JCC Book Fest awards given

Western Canada Jewish Book Award 2018 winners, left to right: Roger Frie, Deborah Willis, Kathryn Shoemaker and Irene Watts. Missing: Tilar Mazzeo. (photo by Cynthia Ramsay)

Deborah Willis became a writer, in part, because it is a way “to learn about the things that you’re curious about.” Irene N. Watts and Kathryn E. Shoemaker were motivated to reimagine a decade’s-old story in light of its relevance to pressing issues of today. And, in his latest work, Roger Frie found a way to discuss a past for which, previously, “the words were missing for how to speak about it.”

The Western Canada Jewish Book Awards, presented by the Cherie Smith JCC Jewish Book Festival, took place on April 26. Self-proclaimed book lover Daniella Givon, who is part of the JBF committee and was chair of the awards committee, introduced the evening.

“As I looked for ways to enhance the Jewish Book Festival,” she said, “I had a vision that book awards would marry the goals of the festival with the celebration of, and support the achievements of, local Jewish writers from Western Canada and showcase the winning authors. Since then, we’ve already gone through the process of bringing the ideas to fruition with the help of a subcommittee and the first round of awards … a beautiful ceremony was held here two years ago, recognizing five best-deserving authors.”

This year, four awards were presented, as chosen by the selection committee of former librarian Linda Bonder (Victoria); author and librarian Elisabeth Kushner (Vancouver); author and poet Dave Margoshes (near Saskatoon); writer, teacher and critic Norman Ravvin (Montreal); and Judith Saltman, professor emerita at the University of British Columbia School of Library, Archival and Information Studies. The winners were Calgary-based Willis for The Dark and Other Love Stories (Diamond Foundation Prize for fiction); Tilar J. Mazzeo, who divides her time between Maine, New York and Vancouver Island, for Irena’s Children (Pinsky Givon Family Prize for non-fiction); Vancouver’s Watts and Shoemaker for Seeking Refuge (Jonathan and Heather Berkowitz Prize for children and youth literature); and Frie, professor of education at Simon Fraser University and affiliate professor of psychiatry at UBC, for Not in My Family: German Memory and Responsibility after the Holocaust (Kahn Family Foundation Prize for writing on the Holocaust).

At the awards ceremony, each of the donors, or their representative, announced the winner of their sponsored award, which included a cash component. The winners – except for Mazzeo, who could not attend – read excerpts from their books and were interviewed briefly by Marsha Lederman, Western arts correspondent for the Globe and Mail.

Frie, who seven years ago discovered his maternal grandfather’s involvement with the Nazis, told Lederman, “This was a past no one had spoken about and, as I soon learned to understand, I think the words were missing for how to speak about it.” About the war in general, he said, his parents – who immigrated in the 1950s to Canada (Frie was born here) – talked about Germany’s responsibility for the Holocaust, however they did not speak about what his grandparents believed or what their involvement was in the war. He has found, in his research, that this “is a common dynamic amongst Germans in the postwar period.” He said that, while Germany has faced its past, “the emphasis on collective memory and collective understanding and collective responsibility has, in some way, allowed individual families to avoid confronting the past, and this book [Not in My Family] is very much a representation of that.”

Lederman described Mazzeo’s book as “astonishing.”

“I knew nothing about Irena Sendler before I picked up this book, so this has been a gift,” she said. “Irena Sendler was a Polish woman who saved … thousands of Jewish children during the Holocaust with amazing feats of courage, often in the Warsaw Ghetto. Her story is incredible, this book is incredible, and I can only hope that Steven Spielberg gets his hands on a copy.”

Shoemaker gave a brief presentation on the creative process she and Watts went through to create the graphic novel Seeking Refuge, which is based on Watts’ book Remember Me (first published in 2000). And Watts spoke of the challenge of cutting 27 chapters down to nine. “What I had to keep in mind,” said Watts, “is you can get so carried away by cutting and changing the language to make it more dynamic that you lose the story a little bit, and I had to watch that I didn’t diminish the characters.”

About the cover of the graphic novel, which features a girl sitting on a suitcase looking forlorn, Watts said Shoemaker “told the story in that one image.” Later, in response to a question from Lederman, Watts said the current refugee crisis was “the major reason to bring this book back in a different format.”

As for Willis, she spoke with Lederman about her winning collection of short fiction. “I was writing the stories for about five years, and I actually started noticing that the word ‘love’ was coming up over and over again. I was at first a little dismayed by that because I was thinking, oh, love stories, that’s been done. But then I embraced it and I wanted to try and explore that theme in a way that was true to my esthetic, or my goals as a story writer. I set it almost as a challenge.”

After an open Q&A with the authors, JCC Jewish Book Festival director Dana Camil Hewitt wound up the event with thanks to the sponsors, judges, awards committee and audience.

For an interview with Watts and Shoemaker, visit jewishindependent.ca/meet-award-winning-artists and, for a review of Not in My Family, visit jewishindependent.ca/a-grandfathers-sins.

Long-enduring trauma

I approached Imprint: A Memoir of Trauma in the Third Generation (Caitlin Press, 2017) with reluctance. But Claire Sicherman’s account of her murdered family members, of her grandparents who were the sole survivors of the Holocaust and of her own intimate life as granddaughter, woman, wife and mother is profoundly moving and tender. Her accounts of her relatives’ lives and deaths under the Nazi regime are brutal and shocking. The proximity of these emotions makes the book challenging to read but hard to put down.

Sicherman’s choice of the title Imprint helped me understand just how stubborn and long-lasting the impression of anxiety, grief and horror can be to the human psyche. My mind went to the reality of fossils. According to one source online, sometimes an animal “is buried before it is destroyed. And when that happens and conditions are just right, the remains of the animal are preserved as fossils…. Fossils are the naturally preserved remains or traces of ancient life that lived in the geologic past…. Fossils represent the remains or traces of once-living organisms.”

For Sicherman, the emotions related to the destruction of her family are permanently imprinted in her body and in her genetic makeup. She must now bring them to conscious awareness.

The juxtaposition of cold, hard accounts of death – as in the chapter “My Family” at the beginning of the book – immediately followed by the first letter to her 9-year-old son Ben, signed “Love Always,” warns the reader that what follows is not for the faint-at-heart. She alternates between three essential narratives: the telling of the destruction and deaths of her relatives in Poland; the survival of her grandmother and grandfather, which leads to the intimate story of her mother and Sicherman’s youth; and the traumatic birth of her son Ben, which acts as a catalyst, breaking through lifelong barriers of ignorance, denial and grief.

book cover - ImprintIn gazing at the cover of the book, the three images of caterpillar, cocoon and butterfly began to make sense. This metamorphosis becomes the symbol of Sicherman’s lifecycle; the lack of awareness of her family’s history, the birth of her son, and her desperate search for knowledge and understanding of why she suffers from chronic health conditions, anxiety and depression.

