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"The Basketball Game" is a graphic novel adaptation of the award-winning National Film Board of Canada animated short of the same name – intended for audiences aged 12 years and up. It's a poignant tale of the power of community as a means to rise above hatred and bigotry. In the end, as is recognized by the kids playing the basketball game, we're all in this together.

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Tag: Janice Masur

Honouring community

Honouring community

In her recently published book, Shalom Uganda: A Jewish Community on the Equator, Vancouverite Janice Masur writes about her life in Kampala, Uganda, where she moved as a child of 5 and stayed until the age of 17 in 1961, leaving just before Uganda achieved independence in 1962. The small Jewish community of Kampala has been all but forgotten, its history mostly undocumented and lost to time.

JI: How did the idea for this book come about, and when did you begin researching and writing it?

photo - Janice Masur
Janice Masur (photo courtesy)

JM: The idea originated in a modern East African history class I attended at Simon Fraser University. I began writing in 2005, traveling to interview octogenarians and nonagenarians, who [earlier in their lives] had arrived in Kampala. They included Holocaust survivors, individuals who might otherwise have gone to Kenya but could not afford to pay the required head tax, and those who arrived on work contracts of two to four years.

JI: Why was it important for you to try to capture the history of Jewish life in Kampala?

JM: I wanted to both document and honour my small Jewish community on the equator, an imploded star vanished in the diasporic galaxy. While many people are familiar with the Abayudayah who, in 1921, converted to Judaism in passive rebellion against British rule, my community is almost completely forgotten. There’s not even a cemetery to mark the existence of 23 secular families who, without a rabbi, Torah or synagogue managed to create a small, cohesive, but unreligious community. There is a great paucity of research literature on this topic and I have been told that, presently, Shalom Uganda is likely the only scholarship devoted to the Jewish community in Kampala.

JI: How did spending some of your formative years in Kampala leave a lasting imprint on your life?

JM: To this day I love mangos, and growing up in Kampala has made me feel comfortable in the company of all ethnic groups. This long-forgotten colonial world included boarding school attendance and, though much-hated, this education provided me with some excellent life lessons.

JI: Do you have any inclination to return to Uganda to visit or live?

JM: I have not had the courage to return yet, and think that perhaps memories are best left to glitter in the distance. I know that the town is much more densely populated and built up now than it was when I left, and that the red murram country roads are in ill repair.

image - Shalom Uganda book coverJI: Who do you believe will benefit most from reading this book?

JM: My intent is to place this book in all major libraries worldwide. It seems that all who have read Shalom Uganda so far seem to have learnt a new fact, enjoyed the memoir or want to tell me how their life was or wasn’t similar to mine. So, I believe that the book will be well read among a Jewish following or among scholars thirsting for information about Jewish history and life in far-flung places last century. I hope others enjoy reading my writing effort. It is a relief to have the story out in the open.

Lauren Kramer, an award-winning writer and editor, lives in Richmond. To read her work online, visit laurenkramer.net.

Format ImagePosted on July 10, 2020July 9, 2020Author Lauren KramerCategories BooksTags Disapora, history, Janice Masur, memoir, Shalom Uganda
Goldene Medina comes here

Goldene Medina comes here

The Goldene Medina exhibit is designed to have the feel of a scrapbook album, to have come from any Jewish South African’s family memoir. (photo from South African Jewish Museum)

The Goldene Medina exhibit arrives in Vancouver July 29 for two weeks. A celebration of 175 years of Jewish life in South Africa, the exhibit was displayed in South Africa, Australia and Israel prior to arriving here, where it is making its North America debut at Congregation Beth Israel. Local Jewish community member Stephen Rom, who is from South Africa, saw it for the first time in Sydney and was instrumental in bringing it to the city.

“You need to remember your past to engage in the present,” reflected Rom. “I was struck by the level of professionalism of this exhibit, which was produced by the South African Jewish Museum in Cape Town. What’s different about it is the way the stories have been written. Nobody is named or personally identified. This is the story of all Jews in South Africa, the community as a whole.”

