each victim can be touched.

In combination with the highly reflective geometric forms of the steel letters, the brickwork connects Amsterdam’s past and present. A narrow void at the point where the brick walls meet the metal forms makes it appear that the steel letters float, symbolizing the interruption in the history and culture of the Dutch people.

Anyone can adopt a name on the memorial by donating 50 euros. For more information, visit holocaustnamenmonument.nl.

Format ImagePosted on November 3, 2017November 1, 2017Author Dutch Holocaust Memorial of NamesCategories WorldTags Amsterdam, Daniel Libeskind, Holocaust, memorial, Netherlands
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