Sicherman’s answer to the question “why” lies within the concept of epigenetics, the study of heritable changes in gene expression. Traumatic events cause changes in gene expression that can then be inherited. For Sicherman, her task is to explore, through various forms of therapy, the intergenerational transmission of trauma – the genetic imprinting of the horrors that befell her great-grandparents, her great-aunts and great-uncles and their progeny. Despite the distance of being a third-generation Holocaust survivor, her writing captures the beauty and intimacy of family affection (“My Babi,” “My Deda”). Hope of healing and surviving trauma permeate the pages of this creative book, offering acceptance and guidance to others of her – and the next – generation.

Dolores Luber, a retired psychotherapist and psychology teacher, is editor of Jewish Seniors Alliance’s Senior Line magazine and website (jsalliance.org). She blogs for yossilinks.com and writes movie reviews for the Isaac Waldman Jewish Public Library website.

Try to reduce screen time

In her latest book, Be the Parent, Please (Templeton Press, 2018), author Naomi Schaefer Riley reminds parents to take back control and help their kids find healthier means of entertainment.

Originally from Massachusetts, this New York mom of three kids (ages 11, 9 and 5) is no stranger to society’s pressure to give children whatever they want, including the latest technology.

“Over the last few years, I myself struggled with the issues of how to handle screen time, and I’ve watched a lot of other parents struggle with it,” Schaefer Riley told the Independent. “As a journalist, I wanted to talk to experts and do reading, and find out what the research says … and talk to parents about strategies they were using to deal with this.

“The pressure to hand over screens to kids starts almost immediately these days,” she said, “The iPhone came out a little more than 10 years ago, coinciding with the birth of my oldest daughter. It took a couple years but, by the time she was in preschool, a lot of parents, even to have a basic conversation with another person, would hand over their phone just in order to distract the child.”

Today, tablets and cellphones have become a source of all things entertainment for kids (let alone adults), whether that involves looking at pictures of themselves, creating videos or playing games.

“When my kids were younger, we let them watch one show every night, some half-an-hour cartoon,” said Schaefer Riley. “Then, my son was born and the fight began over what they were watching and who gets to pick each night. And it became more of a struggle to tell them you’re going to turn off the TV…. A book I read enlightened me, called The Plug-In Drug. It came out a little more than 40 years ago and was mostly about TV and videogames.

“The author noted that, when you turn off a screen, it’s almost like waking a child up from a nap. It’s a trance-like state and they’re so into it that it’s almost like a change from sleep to wakefulness when you turn it off. And they become cranky. It can be as long as a half hour before they adjust back to reality. I think I was tired of the crankiness, too, of every time I turned it off, to have this fight ensue.”

At the Schaefer Riley house, there are a lot of toys and the kids are expected to entertain themselves without the TV. “But, a lot of parents don’t make that expectation,” she said. “They assume that, unless the child has a screen, the parent has to be entertaining them at all times, that the child can never be restless or irritated.”

She went on to explain that it’s not a parent’s job to ensure that their child is 100% engaged in something at all times. Instead of screens, she suggested, “Why not give your kids some pots and pans to bang together or some cardboard boxes? These are things we know are good for building fine and gross motor skills, and [that] encourage kids to explore things.

image - Be the Parent, Please book cover“I think what the screens have allowed is for us to exercise more control over our kids and keep them on a tighter leash. You don’t need to go all the way to the park. You can just sit in the living room and give your kid an iPad. That way, I don’t need to worry about whether you know enough about crossing the street or whether you’ve achieved that level of independence. The phone will allow me to have this tether on you. This is not very beneficial to kids in the long run.”

Children are now finding tasks difficult to handle if they cannot immediately text their parents for advice or counsel about their lives, argued Schaefer Riley. There is constant communication, with technology serving as a crutch for helicopter parenting.

“A lot of parents have confessed to me … they know, deep down … that they don’t need studies to tell them that their kids are on screens too much,” said Schaefer Riley. “Parents know this.”

It’s time to apply basic parenting strategies to technology, she said. “I know it sounds simplistic to say, but your kid doesn’t generally ask for chocolate cake for breakfast in the morning; they know there’s none for breakfast. If you talk about screen-time limits and stick to them, your kid will not be on you constantly…. If you stick with the rules you set for a few weeks or months, your child will learn that there is no point in asking again; they already know what the answer is and will stop asking for things you consistently say ‘no’ to. The idea is to bring parents back to reality and back to a sense of where they do have control.”

According to Schaefer Riley, the life skill of asking for assistance from an adult is one that many children are missing out on, due to the reliance on tablets and phones.

“I see the kids … my daughter is on the swim team … and they all walk out of practice and everyone is texting their parents – pick me up in five or 10 minutes outside,” said Schaefer Riley. “I’m like, ‘who are you?’ These are not your chauffeurs. I think that’s how we’ve come to think of ourselves.”

Schaefer Riley said observant families, who turn off their phones on Shabbat, have an advantage, as the children come to appreciate that there is something to be gained from family time. “I think,” she said, “that more and more people, whether they are religious or not, are trying to find that ‘technology Sabbath,’ as they like to call it, to give themselves a break … either at meal times, or one day a week, or on vacation. It’s considered a luxury now, to be able to get away from your phone.”

Schaefer Riley emphasized that her book is not meant to scold anyone. She herself faces these challenges.

“There’s a lot of pressure coming from technology companies and schools, and from the culture generally, that are really pushing you to hand over these devices to your kids,” she said. “It takes some willpower to say no, that’s not for my child, or this much time is not for my child.

“There’s a point at which you need to go into your community and find allies,” she added. “Everywhere I went, every community of people I’ve spoken with, there wasn’t just one family trying to hold the line. There were several and, sometimes, they weren’t connected with each other. But, if you do a little searching, you can find people trying to take a similar tactic, and it helps to have allies.”

Rebeca Kuropatwa is a Winnipeg freelance writer.

What is it to become Israeli?

Akiva Gersh teaching a group in Israel. Gersh is the editor of, and a contributing writer to, the book Becoming Israeli: The Hysterical, Inspiring and Challenging Sides of Making Aliyah. (photo from Akiva Gersh)

If you or someone you know is considering making aliyah, there is a book that offers a glimpse of the experience. Becoming Israeli: The Hysterical, Inspiring and Challenging Sides of Making Aliyah (Rimonim Press) is a compilation of blogs and essays written by 40 olim (immigrants), including the editor, Akiva Gersh.

“The book speaks about the various sides of aliyah, from the hysterical, to the challenging, to the frustrating, to the emotional,” Gersh told the Independent.