The Goldene Medina was the Jews’ name for Johannesburg when they arrived during the gold rush in 1886. “This exhibition has soul – it’s not a dry exhibition of facts and figures,” noted Wendy Kahn, national director of the South African Jewish Board of Deputies. “It’s one that tells real stories of families that have been living in South Africa for 175 years.”

“This is a social history,” agreed Gavin Morris, director of the museum, “the story of families and people and their experiences as South Africans and as Jews for 175 years, from our forefathers arriving to contemporary Jewish South Africa. Everything is taken from unpublished memoirs, articles and out-of-print books, to give the exhibit a sense of a scrapbook album, of any Jewish South African’s family memoirs. Our goal was for people to find their own stories in similar stories.”

The stories are excerpts written in the first person and accompanied by photographs old and new. One excerpt, titled “My Mother’s Table,” reads, “At my mother’s table, ‘being full’ was never a reason to stop eating. Some of the many reasons to have some more included: ‘I cooked this especially for you because I know you like it,’ ‘you can’t put so little leftovers back into the fridge,’ ‘it’s freshly made,’ and ‘you don’t like my cooking.’ Refusing more was to snub the generosity and abundance that was on offer. Eating was proof that you were loved and that you knew how to love back.”

Another, titled “Cubs,” reads: “After my mom realized that I only knew Jewish kids, she sent me off to Cubs – not exactly your standard Jewish activity. I came home with my first friend and said, ‘Mom, isn’t it wonderful? Here’s my first friend from Cubs and guess what – we’ve got the same Hebrew teacher!’ He was the only other Jewish kid there and we found each other. My mother gave up after that.”

A third is titled “A Surprise Guest”: “What is the epitome of Jewish chutzpah? Inviting the president of the country to attend your bar mitzvah. And what is Jewish mazel? When the president actually accepts. The bar mitzvah boy delivered his handwritten note to a security guard outside [Nelson] Mandela’s Houghton estate. He hoped to get a card from Mandela in return. Instead, his parents received an official call to say the president will attend. On the day, President Mandela arrived and sat at the main table, between the bar mitzvah boy and his father.”

The excerpts are thought-provoking, poignant, entertaining, informative and never boring. And the photographs are deeply intriguing, telling a story of their own – a timeless Jewish story that has relevance to all Jews whose ancestors have known immigration and resettlement.

Accompanying the Goldene Medina in Vancouver will be the exhibit Shalom Uganda: A European Jewish Community on the Ugandan Equator 1949-1961, curated by Janice Masur.

photo - The Kampala Jewish community gathers for visit of Chief Justice Joseph Herbstein from South Africa, 1958. Gifted by Ilsa Dokelman, in 2005
The Kampala Jewish community gathers for visit of Chief Justice Joseph Herbstein from South Africa, 1958. Gifted by Ilsa Dokelman, in 2005. (photo from Janice Masur)

“As a child, I lived in this remote European Jewish community on the shores of Lake Victoria in Kampala, Uganda, under British Imperial rule, with no rabbi or Jewish infrastructure. Yet, this tiny community of 23 families and 20 children (15 of whom were born in Kampala) identified as Jews and formed a cohesive group that celebrated all the Jewish festivals together,” explained Masur. “Now that most references to Jews in Uganda pertain to … Abayudaya Jews, I want this history – my story about my Ashkenazi Jewish community in Kampala – to be remembered in the Jewish Diaspora.”

The photos and stories that comprise the Ugandan display are, said Masur, “a testament to a determined but isolated group of Jews who were secular in a [remote] place but upheld their Jewish identity and traditions as best as was possible,” given the lack of religious, educational or cultural Jewish institutions. (For more about the Ugandan Jewish community in which Masur grew up, click here.)

The July 29 opening night of the Goldene Medina starts at 7:30 p.m. at Beth Israel, where the display will be up until Aug. 14.

Lauren Kramer, an award-winning writer and editor, lives in Richmond. To read her work online, visit laurenkramer.net.

Format ImagePosted on July 12, 2019July 10, 2019Author Lauren KramerCategories LocalTags Beth Israel, Goldene Medina, history, Janice Masur, photography, South Africa, Stephen Rom, Uganda
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