Gersh grew up in the New York area. He and his Philadelphia-born wife, Tamar, made aliyah about 13 years ago. As they were going through the process, Gersh wrote about it in a blog. When he realized others were doing the same thing, he was spurred to collect as much information as he could for publication in book form.

“I kept thinking, someone must have done this,” said Gersh. “People had written about their own aliyah experiences, but not a broad compilation of experiences … and that is what I wanted to do, what I wanted to share. I worked on it for about two years – finding the blogs, talking to the bloggers, telling them what I’m doing, and getting permission to use their posts in the book. And, after about two years doing all this compiling and editing, the book was born.”

In Becoming Israeli, said Gersh, there are the insights of (English-speaking) Jews who have made aliyah, as well as those who have been to Israel, but haven’t yet made the move. “In the book,” he said, “you can really sense the things they love about Israel. Above and beyond that, there is the general world … and much of that includes the Christian world who loves coming to Israel.”

image - Becoming Israeli book coverThe feedback has been good, especially from olim who have read the book and can relate to their fellow travelers. “They went, ‘Wow! Amazing!’” said Gersh. “Every page, they’re like, ‘This is my story!’ They’re laughing, they’re crying.

“I’ve read the book multiple times and I still laugh at the jokes and cry at the same emotional places,” he added. “It’s a really powerful book and I’ve had really positive feedback from olim who say ‘thank you’ and feel it is awesome … [and] exactly what they’ve been going through and experiencing.”

Gersh is a teacher by training and works in a private English-language school in Israel. He also connects with people using music, through a program he started in 2007 called The Holy Land Spirit.

As a musician and teacher, Gersh offers groups – mainly Christians – who visit Israel an evening program of music, prayer and spirituality from a Jewish perspective. “They love it,” he said. “We pray together, dance together, speak together.”

Gersh teaches at Alexander Muss High School, a study-abroad institution near Tel Aviv. There, kids from 45 different countries come to learn for a few weeks or up to a few months at a time, about Jewish history and Israel. They spend half their time in the classroom and half their time traveling around the country.

“So, it’s academic and hands on,” said Gersh. “It’s awesome. I’ve been there about 10 years now. The language of instruction is English and, for those who want to improve their Hebrew, there are opportunities.

“We have young Israelis who are fresh out of the army. And, for those who want the Hebrew experience, they can get it from them and also from being out and about in Israel.

“The kids are inspired, enlightened, pumped up about Israel,” he continued. “We’re not a religious program. We’re not a church denomination. We’re pluralistic. We have Jews on staff, but we don’t push Judaism. We just open up a space for kids to explore connections to Judaism.”

According to Gersh, many of the students are experiencing certain aspects of Judaism for the first time. This is something especially meaningful for him, he said, noting, “I had no connection to Israel growing up at all. I never thought about it, nor talked about it. It just wasn’t a thing in my community. I heard about it a couple times in Hebrew school, but it wasn’t on the radar at all. By the time I was done with high school, going into college, I was really done with anything Jewish…. In college, I began searching for something more cultural, meaningful, spiritual in my life.

“That journey, which was a three-year journey, took me to many different places, meeting different people, reading different books. At the end of the journey,” he said, “it brought me full circle to Judaism. But, I found a new side and a new expression of Judaism that I hadn’t seen before.”

Among the places Gersh traveled after college was West Africa, where he spent two months learning more about the drumming he studied in school.

“After traveling around there,” he said, “I went to Israel for the first time. I was about 22 years old at that point. I traveled around Israel for two months, backpacking and enjoying, taking a class here, a class there, doing a Shabbat and just really getting into it. After those two months, I realized I wanted to really explore my roots and see what Judaism was about. Still, at that point, I did not want to become religious.”

Eventually, Gersh did become religious. He spent some time in a yeshivah, both in Israel and in the United States, before making aliyah with his wife in 2004.

The foreword of Becoming Israeli was written by Yossi Klein Halevi, an Israeli author Gersh looks up to as a Jew, as someone who made aliyah and as a writer.

“We had a book launch at the beginning of the summer and we had a panel of me and a bunch of other bloggers from the book, and he was one of the panelists,” said Gersh. “It was amazing to have his voice and his perspective.”

Becoming Israeli is available on Amazon, and Gersh also has a website, becomingisraeli.com.

Rebeca Kuropatwa is a Winnipeg freelance writer.

Power of human spirit

Disarmed: Unconventional Lessons from the World’s Only One-Armed Special Forces Sharpshooter by Izzy Ezagui (Prometheus Books) is confusing, puerile, uneven, exaggerated, chutzpadik and strident – I loved it. I enjoyed every blessed moment involved in reading this extraordinary Proust-like jumble of words and ideas by an Israeli soldier who lost his left arm in a Hamas mortar shelling a decade ago when he was on duty near Gaza.

The unlikely protagonist of this memorable saga is a Sephardi Jew raised in Florida and Crown Heights (New York), and educated first in the public school system and, afterward, in a Lubavitch yeshivah, before making aliyah. His father and mother, whom he idolizes in this book, were complex parents who decided, while Ezagui was still very young, to become more serious about their Judaism.

image - Disarmed book coverThis autobiography is among the few books available on the intricacies of the Israeli army’s training procedures for inductees into elite units – which Ezagui experienced not once but twice – and, as such, it provides an introduction to what it really means to become a member of Zahal, the Israel Defence Forces. The rigours of IDF training are equal or superior to American, British and Canadian special forces cadres.

When Ezagui’s tent was destroyed by the mortar blast that hit his unit bivouacked near Gaza, the young soldier did not at first realize what had happened to him, so great was the shock to his nervous system. The graphic description he provides of the wreckage to his left arm is not easy reading because it lies outside our normal anatomical parameters but Ezagui conveys quite adequately the physical and psychic damage he endured. It took hours before the extent of his personal catastrophe was fully known.

Ezagui’s comrades were able, once the dust had cleared, to transport him to an Israeli medical facility, where doctors stabilized the young soldier, along with others who had been injured by enemy fire. One of the most poignant parts of this journal is Ezagui’s attempt to speak to his mother on the telephone to impart the news about the loss of his left arm without provoking hysteria on her part.

Part of the treatment the author received from Israel’s medical cadres were heavy doses of very powerful drugs, including fentanyl, a narcotic, he notes, which is a hundred times more potent than morphine; it was the first drug administered to him when the severity of his injury was recognized. This is a relevant observation because, when Ezagui began to recover his sensibilities, he immediately declared that he intended to return to his combat unit. But he soon realized that he would have to go “cold turkey” before he could even think of rejoining his comrades. This he did by dint of unbelievable discipline in the face of incredible suffering from withdrawal.

During this crisis period in his slow recovery, Ezagui was confronted with the negative responses of army doctors, one of whom bluntly told him that his condition precluded the kind of camaraderie and fraternity among soldiers who depend on their peers to help them. That kind of subtle yet direct rejection ironically made Ezagui more determined in his pursuit of his former status as a soldier-sharpshooter. It did not help that he was continually hounded by his “phantom,” the curious physiological phenomenon when a severed limb asserts its presence despite its absence.

In his narrative, Ezagui gives us all the excruciating details of his retraining in the army – this time, with a limb missing. One of the greatest obstacles he encountered was mounting a wall with a rope anchored to it. In his previous incarnation, he had no problem, but one arm wasn’t enough to execute the onerous task. He finally realized that a contortionist’s skill was required to perform the feat and, through the use of his legs and other body parts, he was able to get over the wall.

Ezagui encountered a similar problem with his rifle. It jammed regularly when he tried to insert the shells into it. He overcame his frustration only when he realized that he had to dig his weapon into the ground, anchor it solidly and, then, with his one arm, load the instrument.

Ezagui passed all his retraining requirements and it was the doctor who had initially rejected his attempt to rejoin his unit who certified his reentry into the army.

Disarmed is a testimony to the resilience of one human being who beat the odds and conquered a disability, and Ezagui has become a symbol of what the human spirit is capable of accomplishing.

 

Arnold Ages is Distinguished Emeritus Professor at University of Waterloo, in Ontario.

Separate but connected lives

“I remember the deep pleasure I had as a child when I first began reading,” author Méira Cook told the Independent. “It was like climbing into a book and pulling the covers down over my head. When I write, I feel as if I’ve returned to that world. My greatest wish is that readers experience the absorption in reading my novels as I’ve had in writing them.”

Cook’s latest novel – her third – is Once More With Feeling (House of Anansi Press Inc., 2017). Readers will be immediately drawn in by the cheerful, optimistic and a bit naïve Max Binder, whose “many friends tend to exaggerate the dozens of half-full glasses – and some of them considerably less than quarter-full, it’s been pointed out by a couple of the more sour and dill-picklish ones – that he has eagerly poured into another until presto, not only is the glass full but it runneth over.”

Because, for Max, “hope is not merely a feathered thing, a bird, or an equation for water and glass. Hope is where he lives, where he hangs his hat and unbuckles his belt.”

So begins Once More With Feeling, with Max at the airport – where he’s never been “without running into someone he knows, however tangentially” – to pick up a visitor he’s invited as a surprise for his wife Maggie on her 40th birthday. The light tone lulls readers unfamiliar with Cook’s previous work into the expectation of a nice, light read, albeit one full of insight into human nature and wry observations on life. But, while there is much humour throughout, the novel is substantive and serious, and the writing demands that readers do some work.

The story of the Binder family – Max, Maggie and their two sons – and the community they live in, Once More With Feeling “explores how different family members are affected by tragedy, and how the Binder family’s trauma ripples out into the larger community,” explained Cook. “The novel began as a series of linked short stories centring on the Binders, but also veering off into other characters and situations. The structure I’d envisioned was of a year in the life of a city (Winnipeg), with each story taking place during a different month. I loved that sense of turning seasons and changing weather that we prairie folk experience so keenly.

“In the process of writing Once More With Feeling,” she continued, “I began to realize that, while we often like to believe that we are the protagonists of our own autonomous stories, really we are all connected, all linked in hidden and sometimes unexpected ways, all parts of a larger novel. In Winnipeg, we cherish the fond belief that we’re connected by two degrees of separation rather than the customary six degrees. I wrote my novel with this in mind – that people who live in different parts of the city, different neighbourhoods, are nevertheless connected not only through mutual friends and acquaintances but also in their shared humanity.”

The connections aren’t always easy to make in Once More With Feeling, and readers who like linear narratives will find the novel challenging. Some of the chapters have little to nothing to do with the Binders. But Cook is a master at creating characters – and Winnipeg would be one of the many in this book – that seem real, like people we know or have known, or who resemble ourselves in ways. The writing is excellent; many passages are hilarious, others are breath-catching. Cook is a perceptive observer and intelligent commentator. Perhaps not surprisingly, she was a journalist in her home country of South Africa.

“I came to Canada in the early nineties and lived for a couple of years in a small town three hours north of Winnipeg,” she said. “I’d previously lived an entirely urban existence in a large, bustling city, Johannesburg, where I was a film and drama reviewer. Suddenly, I found myself in a very small town (the population was about 500), where I could no longer work as a journalist. I’d never seen snow before and, since I’d arrived in February, there was an awful lot of it. I experienced culture shock as a devastating loss of identity, the loss of everything I’d known before. When I looked out my window, the snow seemed as white and blank as a page. I began to write – first poetry, later fiction – as a way of leaving my mark on that page.”

In addition to her three novels, Cook has published five books of poetry. In Canada, she also has lived on the West Coast for a spell.

“My husband and I lived in Vancouver for four years while we were studying. In those four years, I received my PhD in Canadian literature and had three children,” she said. “Despite how fertile a place Vancouver was for us, we returned to Winnipeg for work reasons. (Perhaps we were afraid that if we remained in Vancouver we’d have another three children!) My daughter had her naming ceremony and my twin sons had their britot at Beth Israel Synagogue on Oak.”

image - Once More With Feeling coverOnce More With Feeling has numerous Jewish aspects, from several characters, including Max, to topics such as the Holocaust, and how we remember and learn from it.

“Maggie isn’t Jewish but I didn’t have a specific reason for this in the sense of wanting to portray an intermarried couple,” said Cook. “I was interested in representing a city that is as diverse and vibrant as the Winnipeg I live in.”

For Cook herself, she said, “Judaism has always been important to me but I didn’t always feel that I was important to Judaism. When I was growing up in Johannesburg, my family attended an Orthodox synagogue and I often felt excluded and sidelined as a young girl and, later, as a woman.

“Through the years, I found my way back to my lost religion via the Conservative movement. My family attends an egalitarian synagogue in Winnipeg, where we sit and pray together, and where my daughter had her bat mitzvah six years ago. Watching my daughter reading from the Torah was such a deeply meaningful experience; it inspired the section of the book related from the point of view of the mothers watching their children grow up and become sons and daughters of the commandments.”

This chapter – called “Tree of Life” – is especially poignant, while also providing a critique of various social mores with wit and tenderness. And Cook doesn’t only put a lens on the Jewish community, but also on larger societal issues, such as racism toward First Nations people and the problem of homelessness.

“I don’t censor myself when I write but I certainly do when I revise,” she said about tackling controversial subjects. “Stephen King once said: ‘Write with the door closed, edit with the door open.’ And Hemingway is supposed to have advised: ‘Write drunk, edit sober.’ The model I follow is less decadent but similar in intent: write in a dream, edit when you wake up.”

And how does she know when to step away from the keyboard?

“There is a point where the writing doesn’t feel personal anymore. The story that has for so long been floating in your head or been messily transcribed from longhand notes to a Word document, that story hardens into conviction, becomes real.”

A grandfather’s sins

Prof. Roger Frie’s  Not in My Family rises above the merely personal (image from cenes.ubc.ca)

Forty-three years ago, at Vancouver’s first Holocaust Symposium, for which I was the chair, the keynote speaker was the Lithuanian partisan fighter Leon Kahn. His presentation to a large group of high school students described, among other things, how he watched, in hiding, while his mother and sisters were raped and murdered by members of the Einsatzgruppen – the murderous “task forces” mandated to kill Jews by gunshot (the so-called “Holocaust by bullets”) in German-occupied countries. Approximately two million Jews were murdered by the Einsatzgruppen.

After Leon was finished speaking, a tall, blond, blue-eyed boy walked slowly up to the podium. He was, he said, of German origin, and wanted to apologize to Leon. His face revealed how devastated he was. Leon shook his hand and told him, “Look, it wasn’t your fault. Now go on and live your life.”

That was my first experience with deutsche Schuld, German guilt.

There are literally hundreds of books and websites approaching deutsche Schuld from every angle. The author of Not in My Family: German Memory and Responsibility After the Holocaust (Oxford University Press, 2017) is Roger Frie, a Simon Fraser University professor and locally practising psychotherapist who is a third-generation German-Canadian. Based on his profession, he addresses the issue of German guilt in the present book from a personal psychological perspective, using his fear of being exposed as a “bad German,” along with his experience with inherited guilt, as his templates.

Frie’s Not in My Family was triggered, he says, by his mid-life discovery, long hidden by his family, of his beloved grandfather’s Nazi past. The book invites us to follow him as he slowly builds up the courage to go to the archives in Berlin to find the documentation revealing his grandfather’s Nazi membership and wartime activities.

“Opa” was hardly a high-ranking Nazi functionary, it turns out: he was “an ordinary German,” who operated, for all intents and purposes, as a minor motorcycle repairman. (Frie writes more about this apparently apolitical “motorcycle club” later in the book, but one is still left to wonder how the author, already heavily burdened with inherited guilt, would have felt if his Opa were discovered to have been say, a camp guard, or a member of the Totenkopfverbaende, the infamous Death’s Head Units.)

Ironically, Frie has professionally analyzed children of Jewish survivors, and some of his most intimate reflections arise from his wrestling, during these sessions, as to whether or not to reveal that he is himself of German heritage.

image - Not in My Family book coverConstantly throughout Not in My Family, Frie reiterates that he “has an obligation to remember the past” and, while remembering, he has many sincere reflections on post-Holocaust German guilt and responsibility, complicity, prejudice, cowardly denial and “shameful silence” of past issues, as well as, of course, the “need for redemption” and “the problematics of trauma,” especially of his own, rooted in a questionable notion of vicarious perpetration, three generations down the line.

On this last point, clearly, there was a therapeutic dimension for the writing of Not in My Family: it reflects on every page. But the book rises above the merely personal. For example, Frie is brutally honest in rejecting the moral camouflage of the “Germans suffered too” ilk, and on the need to be suspicious of Germans who feel “deluged” with the Holocaust.

Near the end of Not in My Family, Frie reflects that “writing can be a form of discovery, of examining life and making sense of the past.” This book, for him, he admits, was “personally meaningful” and “emotionally draining.” But if, as he puts it, the book “creates a space for dialogue and reflection on the nature of German memory and the Holocaust,” it is a valuable contribution to an ever-growing body of knowledge about how the greatest crime in human history came to be perpetrated by, among others, affectionate, family-loving, probably not dogmatically antisemitic, minor motorcycle repairmen.

Graham Forst, PhD, taught literature and philosophy at Capilano University until his retirement and now teaches in the continuing education department at Simon Fraser University. From 1975 to 2010, he co-chaired the symposium committee of the Vancouver Holocaust Education Centre.

Londres foresaw fate of Jews

Albert Londres was a Parisian journalist born in 1884. He became an international reporter who chose to chronicle human suffering and expose injustice and cruelty. He denounced inhuman conditions in mental asylums, the ordeals of black workers, conditions in a penal colony. His journalistic philosophy: “our profession is not to give pleasure nor to do harm; it is to twist the pen into the wound.”

Why was I drawn to Londres’ The Wandering Jew Has Arrived (Gefen Publishing House, 2017)? For one, I had spotted it in Israel and it was produced by Gefen, a familiar name in the publishing world. Its founder, Murray Greenfield, his late wife, Hana, and I once visited Terezin together and his son, Ilan Greenfield, published a book about the Buchenwald boys I co-wrote with Judith Hemmendinger back in 2000.

Secondly, I quickly read the introduction by Rav Daniel Epstein. He described Londres as a non-Jewish Parisian reporter with an insatiable curiosity. He wanted to inform his French readers, “nurtured for centuries on a teaching of contempt and antisemitic clichés,” about the world of Jews, a world he also did not understand. So he learned. He observed. He made a brief visit to Poland in 1926 and was exposed to the reality of pogroms and ghettos (his word for shtetls). Who would not want to join him on his journey?

In 1929, he began to familiarize himself with the London Jewish community of Whitechapel. Then he traveled to Poland, Russia and Romania. He described observant and secular Jews, Zionists and anti-Zionists, Torah scholars, yeshivah students. From all that he observed and experienced, Londres concludes “the passion for learning is uniquely Jewish,” and links this passion as “undoubtedly the real mystery of Israel and the secret of its survival.”

He discussed the dangerous circumstances of Jews living among hostile nations in 1929. “The Jew,” he writes, “is guilty of one crime; that of being Jewish.” He elaborates, “A Pole or Russian chases a Jew from a pavement as though the Jew who is passing by, is stealing his air.” Londres travels as well to Palestine to witness and observe a “metamorphosis: the cowering Jew of the ghetto now holds his head high … he finds the wandering Jew in Jerusalem.”

Londres’ translator, Helga Abraham, writes, “Still widely read in France, the book came to my attention when the Hebrew translation was published in 2008 (Nahar Books). Surprisingly, I discovered that no English translation was available. An English translation had been published in 1932 but soon was out of print. I use the word surprisingly because it is hard to read this work without being arrested by its enormous significance – as a unique eyewitness account by a non-Jew of a pivotal period in Jewish history, as a major literary work in itself and as a masterful example of journalism at its best.”

Let me take you through some of his journey. In the opening chapter, “A Bizarre Personage,” he describes meeting in London the Jew who would squire him on his journey – a Polish Galician rabbi on a fundraising mission in London.

Londres wrote, “But I had to begin in London. Why? Because England, 11 years ago, had proclaimed to the Jews the same words that God, sometime before, had proclaimed to Moses on Mount Horeb,” assigning him the land of milk and honey.

This time the proclamation had come from Lord Balfour. Londres records both proclamations adding, “England knew how to defend its interests better than God His: God had given Palestine and Transjordan in one stroke. Lord Balfour kept Transjordan.”

image - The Wandering Jew Has Arrived book coverLondres writes of the 1917 Balfour declaration as well as the betrayal of the Jews following the declaration, because, although the San Marino conference legalized the promise, by 1922, 78% of the British Palestine mandate was severed from becoming a potential Jewish area. And, only 10 years later, in 1939, unbeknown to Londres, who died in 1932 in a fire that broke out on the boat returning him from Shanghai, the slaughter of Europe’s Jews began.

It is all forecast by him, as he describes Jewish history to that time and modern Jewish history from the days of Theodor Herzl (1860-1904). Herzl became a journalist in Paris, where he witnessed the Dreyfus Affair. He wrote a book called The Jewish State. He was particularly shocked by hearing the cry, “Death to the Jews” in Paris, particularly in France where, “if the suspicion that rested on an individual (Alfred Dreyfus) was projected onto all, it meant that a Jew, even in this privileged country was not in his own home.”

Herzl set out to convince monarchs and leaders to establish a home for the Jews. He visited heads of state, royalty and philanthropists, and reunited Israel as a nation, in Basel, for the First Zionist Congress. In London, 10,000 Jews came to hear him. In Vienna, another 10,000.

His schedule was hectic, his leadership challenged and he succumbed to illness at age 44. Londres notes: “Herzl is dead. His dream lives on!” Londres writes, “Three thousand two hundred forty-seven years after Moses, he succeeded Moses.” And, “He awoke a people that had slumbered for nineteen centuries.”

And so, Londres embarks on his mission to describe “the state of the Jews in the world to the French.” In London, he speaks with immigrant Jews and recognizes that, in countries like Poland and Romania, due to antisemitism, “A Jew over there is always a Jew. He may be a man, but he is neither a Romanian nor a Pole. And if he is a man, he must be prevented from growing.”

Londres places into historical perspective the Lord’s designation of Abraham as the patriarch and assigning to him the land of Canaan around 1920 BCE, and the assignation of the land at the San Remo conference, also in 1920, but CE. At San Remo, the Supreme Allied Council gave England the mandate to establish a “Jewish national home” in Palestine. Londres notes wryly that from 1920 BCE to 1920 CE, “the Arabs have not stopped creating an uproar. They deny that Palestine is the cradle of the Jews.”

Londres describes the development of Jew-hatred; the loathing of Jewish adherence to the laws of the Torah, followed by the birth of Christianity and then dispersion to hostile nations. They were ghettoized, marked with yellow badges, forced to give up Judaism in Spain and blamed for cholera in Germany, whereupon they moved to Poland followed by Chmielnicki, the leader of Ukrainian Cossacks, who “passed through all the ghettos to massacre 300,000 Jews.”

The French Revolution led to greater acceptance of Jews, less so in Vienna. But Londres was familiar with the Jews of the West. He wanted to see those in the East, and journeyed to Prague and followed others to Mukachevo, in Subcarpathian Russia. Jews were driven from their homes in Moravia, Poland and Russia into misery and poverty, all described by Londres, the roving journalist.

Even in Prague, in a more civil society in the heart of Europe, he notes, “Chased, beaten, mocked, unable to leave their concentration camp, accused of witchcraft, sorcery, illnesses, their garments marked with a yellow badge, they walk stooped, pale and thin, beards flowing, down the little alleys of yore, with big strides, heads bent, toward this old synagogue. It was their sole homeland.”

What is the vision that prompts him to use the words “concentration camp” for the Jewish area they cannot leave and the yellow badge to mark them, in the year 1929?

The reader will soon enough discover what Londres began to envision. For he discusses as well the absence of Jewish rights, their lack of political power combined with the ever-increasing torment of pogroms, forced conscription and soul-destroying laws. Londres emphasizes that Jews without a land of their own create a space in which to worship and temporarily escape the travails of their wretched lives. He knows there is no future for these Eastern European Jews who happen to number six million, without including those in Germany, France and the Netherlands.

He describes the pogroms of Kishinev in 1903 and the great pogrom of 1918-1920 in Ukraine and eastern Galicia, where 150,000 Jews were murdered and 300,000 wounded. Londres notes there is no particular reason for pogroms except one: “the fundamental cause of pogroms is loathing of Jews. Then come the pretexts.” In Bessarabia, he meets a chalutz (pioneer) from Palestine urging Jews to leave their misery. Alter Fischer had survived a Cossack pogrom and fled to Palestine. Now a proud Palestinian Jew on a mission, he attempts to inspire the Jews of Kishinev. At one point, he rages, “By dint of waiting for him [the Messiah], they will all end up slaughtered. They are like the inhabitants of Stromboli, waiting for the volcano to erupt.”

In contrast to “the wild Jews of the Marmarosh Mountains, the frightened Jews of Transylvania, of Bessarabia and of Bukovina, the begging, beaten Jews of Lwow” stands Warsaw, which is, in Londres’ words, “the Jewish queen of Europe.” Three hundred and sixty thousand Jews – but living in a country where, “One of the main pillars of Poland’s political program is to ‘crunch the Jews.’ A Jew cannot work for the government, or the army, or a university.”

Londres’ descriptions of the depth and intensity of Jewish life reflect an admiration of the commitment to study and education. But, he worries. His travel companion from Prague, Ben, offers these words, “The Jews of Russia? They know they are enjoying a truce now. Bolshevism has brought them peace. But every regime that follows Bolshevism will bring them war. And they will pay the price. It will be even worse than Petliura’s pogroms. Everyone knows this and it will be ghastly. In Poland? The situation is worse than it’s ever been. In Romania, the antagonism is blatant. In Czechoslovakia, there is neutrality but also neglect. That’s the picture. Who wouldn’t want to get out?” Ben adds, “All of us here are not at home. But we are no more than guests wherever we live.” It is 1929.

Londres travels to Palestine on a vessel, the Sphinx. He exclaims, “Here is the sun! I left Warsaw in the year 5690” (on the Hebrew calendar). “Now I enter year 10” (roughly a decade after the Balfour declaration). Londres exults in the discovery of “Herzl Street! Edmond de Rothschild Boulevard! Max Nordau Street! The synagogue, the main monument in the process of being completed, seems to say it all. It is like a flag, floating over a camp. The sole, unrivaled flag. No crosses in its shadow, no minarets in its radius. Just as when the Temple dominated Jerusalem, before the Church of the Holy Sepulchre and the Mosque of Omar.”

In discussing the defeat of the Ottoman Empire and its 400-year occupation, Londres states simply, “Victory came. England puffed its cheeks and exhaled. The Arab kingdom vanished. Israel took its place.” He writes, “There is no point labouring over historical texts. Whether the settlement of the Jews in Palestine is called a ‘national home’ rather than a ‘Jewish state’ does not alter the fact. And the fact is this: this time, the Jews were arriving not as beggars, but as citizens. They were no longer asking for hospitality – they were taking possession of the land. They would no longer be a tolerated people, but equal.”

Londres’ remarkable work – of a period of time wedged in between two world wars, the latter resulting in the destruction of European Jewry – deserves a wide readership. Londres, the journalist, captures the essence of Jewish life and foreshadows what is to come through his awareness that Jewish survival is not possible and that the wandering Jew is destined to return home.

Dr. Robert Krell is professor emeritus, department of psychiatry, University of British Columbia, distinguished life fellow of the American Psychiatric Association and founding president of the Vancouver Holocaust Education Centre.

A new foundational resource

The book The More I Know, the Less I Understand (Auschwitz-Birkenau State Museum, 2017) summarizes the findings of University of British Columbia students in various fields of Holocaust research and the implications of Nazi German crimes committed in Central and Eastern Europe.

It is often claimed that, since the events of the Holocaust took place more than 70 years ago, most of the available information has already been collected and there is little chance of gaining new knowledge about what happened. This claim, often made without substantial questioning, has been debunked by, among others, a group of UBC students who traveled to Poland on the Witnessing Auschwitz Program from 2014 to 2016.

The young scholars conducted extensive fieldwork and consulted with world-class experts in Holocaust studies at the Auschwitz-Birkenau State Museum, the Emanuel Ringelblum Jewish Historical Institute and other organizations; they also used primary-source archival documents. Each of the student essays in The More I Know, the Less I Understand is accompanied by footnotes prepared by experts in the field. The essays show that many complexities of human life and politics, and historic processes associated with the Holocaust and the Second World War, remain understudied. Over the course of the Witnessing Auschwitz Program, the students found more questions to ask with every answer they were able to uncover.

The uniqueness of this volume and its substantial contribution to the market of knowledge rests on the comprehensiveness of the analysis – largely resulting from the diverse areas of expertise of the individual scholars. Furthermore, the authors in the book write on various subjects that have largely remained untouched in Canadian academia: the profitability of the work camps for the German economy; the artistic expression of prisoners; moral dilemmas, such as betrayal of others for the sake of survival; and complex emotions such as love.

book cover - The More I Know, the Less I UnderstandImportantly, various authors in this volume critique the methods by which the contemporary public is educated about events that took place before and during the Holocaust. For example, a common misconception exists, often reinforced through the education system and media, that the rationale for the crimes committed by the Nazi German regime was primarily rooted in ideological conviction. The essays in The More I Know, the Less I Understand collectively show that the motivations behind Nazi German actions prior to and during the Second World War were far more complex.

In early chapters, a number of the scholars correctly point out that the state of the economy was a major motivator for the leadership of the Third Reich. For example, Maria Dawson, in her chapter, “The Role of Food in the Development and Implementation of Nazi German Policies,” writes that the ethnic cleansing of Poles, commonly tied to the ideological motives of Nazi Germany, was substantially rooted in the perceived need of the Nazi regime for agricultural land to support their war effort. Joe Liu, in his chapter, “Deciphering Business Relationships in Nazi German-occupied Europe,” notes that the collection of data on prisoners entailed the development and modernization of mass data collection technology, particularly aided by IBM. The More I Know, the Less I Understand is full of such details, which are often surprising. The book not only breaks common misconceptions about the Holocaust, but provides a comprehensive picture of some of the real reasons behind Nazi crimes.

Because educating Canadian scholars and the public at large about the Holocaust will continue to be important for future generations, the methods of education on the subject must evolve. Helena Bryn-McLeod writes that, because of its importance in our daily environment, the Auschwitz-Birkenau State Museum recently joined various dominant social media networks. Since more people are using the internet than are reading books, social media is, as Bryn-McLeod identifies, “a new mode of remembering.”

Social media can also be an effective tool for the storage and capture of memories in an environment where there are fewer and fewer remaining survivors and other primary carriers of Holocaust memories. Moreover, Bryn-McLeod notes that social media conveys information to readers in similar ways as traditional forms of representation, such as journals and books – through photographs and other visuals – so little content will be lost with the transition to this new mode of memory. However, she acknowledges that, with the internet, new concerns have emerged, such as visitors taking offensive photographs in front of memorial sites and posting them. So, while the rise of fast-access media enables educators to reach a broader audience, Bryn-McLeod warns that ethical issues will continue to arise.

The More I Know, the Less I Understand holds valuable lessons. Notably, it highlights the dangers of adopting radical ethno-nationalistic positions, which, historically, have yielded catastrophic results. In his writing, Mark Twain brilliantly noted that “history does not repeat itself, but it does rhyme.” With the rebirth of populist political discourses in the West and elsewhere, the collection of works in The More I Know, the Less I Understand stresses that it is our responsibility, as a society, through education and awareness, to prevent certain chapters from history to rhyme with future chapters. Ultimately, this unique publication should be a foundational resource in Canadian scholarly environments – and elsewhere – where the subjects of the Holocaust and the Second World War are covered.

Dani Belo is a PhD student at the Norman Paterson School of International Affairs (NPSIA) at Carleton University in Ottawa, specializing in international conflict analysis and resolution. He is the editor-in-chief of the Paterson Review of International Affairs, associate editor at iAffairs Canada and contributing author in various publications for the NATO Association of Canada and the Canadian Global Affairs Institute. His area of research is international security, evolution of Russia-NATO relations, and inter-ethnic relations in the post-Soviet region.

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The More I Know, the Less I Understand can be purchased at the UBC Bookstore or from the Auschwitz-Birkenau State Museum.

The greatest Jewish novel?

What strange quirk brought it about that what may be one of the greatest and most Jewish of Jewish novels should be written not by a Diaspora Jew, nor an Israeli Jew, nor a Diaspora Jew who had made aliyah, but rather an Israeli who relocated to New York?

Further stymying expectations, Ruby Namdar did not write this novel in English, but in Hebrew (it was recently translated by Hillel Halkin). “For who?” asked an audience member at the Cherie Smith JCC Jewish Book Festival event on Nov. 26, when I had the pleasure of interviewing Namdar in front of a small gathering. If Namdar wanted his novel, which he acknowledged to be soundly in the lineage of Bernard Malamud, Saul Bellow and Philip Roth, to be read by New Yorkers, why write it in Hebrew? If he wanted the novel to make sense to Israelis, why write it about a rootless Diaspora Jew with no connection to Israel?

“I don’t know what I was thinking,” said Namdar, “I don’t know who I was writing for, I just wrote.”

The Ruined House is not just a great Jewish novel or a great novel in modern Hebrew. It possesses a structure that is at once talmudic and kabbalistic, a structure that is deep and intricate yet carried off with such a sense of understatement and naturalness, effortlessly unfolding within Namdar’s lucid, lyrical and vivid prose, that most English-language reviewers thus far have not fully noticed it. This structure is what gives the novel its profoundly Jewish resonance, which is at once modern and ancient, rootless and anchored in the archetypal depths of Jewish experience and textuality.

Talmudic structure

The Ruined House is divided into seven books, with its seventh book being the culmination of an obviously Jewish numerical pattern. Each book follows the anti-hero, Andrew P. Cohen, over the course of one year of his life, as he enters what seems to be a midlife crisis from hell (or perhaps from heaven).

Cohen is a successful and wealthy professor of comparative culture, who lives in an idyllic Manhattan high-rise with a view of the river, a pristine Apollonian realm in the skies. He has a beautiful young lover, Ann Lee, and an adoring group of followers and acolytes. He cherishes his controlled, harmonious and detached existence, which he has gained through leaving his wife and two daughters years before.

At the end of the first six sections of the novel are a few pages of text designed to look like a blat Gemara, a page of Talmud. The central text in these inserts tells the story of a high priest preparing and executing the Yom Kippur sacrifices. While he does so, he is watched by Obadiah, a humble Levite who wonders whether the priest is truly pious or just a functionary in league with the elite. Encircling the narrative are passages from the Talmud, Mishnah and Tanakh, which describe the laws, folklore and spiritual significance of the high priest’s duty. They also feature key excerpts from Shaarei Gilgulim (The Gate of Reincarnation), a kabbalist text written by Chaim Vital (1542-1620) to expound the cosmology of his master, the Ari HaKodesh, Isaac Luria (1534-1572).

The insertion of these texts is deliberate and precise. Just as the narrative in the inserts is flanked by canonical Jewish sources, the narrative of the novel is surrounded by ancient Jewish forces. As the hidden, broken nature of Cohen’s life begins to surface, he begins to have intense, waking visions of the ancient Temple in Jerusalem. His dreams turn nightmarish, alternating between repressed guilt at his betrayal of his family and dreadful tableaus of the rape of Jerusalem by the Romans and the murder of Jews by the Nazis.

The structure of the story and the inserts are not the only mirrors in the book: Cohen’s life is cast as priest-like. His elite status; the pure harmonious realm in which he lives; his having separated from his wife like Moses to live in the skies; even the elaborate meat dinners he cooks up for his dinner guests alone in his perfect kitchen all point to it. His name, of course, highlights both the substance and the irony of his life as priestly metaphor. At one point, his daughter, Rachel, disgustedly mocks people who think that Jews named Cohen are descended from the priestly lineage: “Everyone knows they just gave out those names randomly at Ellis Island.”

As Cohen descends into apparent madness, a grotesque version of the priestly sensibility gets stronger in him. He becomes morbidly obsessed with the impure and averse to the physical, the decaying and the dead. He finds himself horrified by menstrual blood and semen. The explanation of this growing claustrophobic sensibility lies in the paragraphs of Shaarei Gilgulim, which are included in Namdar’s inserts.

Kabbalist elements

Shaarei Gilgulim describes the way that some souls, during the process of reincarnation, unite with other souls in order to complete their own tikkun (repair). In the first pages of The Ruined House, “one shining soul, the figure of a high priest” is suddenly visible above New York among the celestial machinations momentarily revealed as the veil is briefly sundered. The key to the priest’s identity lies in the kabbalist doctrine of ibbur, or impregnation, where a soul from beyond enters into an earthly person in order to help them, to complete their own mission, or some combination of the two. In Cohen’s case, as suggested in a last talmudic insert, he has been “impregnated” by the soul of the high priest in need of tikkun for feeling himself superior to Obadiah, the humble Levite. The high priest and Cohen share a sin in common: arrogance. Their collective confrontation and reckoning with it will be psychically violent and cathartic and come close to doing Cohen in.

Critique of Diaspora?

Some reviewers have read The Ruined House as a critique of the Diaspora Jew, viewing the narrative as a kind of punishment of Cohen, enacted on him by the rising tide of archaic Jewish intrusions into his life. Namdar said this is a moralistic distortion of his ambivalent, questioning text. Instead, Namdar pointed to the shatterings of the illusion of wholeness and perfection that happen in the book. “Where things are broken, there, seeds can take root and grow,” he said.

For example, Cohen’s harmonious life is an illusion that is shattered in the course of the book, leaving a “ruined house.” Yet the figure of the ruined house (bayit asher necharev in the original Hebrew, a phrase that comes from a poem by Yehuda Amichai) is also an allusion to another ruined house, that of the Beit Hamikdash, the Jerusalem Temple, whose pristine world of order and control, Namdar suggests, also was illusory.

The third ruined house is suggested by the timing of the events in the novel. The story begins in the Hebrew month of Elul (signifying its theme of repentance), on Sept. 6, 2000. After the narrative comes to a head on Tisha b’Av, the date of the destruction of the Temple, it jumps from Aug. 1, 2001, to Sept. 18, 2001, leaving a lacuna where Sept. 11, 2001, and the destruction of the Twin Towers, resides.

“I did not want Sept. 11 to appear in the narrative, thus making the novel reducible to being about that event,” said Namdar when I asked him about this. “Rather, I wanted the trajectory to point to its occurrence outside the frame.”

There is much more to talk about in this remarkable novel, which manages at once to be so Jewish, so Israeli, so American and so human. I did not touch here on the attention Namdar lavishes on the details of Cohen’s daily life or Namdar’s subversion of the lineage of Malamud, Bellow and Roth in his intense empathy with the female characters of the novel, and his unsparing deconstruction of Cohen’s narcissistic masculinity. I did not examine his vivid and hilarious slow-motion evocation of a grossly excessive bar mitzvah, or his brilliant parody of the Zionist clichés of a Birthright-like propaganda tour of Israel, and many other delights. I hope this introduction is enough to invite you to step into Namdar’s mesmerizing fusion of a talmudic-esoteric structure with an incandescent evocation of life in Manhattan, and discover what else he has hidden there, of which, I promise you on good authority, there is much.

Matthew Gindin is a freelance journalist, writer and lecturer. He writes regularly for the Forward and All That Is Interesting, and has been published in Religion Dispatches, Situate Magazine, Tikkun and elsewhere. He can be found on Medium and Twitter.